A powerful institution in the Habsburg Empire, the Catholic Church continued to be a central social, political, and cultural agent after 1918, working in alliance with political parties and national governments to promote visions of a new national culture. As a result, church building took on an important ideological and political function. Rampley’s study is set against the backdrop of two interrelated issues: the role of architecture in the Catholic Church’s response to an increasingly secular modernity, and church architecture as part of the Church’s attempts to shape social and political life in the states that emerged after the collapse of Austria-Hungary. Rampley also examines the aesthetic, cultural, and political contexts that informed architectural projects, including the conflict between Catholicism and social democracy, the embrace of fascism, Catholic theories of technology, and discourses of regionalism and ruralism.

In bringing to light an untold chapter in the history of modern architecture, this book also engages in methodological reflection on the implications of the study of modern church architecture for the historiography of modernism. This book will appeal to students and scholars of architectural history, religious and political history, and interwar Central European history.

Matthew Rampley is Professor of Art History at Masaryk University. He is the author or coeditor of numerous books, including The Vienna School of Art History: Empire and the Politics of Scholarship, 1847–1918, The Seductions of Darwin: Art, Evolution, Neuroscience, and The Museum Age in Austria-Hungary: Art and Empire in the Long Nineteenth Century, all published by Penn State University Press.

Art History & Architecture

           Architectural History

           European

           Modern and Contemporary

History

           European

           Russian & East European

           Twentieth-century

           Art & Architecture

German Studies