Idealistic chemist Jeff Carter (Lon Chaney Jr.) has all his boss Roger Graham (J. Carrol Naish) take credit for all his discoveries. He doesn't care about the credit--he just wants to help humanity. But when Graham releases a drug that Carter discovered without Carter's approval tragedy results.

Easily one of the best "Inner Sanctum" films. It's basically a remake of a 1934 Claude Rains' film called "The Man Who Reclaimed His Head". The original is better but this isn't bad. It's interesting to see Chaney playing a sympathetic, cheerful guy for once and doing a pretty good job. Naish is (as always) very good playing the evil boss. And Brenda Joyce has her moments as Chaney's wife. And it's fun to see Lloyd Bridges in an early role.

This film really doesn't belong with the "Inner Sanctum" series--it's more of a drama until the very end. The film was low budget but looks just great--I assume they were shooting on sets of other movies. This was unavailable from the late 1940s to the early 1990s because of legal rights---but now it's out there and worth seeing. I give it a 6.

No great shakes but not bad at all.

"Strange Confession" was the fifth of six "Inner Sanctum" mysteries produced by Universal between 1943 and 1945 and starring Lon Chaney Jr.

The film opens with chemist Jeff Carter (Chaney) arriving on the doorstep of Parker (George Chandler) a lawyer he knew during his school days. He pleads with him to listen to his "strange confession".

In flashback, we see Carter content with his lot in life. He is a chemist whose boss Roger Graham (J. Carroll Naish) takes all of the credit for Jeff's work in developing new drugs. Jeff's wife Mary (Brenda Joyce) wants Jeff to be more ambitious and provide her and their son with the better things in life.

When Jeff refuses to provide Graham with his notes on a drug he is working on because of incomplete testing, he quits his job. Graham uses his influence to block Jeff's getting another job in the field. Jeff goes to work as a pharmacist and is content in that role. One New Year's Eve, Graham comes to Jeff's apartment to offer him his old job back with perks. At first Jeff refuses but at Mary's insistence, he takes the job.

Unbeknownst to Jeff, Graham has eyes for Mary. To that end he arranges for Jeff and his assistant Dave Curtis (Lloyd Bridges) to go to South America to continue work on an influenza drug. Meanwhile Graham and his assistant Stevens (Milburn Stone) steal Jeff's papers and market the drug based on an incomplete formula. Jeff eventually finds the missing link for his formula and wires the new formula to Graham. Graham and Stevens believe the re-working of the drug will take to long to produce, so they continue to market the drug made with the incomplete formula.

And then tragedy strikes. Jeff returns home and....................

This film is one of the better ones in the series. It has an excellent supporting cast and a good story to boot. Chaney as always is excellent. His performance as the meek and gentle chemist who is double crossed once too often is memorable. Naish makes a smooth villain. Brenda Joyce also stands out as Carter's wife.

Also in the cast are Addison Richards as Dr. Williams and Mary Gordon (Mrs. Hudson in the "Sherlock Holmes" series) as Mrs. O'Connor. For Naish and Stone, this was their second appearance in the series.

A compelling little drama with a few unexpected twists.

You would think no one would want to mess with the Wolf Man, Frankenstein's Monster, the Mummy, or Dracula -- all of whom the brawny, sinister-looking Lon Chaney Jr would play during his years on the silver screen. However, in Strange Confession he plays a good-natured, altruistic chemist, interested only in helping mankind by finding cures for diseases. So it's not surprising the amoral boss of the pharmaceutical lab he works for, played with slimy sophistication by J. Carrol Nash, takes advantage of his naive employee. It was bad enough he took credit and even won awards for Chaney's discoveries. But now he sends his star chemist out of the country so he can start selling an unproven influenza remedy Chaney would have objected was not reliable, and even more dastardly, so he can hit on Chaney's wife. When Chaney returns home unexpectedly and is confronted with all the distressing developments which have accrued from his sneaky boss's nefarious doings, look out! No more Mr. Nice Guy!

Strange Confession is one of the best of Universal Studio's six spooky little "B" potboilers inspired by the popular "Inner Sanctum" radio show. Each stared Chaney, enjoying a change of pace from his monster image as a suave, nattily dressed leading man. Instead of monster or moron, as in Of Mice And Men, in these nifty little thrillers he plays sophisticated, well-educated men, variously a psychiatrist, a professor, an artist, a hypnotist, a chemist, and an attorney. In the line of duty he receives the sexy attentions of some of Old Hollywood B-movie land's most beautiful babes, the glamorous likes of Evelyn Ankers, Anne Gynne, Patricia Morrison, Aquanetta, Elena Verdugo, and the afore-mentioned pretty Miss Joyce. Wow! Must have been an ego boost for he not-so-handsome Chaney. Could all the cigarettes he smoked in these movies have been to cover up the steam coming out of his ears!

But Chaney was a better actor than his later unrewarding roles would indicate, and he carries these short but quite good little movies with his measured portrayals of the tormented heroes. I would rate Strange Confession as the third best of the series with Weird Woman (see my review) as the best. Calling Dr. Death (1943), first in the series, perhaps has a slight edge over Strange in spite of lesser production values, because it incorporates a strong mystery-suspense angle with a tense psychological element. Strange Confession is more of a straight melodrama and the least spooky of the series. Also, Dr. Death gets a boost from the always reliable Nash's scintillating performance as a sardonic detective. Because the six pictures of the series were big studio second features, rather than impoverished independent "B" productions, a lot of mileage was made out of small budgets by borrowing sets from other, often bigger productions and by tapping a stable of on-the-payroll solid character actors such as Nash, Thomas Gomez, Milburn Stone, Douglas Dumbrille, Lloyd Bridges, and Ralph Morgan. While tacky looking in places, these little flicks are not without artistic merit. Though seldom mentioned in the context, all six movies are fine examples of the period film noir style, all loaded with night scenes, darkly shadowed and obliquely angled cinematography, femme fa-tales, doom-laden ambiance, and themes of murder, corruption, and betrayal. All the Sanctums are well-acted, well-directed, handsomely filmed, and stylishly scored.

Strange Confession and the rest of the Inner Sanctum series are enduring examples of how the big studios of Hollywood's Golden Era could turn out good-looking, entertaining pictures while only half-way trying. Once you have watched the entire series on Universal's economically priced album of meticulously restored DVD's, you may wish, as yours truly does, they had made sixty of them, instead of only six!

Mild-mannered chemist and devoted family man Jeff Carter (Chaney) is exploited by his unscrupulous employer (Naish) until tragedy results.

A half-hour into this programmer and I still wasn't sure where it was going. It plays more like an ordinary melodrama than an entry in a horror series (Universal's Inner Sanctum). Nonetheless, it's the most coherently plotted of the six entries and features Chaney's best performance. He was always good at projecting pathos, unusual for such a hulking figure. Here he gets the opportunity and looks more engaged than usual for the series.

It's a good thing the cast is engaged because the set-up takes some time, enough time for viewers to otherwise wander off. The premise amounts to a cynical look at the pharmaceutical industry, circa 1945. I don't know where the federal Food and Drug Administration was in those days, but the screenplay amounts to a strong case for federal regulation of the drug industry. Not exactly what you'd expect from a horror feature, although there is strong episode of implied horror near the end that works very well.

Anyway, I rather liked this little oddity and enjoyed a young and vigorous Lloyd Bridges clearly on his way up the Hollywood ladder.

This is possibly the best of the "Inner Sanctums", though it's also not a typical one - being based on Jean Bart's impressive anti-war drama "The Man Who Reclaimed His Head" (already filmed by Universal in 1934 with Claude Rains; in retrospect, it's amusing to note that the remake starred the actor who had played Rains' son in THE WOLF MAN [1941]!). Still, even if the setting is effectively updated - the original had a pre-WWI backdrop - its dealing with the crooked marketing of an untried drug is not quite the same thing as the philosophical war-themed discussions which distinguished the play (and earlier film)!

Again, we're supposed to believe Lon Chaney Jr. is something of a genius in his field - in this case, medical research - but he allows himself to be exploited by his unscrupulous boss J. Carrol Naish (who even has designs on his wife!). Chaney is typically flustered but Naish is an ideal villainous substitute for Lionel Atwill; Brenda Joyce, then, fills in for Joan Bennett as the heroine yearning for a fuller life but, ultimately, unwilling to sacrifice her domestic harmony to satisfy her own selfish ends.

The pace is necessarily slow - there are no murders or detectives this time around - with Chaney recounting his tragic tale to a childhood friend, and the resolution rather skimps on the hero's particular 'crime' (which was certainly more explicit in the 1934 version, even if STRANGE CONFESSION itself was also known as THE MISSING HEAD!) - but, as I said, it's the most satisfying entry in the series (which, ironically enough, was the one to go unseen for decades due to a copyright dispute!).

Of the six Inner Sanctum movies Lon Chaney made at Universal, for me this one constantly switches positions with two others in "Top Three" status. Chaney plays Jeff Carter, a good husband and father who's too soft when it comes to handling his domineering boss Roger Graham (J. Carrol Naish). Jeff's a skilled, meticulous lab chemist busy developing medicines with his partner (played by a very young Lloyd Bridges), but for all his achievements still lives modestly with his family in a tiny apartment. Jeff works hard while watching Graham take all the money and credit, and ultimately becomes a pawn in Graham's game when the boss sends Jeff away for a month on a job in South America for his own selfish ulterior motives.

STRANGE CONFESSION benefits right away for being somewhat different in style and approach from all the other Inner Sanctum mysteries, and it ropes you in from its prelude where we see a tormented Jeff desperately consulting with a lawyer while carrying a black bag with something unspeakable inside it. The film is then told as a flashback where we can find out what happened and why. Chaney gives a good performance, and J. Carrol Naish (who was so perfect with him in CALLING DR. DEATH) again makes for a fine match. *** out of ****

Lon Chaney, Jr. plays an idealistic chemist who creates a drug that may cure influenza. His unscrupulous and greedy boss (J. Carrol Naish) wants to release the drug right away but Chaney insists on doing more tests to make sure its safe. Naish releases the drug on the market anyway with tragic results. You really shouldn't tick off Lon Chaney, Jr.

The fifth of six Inner Sanctum movies from Universal starring a mustachioed Lon Chaney, Jr. This one has a somewhat troubled history as it was a remake of an earlier Universal film, The Man Who Reclaimed His Head. The first film was based off of a play by Jean Bart. There was some dispute about whether Universal had the rights to do more than one adaptation of Bart's play. So this one was out of circulation for decades.

As was often the case with the Inner Sanctum series, the cast is excellent. Chaney does some of his finest acting here. Legendary character actor J. Carrol Naish makes a particularly rotten villain. Lloyd Bridges, Milburn Stone, Addison Richards, and beautiful Brenda Joyce round out the cast. This is considered by many to be the best of the series. This may be because it has less in common with the others. There are some who don't appreciate the bizarre and quirky charms of the other films in the series. This one is more straightforward and less fantastic, so perhaps that's why it seems to have a better reputation. Regardless, it's a fine B movie that I happen to enjoy even if I wouldn't go so far as to call it my favorite of the bunch.

"Strange Confession" was the only Universal "Inner Sanctum" movie I had NEVER seen until the recent release of the entire series on DVD, but from the first few minutes it seemed familiar and I quickly realized why: though the opening credits list the script as based on a "composition" by Jean Bart (which made it seem like it was based on something she wrote in grade school), it was a quite obvious remake of the 1934 Universal film "The Man Who Reclaimed His Head," with Claude Rains, Joan Bennett and Lionel Atwill in the roles played here by Lon Chaney, Jr., Brenda Joyce and J. Carrol Naish. The original took place in France on the eve of the First World War and contained a pacifist message that M. Coates Webster, scenarist for the remake, unsurprisingly omitted since the U.S. was still at war when "Strange Confession" was made. Webster also changed the two antagonists from a radical newspaper editor at odds with his publisher to a scientist at odds with the owner of the pharmaceutical company he works for. Nonetheless, the two films are quite close otherwise and, though hardly as good a film as "The Man Who Reclaimed His Head" (and where is THAT one on DVD, Universal?), "Strange Confession" retains a surprising degree of the original's quality.

As the fifth of Universal's six 'Inner Sanctum' mysteries, 1945's "Strange Confession" has the distinction of being the only one not included in the popular SHOCK! package of classic horror films issued to television in the late 50s. Out of circulation since its rerelease under the title "The Missing Head," it still hasn't made the television rounds to this day, but has been easily available with the other series entries on VHS and now DVD. The reason for its suppression is that this was an unauthorized remake of Jean Bart's unsuccessful play (a measly 28 performances) "The Man Who Reclaimed His Head," previously filmed by Universal in 1934, featuring 'Invisible Man' Claude Rains recreating his stage role opposite villain Lionel Atwill. Streamlined and updated for its star Lon Chaney, "Strange Confession" actually improves on its source, the Chaney protagonist, Jeff Carter, an impoverished chemist working for an unscrupulous boss, Roger Graham (J. Carrol Naish), who takes all the credit for himself; in the original, Rains was a too mild mannered pacifist writer mercilessly used by his employer (Atwill) to advance his warmongering agenda. Without the lengthy antiwar backstory, the remake flows much quicker, and Chaney's family has a charming little son (Gregory Muradian) rather than an insufferable little brat of a daughter, played by 'Baby Jane' (a LONG way from Shirley Temple). Roger Graham is just as ruthless as his inspiration, his company rushing formulas into production regardless of whether or not they actually succeed in curing the patients, and when Jeff Carter's wife (Brenda Joyce) discovers that Graham's 'miracle drug' failed to save her son from an influenza epidemic, she turns on him far more forcefully than Joan Bennett ever did. Among another solid supporting cast are Lloyd Bridges as a good sidekick, ubiquitous Milburn Stone as a bad one, and equally ubiquitous Addison Richards as a doctor, with Mary Gordon and Jack Norton playing neighbors. Lovely Brenda Joyce had just begun her five picture reign as Jane in RKO's 'Tarzan' series, only concluding with her final film in 1949, "Tarzan's Magic Fountain," opposite new Ape Man Lex Barker and former Universal starlet Evelyn Ankers. Brenda's other genre work included "Whispering Ghosts" (John Carradine), "Pillow of Death" (opposite Chaney again), "The Spider Woman Strikes Back" (Gale Sondergaard, Rondo Hatton), "Little Giant" (Abbott and Costello), and "Danger Woman" (Patricia Morison, from "Tarzan and the Huntress"). As for Chaney himself, this was perhaps his best showcase since "Man Made Monster" or "The Wolf Man," not an innocent man accused of murder (as in previous series entries), but a brilliant researcher driven to justifiable homicide by forces beyond his control. Contrary to the numerous naysayers, he is convincing in this role, thanks to a script seemingly tailor made for his personality, not exactly suave, just an all around decent family man; the final 'Inner Sanctum,' "Pillow of Death," found him wallowing in a weak film and bad script, concluding with him as the surprise killer, undeserving of sympathy. The non horror "Strange Confession" never looked better, arguably the best of the half dozen series titles.

This is one of the best - if not the best - film of the Inner Sanctum Mysteries series.

Chaney plays Jeff Carter a chemist trying to find a cure for influenza. He is married to Mary (Brenda Carter)and they have a son together. He is not after fame nor fortune but sincerely wants to help mankind. His boss, Roger Graham, is not a nice guy - all he is wanting is the money from sales of the pharmaceutical drug that Jeff is developing. All seems fine when Jeff quits working for Roger but, later on, Roger talks Jeff into coming back to work for him - this is where things turn bad for Jeff and Mary. You'll have to watch the film for yourself to find out what went wrong and why.

Great mystery - I highly recommend this one for fans of mystery, crime, and even horror.

9/10

Chemist Lon Chaney Jr (Jeff) develops cures for illnesses but it's his boss J. Carrol Naish (Graham) who proudly takes the credit. Chaney is OK with this as he is motivated by the desire to help mankind. However, he is just too nice and doesn't even ask for pay rises. Naish is ruthlessly committed to profit and is prepared to release unfinished products to the public and that's what he does. He comes into direct conflict with Chaney over this point and things escalate. Chaney wants something back.

Well, I'm not sure Chaney needed to do what he does given his reasoning at the end of the film. It doesn't make any sense – he's babbling complete nonsense. However, we all sympathize with him. The film is a bit boring given the family situation - I couldn't care less for the family life sections and the kid and the irritating housekeeper.

One thing is true about the film, it is indeed a strange confession. And there are loads of products on the market that are no good for you. What's in the bag – yes, you guessed right. No real mystery about this film, it's an obvious narrative.

I am a big fan of Lon Chaney Jr.It was good to see a movie where Chaney was`nt a stupid monster killing people.This is perfect! I liked it.It was very good.We bought that two movie deal Calling Dr.Death and this.Strange confession beat Dr Death in my book.Oh my it was good.Lon Chaney was a great actor.And this movie is a good way to see his gift.A great mystery.And very suspenseful.It was a great movie.See it if you want a good movie to watch.

Lon Chaney Jr. is a research chemist working for pharmaceuticals manufacturer J. Carroll Naish. Naish not only makes all the money. He takes the credit. Chaney doesn't care. He has his wife, Brenda Joyce, and his son, and his very useful work. He's working on something to cure influenza, and Naish wants to rush it into production, but Chaney has all the data in his head, so Naish lets him have his way. When Chaney wants to go to South America with research assistant Lloyd Bridges, he agrees; his men have stolen Chaney's notes, so while Chaney is off perfecting the drug, Naish will produce a far less effective drug.... and seduce Miss Joyce.

It's the fifth of sixth 'Inner Sanctum' movies produced at Universal I'm the mid-1940s, a remake of 1934's THE MAN WHO RECLAIMED HIS HEAD. It's quite clearly a cheap programmer, but it's a lead role for Chaney, pretty near the end of his starring phase, and he gives his usual good, tragic performance.

I do wonder what the FDA is doing about the events in this movie. As I write this, the 2019 Coronavirus is spreading around the world, with lots of panic, talks about pandemics, Internet nonsense about fighting it by drinking bleach - which will almost certainly kill the virus, as well as the people who drink it. Let's hope that the legitimate drug companies can come up with something to fight it.

STRANGE CONFESSION (Universal, 1945), directed by John Hoffman, the fifth in the "Inner Sanctum" mysteries starring Lon Chaney (Jr.), has a lot to recommend mainly because this one stands apart from all the others. There's no detective around waiting for the guilty party to accidentally convict him or herself. There's no real murder mystery involved - the killer is known to its viewers from the start of the story. It's also the only one of the six entries to actually been lifted from an earlier film, THE MAN WHO RECLAIMED HIS HEAD (Universal, 1934) starring Claude Rains, Joan Bennett and Lionel Atwill. While the Rains version did have limited television broadcasts (1973-1977) on WOR, Channel 9, in New York City, STRANGE CONFESSION did not, making this the most unavailable and least known of the "Inner Sanctum" products for many years.

STRANGE CONFESSION would not be recognized as an "Inner Sanctum Mystery by Arrangement with Simon and Schuster Inc. Publishers" had it not been for David Hoffman's participation as a disembodied head inside a crystal ball addressing his audience by saying, "This is the Inner Sanctum, the strange fantastic world controlled by mass of living, cult seeking flesh. The mind, it destroys, distorts, creates monsters. Yes, even YOU without knowing can commit murder." For the opening scene, a murder has already taken place and central character, introduced as Jeffrey Carter (Lon Chaney), is seen leaving a building as the midnight bells chime, carrying some object inside his valise. After walking a great distance, Carter comes into the home of Brandon (Wilton Graff), his former college classmate now an attorney. Refusing to accept any more clients due to his busy schedule, Brandon is asked to sit down and hear what he has to say. After seeing what he has inside his valise, Brandon, in total surprise, agrees to listen to his story. Flashbacks reveal Carter an idealistic chemist with a beautiful wife, Mary (Brenda Joyce), and little son, Tommy (Gregory Muradian). Although a happy family, Mary resents the fact that her husband's brilliant mind is being taken for granted by his employer, Roger Graham (J. Carrol Naish), a manufacturer who takes credit and riches from Jeff's discoveries. After quitting his employ, Graham arranges for Jeff to be blacklisted from laboratory work, thus, forcing him to work for Mr. Moore (Christian Rub) as a pharmacist in his neighborhood drug store. Unable to succeed without Jeff's assistance, Graham takes him back, this time offering him full control of his discoveries and better financial rewards. Accepting a position in South America with Dave Curtis (Lloyd Bridges) as his assistant, Jeff acquires a special mode used for his vaccine cure for influenza called Zymurgine, sending the formula to Graham, who continues to betray Jeff by using it for his professional gain. After learning the real reason for being sent away for long length of time away from his wife and son, Jeff decides to return home and do something about it.

Other members of the cast include: Milburn Stone (Stevens); Addison Richards (Doctor Williams); Mary Gordon (Mrs. O'Connor); George Chandler (Harper) and Francis McDonald (Hernandez). As in all "Inner Sanctum" mysteries, Lon Chaney, in mustache, plays a victim of circumstance. Like his legendary father of the silent screen, he makes every effort presenting himself as an actor and not one associated solely in the horror genre starting with THE WOLF MAN (1941) and its sequels being his most significant character among everything else he has done.

What makes STRANGE CONFESSION even more special is Chaney's rare opportunity playing a family man with a wife and child this time around, although not as convincing as a chemist as Boris Karloff or Vincent Price had they been cast. Had STRANGE CONFESSION been licensed to broadcast television in the sixties and seventies, no doubt, based on portions in the flashback sequence set during the Christmas and New Year's holidays, it might have been part of its annual Christmas package showings as MIRACLE ON 34th STREET (1947) for example. Naturally this never occurred mainly due to this particular movie title became victim of some copyright dispute. After decades of obscurity, STRANGE CONFESSION was made available through video distribution in 1997 and again on DVD with prints lifted from a 1950s reissue with Real-Art Studios as distributor instead of Universal Pictures logo used in its closing titles. For anyone insisting that STRANGE CONFESSION did play on television sometime in the 1960s, oddly enough, it was a title inserted over the original title of THE IMPOSTER (Universal, 1944), for a reissue print starring French actor, Jean Gabin.

STRANGE CONFESSION is highly recommended viewing. It's only disappointment during its 66 minutes is not knowing much of the outcome after Jeff finishes telling his story. Next and final Inner Sanctum Mystery: PILLOW OF DEATH (1945) casting Lon Chaney and Brenda Joyce once more. (**1/2)

Lon Chaney Jr. plays Jeffrey Carter, an underpaid and exploited chemist who works for a highly unethical drug company president called Roger Graham(played by J. Carol Naish) After Jeff quits in frustration, Roger tries unsuccessfully to prevent him for working anywhere else. Desperate, Roger hires Jeff back, and puts him to work on a cure for a deadly strain of influenza, which requires him to travel to South America with his friend Dave Curtis(played by Lloyd Bridges)They discover a cure, but too late, as Roger puts an untested drug on the market that leads to deaths, including Jeff's young son...Enraged, he confronts Roger, who was also trying to steal his wife Mary! Much potential here that goes unrealized sadly, though the acting is fine, the budget is too low and running time too short to put this film over-the-top; a real shame that.

Strange Confession (1945)

*** (out of 4)

Fifth in the Inner Sanctum series once again features Lon Chaney, Jr.. This time around he plays a brilliant scientist who's trying to find a cure for influenza. His greedy boss (J. Carrol Naish) puts the stuff out on the market before it has been proved to cure and this leads to a tragedy. This is probably the best of the series as it mixes some Frank Capra like quiet moments with some rather mean spirited stuff towards the end. Chaney gives a very good performance and Naish lends a very strong supporting performance.

In the middle of the night, an obviously injured man enters the house of a well-known lawyer, explaining to him that he's his former schoolmate, chemist Jeff Carter, and showing him the contents of his large bag - which quite obviously HORRIFY the attorney. But he sits down and listens to Jeff's story, which he begins telling in a LONG flashback: Jeff, who's always been an altruist and wanting to do good to mankind with his work, is - as his colleagues as well as his wife tell him - the ideal 'object' for exploitation by his ruthless boss Graham, the head of a big pharmaceutics company. Graham takes Jeff's formulas, rushes them on to the market in order to make huge profits, and pays him peanuts for it - until one day, he wants to market Jeff's new 'miracle drug' for all kinds of diseases, although Jeff insists that it's not perfected yet and it would be irresponsible and dangerous to sell it as it is; Graham insists, and Jeff resigns.

He gets work as an assistant at a drugstore; but that doesn't seem to please his pretty young wife Mary very much, because there his salary is even smaller than when he worked for reckless exploiter Graham - and then, one New Year's Eve, Graham comes to see Jeff in order to beg him to come back to the company; and meets Mary for the first time... Immediately, the scoundrel has got a scheme ready: he sends Jeff, who consents to work for him again, and his assistant Dave to South America, where, according to Jeff, the only missing ingredient for the 'miracle drug' can be found - and so he's got him out of the way for making love to Mary, and for copying his incomplete formula and marketing it in a big way. But THEN, just as Jeff and Dave have found the right formula, a big influenza epidemic breaks out back home, and people, including Jeff's little son Tommy, are being treated with Graham's useless 'medicine'...

This is undoubtedly the heaviest, most dramatic and most cruel of the six "Inner Sanctum" movies - for it deals with one of the most cruel crimes: mass murder by false medication (a similar case as in "The Third Man"). And it shows the reckless capitalism and greed of those who 'play' with human lives in this way most drastically in the shape of Graham - we have to take our hats off to J. Carroll Naish for playing that skunk in such a convincing way that we actually HATE him to the core... And at the same time, the movie 'commits' a clear violation of the Production Code: 'The sympathy of the audience should never be thrown to the side of the crime...' But see and judge for yourself...