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It is not so effortless for women to integrate their roles. Whereas women are pushed to “accomplish,” they are simultaneously chided for embracing traditional female functions.
Women who have advanced degrees, 401Ks, or late model sports cars receive more positive feedback from men, and from women, who have taken on “men’s jobs,” than do gals who deign to define themselves by: how actively they engage in communication with their spouses, how mindfully they proceed through their pregnancies, and how well they nurture their sons, daughters, and, later, their grandchildren. Simply, as a society, we’ve made girls into boys, while dismissing any reverence we had for girls.
The Wife/Mom explores possible answers to this dilemma by addressing communal stances on both visible and hidden, gender-based strata. This assemblage of poetry puts front and center our culture’s need to return to cherishing women as “women” and to esteeming “womanly” goings-on, per se. In these poems, females might be intrepid visionaries laboring in complex math, might be maestros of major orchestras, or might be Olympic athletes, but they are beloved first and foremost for being women.
KJ Hannah Greenberg
KJ Hannah Greenberg used to be an academic. She earned a Ph.D. in rhetoric and specialized in communication ethics. As well, Hannah was a National Endowment for the Humanities Summer Scholar at Princeton University and a reviewer for The American Journal of Semiotics.Upon moving to Israel, Hannah morphed into a creative writer.Subsequently, she was nominated four times for the Pushcart Prize inLiterature and once for The Best of the Net in Literature. Among hermany books are the essay collections:Tosh: Select Trash and Bosh of Creative Writing (Crooked Cat Books, 2017)Dreams are for Coloring Books: Midlife Marvels (Seashell Books, 2017)Word Citizen: Uncommon Thoughts on Writing, Motherhood & Life in Jerusalem (Tailwinds Press, 2015)Jerusalem Sunrise (Imago Press, 2015)Oblivious to the Obvious: Wishfully Mindful Parenting (French Creek Press, 2010)Conversations on Communication Ethics (Praeger, 1991)Simple Gratitudes (Propertius Press, 2018, Forthcoming)Rivka Gross née Greenberg is a full-time mother, a full-time teacher, and a full-time graduate student. In her spare time, she writes across the spectrum about both real and imagined aspects of life. Her work can be found in The Jerusalem Post, Chabad.org, Tachlis Magazine, and in books such as Jerusalem Sunrise (Imago Press, 2015).
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The Wife/Mom - KJ Hannah Greenberg
Preface
It is not so effortless for women to integrate their roles. Whereas women are pushed to accomplish,
they are simultaneously chided for embracing traditional female functions.
Women who have advanced degrees, 401Ks, or late model sports cars receive more positive feedback from men, and from women, who have taken on men’s jobs,
than do gals who deign to define themselves by: how actively they engage in communication with their spouses, how mindfully they proceed through their pregnancies, and how well they nurture their sons, daughters, and, later, their grandchildren. Simply, as a society, we’ve made girls into boys, while dismissing any reverence we had for girls.
The Wife/Mom explores possible answers to this dilemma by addressing communal stances on both visible and hidden, gender-based strata. This assemblage of poetry puts front and center our culture’s need to return to cherishing women as women
and to esteeming womanly
goings-on, per se. In these poems, females might be intrepid visionaries laboring in complex math, might be maestros of major orchestras, or might be Olympic athletes, but they are beloved first and foremost for being women.
This book celebrates leaky breasts, postpartum vaginas, and the complexities of striving to not have a favorite child. Likewise, this work insists that we embrace the activities of women, not in lieu of the activities of men, but in addition to them. In these pages, electing to drink pickle juice is as important as being able to order 1947 Domaine Faiveley Musingy Grand Cru. Here, homespun rhetoric gets valued alongside of sophisticated, political maneuvering. In this collection, the assorted emotions indigenous to the finer gender get played out not as hysteria, but as probable, important responses to significant, human moments.
The Wife/Mom posits that we ought not to incarcerate ladies in insane asylums or to minimize their convergent media sound bites. Female views must count.
Whereas there’s nothing theoretically wrong with women venturing into space, growing up to be publishers, or running the kitchens of fine restaurants, there is much, which is matter-of-factly incorrect, with upbraiding women for choosing to spend some or all of their time taking care of their families. Hence, in The Wife/Mom, being a committed partner and being a mother receive all manner of long overdue applause.
KJ Hannah Greenberg
Jerusalem, 2019
Acknowledgements:
This book is dedicated to my students. Without you, I would not be caused, again and again, to be mindful: about why I write in the manner in which I do, about exactitudes in my creation of texts, or about extensive rewriting. Thank-you for: your curiosity, your interest, and your ability. You empower me as a writing teacher and catalyze my manuscripts.
Introduction: The Wife/Mom
While watering the herb garden, I interface,
Ponder outrageous emails, childhood friends,
Petunias tasted nightly by bold groundhogs,
Plus dream of baths with fastened doors,
Candles, music, oleaginous soap, and spin
Fantasies of snow vacations, as school,
Dripping noses, hot cocoa rings, get flouted.
By mistake, our dear kitty’s gotten locked in
That closet, where unmatched socks hang about,
Also, random towel collections skulk, await my
Punctilious lover to engage me in meaningful
Talk about ill-placed baby gates, smelly healing
Tinctures, the family’s uneven back porch tiles,
Maybe the joys of dogs slurping toilet water.
Later, blanket thieves on tippy toes, discover
Our living room’s screes, our furniture mountains.
They painted the grout mauve, slung lights under
Covers, created kitchen polders, campaigned to stay
Awake past eight, nine, ten, until nearly forever.
Nose down in dollar books, they snore like ravens.
Morning brings banister slides, some head first.
Hubby’s rock and roll music, toenail clippings,
Poison ivy rash, lovemaking, following his filling
Up with popcorn, willingness to drive carpool
En route to work, as well as his memory games,
Focusing on romance, thwarted grocery shopping,
Again, last night. I remain the riparian between
Domesticity and waywardness as the wife/mom.
Table of Contents
Preface
Acknowledgements
Introduction: The Wife/Mom
1. Personal Spheres
The Five to Eight Parent
Hela
Summer Bride
Abandoned at the Insane Asylum
Fantastic and Incendiary
Superimposed
The Wanderer
Geeky Bitterness
Looking at You Looking at Him
Life’s Progressions
Geese
On Hanging Laundry
We Walk Honeysuckle Plus Jasmine
Natural Death
Wild Mama
White Hairs Dance the Zambra
Personal Rules of Interpretation
To Give to You My Years
2. Bud
I Observed the World
Hold my Hand
Trees Yield
Me and Super Fool: Surprise Catharsis for an Adolescent’s Imaginings
Chickaree’s Dais
Lava Bits Dancing: Lovers’ Lament
Primeval Battles’ Lessons
So, Sometimes We Fail
Where This Assemblage Succeeds
Duties Indigenous to Possessing a Magical Stone
Marked Distress and Impairment
Death of Slowpoke
A Recession-Proof Job
Words
Lost Potential after Lambing
Fritzi: A Child’s Comfort
Puppies’ Playful Stance
Kitten
3. Interpersonal Spheres
At Three, the World Attempted Me
The Queen Postured
Spoiled Family Traditions
So Many Do-Bees
For Annmarie: Loving Cysts Forever and Always
Lady Beasts Scurrying Beneath Social Gravities
Perhaps Whale Neurons: Life-Saving Work
Perspicacious Girls
Horse Whisperings
Penguin Rhapsody
Far Stars
Floccinaucinihilipilification.
We’ve Learned It’s Moot
Words that Glide Past Cryptid Hunters
Because of the Debauchery in Their Homes: Unwarranted Cultural Snobbery
Death by Almond Butter
Acts of Ethical Communication
Economically Confused
4. Flower
To Deter Distance’s Cravings
Deconstructing Literature’s Intercultural Mythos
Nonetheless, Encouraged States
Growing Like Lemongrass
Sansen Sessions and Woodland Sprints
A Vanity Press or a Piece of Self-publishing Software
The Elusiveness of a Royal Title
Except for the Lops
Where the Woods Part
Asymptotic Nonsense
Marcelled
Broken Mouse Ears
Palimony’s Worse
Me and My Lonesome
The City Man, His Lecture Notes, The Flesh Menagerie
While Dancing Elsewhere the Mortise and Tenon
Getting Sieved
His One Hundred Styles