Portal:Literature/Selected article archive/2010 archive
This is an archive of article summaries that have appeared in the Selected article section of Portal:Literature in 2010. For past archives, see the complete archive page.
Louis Lambert is an 1832 novel by French novelist and playwright Honoré de Balzac (1799–1850), included in the Études philosophiques section of his novel sequence La Comédie humaine. Set mostly in a school at Vendôme, it examines the life and theories of a boy genius fascinated by the Swedish philosopher Emanuel Swedenborg (1688–1772).
Balzac wrote Louis Lambert during the summer of 1832 while he was staying with friends at the Château de Saché, and published three editions with three different titles. The novel contains a minimal plot, focusing mostly on the metaphysical ideas of its boy-genius protagonist and his only friend (eventually revealed to be Balzac himself). Although it is not a significant example of the realist style for which Balzac became famous, the novel provides insight into the author's own childhood. Specific details and events from the author's life – including punishment from teachers and social ostracism – suggest a fictionalized autobiography.
While he was a student at Vendôme, Balzac wrote an essay called Traité de la Volonté ("Treatise on the Will"); it is described in the novel as being written by Louis Lambert. The essay discusses the philosophy of Swedenborg and others, although Balzac did not explore many of the metaphysical concepts until much later in his life. Ideas analyzed in the essay and elsewhere in the novel include the split between inward and outward existence; the presence of angels and spiritual enlightenment; and the interplay between genius and madness.
Although critics panned the novel, Balzac remained steadfast in his belief that it provided an important look at philosophy, especially metaphysics. As he developed the scheme for La Comédie humaine, he placed Louis Lambert in the Études philosophiques section, and later returned to the same themes in his novel Séraphîta, about an androgynous angelic creature.
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| J. K. Rowling. |
J. K. Rowling (/ˈroʊlɪŋ/ "rolling") is a British author best known as the creator of the Harry Potter fantasy series, the idea for which was conceived whilst on a train trip from Manchester to London in 1990. The Potter books have gained worldwide attention, won multiple awards, sold more than 400 million copies, and been the basis for a popular series of films.
Aside from writing the Potter novels, Rowling is perhaps equally famous for her "rags to riches" life story, in which she progressed from living on welfare to multi-millionaire status within five years. The 2008 Sunday Times Rich List estimated Rowling's fortune at £560 million ($798 million), ranking her as the twelfth richest woman in Britain. Forbes ranked Rowling as the forty-eighth most powerful celebrity of 2007, and Time magazine named her as a runner-up for its 2007 Person of the Year, noting the social, moral, and political inspiration she has given her fandom. She has become a notable philanthropist, supporting such charities as Comic Relief, One Parent Families, Multiple Sclerosis Society of Great Britain, and the Children's High Level Group.
Make Way for Ducklings is a children's picture book written and illustrated by Robert McCloskey. First published in 1941, the book tells the story of a pair of mallard ducks who decide to raise their family on an island in the lagoon in Boston Public Garden, a park in the center of Boston, Massachusetts.
Make Way for Ducklings won the 1942 Caldecott Medal for McCloskey's illustrations, executed in charcoal then lithographed on zinc plates. As of 2003, the book had sold over two million copies. The book's popularity led to the construction of a statue by Nancy Schön in the Public Garden of the mother duck and her eight ducklings, which is a popular destination for children and adults alike. In 1991, Barbara Bush gave a duplicate of this sculpture to Raisa Gorbachev as part of the START Treaty, and the work is displayed in Moscow's Novodevichy Park.
The book is the official children's book of the Commonwealth of Massachusetts. Praise for the book is still high over 60 years since its first publication, mainly for the enhancing illustrations and effective pacing. It was criticised for having a loose plot, however, as well as poor characterization.
Poetry (from the Greek "ποίησις", poiesis, a "making") is a form of literary art in which language is used for its aesthetic and evocative qualities in addition to, or in lieu of, its apparent meaning. Poetry may be written independently, as discrete poems, or may occur in conjunction with other arts, as in poetic drama, hymns, lyrics, or prose poetry. Poetry is published in dedicated magazines (the longest established being Poetry and Oxford Poetry), e-zines, individual collections and wider anthologies, although it is rare to see anything other than lyric poetry outside of collections.
Poetry, and discussions of it, have a long history. Early attempts to define poetry, such as Aristotle's Poetics, focused on the uses of speech in rhetoric, drama, song, and comedy. Later attempts concentrated on features such as repetition, verse form and rhyme, and emphasized the aesthetics which distinguish poetry from prose. From the mid-20th century, poetry has sometimes been more loosely defined as a fundamental creative act using language. Digital poetry is a modern form.
Poetry often uses particular forms and conventions to suggest alternative meanings in the words, or to evoke emotional or sensual responses. Devices such as assonance, alliteration, onomatopoeia, and rhythm are sometimes used to achieve musical or incantatory effects. The use of ambiguity, symbolism, irony, and other stylistic elements of poetic diction often leaves a poem open to multiple interpretations. Similarly, metaphor, simile, and metonymy create a resonance between otherwise disparate images—a layering of meanings, forming connections previously not perceived. Kindred forms of resonance may exist, between individual verses, in their patterns of rhyme or rhythm.
Bone Sharps, Cowboys, and Thunder Lizards: A Tale of Edward Drinker Cope, Othniel Charles Marsh, and the Gilded Age of Paleontology is a graphic novel written by Jim Ottaviani and illustrated by the company Big Time Attic. The book tells a slightly fictionalized account of the Bone Wars, a period of intense excavation, speculation, and rivalry which led to a greater understanding of dinosaurs in the western United States. This novel is the first semi-fictional work written by Ottaviani; previously, he had taken no creative license with the characters he depicted, portraying them strictly according to historical sources.
Bone Sharps follows the two scientists Edward Drinker Cope and Othniel Marsh as they engage in an intense rivalry for prestige. Ottaviani has Cope and Marsh interact and meet many important figures of the Gilded Age, from P. T. Barnum to U.S. Grant, as the two scientists pursue their hotheaded and sometimes illegal acquisitions of fossils. Unlike in his previous books, "the scientists are the bad guys this time". Upon release, the novel received praise from critics for its exceptional historical content, although some reviewers wished more fiction had been woven into the story.
Pattern Recognition is a novel by science fiction writer William Gibson published in 2003. Set in August and September 2002, the story follows Cayce Pollard, a 32-year-old marketing consultant who has a psychological sensitivity to corporate symbols. The action takes place in London, Tokyo, and Moscow as Cayce judges the effectiveness of a proposed corporate symbol and is hired to seek the creators of film clips anonymously posted to the internet.
The novel's central theme involves the examination of the human desire to detect patterns or meaning and the risks of finding patterns in meaningless data. Other themes include methods of interpretation of history, cultural familiarity with brand names, and tensions between art and commercialization. The September 11, 2001 attacks are used as a motif representing the transition to the new century. Critics identify influences in Pattern Recognition from Thomas Pynchon's post-structuralist detective story The Crying of Lot 49.
The novel is Gibson's eighth and the first to be set in the contemporary world. Like his previous work, it has been classified as a science fiction and postmodern novel, with the action unfolding along a thriller plot line. Critics approved of the writing but found the plot unoriginal and some of the language distracting. The book peaked at #4 on the New York Times Best Seller list, was nominated for the 2003 British Science Fiction Association Award, and was shortlisted for the 2004 Arthur C. Clarke Award and Locus Awards.
La Peau de chagrin (English: The Magic Skin or The Wild Ass's Skin) is an 1831 novel by French novelist and playwright Honoré de Balzac (1799–1850). Set in early 19th-century Paris, it tells the story of a young man who finds a magic piece of shagreen that fulfills his every desire. For each wish granted, however, the skin shrinks and consumes a portion of his physical energy. La Peau de chagrin belongs to the Études philosophiques group of Balzac's sequence of novels, La Comédie humaine.
Before the book was completed, Balzac created excitement about it by publishing a series of articles and story fragments in several Parisian journals. Although he was five months late in delivering the manuscript, he succeeded in generating sufficient interest that the novel sold out instantly upon its publication. A second edition, which included a series of twelve other "philosophical tales", was released one month later.
"The Open Boat" is a short story by American author Stephen Crane (1871–1900). First published in 1897, it was based on Crane's experience of surviving a shipwreck off the coast of Florida earlier that year while traveling to Cuba to work as a newspaper correspondent. Crane was stranded at sea for thirty hours when his ship, the SS Commodore, sank after hitting a sandbar. He and three other men were forced to navigate their way to shore in a small boat; one of the men, an oiler named Billie Higgins, drowned after the boat overturned. Crane's personal account of the shipwreck and the men's survival, titled "Stephen Crane's Own Story", was first published a few days after his rescue.
Crane subsequently adapted his report into narrative form, and the resulting short story "The Open Boat" was published in Scribner's Magazine. The story is told from the point of view of an anonymous correspondent, Crane's fictional doppelgänger, and the action closely resembles the author's experiences after the shipwreck. A volume titled The Open Boat and Other Tales of Adventure was published in the United States in 1898; an edition entitled The Open Boat and Other Stories was published simultaneously in England. Praised for its innovation by contemporary critics, the story is considered an exemplary work of literary Naturalism, and is one of the most frequently discussed works in Crane's canon. It is notable for its use of imagery, irony, symbolism, and the exploration of such themes as survival, solidarity, and the conflict between man and nature. H. G. Wells considered "The Open Boat" to be "beyond all question, the crown of all [Crane's] work".
Portal:Literature/Selected article archive/September 2010
Mario Vargas Llosa (Spanish pronunciation: [ˈmaɾjo ˈβarɣaz ˈʎosa]) (born March 28, 1936) is a Peruvian writer, politician, journalist, essayist and 2010 Nobel Prize laureate. Vargas Llosa is one of Latin America's most significant novelists and essayists, and one of the leading authors of his generation. Some critics consider him to have had a larger international impact and worldwide audience than any other writer of the Latin American Boom. He was awarded the 2010 Nobel Prize in Literature "for his cartography of structures of power and his trenchant images of the individual's resistance, revolt, and defeat".
Vargas Llosa rose to fame in the 1960s with novels such as The Time of the Hero (La ciudad y los perros, literally The City and the Dogs, 1963/1966), The Green House (La casa verde, 1965/1968), and the monumental Conversation in the Cathedral (Conversación en la catedral, 1969/1975). He continues to write prolifically across an array of literary genres, including literary criticism and journalism. His novels include comedies, murder mysteries, historical novels, and political thrillers. Several, such as Captain Pantoja and the Special Service (1973/1978) and Aunt Julia and the Scriptwriter (1977/1982), have been adapted as feature films.
Many of Vargas Llosa's works are influenced by the writer's perception of Peruvian society and his own experiences as a native Peruvian. Increasingly, however, he has expanded his range, and tackled themes that arise from other parts of the world. Another change over the course of his career has been a shift from a style and approach associated with literary modernism, to a sometimes playful postmodernism.
The Fox and the Hound is a 1967 novel written by Daniel P. Mannix and illustrated by John Schoenherr. It follows the lives of Tod, a red fox raised by a human for the first year of his life, and Copper, a half-bloodhound dog owned by a local hunter, referred to as the Master. After Tod causes the death of the man's favorite hound, man and dog relentlessly hunt the fox, against the dual backdrops of a changing human world and Tod's normal life in hunting for food, seeking a mate, and defending his territory. As preparation for writing the novel, Mannix studied foxes, both tame and wild, a wide variety of hunting techniques, and the ways hounds appear to track foxes, seeking to ensure his characters acted realistically.
The novel won the Dutton Animal Book Award in 1967, which resulted in its publication on September 11 that year by E.P. Dutton. It was a 1967 Reader's Digest Book Club selection and a winner of the Athenaeum Literary Award. It was well received by critics, who praised its detail and Mannix's writing style. Walt Disney Productions purchased the film rights for the novel when it won the Dutton award, though did not begin production on an adaptation until 1977. Heavily modified from the source material, Disney's The Fox and the Hound was released to theaters in July 1981 and became a box office success.
David Suzuki: The Autobiography is the 2006 autobiography of Canadian science writer and broadcaster David Suzuki. The book focuses mostly on his life since the 1987 publication of his first autobiography, Metamorphosis: Stages in a Life. It begins with a chronological account of his childhood, academic years, and broadcasting career. In later chapters, Suzuki adopts a memoir style, writing about themes such as his relationship with Australia, his experiences in Brazil and Papua New Guinea, the founding of the David Suzuki Foundation, and his thoughts on climate change, celebrity status, technology, and death. Throughout, Suzuki highlights the continuing impact of events from his childhood.
This is Suzuki's forty-third book and, he says, his last. Critics have called the book candid, sincere, and charming, with insightful commentary if occasionally flat stories. Suzuki's scientific background is reflected in the writing's rational and analytic style.
Suzuki's autobiography spent four weeks at #1 on the Maclean's list of non-fiction best-sellers and six weeks at #6 on the Globe and Mail's list. The book won two awards in 2007: the Canadian Booksellers' Association's Libris Award for Non-Fiction Book of the Year and the British Columbia Booksellers' Choice Award. The publishers, Greystone Books and Douglas & McIntyre, won the CBA Libris Award for Marketing Achievement of the Year.