Celtic archeology

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Figure 4.1 from The Archaeology of Celtic Art | Semantic Scholar Leather Sculpting, Romano British, Celtic Embroidery, Celtic Decor, Earth Symbols, Celtic Ireland, Celtic Artwork, Historical Swords, Leather Working Projects

Figure 4.1 Transition towards the Developed La Tène Styles. A: 1, base design of the Schwarzenbach bowl; 2, design of drinking horn cap from Schwarzenbach. Adapted from Jacobsthal (1944): not to scale. B: the Auvers disc. Photo: Bibliothèque nationale de France, Paris. - "The Archaeology of Celtic Art"

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Celtic Gold Phalera with Cernunnos, 1st Century  BC Cernunnos is the conventional name given in Celtic studies to depictions of the “horned god” of Celtic polytheism. The name itself is only attested once, on the 1st-century Pillar of the Boatmen, but depictions of a horned or antlered figure, often seated cross-legged and often associated with animals and holding or wearing torcs, are known from other instances. Guiseppe Arcimboldo, Celtic Clothing, Ancient Celts, Ancient Jewellery, The Celts, Celtic Culture, Celtic Mythology, Art Ancien, Ancient Origins

Celtic Gold Phalera with Cernunnos, 1st Century BC Cernunnos is the conventional name given in Celtic studies to depictions of the “horned god” of Celtic polytheism. The name itself is only attested once, on the 1st-century Pillar of the Boatmen, but depictions of a horned or antlered figure, often seated cross-legged and often associated with animals and holding or wearing torcs, are known from other instances.

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