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Sam Wilkes

From Wikipedia, the free encyclopedia

Sam Wilkes
Wilkes at Brooklyn Bowl, 2024
Background information
Born (1991-07-22) July 22, 1991 (age 33)
OriginLos Angeles, California, U.S.
Genres
Occupations
  • Bassist
  • multi-instrumentalist
  • singer
  • composer
  • music producer
Instruments
  • Electric bass
  • guitar
  • keyboards
  • percussion[1]
  • vocals
Years active2011–present
LabelsLeaving
Websitesamwilkes.net

Sam Wilkes (born July 22, 1991) is an American bassist, multi-instrumentalist, composer, and music producer. He has collaborated extensively with jazz saxophonist Sam Gendel and toured as a member of jazz-funk band Knower. Wilkes has released seven studio albums since 2018, three of which have been collaborations with Gendel.

Early life

[edit]

Sam Wilkes was born on July 22, 1991, and raised in Connecticut.[2][3] He is the son of photographer Stephen Wilkes.[2][better source needed] He began playing electric bass as a child and was drawn to the improvisatory music of Phish and The Grateful Dead.[3]

He studied R&B and funk music at USC Thornton School of Music in Los Angeles, where he worked under the tutelage of keyboardist Patrice Rushen and drummer Leon "Ndugu" Chancler and met saxophonist Sam Gendel, a fellow student.[3]

Career

[edit]

Upon moving to Los Angeles for college, Wilkes became an active member of the city's music scene. He co-founded the indie rock duo Pratley with James Watson, releasing their debut EP in 2011 and later reuniting for a self-titled full-length album in 2017.[1][4] In 2015, he toured with singer and fellow Thornton student Rozzi Crane, opening for Maroon 5 on the Maroon V Tour.[3] He also performed with Los Angeles funk band Scary Pockets on numerous singles beginning in 2016.[1]

In 2017, Wilkes and Sam Gendel began performing as members of jazz-funk band Knower, first joining on tour when the band opened for the Red Hot Chili Peppers, and also appearing in several viral live-recorded Knower performances on YouTube.[3] Wilkes and Gendel joined forces for their first collaborative album Music for Saxofone & Bass Guitar, which was recorded live to tape outside a restaurant in Los Angeles and released in 2018 on Leaving Records.[3][5] One track from the album, "BOA", gained popularity after being featured in the soundtrack of 2021 Netflix film Malcolm & Marie.[3]

In 2018, Wilkes released his debut solo album Wilkes, which also features Gendel and drummer Louis Cole of Knower.[6] It was described by Pitchfork as "a dreamy album that dissolves jazz structures into ambient, vaguely psychedelic forms"[7] and hailed by DownBeat magazine as "one of the year's best L.A. jazz albums".[8] In 2019, Wilkes appeared on the album Hello Happiness by Chaka Khan, also co-writing the album's title track.[1] In 2021, Wilkes and Gendel released their second collaborative album Music for Saxofone & Bass Guitar More Songs on Leaving Records, which The New York Times named one of the best jazz albums of the year, calling it "at least as hypnotic as the first".[9]

Wilkes's 2023 album Driving marked a departure from his ambient jazz sound, pivoting to indie rock and chamber pop music driven by acoustic guitar and featuring his own vocals.[10][11] Evan Sawdey of PopMatters called it "one of the year's most dynamic and endlessly curious records".[11] Wilkes and Gendel joined forces for their third collaborative album The Doober, which was released in 2024 on Leaving Records and features jazz-inflected covers of songs including Joni Mitchell's "The Circle Game" and Sheryl Crow's "Tomorrow Never Dies".[12]

Discography

[edit]

Studio albums

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  • Music for Saxofone & Bass Guitar (2018) (with Sam Gendel)
  • Wilkes (2018)
  • Music for Saxofone & Bass Guitar More Songs (2021) (with Sam Gendel)
  • One Theme & Subsequent Improvisation (2021)
  • Perform the Compositions of Sam Wilkes & Jacob Mann (2022) (with Jacob Mann)
  • Driving (2023)
  • The Doober (2024) (with Sam Gendel)
  • Sam Wilkes, Craig Weinrib, and Dylan Day (2024) (with Craig Weinrib and Dylan Day)

Live albums

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  • Live on the Green (2018)
  • iiyo iiyo iiyo (2024)

Compilation albums

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  • Sings (2014–2016) (2020)

References

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  1. ^ a b c d Simpson, Paul. "Sam Wilkes Biography". AllMusic. Archived from the original on May 21, 2024. Retrieved May 21, 2024.
  2. ^ a b Wilkes, Stephen (July 22, 2021). "30 years ago today our son Sam Wilkes @s.wilkes.music was born". Instagram. Retrieved May 21, 2024.
  3. ^ a b c d e f g Sanneh, Kelefa (August 16, 2021). "The Spaced-Out Jazz of Sam Gendel and Sam Wilkes". The New Yorker. Archived from the original on May 22, 2024. Retrieved May 21, 2024.
  4. ^ Darville, Jordan (February 28, 2017). "Pratley Share A Glitchy And Nostalgic Video For "Don't"". Fader. Archived from the original on May 22, 2024. Retrieved May 22, 2024.
  5. ^ Russonello, Giovanni (December 14, 2021). "For Jazz Musicians in 2021, Two Was the Magic Number". The New York Times. Archived from the original on April 3, 2022. Retrieved May 23, 2024.
  6. ^ Deville, Chris (September 17, 2018). "Sam Wilkes - "Descending"". Stereogum. Archived from the original on May 22, 2024. Retrieved May 22, 2024.
  7. ^ Balfour, Jay (October 5, 2018). "Sam Wilkes: WILKES". Pitchfork. Archived from the original on January 21, 2024. Retrieved May 23, 2024.
  8. ^ Hermann, Andy (December 20, 2018). "Despite Growing Pains, L.A. Jazz Scene Blossoms". DownBeat. Archived from the original on May 22, 2024. Retrieved May 22, 2024.
  9. ^ Russonello, Giovanni (December 2, 2021). "Best Jazz Albums of 2021". The New York Times. Archived from the original on March 1, 2024. Retrieved May 22, 2024.
  10. ^ Brazier, Lottie (October 18, 2023). "Sam Wilkes — DRIVING". The Quietus. Archived from the original on May 23, 2024. Retrieved May 23, 2024.
  11. ^ a b Sawdey, Evan (December 23, 2023). "The 80 Best Albums of 2023, Page 3". PopMatters. Archived from the original on April 17, 2024. Retrieved May 23, 2024.
  12. ^ Lewis, Dash (May 7, 2024). "Sam Gendel / Sam Wilkes: The Doober". Pitchfork. Archived from the original on May 17, 2024. Retrieved May 23, 2024.
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