LA Canvas Newspaper Issue 3
LA Canvas Newspaper Issue 3
LA Canvas Newspaper Issue 3
NEWS
Volume 1, Issue 3
MARCH 2010
INDEX
VOICE NEWS FEATURES LIFE & STYLE FOOD & FUN 2-3 4-5 6-7 8-9 10
3/1/2010 1:50:12 PM
MARCH 2010
VOICE
Curie, and Sidonie Colette. They were influential and infamous figures of the early feminist movement, each portraying the diversity of woman nature and the strength of individual character. The picketing group are representing International Womans Day in the 21st century, showing that women have come together in even greater numbers. The Triangle Factory building, in the upper right hand corner, is an icon for early reform. The exploitation of womens labor went up in flames in a horrific story which spurred the growth of unions for the improvement of working conditions and equal rights. The fists from the Russian propaganda poster symbolize the restrictions womens movements have faced. Womans Rights began to spring up internationally after the fall of Communism, but women still struggle today on a global level for equality.
Editor-In-Chief: Kevin Hidalgo Newspaper President: Dante Colombatti Public Relations Director: Yushi Imai Public Relations: Danial Alvarez, Frederick Broussard, Patrick Hall Marketing and Social Media: Chalita Walden Graphics: Daniel Alvarez, Kelsey Campbell, Mandi Gum, Remedy Jeannie Huynh, Jennifer Leung Reporters: Andrea Emmes, Justin Fitzwater, Tiffany Kantor, Violet Koncz, Leslie Mendez, Casey Sunich Photographers: Baokhanh Hoang, Brennen Scott, Neeyaz Zolfaghari Illustrators: Benjamin Black, Justin Fitzwater, Kelsey Sweet Advisor: Khara Cloutier Email: News@LACanvas.com Public Relations: PR@LACanvas Sales: Sales@LACanvas.com Phone: (818) 485-2486
L.A. CaNVas
Deadline Schedule
Next Issue April 2 Editorial Deadline March 19
MARCH 5, 2010
Advertisement Deadline March 19 For all submissions including letters to the editor and publicity releases, send to News@LACanvas.com
With a few months having gone bye and many hours of searching for the right web designer a simple referral from a fellow photographer paid off big. Lindsay Gatz you are my web angel. Agreed to meet in person, made the process simple and most important great customer service. Having the right design to compliment my photo work was of all importance and Lindsay made that happen. I just have a few words of advise when looking for a web designer. Until someone is compliant with your every web design need dont settle. Realize that your site is your identity, it determines how your potential client sees you and ultimately decides if your the right choice.
3/1/2010 1:50:21 PM
VOICE
Are Churches Really Good For Us?
By Kyle Hogland Yes would seem to be the answer. But is that true? I grew up going to church three times a week for over twenty years. I qualified for a state speech contest, and missed it to go to church. Vacation? School Trip Activity? Yes, I made arrangements for someone to pick me up and go to church. I was a die hard church-goer. Most would consider this extreme, but I was under the impression that church came first. It does. But not the way man has organized it. Just because someone puts the word church on their front door, and cracks open the bible, doesnt make them a church. You can tell me My church isnt like that, its very open. Let me ask you this then, Do you think that you need to be a part of a church similar to how yours is set up? Do you think that you wont be as good if you dont go there? If not, then why do you go? I havent been in a church that didnt have some sort of division. Some sort of attitude like, This church is a little better than others because ... Or, If you dont come to church (like this) then you will get weak. Or in some extreme cases, such as the one I was a part of, If you dont go to a church like ours, you have lost your soul and are bound for hell. As much as they deny it, one of these attitudes is there. Christ doesnt want this. If you believe in Him, then you should come together with other believers, but never block anyone from your circle. Your circle should be with every believer in the world. The church is spiritual, and we all make it up. Dont worry about the traditional times and practices. Meet with believers when you can, and however and wherever you want. If that means over coffee or at school, then there ya go-- and you didnt have to spend any money or extra time to make it happen either.
MARCH 2010
contact:
American Fairy-tale
By Benjamin Black A monster broke out and ravaged a kingdom Damsels took arms Since the shining knight was sleeping Chaos clung to the monsters intent It ate the sun And to the castle went Defenses were down First Prince charming was found Insuring maids as he drops the glass slipper while being eaten It could be said that the princess was dead Once it breached the castle walls But she mused Unaware As terror spilled into her home In its savaged She was ravaged Placed inside a dark abold To the beast She tried healin But it only saw killin And so to the villain Her life was sold But then the beast Felt life slip As a bulge disturbed its form And in the end The princess would win As erupting from its corpse Was an innocent new-borne
They really love me! I taught they would like that one!
3/1/2010 1:50:24 PM
MARCH 2010
NEWs
NoHo News Briefs
3/1/2010 1:50:27 PM
nEWs
MARCH 2010
By Leslie Mendez The Spoke (n) Art Ride is a once-a-month bicycle tour of art galleries in North East Los Angeles organized by NELA Arts and led by Josef-Bray Ali ; owner of Flying Pigeon. The ride is done at a slow pace that gives riders an opportunity to socialize and admire art in all sorts of mediums and styles. The ride is held the second Saturday of every month and the route consists of galleries in and around Hyland Park. The ride changes route and theme every month but the $1 vegan tacos, $1 home brew, gallery after party and mini block party are always the last stop. Last months ride was a blast and I didnt even take my bike! I attended the ride and followed the riders in envy from a car taking pictures for this story. The riders met at Flying Pigeon and rallied up at York and Figueroa street to go over the route. First Stop was THIS Gallery who was hosting its first opening. I loved how instead of greeting us with wine and cheese there was a bucket of ice that contained Pabst
Blue Ribbon, organic juices and Boxed water instead. Second stop was 2 Tracks art studios. The place was a maze of art studios; where one exhibit ended another began. There was live charcoal drawing, food, music, a variety of artists displaying their work and artist performing their art forms. Third stop was Caf de Leche and the rest of the galleries on Ave 50. The riders parked their bikes and wandered in and out of the galleries. I was intrigued by the commotion happening at Outpost and walked over to watch the live screen printing. The Art Ride came to a close at around 10:30 p.m. at The Bike Oven where everyone lined up for tacos. The Art Ride takes place every second Saturday of the every month. They meet at the Flying Pigeon in L.A. It is located on 3714 N. Figueroa St., Los Angeles, CA 90065. The Bike Oven is always open for submissions so if you would like to get your work up your can shoot an e-mail with Art Ride as the subject to Veronica at blackwomansidekick@hotmail.com.
3/1/2010 1:50:37 PM
KING
Written by Violet Koncz | Illustrated by Justin Fitzgerald
e walks the dimly lit room as the sound of his footsteps appear to align themselves with the sounds of pencil on paper. Fifteen pairs of eyes study a naked human figure, while his eyes continue to examine them. He looks over their shoulder and corrects a student every now and then. The air of confidence radiates from him, as he takes a pencil and draws with deft motions, correcting a curve here and there. This is Tak Salmastyan, instructor at the Art Institute of California-Hollywood who teaches color theory, fundamentals of design, fundamentals of observational drawing, and perspective drawing. His name literally translates as The King, and its a role he does not mind wearing Born and raised in Armenia, Tak decided at five years old that he wanted to be a painter. He was fourteen years old when he graduated from The Academy of Fine Arts with Honors and Excellence. By sixteen, he knew he wanted to be a teacher. I consider myself an American artist with Armenian flavor, says Tak. Tak came from Armenia in 1990 to find a better future. Like many people from the Soviet Union, Tak was looking for freedom and liberty for his own mind. When Tak was young, he went through classical training in fine arts. As he grew up, a lot of inspiration came from the great masters like Picasso, Da Vinci, and many others. The most important thing to get good at drawing, in Taks opinion, is the human figure because the teachers used to say if you can draw figure, than you can draw anything. Tak has taught at the Art Institutes since 1997. He started out as the original drawing instructor for The Art Institute of California-Santa Monica, but after some time, he came to The Art Institute of California - Hollywood. He enjoys teaching and takes a lot of pride in what he does. Not only does he teach to the best of his ability, he learns from, and is inspired by, his students every day, adding I enjoy my fellow colleagues and fellow students. Tak enjoys being a teacher, and considers his students his investments. He believes that a good teacher gives the same energy, love, and passion to teaching them even if they have different skills and personalities. To him the ultimate reward to being a teacher is when you inspire your students to be good and do the best they can in all aspects of their life. He wants them to be a better person in their life in general. Taks paintings are unique. I just like gold, its a symbol of being rich, but in a painting, I just want to show that the subject in the painting is intrinsically very rich, Tak says about his use of 24 karat gold paint or gold leaf in his paintings to show their deep values. He rarely uses black because black has no light. I would love to see light in everything. In misery, Id like to see light. Instead of black, he uses indigo blue. Geometry is also a recurring theme in many of Taks paintings. He believes that it is the balance of the universe. He says that it is hard to destroy geometry, but easy to rearrange, making it crisp, clean and balanced.
MARCH 2010
Features
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A very distinct technique Tak uses in his paintings is how he puts both irises into one eye. He says that sometimes [people] are so complicated that [they] wanted to see what they would look like simplified. It is a simple strategy but creates interest in his paintings. Tak is intrigued by human nature and people. His paintings and drawings center around the human figure. Thats why I ask a lot of questions. I want to know everything about human nature, Tak says. This inquisitive man can make anyone laugh with his silly questions about why someone does something a certain way or how come people like this or that. It is very important to be inspired by simple things, Tak believes. When artists are young, they tend to look to other experienced artists for inspiration. As they get older, Tak has discovered their inspiration changes. They learn that everything around them can be a source of inspiration. Artists must learn that through experience and life they become their own inspiration, he thinks. It starts with excitement, then you get inspired, and then you start working, says Tak. You never know where your next source of inspiration will be. It could be on the way to school, or at a museum. What inspires you could be anything: a leaf on the ground or even a stray hair on someones jacket. The possibilities really are endless. Upon defining art, Tak realizes that time defines art. We have no legitimate definition for art because it is always changing. Its really hard to define art. It evolves, Tak says. He thinks that today, art is when you look at something and it is more than what you see. He says that its like a book. You have to be able to read it. If you understand the title than you can read the painting. He believes that art should be deeper than what you see. It should make you wonder, fantasize, and ask questions about the world we are in. Tak believes that art is universal and should be understood by everybody, not just one group. He says that, I care about people in general. If you are an artist then your art should be for everybody. Not only should a painting please the observer, it should be thoughtful, meaningful, and somehow tell a story that is universal. People are easily inspired by this talented teacher/artist. He says that his affect on the school is positive and inspirational. The best compliment Tak has ever received was when a fellow colleague said to him, Tak, youre reputation exceeds you, all students want to be like you. He even says that believe it or not, students themselves tell him they want to be just like him. Of course he jokes with them by asking Do you mean bold like me? With such a high reputation, it is no doubt that there can be a downside. The truth is those complements are like heavy burdens because they make me like a role model and I do not have the right to disappoint anyone. He is still very grateful for his position and status among the students.
You never know where your next source of inspiration will be...What inspires you could be anything: a leaf on the ground or even a stray hair on someones jacket. The possibilities really are endless.
TAK
3/1/2010 1:50:53 PM
MARCH 2010
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MARCH 2010
Performance by featured artist at last years event. Fashion, music and art come together at the Music Box March 19.
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MARCH 2010
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CanVas: What made you decide you wanted to be a singer? EMMes: Since I can remember, Ive been surrounded by music. My dad is a musician and used to be in a band when he was younger and I got a lot of musical inuence from him growing up. I love the expression of emotion in song and nd a real joy in singing. CanVas: Who are your biggest inuences? EMMes: My dad is denitely a big inuence. He is a self taught musician, playing the piano, harmonica and guitar. But I am a huge fan of singer/ songwriters too, such as Amy Grant. CanVas: Whos voice do you wish you had? EMMes: Sometimes I wish I had Mariah Careys voice because of the amazing control she has, but Im happy to have my voice. Canvas: What was the rst CD you ever bought? EMMes: Wow, I cant even remember. I remember Michael
Music
Jacksons Thriller but that was a 12 album. CanVas: Do you have a musical experience that changed your life? EMMes: Anytime I go to a concert, I am inspired and overwhelmed with emotion and by how much I want to be up there myself. Its quite a rush to be onstage in front of thousands of people performing. I love it. CanVas: How did music come into play when you where recovering from your accident? EMMes: Besides God, music was my refuge and a huge help in keeping me sane and emotionally together. After getting hurt and laying in bed for so many months, it can really play havoc on your psyche, so I would listen to all my favorite musicians, cds, etc and just try to get lost in their emotion. Plus, I was inspired to write my own music and songs, chronicling my pain and heart while hurt. CanVas: What did you take away from that whole
experience? EMMes: I knew that those times can be difcult and you may lose things in your life that you feel are important, that there is always strength in God. I may have had to relearn a lot of things in my life after the accident and change careers and my outlook, but I realized that I still have a purpose and worth, especially through God and it was important for me to share that with others who are struggling with hard times. There is always hope. CanVas: How did you feel about winning the music award for Best Contemporary Christian Artist of the Year? EMMes: I was blown away when I won. I wrote the album while laying in bed nine months in pain every day. I wrote it to help me get through the monotony of pain and being in bed and in hopes that it might reach a couple of people and help them through their hard times. It made me realize that no matter what your situation is, there is always hope, you should never let your hard times keep you from your dreams.
From David Ballam at Eclectic Wine Bar & Grille 1 3/4 oz of Han Vodka 1/2 - 1 oz of Rose's Apple Martini Mix splash of triple sec Swirl caramel into a martini stem glass and around rim of glass. Garnish with a slice of apple.
Photo by Baokhanh Hoang/Canvas Staff
Khara Cloutier
In honor of National Womens History month, heres a tribute playlist to some of the female pioneering legends who have helped shape rock music history (well, at least by my American standard of what constitutes history).
Name
Atomic Connection Barracuda Can the Can Deceptacon Seether Doll Parts Angry Johnny Naked Eye Cannonball
Artist
Blondie Elastica Heart Suzi Quatro Le Tigre Veruca Salt Hole Poe Luscious Jackson The Breeders
Album
Eat to the Beat Elastica Little Queen Suzi Quatro Le Tigre American Thighs Live Through This Hello Fever In Fever Out Last Splash
volume
By Kyle Hogland If Adam Sandler was testing wine here, he would say, "Now, now, dats' wut' i caw' some high quality wine!" A beautiful world of its own, with wine bars, a daily changing menu of deliciously filling food, family service, and a winery is the last of its kind left in L.A. Is it good? As phone text-ers would say, "OMG". Yes, it is. The service is amazing, and the food is perfect. Breakfast, lunch, dinner, wine parties, whatever you want, the San
Antonio Winery gives it to you. First established in 1917 as a small house-sized business, the winery was able to survive the "prohibition" period by working with churches to produce their 'sacramental' wine. Now, in 2010, they are the only winery left in L.A. and one of the top 15 largest wine producers in the U.S. Experience the fine life of Italy by taking a tour and seeing the hundreds of barrels lining the walls. San Antonio Winery, a global persevering leader in our world.
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