- Aaron Wile
- Adam Greenhalgh
- Alexandra Libby
- Arthur K. Wheelock Jr.
- Asma Naeem
- Benedict Leca
- Catherine Southwick
- Charles Brock
- Constance McCabe
- Courtney Helion
- Dina Anchin
- Dorothy Moss
- Elizabeth Walmsley
- Emma Acker
- Franklin Kelly
- Harry Cooper
- Henriette Rahusen
- Janet Blyberg
- Jason Di Resta
- Jennifer Wingate
- Joan M. Walker
- Joanna Dunn
- John Oliver Hand
- Joseph Baillio
- Julia Thompson
- Kerry Roeder
- Lara Yeager-Crasselt
- Laura Napolitano
- Lisa Strong
- Marjorie E. Wieseman
- Mark Levitch
- Michael Swicklik
- Miklós Boskovits
- Nancy Anderson
- Peter Humfrey
- Philip Conisbee
- Richard Rand
- Robert Echols
- Robert Torchia
- Ruth Fine
- Sarah Cash
- Sarah Greenough
- Sarah S. Wagner
- Valerie Ann Leeds
- Yuriko Jackall
- Zoë Samels
Jason Di Resta
Jason Di Resta is research associate in the Italian paintings department at the National Gallery of Art. He received his doctorate in the history of art from the Johns Hopkins University, and holds an MA from Syracuse University. Di Resta joined the Italian paintings department in 2013. He has also served as visiting lecturer of art at Colorado College in Colorado Springs and as research assistant to the Edmond J. Safra Visiting Professor at the Center for Advanced Studies in the Visual Arts (CASVA).
Di Resta is the recipient of a number of awards, including a Samuel H. Kress Pre-Doctoral Fellowship at CASVA and the Kunsthistorisches Institut in Florence, and a Dean’s Teaching Fellowship at the Johns Hopkins University.
His research interests include the relationship between art and geography in early modern Europe, the role that style plays in processes of identity formation, and the phenomenology of the Christian devotional image. He is currently working on a transnational study that addresses the material vitalism of human bones as artistic media in seventeenth-century Capuchin mortuary chapels. Di Resta has presented aspects of his research at the Philadelphia Museum of Art, the Goethe-Universität Frankfurt, the Kunsthistorisches Institut in Florence, the National Gallery of Art, and the annual meetings of the Renaissance Society of America.
Di Resta is the author of the entry on the 2014 acquisition