Everand Logo

Welcome to Everand!

  • Discover millions of ebooks, audiobooks, and so much more with a free trial

    From $11.99/month after trial. Cancel anytime.

    Ecce Homo by Friedrich Nietzsche - Delphi Classics (Illustrated)
    Ecce Homo by Friedrich Nietzsche - Delphi Classics (Illustrated)
    Ecce Homo by Friedrich Nietzsche - Delphi Classics (Illustrated)
    Ebook194 pages2 hours

    Ecce Homo by Friedrich Nietzsche - Delphi Classics (Illustrated)

    By Friedrich Nietzsche

    ()

    Read preview

    About this ebook

    This eBook features the unabridged text of ‘Ecce Homo by Friedrich Nietzsche - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Complete Works of Friedrich Nietzsche’.

    Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Nietzsche includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily.

    eBook features:
    * The complete unabridged text of ‘Ecce Homo by Friedrich Nietzsche - Delphi Classics (Illustrated)’
    * Beautifully illustrated with images related to Nietzsche’s works
    * Individual contents table, allowing easy navigation around the eBook
    * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
    LanguageEnglish
    PublisherPublishdrive
    Release dateJul 17, 2017
    ISBN9781788778749
    Ecce Homo by Friedrich Nietzsche - Delphi Classics (Illustrated)
    Author

    Friedrich Nietzsche

    Friedrich Wilhelm Nietzsche (1844 1900) was a German philosopher. He began his career as a classical philologist before turning to philosophy. He became the youngest person to hold the Chair of Classical Philology at the University of Basel in 1869 at the age of 24, but resigned in 1879 due to health problems that plagued him most of his life; he completed much of his core writing in the following decade. In 1889, at age 44, he suffered a collapse and afterward a complete loss of his mental faculties, with paralysis and probably vascular dementia. He lived his remaining years in the care of his mother until her death in 1897 and then with his sister Elisabeth Förster-Nietzsche. Nietzsche died in 1900, after experiencing pneumonia and multiple strokes.

    Read more from Friedrich Nietzsche

    Related to Ecce Homo by Friedrich Nietzsche - Delphi Classics (Illustrated)

    Titles in the series (22)

    View More
    View More

    Related ebooks

    Classics For You

    View More
    View More

    Related podcast episodes

    Related articles

    • UNLIMITED

      Swimming Always Against the Tide

      Jan 13, 2020

      Swimming Always Against the Tide
      3 min read

    • UNLIMITED

      The Myth Of Sisyphus

      Aug 10, 2020

      The Myth Of Sisyphus
      10 min read

    • UNLIMITED

      Effective Altruism

      Oct 9, 2019

      Effective Altruism
      9 min read

    • UNLIMITED

      Mental Music

      Sep 1, 2021

      Mental Music
      7 min read

    • UNLIMITED

      The World Is All That Is the Case

      Aug 11, 2021

      When you come to Ludwig Wittgenstein on the road, you must kill him. The knife that you use is entitled the Tractatus, and he'll hand it to you first. The post The World Is All That Is the Case appeared first on The Millions.

      12 min read

    • UNLIMITED

      Private Devotion

      Sep 1, 2018

      Greetings from Angelus by Gershom Scholem (translated by Richard Sieburth). Archipelago Books, 2018, $14.00 paper. IN 1648—the year, according to the Zohar, destined to usher in the messianic era—a Smyrnan Jew by the name of Shabbatai Tzvi received

      5 min read

    • UNLIMITED

      The Broken Circle

      Dec 23, 2020

      THERE ARE FOUR AGES OF MODERN VIENNA. Before the First World War, it was cultured and rich; from 1918 until the Anschluss with Nazi Germany, it was cultured and poor; from 1938 to the end of the Allied occupation, it was just poor; and from 1955 to t

      11 min read

    • UNLIMITED

      On Isolation and Literature

      Apr 30, 2020

      Isolation is not a medium for literature, nor is it a method of creating literature; it is the very substance of literature itself. The post On Isolation and Literature appeared first on The Millions.

      18 min read

    • UNLIMITED

      From The Trojan War To Conflict In Ukraine

      Nov 30, 2023

      THE YEAR 2023 HAS BEENrich in works composed in tempore belli. The most impressive is Conflict: The Evolution of Warfare from 1945 to Ukraine (William Collins, £26) by General David Petraeus and the historian Andrew Roberts. This is an ambitious and

      6 min read

    • UNLIMITED

      Livelier Than the Living

      May 31, 2024

      Livelier Than the Living
      18 min read

    • UNLIMITED

      Gravity And Grace And The Virus

      Nov 24, 2020

      It was strangely comforting to read things that had been written in a time of crisis, yet one that was not this crisis, this unbearable time. The post Gravity and Grace and the Virus appeared first on The Millions.

      6 min read

    • UNLIMITED

      Grappling With Evil

      Oct 28, 2021

      Grappling With Evil
      6 min read

    • UNLIMITED

      The Truthful Distortions of ‘The MANIAC’

      Jan 16, 2024

      'The MANIAC' is a kind of triptych, presenting us with the conception, painful birth, and exponential growth of the digital computer and its own disquieting offspring, artificial intelligence. The post The Truthful Distortions of ‘The MANIAC’ appeare

      7 min read

    • UNLIMITED

      In The Middle Of Even This: Poetry

      Jan 1, 2020

      To be brought from the bright schoolyard into the house:to stand by her bed like an animal stunned in the pen:against the grid of the quilt, her hand seemsstitched to the cuff of its sleeve—although he wantsmost urgently the hand to stroke his head,a

      7 min read

    • UNLIMITED

      Forward Thinkers

      Oct 9, 2023

      by Wolfram Eilenberger (Allen Lane, $65 hb) is out now in ebook and in hardback on October 10. Every era has its defining questions that animate the self and the world, and in the 20th century, such questions of philosophy in the Western world were f

      4 min read

    • UNLIMITED

      Write What You Know? Identity Politics and Fiction

      Oct 11, 2017

      If it weren’t so illustrative of the loaded identitarian schism at the heart of leftist politics, it would make for the perfect right-wing conspiracy: not only have well-meaning liberals become too PC, they are now roundly dismissed as blinkered by t

      14 min read

    • UNLIMITED

      Who Said Science and Art Were Two Cultures?

      Nov 17, 2021

      On a May evening in 1959, C.P. Snow, a popular novelist and former research scientist, gave a lecture before a gathering of dons and students at the University of Cambridge, his alma mater. He called his talk “The Two Cultures and the Scientific Revo

      8 min read

    • UNLIMITED

      Dear Poetry

      Dec 14, 2022

      Dear Poetry
      9 min read

    • UNLIMITED

      Thomas Bernhard (1978)

      Dec 1, 2020

      WHEN, JUST over a month ago, Thomas Bernhard’s last play, Immanuel Kant, premiered in Stuttgart—a play in which the philosopher from Königsberg, accompanied by a servant, a parrot, and his wife, undertakes a long, long sea voyage to New York—most Ger

      3 min read

    • UNLIMITED

      Thought Experimenters

      Sep 1, 2023

      We tend to think of philosophers as solitary creatures. Whether it be Diogenes or Socrates, Spinoza or Rousseau, Thoreau or Nietzsche, the philosopher is by necessity a loner. Several recent books, however, remind us that philosophers can also travel

      4 min read

    • UNLIMITED

      W.G. Sebald and the Malthusian Tragic

      Mar 28, 2018

      In 1798, an unknown curate named Robert Thomas Malthus published the essay that would give his name to a new breed of anxiety. He argued that the growth rate of the population would always exceed the growth rate of the food supply, inevitably reducin

      14 min read

    • UNLIMITED

      Human, All Too Human

      Jul 29, 2019

      Human, All Too Human
      5 min read

    • UNLIMITED

      The Greeks Aren’t Done with Us: Simon Critchley on Tragedy

      Nov 8, 2019

      “Tragedy is democracy turning itself into a spectacle,” and anyone with Twitter will concur with that observation of Critchley’s. The post The Greeks Aren’t Done with Us: Simon Critchley on Tragedy appeared first on The Millions.

      15 min read

    Related categories

    Reviews for Ecce Homo by Friedrich Nietzsche - Delphi Classics (Illustrated)

    0 ratings

    0 ratings0 reviews

    What did you think?

    Tap to rate

    Review must be at least 10 words

      Book preview

      Ecce Homo by Friedrich Nietzsche - Delphi Classics (Illustrated) - Friedrich Nietzsche

      The Complete Works of

      FRIEDRICH NIETZSCHE

      VOLUME 23 OF 24

      Ecce Homo

      Parts Edition

      By Delphi Classics, 2015

      Version 1

      COPYRIGHT

      ‘Ecce Homo’

      Friedrich Nietzsche: Parts Edition (in 24 parts)

      First published in the United Kingdom in 2017 by Delphi Classics.

      © Delphi Classics, 2017.

      All rights reserved.  No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of the publisher, nor be otherwise circulated in any form other than that in which it is published.

      ISBN: 978 1 78877 874 9

      Delphi Classics

      is an imprint of

      Delphi Publishing Ltd

      Hastings, East Sussex

      United Kingdom

      Contact: sales@delphiclassics.com

      www.delphiclassics.com

      Friedrich Nietzsche: Parts Edition

      This eBook is Part 23 of the Delphi Classics edition of Friedrich Nietzsche in 24 Parts. It features the unabridged text of Ecce Homo from the bestselling edition of the author’s Complete Works. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. Our Parts Editions feature original annotations and illustrations relating to the life and works of Friedrich Nietzsche, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily.

      Visit here to buy the entire Parts Edition of Friedrich Nietzsche or the Complete Works of Friedrich Nietzsche in a single eBook.

      Learn more about our Parts Edition, with free downloads, via this link or browse our most popular Parts here.

      FRIEDRICH NIETZSCHE

      IN 24 VOLUMES

      Parts Edition Contents

      The Philosophical Writings

      1, Homer and the Classical Philology

      2, On the Future of Our Educational Institutions

      3, The Greek State and Other Fragments

      4, The Relation Between a Schopenhauerian Philosophy and a German Culture

      5, Homer’s Contest

      6, The Birth of Tragedy

      7, On Truth and Lies in a Nonmoral Sense

      8, Philosophy in the Tragic Age of the Greeks

      9, Thoughts Out of Season

      10, Human, All Too Human

      11, The Dawn of Day

      12, The Joyful Wisdom

      13, Thus Spoke Zarathustra

      14, Beyond Good and Evil

      15, The Genealogy of Morals

      16, The Case of Wagner

      17, The Twilight of the Idols

      18, The Antichrist

      19, Nietzsche Contra Wagner

      20, The Will to Power

      21, We Philologists

      The Poetry

      22, Collected Poems

      The Autobiography

      23, Ecce Homo

      The Criticism

      24, The Criticism

      www.delphiclassics.com

      Ecce Homo

      HOW ONE BECOMES WHAT ONE IS

      Translated by Anthony M. Ludovici

      This 1888 autobiography was the last complete book written Nietzsche, before his final years of insanity, which were to last until his death in 1900. The book presents Nietzsche’s own interpretation of his development and works, while charting his significance in the history of philosophy. The book is well-known for its ironic self-laudatory titles, such as Why I Am So Wise, Why I Am So Clever, Why I Write Such Good Books and Why I Am a Destiny. However, Ecce Homo is a personal reflection of Nietzsche’s humility as a philosopher, writer and thinker, offering interesting parallel’s to Plato’s Apology.

      In the book, Nietzsche self-consciously strives to present a new image of the philosopher and of himself, as neither an Alexandrian academic nor an Apollonian sage, but instead a Dionysian. Nietzsche argues that he is a great philosopher due to his withering assessment of the pious fraud of the entirety of philosophy, which he considers as a retreat from honesty when most necessary and a cowardly failure to pursue its stated aim to a reasonable end. He insists that his suffering is not noble but the expected result of hard inquiry into the deepest recesses of human self-deception and that by overcoming one’s agonies a person achieves more than any relaxation or accommodation to intellectual difficulties. Nietzsche goes on to proclaim the ultimate value of everything that has happened to him, including his father’s early death and his near-blindness. In this regard, the wording of his title was not meant to draw parallels with Jesus, but suggest a contrast, that Nietzsche truly is a man. Nietzsche’s point is that to be a man alone is to be more than a Christ.

      Nietzsche in 1899

      CONTENTS

      TRANSLATOR’S INTRODUCTION

      PREFACE

      NOTE

      ECCE HOMO

      WHY I AM SO CLEVER

      WHY I WRITE SUCH EXCELLENT BOOKS

      THE BIRTH OF TRAGEDY

      THOUGHTS OUT OF SEASON

      HUMAN, ALL-TOO-HUMAN

      THE DAWN OF DAY: THOUGHTS ABOUT MORALITY AS A PREJUDICE

      JOYFUL WISDOM: LA GAYA SCIENZA

      THUS SPAKE ZARATHUSTRA: A BOOK FOR ALL AND NONE

      BEYOND GOOD AND EVIL: THE PRELUDE TO A PHILOSOPHY OF THE FUTURE

      THE GENEALOGY OF MORALS: A POLEMIC

      THE TWILIGHT OF THE IDOLS: How TO PHILOSOPHISE WITH THE HAMMER

      THE CASE OF WAGNER: A MUSICIAN’S PROBLEM

      WHY I AM A FATALITY

      TRANSLATOR’S INTRODUCTION

      Ecce Homo is the last prose work that Nietzsche wrote. It is true that the pamphlet Nietzsche contra Wagner was prepared a month later than the Autobiography; but we cannot consider this pamphlet as anything more than a compilation, seeing that it consists entirely of aphorisms drawn from such previous works as Joyful Wisdom, Beyond Good and Evil, The Genealogy of Morals, etc. Coming at the end of a year in which he had produced the Case of Wagner, The Twilight of the Idols, and The Antichrist, Ecce Homo is not only a coping-stone worthy of the wonderful creations of that year, but also a fitting conclusion to his whole life, in the form of a grand summing up of his character as a man, his purpose as a reformer, and his achievement as a thinker. As if half conscious of his approaching spiritual end, Nietzsche here bids his friends farewell, just in the manner in which, in the Twilight of the Idols (Aph. 36, Part ix.), he declares that every one should be able to take leave of his circle of relatives and intimates when his time seems to have come — that is to say, while he is still himself while he still knows what he is about, and is able to measure his own life and life in general, and speak of both in a manner which is not vouchsafed to the groaning invalid, to the man lying on his back, decrepit and exhausted, or to the moribund victim of some wasting disease. Nietzsche’s spiritual death, like his whole life, was in singular harmony with his doctrine: he died suddenly and proudly, — sword in hand. War, which he — and he alone among all the philosophers of Christendom — had praised so whole-heartedly, at last struck him down in the full vigour of his manhood, and left him a victim on the battlefield — the terrible battlefield of thought, on which there is no quarter, and for which no Geneva Convention has yet been established or even thought of.

      To those who know Nietzsche’s life-work, no apology will be needed for the form and content of this wonderful work. They will know, at least, that a man either is, or is not, aware of his significance and of the significance of what he has accomplished, and that if he is aware of it, then self-realisation, even of the kind which we find in these pages, is neither morbid nor suspicious, but necessary and inevitable. Such chapter headings as Why I am so Wise, Why I am a Fatality, Why I write such Excellent Books, — however much they may have disturbed the equanimity, and objectivity in particular, of certain Nietzsche biographers, can be regarded as pathological only in a democratic age in which people have lost all sense of gradation and rank, and in which the virtues of modesty and humility have to be preached I far and wide as a corrective against the vulgar pretensions of thousands of wretched nobodies. For little people can be endured only as modest citizens or humble Christians. If, however, they demand a like modesty on the part of the truly great; if they raise their voices against Nietzsche’s lack of the very virtue they so abundantly possess or pretend to possess, it is time to remind them of Goethe’s famous remark: "Nur Lumpe sind bescheiden (Only nobodies are ever modest). it took Nietzsche barely three weeks to write this story of his life. Begun on the 15 th of October 1888, his four-and-fourtieth birthday, it was finished on the 4th of November of the same year, and, but for a few trifling modifications and additions, is just as Nietzsche left it. It was not published in Germany until the year 1908, eight years after Nietzsche’s death. In a letter dated the 27th of December 1888, addressed to the musical composer Fuchs, the author declares the object of the work to be to dispose of all discussion, doubt, and inquiry concerning his own personality, in order to leave the public mind free to consider merely the things for the sake of which he existed (die Dingey derentwegen ich da bin"). And, true to his intention, Nietzsche’s honesty in these pages is certainly one of the most remarkable features about them. From the first chapter, in which he frankly acknowledges the decadent elements within him, to the last page, whereon he characterises his mission, his life-task, and his achievement, by means of the one symbol, Dionysus versus Christ, — everything comes straight from the shoulder, without hesitation, without fear of consequences, and, above all, without concealment. Only in one place does he appear to conceal something, and then he actually leads one to understand that he is doing so. It is in regard to Wagner, the greatest friend of his life. Who doubts, he says, that I. old artillery-man that I am, would be able if I liked to point my heavy guns at Wagner?

       — But he adds: Everything decisive in this question I kept to myself — I have loved Wagner (p. 122).

      To point, as many have done, to the proximity of all Nietzsche’s autumn work of the year 1888 to his breakdown at the beginning of 1889, and to argue that in all its main features it foretells the catastrophe that is imminent, seems a little too plausible, a little too obvious and simple to require refutation. That Nietzsche really was in a state which in medicine is known as euphoria — that is to say, that state of highest well-being and capacity which often precedes a complete breakdown, cannot, I suppose, be questioned; for his style, his penetrating vision, and his vigour, reach their zenith in the works written in this autumn of 1888; but the contention that the matter, the substance, of these works reveals any signs whatsoever of waning mental health, or, as a certain French biographer has it of an inability to hold himself and his judgments in check, is best contradicted by the internal evidence itself. To take just a few examples at random, examine the cold and calculating tone of self-analysis in Chapter I. of the present work; consider the reserve and the restraint with which the idea in Aphorism 7 of that chapter is worked out, — not to speak of the restraint and self-mastery in the idea itself, namely: —

      "To be one’s enemy’s equal — this is the first condition of an honourable duel. Where one despises one cannot wage war. Where one commands, where one sees something beneath one, one ought not to wage war. My war tactics can be reduced to four principles: First, I attack only things that are triumphant — if necessary I wait until they become triumphant. Secondly, I attack only those things against which I find no allies, against which I stand alone — against which I compromise nobody but myself.... Thirdly, I never make personal attacks — I use a personality merely as a magnifying-glass, by means of which I render a general, but elusive and scarcely noticeable evil, more apparent.... Fourthly, I attack only those things from which all personal differences are excluded, in which any such thing as a

      Enjoying the preview?
      Page 1 of 1
      pFad - Phonifier reborn

      Pfad - The Proxy pFad of © 2024 Garber Painting. All rights reserved.

      Note: This service is not intended for secure transactions such as banking, social media, email, or purchasing. Use at your own risk. We assume no liability whatsoever for broken pages.


      Alternative Proxies:

      Alternative Proxy

      pFad Proxy

      pFad v3 Proxy

      pFad v4 Proxy