JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. British Forum for Ethnomusicology is collaborating with JSTOR to digitize, preserve and extend access to this work.
JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. British Forum for Ethnomusicology is collaborating with JSTOR to digitize, preserve and extend access to this work.
JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. British Forum for Ethnomusicology is collaborating with JSTOR to digitize, preserve and extend access to this work.
JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. British Forum for Ethnomusicology is collaborating with JSTOR to digitize, preserve and extend access to this work.
The Jewish Service in Communist Hungary: A Personal Journey
Author(s): Judit Frigyesi Source: British Journal of Ethnomusicology, Vol. 11, No. 1, Red Ritual: Ritual Music and Communism (2002), pp. 141-157 Published by: British Forum for Ethnomusicology Stable URL: http://www.jstor.org/stable/4149889 Accessed: 07/01/2009 07:47 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=bfe. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We work with the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact support@jstor.org. British Forum for Ethnomusicology is collaborating with JSTOR to digitize, preserve and extend access to British Journal of Ethnomusicology. http://www.jstor.org JUDIT FRIGYESI Th e Je w i s h s e r v i c e i n Commun i s t Hun gar y: a p e r s on al j our n e y Th i s ar ti c l e s ummar i ze s th e p r obl e ms th at h i n de r e d th e p r ac ti c e of Je w i s h r i tual mus i c i n Hun gar y dur i n g th e Commun i s t p e r i od. Th e fi r s t p ar t de s c r i be s th e c h ar ac te r of th e mus i c of th e tr adi ti on al Je w i s h s e r v i c e , p oi n ti n g out th os e c h ar ac te r i s ti c s th at made th i s mus i c di ffi c ul t for th e mode r n mi ddl e c l as s to ac c e p t. It i s s ugge s te d th at th e s p e c i fi c c h ar ac te r of Je w i s h r i tual mus i c c on - tr i bute d to i ts mar gi n al p os i ti on be for e an d afte r Wor l d War II. Th e s e c on d p ar t tr e ats th e p r obl e m of Je w i s h i de n ti ty as an e th n i c i ty i n mode r n Hun gar y dur i n g th e p r e -Wor l d War II an d th e Commun i s t p e r i od an d de s c r i be s th e r e as on s for an d th e p r oc e s s of i s ol ati on of th e r e l i gi ous Je w i s h c ommun i ty. As a r e s ul t of th i s i s ol ati on , th e Je w i s h s e r v i c e w as p r ac ti s e d l i ke an un de r gr oun d ac ti v i ty - a c i r c ums tan c e th at tr an s for me d i ts mus i c . Th e ar ti c l e r e c oun ts th e p e r s on al s tor y of th e auth or as a c ol l e c tor of Je w i s h r i tual mus i c i n th e Commun i s t e r a i n Hun gar y. In 1976 a c l as s mate , Pe te r Laki , an d I w e r e c al l e d to th e offi c e of th e mos t r e s p e c te d Hun gar i an mus i c ol ogi s t of th e ti me , Be n j ami n Raj e c zky.1 At th e me e ti n g Pr ofe s s or Raj e c zky i n v i te d us to c ar r y out a p r oj e c t for th e s tudy of th e "fol k mus i c " of th e Hun gar i an Je w s , s ugge s ti n g th at w e s h oul d c on ti n ue th e Je w i s h mus i c r e s e ar c h th at Be n c e Szabol c s i , th e foun de r of Hun gar i an mus i c o- l ogy, h ad l aun c h e d man y ye ar s e ar l i e r . We w e r e mus i c ol ogy s tude n ts at th e Ac ade my of Mus i c an d w e r e gar de d th e i n v i tati on as a gr e at h on our . At th e s ame ti me , th e p r op os al s oun de d di s tur bi n gl y ambi guous . Wh e n w e l e ft th e offi c e w e r e al i ze d th at w e h ad n o i de a of e i th e r th e c on te n t or th e fr ame w or k of th e p r oj - e c t, n or di d w e un de r s tan d w h y th e tw o of us h ad be e n s e l e c te d to c ar r y i t out. Th e p e r s on al , s c h ol ar l y an d p ol i ti c al c on s e que n c e s of th i s i n v i tati on w e r e far -r e ac h i n g an d i t i s n ot p os s i bl e to te l l th e ful l s tor y h e r e . I w oul d l i ke to r e c oun t h e r e a fe w e p i s ode s th at i l l us tr ate s ome of th e p r obl e ms of r e s e ar c h i n g th e As h ke n azi 2 Je w i s h l i tur gi c al mus i c i n Commun i s t Hun gar y. 1 I be gan th e r e s e ar c h of Je w i s h mus i c toge th e r w i th Pe te r Laki , an d h e s h ar e d man y of th e e xp e r i e n c e s , i de as , e moti on s an d an xi e ti e s th at I de s c r i be h e r e . Si n c e th e l ate 1980s I h av e be e n w or ki n g on th i s mate r i al al on e . 2 As h ke n azi , l i te r al l y me an i n g Ge r man , i s th e te r m c on v e n ti on al l y us e d for th e gr oup of BRITISH JOURNAL OF ETHNOMUSICOLOGY VOL. 11/i 2002 p p . 141-57 142 BRITISH JOURNAL OF ETHNOMUSICOLOGY VOL.11/i 2002 Our i n i ti al fi e l d tr i p s i n Budap e s t l e d us to th e mai n n e ol og s yn agogue s , th e s yn agogue on Doh ai n y Str e e t an d th e s yn agogue of th e Rabbi n i c al Se mi n ar y.3 At th e Rabbi n i c al Se mi n ar y th e c on gr e gati on c on s i s te d mos tl y of youn g i n te l - l e c tual s , an d on our fi r s t v i s i t w e i mme di ate l y r e al i ze d th at th e Fr i day e v e n i n g s e r v i c e s fun c ti on e d as a ki n d of un de r gr oun d Je w i s h youth c l ub. Th e s e r v i c e i mp r e s s e d us as a w e l l -r e h e ar s e d c on c e r t p e r for man c e of c h or us , or gan i s t an d c an tor ac c omp an i e d by c on ti n uous c h atte r amon g th e c on gr e gati on . As i n th e Doh ~n y Str e e t s yn agogue , th e c an tor c ate gor i c al l y r e fus e d to l e t us r e c or d h i m. He s ai d th at th e mus i c h ad al r e ady be e n n otate d an d, i n an y c as e , i f h e w an te d to be r e c or de d h e w oul d go to a s tudi o an d p ubl i s h a c omme r c i al r e c or d h i ms e l f. Our fi r s t atte mp ts th us l e d to a de ad e n d. We foun d n oth i n g th at e n c our age d us to do e th n omus i c ol ogi c al r e s e ar c h . Th e mus i c s oun de d e n ti r e l y We s te r n an d th e p e r for me r s of th i s mus i c c on s i de r e d th e ms e l v e s as ar ti s ts i n th e We s te r n s e n s e of th e w or d an d r e fus e d to be "r e duc e d" to th e s tatus of an th r op ol ogi c al "s ubj e c ts ". Fur th e r mor e , w e w e r e un de r th e i mp r e s s i on th at Pr ofe s s or Raj e c zky e xp e c te d us to c ol l e c t Je w i s h "fol k mus i c ", th at i s , s ome th i n g l i ke th e p e as an t s on gs th at Bar t6k an d Kodai l y c ol l e c te d. We c on s ul te d Al e xan de r Sc h e i be r , th e di r e c tor of th e Rabbi n i c al Se mi n ar y an d a gr e at s c h ol ar . He s ai d th e r e w as n oth i n g to r e c or d. Th e Je w s of th e c oun - tr ys i de h ad be e n de p or te d to th e e xte r mi n ati on c amp s an d Hun gar i an Je w i s h fol k mus i c h ad di s ap p e ar e d for e v e r . Th e be s t on e c oul d do, h e s ugge s te d, w as to go th r ough th e Je w i s h p e r i odi c al s p ubl i s h e d i n Hun gar y an d c omp i l e a c ata- l ogue of mus i c al e xamp l e s an d ar ti c l e s on mus i c . So, for on e day e v e r y w e e k for an e n ti r e ye ar , w e w e n t to th e Nati on al Li br ar y an d c omp i l e d a c atal ogue of ar ti c l e s de al i n g w i th Je w i s h mus i c i n Hun gar i an Je w i s h p e r i odi c al s of th e n i n e - te e n th an d tw e n ti e th c e n tur i e s . Wh e n w e l e ft Hun gar y th i s c atal ogue r e mai n e d at th e In s ti tute for Mus i c ol ogy, th ough i t h as s i n c e ap p ar e n tl y di s ap p e ar e d. We r e c oun te d th e s aga of our s e ar c h for Je w i s h mus i c to Dav i d (Si n dor ) Pol n aue r , a r abbi n i c al s tude n t. He foun d an i n for man t for us , an ol d man n ame d Mr Eh r man n . Mr Eh r man n di d n ot gi v e us h i s addr e s s , n or di d h e al l ow (c on ti n ue d fr om p r e v i ous p age ) Je w s w h o l i v e d i n Ge r man y an d i n Eas te r n Eur op e i n th e te r - r i tor i e s i n c l udi n g Pol an d, Hun gar y, Roman i a, Mor av i a, Boh e mi a, Sl ov aki a, Rus s i a, Li th uan i a an d Mol dav i a. Th e te r m i s us e d to di s ti n gui s h As h ke n azi tr adi ti on s fr om th os e of th e Se p h ar di . Th e Se p h ar di c ommun i ti e s or i gi n ate d i n Sp ai n an d, afte r th e i r e xp ul s i on , s p r e ad mai n l y to Nor th Afr i c a an d to th e Bal kan s (Gr e e c e , p ar ts of th e for me r Yugos l av i a, Bul gar i a an d Tur ke y). 3 As a r e s ul t of th e 1868-69 Nati on al Je w i s h Con gr e s s ("Izr ae l i ta Egye te me s Gyd(fl s "), th e Je w i s h c ommun i ti e s of Hun gar y br oke up i n to th r e e br an c h e s . "Or th odox" be c ame th e offi c i al de s i gn ati on of th os e c ommun i ti e s th at i n s i s te d on tr adi ti on al c us toms an d l i tur gy. Th e mode m, l e s s r e l i gi ous c ommun i ti e s w e r e n ame d "n e ol og". Th e n e ol og c ommun i ti e s us e d or gan an d c an tor i n th e s e r v i c e but fol l ow e d th e tr adi ti on al p r aye r book i n He br e w . A th i r d gr oup of th e Je w i s h c ommun i ty op p os e d th i s s e p ar ati on an d w i s h e d to c on ti n ue w h ate v e r l oc al p r ac ti c e s th e y h ad h ad be for e . Th e s e gr oup s w e r e agai n s t dr as ti c c h an ge s , an d h e n c e th e n ame of th i s gr oup be c ame "s tatus quo" (fr om "s tatus quo an te ", me an i n g "th e s tate [of affai r s ] as be for e "). In fac t, mos t s tatus quo c on gr e gati on s c on duc te d th e tr adi ti on al s e r v i c e i n muc h th e s ame w ay as or th odox c on gr e gati on s (s e e Ze ke 1990). Th e Has s i di c c ommun i ti e s r e fus e d to be l on g to an y i n s ti tuti on al fr ame w or k. In th i s ar ti c l e , I i n c l ude i n th e c ate gor i e s "tr adi ti on al l i tur gi c al mus i c " an d "or th odox r i tual " al l r i tual s th at do n ot us e or gan . FRIGYESI Th e Je w i s h s e r v i c e i n Commun i s t Hun gar y: a p e r s on al j our n e y 143 us to v i s i t h i m i n h i s h ome . Pol n aue r ar r an ge d for us to r e c or d h i m i n a r oom at th e Rabbi n i c al Se mi n ar y. Th e r e c or di n g s e s s i on s w i th Mr Eh r man n r e mai n i n my me mor y l i ke s ome aw kw ar d adv e n tur e . I di d n ot un de r s tan d w h at I w as doi n g or w h y I w as doi n g i t. I w as an ath e i s t, kn e w n oth i n g about Judai s m, an d c oul d n ot at th at ti me r e ad He br e w . In Hun gar i an tr an s l ati on th e p r aye r te xts th at Mr Eh r man n p oi n te d at be for e h e be gan to s i n g s oun de d bombas ti c al l y r e l i gi ous to me , e v e n r e p e l l e n t an d dan ge r ous . I di d n ot w an t to ge t i n v ol v e d i n s ome ki n d of "s e p ar ati s t", Zi on i s t or r e l i gi ous ac ti v i ty. Afte r s e v e r al mon th s of fi e l dw or k w i th Mr Eh r man n an d oth e r i n for man ts , Pol n aue r tol d us th at w e w e r e n ow r e ady to s e e a "r e al s h ul " (a s mal l s yn a- gogue ), an d h e s ai d th at h e w oul d take us to a p l ac e th at w as goi n g to s ur p r i s e us . He took us to th e Te l e ki te r p r aye r h ous e . Th i s w as th e fi r s t ti me i n mor e th an a ye ar of s e ar c h i n g th at I h e ar d a tr adi - ti on al Je w i s h s e r v i c e . Some on e un fami l i ar w i th th e s i tuati on i n Hun gar y at th at ti me may w on de r w h y I w ai te d s o l on g. Wh y di d I n ot v i s i t an or th odox p r aye r h ous e i mme di ate l y afte r th e c on v e r s ati on w i th Pr ofe s s or Raj e c zky? Afte r al l , mos t of th e or th odox p r aye r h ous e s w e r e l i s te d i n th e Je w i s h w e e kl y Uj El e t. I h op e th at by th e e n d of th i s ar ti c l e th e r e ade r w i l l un de r s tan d th e r e as on s . Th e s oun d an d th e atmos p h e r e of th e p r aye r h ous e i mp r e s s e d me be yon d e xp e c tati on . I w as ov e r c ome by amaze me n t an d aw e , l i ke s ome on e s tan di n g at th e gate of a mys te r i ous an d un kn ow n w or l d. It i s h ar d to r e c al l w h at i n fl ue n c e d me mos t, w h e th e r i t w as th e s e c r e ti v e n atur e of th e c on gr e gati on , th e s p on tan e i ty of th e ac ti v i ti e s of th e p ar ti c i p an ts or th e be auti ful "av an t-gar de " n oi s e -mus i c th at fi l l e d th e r oom. Fr om th e di s tan c e of mor e th an tw e n ty ye ar s my attr ac ti on to th e mus i c of th e Je w i s h or th odox s e r v i c e s e e ms l e s s or i gi n al th an i t di d at th e ti me . Th e i n te l l e c tual tr e n ds of th e 1970s p ul l e d th e s tude n ts of th e Ac ade my of Mus i c i n op p os i n g di r e c ti on s . Our mus i c al "moth e r ton gue " w as We s te r n mus i c , w i th e mp h as i s on th e Cl as s i c al an d Roman ti c tr adi ti on . Al th ough w e c omp l e te l y ac c e p te d th e c an on an d th e quas i -r e l i gi ous r e v e r e n c e w i th w h i c h our p r ofe s s or s tal ke d about th e "Gr e at Mas te r s ", th e r e w e r e s p ar ks of r e be l l i on w i th i n th e w al l s of th e Ac ade my. Th e r e be l l i on foun d e xp r e s s i on fi r s t an d for e mos t i n my ge n e r a- ti on 's i n te r e s t i n th e e xp e r i me n ts of c on te mp or ar y mus i c : w e w e r e e age r to e xp e r i me n t w i th mus i c th at w as n ot p ar t of th e Cl as s i c al an d Roman ti c c an on . In 1970 th e s o-c al l e d Ne w Mus i c Studi o w as for me d by a gr oup of c omp os e r s an d mus i c i an s w h o de c i de d to me e t r e gul ar l y to p e r for m mode m an d e xp e r i me n tal c omp os i ti on s . At th e Studi o's gath e r i n gs w e p e r for me d mi n i mal i s t an d oth e r e xp e r i me n tal p i e c e s . Sati e , Cage , Ste v e Re i c h , Stoc kh aus e n , Xe n aki s an d th e Hun gar i an mode r n i s ts (Kur ti g, Je n e y, Sai r i an d Vi dov s zky) w e r e our h e r oe s , an d w e made a p i l gr i mage to th e famous War s aw Autumn Fe s ti v al .4 Par adoxi c al l y, th i s bac kgr oun d an d c on s c i ous n e s s p r e p ar e d me for th e mus i c of th e or th odox s yn agogue . Al th ough p ar t of th e mi n i mal i s t r e v ol uti on , l i ke s ome of th e oth e r mus i c s tude n ts , I w as al s o s ome w h at s ke p ti c al about i t: I c oul d n ot 4 Th e War s aw Autumn i s a fe s ti v al of c on te mp or ar y mus i c th at w as c r e ate d i n 1956 an d h as c on ti n ue d up to th i s day. Th e mos t p r e s ti gi ous i n Eur op e , dur i n g th e Commun i s t p e r i od i t w as th e on l y mode m mus i c fe s ti v al i n Eas te r n Eur op e . 144 BRITISH JOURNAL OF ETHNOMUSICOLOGY VOL.11/i 2002 c on v i n c e mys e l f th at th e e xp e r i me n tal mus i c "h ap p e n i n gs " e l i c i te d th e ae s th e ti c an d e moti on al r e s p on s e th at I s ough t i n mus i c . Wh e n I h e ar d th e s oun d of th e or th odox s yn agogue for th e fi r s t ti me I l i s te n e d to i t as i f i t w e r e an av an t-gar de c omp os i ti on . I foun d s ome th i n g i n th e mus i c th at I c oul d n ot fi n d i n th e s e s s i on s of th e Ne w Mus i c Studi o: a "h ap p e n i n g" i n s ome w ays aki n to an al e ator i c or mi n i mal i s t c omp os i ti on but w h i c h w as n e v e r th e l e s s e moti on al . In th e ye ar s to c ome tw o mai n fac tor s de te r mi n e d my atti tude tow ar d th e or th odox r i tual : an attr ac ti on to th e s p i r i tual -ac ous ti c e xp e r i e n c e c r e ate d th r ough th e mus i c on th e on e h an d, an d a fe e l i n g of e mbar r as s me n t be c aus e of my i n te r e s t i n s ome th i n g i n c on s i s te n t w i th th e "n or mal " w ay of th i n ki n g. In th e fol l ow i n g p age s I w i l l atte mp t to de s c r i be , fi r s t, th os e as p e c ts of th e mus i c , an d th e n th os e of th e p ol i ti c al mi l i e u th at c r e ate d th i s ambi v al e n t fe e l i n g. Th e un i que mus i c al fe atur e s of th e tr adi ti on al Je w i s h r i tual If on e e n te r s an or th odox s yn agogue e xp e c ti n g to h e ar an or gan i ze d p e r for man c e th at on e c an fol l ow an d l i s te n to, on e i s gr e atl y di s ap p oi n te d. Th e s p ac e of th e Je w i s h p r aye r h ous e i s fi l l e d w i th a di s or de r l y c r ow d th at i s mov i n g, s i n gi n g, r e c i ti n g an d tal ki n g, s e e mi n gl y w i th out an y c oor di n ati on . Th e p r aye r l e ade r s i n gs fr agme n tar y mus i c al l i n e s . Oc c as i on al l y, th e r e i s a c on gr e gati on al s on g, us ual l y i n a mus i c al s tyl e th at i s i n c on gr uous w i th th e r e s t of th e mus i c . Th e mus i c al for m of th e s e r v i c e s e e ms h ap h azar d, w i th n o s e n s e of s tyl i s ti c i n te gr i ty. De tai l e d di s c us s i on of th e c on n e c ti on be tw e e n r e l i gi ous atti tude s an d th e s e mus i c al de c i s i on s w oul d be e xtr an e ous h e r e be c aus e i t c on c e r n s n ot j us t th e Hun gar i an Je w i s h s e r v i c e of th e Commun i s t p e r i od but al s o th e Eas t As h ke n azi s e r v i c e at l ar ge . Ne v e r th e l e s s , i n or de r to al l ow th e r e ade r to un de r s tan d th e s e r v i c e i n th e c on te xt of th e mode m w or l d i n ge n e r al , an d of Commun i s t Hun gar y i n p ar ti c ul ar , i t i s n e c e s s ar y to s ummar i ze s ome of i ts bas i c mus i c al fe atur e s an d th e c on c e p ts be h i n d th e m. Th e tr adi ti on of th e s yn agogue w as bor n fr om tw o c on tr adi c tor y i de as of r i tual th at e xi s te d i n an ti qui ty: th e s ac r i fi c i al s e r v i c e of th e Te mp l e an d th e i n di - v i dual p r aye r .5 Th e i n h e r e n t te n s i on be tw e e n s e r v i c e an d p r aye r , w h i c h i s at th e bas i s of th e Je w i s h r e l i gi on , p r ov i de s th e fr ame w or k for s tr uc tur al mus i c al de c i s i on s up to th i s day. Th e ai m of th e Te mp l e r i tual w as to r e fl e c t th e c os mi c or de r an d to p l ay i t out r i tual i s ti c al l y. Ti me an d s p ac e ar e e s s e n ti al to th i s c on c e p t, as ar e th e c odi fi c ati on of th e r ul e s an d th e i n s ti tuti on of i n i ti ate d 5 Th e Te mp l e - bui l t by Sol omon i n Je r us al e m ar oun d 1000 BCE - w as th e c e n tr al p l ac e for Je w i s h r e l i gi ous r i te s for ov e r a mi l l e n n i um an d i t i s s ti l l th e s p i r i tual c e n tr e of Je w i s h e th n i c c on s c i ous n e s s today. Th e r i te of th e Te mp l e (de s c r i be d i n de tai l an d c al l e d "s e r v i c e " i n th e Ol d Te s tame n t) c e n tr e d ar oun d th e s ac r i fi c e an d i n v ol v e d a c omp l e x c e r e mon y p e r for me d by th e c as ts of p r i e s ts (Koh an i te s ) an d mus i c i an s (Le v i te s ). Th e de s tr uc ti on of th e Te mp l e i n 586 BCE w as fol l ow e d by th e Je w s ' e xi l e to Babyl on . Afte r th e i r r e tur n to th e l an d, a s e c on d Te mp l e w as bui l t un de r Pe r s i an r ul e at th e s ame s i te i n Je r us al e m, c omp l e te d ar oun d 515 BCE. Al th ough th e p r ac ti c e of p r aye r an d l e ar n i n g h ad e xi s te d e ar l i e r , as p e c ts of th e s yn agogal s e r v i c e be c ame s tr on ge r an d mor e s i gn i fi c an t dur i n g th e p e r i od of th e s e c on d Te mp l e . Afte r FRIGYESI Th e Je w i s h s e r v i c e i n Commun i s t Hun gar y: a p e r s on al j our n e y 145 p r ofe s s i on al p r i e s ts an d mus i c i an s . Th e ti me of th e r i tual w as a r e fl e c ti on of c os mi c ti me , an d th e r i tual w as th e me tap h or i c al e xp r e s s i on of th e p l ac e of h uman be i n gs i n th e c os mi c or de r . In di v i dual n e e ds an d e moti on s h av e n o p l ac e i n th i s r i tual . Its p ur p os e w as to s e c ur e th e e xi s te n c e of th e c ommun i ty. In c on tr as t, p r aye r i s a s p on tan e ous ac t, a p e r s on al outc r y i n th e mome n t of di s tr e s s . Pr aye r may be s ai d i n an y for m, at an y ti me an d p l ac e as l on g as i t "c ome s fr om th e h e ar t". As l on g as p r aye r w as p r ac ti c e d p ar al l e l to th e Te mp l e s ac r i fi c e i t c oul d p r e s e r v e i ts s p on tan e ous an d p e r s on al c h ar ac te r . How e v e r , as e ar l y as th e s e c on d Te mp l e p e r i od p r aye r took on a n e w fun c ti on . It be c ame s e r v i c e - an d, afte r th e de s tr uc ti on of th e s e c on d Te mp l e , th e on l y for m of s e r v i c e . Th i s n ov e l for m of s e r v i c e , w h i c h di s p e n s e d w i th th e s ac r i fi c i al r i te of th e Te mp l e an d p l ac e d th e c on gr e gati on al me e ti n gs i n th e s yn agogue at th e c e n tr e , ge n e r ate d a c omp l e te l y n e w c on c e p t of r e l i gi on . In th i s n e w c on c e p t th e r e i s n o me di ator . Th e s e r v i c e th at i s bui l t of p r aye r i s ac c e s s i bl e to e v e r yon e an d i t i s th e obl i gati on of e v e r yon e . Ye t "p r aye r as s e r v i c e " i s an i de al th at i s v i r tual l y i mp os s i bl e to r e al i ze i n p r ac ti c e . Th e i n di v i dual c an n ot be e xp e c te d to p our out h i s h e ar t, w i th th e s p on tan e i ty of an outc r y, at a p r e c i s e mome n t th r e e ti me s a day. Th e fi r s t s te p tow ar ds s ol v i n g th i s p r obl e m c ame w i th th e i n v e n ti on of th e "s tatutor y p r aye r ". Pr aye r te xts w e r e c odi fi e d, me mor i ze d an d gr adual l y ac c e p te d as "s e r v i c e ", e qual i n th e i r s tatus to th e s ac r i fi c i al r i te . Th e r e c i tati on of s ac r e d te xts w as e n dow e d w i th e n or mous p ow e r : th e ac t of th e "r e adi n g of th e s ac r e d te xt" c ame to c on s ti tute th e r i tual . Th e s tr uc tur e , l ogi c an d r h e tor i c of th e s e s ac r e d te xts ar e di ffe r e n t fr om th os e of a mode m te xt. Th e s ac r e d te xt doe s n ot i n for m i n di ffe r e n t r e ade r s about s ome th i n g th e y do n ot kn ow . It c an n ot be "un de r s tood", n or doe s i t "i n fl ue n c e " or "e n l i gh te n ". Th e s e te xts s p e ak on l y to th os e w h o al r e ady kn ow th e i r un de r l yi n g me s s age . Th e y ar ti c ul ate th e s ame th i n g w i th i n fi n i te v ar i a- ti on s , n ame l y, be l i e f i n th e w h ol e n e s s an d th e mys te r i ous n atur e of th e un i v e r s e , or to p ut i t s i mp l y: be l i e f i n God. Th e r e adi n g of th e te xt affi r ms th at th e i n di v i dual i s p ar t of th e s p i r i tual w or l d, i n oth e r w or ds , th at th e i n di v i dual e xi s ts as s p i r i t, as s oul . Th i s l e ads us to As h ke n azi l i tur gi c al mus i c , w h i c h e s s e n ti al l y c on s i s ts of th e p r e s e n tati on of th e s ac r e d te xts . Th e r e l i gi ous te xts s h oul d al w ays be r e ad i n a r i tual i ze d man n e r , w h i c h i n p r ac ti c e me an s me l odi c r e adi n g (r e c i tati on ). Re c i tati on i s n ot r e gar de d as mus i c . My i n for man ts c on tr adi c te d me w h e n I s ai d I w as r e c or di n g "th e i r s i n gi n g"; "We do n ot s i n g; w e s ay th e p r aye r s ", th e y s ai d. In th i s tr adi ti on , "to p r ay" me an s to r e c i te w i th me l ody. Fr om th e r e l i - gi ous an d r i tual p oi n t of v i e w , th e r e i s n o di ffe r e n c e be tw e e n w h at s oun ds to us l i ke n on -mus i c al i n ton e d r e adi n g, s i mp l e r e c i tati on , an d p l e as i n g me l odi ous mus i c al p r oc e s s . Th e p r ac ti ti on e r s h e ar th e s e di ffe r e n c e s but do n ot attac h th e de s tr uc ti on of th e s e c on d Te mp l e by th e Roman s i n 70 CE, th e s yn agogue be c ame th e c e n tr e of th e Je w i s h r e l i gi on . Th e dual l e gac y of s e r v i c e an d p r aye r an d th e s i gn i fi c an c e of th i s dual i ty for th e r e l i gi on an d i ts mus i c , w h i c h I de s c r i be i n th e fol l ow i n g s e c ti on , i s e xp l ai n e d i n mor e de tai l i n s e v e r al of my ar ti c l e s (e .g. Fr i gye s i 1999, 2000 an d 2001). 146 BRITISH JOURNAL OF ETHNOMUSICOLOGY VOL.11/i 2002 r e l i gi ous i mp or tan c e to th e m. In th e r i tual , th e di v i di n g l i n e i s n ot be tw e e n s p o- ke n te xt an d s i n gi n g, s i n c e s p oke n te xt doe s n ot e xi s t at al l . Th e s e p ar ati on i s be tw e e n w r i tte n te xt (w h i c h i s c on s i de r e d to be i n c omp r e h e n s i bl e an d w i th out l i fe ) an d i ts r i tual r e adi n g (w h i c h i s al w ays "mus i c "). Ev e r y p e r s on r e c i te s th e te xts di ffe r e n tl y, an d th e s ame p e r s on may r e c i te th e s ame te xt di ffe r e n tl y e ac h ti me h e p r ays . Th i s fl e xi bl e mus i c al de s i gn i s th e e xp r e s s i on of th e r e l i gi ous de man d th at e v e r y i n di v i dual h as to p r ay on h i s ow n . Th e fl e xi bi l i ty of th e mus i c h e l p s to r e s ol v e s ome w h at th e p r obl e m i n h e r e n t i n th e c on c e p t of Je w i s h r i tual , th at i t i s s i mul tan e ous l y "p r aye r " an d "s e r v i c e ." On e c oul d s ay th at th e de man d of th e s e r v i c e i s me t by th e p r e c i s e r e adi n g of th e s tatutor y te xt an d th e de man d of e moti on an d p e r s on al i ty i s matc h e d by th e fl e xi bi l i ty of th e mus i c al p e r for man c e . Th us , tr adi ti on al Je w i s h r i tual c on s i s ts , i n e s s e n c e , of mul ti p l e r i tual s c on duc te d by i n di v i dual s . Si n c e e v e r y i n di v i dual r e c i te s th e e n ti r e te xt of th e s e r v i c e on h i s ow n an d i n h i s ow n s tyl e , th e s e r v i c e i s h e te r op h on i c . Th e p r aye r l e ade r i s n ot th e me di ator be tw e e n th e c on gr e gati on an d God. He fun c ti on s on l y as th e "e mi s s ar y of th e c on gr e gati on " (th i s i s w h at h e i s c al l e d i n He br e w ). He r e ads th e te xt for th os e w h o ar e un abl e to r e ad i t p r op e r l y. He al s o r e c i te s c e r tai n p ar ts of th e te xt al oud i n or de r to c oor di n ate th e i n di v i dual p r aye r s to s ome de gr e e . Th e r e ar e tr adi ti on al p r ac ti c e s c on c e r n i n g w h i c h p ar t of th e te xt s h oul d be r e c i te d al oud. In s ome c as e s th e p r aye r l e ade r r e p e ats th e e n ti r e p r aye r afte r th e c on gr e gati on h as r e ad i t. In oth e r s , h e r e c i te s th e be gi n n i n g an d th e e n d of e ac h s e c ti on al oud, i n p ar al l e l w i th th e c on gr e gati on 's r e adi n g of th e s ame te xt. Th e h e te r op h on i c s oun d of mul ti p l e i n di v i dual r e c i tati on s , w i th s e e mi n gl y ar bi tr ar y i n te r p ol ati on s by th e p r aye r l e ade r , i s on e of th e mos t s tr i ki n g mus i c al fe atur e s of th e Eas t Eur op e an Je w i s h r i tual . Ne v e r th e l e s s , i n di v i dual i ty e xp r e s s e s i ts e l f w i th i n a fr ame w or k th at i s n e goti ate d amon g th e me mbe r s of th e c ommu- n i ty. As e v e r y i n di v i dual de v e l op s h i s ow n c h ar ac te r i n p r aye r , c ommun i ti e s al s o de v e l op th e i r c h ar ac te r i s ti c mus i c al atti tude s . In di v i dual s may l e av e on e c ommun i ty an d j oi n an oth e r s i mp l y be c aus e th e p ac e an d s tyl e of th e p r aye r at th e n e w p l ac e ac c or d be tte r w i th th e i r p e r s on al i ti e s . In th e tr adi ti on al s e r v i c e th e c on gr e gati on r ar e l y s i n gs toge th e r . Ne v e r th e - l e s s , c on gr e gati on al s i n gi n g i s c on s i de r e d to be i mp or tan t be c aus e i t r e i n for c e s th e fe e l i n g of toge th e r n e s s , an d al s o be c aus e i t br i n gs c on tr as t to th e fl ow of r e c i tati on . Si mp l i fyi n g s ome w h at, on e c an s ay th at th e c on ti n ui ty of th e r e c i tati on c or r e s p on ds to th e s ac r e d s p h e r e , w h i l e c on gr e gati on al s i n gi n g of s e l f-c on tai n e d me tr i c s on gs c or r e s p on ds to th e s e c ul ar s p h e r e (al th ough w i th i n th e r i tual n oth i n g i s e n ti r e l y s e c ul ar ). Be c aus e th e Je w i s h r e l i gi on c on s i de r s i t e s s e n ti al to br i n g th e p ol e s of r e al i ty toge th e r , th e s e r v i c e (th e e xp r e s s i on of th e s ac r e d p ar e xc e l l e n c e ) c an n ot do w i th out s on g (th e e xp r e s s i on of th e s e c ul ar ). Son gs ap p e ar i n th e l i tur gy l i ke i s l an ds , te mp or ar i l y s us p e n di n g th e s ac r e d s p h e r e of th e r e c i tati on . Tr adi ti on al c ommun i ti e s h av e di ffe r e n t atti tude s to "r e c i tati on " an d "s on g". For al l i ts i n di v i dual i ty, me l odi c r e c i tati on fol l ow s a tr adi ti on al s e t of r ul e s th at de te r mi n e s th e fr ame w or k for me l odi c an d r h yth mi c p r ogr e s s i on . Th i s fr ame - w or k i s c al l e d n us ah (l i t. "s tyl e " or "v e r s i on "). Th e n us ah i s c on s i de r e d to be FRIGYESI Th e Je w i s h s e r v i c e i n Commun i s t Hun gar y: a p e r s on al j our n e y 147 an c i e n t an d c an n ot be r e p l ac e d or di s c ar de d. It al l ow s for i n fi n i te p e r s on al v ar i - ati on s but w i th i n c l e ar l y s e t boun dar i e s . By c on tr as t, th e typ e of s on g i n c l ude d i n r i tual s i s n ot p r e s c r i be d by c odi fi e d r ul e s but i s i n s te ad n e goti ate d by th e c ommun i ty. Man y di ffe r e n t typ e s of s on g, s uc h as fol k s on gs , mode m an d p op ul ar s on gs , Pr ote s tan t c h or al e s an d op e r ati c c h or us e s , may be i n c l ude d. In s ummar y, w e c oul d s ay th at th e mus i c al as p e c t of p r aye r r e c i tati on me di - ate s be tw e e n th e c on c e p ts of "s e r v i c e " an d "p r aye r ". Th e fac ts th at th e te xt i s r e ad w i th me l ody (an d th us i s s tyl i ze d/r i tual i ze d) an d th at th e gl obal fr ame - w or k of th e me l ody i s c odi fi e d (n us ah ) r e s p on d to th e de man d of th e obl i gator y n atur e of th e s e r v i c e , w h i l e th e fl e xi bi l i ty of th e s h ap e of th e me l ody i n th e i n di v i dual e xe c uti on s e xp r e s s e s th e i de a of s p on tan e i ty an d i n di v i dual i ty i n th e p r aye r . Th e total i ty of th e mus i c of th e s yn agogue , th e n , me di ate s be tw e e n th e p ol ar i ty of s ac r e d/tr an s c e n de n tal an d s e c ul ar /e ar th l y/c ommun al th r ough th e s tyl i s ti c op p os i ti on of th e s tyl e s of th e fl ui d p r aye r r e c i tati on on th e on e h an d an d of th e me tr i c s on gs on th e oth e r . Th e r e s ul t i s a s e r v i c e th at i s ful l of te n s i on . On e mome n t th e c ommun i ty i s r e c i ti n g an ar c h ai c -s oun di n g r e c i tati v e h e te r op h on i c al l y, an d th e n e xt th e c on gr e gati on i s s i n gi n g a p op ul ar s on g. Th e e xp e r i e n c e i s di ffi c ul t to tr an s mi t to th e outs i de r be c aus e th e r e i s n o ov e r r i di n g mus i c al e ffe c t. Wh at on e e xp e r i - e n c e s i s , fi r s t an d for e mos t, w h at on e doe s for on e s e l f; th i s r i tual i s n ot me an t for l i s te n i n g but for p r ac ti c e . Th e We s te r n c ate gor i e s of "te xt", "mus i c ", "r e ad- i n g", "un de r s tan di n g" an d "ar t" ar e i r r e l e v an t h e r e . Th i s mus i c i s un i que l y un s ui tabl e for c on c e r t, for r e v i v al mov e me n t, for us e as a mus i c al e mbl e m for "n ati on al c ul tur e ", an d e v e n for e th n ogr ap h i c r e c or di n g. Th e mode m Je w s w e r e as h ame d of th e "di s or gan i ze d" n oi s e an d th e e c l e c - ti c for m of th e tr adi ti on al s e r v i c e . Th i s w as th e ki n d of s e r v i c e th at Ge r man Je w s of th e e ar l y n i n e te e n th c e n tur y c on s i de r e d to be "bar bar i c " an d de c i de d to c h an ge i n or de r to s ati s fy th e c ul tur al -mus i c al tas te s of th e i r ti me s . Th e Ge r man c an tor s , w h o c r e ate d th e s o-c al l e d Re for m s e r v i c e at th at ti me , n otate d th e tr adi ti on al me l odi e s of th e p r aye r l e ade r an d c odi fi e d th e s e me l odi e s . Th e c on gr e gati on w as r e qui r e d to be s i l e n t an d l i s te n to th e s i n gi n g of th e c an tor . Al th ough th e r e for me r s us e d v e r s i on s of th e n us ah , th e i n n ov ati on as a w h ol e h as c h an ge d th e r i tual c omp l e te l y. In th e n e w r i tual th e i n di v i dual n o l on ge r p r ays for h i ms e l f i n a man n e r th at w oul d be audi bl e to th e w h ol e c ommun i ty. Rath e r , a p r ofe s s i on al c an tor s i n gs for an audi e n c e . "Ri tual r e adi n g" i s r e p l ac e d by "ar ti s ti c mus i c ", an d th e c on gr e gati on be c ome s th e p as s i v e r e c i p i e n t of a c on c e r t. Th e p r obl e mati c n atur e of Je w i s h "e th n i c i ty" an d "r e l i gi on " an d th e mar gi n al i zati on of th e or th odox c ommun i ty Si n c e th e n i n e te e n th c e n tur y th e Je w i s h an d n on -Je w i s h i n te l l i ge n ts i a h av e s e e n l i ttl e v al ue i n th e or th odox s e r v i c e an d h av e be c ome i n c r e as i n gl y e mbar r as s e d by i t. In th e s h ame , di s c omfor t an d c on fus i on th at I fe l t dur i n g my fi r s t r e c or d- i n g s e s s i on s w i th Mr Eh r man n , I l i v e d th r ough th e an xi e ti e s of ge n e r ati on s of 148 BRITISH JOURNAL OF ETHNOMUSICOLOGY VOL.11/i 2002 Je w s be for e me . Th e r oots of th e s e an xi e ti e s c an be foun d i n th e p r oc e s s of as s i mi l ati on i n Hun gar y, w h i c h w as s i mi l ar to th at of oth e r Ce n tr al Eur op e an c oun tr i e s . Ne v e r th e l e s s , for v ar i ous s oc i al an d p ol i ti c al r e as on s i ts p r obl e mati c n atur e w as e v e n mor e ap p ar e n t i n Hun gar y. Fr om i ts i n c e p ti on , th at i s , fr om th e mi ddl e of th e n i n e te e n th c e n tur y, th e as s i mi l ati on of Je w s i n Hun gar y w as fr augh t w i th c on tr adi c ti on .6 In th e e ye s of th e Hun gar i an s th e e man c i p ate d Je w s w e r e e xc e l l e n t c an di date s for th e i r mov e me n t of magyar i zati on ,7 but on l y as l on g as th e y w e r e n ot r e gar de d as an e th n i c gr oup . Le gi s l ati on s tate d c l e ar l y th at Judai s m w as e xc l us i v e l y a r e l i gi on . Th i s w as an obv i ous gai n for th e n ati on al i s ts be c aus e Je w i s h n e s s fe l l un de r th e r ubr i c of "r e l i gi on " r ath e r th an e th n i c i ty an d h e n c e Je w s w h o de c l ar e d th e m- s e l v e s to be of Hun gar i an n ati on al i ty i n c r e as e d th e n umbe r of Hun gar i an s i n n ati on al s tati s ti c s . Th i s w as of c r uc i al i mp or tan c e for th e magyar i zi n g n ati on al i s t mov e me n t i n a c oun tr y w h e r e th e Magyar e th n i c gr oup di d n ot for m th e maj or - i ty of th e p op ul ati on (Kar ti dy 1992:25). Gov e r n me n t r e gul ati on s al s o p r e s s ur e d th e Je w i s h c ommun i ty to c ur tai l th e "c on s e r v ati v e " an d "bar bar i c " as p e c ts of i ts r e l i gi on s o as to br i n g i t mor e i n l i n e w i th "n or mal ", i .e . Ch r i s ti an , p r ac ti c e s . Th e tr adi ti on al as p e c ts of th e Je w i s h r e l i gi on w e r e c on s i de r e d outdate d an d atav i s - ti c , h i n de r i n g th e de v e l op me n t of a l i be r al mode m s ys te m (Ge r d 1992:9-15). In th i s p r oc e s s of as s i mi l ati on , th e tw o c or n e r s ton e s of Judai s m c ol l ap s e d: e th n i c c on s c i ous n e s s w as e l i mi n ate d, an d tr ul y di ffe r e n t c on c e p ts of r e l i gi on an d r i tual w e r e de e me d outmode d. For man y of th e as s i mi l ate d Je w s be for e Wor l d War II, Judai s m c ame to me an l i ttl e mor e th an a mor al atti tude (Fr i gye s i 1993:40-3, an d 1998: Ch ap te r 6; Kr o6 1989, Pap 1935, Zs ol t 1980). In Hun gar y a s ubs tan ti al gr oup i n th e Je w i s h c ommun i ty, th e Je w s of Budap e s t, s ur v i v e d th e Hol oc aus t. Un l i ke i n th e Hun gar i an c oun tr ys i de , an d un l i ke an yw h e r e e l s e i n Ce n tr al Eur op e , an d p e r h ap s i n c on ti n e n tal Eur op e as a w h ol e , i n Budap e s t th e r e w as a p os s i bi l i ty for th e c on ti n uati on of Je w i s h l i fe afte r th e w ar i n both th e as s i mi l ate d an d th e tr adi ti on al r e l i gi ous Je w i s h mi l i e u. Th i s , h ow e v e r , di d n ot h ap p e n . Th e Commun i s ts c oul d n ot ac c ommodate th e i de a of oth e r n e s s an d de man de d total as s i mi l ati on . Th e i de a th at, for s ome Je w s , Je w i s h i de n ti ty matte r e d mor e th an th e i de al s of Commun i s m c h al l e n ge d th e e n ti r e s ys te m, as c an be s e e n i n th e r h e tor i c of th e Zi on i s t tr i al s (s e e Gydr i Szab6 1997:219, 229-50, Cs or ba 1990:86-123). Al th ough th e r e w e r e gr e at di ffe r e n c e s i n th e tr e atme n t of th e Je w s an d al s o i n th e r h e tor i c agai n s t th e m i n th e c our s e of th e four de c ade s of Commun i s m, th e i de ol ogi c al bac kgr oun d di d n ot c h an ge . As i n al l p r e v i ous ti me s , th e di s s i de n ts of th e 1970s w e r e r e p r oac h e d for be i n g "s e p ar ati s ts ". 6 Ce r tai n de moc r ati c -mi n de d l e gi s l ati on s w e r e i n tr oduc e d i n Hun gar y e ar l i e r th an i n mos t c oun tr i e s i n Eur op e . How e v e r , Hun gar y al s o r ati fi e d an ti -Se mi ti c l e gi s l ati on ye ar s e ar l i e r th an Nazi Ge r man y. In 1920 th e s o-c al l e d n ume r us c l aus e s , w h i c h l i mi te d th e n umbe r of Je w s i n h i gh e r e duc ati on an d i n te l l e c tual p r ofe s s i on s , e l e v ate d an ti -Se mi ti s m to l e gal s tatus . 7 "Magyar " i s th e n ati v e w or d for Hun gar i an an d i s us e d i n En gl i s h l an guage s c h ol ar l y w r i ti n g to me an e th n i c Hun gar i an as op p os e d to "Hun gar i an ", w h i c h r e fe r s to a c i ti ze n of Hun gar y r e gar dl e s s of e th n i c i ty. FRIGYESI Th e Je w i s h s e r v i c e i n Commun i s t Hun gar y: a p e r s on al j our n e y 149 It may s e e m at fi r s t s i gh t th at th e di ffe r e n c e be tw e e n th e Je w i s h w or l dv i e w of th e p r e -w ar p e r i od an d th at of th e Commun i s t e r a w as on l y a matte r of de gr e e : be gi n n i n g w i th th e 1950s , far fe w e r Je w s p r ac ti c e d th e r e l i gi on an d as s i mi l ati on w as mor e abs ol ute . In r e al i ty, h ow e v e r , th e c h an ge w e n t de e p e r th an th at. Th r ough out th e fi r s t h al f of th e tw e n ti e th c e n tur y, th e op p os i ti on be tw e e n tr adi ti on al an d as s i mi l ati n g atti tude s w as mai n l y i de ol ogi c al . Extr e me tr adi - ti on al i s m an d c omp l e te as s i mi l ati on p r ov i de d th e c on c e p tual fr ame w or k i n w h i c h p e op l e foun d i n di v i dual s ol uti on s . Th e maj or i ty of th e Je w i s h c ommu- n i ty n e goti ate d i ts i de ol ogy an d p r ac ti c e be tw e e n th e s e tw o p os i ti on s . Th e n umbe r of Je w s w h o l i v e d i s ol ate d fr om th e r e s t of th e c oun tr y w as v e r y s mal l , i f th e r e w e r e s uc h gr oup s at al l . Ev e n i n th e n or th e as te r n r e gi on of Hun gar y w h e r e mos t of th e i mmi gr an ts fr om Gal i c i a s e ttl e d, th e Je w s s oon took p ar t i n s e c ul ar Hun gar i an l i fe , an d man y l e ar n e d Hun gar i an . My i n te r v i e w s about l i fe s tor i e s an d Je w i s h p r ac ti c e s be for e Wor l d War II atte s t to th e man y c omp l e x i n te r c h an ge s be tw e e n tr adi ti on al i s m an d mode r n i ty, an d be tw e e n Je w i s h an d n on -Je w i s h s oc i e ty.8 It i s c l e ar fr om th e s e i n te r v i e w s th at th e or th odox c ommun i ti e s , both i n th e l ar ge c i ti e s an d th e s mal l v i l l age s , i n te r ac te d w i th th e i r br oade r s oc i al e n v i r on me n t an d s aw n o p r obl e m i n i n c or - p or ati n g p atte r n s of th e i r n on -Je w i s h n e i gh bour s i n to th e i r l i fe s tyl e an d c ul tur e . In s ome c as e s th e dual i ty of tr adi ti on al i s m on th e on e h an d an d op e n n e s s to mode m c ul tur e on th e oth e r w as a c on s c i ous de c i s i on , as i n th e c on gr e gati on of th e Rumbac h Str e e t s yn agogue i n Budap e s t. Me mbe r s of th at c ommun i ty w e r e s tr i c t i n th e obs e r v an c e of r e l i gi ous l aw , ye t th e y w e n t to th e op e r a an d th e atr e an d r e ad mode m Hun gar i an p oe tr y an d n ov e l s . If w e l ook at th e s e gme n t of th e s oc i e ty th at ur ge d as s i mi l ati on , w e fi n d th e s ame me r gi n g of i de as an d l i fe s tyl e . Ce r tai n as p e c ts of th e l i v e s of th e n e ol og c on gr e gati on s w e r e n o di ffe r e n t fr om th os e of th e or th odox. Ev e n amon g th os e w h o al i e n ate d th e ms e l v e s fr om th e r e l i gi on , w e fi n d v e r y fe w w h o w e r e i gn o- r an t of Judai s m an d of th e Je w i s h que s ti on . In th e 1920s , th e r e w as a Je w i s h c ul tur al r e v i v al amon g th e i n te l l i ge n ts i a (s e e Cs or ba 1990). Je w s w e r e ac ti v e l y p ubl i s h i n g mate r i al on Je w i s h i s s ue s , l i te r al l y un ti l th e mome n t th e y w e r e p ut on tr ai n s to c on c e n tr ati on c amp s .9 In th e 1950s th i s c on te xt di s ap p e ar e d e n ti r e l y. Di al ogue w as i mp os s i bl e s i mp l y be c aus e th e Commun i s t r e gi me di d n ot al l ow an y for um w h e r e que s - ti on s of Je w i s h i de n ti ty an d tr adi ti on c oul d be di s c us s e d. In Jan uar y 1949, th e Commun i s t Par ty e xp e l l e d th e Zi on i s t l e ade r s an d for c e d Je w i s h or gan i zati on s to c l os e . On l y a fe w r e l i gi ous e s tabl i s h me n ts r e mai n e d op e n an d on e Je w i s h n e w s p ap e r , Li j El e t, w as al l ow e d to ap p e ar - on c e a mon th on four p age s . Ide as about Judai s m, Is r ae l an d r e l i gi on w e r e to a l ar ge e xte n t s i l e n c e d. 8 In s i gh ts i n to th e p r e -w ar p e r i od w e r e gai n e d th r ough i n te r v i e w s w i th Je n G R6th be tw e e n 1977 an d 1980, an d Mi r ton F6ti , Av r oh om Tzv i Er bs t, Gydr gy K~i r m~i n , Emi l Goi te n an d Mr s 1v a Obe r l an de r be tw e e n 1990 an d 2001. 9 In 1944 Je w i s h c ul tur al l i fe s ti l l fl our i s h e d. Doze n s of n e w books w e r e p ubl i s h e d, i n c l ud- i n g an th ol ogi e s , e s s ays , h i s tor i c al w or ks , n ov e l s , p oe tr y an d tr an s l ati on s of for e i gn l i te r atur e an d s c h ol ar l y w or ks (s e e Szabol c s i 1992 an d Ste i n e r 1944). 150 BRITISH JOURNAL OF ETHNOMUSICOLOGY VOL.11/i 2002 Th e l ac k of di al ogue c r e ate d an un br i dge abl e gap be tw e e n th e i de ol ogy of th e as s i mi l ate d an d th e r e l i gi ous c ommun i ti e s . For th e as s i mi l ate d an d mos tl y Commun i s t Je w s , th e p os i ti on of th e or th odox c ommun i ty s e e me d abs ur d. To r e tai n a s e t of "me an i n gl e s s an d r i di c ul ous " c us toms an d to r e v i v e "n ati on al i s t i de al s " (by e mp h as i zi n g th e e th n i c as p e c ts of Judai s m) s e e me d s h ame ful i n th e i r e ye s . For th e s e Je w s th e tr adi ti on al Je w i s h s e r v i c e w as an abe r r ati on . Th e or th odox Je w s l i v e d i n a c omp l e te l y di ffe r e n t r e al i ty. Th e y c oul d n ot i magi n e h ow Je w s c oul d gi v e up th e i r tr adi ti on , for ge t th e c ul tur e for w h i c h th e i r p ar e n ts h ad di e d, an d be l i e v e th e Commun i s t s l ogan s . Fr om th e i r p e r s p e c ti v e , th e as s i mi l ate d Commun i s t Je w s w e r e bl i n d an d th e i r atti tude w as i n c omp r e - h e n s i bl e an d i mmor al . Today w h e n I as k mys e l f w h y Pr ofe s s or Al e xan de r Sc h e i be r s e n t us to th e l i br ar y to r e s e ar c h Je w i s h mus i c i n s te ad of di r e c ti n g us to th e n e ar by or th odox s yn agogue , I s ti l l c an n ot be s ur e of h i s moti v ati on . It may be th at h e w an te d to p r ote c t us fr om th e c h ar ge s of "s e p ar ati s m" an d "r e l i gi ous n e s s " an d th ough t th at s i l e n t w or k i n th e l i br ar y w as r e l ati v e l y s afe for tw o youn g s tude n ts . Or p e r h ap s h e h i ms e l f w as s us p i c i ous of th e or th odox c ommun i ty an d de s p i s e d i ts "di s or - de r l y" s e r v i c e s . Afte r al l , h e w as th e l e ade r of th e "e n l i gh te n e d" n e ol og Je w s . How e v e r , i t c oul d s i mp l y be th at, as a tr adi ti on al p h i l ol ogi s t, h e th ough t of s c h ol - ar s h i p e xc l us i v e l y i n te r ms of w r i tte n s our c e s , ar c h i v e s an d l i br ar i e s . At an y r ate , i n s p i te of our fr i e n dl y r e l ati on s h i p w i th h i m un ti l our e mi gr ati on an d afte r , w e n e v e r c on fr on te d h i m w i th th i s que s ti on . Th e p os s i bi l i ty th at h i s adv i c e h ad a p ol i ti c al moti v ati on w as e n ough for us to av oi d th e i s s ue c omp l e te l y. Th e c h ar ac te r an d s tatus of th e or th odox Je w i s h r i tual i n Commun i s t Hun gar y It i s agai n s t th i s bac kgr oun d th at th e dw i n dl i n g r e l i gi ous c ommun i ti e s mai n - tai n e d tr adi ti on al Je w i s h r i tual un de r Commun i s m. Th e r i tual be c ame c omp l e te l y i s ol ate d fr om th e mai n s tr e am c ul tur e of th e c oun tr y an d, mor e i mp or tan t, fr om th at of th e l e adi n g Je w i s h gr oup i n Hun gar y. Th e Je w i s h mi ddl e c l as s , w h i c h w as th e mos t p ow e r ful Je w i s h s e gme n t i n p os t-Wor l d War II Hun gar y, c om- p l e te l y aban don e d th e c aus e of th e r e l i gi ous Je w s , p ar tl y be c aus e of th e i n h e r i te d Roman ti c i de ol ogy of as s i mi l ati on , an d p ar tl y be c aus e of th e p r e s s ur e s of th e Commun i s t r e gi me . Me mbe r s of th e or th odox c on gr e gati on w e n t to th e s e r v i c e s s e c r e tl y an d ofte n di d n ot di s c us s th e m w i th th e i r c ol l e ague s or e v e n w i th Je w i s h fr i e n ds . Th e y w or ke d out v ar i ous s tr ate gi e s to atte n d th e s e r v i c e on th e Sh abbat, w h i c h w as a w or ki n g day, an d to s tay aw ay fr om w or k on th e Je w i s h h ol i days . Th e or th odox s e r v i c e s be c ame l i ke a s e c r e t un de r gr oun d ac ti v i ty. In tr adi ti on al Je w i s h l i fe th e r i tual i s n ot th e c e n tr al p ar t of th e r e l i gi on . Th e e mp h as i s i s r ath e r on r e l i gi ous r ul e s th at gov e r n dai l y l i fe outs i de of th e s yn agogue . Th e s e r ul e s be c ame n e ar l y i mp os s i bl e to ke e p dur i n g th e Commu- n i s t e r a. For i n s tan c e , Satur day w as a w or ki n g day, an d, fur th e r mor e , be c aus e of th e h ous i n g s h or tage Je w s w e r e n ot al w ays abl e to l i v e n e ar a s yn agogue . Th us th e y h ad to tr av e l on Sh abbat an d br e ak th e Je w i s h p r oh i bi ti on s agai n s t w or k an d tr av e l on Sh abbat. FRIGYESI Th e Je w i s h s e r v i c e i n Commun i s t Hun gar y: a p e r s on al j our n e y 151 In th i s s i tuati on th e r i tual be c ame e n dow e d w i th s p e c i al i mp or tan c e . Th e l e s s th e or th odox Je w s c oul d be r e l i gi ous i n th e i r e v e r yday e xi s te n c e , th e mor e i mp or tan t i t be c ame for th e m to p r e s e r v e th e r i tual i n tac t, i n c l udi n g i ts mus i c al as p e c t. Th e r i tual be c ame an e s c ap e i n to a w or l d th at w as di s tan c e d fr om th e i r dai l y r e al i ty. Th us , a p e c ul i ar s i tuati on de v e l op e d i n Commun i s t Hun gar y: w h e r e as man y of th e or th odox Je w s w e r e n e gl i ge n t i n ke e p i n g th e r e l i gi ous r ul e s i n th e i r dai l y p r ac ti c e s , th e y i n s i s te d on th e tr adi ti on al for ms of th e s e r v i c e . Th i s c i r c ums tan c e l e d to an i n c r e as e d e ffor t to p r e s e r v e th e for m of th e r i tual . Th e s e c ommun i ti e s as p i r e d to c ar r y on th e l oc al p r ac ti c e s of th e p as t to a muc h gr e ate r de gr e e th an di d mos t of th e n on -Has s i di c Ame r i c an an d Is r ae l i c on gr e - gati on s i n th e s ame p e r i od. In i s ol ati on , th e i r on l y mode l for th e for m of th e s e r v i c e w as th e i r me mor y of th e p as t. In a s e n s e , th e Je w i s h s e r v i c e i n Hun gar y w as mor e "auth e n ti c " th an Je w i s h r i tual s e l s e w h e r e i n We s te r n Eur op e be c aus e i n Hun gar y th e Je w i s h c ommun i ti e s w e r e r e mov e d fr om th e r e l i gi ous r e v i v al i n th e Un i te d State s an d Is r ae l . At th e s ame ti me , or th odox Je w i s h l i fe gr adual l y e r ode d dur i n g th i s p e r i od. Mos t Je w s w h o c ar e d about th e r i tual l e ft Hun gar y i n 1956, i f n ot be for e . Th e r e l i gi ous c ommun i ty, w i th th e e xc e p ti on of a fe w c on gr e gati on s , h ad fe w e r an d fe w e r youn g p e op l e (s e e Cs or ba 1990:63). Man y of th e r e mai n i n g Je w s c on ti n ue d th e tr adi ti on out of h abi t but ofte n w i th out th e p r op e r kn ow l e dge . As th e ye ar s p as s e d th e c on gr e gati on s be c ame ol de r an d s mal l e r ; on e h ad th e i mp r e s s i on of w i tn e s s i n g th e s l ow de ath of a s oc i e ty. By th e 1970s , i n man y c ommun i ti e s i t w as ofte n di ffi c ul t to gath e r th e quor um of te n me n for th e s e r v i c e . Th e r e w as al s o e moti on al an d s p i r i tual e r os i on : a fe e l i n g of s ke p ti c i s m, i n s e c ur i ty an d de s p e r ati on p r e v ai l e d. Me mbe r s of th e or th odox c ommun i ty ofte n tol d me th at atte n dan c e at th e s e r v i c e w as th e i r fi gh t for s ur v i v al . Th i s fi gh t n e e de d s p e c i al s tr ate gi e s . It w as e s s e n ti al for th e s e c ommun i ti e s to di s tan c e th e ms e l v e s fr om p ol i ti c s s o th at th e i r s e r v i c e c oul d be v i e w e d as me r e l y a "r e mn an t of a dyi n g r e l i gi ous c us tom" - s ome th i n g th at w as n ot dan ge r ous to th e r e gi me . A n on -p ol i ti c al , p ur e l y r e l i gi ous s e r v i c e w as mor e or l e s s tol e r ate d i n Commun i s t Hun gar y. An oth e r s tr ate gy to s e c ur e th e c on ti n ui ty of th e tr adi ti on w as th e r e tr e at i n to or th odoxy - as h ap p e n e d, for i n s tan c e , at th e Kazi n c zy Str e e t s yn agogue . Al th ough man y of i ts me mbe r s j oi n e d afte r th e w ar , th e c or e of th e Kazi n c zy Str e e t s yn agogue c ommun i ty w as c omp os e d of p e op l e w h os e p ar e n ts (an d ofte n gr an dp ar e n ts ) h ad al r e ady be l on ge d to th i s c ommun i ty. Th an ks to th e de te r mi n ati on of s ome ol d me mbe r s an d to th e c h ar i s mati c r abbi an d c an tor , th i s c ommun i ty r e mai n e d a p ow e r ful c oh e s i v e for c e i n th e or th odox l i fe of th e Hun gar i an Je w s th r ough out th e 1970s an d 1980s . Its me mbe r s w e r e l oyal n ot me r e l y to Judai s m but to "Kazi n c zy Str e e t". Th e r e w as a s i mi l ar s i tuati on i n s ome oth e r c ommun i ti e s , s uc h as i n th e p r aye r h ous e of Te l e ki te r , Ki r i l y Str e e t, an d th at of th e for me r Rumbac h Str e e t s yn agogue . In mos t of th e oth e r or th odox c ommun i ti e s , h ow e v e r , th e s i tuati on w as di ffe r e n t.l 0 Al th ough th e s yn agogue s of Budap e s t h ad a l on g c ommun al h i s tor y 10 My obs e r v ati on s an d r e c or di n gs i n Budap e s t c ome mos tl y fr om th e fol l ow i n g s yn agogue s : 152 BRITISH JOURNAL OF ETHNOMUSICOLOGY VOL. 11/i 2002 dati n g bac k to th e p e r i od be for e th e w ar , by th e e ar l y 1960s th e s e c ommun i ti e s h ad gr adual l y di s i n te gr ate d. Th e c or e of mos t of th e c on gr e gati on s di e d i n th e Hol oc aus t or e mi gr ate d. At th e s ame ti me , th e r e w as a s te ady fl ow of n e w c om- e r s fr om Hun gar i an v i l l age s an d fr om Sov i e t an d Cze c h os l ov ak Car p ath i a. Th os e w h o p r ac ti c e d th e r e l i gi on c h os e to mov e to Budap e s t s i n c e i t w as th e on l y c i ty i n Commun i s t Eur op e w h e r e Je w i s h r e l i gi ous l i fe w as r e l ati v e l y s tr on g. As a r e s ul t, th e r e l i gi ous c ommun i ty of Budap e s t i n th e 1970s c on s i s te d mos tl y of Je w s w h o h ad c ome fr om th e c oun tr ys i de . Th e n e w c ommun i ti e s w e r e for me d h ap h azar dl y fr om p e op l e of di ffe r i n g s oc i al , l i n gui s ti c an d c ul tur al bac kgr oun ds . Be c aus e of th e h ous i n g s h or tage i n Budap e s t, p e op l e c oul d n ot c h oos e th e i r n e i gh bour h ood an d s o j oi n e d th e c on - gr e gati on th at w as c l os e s t to th e m. Mos t or th odox c ommun i ti e s w e r e e xtr e me l y h e te r oge n e ous , br i n gi n g mul ti p l e l oc al p r ac ti c e s i n to th e s e r v i c e . It i s s i gn i fi c an t to n ote th at, be c aus e of th e i s ol ati on of th e s e c ommun i ti e s fr om th e r e s t of th e Je w i s h w or l d, th e y c oul d n ot addr e s s que s ti on s about n or mati v e Je w i s h p r ac ti c e s to outs i de auth or i ti e s . Th e l ac k of outs i de c on tac t w as e v e n mor e ap p ar e n t i n mus i c w h os e s p e c i fi c te c h n i c al an d s tyl i s ti c de tai l s h ad al w ays e s c ap e d th e atte n ti on of r e l i gi ous auth or i ti e s . Th e me mor y of th e p as t w as th e auth or i ty i n de c i di n g mus i c al i s s ue s . Th e tac i t un de r s tan di n g w as th at th e r e h ad be e n v ar i ous l oc al tr adi ti on s i n th e p as t, an d th e r e for e s e v e r al s ol uti on s w e r e p os s i bl e as l on g as th e y di d n ot c on tr adi c t bas i c r e l i gi ous r ul e s . Of c our s e , p e op l e di d n ot al w ays agr e e on w h at c on s ti tute d a bas i c r e l i gi ous r ul e , but th e s e i s s ue s an d p r obl e ms w e r e n e goti ate d w i th i n th e c ommun i ty. As a r e s ul t, or th odox r i tual i n Budap e s t w as e xtr e me l y di v e r s e : c omp l e te l y di ffe r e n t mus i c al r i tual s c oul d be h e ar d i n n e i gh bour i n g s yn agogue s th at w e r e on l y a fe w s tr e e ts ap ar t. Th at s ai d, w e n e v e r th e l e s s h av e to r e me mbe r th at i mmi gr an ts c ame on l y fr om Hun gar y an d n e i gh bour i n g te r r i tor i e s (mos tl y fr om Sl ov aki a an d Car p ath i a, an d to a l e s s e r de gr e e fr om Tr an s yl v an i a). For al l th e c ommun al di ffe r e n c e s , th e v ar i an t p r ac ti c e s of Budap e s t r e p r e s e n te d th e Ce n tr al -Eas te r n Eur op e an tr adi ti on of Je w i s h l i tur gi c al c h an t. Th us , th r e e tr ai ts de fi n e d th e c h ar ac te r of th e or th odox Je w i s h s e r v i c e i n Budap e s t dur i n g th e Commun i s t e r a: (1) e mp h as i s on th e tr adi ti on al for m of th e s e r v i c e e v e n w h e n oth e r r e l i gi ous p r ac ti c e s w e r e obs e r v e d l e s s s tr i c tl y; (2) e mp h as i s on th e p as t an d a "tur n i n g aw ay" fr om th e s ur r oun di n g Je w i s h an d n on -Je w i s h mi l i e u; an d (3) n e goti ati on about th e fi n al for m of th e s e r v i c e w i th i n e ac h c on gr e gati on . Noth i n g of th i s w as e n ti r e l y n e w : tr adi ti on al i s m, n e goti ati on an d "tur n i n g aw ay" fr om th e s e c ul ar e n v i r on me n t h ad be e n e s s e n - ti al for c e s i n s h ap i n g th e s e r v i c e i n e ar l i e r e r as . Ne v e r th e l e s s , th e s e te n de n c i e s w e r e mor e e xtr e me i n Commun i s t Budap e s t th at i n oth e r p e r i ods of Eas t Eur op e an Je w i s h h i s tor y. In th e 1970s th e r e w e r e s ti l l man y i n di v i dual s w i th a de e p kn ow l e dge of th e r e l i gi on an d th e mus i c . It w as n ot di ffi c ul t to fi n d p r aye r l e ade r s w h o c oul d p e r - for m th e e n ti r e l i tur gy an d w h o r e me mbe r e d mul ti p l e l oc al v e r s i on s . How e v e r , w h e r e as be for e th e w ar al mos t th e e n ti r e c ommun i ty c oul d s i n g th e c omp l e te mus i c of th e s e r v i c e s an d w as abl e to ap p r e c i ate s op h i s ti c ate d i n di v i dual (c on ti n ue d fr om p r e v i ous p age ) Nagyfuv ar os utc a, Vas v i r i p Il utc a, De s s e w fy utc a, D6zs a Gydr gy 6i t, Be th l e n tdr , Hun yadi tdr an d th e Rabbi n i c al Se mi n ar y. FRIGYESI Th e Je w i s h s e r v i c e i n Commun i s t Hun gar y: a p e r s on al j our n e y 153 mus i c al i n v e n ti on s , th i s w as n o l on ge r th e c as e i n mos t c ommun i ti e s i n th e 1970s . Th e l ac k of a kn ow l e dge abl e c ommun i ty, w h i c h i s th e i n s p i r i n g c on te xt for th e p r aye r l e ade r , c e r tai n l y h ad an e ffe c t on th e qual i ty of th e mus i c . My be s t i n for man t i n th e l ate 1970s , Je n 6 R6th , tol d me w h e n w e r e c or de d a s p e c i al v e r s i on of a p r aye r : "Th i s i s h ow w e s an g i t i n my fath e r 's h ome . But today, I n e v e r do i t th i s w ay be c aus e i t i s n ot w or th i t for th i s c ommun i ty." Ne v e r th e l e s s , R6th 's c omme n ts ar e p e r h ap s s ome w h at e xagge r ate d. Hi s c ommun i ty, an d i n fac t th e Budap e s t or th odox c ommun i ty at l ar ge , ap p r e c i ate d h i m an d w as aw ar e of h i s mus i c al kn ow l e dge . Ev e n i n 2001, w h e n I p l aye d s ome of th e r e c or di n gs I made w i th R6th i n 1977 for Av r oh om Tzv i Er bs t, an oth e r e xc e l l e n t p r aye r l e ade r , h e e xc l ai me d: "Th i s i s i t. Th i s i s h ow w e di d i t i n my v i l l age as w e l l . Th i s i s th e ol d s tyl e ." Wh e n I as ke d, as I di d man y ti me s , w h e th e r th e mus i c I r e c or de d fr om th e 1970s on w ar ds w as s i mi l ar to th at be for e th e Hol oc aus t, my i n for man ts gav e c on tr adi c tor y an s w e r s . To th e que s ti on "How di d you p r ay th i s s e c ti on i n your v i l l age i n your fath e r 's h ome ?" I r e c e i v e d an s w e r s l i ke : "It w as th e s ame , e xac tl y th e s ame . But i n th os e days , i t w as di ffe r e n t. I p r aye d di ffe r e n tl y. Ev e r yth i n g w as di ffe r e n t th e n . But th e p r aye r i s al w ays th e s ame , i t doe s n ot c h an ge ." It took me a l on g ti me to un de r s tan d th at th e s e c on fus e d r e s p on s e s w e r e th e mos t h on e s t an d p r e c i s e an s w e r s to my que s ti on . In th e c our s e of my w or k i t gr adual l y be c ame c l e ar th at, al th ough th e de tai l s of th e mus i c of th e s e r v i c e c h an ge d, i ts ov e r al l s h ap e r e mai n e d l ar ge l y th e s ame as i t h ad be e n be for e Wor l d War II. Abov e al l , th e me mbe r s of th e c ommun i ti e s w e r e an xi ous to r e c r e ate th e atmos p h e r e an d th e bas i c s tr uc tur al -mus i c al fr ame w or k th at th e y h ad kn ow n i n th e i r c h i l dh ood. Th i s fr ame w or k w as s tabl e i n te r ms of th e de gr e e to w h i c h a c ommun i ty p e r mi tte d i n di v i dual v ar i ati on i n th e p r aye r me l odi e s , h ow man y di ffe r e n t mus i c al s tyl e s w e r e us e d i n th e r i tual , an d s o on . Th e r e w as muc h s adn e s s i n th e l i v e s of th e s e p e op l e an d i n th e r i tual i ts e l f. Th e r i tual be c ame l i ke mour n i n g, c omme mor ati n g a l i fe th at w as on th e w an e . I r e me mbe r th at e v e r y ti me I v i s i te d on e of th e s mal l or th odox s yn agogue s I h ad th e fe e l i n g of s te p p i n g i n to th e p as t, i n to a w or l d be yon d r e al i ty, a dr e am th at h ad p e r h ap s n e v e r e xi s te d. For th e p e op l e w h o atte n de d th e s yn agogue , r i tual an d e v e r yday l i fe w e r e i n c omp ati bl e r e al i ti e s . Ye t, th r ough th e i n te n s e aw ar e n e s s of th e di s s on an c e be tw e e n th e r i tual an d th e w or l d be yon d r i tual , th e y w e r e abl e to r e -e n ac t on e of th e mos t or i gi n al i de as of Judai s m, n ame l y th at th e s e r v i c e s h oul d be a de p ar tur e fr om mun dan e r e al i ty to th e w or l d of ti me l e s s n e s s . Th e p r e s e n t: a gl i mp s e of a Je w i s h r e v i v al In Hun gar y th e ge n e r ati on of mi ddl e -c l as s Je w i s h i n te l l e c tual s bor n afte r Wor l d War II al mos t n e v e r e n c oun te r e d Je w i s h r i tual dur i n g th e i r c h i l dh ood. Wh e n Je w i s h s tude n ts i n th e i r te e n s or ol de r be gan to s e ar c h for th e i r Je w i s h r oots dur i n g th e 1970s , th e y tr i e d to fi n d Judai s m outs i de of r e l i gi on . If th e y w e n t to l i s te n to a s e r v i c e , th e y c h os e a n e ol og s yn agogue be c aus e th at w as c on s i de r e d to be l e s s r e l i gi ous . 154 BRITISH JOURNAL OF ETHNOMUSICOLOGY VOL.11/i 2002 It w as i n th i s c on te xt th at Al e xan de r Sc h e i be r , th e di r e c tor of th e Rabbi n i c al Se mi n ar y, op e n e d th e door of h i s i n s ti tuti on for youn g Je w s i n th e mi d-1970s . Th e famous Ki ddus h gath e r i n gs , w h i c h c on s i s te d of bl e s s i n gs an d th e tr adi - ti on al Fr i day n i gh t me al , attr ac te d a l ar ge gr oup of youn g Je w s . I de s c r i be d my fi r s t i mp r e s s i on s of th e s e mi n ar y s yn agogue at th e be gi n n i n g of th i s ar ti c l e . Th e s e r v i c e w as l i ke a c on c e r t c omp os e d of mov e me n ts of c an tor i al fan tas y, or gan s ol o an d c h or us e s . Th e c an tor , Re zs 6 Fe l e ki , w as a r e mar kabl e mus i c i an w i th an e n j oyabl e v oi c e . Th e c h or us of th e r abbi n i c al s tude n ts s an g for c e ful l y. How e v e r , th e r e al r i tual w as n ot th e r e l i gi ous s e r v i c e but th e Ki ddus h (bl e s s i n g for th e tr adi ti on al s ymbol i c Fr i day n i gh t me al ). Afte r th e s e r v i c e , th e c on gr e gati on mov e d to th e up p e r fl oor , w h i c h w as adj ac e n t to th e bui l di n g of th e s c h ool . Th e s ymbol i c Ki ddus h me al , w h i c h c on s i s te d un i for ml y of c h al l ah (s w e e t br e ad for th e Sabbath ) an d h ot c h oc ol ate , w as p r e p ar e d i n on e of th e l ar ge r r ooms . Th e ol de r p e op l e s at ar oun d th e tabl e s c ov e r e d w i th w h i te tabl e - c l oth s , w h i l e th e s tude n ts c h atte d an d mov e d fr e e l y ar oun d th e tabl e s . Th e r oom w as too s mal l for th e c r ow d an d s oc i al l i fe p our e d out i n to th e s c h ool 's c or r i dor s . Some ti me s th e r e w as s o muc h n oi s e th at Pr ofe s s or Sc h e i be r c oul d h ar dl y r e c i te th e te xt of th e Ki ddus h . Th e h i gh l i gh t of th e e v e n i n g w as a s h or t l e c tur e or p r e s e n tati on : Sc h e i be r tal ke d about an i n te r e s ti n g e v e n t, th e p ubl i c a- ti on of a book or an e xh i bi ti on , or gav e th e fl oor to an i n v i te d a gue s t. Th e s e Ki ddus h me e ti n gs , l i ke th e ac ti v i ti e s of th e Rabbi n i c al Se mi n ar y i n ge n e r al , w e r e v i e w e d by th e auth or i ti e s w i th s us p i c i on (Cs or ba 1990:163-7). Ev e r yon e p r e s e n t w as aw ar e th at th e p ol i c e r e c e i v e d p r e c i s e ac c oun ts of th e e v e n ts an d h ad a l i s t of th e p ar ti c i p an ts . Th e s e gath e r i n gs mar ke d th e be gi n n i n g of th e Je w i s h youth mov e me n t i n Hun gar y. Th os e of us w h o w e r e p r e s e n t at th e s e Fr i day e v e n i n gs w i l l al w ays r e mai n n os tal gi c for th e un i que atmos p h e r e c r e ate d by th e c h ar i s mati c fi gur e of Sc h e i be r . Th e ai r w as de n s e w i th th e p r omi s e of a futur e w or l d, of un kn ow n r e v e l ati on s an d p os s i bi l i ti e s . Ne e dl e s s to s ay, th e s tude n ts w h o p ar ti c i p ate d i n th i s Je w i s h "r e v i v al " h ad n o c on tac t w h ats oe v e r w i th tr adi ti on al Je w i s h r i tual . Th e s i tuati on c h an ge d r adi c al l y afte r th e fal l of Commun i s m. Je w i s h s c h ool s , j our n al s , c ul tur al c l ubs an d oth e r or gan i zati on s w e r e e s tabl i s h e d i n a r e mar k- abl y s h or t ti me . Books on Je w i s h top i c s be gan to ap p e ar . Th e Lubav i tc h e r Has i di m s e t up th e i r offi c e an d r e c r ui te d a s i zabl e c ommun i ty of youn g p e op l e . Hun gar i an Je w s r e c e i v e d fi n an c i al s up p or t fr om v ar i ous foun dati on s to r e s tor e s yn agogue s . Is r ae l i s an d Ame r i c an s be gan to v i s i t Hun gar y on a r e gul ar bas i s an d fi l l e d th e s yn agogue s . Ye t al th ough th e for e i gn -bas e d Je w i s h i n s ti tuti on s gav e th e i mp e tus for a r e al r e v i v al i n al l s p h e r e s of Je w i s h l i fe , th e y al s o ac c e l e r ate d th e di s i n te gr ati on of tr adi ti on al Je w i s h r i tual i n Budap e s t an d c on tr i bute d to i ts by n ow al mos t c omp l e te di s ap p e ar an c e . As w e h av e s e e n , th e me mbe r s of th e or th odox c ommun i ti e s i n Budap e s t h e l d th e p as t i n h i gh e s te e m. For th e m, th e mus i c al tr adi ti on w as e mbe dde d i n i n di v i dual an d l oc al p r ac ti c e s . Th e y c h e r i s h e d th e me mor y of l oc al me l odi e s th at th e y h ad l e ar n e d fr om th e ol de r ge n e r ati on . Th e y p r e s e r v e d th e tr adi ti on al As h ke n azi p r on un c i ati on of He br e w , w i th th e l oc al v e r s i on of i n ton ati on . Th e Ame r i c an an d Is r ae l i "n e w c ome r s " h av e a FRIGYESI Th e Je w i s h s e r v i c e i n Commun i s t Hun gar y: a p e r s on al j our n e y 155 c omp l e te l y di ffe r e n t atti tude . For th e m, r e l i gi on c on s i s ts of a body of kn ow l - e dge th at s h oul d be l e ar n e d an d w h os e r ul e s s h oul d be obs e r v e d. Pr on un c i ati on h as be e n un i fi e d ac c or di n g to mode r n Is r ae l i p r ac ti c e . Un l i ke th e ol d c on gr e ga- ti on s , w h i c h us e d to n e goti ate r e l i gi ous matte r s at th e l oc al l e v e l , th e s e youn g adv oc ate s of th e Je w i s h tr adi ti on c on c e i v e of r e l i gi ous obs e r v an c e as s ome th i n g c odi fi e d an d n ot s ubj e c t to c h al l e n ge . Th e maj or i ty s e e s n o v al ue i n un i que l oc al mus i c al p r ac ti c e s an d doe s n ot c on s i de r th e p r e s e r v ati on of v ar i an ts n e c e s s ar y or e v e n de s i r abl e . Th e op p os i n g v i e w s of th e tw o c amp s - th e Hun gar i an or th odox c ommun i ty an d th e Ame r i c an an d Is r ae l i n e w c ome r s - h av e ofte n be c ome bi tte r . Th e me m- be r s of th e ol de r ge n e r ati on c l ai m th at th e i r p r ac ti c e s or i gi n ate fr om be for e Wor l d War II an d th at th e y ar e tr adi ti on al c us toms th at s h oul d be r e s p e c te d an d p r e s e r v e d. Th e n e w c ome r s ar gue th at l oc al mus i c al v ar i ati on s an d p r ac ti c e s ar e n ot i mp or tan t an d th at th e i r r e l i gi ous p r ac ti c e s ar e s i mp l y w r on g. Th i s op p os i ti on c an be be tte r un de r s tood i n th e gl obal c on te xt of r e l i gi ous r e v i v al s . It i s a c h ar ac te r i s ti c fe atur e of th e mode m e r a th at c ul tur al an d s oc i al p h e n ome n a be c ome p ol i ti c i ze d, me an i n g th at p r ac ti ti on e r s de s i gn p r ac ti c e s an d i de ol ogy i n or de r to as s e r t th e i r p l ac e i n th e p ol i ti c al s tr uc tur e . Th i s p ol i ti c i za- ti on i s ap p ar e n t i n th e r e l i gi ous mov e me n ts of th e tw e n ti e th c e n tur y, i n c l udi n g th e Je w i s h r e l i gi ous r e v i v al i n Is r ae l an d th e Un i te d State s , but for th e mos t p ar t i t l e ft th e or th odox Je w i s h s e r v i c e i n Hun gar y un touc h e d. Be for e Wor l d War II th e or th odox tr adi ti on w as s ti l l s tr on g; i t di d n ot n e e d adv oc ate s . Th e Commu- n i s t r e gi me , th e n , di s c our age d th e p ol i ti c i zati on of th e r e l i gi on . In th i s man n e r th e Commun i s ts c on tr i bute d, p e r h ap s agai n s t th e i r ow n i n te n ti on , to th e p r e s e r - v ati on of th e tr adi ti on al atti tude tow ar ds r e l i gi on . Th e n e w c ome r s , h ow e v e r , be l on g to th e mode r n w av e of r e l i gi on . Th e i r p ur p os e i s n ot me r e l y to mai n tai n r e l i gi ous p r ac ti c e but to s p r e ad th at p r ac ti c e amon g th e youth . Th e y ac t an d de v i s e r i tual s an d p r ogr amme s l i ke a p ol i ti c al p ar ty: th e i r p r i mar y ai m i s to c on v i n c e an d r e c r ui t. It i s th e i r v i e w th at you c an n ot s tr e n gth e n r e l i gi ous p r ac ti c e w i th th e e as y-goi n g n e goti ati on an d ambi - guous r i tual r ul e s th at ar e c h ar ac te r i s ti c of th e ol d c ommun i ti e s . Th e s tr e n gth of mode m or th odoxy r e s ts on th e fac t th at i ts r ul e s ar e c l e ar an d fi r m s o th at i t i s p os s i bl e to kn ow w h i c h p r ac ti c e i s "r i gh t" an d w h i c h i s "w r on g". Or th odox r i tual w as mar gi n al i ze d dur i n g th e Commun i s t e r a be c aus e of th e r ul i n g r e gi me 's i de ol ogi c al c on s i de r ati on s an d be c aus e of th e fe ar an d i n di ffe r - e n c e of th e Je w i s h i n te l l e c tual e l i te . Par adoxi c al l y, Hun gar i an or th odox Je w s h av e be e n p us h e d to th e p e r i p h e r y agai n s i n c e th e c ol l ap s e of Commun i s m be c aus e of th e i de ol ogy of th e mor e for c e ful Je w i s h gr oup s fr om abr oad. Th e n e w or th odox r i tual i n Hun gar y, i f i t doe s i n de e d de v e l op , w i l l mos t l i ke l y be mode l e d on th e p r ac ti c e s of th e p ol i ti c i ze d r e l i gi ous gr oup s of Is r ae l an d th e Un i te d State s . At l e as t, p r e s e n t de v e l op me n ts p oi n t i n th i s di r e c ti on . Wi th th e tw e n ty-fi r s t c e n tur y, th e h i s tor y of th e l oc al Hun gar i an or th odox Je w i s h r i tual s e e ms to h av e r e ac h e d i ts fi n al c h ap te r . 156 BRITISH JOURNAL OF ETHNOMUSICOLOGY VOL.1 1/i 2002 Ac kn ow l e dge me n ts I w oul d l i ke to th an k th e Ful br i gh t an d IREX fe l l ow s h i p s , th e Sor os Foun dati on , th e Me mor i al Foun dati on for Je w i s h Cul tur e , an d Col l e gi um Budap e s t, In s ti tute for Adv an c e d Studi e s , for th e i r ge n e r ous s up p or t of my r e s e ar c h of As h ke n azi mus i c i n th e p as t fe w ye ar s . Bi bl i ogr ap h y Cs or ba, Li s zl 6 (1990) "Zs i d6 s ze l l e mi 6l e t a h ui s zas -h ar mi n c as 6v e k Magyar - or s zi gi n " [Je w i s h c ul tur al l i fe i n Hun gar y i n th e 1930s ] an d "Izr ae l i ta fe l e ke ze ti 6l e t Magyar or s zai gon a v 6s zkor s zakt61 a n yol c v an as 6v e ki g" [Je w i s h r e l i gi ous l i fe i n Hun gar y fr om th e be gi n n i n g of Wor l d War II un ti l th e 1980s ]. In Pai l Hor v ai th (e d.) He t i v ti ze d a h azai zs i d6s dg l e te be n [Se v e n de c ade s of Hun gar i an Je w i s h l i fe ], v ol . 1, p p . 61-190, 200-80. Budap e s t: MTA Fi l oz6fi ai In tdze t. Fr i gye s i , Judi t (1993) "Je w s an d Hun gar i an s i n mode m Hun gar i an mus i c al c ul tur e ." In Ezr a Me n de l s oh n (e d.) Studi e s i n Con te mp or ar y Je w r y. Je w s an d Mus i c , Vol . IX, p p . 40-60. Ne w Yor k, Oxfor d: Oxfor d Un i v e r s i ty Pr e s s . (1998) Bi l a Bar t6k an d Tur n -of-th e -Ce n tur y Budap e s t. Be r ke l e y: Cal i for n i a Un i v e r s i ty Pr e s s . (1999) "Sac r e d an d s e c ul ar - w h at c an mus i c te ac h us about Je w i s h th ough t?" Car dozo Law Re v i e w 20:1673-81. (2000) "Th e p r ac ti c e of mus i c as an e xp r e s s i on of r e l i gi ous p h i l os op h y amon g th e Eas t-As h ke n azi Je w s ." Sh ofar 18.4:3-24. (2001) "Tr an s mi s s i on an d th e or i gi n al i de a: mus i c an d p r aye r i n th e tr adi ti on of th e Je w s of Eas te r n -Eur op e ." In Edw i n Se r ous s i an d El i ayah u Sc h l e i fe r (e ds ) Fe s ts c h r i ft i n Hon or of Is r ae l Adl e r . Je r us al e m: Je w i s h Mus i c Re s e ar c h Ce n te r . Ge r 6, An dr i s (1992) "Li be r i l i s ok, an ti s ze mi tai k e s zs i d6k a mode m Magyar or s zai g s zti l e t6s e kor " [Li be r al s , an ti s e mi te s an d Je w s at th e bi r th of mode m Hun gar y]. In M. Kov ai c s , M. Kas h ti , Yi tzh ak an d F Er 6s (e ds ) Zs i d6s dg, i de n ti tds , tor t"n e l e m [Judai s m, i de n ti ty an d h i s tor y], p p . 9-22. Budap e s t: T-Tw i n s . Gy6r i Szab6, R6be r t (1997) A kommun i s ta p dr t e s a zs i dds dg Magyar or s zdgon (1945-1956) [Th e Commun i s t p ar ty an d th e Je w s i n Hun gar y be tw e e n 1945-56]. Budap e s t: Wi n ds or . Kar i dy, Vi ktor (1992) "A Sh oa, a r e n ds ze r v al tai s 6s a zs i d6 azon os s i gtudat v ai l - s aga Magyar or s zai gon " [Th e Sh oa, th e c h an ge of th e r e gi me an d th e c r i s i s of Je w i s h i de n ti ty i n Hun gar y]. In M. Kov ac s , M. Kas h ti , Yi tzh ak an d F Er 6s (e ds ) Zs i d6s dg, i de n ti tds , ti 1r tIn e l e m [Judai s m, i de n ti ty an d h i s tor y], p p . 23-48. Budap e s t: T-Tw i n s . S (2001) On azon os i tds , s or s v dl as ztds . A zs i dd c s op or tazon os s dg th r ti n e l mi al akv dl tozds ai Magyar or s zdgon [Ch an gi n g for ms of Je w i s h i de n ti ty i n Hun gar i an h i s tor y]. Budap e s t: Uj Man di tum Ki ad6. FRIGYESI Th e Je w i s h s e r v i c e i n Commun i s t Hun gar y: a p e r s on al j our n e y 157 Kr o6, Gydr gy. (1994) Szabol c s i Be n c e [Be n c e Szabol c s i ]. Budap e s t: Li s zt Fe r e n c Ze n e mdv r s ze ti F6i s kol a. (1989) "Szabol c s i Be n c e (Sze l l e mi ar c kp v yi zl at a h ar mi n c as 6v e kb61l )" [Be n c e Szabol c s i (A c ul tur al p or tr ai t-s ke tc h fr om th e 1930s )]. Mi dl t i s Jov 6 2:31-9. Pap , Kai r ol y (1935) "Zs i d6 s e be k e s bdn i k e s Zs i d6 s e be k ds bn i ok fogad- tatai s a" [Je w i s h w oun ds an d s i n s an d th e r e c e p ti on h i s tor y of Je w i s h w oun ds an d s i n s ]. In Pap Kdr ol y mdtv e i , VIII. kate t. Zs i d6 s e be k i s bu'n ak i s mds p ubl i c i s zti kdk [Th e w or ks of Kar ol y Pap , v ol . VIII. Je w i s h w oun ds an d s i n s an d oth e r j our n al i s ti c w r i ti n gs ], p p . 7-79, 81-160. Budap e s t: Mui l t ds Jdv r l Ste i n e r , Le n ke (1944) "Az 6v magyar -zs i d6 i r odal ma" [Hun gar i an -Je w i s h l i te r atur e p ubl i s h e d i n th i s ye ar ]. In Al addi r Koml 6s (e d.) Ar ar dt. Magyar zs i d6d v ki n yv [Ar ar at. Hun gar i an -Je w i s h Ye ar book] (1944-5704/5), p p . 148-56. Budap e s t: Or s zai gos Izr ae l i ta Le ai n ydi r v ah ai z. Szabol c s i , Mi kl 6s (1992) "Vdi l tozai s ok a zs i d6 s ze l l e mi 61e tbe n 1945 k6r i i l : magyar e s zs i d6 i de n ti tai s -ke r e s r s e k" [Ch an ge s i n Je w i s h c ul tur al l i fe ar oun d 1935: th e s e ar c h for Hun gar i an an d Je w i s h i de n ti ty]. Szombat 4.7:27-30. Ze ke , Gyul a. (1990) "Szakadi s uti n ...." [Afte r th e s c h i s m]. In Hor v ai th , Pai l (e d.) Hi t dv ti ze d a h azai zs i d6s dg e l e ti be n [Se v e n de c ade s of Hun gar i an Je w i s h l i fe ], v ol . 1, p p . 145-61. Budap e s t: MTA Fi l oz6fi ai In tdze t. Zs ol t, Be l a. (1980) Ki l e n c koffe r [Ni n e s ui tc as e s ]. Budap e s t: Magv e t6. (Or i gi n al l y p ubl i s h e d as a s e r i e s i n th e j our n al Hal adds i n 1946-47.) Note on th e auth or Judi t Fr i gye s i s tudi e d mus i c ol ogy an d e th n omus i c ol ogy i n Budap e s t, Par i s an d th e Un i te d State s . Afte r r e c e i v i n g h e r doc tor ate fr om th e Un i v e r s i ty of Pe n n s yl v an i a, Ph i l ade l p h i a, s h e taugh t at Br ow n an d Pr i n c e ton Un i v e r s i ti e s an d p r e s e n tl y s h e i s an as s oc i ate p r ofe s s or at Bar Il an Un i v e r s i ty, Is r ae l . Sh e h as p ubl i s h e d on top i c s de al i n g w i th th e mus i c of Bdl a Bar t6k, th e c ul tur al l i fe of tw e n ti e th -c e n tur y Eur op e , c on te mp or ar y c omp os e r s , th e th e or y of r h yth m, Hun gar i an fol k mus i c an d Je w i s h l i tur gi c al mus i c . He r book Be l a Bar tdk an d tur n -of-th e -c e n tur y Budap e s t w as p ubl i s h e d by th e Un i v e r s i ty of Cal i for n i a Pr e s s (1998, s e c on d p ap e r bac k e di ti on 2000). In th e p as t tw e n ty ye ar s s h e h as be e n c ol l e c ti n g an d r e s e ar c h i n g th e r i tual mus i c of th e Eas t Eur op e an Je w s . Sh e i s c ur r e n tl y w or ki n g on a n e w book, Th e mus i c of th e Eas t As h ke n azi Je w i s h s e r v i c e . Addr e s s : De p ar tme n t of Mus i c , Bar -Il an Un i v e r s i ty, Ramat Gan 52900, Is r ae l ; e mai l : fr i gye s i @mai l .bi u.ac .i l ; fr i gye s i @c ol bud.h u.