A young orphan is sent to the village of Moonfleet in Dorset, England to stay with his mother's former lover, who has the facade of a gentleman but leads a gang of swashbuckling bootleggers;... Read allA young orphan is sent to the village of Moonfleet in Dorset, England to stay with his mother's former lover, who has the facade of a gentleman but leads a gang of swashbuckling bootleggers; the duo go on a treasure hunt.A young orphan is sent to the village of Moonfleet in Dorset, England to stay with his mother's former lover, who has the facade of a gentleman but leads a gang of swashbuckling bootleggers; the duo go on a treasure hunt.
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- 1 nomination
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Storyline
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- TriviaThe boy, John Mohune, is much older in the novel, in his mid-teens at the start; the action of the novel takes place over a period of more than ten years in which he grows to manhood. He spends some of that time in a foreign prison.
- GoofsRight at the beginning of the film, when the little boy comes to, there's a shot where we can see the people surrounding him (as seen by the boy). But judging by the boy's place on the table in the next shot, he should be looking at the people upside down.
- Quotes
Mrs. Minton: Jeremy, why didn't you tell me?
Jeremy Fox: She's dead, Ann.
Mrs. Minton: Not to you, Jeremy. That's why we had to leave the islands, isn't it? To come back here to this cursed house, her house. It would have been better for both of us if you'd told me.
Jeremy Fox: So that you could give me the benefit of your compassion?
Mrs. Minton: No, Jeremy, but at least I would have known what lay ahead of me. I would have known how foolish I was to be jealous of the others. The women that you play with to fill the emptiness which is your life!
- ConnectionsEdited into Histoire(s) du cinéma: Une histoire seule (1989)
This is the opening salvo for the MGM adaptation of J. Meade Falkner's novel of the same name. Miklós Rózsa's luscious sweeping score then tones down to let us read and savour, and from here on in we are hooked into this booming colourful adventure. With the makers practically overhauling J. Meade Falkner's novel, it's perhaps unsurprising that fans of the novel have no time for this. Thus if you have read the book and not seen the film then perhaps you best avoid it? Likewise those who are in to swashbuckling as a preferred genre, do not be lulled into the belief that because Stewart Granger is the lead character of Jeremy Fox here, that this is Scaramouche 2, because it has plenty of swash but not enough buckle for those of that persuasion.
You witless, gutless misbegotten gallows-bait!
Filmed in Cinemascope and Eastman Color, Moonfleet is a hugely enjoyable adventure that encompasses smugglers, rapscallions, wonderfully costumed soldiers, and crucially, an engaging bond between a man and his newly adopted son. The sets and Oceanside location are excellent, and the costumes from Walter Plunkett benefit greatly from the "coulourscope" filming process, Robert H. Plank's photography sharp and a treat for the eyes. Story wise there are plot holes to thrust your épée or foils thru, and goofs that have no place in a production such as this, but if a keg of smuggled brandy and a search for a hidden diamond has you interested? Well this will deliver without a shadow of a doubt. George Sanders, Joan Greenwood and young Jon Whiteley (excellent) join Granger in delighting to the end of this enjoyable piece. Fritz Lang directs and fuses Gothic traits with bravado adventure leanings and the results are very easy on the eye, go on, have a look see.
8/10 Hurrah!
- hitchcockthelegend
- Sep 30, 2008
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Details
Box office
- Budget
- $1,955,000 (estimated)
- Runtime1 hour 27 minutes
- Aspect ratio
- 2.55 : 1