Theory
Theory
Theory
III
- On
Symmetry:
temples
and
the
human
body
- Classification
of
temples
- Proportion
of
intercolumniation
and
of
columns
- Foundation
and
the
substructures
of
temples
and;
- Proportions
of
the
base,
capitals,
and
entablature
of
the
ionic
order
FUNDAMENTAL
PRINCIPLE
OF
ARCHITECTURE
- ORDER
- EURYTHMY
- SYMMETRY
- PROPRIETY
- ECONOMY
VITRUVIUS
PRINCIPLES
OF
SYMMETRY
-PROPORTION
(correspondence
among
the
measures
of
the
members
of
an
entire
work)
-
SYMMETRY
(correspondence
of
opposite
parts
in
size,
shape
and
position)
-BOTHE
ARE
WAYS
OF
CREATING
ORDER:
ART
IMMITATES
NATURE
THE
TRIAD
1.
FIRMITAS
-foundations
carried
to
solid
ground
2.
UTILITAS
-
no
hindrance
to
use
3.
VENUSTAS
-
proportion/symmetry
*VITRUVIUS
STATES
THAT
MAN
IS
IMITATIVE
AND
TEACHABLE
AND
SUPREME
TO
ALL
OTHER
ANIMALS
VITRUVIUS
&
architectural
theory
-vitruviuss
text
discovered
by
Poggio
in
1415
-Utilitas,firmitas,venistas
ABBOT
SUGER
The
Book
of
Suger,
Abbot
of
Saint-Denis
(c.
1144)
- Village
of
Saint-Denis
-
birthplace
of
Gothic
Archi
- The
church
was
a
shrine
to
the
spiritual
apostle
of
France,
Charlemagne
and
his
son
Pepin
WILLIAM
DURANDUS
The
Symbolism
of
Churches
and
Church
Ornaments
(1286)
- Theorist
of
canon
law
in
Gothic
times
- Born
in
French
Provence
- Bishop
of
Mende
in
1286
- Rationale
divinorum
officiorum
ANDREA
PALLADIO
-I
Quattro
Libri
dell
Architettura
(father
of
modern
picture
books)
-Palladianism
LONGETIVITY
-
arch-and-column
compositions
-
classic
temple
front
-
systemized
the
ground
plan
-
central
hall
-scenic
background
MANNERISM
- Distortion
- Inner
views
are
skewd,
no
single
correct
reality
- Artificial
background-nothing
is
based
on
reality,
unearthly
perfection
- Baroque
(1600-)
- Rococo
(1800-)
- Greek
revival
(late
1800)
- Beaux
Arts
(1880-1920)
Rococo
-late
development
in
baroque
design\
-lighter
in
effect
Baroque
-
ornate,
heavily
ornamented
Greek
Revival
-late
version
of
Neoclassicism
-entry
porch,
decorative
pilasters,
narrow
windows
around
front
door
Beaux
Arts
-last
major
phase
of
neoclassicism
-highly
academic
style
CONSTRUCTION
THEORY
AND
PERSONAL
STYLE
Birth
of
theories
on
mechanics
of
materials
and
construction
- adopted
from
Francis
Bacon
(1561-1626)
and
Galileo
Galilei
- Galilei,
Discorsi
e
dimostrazioni
matematiche
intorno
a
due
nuove
scienze
Institutionalization
of
the
engineer
-
Engineer
(lat
genius
or
product
of
genius)
used
in
the
Middle
Ages
for
skillful
architects
MATHEMATICAL
CONSTRUCTION
THEORY
- Robert
Hooke
(1635-1703)
Hookes
Law
- Jakob
Bernoulli
(1654-1705)
Logarithmic
Spiral
- Leonhard
Euler
(1707-1783)
nine-point
circle
BOOKS
ON
PRACTICAL
CONSTRUCTION
- Pierre
Boulet:
IArchitecture
pratique
- William
Halfpenny:
The
art
of
sound
building
- Francis
Price:
the
british
carpenter
or
a
treatise
on
carpentry
- William
Pain:
the
builders
companion
and
Workmans
general
assistant
PERSONAL
STYLE
EUGENE
EMMANUEL
VIOLLET-LE-DUC
-
restorations
of
medieval
buildings
what
we
call
taste
is
but
an
involuntary
process
-
ENTRESIENS
SUR
IARCHITECTURE
OWEN
JONES
GRAMMAR
OF
ORNAMENT
-flowers
or
other
natural
objects
should
not
be
used
as
ornaments
Ornament
on
the
savages
-ornament
was
the
result
of
instincts
and
aims
common
to
all
mankind
EARLY
MODERN
ARCHITECTURE
MARC-ANTOINE
LAUGIER(1713-1769)
An
Essay
on
Architecture
-Jesuit
priest
and
architectural
theorist
-faults
of
columns
include
-
being
engaged
in
the
wall
-
column
should
be
free
-the
use
of
pilaster
-EoA.
Topics
ranging
from
solidity,
diff
orders,
construct
diff
buildings
My
purpose
is
to
develop
a
taste
of
architects
blablabla..
Impeccable
result
primitive
hut
-ideal
principle
for
architecture/any
structure
at
that
time.
-standard
form
-emphasized
hearth,
roof,
and
foundation
JOHN
RUSKIN(1819-1900)
The
Poetry
of
Architecture
-
Kata
Phusin
-
study
of
cottages,
villas
and
other
dwelling
around
Wordworthian
argument
(buildings
should
be
sympathetic
to
local
envi,
use
local
materials)
-
critic
of
Owen
-
pagan
in
its
origin
blablablabla
insolence
fortified
-contribution:
Nature
of
Gothic
-his
argument
encouraged
a
revival
of
Gothic
Styles
-
inspiration
of
Arts
and
Crafts
movement
LOUIS
HENRI
SULLIVAN(1856-1924)
-form
follows
function
-tall
office
building
artistically
considered
MODERN
ARCHITECTURE
OTTO
WAGNER
-Archi
Realism
-Jugendstil
buildings
-new
human
task
and
views
called
or
reconstruction
of
existing
forms
PATRICK
GEDDES
Regional
Planning
and
Design
With
Nature
-regional
panning
-
origins
of
sustainable
urban
development
WARTIME
AND
POST-WAR
BRITISH
PLANNING:
ABERCROMBIE
-Patrick
Ambercrombie
-plan
for
greater
London
and
britains
new
towns
program
LE
CORBUSIER
-Charles-Eduard
Jeanneret
-father
of
modernist
movement
-social
engineering
ELEMENTS
OF
CORBUS
PLAN
-very
high
density
-1,200
people
per
acre
(skyscraper)
-overcrowded
-120
people
per
acre
(luxury
houses)
-multi-level
traffic
system
to
manage
the
intensity
of
traffic
-more
dense,
less
distances
that
have
to
be
covered
-increase
the
density
of
the
centers
of
our
cities,
where
business
affairs
are
carried
on
RIVERSIDE,
ILLINOIS
-designed
by
Olmsted
-protype
suburb
-9
mi
from
Chicago
-wealthy
people
-often
copied
THE
CITY
BEAUTIFUL
MOVEMENT
DANIEL
BURNHAM
-1893
Chicago
Exposition
-S.F.
Plan
-Chicago
Plan
-Burnham
the
Propagandist
-main
emphasis:
showy
urban
landscapes
-beaux
arts
tradition
-aped
classical
architecture
-Burnham:
1893
Chicago
Worlds
Fair
-orderly
clean
-aesthetic
rather
than
social
sensibility
-grandiose
and
ambitious
THE
GARDEN
CITY
MOVEMENT
EBENEZER
HOWARD
GARDEN
CITIES
(BRIT
INNOVATION)
-Howard:
Garden
Cities
of
Tomorrow
(1898)
-THREE
MAGNETS
-
town
(high
wages,
opportunity
and
amusement)
-country
(natural
beauty,
low
rents,
fresh
air)
-town-country
(both)
-separated
from
central
city
by
greenbelt
-two
actually
built
in
England
(Letchworth,
Welwyn)
GARDEN
CITIES
-combine
best
elements
and
avoid
the
worst
elements
of
the
city
and
country
-basis
of
the
earlier
suburbs
GARDEN
CITIES
IN
EUROPE
AND
AMERICA
- Raymond
Unwin
and
Berry
Parker:
Implementer
and
Corruptor
of
the
Garden
City
Movement
CLARENCE
PERRY
-neighborhood
unit
CLARENCE
STEIN
-addressed
the
implication
of
mass
car
ownership
H.
ALKER
TRIPP
-basis
of
precincts
TONY
GANIER(1869-1948)
UNE
CITE
INDUSTRIALLE
INDUSTRIAL
CITY
-utopian
form
of
living
LE
CORBUSIER
(AGAINldjfdhkgmr)
VERS
UNE
ARCHITECTURE
(towards
new
architecture,
1927)
URBANISME
(the
city
of
Tomorrow,
1927)
-Three
reminders
to
architects
-
mass
-
surface
-
plan
-Machine
Age
,
produce
works
that
embody
its
principle
-
examining
need
and
the
refinement
solution
for
those
needs
FIVE
POINTS
OF
ARCHI
-pilotis
-free
faced
-open
floor
plan
-ribbon
window
-roof
garden
-MODULOR
-ground
to
solar
plexus
(golden
section)
-
solar
plexus
to
head
(mean)
-
based
on
the
Fibonacci
series
maintin
the
human
scale
everywhere
DE
STIJL
(1917-1931)
-journal,
Theo
van
Doesburg
-Neoplasticism
(plastic
art)
-
rigid
form
of
Abstraction
-express
a
new
utopian
ideal
of
spiritual
harmony
and
order
-pure
abstraction
and
universally
by
areduction
to
the
essenials
of
form
and
colour.
-used
only
primary
colors
(blue
red
yellow)
along
with
b&W
-influenced
by
Cubist
painting
-influenced
Bauhaus
style
and
the
international
style
OLD
AND
NEW
CONSCIOUSNESS
OLD-
INDIVIDUAL
NEW-
UNIVERSAL
-Equal
balance
between
the
universal
and
the
individual
PIET
MONDRIAN
-founder
of
the
Neoplasticism
movement
BAU
HAUS
THE
INTERNATIONAL
STYLE
-major
archi
style
in
US
and
Europe
-Henry
Russell
Hitchcock
-Phillip
Johnson
THE
BIG
THREE
- Le
Corbusier
- Ludwig
Mies
van
der
rohe
- Walter
Gropius
The
international
style
was
striving
towards:
-
simplification,
honesty
and
clarification
four
slogans:
- ornament
is
a
crime
- form
follows
function
- truth
to
materials
- machines
for
living
The
typical
International
style
high
rise
- square/rectangle
footprint
- simple
cubic
extruded
rectangle
form
- windows
running
in
broken
horizontal
rows
forming
a
grid
- all
faade
are
90
degrees