2018-19 College of Fine Arts Creative Activity and Research Report

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A C A D E M I C

Y E A R

Research & Creative Activity Annual Report


M I S S I O N

The College of Fine Arts declares that the arts are essential to the life of the individual and the community. We express our commitment to the arts through our dedication to teaching, scholarly research, artistic experimentation, performance, and exhibition.


The research and creative activities of the faculty, students, and staff of the College of Fine Arts fully embody the intersection of the college’s creative type and the university’s wildly possible brands. The college explores and expands the arts and their impact on a daily basis through creativity, ingenuity, and risk-taking. The College of Fine Arts is an outstanding gathering of talented, compassionate, and committed artists/scholars and students with whom I have the pleasure to work with each day. Our passionate research and creative activity outcomes form the foundation of our commitment to teaching the next generation of creative leaders through the arts and greatly contribute to the cultural life of the city of Lexington, the Commonwealth of Kentucky, our country, and the world. We like to push boundaries, create new knowledge, and produce groundbreaking experiences that impact diverse individuals, transform students’ lives, and result in unparalleled opportunities to reflect on the essential role that the arts play in life. Just as no two artists/scholars are alike in the college, no two days are alike, nor are any two projects alike, but themes of inquiry and impact are shared by all as is evidenced by the numbers, titles, and stories documented in this publication. We are way more than many Kentuckians can imagine and we hope that you enjoy this insight into many of our wildly creative activities from this past year.

MARK SHANDA DEAN, COLLEGE OF FINE ARTS

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BY THE NUMBERS SCHOOL OF ART AND VISUAL STUDIES

31

Majors

10

Minors

5

Certificates

396

Undergraduate Students

17

Graduate Students

36

Full-Time Faculty

17

Part-Time Faculty

3

Staff

ART MUSEUM

8

Staff

3


SCHOOL OF MUSIC

DEPARTMEN OF ARTS ADMINISTRATION

DEPARTMENT OF THEATRE AND DANCE

214

114

140

163

54

15

54

5

8

19

14

1

6

2

SINGLETARY CENTER

DEAN’S OFFICE

FACILITIES

6

1

8

22

7

Undergradaute Students

Graduate Students

Full-Time Faculty

Part-Time Faculty

Staff

Staff

Undergradaute Students

Graduate Students

Full-Time Faculty

Part-Time Faculty

Undergradaute Students

Full-Time Faculty

Part-Time Faculty

Staff

Staff

Full-Time Faculty

Staff

Galleries

Performance Spaces 4


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RESEARCH AND CREATIVE ACTIVITY INVESTMENTS J U LY

1 ,

2 0 1 8

–

J U N E

3 0 ,

Faculty Scholarship and Travel Program Award School of Art and Visual Studies Department of Arts Administration School of Music Department of Theatre and Dance

2 0 1 9

$96,099 approximately $39,442 $5,816 $43,284 $7,495

Research Enhancement Grants

$33,542 approximately

School of Art and Visual Studies

$16,683

School of Music

$16,706

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CFA FACULTY SCHOLARSHIP AND TRAVEL AWARDS

DOMESTIC TRAVEL BECKY ALLEY, School of Art and Visual Studies Art Fields, South Carolina ANTHONY ALTERIO, Department of Theatre and Dance Boulder Jazz Dance Workshop, Colorado American College Dance Association, Mississippi BEN ARNOLD, School of Music Methods in Empirical Music Research, Ohio MICHAEL BAKER, School of Music Music Society of the Mid-Atlantic, Maryland HEATHER BROWN, Department of Theatre and Dance United States Institute of Theatre Technology, Kentucky JIM CAMPBELL, School of Music Percussive Arts Society International, Indianapolis REVELL CARR, School of Music Society of Ethnomusicology, New Mexico JEREMY COLBERT, School of Art and Visual Studies National Conference on Contemporary Cast Iron Art and Practices, Alabama JACOB COLEMAN, School of Music Meadowmount School of Music, New York RALEIGH DAILEY, School of Music UK Pharmacy Retreat, Kentucky HERMAN D. FARRELL III, Department of Theatre and Dance Humana Festival and Research, Connecticut and Kentucky

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JONATHAN GLIXON, School of Music South Central Chapter American Musicological Society, Tennessee Society for 17th Century Music, North Carolina RAE GOODWIN, School of Art and Visual Studies Foundation in Art Theory and Education, Ohio DIANA HALLMAN, School of Music American Musicological Society, Texas GARRETT HANSEN, School of Art and Visual Studies Exhibition, Texas MICHAEL HUDSON, School of Music Desert Skies Music Education Conference, Arizona Kentucky Music Educators Association, Kentucky NANCY JONES, Department of Theatre and Dance “From College Test to Screen Test” book project, California YUHA JUNG, Department of Arts Administration Association for Research on Nonprofit Organizations and Voluntary Actions, Texas BRAD KERNS, School of Music Travel as School of Music Director of Undergraduate Studies, Various UK Pharmacy Retreat, Kentucky MIRIAM KIENLE, School of Art and Visual Studies Southeastern College Art Conference, Alabama Association of American Art Historians Biennial Symposium, Minnesota


DONNA KWON, School of Music Music of Asian American Conference and Annual Society for Ethnomusicology, Pennsylvania and New Mexico CYNTHIA LAWRENCE, School of Music Teaching and Masterclasses, Illinois

ROBERT SOUTHARD, School of Art and Visual Studies Residency, Vermont ZACHARY STRIBLING, Department of Theatre and Dance United States Institute of Theatre Technology, Kentucky

DANIEL MASON, School of Music American String Teachers Association, Georgia

SUSIE THIEL, Department of Theatre and Dance American College Dance Association, Mississippi UK Pharmacy Retreat, Kentucky

TONIMARIE MARCHIONI, School of Music Carnegie Hall Concert, New York

SIAVASH TOHIDI, School of Art and Visual Studies Exhibition, Georgia

JONATHAN MCFADDEN, School of Art and Visual Studies Mid America Print Council Conference, Wyoming

MARTINA VASIL, School of Music Association of Popular Music Education Conference, Tennessee UK Pharmacy Retreat, Kentucky

MARIANNE PHELPS, Department of Theatre and Dance 58th Annual Meeting of the Society of Toxicology, Maryland PAUL RODGERS, School of Art and Visual Studies FATE, Ohio BOBBY SCROGGINS, School of Art and Visual Studies National Council on Education for the Ceramic Arts, Minnesota RACHEL SHANE, Department of Arts Administration UK Pharmacy Retreat, Kentucky BRANDON SMITH, School of Art and Visual Studies Anatomy and Ecorche Sculpting Workshop at Anatomy Tools, Nevada

IRINA VORO, School of Music Visits to various universities, Various TRACY WARD, Department of Theatre and Dance United States Institute of Theatre Technology, Kentucky STEPHEN WRENTMORE, Department of Theatre and Dance American College Theatre Festival, South Carolina OLIVIA YINGER, School of Music International Symposium on Research for Music Behavior, Colorado UK Pharmacy Retreat, Kentucky

DAVID SOGIN, School of Music American String Teachers Association, New Mexico

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2 0 1 8 / 1 9 C F A F A C U L T Y S C H O L A R S H I P A W A R D S C O N T I N U E D »

A N D

T R A V E L

INTERNATIONAL TRAVEL RUTH ADAMS, School of Art and Visual Studies Networking and research for “Conversations with the Ancestors” at Art Biennale, Italy

DIETER HENNINGS, School of Music Recording music of Benoit Albert, France XII Festival de Música Contemporánea Puertorriqueña, Puerto Rico

GARRY BIBBS, School of Art and Visual Studies International Conference on Humanities and Arts, Greece

KEVIN HOLM-HUDSON, School of Music International Association for the Study of Popular Music, Australia

KAREN BOTTGE, School of Music Salzburg-Schenker Symposium, Austria JENNIFER CAMPBELL, School of Music Third Transnational Opera Studies Association, France JACOB COLEMAN, School of Music Projecto Bone Festival, Brazil

YUHA JUNG, Department of Arts Administration Social Theory, Politics and the Arts, England 15th International Conference on Arts and Cultural Management, Italy

JASON DOVEL, School of Music Sao Paulo Trumpet Academy, Brazil

BRAD KERNS, School of Music Projecto Bone Festival, Brazil

RAE GOODWIN, School of Art and Visual Studies Livestock re-invitation and Berlin Public Library, Germany and Ireland Residency, France

CYNTHIA LAWRENCE, School of Music Teaching and Masterclasses, Italy and Mexico

GARRETT HANSEN, School of Art and Visual Studies Kyotographie Festival, Japan

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NANCY JONES, Department of Theatre and Dance Women Artists in Paris, France

JOHN NARDOLILLO, School of Music Berlin Philharmonic, Germany Prague Summer Nights, Czech Republic LEE ANN PAYNTER, School of Art and Visual Studies Technarte Art and Technology Conference, Spain


GAP FUNDING ALLAN RICHARDS, School of Art and Visual Studies International Society for Education through Art Latin American Congress, Chile Society for Arts Education in Namibia, Namibia JILL SCHINBERG, Department of Arts Administration International Association of Venue Managers, Canada 14th International Conference on the Arts in Society, Portugal

JENNIFER CAMPBELL, School of Music American Musicological Society, Conference on Research and Contemporary Composition, Texas and Georgia Music Theory Society Forum, Florida GARRETT HANSEN, School of Art and Visual Studies Production and framing of “Loss”

MANUSCRIPT PREPARATION

HUNTER STAMPS, School of Art and Visual Studies Exhibition and travel to Aurora Gallery, Mexico

JONATHAN GLIXON, School of Music Manuscripts from the Accademia Filarmonica di Bologna

MARTINA VASIL, School of Music Research and travel, Liberia International Symposium for Music Education World Conference, Azerbaijan

YUHA JUNG, Department of Arts Administration Manuscript preparation

MONICA VISONÀ, School of Art and Visual Studies Conference of the European Council on African Studies, Scotland IRINA VORO, School of Music Recruiting and book research and pitch, China

EXHIBITIONS, PERFORMANCE, AND STUDIO WORK BRANDON SMITH, School of Art and Visual Studies Large scale drawings for solo exhibitions, Frostburg and Fontbonne University

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SELECT NEW RELEASES

BOARDS/LEADERSHIP

PUBLICATIONS

CRYSTAL GREGORY, co-organizer, “Materializing Resistance: Gender, Politics, & Craft” Symposium

BEN ARNOLD, “American Composers Respond to the Holocaust: (1945-2015),” in Music and War in the United States, edited by Sarah Kraaz. New York: Routledge, 2019.

TONY HARDIN, board member, the United States Institute for Theatre Technology, Inc. YUHA JUNG, board member, Association of Arts Administration Educators ---, associate editor, Museum Management and Curatorship NANCY C. JONES, board member, National Association of Schools of Theatre MIRIAM KIENLE, co-chair, “Queer Work / Queer Archives,” College Art Association NCY ---, co-chair, “Portraiture and Politics” Panel, Southeastern College Art Conference, Birmingham, AL ALLAN RICHARDS, world councilor, North American region of the International Society for Education through Art RACHEL SHANE, editor-in-chief, Journal of Arts Management, Law and Society ---, board president, Social Theory, Politics, & the Arts MARTINA VASIL, editorial board, The Orff Echo OLIVIA YINGER, associate editor, Journal of Music Therapy

---, “The Strings of 9/11: Elegiac Reflections, Cartharsis, and Reenactment in Works for String Instruments.” Journal of Musicological Research, February 2019. STUART HORODNER AND JANIE M. WELKER, Ralph Eugene Meatyard: Stages for Being. Lexington: University of Kentucky Art Museum, 2019. YUHA JUNG & N. VAKHARIA, “Open systems theory for arts and cultural organizations: Linking structure and performance.” The Journal of Arts Management, Law, and Society, 2019, 49(4), 257-273. YUHA JUNG & M. LEE, “Exploring departmental-level fundraising: Relationship-based factors affecting giving intention in arts higher education.” International Journal of Higher Education, 2019, 8(3), 235-246. YUHA JUNG & K. KEENEY, “Global arts leadership: An exploration of professional standards and demands in arts management.” The Journal of Arts Management, Law, and Society, 2018, 48(4), 227-242. MIRIAM KIENLE, Pushing the Envelope: Mail Art from the Smithsonian Archives of American Art (Washington, DC: Archives of American Art, 2019), editor of and contributor to the online catalogue ---, “Ray Johnson’s Robin Gallery: Queer Publicity Network as Counterpublic.” Oxford Art Journal 42, Issue 2, August 2019: 197–215. ---, “Dear Data: Feminist Information Design’s Resistance to Self-Quantification.” Feminist Studies 45, no.1, 2019: 129–158.

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---, “Feasts of Fantasy: The Cruel Pleasures of Lori Larusso’s Paintings.” Under Main, May 2019.

RECORDINGS/CDS

---, “‘Rubbish And Dreams’ in Kentucky’s Queer Archives: A Conversation with David Getsy on researching Stephen Varble.” Under Main, November 2018.

UK Jazz Ensemble “The Early Years...” UK Jazz Ensemble “...Till Now” UK Trumpet Studio “Andromeda: New Music for Trumpet Ensemble”

---, “New Masters Against Mastery: Melissa Carter at Institute 193.” Under Main, September 2018.

EXHIBITIONS AND PRODUCTIONS

---, “Review: Radical Eroticism: Women, Art and Sex in the 1960s by Rachel Middleman,”Panorama: Journal of the Association of Historians of American Art, Spring 2019, 5:2. STANLEY C. PELKEY, “Dexter at Home in Suburbia: Domesticated Monster / Ideal Father.” In Pop Culture Matters: Proceedings of the 39th Conference of the Northeast Popular Culture Association, edited by Martin F. Norden and Robert E. Weir. Newcastle upon Tyne: Cambridge Scholars Publishing, 2019. ALLAN RICHARDS, Cultural diversity, conceptual pedagogy and educating students for their futures in Art Education and Cultural Diversity, Singapore: Springer Nature Singapore, 2019. ---, “Visual arts education improves self-esteem for persons with dementia and reduces caregiver Burden: A randomized controlled trial” with Ann Tietyen, Dementia: SAGE Journals, Volume 18, Issues 7-8, 2019. --- & S. WILLIS, Global Consciousness through the Arts, Dubuque IA: Kendall Hunt, 2018. SIAVASH TOHIDI & S. SANAMPUDI, M. ISSA, E. NASSAR, M. WINKLER, C. LARKIN, A. RONEY, D. RAISSI, ”Pictorial Review of Unusual Spontaneous Portosystemic Shunts encountered during TIPS Placement and its Clinical Significance.” Society of Interventional Radiology, Austin, TX. Poster, March 2018. MARTINA VASIL, “Popular Music Pedagogies: An Approach to Teaching 21st-Century Skills.” Journal of Music Teacher Education, December 2018.

RUTH ADAMS (Group shows): Web Exhibition, The Photo Review Competition; Midwest Center for Photography, Wichita, KS; Woodstock Center for Photography, Brooklyn, NY; 34th Annual National Juried Art Exhibition Slocumb Galleries Eastern Tennessee State Woodstock Center for Photography BECKY ALLEY (Solo show): Indiana University Southeast (Group shows): No. 142, South Issue, Boston, MA; Spartanburg Art Museum, South Carolina; Galerie im Körnerpark, Neukölln, Berlin MIA CINELLI (Group shows): Burlington Public Art Lab, Ontario, Canada; Monash University, Melbourne, Australia; Din Lommel Gallery & Art Studios, Tonsberg, Norway; Third Shift Festival, St. John, New Brunswick, Canada; Tarleton State University, Stephenville, Tx Galaudet Gallery, Eau Claire, WI; Vanessa Lacey Gallery, Kansas City, MO Gallery Clarendon, Arlington, VA; Walter Piehl Jr. Gallery, Minot State University, ND JEREMY COLBERT (Group shows): Sloss Furnaces Visiting Center Gallery, Birmingham AL; Dubuque Riverwalk, Dubuque, Iowa; Ray Drew Gallery, Las Vegas, New Mexico HERMAN D. FARRELL, III New Discoveries of Eugene O’Neill

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RAE GOODWIN (Solo performances): Mart Gallery, Dublin Ireland; Glasshouse, Brooklyn NY (Group Exhibitions and Performances): gr_nd Gallery, Berlin Germany; Galerie Schone Vienna, Austria; La Capella, Paris, France; Panoply Performance Art Laboratory Ohio University Art Gallery; Roush Gallery and Galleria, Carrolton GA CRYSTAL GREGORY (Group shows): Morgan Lehman Gallery, NYC; Meramec Contemporary, St. Louis James Madison University; Roy G. B.v Gallery, Columbus OH; Momentum Gallery, Chicago IL; Haystack Center for Community Programs, Deer Isle, Maine; Black and White Gallery, Brooklyn NY NANCY C. JONES The Bald Soprano Translated, Workshopped, and Directed a Staged Reading JONATHAN MCFADDEN (Solo shows): DEH8 Kunstraum, Dresden, German; University of Houston, Clear Lake (Two-person shows): MAPC Conference, Laramie, Wyoming; Group shows: Prairie Center of the Arts, Peoria, Illinois; University of Alabama, Birmingham Spike Print Studio, Bristol, U.K. 5th Whareuke International Printmaking Show, Kerikeri, New Zealand Lucky Punch Press, Berlin Germany Die Brueder Publishing, Hamburg, Germany Redsheep Gallery, Paris, France Chicago Design Museum, Chicago IL SCENE, Michigan State University Claire T. Carney Library, University of Massachusetts, Dartmouth LEE ANN PAYNTER (Group shows): Reece Museum, Johnson City, TN; Danville Community Arts Center Blank Wall Gallery, Athens, Greece; Fiap Jean Monet, Paris, France   PAUL RODGERS (Group shows): Verum Ultimum Art Gallery, Portland, OR; Skye Gallery, Providence, RI; 311 Gallery, Raleigh, NC; Redline Contemporary Art Center, Denver, CO; Manhattan Graphics Center, NYC; Evansville Museum, Evansville, IN

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BRANDON SMITH (Group shows): Site: Brooklyn; Indiana University Downtown Gallery; Smith Townsend Collaborative, Lake City, SC; Sheep Gallery, Columbus OH; Reece Museum, Johnson City, Tennessee ROB SOUTHARD (Solo show): University of New Mexico, Taos (Group shows): Environment Documenta, LoosenArt, Rome, Italy; In Relation to the Land, Center for Fine Art Photography, Fort Collins, CO; Ugliness, Latitude, Chicago IL Screen, Lincoln Short Film Fest, Lincoln, Nebraska HUNTER STAMPS (Solo show): Galeria 8A, San Miguel de Allende, Mexico (Two-person show): Ceramic Vicissitudes at the Galateea Contemporary Art Gallery in Bucharest, Romania (Group shows): Inaugural Kentucky Museum of Arts and Craft Triennial, Louisville, KY Arkanas Arts Center, Little Rock, AR; American Museum of Ceramic Art, Pomono, CA AIR Gallery, Pittsburgh, PA; Blakely Center, Pittsburgh, PA; Dairy Barn Arts Center, Athens, OH PETER STONE Everygirl, original play produced in Helsinki, Finland SUSIE THIEL In the Pursuit of…? Original Choreography presented at ACDA; The Days of ’98 Show, with Soapy Smith presented with Gold Rush Productions, Alaska Siavash Tohidi (Solo show): Lupin Foundation Gallery, University of Georgia (Group show): Foundry Art Center, St. Charles, MO DAVID WISCHER (2-person shows): Wilson Gallery, Georgetown College; 4th Street Studios, Laramie, WY (Group shows): Bradbury Art Museum, Arkansas State University, Jonesboro; KORE Gallery, Louisville; Carnegie Arts Center, Covington, KY; The Think Shop, Newport KY International Print Center, NYC; Fountain Gallery, Purdue University Galleries, West Lafayette, IN; Carbondale Community Arts, Carbondale, IL


CONFERENCES AND PRESENTATIONS YOON BAE, Once, Scenic Design, United States Institute for Theatre Technology Conference Presentation JEREMY COLBERT, Cast Iron Workshop, National Conference on Contemporary Cast Iron Art and Practices, Birmingham AL MIRIAM KIENLE, “Pushing the Envelope: Teaching Mail Art with Primary Sources”, Fifth Biennial Symposium of the Association of Historians of American Art, Minneapolis, MN ---, “Dear Data: Feminist Information Design in an Era of Big Data”, 6th Feminist Art History Conference, American University, Washington, DC ---, Presenter & Roundtable Participant, Mail Art Study Day, Archives of American Art , Washington, DC ---, “Ray Johnson’s Portrait of a Curator as Network”, Center for Visual Arts and Culture at Durham University, Durham, UK YUHA JUNG, J. TAYLOR, & L. ESSIG, (2019, June). Crisis of Compensation: A Critical Discussion of Fair Wages, Access, and Equity for Junior Professionals and Academics in Arts Administration. Association of Arts Administration Educators Annual Conference, Madison, WI YUHA JUNG, K. KEENEY, R. KUSHNER, N. VAKHARIA, & K. GALLAGHER, (2018, November). The 21st Century Arts Organization and Beyond: Exploring Emerging Management and Leadership Strategies in the Nonprofit Cultural Context. Association for Research on Nonprofit Organizations and Voluntary Action, Austin, TX. YUHA JUNG, J. PAQUETTE, P. GREENE, & N. VAKHARIA, (2018, November). Systems Thinking in Museums: Structure toward Inclusivity and Relevance. International Conference on Social Theory, Politics and the Arts, Manchester, England YUHA JUNG & K. KEENEY, (2018, November). Understanding Systems Intelligence as a Dimension of Arts Leadership. International Conference on Social Theory, Politics and the Arts, Manchester, England ANDREW MASKE, (2019, June) “Performance and Practice: Artworks Related to Traditional Performing Arts in Japan.” Special seminar, Shanghai Film Academy at Shanghai University STANLEY C. PELKEY, “STEAM Before STEM: Lewis Mumford’s Ideas about Art and Technology and Why They Matter Today.” Paper read at the national conference of the College Music Society, Vancouver, Canada (October 2018). ---, “Religion, Morality, Belonging, and Music in Vikings.” Paper read at the 2018 Film & History Conference, Madison, Wisconsin (November 2018). ---, “Edith Sings: Music, Nostalgia, and Moral Character in All in the Family.” Paper read at the national conference of the Society for American Music, New Orleans, Louisiana (March 2019). ALLAN RICHARDS, (2019, March) Project-based pedagogy, art education, and cultural diversity with Steve Willis. National Art Education Association Annual Conference

---, Super Session: Global Consciousness through the Arts: A Passport for Students and Teachers. National Art Education Association Annual Conference ---, Finding one’s voice through visual arts research and journal development with Steve Willis, International Society for Education through Art, the Society for Arts Education in Namibia, in collaboration with the Ministry of Education, Culture ---, Keynote Speaker—Citizenship in Arts and Education Programs: What is it all About? Third African and Middle East InSEA Regional Congress. The Second AMESEA International Conference. Fourth International Conference in the College of Education at 6 October University, Cairo, Egypt --- & GARRY BIBBS, Reconstructing the Functions of Humanities in Arts Education and Studio Art. A Symposium on “Teaching Humanities & Arts in a Global World,” 6th Annual International Conference on Humanities & Arts in a Global World, Athens Institute for Education and Research: A World Association of Academics and Researchers, Athens, Greece JILL SCHINBERG, (2018, July). Diversity Study in Arts and Entertainment Venue Management. Roundtable discussion at the International Association of Venue Managers Annual Conference. Toronto, Canada ---, (2018, July). The Gender Gap Continued. Invited presentation and panel moderator at International Association of Venue Managers Annual Conference. Toronto, Canada ---, (2018, June). Diversity Study in Arts and Entertainment Venue Management. Virtual poster session presentation at the Thirteenth International Conference on The Arts in Society. Vancouver, Canada MONICA VISONA, (2019, June). “Connecting Two Akan Scholars to French and British Patronage”, Annual conference, European Council on African Studies, University of Edinburgh

LECTURES AND WORKSHOPS YUHA JUNG, (2019, April). Workshop at LexArts, Systems Thinking for Arts Organizations. ---, (2019, February). Workshop in Arts & Entertainment Management/Arts Administration at Eastern Michigan University, Money to Mission: Financial Management Workshop for the Arts ---, (2019, January). Virtual lecture in Museum Studies at the University of Kansas on her edited book, Systems Thinking in Museums: Theory and Practice JILL SCHINBERG, (2018, Fall). Dance in Higher Education and the Professional World, University of Utah RACHEL SHANE, (2019, February). Workshop at LexArts, Look Who’s Talking: Encouraging Your Audience to Drive Digital Content ---, (2018, August). Social Media for Creatives. Kentucky Arts Council

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HIGHLIGHTS OF CFA-FUNDED FACULTY RESEARCH KAREN BOTTGE, School of Music Analysis of Tonal Music, 5th ed. and Writing in Music

RUTH ADAMS, School of Art and Visual Studies Per Noi: Conversations with the Ancestors

In Fall 2017 Karen Bottge was invited to join co-authors Allen Cadwallader and David Gagné in preparing a revised 4th edition of Analysis of Tonal Music, the most well-known textbook on the Schenkerian style of music analysis. With support of the summer research grant, Bottge was able to dedicate extended time to writing, revising, and editing 11 new pedagogical chapters for a new coordinating workbook. Each chapter includes 7 to 8 analytical assignments involving 15 to 20 musical excerpts.

With research funds, Ruth Adams returned to Europe to continue photographing for her research project Per Noi: Conversations with the Ancestors. This funding allowed her to photograph for 5 days in Florence, Italy, 3 days in Rome and 2 days in Berlin, Germany. Upon her return she purchased supplies to print and frame two sets of 20 Platinum/Palladium images. One set is at the Midwest Center for Photography in their Flat Files Feature and the other set went to the University of North Dakota for Adams’ first solo exhibition of selections from this new body of work. To date the work has shown in 9 group and solo exhibitions. In addition, the attention that these images are getting has gotten Adams an invitation to teach a 3-day platinum/palladium workshop at UND.

GARRETT HANSEN, School of Art and Visual Studies Hail-Ballistic With the support of summer research funds Garrett Hansen completed multiple rounds of materials testing and worked with colleagues from the King Library in an effort to create viable 3D images using contemporary photogrammetry techniques. The challenges associated with these images are significant given the nature of the materials used for ballistic testing. Hansen has submitted paperwork to become a faculty affiliate of the medical school and is waiting on clearance to use the school’s facilities to further these images with CT scanning technology.

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RAE GOODWIN, School of Art and Visual Studies Production, documentation, and crating of a new assemblage art series Rae Goodwin received funds to create 10 new art works in a new series of femmage/assemblage and prepare them for exhibition. At the end of this grant cycle she completed 12 works and have another six in progress. This funding allowed Goodwin to be productive in a short timeline as she budgeted and spent the majority of the funds on Research Assistants. These RAs were members of our undergraduate and graduate programs majoring in Art Studio. This new femmage/ assemblage methodology in her creative practice was further developed with the purchase of additional research materials and supplies for the creation of the works. Thus far the work has been included in one local solo exhibition during a feminist symposium on campus and in a local invitational group exhibition at the Living Arts and Science Center. Goodwin will next invite local and regional curators to her studio to view this new work in person.


ROBERT SHAY, School of Art and Visual Studies Artist Models for Sketching

JONATHAN GLIXON, School of Music Sound and Splendor in the Most Serene Republic of Venice

All the funds awarded to Robert Shay were used to hire models. Also, the primary purpose of the grant was to continue drawing the figure with an eye toward improving his skills and secondarily, beginning the process of finding a signature style. The opportunity afforded by the grant of a concentrated time in which to draw was highly beneficial. In terms of finding that elusive signature style, two possibilities emerged. The two possibilities “discovered” during the grant period were a) multiple, overlapping figures (or parts of figures) which seem to flow in and out of each other and which yield a general degree of ambiguity vis-à-vis which part of the body belongs to which figure and b) floating a partial figure on/in a landscape.

Jonathan Glixon’s funds supported his research trip to Venice in May and June. One of the main tasks for this trip was the photography of sixteenth- and seventeenth-century pamphlets describing celebrations of various sorts in Venice. Glixon accomplished nearly everything he had planned for this, photographing 93 pamphlets at the Biblioteca nazionale marciana, 17 at the Biblioteca del Museo Correr, and 7 at the Biblioteca della Fondazione Cini. In addition, he studied and photographed a series of financial records for celebrations at the Archivio di Stato, and additional descriptions at the Biblioteca Correr. Another portion of his planned research was the completion of his work in the archives of the Venetian trade guilds, housed in the Archivio di stato.

HUNTER STAMPS, School of Art and Visual Studies Ceramic Sculpture Exhibition at UNC-Asheville The funding supported Hunter Stamps’ creative research travel and visual art preparation expenses over the course of the 2018 summer. This funding energized and facilitated his creative research activity by providing Stamps’ with the resources to publicize and exhibit his ceramic sculptures. In preparation for going up for promotion to Full Professor, Stamps' ramped up his exhibition practice and expanded the scope of the national and international exhibition venues in which he exhibited his work. Utilizing the funding from the Research Enhancement Grant Stamps was able to create a new body of work, document the pieces, and participate in numerous exhibitions.

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STAMPS NAMED UNIVERSITY RESEARCH PROFESSOR EXCERPT OF UKNOW STORY BY JENNY WELLS-HOSLEY, MAY 1, 2019 Hunter Stamps, associate professor in the School of Art and Visual Studies, was one of 16 faculty across the University of Kentucky awarded a 2019-2020 University Research Professorship. The award goes to faculty who have demonstrated excellence in research and creative work that addresses scientific, social, cultural, economic, and health challenges in our region and around the world. Hunter Stamps received his M.F.A from Indiana University in Bloomington and his B.F.A from the University of North Carolina in Asheville. He has taught ceramics, sculpture, three-dimensional design and art appreciation courses. Hunter’s work is exhibited in national and international juried, invitational, and solo exhibitions. His work has been published in periodicals such as Ceramics Monthly and represented by galleries in New York and Washington, D.C. The purpose of the University Research Professorship program is to recognize and publicize research accomplishments of scholars across the full range of disciplines at UK. The award amount is $10,000 for one year, to be used to further the research, scholarship and creative endeavors of the awardee. The University Research Professors Program recognizes excellence across the full spectrum of research, scholarship and creative endeavors within each college that nominates a faculty member. College leadership developed criteria for excellence in research and scholarly activity within their area of expertise and then nominated faculty who excelled at these criteria.

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HIGHLIGHTS OF CFA-FUNDED STUDENT RESEARCH HOLLY SMITH Ph.D. candidate, Music Education Holly Smith received funding from the College of Fine Arts to present original research at national conferences including: Mountain Lake Colloquium for teachers of general music teachers; the Society for Music Teacher Education: SMTE Symposia; and the American Eurhythmics Society National Conference. The funding provided assisted in registration and travel expenses for Smith to attend multiple conferences to not only promote her own original research but to promote current music education research happening at the University of Kentucky. Research presentations presented included: 1) Music Activity Reports by Music Teachers with Varying Training in Dalcroze: An Exploratory Study; 2) Music in Movement. The Influence of Dalcroze Teacher Training in an Elementary Music Classroom: An Instrumental Case Study. JORDAN PROFITT B.M. student, Music Education Jordan Profitt travelled abroad for the first time with the help of the College of Fine Arts, attending the Prague Summer Nights music festival in Tabór and Prague, Czech Republic. While the award directly paid for the flight, it also indirectly allowed Profitt to visit Germany and Austria. GERALDO LEITE DA COSTA NETO M.M. student, Guitar Performance Geraldo Leite da Costa Neto traveled to Brazil with the University of Kentucky Guitar Trio. By working with Dieter Hennings and Felipe Magdaleno da Costa Neto had the chance to understand how to interact with other musicians. One of the trio’s biggest achievements was to transcribe an entire "Concerto for Guitar and Bandoneon" by Astor Piazzolla. Da Costa Neto also taught masterclasses in two universities during the tour. KATERI MILLER Ph.D. candidate, Music Education Thanks to the funds she received from the College of Fine Arts, Kateri Miller travelled to several national conferences and shared her study, But is He a Real Musician: A Single Case Study of a Popular Musician. Her research was shared with the music educators at the national conference for the Organization of Kodály Educators. Later she travelled to Florida to share her research at the National Association for Music Educators practitioners conference.

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CFA FACULTY AND STAFF AWARDS S T A F F

Tanya Harper Jennifer Sciantarelli

F A C U L T Y,

T E A C H I N G

Crystal Gregory S C H O O L O F A RT A N D V I S UA L ST U D I E S

F A C U L T Y,

S E R V I C E

Martina Vasil SCHOOL OF MUSIC

Becky Alley S C H O O L O F A RT A N D V I S UA L ST U D I E S


SELECT GUESTS AND RESIDENCIES R A L P H E U G E N E M E A T YA R D

DOUGLAS SHADLE

RALPH STEADMAN

T O N Y TA S S E T

S T E P H A N I E S YJ U C O

N ATA L I A Z U L UA G A

H O WA R D L E V Y & CHRIS SEIBOLD

CHRISTOPHER K. MORGAN BRIAN KEYS

ANGELA CARB ONE A N D D AV I D B O G U S

ARIEL RICHARDSON

ASHLEY HUNT

LEN PLUGER

BABY GRAMPS

JEN SMITH

THE WOOKS

RACHEL BLACK

T H E C I N C I N NAT I SY M P H O N Y

K E N N ET H S UA R EZ

C OLIN CARR

KA R A C O RT H RO N

CANADIAN BRASS

SILAS HOUSE

CONFERENCES HOSTED: S O C I E T Y F O R P H O T O G R A P H I C E D U CAT I O N M AT E R I A L I Z I N G R E S I S TA N C E : G E N D E R , P O L I T I C S , A N D C R A F T

20


ART MUSEUM

19

47

46

550

130

22,000

Exhibits on View

Events

Tours

New Acquisitions

(gifts & purchases)

Members

Approx. Visitors

Ralph Eugene Meatyard: Stages for Being publication on sale in 50 stores across the globe include Harvard Bookstores, Museum of Fine Arts Houston, National Gallery of Art, and MoMA.

21


SINGLETARY CENTER FOR THE ARTS

The Otis A. Singletary Center for the Arts opened on November 1, 1979 and has been serving the University of Kentucky and Commonwealth of Kentucky ever since by providing performances by world class artists and educational opportunities for aspiring students. SCFA is a vital performance space for the UK School of Music in addition to the Lexington Philharmonic Orchestra and Central Kentucky Youth Orchestras, as well as providing ticketing and support services for UK Department of Theatre & Dance and Studio Players Community Theater.

6,000

128

106

232

Tickets Sold

Ticketed Events

Free Events

Total Public Events

Season Highlights: Howard Levy & Chris Seibold, Jeff Coffin & Derek Brown, Women’s Choir special commission by SCFA, Bill Nye, Cincinnati Symphony, Moscow Ballet, Canadian Brass, Berlin Philharmonic Wind Quintet, Chris D’Elia, “Amadeus Live” 22


F I N E A R T S . U K Y. E D U


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