by Victor Davis Hanson // PJ Media I woke up one morning not long ago, and noticed that the world that I was born into no longer exists. It was as if I had once lived in Republican Italy, took a n…

In which he establishes separate style and themes from Friedrich, paints some wonderful landscapes in Italy, and explores the nocturne.

>amare-habeo https://t.co/XaY4LCgC6F https://t.co/FqXUtNkXeV

The Artist: Carus trained and practiced professionally as a medical doctor, but it was largely through his dedicated efforts as a landscape painter that he became a leading figure of late Romanticism in Germany

Carl Gustav Carus (1789–1869) Blue pencil.svg wikidata:Q61987 Title: Allegory of Music (Harp at Night) Date: C 1852 -1860 Medium: Black pencil, heightened with white, on gray-green paper Dimensions: height: 449 mm (17.67 in); width: 285 mm (11.22 in) Collection: Kupferstich-Kabinett Dresden Blue pencil.svg wikidata:Q570620

Page of The Goethe Monument by CARUS, Carl Gustav in the Web Gallery of Art, a searchable image collection and database of European painting, sculpture and architecture (200-1900)

Timeless voices still echo within the ruins of the Flavian Amphitheater: that ones of the people who rejoiced, suffered or gazed there in wonder, and that ones of the people who dreamed of the greatness of Ancient Rome, who painted their visions or filled sheets of papers with passionate verses. The nocturnal splendor of the Colosseum also charmed the alienated and mysterious soul of Edgar Allan Poe, the eerie giant of American literature.

Schloss Milkel in Moonlight (ca. 1833-35) by Carl Gustav Carus (German, 1789-1869), oil on canvas, 28.5 × 21.5 cm - The MET Fifth Avenue (New York, NY)