Teaching Intonation
Teaching Intonation
Teaching Intonation
1513872
1 Introduction
The
teaching
of
pronunciation
has
an
important
purpose
of
enabling
learners
to
communicate
with
clarity.
In
the
teaching
of
pronunciation,
it
could
be
observed
that
more
resources
and
teaching
are
given
to
the
segmental
features
of
speech.
Even
though
suprasegmental
features
are
important
for
its
communicative
value,
they
are
largely
unaddressed
by
teachers.
In
particular,
teachers
find
it
challenging
to
teach
intonation
systematically
such
that
learners
are
able
to
use
it
successfully
on
their
own.
It
has
been
generally
raised
(Underhill
2005,
Roach
2008)
that
past
attempts
by
writers
to
present
a
complete
set
of
rules
for
intonation
could
not
be
successfully
adopted
for
teaching
and
learning
because
of
its
varied
possibilities
in
occurrences.
Recent
work
by
Jenkins
(1997)
offers
an
approach
to
teach
relevant
components
of
intonation
to
achieve
intelligibility
in
all
contexts,
which
is
more
crucial
in
todays
context
of
interpersonal
communication.
In
this
paper
I
will
examine
whether
teaching
relevant
components
of
intonation
is
a
workable
solution
to
the
difficulties
faced
by
teachers.
I
will
first
begin
by
establishing
the
key
components
and
functions
of
intonation
and
give
an
outline
of
the
challenges
of
teaching
intonation.
Then
I
will
move
on
to
a
discussion
of
my
teaching
practice
in
the
areas
of
student
profile,
syllabus
requirements
and
key
challenges.
Finally,
based
on
some
pedagogical
considerations,
I
will
propose
specific
components
of
intonation
which
could
be
taught
with
the
target
learners.
I
will
conclude
with
a
recommendation
to
review
the
selection
and
design
of
teaching
materials
to
help
learners
develop
the
skills
to
make
appropriate
intonation
choices.
2 Background
2.1 What
is
involved
in
intonation?
2.1.1 Definition
of
intonation
Intonation
is
generally
referred
to
as
the
melody
in
speech
which
consists
of
different
tones.
Dalton
&
Seidlhofer
(1994)
and
Underhill
(2005)
refer
these
different
tones
to
pitch
variations
which
occur
in
utterances.
More
specifically,
Cruttenden
1513872
(1997)
and
Wells
(2006)
describe
intonation
as
involving
the
use
of
various
pitch
patterns
to
communicate
meaning.
2.1.2 Key
components
of
intonation
In
the
study
of
intonation,
the
following
components
are
used
to
describe
the
pitch
patterns
that
occur
in
speech:
a) Tonality
In
a
single
utterance,
a
speaker
breaks
up
the
information
into
intonation
phrases
or
tone
groups.
According
to
writers
such
as
Dalton
&
Seidlhofer
(1994)
and
Wells
(2006),
these
chunks
are
considered
as
a
form
of
the
speakers
organisation
of
what
he
says.
More
significantly,
these
chunks
reveal
the
speakers
intended
focus
in
his
message.
b) Tonicity
Pitch
movement
in
each
tone
group
is
centred
on
one
syllable
which
is
accented
and
given
more
prominence.
It
is
generally
agreed
(Dalton
&
Seidlhofer
1994,
Wells
2006)
that
the
last
accent
in
an
intonation
phrase
is
known
as
the
nucleus.
Tonicity
or
nucleus
placement
enables
the
speaker
to
bring
out
the
most
important
parts
of
the
message
and
direct
the
listeners
attention.
c) Tone
In
general,
the
tonic
syllable
is
associated
with
three
basic
pitch
changes
-
fall,
rise
and
fall-rise.
Roach
(2008)
describes
a
set
of
generalisations
of
the
functions
of
tones
used
in
English
in
a
limited
context
of
the
words
yes
and
no
used
as
a
single
utterance.
For
example,
he
generalises
the
fall
tone
as
a
neutral
response
to
a
question
or
to
convey
a
sense
of
finality.
(ibid
,
p.123)
However,
he
acknowledges
that
this
is
an
inadequate
description
of
intonation
patterns
to
convey
meaning
because
in
reality,
they
are
complex
and
encompasses
several
other
variations
of
pitch
changes.
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2.1.3 Functions
of
intonation
In
this
section,
I
will
give
an
overview
of
how
intonation
is
used
to
convey
different
kinds
of
information.
Crystal
(2010)
lists
six
functions
of
intonation
while
Roach
(2008)
presents
four
key
functions:
attitudinal,
grammatical,
accentual
and
discourse.
Although
the
terms
used
are
different,
the
functions
described
are
fundamentally
similar.
I
will
thus
refer
to
the
four
functional
categories
described
by
Roach
(2008).
Intonation
performs
an
attitudinal
function
where
pitch
movement
is
used
to
express
attitudes
and
emotions
in
speech.
Roach
(2008)
describes
some
broad
and
common
generalisations
like
the
use
of
the
fall
tone
to
express
a
sense
of
finality
or
a
rise
tone
is
usually
used
to
indicate
a
question
or
to
be
encouraging.
But
writers
(Jenkins
1997,
Roach,
2008)
generally
agree
that
pitch
movement
is
very
subjective
and
is
dependent
on
the
context.
Therefore,
it
is
not
recommended
for
teaching
in
the
classroom.
The
grammatical
function
of
intonation
helps
the
listener
to
identify
grammatical
units
like
phrases,
clauses,
sentences
or
sentence
types
such
as
questions
or
statements
in
speech.
Roach
(2008)
points
out
that
the
placement
on
the
tonic
stress
helps
the
listener
to
make
sense
of
the
information
and
interpret
the
intended
message
accurately.
For
instance,
two
possible
meanings
can
be
derived
from
the
sentence
below
when
the
tonic
stress
is
applied
differently.
(a) |
I
saw
|a
man
on
the
cliff
with
a
telescope.|
Meaning:
The
speaker
caught
sight
of
a
man
standing
on
a
cliff
holding
on
to
a
telescope.
(b) |
I
saw
a
man
on
the
cliff
|with
a
telescope.|
Meaning:
Using
a
telescope,
the
speaker
saw
a
man
on
a
cliff.
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The
accentual
function
of
intonation
is
used
to
highlight
the
part
of
the
utterance
that
contains
new
information
or
foreground
a
specific
part
that
is
deemed
to
be
most
important
for
the
listener.
This
is
illustrated
with
the
example
(c).
(c)
|I
would
like
some
apple
pie.|
(instead
of
cherry
pie)
Moving
on
to
a
larger
context
of
interaction,
the
discourse
function
of
intonation
is
used
to
organise
information
in
utterances
to
bring
the
key
parts
of
the
message
into
sharper
focus.
Writers
describe
(Underhill
2005,
Roach
2008)
that
typically
a
falling
or
proclaiming
tone
is
used
to
indicate
information
that
is
new
to
the
listener,
while
the
rising
and
fall-rise
tone,
also
referred
to
as
the
referring
tone,
indicate
information
that
is
already
known
to
the
participants
of
the
conversation.
They
also
state
that
the
discourse
function
is
used
to
regulate
conversation
turn-
taking.
Certain
tones
indicate
to
participants
in
a
conversation
the
appropriate
response
that
is
expected.
For
instance,
a
rise
tone
in
a
question
tag
generally
indicates
a
response
of
agreement
from
the
listener.
Although
these
functions
of
intonation
are
important,
it
is
generally
agreed
(Dalton
&
Seidlhofer
1994,
Underhill
2005,
Roach
2008)
that
teachers
find
it
challenging
to
teach
it
systematically
so
that
learners
are
able
to
make
the
appropriate
choices.
In
the
next
section,
I
will
discuss
the
challenges
of
teaching
and
learning
intonation
generally
and
the
components
of
intonation
that
experts
argue
cannot
be
taught.
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coverage
of
intonation
choices
and
its
use
in
language
as
a
whole.
Furthermore,
the
rules
do
not
help
learners
to
be
able
to
relate
the
choices
made
in
intonation
in
actual
interaction.
Underhill
(2005,
p.75)
aptly
sums
up
teachers
difficulty
with
teaching
intonation
that
the
nature
of
intonation
is
somehow
less
perceptible
and
less
tangible
than
other
areas
of
language.
This
makes
it
harder
for
teachers
to
confidently
provide
learners
with
clear
explanations
of
the
use
of
intonation
that
could
be
generalised
for
a
range
of
contexts.
The
challenges
faced
by
teachers
are
backed
up
by
the
view
of
writers
that
some
components
of
intonation
cannot
be
taught.
Jenkins
(1987)
argues
that
it
is
impossible
to
teach
all
aspects
of
intonation
formally
and
suggests
that
some
components
like
the
attitudinal,
grammatical
and
discourse
functions
of
grammar
are
more
likely
developed
through
exposure
to
the
language
over
time.
According
to
her,
the
general
consensus
among
intonation
experts
is
that
the
expression
of
attitude
and
emotions
is
subjective
and
it
is
closely
tied
to
context.
Roach
(2008)
provides
an
additional
perspective
that
paralinguistic
features
are
also
a
part
of
the
communication
process
and
thus,
a
decontextualized
teaching
of
intonation
is
not
helpful
to
learners.
It
is
generally
recommended
that
it
would
be
more
feasible
to
help
learners
acquire
it
through
exposure
to
actual
authentic
interactions.
(Jenkins,
1987,
Roach,
2008,
Rogerson-Revell,
2011)
1513872
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the
interaction
and
then
make
the
necessary
choices
for
meaningful
interaction.
This
also
forms
one
of
the
pedagogical
considerations
which
will
be
discussed
in
Section
4.1.2.
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10
1513872
Placing
the
nuclear
stress
on
the
word
why
in
the
intonation
phrase
(IP),
signals
the
speakers
intent
to
provide
the
reasons
for
commemorating
Earth
Day.
It
also
has
the
effect
of
directing
the
audience
to
listen
out
for
the
reasons.
b)
Paragraph
2:
rising
sea
levels,
|
intensifying
storms
|
and
more
violent
hurricanes.
|
I
n
example
(b),
accenting
the
highlighted
words
serve
to
convey
specifically
the
deteriorating
state
of
the
earth
and
it
enables
the
speaker
to
convey
a
sense
of
urgency
to
persuade
the
listener.
4.2.1.2 Tonicity
for
old
and
new
information
Another
aspect
of
tonicity
that
I
would
teach
my
learners
is
to
accent
new
information
because
it
will
make
clear
the
new
information
that
the
listener
needs
to
pay
attention
to.
This
is
important
for
learners
in
my
context
since
they
do
not
have
a
habit
of
accenting
their
utterances.
c)
Paragraph
5:
take
something
that
isn't
useful
anymore
|
and
make
it
into
something
new
...
The
word
make
is
accented
and
the
rise
tone
helps
to
indicate
an
alternative
to
the
listener
to
help
save
the
earth.
It
is
foregrounded
as
new
information
as
it
is
probably
not
the
usual
practice
that
the
listener
is
not
accustomed
to.
4.2.1.3 Tonicity
for
contrastive
focus
When
two
ideas
are
contrasted,
speakers
need
to
accent
the
appropriate
words
to
draw
attention
to
the
contrast.
This
is
key
for
the
message
to
be
conveyed
accurately.
It
is
easy
for
the
learners
to
understand
and
apply
the
straightforward
rule
of
placing
the
nucleus
on
the
last
content
word
of
the
utterance.
11
1513872
d)
Paragraph
7:
when
you
refuse
to
re
use,
|
its
our
Earth
you
a
buse.
The
example
from
paragraph
7
can
be
used
to
demonstrate
how
this
contrast
is
made.
It
should
be
reinforced
that
placing
the
nucleus
on
the
last
content
word
of
the
IP
containing
the
opposing
idea
emphasises
the
seriousness
of
the
situation
described
by
the
speaker.
This
is
key
to
influencing
the
listener
to
make
a
choice
to
be
more
environmentally
friendly.
4.2.2 Word
grouping
One
aspect
of
intonation
that
Jenkins
(1997)
recommends
that
it
should
be
taught
for
productive
use
is
word
grouping.
She
describes
word
grouping
as
the
manner
in
which
utterances
are
grouped
into
smaller
chunks
of
speech
with
at
least
one
nuclear
syllable
in
each
chunk.
It
is
useful
for
my
learners
because
it
will
enable
them
to
organise
and
present
their
utterances
in
ways
that
are
accurate
to
the
message
intent
and
assist
the
listener
to
process
the
information.
She
also
suggests
teaching
word
grouping
receptively
because
there
is
a
higher
probability
that
the
skill
is
acquired
through
exposure.
As
such,
getting
learners
to
notice
it
through
classroom
activities
would
help
them
to
acquire
it
more
easily.
To
help
my
learners
understand
word
grouping,
I
will
begin
with
getting
them
to
notice
and
describe
how
it
is
applied
appropriately
in
some
sample
utterances
like
speeches
or
presentations
made
by
students.
Although
their
initial
observations
of
word
groups
could
be
associated
with
grammatical
units
like
a
phrase,
clause
or
sentence,
or
even
marked
by
punctuation,
I
will
include
examples
where
the
tone
unit
boundary
does
not
coincide
with
the
syntactic
boundary.
Instead,
I
will
show
them
that
word
grouping
is
organised
by
individual
tone
units,
each
containing
the
tonic
syllable.
12
1513872
e)
Paragraph
1
-
Each
year,
|
on
A
pril
22,
|
many
of
us
wish
each
other
|
Happy
Earth
Day
without
really
understanding
the
reason.
f)
Paragraph
2
Experts
estimate
|
that
we
are
losing
137
plant,
|
animal
|and
5 Conclusion
The
discussion
above
explores
the
challenges
of
teaching
intonation
to
secondary
school
students
and
proposes
some
components
that
can
be
taught
and
learned
in
the
classroom.
Until
we
can
find
a
set
of
workable
and
usable
set
of
generalisations
for
intonation,
it
is
perhaps
practical
to
adopt
a
teaching
framework
that
trains
learners
to
consider
purpose,
audience
and
context
in
relation
to
intonation
choices.
Starting
learners
off
in
this
direction
and
then
teaching
and
exposing
them
to
some
simple
generalisations
of
components
of
intonation
will
enhance
their
abilities
to
narrow
down
and
make
the
appropriate
choices.
For
this
to
be
workable,
the
selection
of
resource
material
in
textbooks
and
for
classroom
teaching
should
be
reviewed
to
present
familiar
contexts
and
appropriate
communicative
purposes
that
the
target
learners
can
identify
with.
This
will
provide
a
more
manageable
scope
for
teaching
simple
generalisations
and
for
learners
to
practise
making
the
appropriate
choices
for
effective
communication.
13
1513872
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Pronunciation
(2nd
edition).
Oxford:
Macmillan
Education.
14
1513872
University
of
Cambridge
Local
Examinations
Syndicate
and
Ministry
of
Education.
2011.
Generic
Band
Descriptors
for
Syllabus
1128/04.
Wells,
J.C.
2006.
English
Intonation:
An
Introduction.
Cambridge,
UK;
New
York:
Cambridge
University
Press.
15
1513872
Appendix A
PART 1 READING ALOUD
16