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Khafre Enthroned is a Ka statue of the King Khafre, who reigned during the Fourth Dynasty of ancient Egypt. It is now located in the Egyptian Museum in Cairo. The construction is made of anorthosite gneiss (related to diorite), a valuable, extremely hard, and dark stone brought 400 miles down the Nile River from royal quarries. This highlights Khafre's importance and power as a ruler.[1] The statue was carved for the Pharaoh's valley temple near the Great Sphinx, a part of the necropolis (funerary city) used in funeral rituals. This Old Kingdom statue has an important function in Egyptian tombs as substitute abodes for the Pharaoh's ka—the life force that accompanied a person with a kind of other self. After death, the ka leaves the body into the afterlife, but still needs a place to rest: the statue.[citation needed]
| Khafre Enthroned | |
|---|---|
 Figurine on display in the French National Museum of Prehistory | |
| Material | Anorthosite gneiss |
| Height | 1.68 meters |
| Created | c. 2550 BC |
| Discovered | 1860 Giza, Giza Governorate, Egypt |
| Discovered by | Auguste Mariette |
| Present location | Cairo, Cairo Governorate, Egypt |
This sculpture, depicted in-the-round (versus relief sculpture), shows Khafre seated, one of the basic formulaic types used during the Old Kingdom to show the human figure.[2] Mummification played a huge role in the Egyptian culture, a 70-day process to ensure immortality for the king. Starting in the 3rd millennium BCE, if the king's mummy was damaged, a ka statue was created to "ensure immortality and permanence of the deceased's identity by providing a substitute dwelling place for the ka".[3]
Khafre rigidly sits in his royal throne, gazing off into the distance. The pharaoh wears a linen nemes headdress, which cover most of his forehead and folds over his broad shoulders. This royal headdress depicts the uraeus, or cobra emblem, on the front along with the royal false beard attached at the end of his chiseled chin.[3] Khafre wears a kilt covering his waist, revealing his idealized upper body and muscle definition.[citation needed] The Egyptian idealized portraiture is not meant to record individualized features, but instead proclaim the divine nature of Egyptian kingship. Two stylized lions' bodies form the throne Khafre sits on, creating a sturdy base. Lotus plants (symbolic of Upper Egypt) and papyrus plants (symbolic of Lower Egypt) grow between the legs of the throne, referring to the unification of Upper and Lower Egypt which ended the Egyptian predynastic period. The god Horus, depicted as a falcon, protects the backside of Khafre's head with his wings, another reference to the united Egypt.[1] Besides the striking view of the falcon (unseen from the front) resting behind Khafre's head, Khafre's feet are emplaced upon a flat platform, engraved with nine archery bows, representing the king's and kingdom's dominance over foreign/domestic enemy tribes, the nine bows.
The symmetrical king shows no movement or change, suppressing all motion and time to create an eternal stillness; his strong build and permanent stance demonstrate no notion of time—Khafre is timeless, and his power will exist even in the afterlife.[3] The statue is based upon compactness and solidity with few projecting parts; Khafre's block-like body is attached to the throne to last for eternity, creating one single structure. His arms rest on his thighs, directly facing the viewer in a rigid, frontal pose.[2] The bilaterally symmetric statue, symbolizing order and control in the pharaoh, is the same on either side of the vertical axis of the statue, only differing in Khafre's clenched right fist.[citation needed] The tight profile and block-like aspect represent Khafre as a permanent being and part of the stone to keep his ka safe. Khafre will always exist, on earth and in the afterlife. The pharaoh's sculpture can be described as absolutely frontal, utterly immobile, and perfectly calm: the characteristics of Egyptian block statue.[citation needed]
Creating Khafre Enthroned
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In order to create this sculpture in-the-round, the sculptor used the subtractive method. He began with a cube-shaped stone block of diorite. First, the sculptor drew the front, back, and two profile views of Khafre on the four vertical faces of the stone.[3] After the sketched plans were made, the sculptor chiseled away the excess stone on all four sides until the plans came together, meeting at right angles. The last step was sculpting specific details of Khafre's body and face, carving the falcon god Horus, and other designs on the throne. The subtractive method allows the sculptor to create a block-like look for Khafre's ka statue, a standard for Egyptian sculpture during this time period. In addition to the subtractive method, abrasion, rubbing or grinding the surface was used to finish the product off. The diorite statue stands at a final height of five foot six.[3]
References
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- ^ a b Davies, Penelope J. E. (2007). Janson's history of art: western tradition, 7th ed. Pearson.
- ^ a b Van Keuren, Frances (14 November 2010). "ARHI 3000: Ancient Art". Archived from the original on 2011-07-20. Retrieved 2010-11-29.
- ^ a b c d e Kleiner, Fred S. Gardner's Art Through the Ages, Western Edition. Thirteenth. 1. Cengage Learning, 2008. 62–63. Print.
Further reading
edit- Borchardt, Ludwig (1911). Statuen und Statuetten von Königen und Privatleuten: im Museum von Kairo [Statues and statuettes of kings and private people in the museum of Cairo] (in German). pp. 9–19. doi:10.11588/diglit.34230#0019.
- Hölscher, Uvo (1912). "Die Statuenfragmente aus dem alten Reich" [The statue fragments of the Old Kingdom]. Das Grabdenkmal des Königs Chephren (in German). pp. 89–104.