“And all of a sudden
In the midst of that quiet,
It seems possible
To live simply on this earth.”
― Charles Simic

“It was summer, so the sun appeared in the bottom left-hand corner of the big window at quarter past six.
Ish.
It was hard to tell exactly until the sun rose just a little bit more, enough to send his beams through the holes carefully bored through a piece of wood, above which the hours were marked off in beautifully painted flourishes. This simple timepiece hung from the ceiling off a stick hammered sturdily in, because a string would have let it spin and therefore fail its task of tracking the sun.
The wind chimes, however, assembled from more bits of wood, and pieces of metal, and shaped and dried bits of pottery, were free to swing and tinkle as they pleased. These were surrounded by celestial bric-a-brac that also dangled from the ceiling and spun with abandon when the breeze found them: paper-mâché stars, comets of hoarded glass shards and mirror, a very carefully re-created (and golden) replica of the constellation Orion, a quilted and embroidered cloth model of the sun, and several paintings on rectangular panels hung such that they faced straight down. So that the viewer, in bed, might look up at them and pretend they were windows or friends, depending on whether the subject was landscapes or faces.”
― Liz Braswell, What Once Was Mine