Wikipedia

Misato Katsuragi

Misato Katsuragi (Japanese: 葛城 ミサト, Hepburn: Katsuragi Misato) is a fictional character from the Gainax-created media franchise Neon Genesis Evangelion. In the eponymous anime television series, Misato is head of the operations department of the special agency Nerv, and is in charge of directing and devising war strategies needed to defeat mysterious beings named Angels. Due to childhood emotional traumas, she developed a frivolous, exuberant character and a disordered lifestyle. The character also appears in the franchise's animated feature films and related media, including video games, the original net animation Petit Eva: Evangelion@School, the Rebuild of Evangelion films, and the manga adaptation by Yoshiyuki Sadamoto.

Misato Katsuragi
Neon Genesis Evangelion character
First appearance"Angel Attack"
Created by
Voiced byJapanese:
Kotono Mitsuishi
English:
Allison Keith (ADV Films dub, Rebuild)
Carrie Keranen (Netflix dub)
In-universe information
GenderFemale
Title
  • Captain
  • Major
  • Lieutenant colonel
Significant otherRyoji Kaji
Relatives
NationalityJapanese

For the creation of the character, Neon Genesis Evangelion director Hideaki Anno took inspiration from his personality. Misato is also inspired by several real-life figures and other anime characters, including Usagi Tsukino from Pretty Guardian Sailor Moon. Critics have drawn parallels between Misato's characterization and concepts of philosophers and psychologists such as Carl Gustav Jung, Arthur Schopenhauer, and Friedrich Nietzsche; Misato's feelings for her father have been linked to Jung's Electra complex, her personal philosophy to Schopenhauer's hedgehog dilemma, and her psychology to the Dionysian spirit postulated by Nietzsche.

Misato has been widely popular with audiences and has appeared at the top of popularity polls. Some critics have contrasted her histrionic personality and sexual overtones with her 14-year-old subordinate and Evangelion protagonist Shinji Ikari; others have appreciated her spontaneity, tenacity, and endearment. She has also inspired merchandise and other subsequent anime characters.

Conception

edit

The franchise's creator Hideaki Anno initially proposed to include a female protagonist in Neon Genesis Evangelion, a young woman similar to Asuka Langley Soryu accompanied by a female soldier in a "big sister" role similar to Kōichirō Ōta's character from Anno's previous work GunBuster. At the request of Yoshiyuki Sadamoto, the series' character designer, the initial scenario was changed and Shinji Ikari, a male character, became the protagonist;[1] ideas for the "older sister" character went into what would become Misato.[2] As with other Neon Genesis Evangelion characters, the character's name was inspired by a Japanese Imperial Navy ship, the aircraft carrier Katsuragi, and Misato Izumi, a female character from Minako Narita's manga Aitsu.[3][4] To outline her personality, Anno took inspiration from Usagi Tsukino, the 14-year-old protagonist of the series Pretty Guardian Sailor Moon, thinking of Misato as an adult version of Usagi. Sadamoto also drew Misato taking his cue from Usagi's character design and picking up her hair.[5] The characters' aesthetic similarities were emphasized by the choice of Kotono Mitsuishi, the original performer of Usagi, as Misato's voice actress.[6]

 
Early designs for Misato by mangaka Yoshiyuki Sadamoto, first published in 1993

For her facial features, the staff took inspiration from Fujiko Mine from the anime Lupin III and Japanese writer Aya Sugimoto.[7] Sadamoto tried to give Misato a "girl next door" role; she was originally thought of as a fashion-conscious woman who constantly changes her clothing and apparently unsuited to military life; she was also conceived as emotional, stubborn and frivolous, and able, if forced by events, to sleep with all of the men at Nerv.[8][2] The artist, inspired by the clothes worn by racers, decided to portray her with motorcyclist dresses.[9] As a motoring enthusiast, he also poured his passion into the character, depicting her as an admirer of sports cars. It was his idea to equip her with a modified Renault Alpine A310, which Ikuto Yamashita designed,[10] as a nod to the first episode of Lupin III, in which a Renault Alpine A110 appears.[11] In the seventh episode, it was decided to have Misato drive a red Ferrari 328 GTS,[12] while in the Rebuild of Evangelion series she drives a Mazda Cosmo Sport 110.[13]

During the production of the series, Anno read romance novels written by women so he could better understand their feelings and make Misato's characterization more realistic.[14] He also relied on his personality, as well as with all characters in the series.[15][16] The staff also relied on Anno to create the room[17] and the character's handwriting.[18][19] Anno himself stated during the production of the series: "I don't know what will happen to Shinji, Misato or Rei. I don't know where life will take them. Because I don't know where life is taking the staff of the production."[4]

Several character-centered fanservice scenes were added in the early episodes, particularly exploiting the "Gainax bounce", a jerking of the female characters' breasts which had been used in Daicon IV and other previous Gainax works.[20][21] At the end of almost all post-credit previews of the episodes, the authors also inserted Misato's voice shouting "Service, service!" or equivalent expressions, promising more fanservice to the otaku audience.[22] This was removed from the second half of the series, which has more-adult and violent content than the first half.[23] In the same episodes, Anno included some sex scenes, breaking a taboo in Japanese television, although Evangelion was broadcast on TV Tokyo in a protected time-slot, with the idea of wanting to show the audience, and more particularly children, that sex and violence are an integral part of human life.[14]

In the twentieth episode, Anno introduced an implied sequence with a long off-screen shot of Misato uttering verses of pleasure and arguing while having sex with her lover, Ryōji Kaji.[24] The character's words were left up to Mitsuishi's sensibilities; the script had only Anno's direction that read, "Mitsuishi, I look forward to working with you".[25] For the series finale, he decided instead to have Misato die in an armed confrontation and inserted a scene in which her bloody corpse is glimpsed for a few seconds; due to time constraints, the main plot of the series was abandoned and the episode script was quickly rewritten. The corpse scene was revived in 1997 for the film Neon Genesis Evangelion: The End of Evangelion, a remake of the classic series finale.[26] Anno, while facing criticism, defended himself by saying:

I want to convey to children the information that there are frightening things in the world. Today, these things are too much concealed from children, including [what is shown on] television. When I was a child my town was filled with frightening things. There was a darkness behind my house. The corpses of cats and dogs had been left abandoned. Even the adults were frightened - because I was around people who had experienced going to war

— Hideaki Anno[27]

Voice actors

edit
 
Carrie Keranen voiced Misato in the Netflix dub.

In Japanese dubbing, Misato is played by Japanese voice actress Kotono Mitsuishi. Like other Neon Genesis Evangelion voice actors, Hideaki Anno chose Mitsuishi because of her Misato-like personality during a dinner.[7] To draw parallels between them, the writers decided to match the birthdays and blood types of the character and her voice actress.[28] Mitsuishi found the role both pleasing and difficult, because Misato cannot easily talk about her feelings.[29] According to Mitsuishi, "During scenes where her feelings exploded or she poured out her heart, I also became a bit over-emotional ... My hands shook and it took all my might to keep the script I was holding from rustling and making noise".[30] She cried while reading the script of the penultimate episode.[31] For the character's last scene in The End of Evangelion, in which Misato says goodbye to Shinji by leading him into an elevator, Mitsuishi received approval as early as the first cut.[32]

Mitsuishi reprised the role for the video game Neon Genesis Evangelion: Girlfriend of Steel 2nd[33] and the film tetralogy Rebuild of Evangelion, produced ten years after the conclusion of the classic series. During the recording of the first chapter Evangelion: 1.0 You Are (Not) Alone (2007), Mitsuishi was asked to strain her voice to sound younger due to the time elapsed between the works. For the third chapter in the saga Evangelion: 3.0 You Can (Not) Redo (2012), which is set fourteen years after the first, Hideaki Anno asked her to act naturally and to be as cold as possible.[34] Working on You Can (Not) Redo, Mitsuishi asked the production what had happened to Misato but no-one gave her an explanation; she assumed something terrible had happened to the character and read her own lines as though everything was Shinji's fault. In the concluding chapter of the saga Evangelion: 3.0+1.0 Thrice Upon a Time (2021), Anno used theatrical techniques to ensure even in Misato's case the camera did not point at her face in particularly heavy scenes so Mituishi's interpretation would not be affected by her lip-reading. As Mitsuishi prepared for the character's last scene, she cried so much at the sight of the script she could not continue.[35]

In the English adaptation of the series and Rebuild of Evangelion she is voiced by Allison Keith,[36][37] while for the international Netflix release of the series she is dubbed by Carrie Keranen.[38]

Appearances

edit

Neon Genesis Evangelion

edit

At the beginning of the anime, Misato is the Captain of the Tactical Operations Department of the special agency Nerv. Under her command, most of the important decisions in the battles between the Evangelion mechas and the enemies known as Angels are made,[39] and she takes responsibility for the outcomes. Her past is explored in the twelfth and twenty-first episodes of the series. At the age of thirteen, Misato followed her father Dr. Katsuragi on a scientific research expedition to the South Pole. On September 13, 2000, a natural disaster known as Second Impact occurs in Antarctica;[40] all members of the expedition, including Dr. Katsuragi, die in the accident.[41] Misato, the only survivor, is rescued by her parent in an escape pod. Shortly before his death, her father gives her a pendant in the shape of a Greek cross.[42] The event causes Misato an emotional trauma, which causes her to fall into a state of psychogenic aphasia. To prevent an information leak on the Second Impact, she is detained in a research ship for at least two years.[43]

Five years after the catastrophe, Misato heals and enrolls in the university in the city Tokyo-2, where she meets the student Ritsuko Akagi.[44] In the same period, she meets Ryoji Kaji, with whom she forms a romantic relationship that lasts two years.[45][46] In 2009, after finishing her university studies, Misato joins the German division of a research center called Gehirn and meets Asuka Langley Soryu, a pilot assigned to command the Eva-02.[47] She is later transferred to the Nerv special agency and returns to Japan, where she is promoted to the rank of Captain. In 2015, she picks up Shinji Ikari, a pilot assigned to command the Eva-01, escorting him to the Nerv headquarters in the city Tokyo-3 in the first episode, "Angel Attack".[48][49] After a short time, the woman becomes his legal guardian,[50][51] hosting him in her apartment with her pet penguin Pen-Pen.[52]

During a trip on the United Nations naval fleet, Misato meets Kaji and Asuka again.[53] Shortly after, she takes Asuka in custody, and thanks to her contribution other Angels are destroyed.[54] Meanwhile, Misato encounters Kaji at work and tries to avoid him[55][56] with a contradictory attitude,[57] but they eventually become closer with time and form a romantic relationship again.[58][59] After other war operations and the destruction of more enemies, Misato is promoted from Captain to Major.[60][61] As events progress, however, Misato becomes suspicious of Ryoji, whom she discovers is a spy for the Japanese government.[62] Misato discovers a giant anthropomorphic being, which Kaji identifies as the first Angel, Adam, which is responsible for the Second Impact, is being kept in the Nerv headquarters. Misato, shaken by the discovery, begins to doubt the real intentions of the Nerv[63][64] and those of her friend Ritsuko Akagi, director of the technical department of the organization. Sometime later, Kaji dies, and Misato begins to persistently search for the truth about Second Impact and a plan known as the Human Instrumentality Project. With the help of her subordinate Makoto Hyuga, she gathers secret information about the intentions of the Human Instrumentality Project.[65]

In the movie The End of Evangelion, the day she discovers the truth a secret organization called Seele orders the requisitioning of the Nerv headquarters, which is stormed by troops of the Japanese Strategic Self-Defense Forces.[66] During the attack, Misato tries to get Shinji to safety and persuade him to go to the battlefield but she is mortally wounded and dies before the start of the Human Instrumentality.[67]

Rebuild of Evangelion

edit

Further differences in the story and characterization of Misato appear in the Rebuild of Evangelion film tetralogy. During production, Anno wanted to assign her the role of co-protagonist of the Rebuild alongside Shinji, changing her personality.[68] The feature film Evangelion: 1.0 You Are (Not) Alone (2007) almost exactly follows the first six episodes of Neon Genesis Evangelion; Misato, as in the fourth episode of the classic series "Hedgehog's Dilemma", after the battle against the Angel Shamshel, scolds Shinji during a private conversation but when she leaves Shinji she slaps herself.[69] In Rebuild, Misato is aware of the presence of the second Angel Lilith in the Nerv headquarters, and reveals its existence to Shinji just before the battle against Ramiel.[70][71] Before Operation Yashima, Shinji asks Misato why he was chosen as a pilot. Misato, holding his hand, replies that there is no particular reason and that gives him a valid reason to continue piloting and fighting for the salvation of mankind.[72]

In the second installment of the saga, Evangelion: 2.0 You Can (Not) Advance (2009), Misato appears less cautious and less reserved than in the original version;[73] during the feature film, she pushes Shinji to get closer to his father Gendo and begins to emotionally talk with Asuka.[74] At the end of the movie, during the battle against the tenth Angel, Misato encourages Shinji to save Rei Ayanami for danger, even though she is aware of the risks.[75][76]

In Evangelion: 3.0 You Can (Not) Redo (2012), set fourteen years after the previous one, Misato plays the role of head of an organization named Wille, which was created to destroy the Nerv, as well as captain of a flying ship called AAA Wunder.[77] She maintains a cold attitude towards Shinji to keep him from getting close to his father again and from piloting an Evangelion unit.[78]

In the final feature film of the saga, Evangelion: 3.0+1.0 Thrice Upon a Time (2021), Misato travels with the crew of AAA Wunder to Antarctica, the epicenter of the Second Impact, to attempt to neutralize a unit called Eva-13. Here, Shinji asks Misato to pilot the Eva-01 to stop the antagonist, Commander Ikari; a member of the Wille Sakura Suzuhara tries to shoot Shinji but Misato covers him. Misato reconciles with her subordinate, and remains alone on board AAA Wunder, sacrificing herself to stop Gendo's plans. In the course of the story, it is also revealed her partner Kaji died to stop the Third Impact and in the interval between 2.0 and 3.0, she gave birth to their son, also named Kaji,[79] who grows up without knowing his mother by her own will.[80]

Other media

edit

In a scene in the last episode of the animated series, a parallel universe with a different backstory than all previous episodes is presented; in the alternative reality, Misato is a teacher of Asuka's and Shinji's class.[81] Second Impact did not occur so she also does not appear to have undergone a childhood trauma or been to the South Pole. A similar version is presented in some spin-offs of Neon Genesis Evangelion, such as Neon Genesis Evangelion: Angelic Days and Neon Genesis Evangelion: Shinji Ikari Raising Project,[82][83] which are set in the alternative reality of the last episode;[84][85] Neon Genesis Evangelion: Campus Apocalypse[86] and the ONA Petit Eva: Evangelion@School, a parody of the original animated series.[87] In Petit Eva, Misato teaches Japanese literature and lives alone rather than being Shinji's roommate.[88][89]

In addition to video games based on the original animated series, Misato is also used in media outside the Neon Genesis Evangelion franchise, such as the video games Monster Strike,[90] Super Robot Wars,[91] Tales of Zestiria,[92] Puzzle & Dragons,[93] Keri hime sweets, Summons Board,[94][95] Pazudora,[96] Puyopuyo!! Quest,[97] The Battle Cats,[98] and in an episode of the anime Shinkansen Henkei Robo Shinkalion.[99]

Characterization and themes

edit

Personality and relationships

edit
 
Series creator Hideaki Anno

Misato wears several social masks[100][101] and has a dual personality;[102] one as a lively, superficial young woman and the other as a resolute, stubborn, professional woman.[103] She presents herself with a cheerful, optimistic,[104] exuberant, and frivolous character.[105][106] In her private life, Misato is sloppy and untidy; her apartment is always chaotic and disorganized, and is full of beer cans and car magazines.[107][108] At work, however, she shows seriousness, demonstrating emotional coldness.[109] Her affectionate personality sometimes makes her prioritize human feelings over her duty as a Nerv employee, and her job position arouses internal conflict and leads her to make difficult choices.[110] Despite her open, spontaneous character, Misato hides her true feelings;[111] voice actress Mitsuishi described her as an insecure, lonely woman who tries to hide "the loneliness and darkness deep within her heart".[29] Hideaki Anno wanted to portray Misato as an eternal teenager who, despite childhood traumas and a difficult experience, begins a process of inner analysis through which she builds her own psychologically acceptable reality, in which the fears of the past coexist with everyday life.[112] Moreover, according to Anno himself, Misato's psychology would lead mentally infantile people to identify with her.[113]

Misato adopts an older-sister-like attitude toward the male protagonist of the series, Shinji,[114][115] trying to deal with his problems in a frank and serene way.[116][117][118] When Shinji arrives at Nerv's headquarters, Misato immediately sees his potential as a pilot,[119][120] a selfish consideration that later causes her a strong sense of guilt.[121] At the beginning of their relationship she tries to show herself as casual and carefree, in an attempt to convey to him a certain maternal attitude[122] and human warmth.[123][124] This rough attitude initially irritates Shinji.[125] After the initial embarrassment, however, Shinji understands Misato's true motives, as she shows him her helpless, rough side because she trusts him and considers him a member of her family.[126][127]

Hideaki Anno commented on the characterisation of Misato saying:

[Misato] is a 29-year-old woman who lives life so lightly as to barely allow the possibility of a human touch. She protects herself by having surface level relationships, and running away. Both [Misato and Shinji] are extremely afraid of being hurt. Both are unsuitable-lacking the positive attitude-for what people call heroes of an adventure. But in any case, they are the heroes of this story.

— –Hideaki Anno[4]

According to Kazuya Tsurumaki, assistant director of Neon Genesis Evangelion, in early episodes Misato and Shinji talk while maintaining a detached, laconic attitude without looking at each other; Misato speaks to Shinji without entering his room "like they [are] looking through a slightly opened door, but not connecting".[128] Yūichirō Oguro, co-editor of home video editions of the series, noted how in Evangelion the characters tend to avoid making eye contact in the early episodes, including Misato and Ritsuko, while in the second episode Shinji and Misato make direct eye contact several times.[129] With time, they become emotionally closer.[130] In the twelfth episode, Misato tells Shinji about the bitter relationship she had with her father and her reasons for joining Nerv,[131][132] identifying with Shinji and his relationship with his father Gendo.[133] A relationship of mutual esteem[134][135] grows between Misato and Shinji, and she develops an attachment to him.

Misato's relationship with Shinji has been compared to that between a mother and her son; an older sister and a younger brother;[136] an adult and a child; a superior and a subordinate; and between two lovers.[137] The Guardian's Anne Billson noted that Misato frequently thrusts bosom or bottom at Shinji, but "these glimpses are from Shinji's point of view".[138] Shinji Higuchi, a staff member of the series, described Shinji's and Misato's relationship as "a temporary relationship that could fade away at any time".[139] In an interview, Hideaki Anno said he was unsure whether Kaji is the person Misato loves the most; Misato, in his opinion, could not be happy staying with Kaji and "could fall in love with Shinji".[140] In a scene in the twenty-third episode, Misato enters Shinji's bedroom after the death of his classmate Rei Ayanami. Misato tries to touch his hand and comfort him but he shrugs off her touch; according to the filmbooks of the series, she may be about to offer him sex to comfort him and compensate for her loneliness.[141] According to an official pamphlet of The End of Evangelion, Misato is in many ways Shinji's "first woman".[137] In the film The End of Evangelion, Misato and Shinji say goodbye for the last time; Misato kisses Shinji on the lips and gives him her cross-shaped pendant.[142] Oguro noted in the penultimate episode of the series Misato is laying naked and the reasons for her lively, action-oriented behavior are revealed, while in The End of Evangelion she again becomes the focus of the action but dies in an attempt to save Shinji and with an opposite portrayal to that of the classic series finale. For Oguro, as for Anno, Misato would be accustomed to superficial interpersonal relationships, but according to Oguro in the finale she may have tried for the first time "to get involved with others".[143]

Cultural references and psychoanalysis

edit

Like other characters in Neon Genesis Evangelion, Misato has a difficult past, a complicated relationship with her separated parents, relationship difficulties, and emotional trauma.[144] Her suffering and torments are rooted in her relationship with her father Dr. Katsuragi, who neglected his wife's needs and those of his daughter but sacrificed himself to save Misato's life. The disappearance of her father caused her psychic trauma, leading her to become mute for several years and to act in an unhealthy manner towards other men. While trying not to live in her father's shadow, Misato finds herself following his life path;[145][146] once she overcomes her aphasia, Misato enters the Nerv trying to destroy the Angels, which she accuses of having killed her father, to take her personal revenge[147] and dispel what she calls her father's "curse".[148] She also uses sex to feel loved and valued.[149]

 
 
 
In analyzing Misato, critics have used concepts formulated by Arthur Schopenhauer, Friedrich Nietzsche and Carl Gustav Jung.

Misato's attitude has been attributed to an Electra complex, a psychological concept formulated by Carl Gustav Jung;[149] she unconsciously looks for her father in the figure of Kaji to fill the void caused by the disappearance of her parent.[150] After being in a relationship for two years, noticing the unconscious motives behind her attitudes and intimidated by the similarity between the two men, she decides to leave Kaji with an excuse.[151]

In the twenty-fifth episode, Misato issues a long inner monologue, during which her internal conflicts and repressed memories resurface. During her childhood, she tried to be, in her own words, a "good girl" and to help her mother, who was also neglected by her father,[152] but once she became an adult she felt disgusted at her servile behavior. This led her to want to "get dirty" through her close sexual relationship with Kaji, the only person to whom she seems to genuinely show herself.[153][154] Although she rejects Human Instrumentality, through which the souls of all human beings would unite into one complete being, she yearns for "peace", seeking refuge in the figure of Kaji.[155]

In the third episode of the series, Misato discusses Arthur Schopenhauer's hedgehog's dilemma with her friend Ritsuko Akagi, highlighting her views on human relationships and communication,[156][157] according to which growing up is a constant attempt to get closer and further away from each other.[158] She and Shinji hurt each other like Schopenhauer's hedgehogs but continue to need each other to avoid suffocating in loneliness.[159] Both characters are gripped by torments, fears and social difficulties.[160][161] Misato, herself a victim of the dilemma, is unable to openly express her feelings and during the fourth episode she rejects Shinji.[162] In the final sequence of the episode, however, the two characters seem to become closer without hurting each other, overcoming Schopenhauer's dilemma.[163]

Anthony Gramuglia of Anime Feminist, analyzing Misato's characterization and lifestyle, made a parallelism with the Japanese lost generation and millennials or Generation Y, who after the bursting of the Japanese asset price bubble had difficulty finding housing and tend to be underpaid for the amount of work they do.[164] Italian researcher Fabio Bartoli noted a dichotomy between the characters of Misato and Ritsuko, associating Misato to the Nietzschean Dionysian spirit, to the sephirah Cochkmah and to the father—her parental figure of reference—and Ritsuko to the Apollonian spirit, to Binah and the mother, to whom she seems to be more attached.[165] According to the book Neon Genesis Evangelion: The Unofficial Guide, Misato's name contains the Japanese word ミサ (misa), which can be translated as "mass", a possible reference to her dark clothing and the cross-shaped pendant she wears around her neck.[166]

Critics have associated character traits of Shinji and Misato with borderline personality disorder; Misato is impulsive, sexually promiscuous, and is frightened of being abandoned, much like a person with the mood disorder.[167][168] Misato is also the focus of some epistemological reflections already present in earlier Gainax works. In the seventh and twelfth episodes, Misato is optimistic about the potential of humans, emphasizing the limits of science and probabilistic predictions. Her philosophical position is summarized in one of her mottoes; "The value of a miracle becomes real only after the miracle has been performed" which, in addition to rejecting a fatalistic and resigned attitude, refers to her personal experience, having been miraculously saved by her father at the South Pole. Equivalent expressions can be found in the sixth episode of Gunbuster and in the twenty-first episode of Nadia: The Secret of Blue Water, both of which Anno directed.[169][170] For writer Dennis Redmond, Misato is based on Nadia Arwol from Nadia: The Secret of Blue Water[171] while Akio Nagatomi of The Animé Café compared her to Kazumi Amano from Gunbuster.[172] The theme of conflict with paternal figures is also present in Anno's previous works.[173]

Cultural impact

edit

Popularity

edit

The character of Misato has been ranked in several popularity polls,[174][175][176] in different categories,[177][178][179][180] placing among the most popular Neon Genesis Evangelion characters.[181] After the conclusion of the series, Misato ranked eighth among the most-popular female characters of the moment in the 1996 Anime Grand Prix, a large annual survey conducted by the Japanese magazine Animage.[182] In the next two Anime Grand Prix, she stayed in the top twenty; in 1997 she remained in eighth place, while in 1998 she dropped to thirteenth.[183][184] Misato also remained in the magazine's monthly rankings throughout 1997,[185][186] consistently placing among the thirty most-popular characters.[187][188][189] In 1998, the magazine placed her twenty-seventh among the most-popular anime characters.[190] Moreover, according to Animerica magazine, Misato's popularity led her to become the most-popular female character in the series in the United States, surpassing Rei Ayanami and Asuka.[191]

Critical reception

edit

Critics have been generally positive about Misato's character. Anime reviewers praised the characterisation and psychology of the character. According to writer Kazuhisa Fujie, she is "the most elaborately described character in Evangelion".[192] Japanese website Niconico ranked her first among animated characters that are most suited to the role of big sister, appreciating both her messy, affectionate, homely attitude and her military skills.[193] Crunchyroll's Kara Dennison called her an extremely "under-appreciated" character.[194] The website Urban Cinefile described her as a "daring, decisive, innovative" character.[195] The websites Screen Rant[196][197] and Comic Book Resources[198] ranked Misato among the best characters in the series. According to Ritwik Mitra of Screen Rant; "One of the important women in Shinji's life and a great character in her own right, Misato is ... one of the more intriguing characters in the entire show, and a treat to watch during some of the more impactful moments in Neon Genesis Evangelion".[197]

Other reviewers expressed criticism for her characterization. Anime News Network reviewer Kenneth Lee found her characterization ineffective, writing about the lack of convincing explanations about Misato's emergence from her years of aphasia.[199] Comic Book Resources's Theo Kogod criticized her decision to take Asuka and Shinji into custody.[200] Further criticism was aimed at some scenes in the twentieth episode, in which Misato has sexual intercourse with Kaji,[201] and some of her sexually implied approaches to fourteen-year-old Shinji.[202] Emily Auten of Nerdmuch.com and Brittany Vincenti of Geek.com, on the other hand, expressed positive opinions of her relationship with Kaji.[203][204] Comic Book Resources' Ajay Aravind noted the kiss between Shinji and Misato as one of the scenes that changed Japanese animation;[205] his colleague Devin Meenan described it as "one of the most beautiful" of The End of Evangelion.[206] For 25 Years Later's Alex Boruff, the relationship between Shinji and Misato is Evangelion's most important, and it "doesn’t fit into any conventional archetypes of relationships"; according to Boruff, "part of what makes their dynamic so fascinating is the ambiguity of it".[207]

Misato's role in the Rebuild of Evangelion saga also drew criticism and praise from reviewers. For Comic Book Resources's Angelos Delos Trinos, her characterization in Rebuild is minimal when compared "to her depth and nuance" in the classic series.[208] Anime Reign magazine also expressed a negative opinion, deeming her role underexplored and shadowy.[209] The website Japanator expresses a contrary opinion, saying it is "fascinating to see Misato unchained from the shackles of Nerv", emphasizing the consistency of the changes and finding them relevant to the spirit of Rebuild of Evangelion.[210] The reception of Misato's role in the last installment of the saga Evangelion: 3.0+1.0 Thrice Upon a Time (2021) was more positive. For IGN's Hanrique Padula, Misato and the show's other characters would, in the film, gain facets never seen before, reaching points never reached in the original series.[211] Comic Book Resources' Reuben Baron also welcomed the revelations presented in the feature film, saying; "3.0+1.01 also fills in enough details about Misato's experiences during the time skip [in 3.0] to give her a more convincing emotional arc".[212]

Legacy and merchandise

edit

Misato's character has been used for merchandising items, such as toys,[213] collectible models,[13] action figures,[214][215] alcohol,[216][217] eyewear,[218] gun holsters[219] and clothing items.[220] In June 2009, Bandai Namco Entertainment and Cellius released a program called "The Misato Katsuragi News Project", in which the character Misato announced the most important news of the day via a voice simulator.[221] The program remained active until June of the following year.[222] Misato was also used in advertising campaigns for the Japan Racing Association[223] and features on the 500 Type Eva, a high-speed train dedicated to Neon Genesis Evangelion.[224]

Misato is parodied in the manga Jujutsu Kaisen, which has a reference to the photograph she gives Shinji in the first episode of the series.[225] Actor Natsuki Kato has paid homage to Misato by cosplaying her;[226] in 2015, she dressed as Misato during an official announcement by the Hakuto team of a space mission to send a miniature replica of Longinus' spear to the Moon.[227] Hiroyasu Ishida, director of Penguin Highway, cited Misato as one of the influences for Aoyama's older sister, the feature film's protagonist.[228][229] According to Kazuya Tsurumaki, Sadamoto may have initially thought of Misato for the conception of FLCL's Haruko Haruhara.[230] Attack on Titan author Hajime Isayama drew Mikasa Ackerman's name from the warship of the same name, thinking of Misato's surname or those of Ritsuko or Yuki Nagato from The Melancholy of Haruhi Suzumiya, all of which came from warships, with the idea similar names would bring success to the characters.[231]

Critics have found similarities to Misato in later female anime characters, including Talho Yūki from Eureka Seven by her way of drinking beer[232] and Haruka Shitow from RahXephon for her maternal attitude toward the series' protagonist, Kamina.[233] Anime News Network' Gabriella Ekens compared Misato to Chain Sumeragi from Blood Blockade Battlefront, as both sensual, career women with comic moments;[234] she also noticed that Kazuki Kuwanomi from Plastic Memories is "often framed in ways that resemble Misato".[235] Her colleague Jason Green similarly traced Misato's influence on the characterization of Yoko Littner from Gurren Lagann, particularly in the use of "Gainax bounce" fan service.[236]

See also

edit

Notes

edit
  1. ^ Takekuma 1997, pp. 134–135.
  2. ^ a b Interview with Yoshiyuki Sadamoto in Der Mond: The Art of Yoshiyuki Sadamoto - Deluxe Edition. Kadokawa Shoten. 1999. ISBN 4-04-853031-3.
  3. ^ Hideaki Anno (2 November 2000). "Essay". Gainax.co.jp (in Japanese). Gainax. Archived from the original on 20 February 2007. Retrieved 5 July 2014.
  4. ^ a b c Sadamoto, Yoshiyuki (December 1998) [1995]. "What were we trying to make here?". Neon Genesis Evangelion, Vol. 1. Essay by Hideaki Anno; translated by Mari Morimoto, English adaptation by Fred Burke. San Francisco: VIZ Media LLC. pp. 170–171. ISBN 1-56931-294-X.
  5. ^ From the interview contained in Genesis 0:0 as part of the Evangelion Renewal edition bonus extras.
  6. ^ "第38回 エヴァ雑記「第伍話 レイ、心のむこうに」" (in Japanese). Archived from the original on 20 October 2019. Retrieved 2 June 2018.
  7. ^ a b Gainax (February 1998). Neon Genesis Evangelion Newtype 100% Collection (in Japanese). Kadokawa Shoten. pp. 124–126. ISBN 4-04-852700-2.
  8. ^ Gainax (February 1998). Neon Genesis Evangelion Newtype 100% Collection (in Japanese). Kadokawa Shoten. p. 87. ISBN 4-04-852700-2.
  9. ^ "Sadamoto" (in Japanese). Archived from the original on 21 December 2003. Retrieved 7 June 2018.
  10. ^ Seiji, Kio; Yamashita, Ikuto (1998). Sore Wo Nasumono: Neon Genesis Evangelion Concept Design Works (in Japanese). Kadokawa Shoten. p. 138. ISBN 4-04-852908-0.
  11. ^ "Japan Expo 2015: l'edizione del ventennale di Evangelion" (in Italian). 14 July 2015. Archived from the original on 8 January 2021. Retrieved 2 June 2018.
  12. ^ Neon Genesis Evangelion Film Book (in Japanese). Vol. 3. Kadokawa Shoten. p. 9.
  13. ^ a b "Misato's Car From the Evangelion Movies Gets A Die-Cast Model". 15 December 2014. Archived from the original on 27 May 2020. Retrieved 26 May 2020.
  14. ^ a b Miyako Graham, ed. (1996). "Anecdotes from Mr. Hideaki Anno". Protoculture Addicts. No. 43. pp. 40–41.
  15. ^ ＥＶＡ ＳＰＥＣＩＡＬ ＴＡＬＫ ｗｉｔh 庵野秀明＋上野俊哉. Newtype (in Japanese). Kadokawa Shoten. November 1996.
  16. ^ "鶴巻 和哉". ヱヴァンゲリヲン新劇場版：破 全記録全集 (in Japanese). Ground Works. 2010. pp. 323–351. ISBN 978-4-905033-00-4.
  17. ^ Gualtiero Cannarsi. Evangelion Encyclopedia (in Italian). Vol. 2. Dynamic Italia. p. 38.
  18. ^ Neon Genesis Evangelion Film Book (in Japanese). Vol. 1. Kadokawa Shoten. p. 17.
  19. ^ Gualtiero Cannarsi. Evangelion Encyclopedia (in Italian). Vol. 1. Dynamic Italia. p. 40.
  20. ^ Gualtiero Cannarsi. Evangelion Encyclopedia (in Italian). Vol. 1. Dynamic Italia. p. 41.
  21. ^ Carl G. Horn. "Speaking Once as They Return: Gainax's Neon Genesis Evangelion - Part 2". Archived from the original on 28 December 2011. Retrieved 9 November 2015.
  22. ^ Gualtiero Cannarsi. Evangelion Encyclopedia (in Italian). Vol. 3. Dynamic Italia. pp. 33–34.
  23. ^ "第55回 エヴァ雑記「第弐拾弐話 せめて、人間らしく」" (in Japanese). Archived from the original on 18 May 2016. Retrieved 27 May 2020.
  24. ^ "新世紀エヴァンゲリオン』をめぐって（庵野秀明×東浩紀）". Studio Voice (in Japanese). INFAS. October 1996.
  25. ^ "第53回 エヴァ雑記「第弐拾話 心のかたち 人のかたち」" (in Japanese). Archived from the original on 10 October 2018. Retrieved 26 May 2020.
  26. ^ "第58回 エヴァ雑記「第弐拾伍話 終わる世界」" (in Japanese). Archived from the original on 23 November 2012. Retrieved 8 June 2018.
  27. ^ Front Runner (in Japanese). 14 July 2012. p. b3.
  28. ^ "第41回 エヴァ雑記「第八話 アスカ、来日」" (in Japanese). Archived from the original on 10 October 2018. Retrieved 15 April 2017.
  29. ^ a b Gainax, ed. (1997). "出演者コメント". Death & Rebirth Program Book (in Japanese).
  30. ^ "声ノ出演". The End of Evangelion Theatrical Pamphlet (in Japanese). Gainax. 1997.
  31. ^ Takekuma 1997, p. 163.
  32. ^ "EVA新生!!". Animedia (in Japanese). Gakken. October 1997.
  33. ^ "鋼鉄のガールフレンド 2nd" (in Japanese). Archived from the original on 9 October 2007. Retrieved 15 April 2017.
  34. ^ ヱヴァンゲリヲン新劇場版:Q 記録集 (in Japanese). 17 November 2012. pp. 58–59.
  35. ^ Evangelion 3.0+1.0 Theatrical Pamphlet. Japan. 2021. pp. 31–33. ASIN B08Y85RJ9Q.{{cite book}}: CS1 maint: location missing publisher (link)
  36. ^ Carl Gustav Horn (1998). "Allison Keith Interview". Animerica. 6 (3). Viz Media.
  37. ^ Peter Cahill. "Neon Genesis Evangelion". Archived from the original on 11 March 2000. Retrieved 30 December 2013.
  38. ^ "Netflix Reveals Neon Genesis Evangelion's New English Dub Cast". Comic Book. 21 June 2019. Archived from the original on 8 February 2021. Retrieved 4 February 2021.
  39. ^ Neon Genesis Evangelion Film Book (in Japanese). Vol. 8. Kadokawa Shoten. p. 4.
  40. ^ Evangelion Chronicle (in Japanese). Vol. 1. Sony Magazines. p. 15.
  41. ^ Gainax, ed. (1997). "作品内年表". Death & Rebirth Program Book (in Japanese).
  42. ^ Neon Genesis Evangelion Film Book (in Japanese). Vol. 4. Kadokawa Shoten. pp. 46–48.
  43. ^ Neon Genesis Evangelion Film Book (in Japanese). Vol. 8. Kadokawa Shoten. p. 26.
  44. ^ Porori 2009, p. 40.
  45. ^ Gainax, ed. (1997). Death & Rebirth Program Book (in Japanese) (Special ed.). p. 40.
  46. ^ Poggio 2008, pp. 76–77.
  47. ^ Evangelion Chronicle (in Japanese). Vol. 2. Sony Magazines. p. 15.
  48. ^ Porori 2009, p. 48.
  49. ^ Evangelion Chronicle (in Japanese). Vol. 3. Sony Magazines. p. 13.
  50. ^ Evangelion Chronicle (in Japanese). Vol. 4. Sony Magazines. p. 14.
  51. ^ Neon Genesis Evangelion Film Book (in Japanese). Vol. 1. Kadokawa Shoten. p. 69.
  52. ^ Porori 2009, pp. 50–51.
  53. ^ Evangelion Chronicle (in Japanese). Vol. 10. Sony Magazines. pp. 13–14.
  54. ^ Evangelion Chronicle (in Japanese). Vol. 14. Sony Magazines. p. 6.
  55. ^ Neon Genesis Evangelion Film Book (in Japanese). Vol. 3. Kadokawa Shoten. p. 61.
  56. ^ Evangelion Chronicle (in Japanese). Vol. 11. Sony Magazines. p. 15.
  57. ^ Gualtiero Cannarsi. Evangelion Encyclopedia (in Italian). Vol. 5. Dynamic Italia. pp. 25–26.
  58. ^ Evangelion Chronicle (in Japanese). Vol. 14. Sony Magazines. p. 9.
  59. ^ Porori 2009, p. 29.
  60. ^ Gualtiero Cannarsi. Evangelion Encyclopedia (in Italian). Vol. 6. Dynamic Italia. p. 27.
  61. ^ Evangelion Chronicle (in Japanese). Vol. 4. Sony Magazines. p. 5.
  62. ^ Porori 2010, p. 41.
  63. ^ Evangelion Chronicle (in Japanese). Vol. 17. Sony Magazines. pp. 15–16.
  64. ^ Neon Genesis Evangelion Film Book (in Japanese). Vol. 5. Kadokawa Shoten. pp. 48–49.
  65. ^ Porori 2010, pp. 22–23.
  66. ^ Porori 2010, p. 96.
  67. ^ Hideaki Anno, Kazuya Tsurumaki, Masayuki (directors) (1997). Neon Genesis Evangelion: The End of Evangelion (Film). Studio Gainax.
  68. ^ 庵野 秀明. ヱヴァンゲリヲン新劇場版：破 全記録全集 (in Japanese). Ground Works. 2010. ISBN 978-4-905033-00-4.
  69. ^ Kadokawa Shoten (2007). ヱヴァンゲリヲン新劇場版:序 ENTRY FILE 1 (in Japanese). 角川書店. p. 34. ISBN 978-4-04-854119-0.
  70. ^ Martin Theron (4 March 2010). "Evangelion: 1.11 You Are [Not] Alone". Archived from the original on 28 November 2019. Retrieved 3 June 2018.
  71. ^ Hideaki Anno, Kazuya Tsurumaki, Masayuki (directors) (2007). Evangelion: 1.0 You Are (Not) Alone (Film). Studio Khara.
  72. ^ Kadokawa Shoten (2007). ヱヴァンゲリヲン新劇場版:序 ENTRY FILE 1 (in Japanese). 角川書店. p. 76. ISBN 978-4-04-854119-0.
  73. ^ Justin Sevakis (24 November 2009). "Evangelion: 2.0 You Can [Not] Advance". Anime News Network. Archived from the original on 17 June 2018. Retrieved 9 April 2017.
  74. ^ Martin Theron (31 March 2011). "Evangelion 2.22: You Can (Not) Advance". Anime News Network. Archived from the original on 15 June 2018. Retrieved 8 April 2017.
  75. ^ Evangelion Chronicle (in Japanese). Vol. 35. Sony Magazines. p. 3.
  76. ^ Hideaki Anno, Kazuya Tsurumaki, Masayuki (directors) (2009). Evangelion: 2.0 You Can (Not) Advance (Film). Studio Khara.
  77. ^ Hideaki Anno, Kazuya Tsurumaki, Masayuki (directors) (2012). Evangelion: 3.0 You Can (Not) Redo (Film). Studio Khara.
  78. ^ Zac Bertschy (2 February 2016). "Evangelion 3.33: You Can (Not) Redo". Archived from the original on 29 September 2019. Retrieved 3 June 2018.
  79. ^ Evangelion 3.0+1.0 Theatrical Pamphlet (in Japanese). Japan. 2021. pp. 50–51. ASIN B08Y85RJ9Q.{{cite book}}: CS1 maint: location missing publisher (link)
  80. ^ Evangelion: 3.0+1.0 Thrice Upon a Time (Film). Studio Khara. 2021.
  81. ^ Miller 2012, pp. 87–88.
  82. ^ "Neon Genesis Evangelion The Shinji Ikari Raising Project Volume 1". Archived from the original on 5 July 2017. Retrieved 3 June 2018.
  83. ^ Carl Gustav Horn (2014). "Editor's Note". Neon Genesis Evangelion: Shinji Ikari Raising Project. Vol. 1. Dark Horse Comics. p. 187. ISBN 978-1-63008-256-7.
  84. ^ "Neon Genesis Evangelion Iron Maiden 2nd" (in Japanese). Archived from the original on 3 February 2014. Retrieved 10 November 2014.
  85. ^ "Neon Genesis Evangelion: Angelic Days". Archived from the original on 24 November 2006. Retrieved 3 June 2018.
  86. ^ Jemiah Jefferson (25 August 2010). "The phenomenon that is Neon Genesis Evangelion". Archived from the original on 2 July 2017. Retrieved 3 June 2018.
  87. ^ Evangelion Chronicle (in Japanese). Vol. 35. Sony Magazines. p. 18.
  88. ^ "Petit Eva" (in Japanese). Archived from the original on 14 July 2013. Retrieved 22 January 2014.
  89. ^ "Petite Eva?!". Newtype USA. June 2007. p. 67.
  90. ^ "【モンスト】「エヴァンゲリオン」コラボ第3弾が開催！限定ガチャや「葛城ミサト」も新登場" (in Japanese). 5 October 2017. Archived from the original on 12 June 2018. Retrieved 4 June 2018.
  91. ^ "Import Review: Super Robot Wars V". 26 April 2018. Archived from the original on 22 August 2018. Retrieved 4 June 2018.
  92. ^ ""Evangelion" Costume Set for "Tales of Zestiria" Offered in America and Europe". 12 November 2015. Archived from the original on 12 June 2018. Retrieved 7 June 2018.
  93. ^ "Neon Genesis Evangelion Revisits Puzzle & Dragons". 17 November 2015. Archived from the original on 12 June 2018. Retrieved 7 June 2018.
  94. ^ "『ケリ姫スイーツ』と『エヴァンゲリオン』コラボが復活！「第13号機 疑似シン化」などの新キャラクターが登場" (in Japanese). 25 November 2016. Archived from the original on 9 December 2017. Retrieved 9 July 2017.
  95. ^ "『サモンズボード』に使徒、再び！『エヴァンゲリオン』コラボ情報まとめ" (in Japanese). 19 October 2016. Archived from the original on 9 December 2017. Retrieved 9 July 2017.
  96. ^ "【パズドラ攻略】"ミサト＆レイランドレス"、"アヤナミレイ（仮称）＆Mark.09 覚醒後"の評価＆使い道を考察" (in Japanese). 24 December 2016. Archived from the original on 24 October 2018. Retrieved 24 October 2018.
  97. ^ "セガゲームス、『ぷよぷよ!!クエスト』で「エヴァンゲリオン」コラボを開始！ 「葛城ミサト」役・三石琴乃さんナレーションのテレビCMも放映中" (in Japanese). 10 August 2018. Archived from the original on 11 September 2018. Retrieved 12 September 2018.
  98. ^ Kara Dennison (17 July 2019). "Battle Cats x Evangelion Crossover Has Big Nya Energy". Archived from the original on 5 December 2019. Retrieved 26 May 2020.
  99. ^ "Misato Brings 'Service, Service' to Shinkalion's Giant Eva-Filled Episode". 3 August 2018. Archived from the original on 17 January 2020. Retrieved 8 August 2018.
  100. ^ Newtype Complete 新世紀エヴァンゲリオン (in Japanese). Kadokawa Shoten. 2005. pp. 26–27.
  101. ^ Evangelion Chronicle (in Japanese). Vol. 43. Sony Magazines. pp. 15, 22.
  102. ^ Neon Genesis Evangelion Film Book (in Japanese). Vol. 7. Kadokawa Shoten. p. 68.
  103. ^ Neon Genesis Evangelion Film Book (in Japanese). Vol. 1. Kadokawa Shoten. p. 71.
  104. ^ "Characters". Archived from the original on 27 November 1999. Retrieved 24 October 2015.
  105. ^ Neon Genesis Evangelion Film Book (in Japanese). Vol. 2. Kadokawa Shoten. p. 4.
  106. ^ Fujie & Foster 2004, p. 68.
  107. ^ "Spotlight: Evangelion". Protoculture Addicts (39). Protoculture Inc.: 20 March 1996.
  108. ^ Gualtiero Cannarsi. Evangelion Encyclopedia (in Italian). Vol. 1. Dynamic Italia. pp. 29–30.
  109. ^ Neon Genesis Evangelion Film Book (in Japanese). Vol. 1. Kadokawa Shoten. p. 7.
  110. ^ Neon Genesis Evangelion Film Book (in Japanese). Vol. 6. Kadokawa Shoten. p. 23.
  111. ^ Neon Genesis Evangelion Film Book (in Japanese). Vol. 4. Kadokawa Shoten. p. 4.
  112. ^ Poggio 2008, p. 47.
  113. ^ "あんた、バカぁと、言われてみたい。（庵野秀明、宮村優子）". Animage (in Japanese). Tokuma Shoten. July 1996.
  114. ^ Neon Genesis Evangelion Film Book (in Japanese). Vol. 6. Kadokawa Shoten. p. 4.
  115. ^ Gainax, ed. (1997). "登場人物". Death & Rebirth Program Book (in Japanese).
  116. ^ Neon Genesis Evangelion Film Book (in Japanese). Vol. 7. Kadokawa Shoten. p. 4.
  117. ^ Gualtiero Cannarsi. Evangelion Encyclopedia (in Italian). Vol. 3. Dynamic Italia. p. 22.
  118. ^ Ricky Soberano (16 August 2021). "Misato Katsuragi's Integral Role in Almost Every Evangelion Characters' Development". Comic Book Resources. Archived from the original on 31 January 2023. Retrieved 30 January 2023.
  119. ^ Gualtiero Cannarsi. Evangelion Encyclopedia (in Italian). Vol. 1. Dynamic Italia. p. 23.
  120. ^ Neon Genesis Evangelion Film Book (in Japanese). Vol. 1. Kadokawa Shoten. p. 38.
  121. ^ Gualtiero Cannarsi. Evangelion Encyclopedia (in Italian). Vol. 1. Dynamic Italia. p. 32.
  122. ^ Porori 2009, p. 21.
  123. ^ Poggio 2008, p. 9.
  124. ^ Neon Genesis Evangelion Film Book (in Japanese). Vol. 1. Kadokawa Shoten. p. 59.
  125. ^ Neon Genesis Evangelion Film Book (in Japanese). Vol. 4. Kadokawa Shoten. p. 46.
  126. ^ Platinum Booklet. Vol. 2. ADV. 2004.
  127. ^ Evangelion Chronicle (in Japanese). Vol. 43. Sony Magazines. p. 21.
  128. ^ "Kazuya Tsurumaki interview". The End of Evangelion Theatrical Pamphlet (in Japanese). Gainax. 1997.
  129. ^ "第35回 エヴァ雑記「第弐話 見知らぬ、天井」" (in Japanese). Archived from the original on 8 January 2021. Retrieved 24 April 2021.
  130. ^ Neon Genesis Evangelion Film Book (in Japanese). Vol. 3. Kadokawa Shoten. p. 23.
  131. ^ Porori 2009, pp. 96–97.
  132. ^ Evangelion Chronicle (in Japanese). Vol. 14. Sony Magazines. p. 16.
  133. ^ Gualtiero Cannarsi. Evangelion Encyclopedia (in Italian). Vol. 6. Dynamic Italia. p. 32.
  134. ^ Poggio 2008, p. 22.
  135. ^ Gualtiero Cannarsi. Evangelion Encyclopedia (in Italian). Vol. 4. Dynamic Italia. pp. 18–19.
  136. ^ "Stray Children". Newtype (in Japanese). Kadokawa Shoten: 4. March 1996. Archived from the original on 11 February 2001.
  137. ^ a b "Note". The End of Evangelion Theatrical Pamphlet (in Japanese). Gainax. 1997.
  138. ^ "Ninjas, inventors, scientists: anime's female role models". The Guardian. 25 March 2010. Archived from the original on 27 June 2022. Retrieved 3 December 2023.
  139. ^ "第50回 エヴァ雑記「第拾七話 四人目の適格者」" (in Japanese). Archived from the original on 14 April 2021. Retrieved 24 April 2021.
  140. ^ "庵野秀明×三石琴乃×幾原邦彦". Newtype Magazine (in Japanese). Kadokawa Shoten. November 1995. Archived from the original on 6 January 2012. Retrieved 18 July 2016.
  141. ^ Neon Genesis Evangelion Film Book (in Japanese). Vol. 9. Kadokawa Shoten. pp. 25–26.
  142. ^ Evangelion Chronicle (in Japanese). Vol. 29. Sony Magazines. p. 8.
  143. ^ "第61回 エヴァ雑記「第25話 Air」" (in Japanese). Archived from the original on 10 October 2018. Retrieved 8 June 2018.
  144. ^ Miller 2012, p. 85.
  145. ^ Ishikawa, Satomi (2007). Seeking the Self: Individualism and Popular Culture in Japan. Peter Lang. pp. 75–76. ISBN 978-3-03910-874-9.
  146. ^ Akiko Hashimoto, John W. Traphagan, ed. (2008). Imagined Families, Lived Families Culture and Kinship in Contemporary Japan. Suny Press. p. 41. ISBN 978-0-7914-7768-7.
  147. ^ Newtype Complete 新世紀エヴァンゲリオン (in Japanese). Kadokawa Shoten. 2005. p. 34.
  148. ^ Neon Genesis Evangelion Film Book (in Japanese). Vol. 4. Kadokawa Shoten. p. 62.
  149. ^ a b "Neon Genesis Evangelion: Mirror of Our Imperfections in Anime". 13 July 2016. Archived from the original on 12 June 2018. Retrieved 2 June 2018.
  150. ^ Evangelion Chronicle (in Japanese). Vol. 2. Sony Magazines. p. 14.
  151. ^ "用語集". The End of Evangelion Theatrical Pamphlet (in Japanese). Gainax. 1997.
  152. ^ Neon Genesis Evangelion Film Book (in Japanese). Vol. 9. Kadokawa Shoten. p. 77.
  153. ^ Porori 2010, p. 86.
  154. ^ Evangelion Chronicle (in Japanese). Vol. 27. Sony Magazines. p. 11.
  155. ^ Porori 2010, p. 82-83.
  156. ^ Gualtiero Cannarsi. Evangelion Encyclopedia (in Italian). Vol. 2. Dynamic Italia. p. 17.
  157. ^ Platinum Booklet. Vol. 1. ADV. 2004.
  158. ^ "第36回 エヴァ雑記「第参話 鳴らない、電話」" (in Japanese). Archived from the original on 10 October 2018. Retrieved 4 October 2016.
  159. ^ "第37回 エヴァ雑記「第四話 雨、逃げ出した後」" (in Japanese). Archived from the original on 10 October 2018. Retrieved 2 June 2018.
  160. ^ Gualtiero Cannarsi. Evangelion Encyclopedia (in Italian). Vol. 2. Dynamic Italia. p. 27.
  161. ^ Gualtiero Cannarsi. Evangelion Encyclopedia (in Italian). Vol. 2. Dynamic Italia. p. 24.
  162. ^ Gualtiero Cannarsi. Evangelion Encyclopedia (in Italian). Vol. 2. Dynamic Italia. pp. 28–29.
  163. ^ Gualtiero Cannarsi. Evangelion Encyclopedia (in Italian). Vol. 2. Dynamic Italia. p. 30.
  164. ^ Anthony Gramuglia (25 December 2020). "Misato Katsuragi lives an existential millennial nightmare". Anime Feminist. Archived from the original on 25 October 2021. Retrieved 21 May 2022.
  165. ^ Bartoli, Fabio (2008). "Neon Genesis Evangelion e la Kabbalah: dal Tempo di dolore al Tempo Benedetto" (PDF). Antrocom (in Italian). 4 (1): 29–30. Archived (PDF) from the original on 22 April 2018. Retrieved 18 April 2020.
  166. ^ Fujie & Foster 2004, p. 121.
  167. ^ Mizobe, Koji (2011). "新世紀エヴァンゲリオンにみる思春期課題と精神障害" (PDF). 地域支援心理研究センター紀要 (in Japanese) (8). 追手門学院大学. Archived (PDF) from the original on 17 August 2018. Retrieved 24 February 2021.
  168. ^ Morikawa, Kaichiro (1997). The Evangelion Style (in Japanese). Daisan Shokan. pp. 123–125. ISBN 4-8074-9718-9.
  169. ^ "第45回 エヴァ雑記「第拾弐話 奇跡の価値は」" (in Japanese). Archived from the original on 1 March 2021. Retrieved 3 June 2020.
  170. ^ Gualtiero Cannarsi. Evangelion Encyclopedia (in Italian). Vol. 6. Dynamic Italia. pp. 40–41.
  171. ^ Dennis Redmond (2007). "Anime and East Asian Culture: Neon Genesis Evangelion". Quarterly Review of Film and Video (24). Archived from the original on 5 March 2016. Retrieved 19 April 2021.
  172. ^ Akio Nagatomi. "Episode 8: Asuka Strikes!". The Animé Café. Archived from the original on 2 August 2018. Retrieved 15 June 2021.
  173. ^ Takekuma 1997, p. 139-141.
  174. ^ "上司にしたいアニメキャラといえば？（女性キャラ編） 2位「コナン」佐藤刑事を抑えた第1位は…" (in Japanese). 24 April 2018. Archived from the original on 16 July 2018. Retrieved 2 June 2018.
  175. ^ "Levi Takes Top Spot for Best Anime Character Boss Poll". 25 April 2015. Archived from the original on 22 July 2019. Retrieved 2 June 2018.
  176. ^ "Research: 10,000 Anime Fans Choose Their Ideal Family Characters". 9 May 2014. Archived from the original on 16 July 2018. Retrieved 2 June 2018.
  177. ^ "Внимание! Новый опрос: главная шлюха в аниме" (in Russian). Archived from the original on 16 July 2018. Retrieved 2 June 2018.
  178. ^ "アニメの「酒飲み」女子キャラといえば？" (in Japanese). 26 May 2018. Archived from the original on 11 September 2018. Retrieved 12 September 2018.
  179. ^ "最強にカッコ良い「姉御キャラ」といえば？ 2位月詠" (in Japanese). 4 June 2017. Archived from the original on 11 September 2018. Retrieved 12 September 2018.
  180. ^ "話を聞いて！スナックのママをやってほしいアニメキャラランキング" (in Japanese). 6 September 2018. Archived from the original on 11 September 2018. Retrieved 12 September 2018.
  181. ^ "Ranking" (in Japanese). Archived from the original on 4 August 2020. Retrieved 27 April 2020.
  182. ^ "第18回アニメグランプリ ［1996年5月号］" (in Japanese). Animage. Archived from the original on 14 October 2013. Retrieved 14 September 2016.
  183. ^ "第19回アニメグランプリ ［1997年6月号］" (in Japanese). Animage. Archived from the original on 14 October 2013. Retrieved 15 September 2016.
  184. ^ "第20回アニメグランプリ ［1998年6月号］" (in Japanese). Animage. Archived from the original on 29 September 2014. Retrieved 14 September 2016.
  185. ^ Animage (in Japanese). Tokuma Shoten. March 1997. p. 233.
  186. ^ "BEST 10". Animage (in Japanese). Tokuma Shoten. April 1997.
  187. ^ "BEST 10". Animage (in Japanese). Tokuma Shoten. August 1997.
  188. ^ "Top 10". Animage (in Japanese). Tokuma Shoten. September 1997.
  189. ^ "Best 100". Animage (in Japanese). Tokuma Shoten. November 1997.
  190. ^ "明けましてパクト100". Animage (in Japanese). Tokuma Shoten. February 1998.
  191. ^ "Hideaki Anno's Roundtable Discussion". Animerica. 4 (9). Viz Media.
  192. ^ Fujie & Foster 2004, p. 85.
  193. ^ "最強にカッコ良い「姉御キャラ」といえば？ 2位月詠" (in Japanese). 4 June 2017. Archived from the original on 7 June 2017. Retrieved 4 June 2018.
  194. ^ Kara Dennison (20 February 2018). "The Granddaddy of Super Robots Returns with Mazinger Z/Infinity". Crunchyroll. Archived from the original on 12 June 2018. Retrieved 2 June 2018.
  195. ^ "Neon Genesis Evangelion". 12 October 1998. Archived from the original on 31 December 2013. Retrieved 29 December 2013.
  196. ^ Chris Shaddock (19 January 2021). "Neon Genesis Evangelion: Best & Worst Characters, Ranked". Screen Rant. Archived from the original on 1 February 2021. Retrieved 28 January 2021.
  197. ^ a b Ritwik Mitra (16 January 2021). "Neon Genesis Evangelion: The Main Characters, Ranked From Worst To Best By Character Arc". Screen Rant. Archived from the original on 7 February 2021. Retrieved 28 January 2021.
  198. ^ Ajay Aravind (2 December 2020). "Neon Genesis Evangelion: Every Main Character, Ranked By Likability". Archived from the original on 21 January 2021. Retrieved 28 January 2021.
  199. ^ Kenneth Lee (9 September 1998). "The Thin Veneer Known as "Evangelion"". Archived from the original on 24 July 2017. Retrieved 3 June 2018.
  200. ^ Theo Kogod (14 December 2019). "10 Things That Didn't Age Well In Neon Genesis Evangelion". Comic Book Resources. Archived from the original on 8 January 2021. Retrieved 5 February 2021.
  201. ^ Fujie & Foster 2004, p. 162.
  202. ^ "「29歳の葛城ミサトが中学生の碇シンジに性的アプローチをするのはイカレてる」投稿話題に、法的扱いは？" (in Japanese). 3 January 2018. Archived from the original on 7 January 2018. Retrieved 4 June 2018.
  203. ^ Brittany Vincent. "10 Awesome Anime Couples to Warm Your Heart". Archived from the original on 16 July 2018. Retrieved 2 June 2018.
  204. ^ Emily Auten. "50 Ridiculously Cute Anime Couples". Archived from the original on 14 August 2020. Retrieved 2 June 2018.
  205. ^ Ajay Aravind (23 July 2020). "Neon Genesis Evangelion: 10 Scenes That Changed The Landscape Of Anime Forever". Comic Book Resources. Archived from the original on 29 January 2021. Retrieved 5 February 2021.
  206. ^ Devin Meenan (9 March 2022). "Shinji's Relationships In Evangelion, Ranked By Healthiness". Comic Book Resources. Archived from the original on 23 April 2022. Retrieved 23 May 2022.
  207. ^ Alex Boruff (4 October 2020). "Neon Genesis Evangelion: Shinji and Misato, Uncommon Friends". Archived from the original on 21 January 2021. Retrieved 19 March 2021.
  208. ^ Angelo Delos Trinos (23 March 2021). "10 Ways The Rebuild Movies Made Evangelion Worse". Comic Book Resources. Archived from the original on 3 April 2021. Retrieved 31 August 2021.
  209. ^ "Evangelion 3.0 You Can (Not) Redo". Anime Reign Magazine (2). World Anime Club: 32. 2013.
  210. ^ "Review: Evangelion: 3.0 You Can (Not) Redo". 19 November 2012. Archived from the original on 7 March 2016. Retrieved 29 December 2013.
  211. ^ Henrique Padula (14 August 2021). "Evangelion 3.0 + 1.0: Thrice Upon a Time - Review" (in Portuguese). IGN. Archived from the original on 18 August 2021. Retrieved 31 August 2021.
  212. ^ Reuben Baron (15 August 2021). "Evangelion: 3.0 + 1.01 Thrice Upon A Time Justifies the Rebuild Movies' Existence". Comic Book Resources. Archived from the original on 28 August 2021. Retrieved 24 October 2021.
  213. ^ "A Brief History of Transforming Robots". 10 April 2007. Archived from the original on 21 June 2018. Retrieved 4 June 2018.
  214. ^ Porori 2009, p. 121.
  215. ^ Porori 2010, p. 113.
  216. ^ "Enable Misato's Drinking by Buying Her Sake on the Eva Train". 25 November 2015. Archived from the original on 2 February 2017. Retrieved 4 June 2018.
  217. ^ "Evangelion Collab Café Has the Most In-Character Drink Inspired By Misato". Anime News Network. 17 March 2021. Archived from the original on 10 April 2021. Retrieved 4 April 2021.
  218. ^ "Own Gendo's Visor and Misato's Sunglasses from Evangelion". 30 December 2013. Archived from the original on 17 June 2018. Retrieved 4 June 2018.
  219. ^ "Eva Store Offers Official Replica Misato Gun Holster". 5 March 2014. Archived from the original on 27 October 2018. Retrieved 4 June 2018.
  220. ^ "7 More Weird Evangelion Products". 7 April 2018. Archived from the original on 15 June 2018. Retrieved 4 June 2018.
  221. ^ Evangelion Chronicle (in Japanese). Vol. 31. Sony Magazines. p. 25.
  222. ^ Brian Ashcraft (22 March 2010). "No More Neon Genesis Evangelion News Reading". Archived from the original on 24 September 2018. Retrieved 24 September 2018.
  223. ^ Scott Green (14 June 2012). "Evangelion Promotes Japanese Racing Association". Archived from the original on 24 September 2018. Retrieved 24 August 2018.
  224. ^ Brittany Vincent (6 February 2018). "The Evangelion Bullet Train Will Pull Into The Station One Final Time This May". Archived from the original on 25 September 2018. Retrieved 24 August 2018.
  225. ^ Simone Bonanzinga (17 August 2020). "Jujutsu Kaisen: un esilarante citazione a Neon Genesis Evangelion vi farà sorridere". Everyeye.it. Archived from the original on 21 February 2022. Retrieved 24 August 2021.
  226. ^ "Thank Evangelion for Tokyo's Latest Nerd Hotspot". 23 November 2011. Archived from the original on 23 November 2018. Retrieved 2 June 2018.
  227. ^ "Una spedizione spaziale per piantare la Lancia di Longinus sulla Luna?" (in Italian). 30 January 2015. Archived from the original on 24 October 2018. Retrieved 24 October 2018.
  228. ^ "『ペンギン・ハイウェイ』石田祐康監督インタビュー｜魅力的なお姉さんにはあの作品の影響が隠されていた？" (in Japanese). 15 August 2018. Archived from the original on 12 September 2018. Retrieved 12 September 2018.
  229. ^ "ソラリスから生まれた!?映画「ペンギン・ハイウェイ」裏話まとめ" (in Japanese). Movicine. 22 August 2018. Archived from the original on 23 May 2020. Retrieved 4 April 2021.
  230. ^ "Tsurumaki" (in Japanese). Archived from the original on 6 June 2004. Retrieved 7 June 2018.
  231. ^ "諫山創12,000字インタビュー あの壁の向こうに。". Brutus (in Japanese) (790). Magazine House. November 2014.
  232. ^ Andrea Peduzzi (24 June 2019). "Eureka Seven è il meglio che puoi fare senza un genio per casa" (in Italian). Archived from the original on 19 July 2020. Retrieved 19 July 2020.
  233. ^ "RahXephon". 29 July 2013. Archived from the original on 21 February 2022. Retrieved 26 May 2020.
  234. ^ "Blood Blockade Battlefront". 21 August 2015. Archived from the original on 20 June 2018. Retrieved 4 June 2018.
  235. ^ Gabriella Ekens (14 June 2015). "Plastic Memories". Archived from the original on 19 June 2018. Retrieved 2 August 2018.
  236. ^ Jason Green (7 September 2008). "Dig for Fire: The Roots of Gurren Lagann". Archived from the original on 23 October 2020. Retrieved 6 August 2018.

References

edit
Retrieved from "https://en.wikipedia.org/w/index.php?title=Misato_Katsuragi&oldid=1237601269"
pFad - Phonifier reborn

Pfad - The Proxy pFad of © 2024 Garber Painting. All rights reserved.

Note: This service is not intended for secure transactions such as banking, social media, email, or purchasing. Use at your own risk. We assume no liability whatsoever for broken pages.


Alternative Proxies:

Alternative Proxy

pFad Proxy

pFad v3 Proxy

pFad v4 Proxy