Amateur Photographer - May 28, 2016

Focal length: 90mm
Exposure: F/5.6 1/60sec
BUILT TO IMPRESS
A new range of prime lenses with advanced features
and craftmanship for the next generation
Perfectly balanced, lightweight design for sharpest images
and a beautiful bokeh even at maximum aperture
The VC-System (Vibration Compensation) makes it
possible to take photographs handheld in dim light
and to make optimal use of slower shutter speeds
For Canon, Nikon and Sony mounts

(Sony mount model without VC)
Di: For APS-C format and
full-frame DSLR cameras
SP 35mm
SP 45mm
SP 90mm
SP 85mm
F/1.8 VC
F/1.8 VC
F/2.8 MACRO VC
F/1.8 VC
www.t amron.co.uk
COVER PICTURES STU MEECH, HELEN SLOAN/HBO
7days
A week in photography
With the range of highly
desirable cameras and lenses
vying for our attention, its easy
to overlook the variety of photo
accessories out there designed
to help us take better pictures. The accessory
may be in a supporting sense, or one piece of
kit that has a direct impact on the nal image.
Like many of us, I know I would struggle to
get the shots I like to take without the
accessories I have tucked away in my camera
In this issue
10 Accessory
masterclass
Tips, tricks and
techniques to make the
most of your accessories
16 Sloan of Thrones
AP and Nikon School
Live are offering you
the chance to go behind
the scenes on the Game
of Thrones TV series,
as we host an evening
with principal stills
photographer Helen Sloan
JOIN US
ONLINE
amateurphotographer.
co.uk
bag, and thats why, for this special issue of AP,

weve decided to shine a light on the humble
photo accessory. On pages 10-17 we look at a
range of popular accessories and how to make
the most of them, while on pages 22-29 we
chat to a number of photographers to nd out
which accessories they cannot live without.
And lets not forget our round-up of some of
the best photo accessories weve seen in 2016,
starting on page 41. Enjoy this special issue.
Phil Hall, technique and features editor
Facebook.com/Amateur.
photographer.magazine
ickr.com/groups/
amateurphotographer
@AP_Magazine
amateurphotographer
magazine
ONLINE PICTURE OF THE WEEK
22 In the bag
Accessories can help a
photographer in a variety
of ways. We ask 16
photographers to reveal
the gadgets and gizmos
they cant live without
IMAGES MAY BE USED FOR PROMOTION PURPOSES ONLINE AND ON SOCIAL MEDIA
32 APOY results
We reveal the top 30 from
the Creative Wideangle
round of APOY and the
winner of the fantastic
Sigma prize
41 Accessorise
yourself
Andy Westlake and
Michael Topham
look at some of the
most interesting new
accessories of 2016
48 Panasonic Lumix
DMC-GX80
Andy Westlake tests
Panasonics latest
mid-range compact
system camera
Regulars
3 7 days
19 Inbox
55 Technical
Support
82 Final Analysis
MARTIN TOSH
38 Appraisal
Expert advice and top tips
on improving your pictures
from Damien Demolder
Shy by Martin Tosh

Nikon D750, Nikkor 105mm Micro, 1/100sec at f/8, ISO 100
This image from Martin Tosh comes bottom of a birdbath to scatter light
from our Twitter feed.
back and used a third-arm tool to
Some people look down on the
position the daisy on the surface of
common daisy as a weed that
the water. In my head I was thinking
blights their lawns, but I love them,
of an ugly duckling sorrowfully
says Martin. In fact, I mow around
checking out its reection.
them. My intention here was to
I had my camera barely dipped
create an image with a ne-art feel
into the water to pick up the subtle
to showcase the beauty of this
reection, and used warming gels on
humble ower.
my Nikon R1 Close-Up Speedlight
I scrunched up some tinfoil in the kit to create a summery feel.
Send us your pictures
Each week we choose our favourite

picture on Facebook, Flickr, Twitter
or the reader gallery using #appicoftheweek.
PermaJet proudly supports the online picture
of the week winner, who will receive a
top-quality print of their image on the finest
PermaJet paper. It is important to bring
images to life outside the digital sphere, so we
encourage everyone to get printing today! Visit
www.permajet.com to learn more.
Win!
If youd like to see your work published in Amateur Photographer, heres how to send us your images:
Email Email a selection of low-res images (up to 5MB of attachments in total) to appicturedesk@timeinc.com.
CD/DVD Send us a disc of high-resolution JPEG, TIFF or PSD images (at least 2480 pixels along its longest length), with a contact sheet, to the address on page 20.
Via our online communities Post your pictures into our Flickr group, Facebook page, Twitter feed, or the gallery on our website. See details above.
Transparencies/prints Well-packaged prints or slides (without glass mounts) should be sent by Special Delivery, with a return SAE, to the address on page 20.
NEWS ROUND-UP
The week in brief, edited by Chris Cheesman
Holster aims at
DSLR owners
The new MindShift DSLR holsters

target outdoor photographers.
These Multi-Mount holsters are
designed to be carried in five ways:
on the shoulder, as a front harness,
on the chest, as a backpack or as a
belt. Built to be water resistant, the
new MindShift Multi-Mount holsters
cost 79.25-105.76. Visit
www.mindshiftgear.com.
Canon compact superzooms in soon
Canon will debut the PowerShot

SX620 HS superzoom compact in
June. The SX620 HS sports a 25x
lens that can be extended digitally a
further 50x. The camera houses a
20.2MP imaging sensor and DIGIC 4+
processor. Filter effects on the
Wi-Fi-enabled model include fisheye
and miniature. It is priced at 219.99.
Manfrotto has launched a backpack

designed to hold a professional DSLR
and three lenses. The Manfrotto
Advanced Rear Backpack, priced
119.95, contains a removable
camera compartment with a zip
fastener. There is also a dedicated
tripod compartment, a front pocket
designed to store a 13in laptop and a
side pocket. Visit www.manfrotto.co.uk.
Number of Photo show visitors rise
This years Photography Show in

the Birmingham NEC in March
pulled in 4% more visitors than
the previous year, according to
organisers. The show drew in
30,804 visitors, excluding
exhibitors. Next years show will
be held at the Birmingham NEC
from 18-21 March.
BA calls for drone register
British Airways boss Willie Walsh has called for the implementation
of a drone register. He said: The Irish Aviation Authority has already
introduced a register. The news came as Transport secretary Patrick
McLoughlin revealed that the object suspected of colliding with a BA
plane on 17 April was not a drone.
4
ERNST HAAS/GETTY IMAGES
Manfrotto DSLR
backpack unwrapped
WEEKEND PROJECT
Break the
portrait rules
There are a lot of rules when it comes to portrait
photography: focus on the eyes, be careful not to
crop parts of the head, use prime lenses such as
85mm. But if you always follow the rules your
portraits are going to look pretty generic and
predictable. A more varied and eclectic approach to
people photography is often more appropriate, as
humans come in all shapes, sizes and personality
types. David Bailey ruffled some feathers in 2014
when he used a wideangle lens to take a portrait of
the Queen in order to emphasise her wide smile,
and while the image is not to everyones taste, hats
off to him for trying something different. So why
dont you break the rules?
Creative cropping can be

very effective if its clear
that its deliberate. Crop
off the top of someones head to
focus attention on the eyes,
particularly if you shoot at a
wide aperture, or crop off below
the nose. Make sure the
background is distraction-free.
A wideangle lens can

distort facial features,
often making the jaw,
nose and forehead loom large
in the frame; hence, be careful
when using them. However, its
a fun effect to try with children
or imposing characters, such as
bouncers and bikers.
28 May 2016 I www.amateurphotographer.co.uk I subscribe 0330 333 1113
BIG
picture
Looking back at a true
icon of Hollywoods
Golden Age
Had Marilyn Monroe lived,
1 June would have seen the
screen icon celebrate her 90th
birthday. In the years following her
death, Monroes legend has grown
to almost mythical proportions
and seen her established as a true
icon of the silver screen. Famous
for often playing the dumb
blonde, Monroe was in fact
possessed by a erce and
insatiable intellect, and did all she
could to take control of her public
and screen image following her
frustration at being typecast. In
this image,by photojournalist and
pioneering colour photographer
Ernst Haas, we see Monroe taking
a break between lming on The
Mists (1961). Although the lm
at the time was considered a
bomb at the box ofce, it has
gone on to receive a glowing
reappraisal among critics.
Words & numbers
Not focusing on the eyes

has to be done
deliberately to avoid
looking like a mistake. Its a
classic technique in fine-art
nude photography. Indeed, many
photographers de-emphasise
the eyes to avoid a come hither
glamour-shot effect.
Imogen Cunningham
ISTOCKPHOTO.COM/RAZVAN CHISU
American photographer
(1883-1976)
subscribe 0330 333 1113 I www.amateurphotographer.co.uk I 28 May 2016
SOURCE: NATIONAL PORTRAIT GALLERY
Never use direct flash

with portraits as you
get amateurish custard
pie lighting with harsh
shadows. While simply copying
Bruce Gildens in your face
approach is a bit pointless,
dont be afraid to use flash to
emphasise strong features.
Take advantage
of the fact that a
wideangle lens
can distort faces
Which of my
photographs is
my favourite?
The one Im
going to take
tomorrow
12,600
Cash donated privately by
National Portrait Gallery
supporters to help save Oscar
Rejlanders Victorian photo
album for the nation
The I-1 provides manual

control via an app
ANDY WESTLAKE
Photoshop
bullying row
First Polaroid-format
camera in 20 years revealed
THE FIRST camera system for the
original Polaroid format in over
20 years has been launched by a rm,
which until now, made only lms for
discontinued Polaroid cameras.
The I-1 is a new instant photo
camera from the Impossible Project,
offering full manual control via a
dedicated app. Although the I-1 is
compatible with any 600-type lm,
it is designed to be used with
Impossibles new I-type lm, which,
unlike a Polaroid instant lm pack,
doesnt contain batteries. Instead,
the camera system is powered by
a USB-rechargeable battery.
Impossible Project CEO Oskar
Smolokowski said: We strongly
believe an instant camera is the only
compelling photography offering
beyond your phone. We wanted to
use the power of the smartphone
to make it even more capable and
allow users beginners and
enthusiasts to take their
photography to the next level.
Pierre Darnton, the rms
managing director for the UK and
Ireland, told AP that although the I-1
6
is fully analogue, the companion app

includes a scanner that allows users
to take a picture of the developed
print and crop it down for sharing on
social media. Furthermore, digital
controls accessible via the app allow
the user to create effects and
experiment with manual controls,
including a self-timer.
The app provides the user with
full manual control of shutter speed,
aperture, focus distance and ash via
a wireless Bluetooth connection.
By connecting through a
smartphone, which links directly to
the I-1, users can experiment freely
with creative tools such as double
exposure, remote triggering and light
painting, said the rm in a statement.
Creative techniques also include the
ability to superimpose images onto
one another.
These editing opportunities
bring analogue photography to
a digital generation, claims the
Impossible team. Once the perfect
image is captured, consumers are
then able to upload directly to their
social channels.
Priced 229, the I-1 sports a

one-of-a-kind ring ash, to help
provide diffused light with soft
shadows when shooting portraits.
The ring ash comprises eight
LEDs and can also function as a
lm-count indicator.
Also on board is a collapsible
magnetic viewnder that can be
detached to allow for future
Impossible technological
integrations.
This is the rst camera from the
Impossible Project. In 2008, the
rm bought the last factory in the
world making Polaroid instant lm.
The move came after Polaroid
announced it was shutting down its
instant-lm manufacturing. The
Impossible Projects bosses say
that rescuing and refurbishing the
Netherlands-based plant enabled
them to save more than 200m
Polaroid instant cameras from
becoming useless.
The cameras design aims to pay
homage to the iconic silhouette of
the Polaroid camera in an updated
modern matte-black nish.
PHOTOGRAPHERS
accused of digitally
manipulating an actresss
jaw to make her look
beautiful said they altered
the photo only to resolve
wideangle lens distortion.
American actress and
singer Rumer Willis,
daughter of Bruce Willis
and Demi Moore, pleaded
with friends to remove any
online posts of the image,
taken for Vanity Fair,
although not published by
the magazine. The portrait,
showing the actress with
her sisters, appeared on
Rumers Instagram page.
The photographers Mark
Williams and Sara Hirakawa
defended the move, saying
the retouching was not
done to alter or modify
anyones face. They added:
We used a wideangle lens,
and it might have made
Rumers chin look smaller
from the higher angle that
we shot the image.
Subscribe to
SAVE
35%
Visit amateurphotographer
subs.co.uk/15W (or see p46)
* when you pay by UK Direct Debit
Storm over Scroby Sands Wind Farm, Great

Yarmouth, Norfolk, by Jon Gibbs the first winner
of Landscape Photographer of the Year
Get up & go
COTSWOLD PHOTO
The most interesting things to see, to do

and to shoot this week. By Tom Smallwood
GLOUCESTERSHIRE
JON GIBBS
Shooting the Ultimate Cotswold View
A new photography tuition company, Cotswold Photo Walks, offers

a series of specially designed expert-led photo walks around
the most beautiful locations across the Cotswolds, the largest
designated Area of Outstanding Natural Beauty in the UK. This
walk focuses on Coaley Peak.
Landscape Photographer of
the Year opens for entries
varied and fascinating,
providing a wealth of
opportunities for
photographer and
traveller alike.
From the white sands
of the Western Isles and
the mountain ridges of
Snowdonia to the Broads
of Norfolk and the coves
of Cornwall, exploration
leads to great rewards.
An exhibition of the best
entries is due to take
place in November. For
full details visit www.
take-a-view.co.uk.
the end of the day, its not about me; its

about the lives of people in the pictures.
Ohanesian was praised by the judges
for her evocative images and tenacious
dedication to documenting the effects of
conict on citizens in perilous regions.
They added that her pictures offer an
extraordinary personal glimpse into the
places the global community may not
otherwise see.
For the latest news visit www.amateurphotographer.co.uk

ELLIOTT LANDY
This is an exclusive collection

of iconic and never-before-seen
images documenting the
making of The Bands first two
albums, Music from Big Pink
and The Band, through the lens
of friend and renowned rock
photographer Elliott Landy.
9 June-24 July,
www.proudonline.co.uk
Departures
This is an
GLASGOW
exhibition of
work by New
Photographers
Guild, a
photographic
mentoring
initiative led
by Claire
Stewart and Elaine Livingstone
in association with Street Level
Photoworks. The nine
participating artists each
responded to the broad theme
of migration. The exhibition
will be held at Hillhead Library.
28 May-9 July,
streetlevelphotoworks.org
1926: Britain Through the Lens
LONDON
Images of a pivotal year from Getty Images

world-famous Hulton Archive feature subjects
as diverse as the royal family (the future Queen
Elizabeth II as a baby, left), the setting of the
world speed record and a cow being milked
on a Kings Cross Station platform.
Until 2 July, Gettyimagesgallery.com
CARYS JONES
THE COURAGE of women

photojournalists has been honoured
in the second Anja Niedringhaus
Courage in Photojournalism Award. The
award was set up in tribute to Anja
Niedringhaus, a Pulitzer Prize-winning
Associated Press photographer who
was killed when an Afghan policeman
opened re on a car in which she was
travelling in April 2014.
This years winner is Adriane
Ohanesian, a freelance photojournalist
based in Nairobi, Kenya, who has
documented conicts including the civil
war in South Sudan. London-based
photographer Lynsey Addario won an
honourable mention.
Ohanesian who wins a $20,000
prize to support ongoing work said: At
Elliott Landy at
Proud Camden
ADRIANE OHANESIAN
Women photojournalists honoured

in $20k prize
LONDON
SPEAIGHT/HULTON ARCHIVE/GETTY IMAGES
photographers that would

also show the world what
a wonderful place Great
Britain is to live in, to visit
and explore.
Photographers can
enter up to 25 photos
across four categories:
Classic view, Living the
view, Your view, and
Urban view. It costs 10
to enter a single image;
25 for up to seven; 30
for up to 15; and 35 for
up to 25 photos.
Organisers added: The
UKs landscapes are both
WILLIAM KAY
THIS years Take a

view Landscape
Photographer of the Year
competition has opened
for entries, with a top prize
of 10,000 on offer .
Professional and amateur
photographers have until
10 July 2016 to enter
the 20,000 contest.
Top landscape
photographer and
founder Charlie Waite
said: When we started
the awards back in 2007,
we hoped to provide a
platform for landscape
2 June, www.cotswoldphotowalks.co.uk
SURREY
Carys Jones Photography
Stunning horse images from equine specialist Carys Jones can be

seen at the Art Gallery, Denbies Wine Estate Ltd, Dorking, Surrey,
RH5 6AA. A percentage of the proceeds will go to Cranleigh Riding
for the Disableds Riding High fundraising campaign.
6-12 June, www.carysjonesphotography.co.uk
7
Viewpoint
Lars Rehm
New Books
The latest and best books from the
world of photography. By Oliver Atwell
THE VIEWS EXPRESSED IN THIS COLUMN ARE NOT NECESSARILY THOSE OF AMATEUR PHOTOGRAPHER MAGAZINE OR TIME INC. (UK)
ver the past few years, the

display sizes of smartphones
have been increasing to a
point where, today, most
high-end models have screens measuring
5.2-6in [13-15cm], dimensions which, not
too long ago, would have placed them in
the small tablet category.
From a photography and imaging point
of view, this is not necessarily a negative
trend. After all, its much easier to
compose and edit images and video on a
large screen, especially when that screen
comes with an adequately high resolution.
However, the move towards bigger
screens also means that smartphones
have become bulkier and less portable,
robbing them of their always-ready-tosnap advantage that made them such an
appealing photographic tool. True, as
displays have grown, bezels and internal
components have, to a degree, shrunk,
keeping the overall dimensions of such
mobile devices halfway at bay. Even so,
todays high-end smartphones are larger
than ever before.
This wouldnt be such a problem if
manufacturers gave consumers a choice
by offering compact models with top-end
specications alongside their supersized
models. As things stand, though, buying
a compact device from almost any
manufacturer means compromising on
performance in
the camera
department.
Innovative imaging
technologies such
as high-resolution
sensors, on-sensor
phase detection,
The Sony Xperia Z5 Compact has a

pocket-sized body with a 4.6in display
The move towards bigger

screens also means that
smartphones have
become bulkier and
less portable
laser-assisted AF, 4K video and optical
image stabilisation are almost always
reserved for the large and bulky top-ofthe-line models.
That said, a couple of models are now
available for those of us who crave great
camera performance in a compact
package. Apple iPhone models, up to the
iPhone 5s, with 4in screens used to be
the obvious choice for mobile
photographers who wanted top-notch
camera performance in a compact body.
That changed with the introduction of the
iPhone 6 generation of phones when
Apple decided to make the 4.7in iPhone
6 the smallest Apple device with a
top-of-the-line camera. Fortunately,
Apple has revised its strategy and
introduced the iPhone SE, a device that
combines the camera specications of
the iPhone 6s with the compact body
of the iPhone 5s.
The iPhone SEs equivalent in the
Android world is the Sony Xperia Z5
Compact. This phone offers the same
23-million-pixel camera as the Z5 and
Z5 Premium juggernauts, but wraps it in
a handy pocket-sized body with a decent
4.6in display. Thats only two out of all the
major phone manufacturers, though. So,
all the rest of you phone manufacturers,
get your designers working and give us
compact models incorporating your best
camera technologies. You may nd
yourselves a few new customers.
Lars Rehm is a freelance photographer and writer,

contributing to publications in the US, UK and Germany.
In his former role as part of DPReviews testing team, he
shot with countless digital cameras of all shapes and
sizes, but nowadays he captures most of his images with
a smartphone. Visit www.larsrehm.com or follow him on
Twitter @larsrehm
Do you have something youd like to get off your chest? Send us your thoughts in around
500 words to the address on page 20 and win a years digital subscription to AP, worth 79.99
8
DAVID GUTTENFELDER
Tfififififififififififififififififififfifififimfififipfififififi
mfifiuffififiufifififififififififimfififififififififififififififififififimfifififi
fipfififififififififififififififififififififififififififififififififififififi
World Press Photo 16

by Kari Lundelin, Thames and Hudson,
18.95, paperback, 240 pages,
ISBN 978-0-50097-073-4
NOW IN its 16th year, the World
Photo Awards is still capable of bottling
the political and cultural Zeitgeist. Each
year, a jury selects the best images
from the years pool of reportage, and
rewards those shots that best convey
their subjects message. The
predominant theme this year was the migration of
refugees into Europe, and as a result we have a batch
of images that are at once beautiful and harrowing.
Coincidentally, this is perhaps the key issue with the
WPP, and the thing that has often seen it accused of
aestheticising suffering. There are two camps: the one
that feels an image should speak for itself, and the
other that believes that in order for an image to have
necessary impact it must be beautiful enough to hold
the viewers attention. Both camps are served well
here and, as it turns out, both are correct.
Hand Jobs: Life as a Hand Model

by Oli Kellett and Alex Holder, Hoxton Mini
Press, 12.95, hardback, 64 pages,
ISBN 978-1-91056-607-1
IF YOURE looking for a muchneeded distraction from the crushing
weight of dismal contemporary
affairs, then consider immersing
yourself in the surreal world view in
this release. Who would think a book
looking at the largely unseen world
of employed hand models could be
so captivating? For example, did you know that hand
models must moisturise 30 times a day? Or that they
know 200 different ways to pick up a Lego brick?
Youll nd the answers in the pleasantly succinct
introduction. This book keeps things nice and simple:
24 subjects demonstrate 24 ways to peel a banana,
for example. It also reveals the faces behind the hands
through stripped-down portraits. The book is a
gorgeous thing thats a pleasure to own.
Technique
ACCESSORIES
Accessory
Masterclass
Phil Hall has some tips, tricks and techniques

to help you make the most of your accessories
10
Filters
Positioning your
ND grad correctly
is essential for
achieving a
pleasing shot
FILTERS are a vital accessory, but use them

incorrectly and it can be very hard or even
impossible to correct the mistakes in
Photoshop. Here are a few key things
you need to know.
Position your ND grad

When positioning your ND grad, especially when
presented with a straight horizon, it can be easy
to become complacent. Weve all been guilty of
simply pulling the grad down to roughly the point
where the horizon meets the sky and then
shooting away. This, though, can lead to far too
dark a horizon, so be sure to really study the
scene and pay particular attention to positioning
the grad line correctly and carefully.
Should a feature such as rocks or a cliff
protrude into the horizon line, you might want to
set the grad at an angle, so these features arent
too dark in the nal image.
ALL PICTURES THESE PAGES JEREMY WALKER
e can spend hours poring

over advice on how best
to use our cameras and
lenses, but we often
overlook how to make the best use of the
other accessories we have in the camera
kit that we lug around with us.
Admittedly, compared to the plethora
of settings on a camera, accessories can
seem a little basic by comparison, but
this doesnt mean you should get sloppy
with your technique. Even the simplest
of accessories have a right and wrong
way of being used, while little tricks and
techniques can make life not only that
bit easier, but can also help you to achieve
better shots. Therefore, knowing how to
use your accessories correctly is just as
important as knowing how to use your
camera and lenses.
Over the next six pages Ill take a look
at how you can maximise your skills with
a range of popular accessories, so you too
can get the most from them.
A 0.9ND filter is
more suitable
here
Know your
density
THE DARKEST part of an ND grad varies
in exposure value (EV) between lters.
One with a lighter density might cut out
only 1EV of light, whereas the darkest
density grads can cut out as many as
4EVs of light. You dont want to use a
grad thats too strong for the scene,
which might result in the sky appearing
darker than youd like.
Selecting the correct lter can be
confusing, as manufacturers give
them different names. For example,
an ND4 is the same density as a
0.6ND both reduce the exposure
by 2 stops. The table (right) outlines
The unfiltered
shot here
doesnt lend
itself to a
hard grad
than a 0.3ND
option, which is
not as strong
the relationship between the optical

density, lter factor and number
of EVs by which the dark part of the
lter reduces the exposure. A good
starting point is an ND4 or 0.6ND,
which is suitable for the majority of
scenes, but this varies depending on
the strength of the light.
Optical
density
Filter
factor
Light
transmitted
0
0.3
0.45
0.6
0.75
0.9
1.2
1
2
2.5
4
7
8
16
100%
50%
37.5%
25%
18.75%
12.5%
6.25%
Exposure
reduction
in EV
0
1
1.5
2
2.5
3
4
Instead, a soft grad

delivers a
smoother transition
Making the most

of your tripod,
filters and other
accessories will
mean that your
pictures are that
much better
Hard or soft?
After determining the density of lter
required, the next decision is whether to
use a hard or soft grad. Hard grads have a
sharp transition from clear to dark, and are
the most popular choice, as they allow the
point of transition to be set on the horizon,
where the sky is often at its brightest. Soft
grads have a much more gradual change

from clear to dark, and are suitable for
landscapes where there are trees,
mountains or buildings above the horizon.
The use of a hard grad in these situations
would produce a distinct line across these
elements in the image and ruin the shot.
11
Technique
ACCESSORIES
ALL IMAGES THESE PAGES PHIL HALL
Always leave the thinnest leg

sections until last. Its better to
use the thicker ones first and
only use the thinner ones if
you need the extra height
Tripods
parts of the leg can affect stability. You want

your cameras support to be as sturdy as
possible, so use the stoutest sections rst.
A TRIPOD may look like a

straightforward piece of kit, but there
are plenty of tricks you can use to get the
most from it. More importantly, youll
achieve the sharpest possible shots.
Weigh it down
Avoid using the

centre column
Most tripods come complete with an
extendable centre column that can be used
when you need a much higher shooting
position than normal. The trouble is, its easy
to become lazy, and rather than extend the
tripods legs we simply bring up the centre
column to the height we want leaving the
leg sections collapsed. However, this creates
a far less stable platform from which to
shoot, even when using the best tripod; save
the centre column for when you really need
that extra bit of height.
Use thinnest sections last

If you dont need the tripods full height, you
should extend the largest leg sections rst.
The most spindly sections are also the least
strong, so using them instead of the thickest
With your tripod extended and camera

mounted on top, blustery conditions can
destabilise your set-up pretty easily, so its a
good idea to weigh everything down. This is
easily done by attaching your camera bag to
the centre column (theres normally a hook
to do this). If you can place your body
between the prevailing wind and the
tripod to shield it, so much the better.
Firm base
When youre setting up, make sure you
push the legs really rmly down into the
ground, to give you as solid a base as
possible from which to shoot.
If youre on the beach, its tricky to
maintain a solid foundation so try to nd
some rocks or stones on which to position
your tripod legs, or consider using
snowshoes to spread the load.
Get it level
While its not too much hassle to correct
wonky horizons in Photoshop, get it right
in-camera if you can. Some tripods have
built-in spirit levels (see left) to help with this,
or you can pop one on your hotshoe.
Dont carry your

camera on a tripod
When were swept up in the moment,
we often want to move quickly between
locations. Dont try to save time by keeping
your camera attached to the tripod and
slinging it over your shoulder while you walk.
Take a moment to pop it safely back into
your bag, as you never know what might
happen. Its easy to forget that the camera
is attached, and you can end up scufng
it along a wall, damaging the lens or the
camera itself. In another nightmare scenario,
you might not have tightened the quickrelease plate sufciently, and the next thing
you know, youre watching your camera as
it bounces along the ground.
12
Monopods
EVEN with the best anti-shake
systems, a monopod can add an
extra level of stability to your set-up.
Use your tripod collar

Most decent monopods come without a
head, but this shouldnt be an issue if youre
using a longer focal-length lens, as most
come with their own tripod collar. Screw
your monopod onto the lens collar rather
than to your camera body, as this allows
you to switch between landscape and
portrait-format shooting positions easily.
Rest your hand

Rather than holding on to the monopod
itself and gripping it tightly, try to rest your
left hand and arm lightly on the top of the
lens if youre using a long telephoto optic.
This will greatly increase stability when
shooting, as well as allow you to move the
lens smoothly.
When shooting on locations

like a beach it can
be tricky to find a solid base
for your tripod, so think
about snow shoes or look for
stones and rocks on
which to position the legs
Above: Use your left hand to support the lens

and balance the camera better
Above: Rather than attach the camera to the

monopod, use the tripod collar on your lens
13
Technique
ACCESSORIES
kate hopewell-smith
Flashguns
Flashguns (or speedlights/speedlites,
as manufacturers would have us call them)
can be an incredibly versatile piece of
camera kit, allowing us to control and
shape light, but we can sometimes be
guilty of not making the most of them.
With that in mind, lets take a look at a few
tricks that can transform flash images,
from hard, directly lit photos to high-end
shots with sculpted lighting.
Underexpose
ambient light
A striking technique to try with off-camera
flash is to purposely underexpose the ambient
light of the shot, while the flash is used to light
your subject and make it really stand out.
Youll need to manually meter, stopping
down the aperture by a couple of stops to
force the camera to underexpose, then boost
the power of the flash to compensate (youll
need to set the flash to manual, too).
james abbott
james abbott
kate hopewell-smith
High sync function Diffusion
Bounce flash
Most cameras offer a maximum flash sync

speed of between 1/160sec and 1/250sec. If
you use a shutter speed faster than this youll
end up with banding across your image. This
isnt an issue indoors, but if you want to use fill
flash outdoors, or set a shallow depth of field,
it can be restricting.
Some flashguns, though, feature a high-sync
flash function. This allows you to use a much
faster shutter speed (1/8000sec, for example)
without the resultant banding of the shutter
across the image. This is down to the flash
firing for longer than normal, and the rear
curtain of the shutter starting to close before
the front curtain fully opens. This will be a
dedicated setting on your flashgun.
Direct flash fired from the camera can cause

unsightly shadows, especially if your subject is
standing close to a wall. While off-camera
flash can overcome this, its not always
possible or realistic to set up lights remotely,
so a quick fix is to start by angling the flash
head (with the flashgun still mounted on the
camera) and bouncing the flash off the ceiling
or wall. This softens the light and reduces the
shadows behind the subject.
Just remember, though, to avoid bouncing
the flash off brightly coloured walls and look
for neutral surfaces instead. Otherwise youll
end up with an unflattering colour cast on
your subject that will be hard to correct in
post-processing.
14
Light modifiers allow you to diffuse and sculpt

the light for a much more pleasing result,
with umbrellas and softboxes being the
most popular choices.
Umbrellas are easier to transport and, in
most cases, quicker to set up on location.
There are two types to pick from. Shootthrough examples have a white translucent
fabric through which you fire the flash to soften
the light, while reflective options have a silver
lining that you use to bounce the flash off and
back onto your subject.
Softboxes also soften the light as the flash is
passed through one or two layers of material and
prevent light from spilling out the sides, although
they can be a bit more hassle to set up.
phil hall
Go off-camera
Liberating your flashgun from the hotshoe and
triggering it remotely is a great way to achieve
high-end images. You can trigger the flash with
a sync lead, via a (compatible) built-in flash on
your camera, or most peoples preferred
option via triggers.
Taking your flashgun (or flashguns for multiple
light set-ups) off the camera means youre
going to need a suitable light stand for
positioning your flash. Dedicated stands are
better than simply using a tripod on which
to mount your flashgun, and are relatively
inexpensive. Youll also probably need a bracket
to hold the flashgun in place, but if youre
shooting outside its a good idea to anchor
them in place to stop everything blowing over.
Positioning your flashgun

remotely is a great way
to achieve more sculptured
lighting effects
helen sloan
Sloan of
Thrones
aP and Nikon School Live offer you the chance to go
behind the scenes on Game of Thrones at an evening
with principal stills photographer Helen Sloan
ow does one become
a photographer on
the worlds biggest TV
show, and what does
the job entail? AP readers will get
the chance to find out the answers
to these and other questions on
Friday, 3 June, when we host an
evening with Game of Thrones
photographer Helen Sloan, in
association with Nikon School Live.
For the uninitiated, the TV series
Game of Thrones is based on the
epic fantasy novel series A Song of
Ice and Fire by George RR Martin.
Set in medieval times in the
fictional lands of Westeros and
Essos, it draws its inspiration from
a variety of historical figures and
events from the Wars of the Roses
to Nordic mythology and Genghis
Khan mixed with a smattering
of dragons and supernatural
creatures, to create a detailed and
immersive alternative history
filled with ruthless rulers and
Machiavellian scheming, in which
good does not always triumph.
all pictures helen sloan/hBo
From circus to the film industry B camera filming

Helen, whose first proper job after
studying art in college was official
photographer to the Belfast Circus,
has been involved with the series
since day one in 2010, after HBO
producers chose to base production
in her native Northern Ireland. Her
journey into movies began when a
producer on a low-budget horror
movie saw her circus pictures and
got in touch.
The circus was really good
practice for going into the film
industry, she says. You have to
stay back and be discreet, so
you dont break the performers
concentration. Its also quite a
nomadic existence because youre
always on the move, especially on
something like Game of Thrones.
The story has taken Helen to
countries as diverse as Spain,
Morocco, Malta, Croatia and
Iceland, each presenting its
own photographic challenges.
About 60% of her work is unit
material (photographing the action
at Castle Black for

the first episode
of season five
Below left: Emilia

Clarke as Queen
Daenerys Targaryen
one of the
lead roles
Below: Actor Jack
Gleeson as King
Joffrey Baratheon.
Shot on set using a
Nikon D800 with a
50mm f/1.4 lens
as its being filmed), and 30% is

behind the scenes documentary
shots. The other 10% of her time
is spent in the studio shooting
portraits for posters.
What its like to work on

Game on Thrones
There isnt really such a thing as an
average day, she confesses. One day
we could be filming everyone having
a feast and enjoying themselves
though being Game of Thrones
someone usually dies then the next
day well be setting fire to someone
and throwing them off a boat.
For her unit work, Helen prefers
to shoot as the film cameras are
rolling. She explains: During the
rehearsals they havent done the
final checks on make-up and hair,
and the performances can be very
emotionally draining for the actors
so it would be unfair to ask them to
do it again just for me, afterwards.
But its important to build up a
relationship with people so theyre
comfortable with you doing that.
You have to know your camera
inside out, of course, but patience
and respect are just as important,
and they dont teach you that at

college. There are a lot of people
trying to do a lot of different jobs
under a lot of pressure and you have
to remember that no ones job is
more important than anyone elses.
Helen considers herself to be
doing her dream job. Its art
on an industrial scale, she says.
Everywhere I look theres a great
photo its 360 of cool. But it can
be physically gruelling.
A sneak peek into

Helens camera kit
Helen reckons she has shot about
750,000 pictures, with her images
used for publicity photos in features
such as this, to posters, books and
merchandise, and for the show
archive. She shoots everything on a
variety of Nikon cameras she has
two D3s, a D4, a DF and a D800. If
pressed to pick a favourite, she says:
Id probably choose the DF, because
its a real superstar. Her collection
of lenses is no less extensive. Theres
the Nikkor 24-70mm f/2.8 and
Nikkor 70-200mm f/2.8, obviously,

but I also carry a bag of primes, of
which my favourite is the Nikkor
85mm f/1.4 its the most beautiful
piece of glass Ive ever seen, she says.
Theres a practical reason why
Helen has so much kit. To save time
and be more efficient I have a
different lens on each body, she
explains, so if I want a different
lens I just pick up a different
camera, rather than changing
lenses, as I could be shooting out in
the rain, or with sand in the desert.
It means Im opening things up and
then spending three hours later
cleaning sensors. All her cameras
are housed in AquaTech or Jacobson
sound blimps to make them near
silent on set.
Join us at Nikon School Live

If all this sounds exciting to you,
book your seat now for our very
special Nikon School Live seminar
with Helen, in the theatre at APs
London HQ on Friday, 3 June.
Turn the page to find out how.
Game of Thrones is an HBO production shown on Sky Atlantic on Monday evenings. Now on Series 6, previous
episodes are available as box sets and on Sky TVs catch-up service.
A stuntman looks on as VFX wranglers get Stuffy ready

Director of photography Fabien
Wagner with a stunt performer
during the Hardhome sequence
FREE NIKON SCHOOL SEMINAR

HELEN SLOAN/HBO
Helen Sloan
Stills photographer on the Game of Thrones series
Over the past few months

Amateur Photographer
and Nikon School have
teamed up to bring you
free training seminars
in London.
FREE SEMINAR Friday, 3 June, 6-9.30pm
To apply for
Come and join us for an

evening with Helen Sloan,
stills photographer on
Game of Thrones.
Helen was born in rural
Ireland. On receiving her first
camera at the age of 11, she
quickly settled into her fly on
the wall personality, capturing memories of life as
she saw it all around her. At age 18, while studying
art in Belfast, she got a job with a group of circus
performers, and her non-intrusive style of
photography and technical mind lent itself well to
capturing circus skills and tricks for publicity shots.
to the Helen Sloan

photography seminar
email: NikonSchoolLive
timeinc.com
A series of melancholy circus portraits caught the

attention of a movie producer who invited her to
work on the set of a horror movie.
Helen landed a series of jobs on movie and TV sets
over the next decade and then the Game of Thrones
TV series came right to her doorstep. Helen is
responsible for the majority of photography from this
hit HBO drama having been working on it ever since
the first day of filming on the pilot episode. The job
covers many genres of photography: landscape,
portraiture, studio-lit posters, and behind-thescenes documentary. She is the first and only Irish
member of The Society of Motion Picture Still
Photographers (SMPSP) to be based in Los Angeles.
FREE TICKETS
For full details visit amateurphotographer.co.uk/sloan

18
00 Month 2016 I www.amateurphotographer.co.uk I subscribe 0330 333 1113
Inbox
Email amateurphotographer@timeinc.com and include your full postal address. Write to Inbox, Amateur Photographer,
Time Inc. (UK), Pinehurst 2, Pinehurst Road, Farnborough Business Park, Farnborough, Hants GU14 7BF
LETTER OF THE WEEK WINS A 16GB SAMSUNG SD CARD. NOTE: PRIZE APPLIES TO UK AND EU RESIDENTS ONLY
Everything photographic
Win!
DAVID WARD
David Wards 1963 image of the

frozen sea at St Annes-on-Sea
Lasting impressions
The letter from fvesix
in AP 23 April, about a
remembering when article,
sparked a chord with me. I nd
that some photos do stick in
the mind and leave a lasting
impression. These may not be
the best technically, and are a
useful reminder that in these
times of ever-developing
technology, it is the image that
counts and the impact it has. I
think it is worth pursuing
fvesixs idea.
The photo [above] was taken
in 1963 with an Edixa 35mm
Thanks, Malcolm. We aim to keep

readers abreast of the latest and best in
the art of photography and equipment
used. While we dont expect many, if
any, of our readers to be in the market
for a Phase One XF, I felt it was
interesting enough to feature, and I
dont think its for us to presume which
cameras our readers can or cannot
afford. Even the assertion that a 1,000
camera is out of reach for readers can
be challenged if we look at the models
used in this months APOY results
(page 32) Nigel Atherton, Editor
With Ultra High Speed performance, the waterproof Samsung

32GB EVO Micro SDHC card, Class 10, Grade 1, offers up to 48MB/
sec transfer speed. Visit
www.samsung.com
Thats a great photo, David.

Its nice to see readers are
still scanning their old negs
and slides to keep them alive
Nigel Atherton, Editor
Disappointing Nikon
I agree with what Geoff
France says in his letter
(Quality Issues, AP 16 April)
and take on board what
Professor Newmans article
(The problem with problems,
AP 26 March) says. However
Nikon seems to be cursed
In AP 7 May, we asked
You answered
more than 50 years of being interested in

photography. So keep on being a magazine
that covers everything photographic.
Malcolm Povey, Dorset
camera (which I still have at

the back of my drawer) on
Agfa CT18 reversal lm. I
recently converted my old
slides to digital, with a bit of
follow-up cleaning. The
picture is of the frozen sea at
St Annes-on-Sea, Lancashire,
with the childrens home
shrouded in mist. It was a
memorable occasion, and it
helped instil a lifelong interest
in photography in me.
David Ward, Merseyside
Have you ever taken a city break

to Europe or further aeld for the
express purpose of photography?
LETTER OF THE WEEK
Bill Ward queries APs review of Phase One

XF (Inbox, AP 23 April) because most of us
cant afford it. But then, most of us cant
afford many cameras AP reviews. Most
people would be unable to buy a 1,000
camera until their kids have grown up, but
its still fascinating to know whats happening
in the photography world. I would love to
shoot landscapes with a Phase One,
particularly as it does not seem to need
lters for highlight/shadow retention. Please
go on bringing us details of the latest stuff.
Also, some people have written in recently
to criticise Roger Hicks. I love his pieces.
Sometimes I think the pictures he chooses
are naff, but they are always interesting. The
Bison grazing in geyser fumes, USA, by
Thomas Hoepker (AP 16 April) is one of the
very best photographs Ive ever seen in
A Yes, I frequently travel abroad to take photographs

B I have done so, but only on rare occasions
C No, but its something Id consider doing
D No, it would be too expensive
E No, I have all the inspiration I need here in the UK
24%
22%
29%
9%
16%
What you said

I travel abroad for the sole purpose of photography,
especially to Europe. Im single, so its pretty easy to
do with no distractions
I rarely go anywhere without a camera, so any trip
that involves an overnight stay will be partly for
photographic reason.
Weve taken several city breaks in Europe, and
photography has been an important part for me and
a drag on the sightseeing for my wife but even
alone I wouldnt take a city break if I werent keen to
see the city, or had some reason other than
photography to go
When I lived in Kent popping over to France for a long
weekend was always an easy option. However, I never
went to cities
This week we ask

with quality issues in recent
years and, worse still, is
reluctant to the point of
litigation to come clean on
some (the class action in the
USA on black grease spots in
the D600 comes to mind).
Indeed, I have great difculty
ghting a lone action (in the
UK) with my D600 on this
matter and appealed to the
CEO of the selling company
quoting its customer service
policy, and then was
successful. In the past three
years I have also had to send
back a new Nikkor 300mm
f/4 and a Nikkor 200500mm lens. My earlier
Nikkor 200-500mm does
not have the issues reported.
Quality control is clearly
taking second place at Nikon.
Since I have been using Nikons
for 41 years, I am rather
despondent over this and want
Nikon to continue to innovate
and prosper as I have invested
in the companys gear. If I
were to reinvest or advise
What is your most prized and

valued accessory?
Vote online www.amateurphotographer.co.uk
Tweet of
the week
Verity Milligan @Vemsteroo
This shot exudes compositional simplicity

and rich colours. The foreground, middle and
background function together perfectly.
Follow @AP_Magazine on Twitter to keep up

to date with all the news, reviews and more
19
INBOX
Contact
new photographers,
though, I would be
reluctant to recommend
Nikon. My intention is to
maintain a good choice for all
photographers when buying
gear. None of us would benet
from losing Nikon.
Ian Douglas, Devon
We are sorry to hear of

the issues Mr Douglas has
experienced with his Nikon
products; please pass on
our sincerest apologies for
the inconvenience this has
caused him. Rest assured
that all our factories adhere
to the same quality-control
measures, and we aim to
minimise potential faults
where possible. If a possible
risk to a product is
Subscriptions
Enquires and orders email help@magazinesdirect.com

Alternatively, telephone 0330 333 1113 overseas +44 330
1113 (lines open Mon-Fri GMT 8.30am-5.30pm excluding
bank holidays)
One year (51 issues) UK 150.55; Europe e259;
USA $338.99; Rest of World 221.99
Test Reports
MIKE SMITH
I agree that when

companies have quality
issues with new products,
however difcult they may
have been to discover
during pre-production
testing, the right thing to do
is acknowledge it quickly
and introduce procedures
to x the problem. Some
companies historically seem
to be better than others at
this, but Im sure all of them
will have to become more
open and responsive or risk
losing their customers
condence Andy
Westlake, technical editor
Amateur Photographer, Time Inc (UK) Ltd, Pinehurst 2,

Pinehurst Road, Farnborough, Hampshire GU14 7BF
Telephone 01252 555 386
Email amateurphotographer@timeinc.com
Picture returns: telephone 01252 555 378
Email appicturedesk@timeinc.com
Contact OTC for copies of AP test reports. Tel: 01707 273 773
Advertising
Email paul.ward@timeinc.com
Inserts
Call Mona Amarasakera, Canopy Media, on 0203 148 3710
Mike Smiths landscape made the final cut at the EGU competition
identied, we ensure that

we notify our customers of
this on our website and
contact all registered users
to offer free checks as a
precaution. Its unfortunate
to hear of the difculties Mr
Douglas has faced with his
gear. We would like to thank
him for the support he has
shown Nikon over the years
and hope he will continue to
value the brand despite the
challenges he has faced.
Although we are not
familiar with Mr Douglass
case, we would be happy to
investigate it further should
he wish to contact us
Nikon UK
Dramatic photos
It was a pleasure to see some
stylish submissions to the
European Geosciences Union
(EGU) annual photo
competition in Vienna, Austria,

and to see UK photographer
Mike Smiths picture [above]
making the nal cut with a
dramatic mono landscape. Its
well worth taking a look at the
gallery at imaggeo.egu.eu/
photo-contest/2016.
Sue Newton, Bedfordshire
Editorial team
Group Editor
Group Editors PA
Deputy Editor
Technical Editor
Deputy Technical Editor
Features & Technique Editor
Senior Features Writer
News Editor
Production Editor
Chief Sub Editor
Art Editor
Studio Manager
Picture Researcher
Online Manager
Digital Production Editor
Video Production
Photo-Science Consultant
Senior contributor
At AP, we hope that the

photos in competitions
inspire you to get out of
your chair, grab your
camera and nd images
waiting to be photographed.
This is certainly the case
with the EGU competition.
The image by Mike (who has
contributed to AP) is
dramatic and shows how
black & white can easily
hold its own against colour
when dealing with dramatic
landscapes Oliver Atwell,
senior features writer
Special thanks to The moderators of the AP website Andrew

Robertson, lisadb, Nick Roberts, The Fat Controller
Advertising
Head of Market
Head of Market
Account Manager
Media Advisor
Media Advisor
Production Coordinator
Marketing
Marketing Manager
Publishing team
In next weeks issue On sale Tuesday 31 May
Anita Nicholson explains how wild

camping presents superb and varied
photographic opportunities
Michael Topham eld

tests Fujilms XF
100-400mm f/4.5-5.6 R
LM OIS WR telephoto
zoom at the home of
British motorsport
Leica S
(Typ 007)
We put Leicas 13,000,
37.5MP, ProFormat
camera with 4K video
through its paces
ANITA NICHOLSON
APOY Round 4
20
Win a Sigma lens worth

almost 1,200 in our
Wildlife round
CONTENT FOR NEXT WEEKS ISSUE MAY BE SUBJECT TO CHANGE
On the
wild side
Fujinon XF
100-400mm
Nigel Atherton
Christine Lay
Richard Sibley
Andy Westlake
Michael Topham
Phil Hall
Oliver Atwell
Chris Cheesman
Lesley Upton
Jolene Menezes
Sarah Foster
Andrew Sydenham
Rosie Barratt
Karen Sheard
Jacky Porter
John Layton
Professor Robert Newman
Roger Hicks
Chief Executive Ofcer

Managing Director
Publishing Director
Group Magazines Editor
Paul Ward
Justeen Jones
Liz Reid
Lucy Willans
Tommy Sullivan
Dave Smithers
01252 555 342

01622 861 148
01252 555 354
01252 555 348
01252 555 344
0203 148 2674
Samantha Blakey 01252 555132

Marcus Rich
Oswin Grady
Simon Owen
Garry Coward-Williams
Printed in the UK by Polestar Group

Distributed by Marketforce, 5 Churchill Place, London E14.
Telephone 0203 787 9001
All contributions to Amateur Photographer must be original, not copies or duplicated to other
publications. The editor reserves the right to shorten or modify any letter or material submitted.
Time Inc. (UK) or its associated companies reserves the right to re-use any submission sent to the
letters column of Amateur Photographer magazine, in any format or medium, WHETHER PRINTED,
ELECTRONIC OR OTHERWISE Amateur Photographer is a registered trademark of Time Inc. (UK)
Time Inc. (UK) 2016 Amateur Photographer (incorporating Photo Technique & Camera Weekly)
Email: amateurphotographer@timeinc.com Website: www.amateurphotographer.co.uk Time Inc.
switchboard tel: 0203 148 5000 Amateur Photographer is published weekly (51 issues per year) on
the Tuesday preceding the cover date by Time Inc. (UK), Blue Fin Building, 110 Southwark Street,
London SE1 0SU. Distributed by Marketforce (UK) Ltd, 5 Churchill Place, London E14.
ISSN 0002-6840. No part of this publication may be reproduced, stored in a retrieval or transmitted
in any format or medium, whether printed, electronic or otherwise, without the prior written
permission of the publisher or the editor. This is considered a breach of copyright and action will
be taken where this occurs. This magazine must not be lent, sold, hired or otherwise disposed
of in a mutilated condition or in any authorised cover by way, or by trade, or annexed to any
publication or advertising matter without rst obtaining written permission from the publisher.
Time Inc. (UK) Ltd does not accept responsibility for loss or damage to unsolicited photographs
and manuscripts, and product samples. Time Inc. (UK) reserves the right to use any submissions
sent to Amateur Photographer Magazine in any format or medium, including electronic. One-year
subscription (51 issues) 150.55 (UK), e259 (Europe), $338.99 (USA), 221.99 (rest of world). The
2015 US annual DEU subscription price is $338.99, airfreight and mailing in the USA by named Air
Business Ltd, c/o Worldnet Shipping Inc, 156-15, 146th Avenue, 2nd oor, Jamaica, NY 11434, USA.
Periodicals postage paid at Jamaica NY 11431. US Postmaster: Send address changes to Amateur
Photographer, Air Business Ltd, c/o Worldnet Shipping Inc, 156-15, 146th Avenue, 2nd oor,
Jamaica, NY 11434, USA. Subscriptions records are maintained at Time Inc. (UK), Blue Fin Building,
110 Southwark Street, London, SE1 0SU. Air Business Ltd is acting as our mailing agent.
ACCESSORIES
In the
bag
Accessories can help

make your photographic life easier.
We asked 16 photographers to reveal
the gadgets they cant live without
ELLIOTT NEEP
STU MEECH
Using a Little
Stopper can help
you achieve scenes
such as this
Matthew
Toynbee
www.matthewtoynbee.net
Coloured filters
Stu Meech
www.stumeech.co.uk
Lee Little Stopper
ALL PRICES ARE APPROXIMATE STREET PRICES
99.99 www.leelters.com
THIS SHOT (above) was taken at

the easternmost point of Poole
Bay in Dorset. Its a great location
for rough waves, but on this
morning I wanted to atten the
sea to make the groyne the
prominent feature. To do this,
I would have to use my Lee Filters
Little Stopper, as well as a Lee 0.6
ND hard grad to hold back the sky.
At 6 stops, the Little Stopper is
perfect for use at sunrise or
sunset, where using a Big Stopper
(which reduces exposures by 10
stops) and the lower light levels
would lead to long exposure times.
Once Id composed and taken
22
a test shot, my camera was giving

me an exposure reading of 2secs.
While this was long enough to give
a little motion to the sea, it wasnt
sufcient to render the sea at
and reveal the wet concrete path
up the middle of the groyne. This
is the major reason I chose to use
a long exposure, as I knew the wet
concrete of the groyne would
reect the colours of the sunrise.
The Little Stopper gave me an
exposure of 2mins. Not only did
this atten the sea, but it also
gave me the added bonus of
dragging the colour in the clouds
across the sky.
Prices vary www.hoyalter.com
ALTHOUGH coloured lters are

associated with lm photography,
they are also a useful tool for
managing the contrast of black &
white digital photographs. While
their effects can be applied in
post-production, using lters
saves time and means you can
avoid applying extreme contrast
and colour adjustments to the
JPEG or raw le. Shoot in black
& white mode on a DSLR with a
coloured lter and your camera
will display the black & white
JPEG on the preview screen.
Summer is a tricky season and
a lot of photographers avoid the
times of the day when the sun is
brightest, choosing instead to
shoot during the golden hour.
However, even when the sun
is overhead you can create
successful
photographs
when shooting
black & white by
using a red lter. This turns skies
dark grey or black, and boosts
the contrast between cloud and
sky. Also, the yellow/orange tones
of beaches will be represented as
light grey or white.
Ive used an image shot on lm
(right), but the same principles
apply if youre shooting a similar
scene with a DSLR. This picture
was shot on a summer day in July
in Wimereux, France, using a
Pentacon Six TL and Fujilm
Neopan Acros 100 B&W lm.
I decided to use the red lter
because the conditions were
very bright and the sky was a
medium blue.
accessories
The right
accessories and a
little patience can
lead to captivating
bird photography
Elliott
Neep
www.elliottneep.com
Neville
plate
l
l
matthew toynbee
A red filter can

help to bring out
the contrasting
tones of a scene
60
neilneville
photography.com
Over the past two years Ive

been working on a new wildlife
photography hide set-up
(ProHides) on the North Wessex
Downs. Ive built a timber hide for
little owls and needed something
for my gimbal head to bolt to and
stand on the shelf.
I tried Manfrotto Super Clamps,
but they were too cumbersome
to move from side to side when
I needed to change angles. And
beanbags are just awkward when
you want to rotate from vertical
to horizontal. Plus, when
photographing any bird with such
sharp eyes, lens movement needs
to be kept to an absolute minimum.
At an open-day event, a guest put
me in touch with Neil Neville and
his lens plates - machined from
solid metal with a 3/8in thread
for a trip head. It was perfect, with
a felt pad on the underside so it
can be moved with ease.
I now have these plates
permanently in the hides, so that
I (or anybody else for that matter)
can turn up with just a camera and
tripod head and photograph the
little owls, or badgers, or whatever
else we have going on. This image
(top left) was a favourite from a
sequence with the two fledgling
little owls standing side by side
on the window of a rusty old
shepherd hut at ProHides. It was
late evening and the glow of the
setting sun was highlighting the
owls from behind. It was a great
session, all photographed with
my Nikon D800 plus Nikkor
600mm f/4 vr lens, bolted to a
Jobu gimbal and the Neville plate.
23
ACCESSORIES
BRIAN HARRIS
Kate Hopewell-Smith
www.katehopewellsmith.com
Nikon Speedlight SB-910
MANY people love images shot contre-jour

(into the light) because they give a wonderful
sense of summer and help to place the
emphasis on your subject. Its usually
necessary to add light using a reector or
ash to reduce the dynamic range between
the highlight from the sun and the skin tone,
which is in shadow. As I work alone on portrait
shoots, I nd a Speedlight easier to operate
and I wouldnt go on a location shoot without
one. Once you understand how to use them
subtly, they are indispensable.
Brian Harris
www.brianharris
photographer.co.uk
Gitzo Reporter
Tripod
Using flash can help

to capture those
precious moments
in your portrait
photography
KATE HOPEWELL-SMITH
Prices of newer models vary

www.gitzo.co.uk
MY TRUSTY Gitzo Reporter Tripod and its

Gitzo Gilux R.No.1 three-way pan-and-tilt
head are of mid-1970s vintage. The tripod
has been with me on all my travels, rolling
around in the boot of my car, and with the
head off it can t into a decent-sized
suitcase for travel by plane. Its been in
the sea, up mountains, mounted on the
roof of many hire cars and has attended
dozens of political conferences both at
home and overseas.
Its a simple design and comes apart easily,
which is useful for removing sand and dirt
from the leg mechanism. The legs undo with
a single-handed twist, which is ideal when
you are supporting a camera and tripod at
the same time. Its light enough to carry,
which is the most important thing you can
say about any tripod.
Of course, there are newer, lighter, maybe
even better-designed tripods out there
nowadays, but my Gitzo has been my
supporting friend for the best part of
40 years and Id like to say its
never let me down. However,
last year, for no reason, the
pan-and-tilt arm snapped
off inside the cast-metal
head. I had to replace it
quickly. I opted for another
make that was affordable.
Within weeks, the head
camera-release
mechanism snapped,
so I had to buy
another head.
However, it just
wasnt quite
the same as
my Gitzo.
24
It is important to understand how ash

works at higher shutter speeds, in what we call
high-speed sync mode. Your ashgun
becomes a continuous light source, pulsing
light across the entire exposure rather than
emitting one burst of light when the sensor
is fully exposed at shutter speeds below
1/250sec. I always use my Speedlight
on-camera in TTL mode, but ensure that
I am only using the balanced ll setting
(BL FP), and even then its at about -2 ash
exposure compensation.
Phil Hall
AP technique and features editor
www.philhallphotos.com
Clamp/Pump Cup
Super Clamp 40.95, Pump Cup 74.95

www.manfrotto.co.uk
I LOVE photographing cars, and while its

great fun to shoot panning and static shots
I wanted to push my photography a bit
further so I started to look at how
professionals managed to get their shots.
I wanted to capture images of cars in
close-up as they hurtled along the road.
While some images are captured car-tocar, a lot of these shots are actually
triggered remotely, with the camera
attached to the car, and this is where
Manfrottos Super Clamp and Pump Cup
come in useful. Two Pumps are rmly

attached to the car and its important to
attach them rmly when youre dangling a
Nikon D810 and lens from them with two
Super Clamps then attaching to the Pump
Cups via the joining stud. This allows you to
slide a telescopic arm between them, to
which you can then attach the camera via
a variable friction arm. Theres a bit of
ex from the arm, but with the car only
travelling under 10mph and a long shutter
speed, its possible to get some great shots.
PHIL HALL
Prices of newer models vary www.europe-nikon.com
Extension tubes can help

you get closer to the
hidden worlds around
you including those
of the zebra spider
ALEX MUSTARD
PAUL HOBSON
ACCESSORIES
Paul
Hobson
Alex
Mustard
www.paulhobson.co.uk
www.amustard.com
Extension tube
Noodilab Moby
192 www.kenkoglobal.com
ZEBRA spiders are the ultimate mini

monsters of our garden walls. Only
6-8mm long, they have real character,
but are a challenge to photograph well.
The problem is their tininess. Even with
a 180mm macro lens at its minimum
focal distance, the spider is a dot in
the frame. This is when I turn to my
old and trusted friend, the extension
tube. Its a brilliant bit of kit.
Extension tubes are sold in groups of
three, each with a different width. The
tube ts between the camera and lens,
so it focuses at a shorter distance. This
means I can get the lens closer to the
spider so it is bigger in the frame.
However, there are a couple of
drawbacks. Focusing has to be precise,
so I always use my tripod as I tend to set
quite small apertures (macro lenses have

a very shallow depth of eld). I have also
found that extension tubes can cause
vignetting, so I either experiment with
the aperture to reduce this, or crop in
more tightly when I process the images.
Once Im set up, I train my camera and
lens on my garden wall and wait. Ive
found that chasing a 6mm spider around
with a huge camera and lens doesnt
work the spider sees it coming from
a mile off! So my approach is to get a
good soft background and wait until the
spider walks into my focus zone. When
those stunning eyes stare back at you,
you really appreciate what an impressive
beast the zebra spider is, and what a
brilliant and simple accessory the
extension tube is.
Phil used a Super

Clamp and Pump Cup
(Photoshopped out) to
capture this image
email info@noodilab.com for prices
ANIMAL life in the ocean is

far more diverse than life
on land, which is no great
surprise because it has had
a good billion years longer
to evolve there. And
biodiversity goes up as the
size of the creatures goes
down. The slower you go
and the closer you look, the
more amazing subjects you
will see. It means that
underwater photographers like me
are on an endless quest to see ever-tinier subjects.
A new underwater accessory lens from Noodilab,
designed and built in Malaysia with the highest-quality
optical glass, is my current beau. It is fully waterproof, so
I can take it on and off underwater, and it ts on the front
of my standard macro lens, taking me way beyond 1:1
and up to 3.6x magnication, while maintaining excellent
optical quality. Working at such magnications is not
easy, especially when you are underwater and dealing
with subjects that are never still because of the motion
in the ocean. But with a bit of practice, you can produce
images in situ that border on microscopy.
As its a removable lens, I tend to carry it in my pocket
while I search for subjects, only attaching it when I nd
something suitable. The photo I have selected (top right)
shows the colour detail of a tiny sea slug, which is a
couple of centimetres long. This is already a small macro
subject, but this image shows a detail of the cerata on its
back. These are amazing structures, because they are
lled with the stinging cells of the sea slugs food. This
slug eats stinging hydroids, then reuses their stings for
its protection, concentrating them in these colourful
cerata on its back.
I started off by photographing the whole sea slug, but
then spotted a speck on the cerata. I attached the Moby
lens to see what it was, and was amazed to nd a tiny
amphipod hitching a ride. This minute beast is only about
half a millimetre in size. Any accessory that allows me to
produce images that I could not before quickly becomes
a favourite. The Moby lens has done that for me.
25
ACCESSORIES
Robert
Canis
www.robertcanis.com
NIGEL ATHERTON
Beanbag
The Domke F2 is great for street

shooting, like this Tokyo candid
Nigel
Atherton
AP Editor
Domke F2
Rugged Wear
Shooters Bag
THE DOMKE F2 Shooters Bag

has had a cult following since
US photojournalist Jim Domke
created it in 1976 as an antidote
to the bulky, padded models that
still proliferate today. Padding aids
protection, but makes bags
heavier, stiffer and reduces their
capacity. Domkes F2, by contrast,
is made from soft, light, malleable
canvas that moulds nicely to your
body and weighs just 1.4kg.
Styling is a matter of taste, but I
love the look of the Rugged Wear
version: its brown cotton canvas,
impregnated with wax for a
distressed, weathered look, is the
polar opposite of the modern
urban brands with their snazzy
hi-tech materials.
Domke sells a variety of Rugged
Wear bags, but the original F2
offers the perfect capacity for a kit
of one to two bodies and three to
ve prime lenses (or a pair of big,
fast zooms). Its pretty basic it
has just four pockets but its
simplicity and quick access make
it ideal for street shooters and
photojournalists. There may be
more feature-packed bags, but to
my eye only Billingham can get
near it in the style department.
ROBERT CANIS
199
www.tiffen.com
THE BEANBAG has so much going for it and it has several

advantages over using a tripod. The rst is the low angle. Without
a beanbag, you are restricted to the tripods minimum height,
which even with the legs fully splayed is still a good 4-6in
[10-15cm] above the ground. This may not seem like an awful lot,
but it can make a huge difference to the impact of your images.
Second, theres the mobility. When stalking wildlife otters, for
example over uneven terrain where keeping a low prole is
paramount, beanbags are far easier to manoeuvre.
Next, we have stability. Beanbags create a stable platform
whereby both the camera and (part of) the lens rest along the
length of the beanbag. With this set-up, you can condently
shoot at slow shutter speeds and not be concerned
with vibration.
Last, the beanbag means you can use your car as a mobile
hide. Most wildlife will allow you to approach much more closely
when you are inside a vehicle as opposed to being on foot. For
this reason, cars are a great way of getting near to subjects such
as hares, grouse and deer. Big
telephoto lenses of 400mm to
600mm are often required if you
are to obtain a reasonable-sized
image. They are big and heavy, and
although it is possible to handhold
one for a short period, you certainly
wouldnt want to do so for very long,
and this is where the double
beanbag comes into its own. Rice
makes a good lling, and when its
placed over the sill of the window it
Even a seemingly innocuous accessory such as
makes a very stable platform indeed. a beanbag can help to take good photographs
JUSTIN MINNS
42.52
www.wildlifewatching supplies.co.uk
Using a backpack means youre able to get easy access to your kit and, most importantly, keep it nice and dry
26
ANDY WESTLAKE
You may be
tempted to
leave your
lens hood at
home. Maybe
think again
Andy Westlake
AP technical editor
Lens hoods
Justin Minns
www.justinminns.co.uk
Lowepro Flipside Sport
148 www.lowepro.co.uk
I HAVE always had a lovehate

relationship with backpacks. In the past,
I have been tempted by the
plentiful pockets and ample
storage, only to be frustrated
by the difculty of actually
carrying the loaded pack
or accessing the pockets.
Simplifying things was
the solution. I dont
need to carry every
bit of gear I own, so
I chose a small and
light Lowepro Flipside
Sport backpack, which
has room for a DSLR,
three or four lenses, my
lters, and items such
as cards and batteries.
Access is from the back, so if you have

to put it down on a wet oor, its easy
enough to slip on the built-in rain cover.
In the Norfolk countryside, these tulip
elds (left) are a stunning sight, and after
heavy rain can be more than a little wet.
The lanes between the rows of owers
can be a quagmire of puddles and
squelchy mud not the sort of place
you would want to put down a backpack,
rain cover or not. This is why I love the
Flipside with the waist belt on, its
possible to slip the straps off your
shoulders and spin the bag round
so its in front of you. The bag is held
out in front of you by the waist strap,
allowing you to open it and quickly
change a lens before slipping it round
onto your back again.
10-40 See manufacturer websites
I USE a wide array of accessories, from tripods, bags

and lters to remote releases, so its not easy to pick
out a favourite. However, theres one accessory I use
religiously all the time: the humble lens hood.
When I started in photography, I was repeatedly told to
use UV or skylight lters on all my lenses to protect the
front elements against dirt and scratches. For years, I did
exactly that, but have now changed my mind completely.
These days, I only use lens hoods instead.
Why? Well, on a more critical assessment, I realised
that those protective lters werent really doing much
good. Theyre prone to causing image degradation from
are and ghosting effects, without obviously providing
much practical protection. This is particularly true given
how tough and easy to clean modern lens coatings are.
It may surprise you to hear that hoods, on the other
hand, have a great number of benets. They shield the
front element against impact during shooting, and can
also protect the barrel when reversed for storage.
Hoods should never have a negative effect on image
quality, while often having a positive impact in preventing
are from light shining obliquely onto the front element.
This is never the pretty, image-enhancing type of are,
by the way all it does is reduce image contrast and
degrade detail. Ironically, when a hood is working best,
its unlikely youll notice what its done. So my advice is
simple ditch those lters, and use
hoods instead. You wont regret it.
27
accessories
martin evening
Use a super-high
camera stand to
capture your
subject from a
raised angle
Martin
Evening
Manfrotto Super
High Camera Stand
all prices are approximate street prices
Stuart used a light

meter to ensure he
achieved just the
right exposure
653.95 l www.manfrotto.co.uk
While drone-mounted cameras

may be all the rage these days,
the Manfrotto Super high Camera
Stand, with its maximum height
of 7.3m, provides photographers
with an alternative way of
capturing aerial shots. however,
with a closed height of 1.65m
[2.8in] and weighing 11kg, it isnt
exactly something youd take on
photo trek. i purchased mine
mainly to document the demolition
and rebuild of our house. i wanted
martin evening
Martins Super High stand in action

as it helps to photograph his house
28
stuart freedman
www.martinevening.com
to be able to position a camera

high up and keep it steady enough
to shoot time-lapse sequences,
and the Super high Camera Stand
seemed ideal for this purpose.
Before extending the tripod,
you must adjust the legs and use
the attached spirit level to check
that the stand is level. ideally, you
need a remote control such as
a CamRanger linked to a
Wi-Fi-enabled device running the
CamRanger. When the tripod is
fully extended, it can be alarming
to see the camera sway from side
to side, but despite this, i have
found it possible to get acceptably
sharp photographs when shooting
at a shutter speed of 1/250sec
with a wideangle lens. For
optimum sharpness, the camera
stand comes with guide ropes and
tent pegs to anchor it (see left). i
did this when shooting the
time-lapse sequences and the
results were perfectly stable.
it should go without saying that
you still need to exercise common
sense when shooting with this
stand. if the base isnt levelled
properly, theres a real risk of it
toppling over and damaging
something (or someone) and,
as with drone photography, you
have to consider peoples privacy
when photographing from high
up. Above is a favourite photo of
mine, which was taken at the
Stone Circle at Willen lake Park in
Milton Keynes, Buckinghamshire.
Stuart Freedman
www.stuartfreedman.com
Sekonic L-308S
l
130 l www.sekonic.com
i uSed to shoot
transparency film,
so correct exposure
was crucial a
third of a stop out
and youd lose
shadow detail.
Crucially, you also
risked blowing
unrecoverable
highlights if you
went too far the
other way. even
though i shoot
digitally, i still use a
meter. its partly out of habit,
but also because i like being in
control of how i handle the light.
A meter allows you not only to
determine the overall exposure
value, which can be fine-tuned
by instinct or precise control
in-camera, but also to measure
the quality of the light and gauge
its intensity. Moreover, it allows
me to work out the ratios of
highlight to shadow. This
becomes all the more crucial
when you use studio lights;
instead of simply guessing what
the results will look like, you can
accurately sculpt their

effect. ive always
used the most basic
Sekonic meter for
both ambient and
strobe lighting.
Currently, i have
an l-308S and
its the cheapest
in the range.
The image
above was shot
on the streets
of Tegucigalpa in
honduras. it was
late afternoon, which meant long
shadows and warm, soft light.
i was working on a leica
rangefinder and, exposing for the
highlights, i took a reading on the
meter (around f/11-f/16). i knew
that anything in that kind of light
would be sharp at that aperture
so, with a bit of pre-focusing, i
started to walk with the sun at my
back. A woman had left a market
stall and was using a bowl as a
shield against the sun. it was just a
matter of waiting until she passed
and framing an interesting (almost
abstract) composition.
MICHAEL TOPHAM
ACCESSORIES
Michael Topham
AP deputy technical editor
www.michaeltopham.co.uk
HoldFast Money Maker
Kevin Mullins
www.kevinmullinsphotography.co.uk
Spider Holster
104.99 www.spiderholster.com
I AM A professional wedding photographer and shoot only in a

documentary style. This means that I like to be as discreet as possible.
To this end, I decided in 2011 to move to the Fujilm mirrorless system.
The rst camera bought was the Fujilm FinePix X100, and Ive had
every iteration of it since, from the X100S to the current X100T.
I holster the X100T on my hip in a Spider Holster. Its lightweight and
easy to operate. My X100T sits there all day, and I dont think about it
until I need it. I also use two larger cameras,
but when I want to be quick and very
quiet, I use my X100T.
The image below portrays
a tender moment between
a bride and her aunt. I doubt
I would have got this image
with my larger cameras the
A Spider
moment would have gone so using
Holster
means
the holster really did help me capture
quick-draw
one of my favourite images of 2015.
photography
KEVIN MULLINS
$260 (about 180) www.holdfastgear.com
IM A SUCKER for camera accessories and often trawl the web

looking for gadgets or gizmos that might speed up my workow or
make my photography easier. Last year, I stumbled across the
American manufacturer HoldFast, and it didnt take long to grasp that
what they were selling were not your average, run-of-the-mill
accessories, but specialist, high-grade straps and harnesses made
from quality leather with metal buckles and ttings. I ended up
ordering the HoldFast Money Maker a double-camera harness
designed to distribute weight equally across both shoulders. It
seemed to be the perfect solution for carrying a pair of heavy DSLRs
when shooting weddings. The water buffalo tan leather nish I opted
for looks smart but stylish at the same time.
HoldFast screws are attached via the
tripod thread on your camera before
The Money Maker
theyre secured either side via
gives you easy
extremely robust metal clips the
access to dual
same kind of clip used to secure sails
cameras
to boats. The clips are designed to
allow cameras to move freely up and
down the harness, letting you pull the
camera up to your eye. For peace
of mind, each clip has a strong
nylon safety catch that
attaches to the left-side lug
of each camera, and having
used it at a number of
weddings it has quickly
become my favourite
accessory I wouldnt
ever want to leave
home without it.
There are many
alternatives out
there, but if you want
a fail-safe harness
thats built to last and
looks the part, the Hold
Fast Money Maker is
money well spent.
29
The House of Nikon

Nikon D5
Nikon Digital Cameras

Nikon D5 DSLR body..................................................... 5,199.00
Nikon D810A (Astrophotography) DSLR body............... 2,699.00
Nikon D810 DSLR body................................................. 2,145.00
Nikon D810 + MB-D12 Grip Kit...................................... 2,425.00
Nikon D810 + AF-S 14-24mm f/2.8G ED Nikkor............ 3,445.00
Nikon D810 + AF-S 24-70mm f/2.8G ED Nikkor............ 3,335.00
Nikon D810 + AF-S 14-24mm f/2.8G & AF-S 24-70mm f/2.8G ED
Nikkor Kit........................................................................ 4,625.00
Nikon MB-D12 Grip for D810.........................................
285.00
Nikon D750 DSLR body................................................. 1,385.00
Nikon D750 + MB-D16 grip Kit...................................... 1,595.00
Nikon D750 + AF-S 24-85mm f/3.5-4.5G ED VR Kit...... 1,719.00
Nikon D750 + AF-S 24-120mm f/4G ED VR Kit............. 1,939.00
Nikon D610 DSLR body.................................................
999.00
Nikon D610 + MB-D14 Grip Kit...................................... 1,179.00
Nikon D610 + AF-S 24-85mm f/3.5-4.5G ED VR Nikkor 1,360.00
MB-D14 Grip for D610...................................................
195.00
Nikon D500 DSLR body................................................. 1,729.00
Nikon D500 + 16-80mm f/2.8-4E ED............................. 2,479.00
Nikon MB-D17 grip for D500..........................................
429.00
Nikon D7200 DSLR body...............................................
739.00
Nikon D7200 + 18-105mm f/3.5-5.6G VR DX IF-ED Kit
889.00
Nikon D7200 + MB-D15 Grip Kit....................................
955.00
Nikon D7100 DSLR body...............................................
589.00
Nikon D7100 + MB-D15 Grip Kit....................................
790.00
Nikon D7100 + 18-105mm f/3.5-5.6G VR DX IF-ED Kit
775.00
Nikon D7100 + 18-140mm f/3.5-5.6G VR DX ED Kit..... 1,095.00
Nikon D5500 body only..................................................
499.00
Nikon D5500 + AF-P 18-55mm f/3.5-5.6G VR DX Kit....
559.00
Nikon D5500 18-140mm f/3.5-5.6G VR DX Kit..............
735.00
Nikon D5300 DSLR body...............................................
379.00
449.00
Nikon D5300 + AF-S 18-140mm f/3.5-5.6G VR DX Kit..
599.00
Nikon D5200 DSLR body...............................................
299.00
Nikon D5200 + AF-S 18-55mm f/3.5-5.6G VRII DX Kit..
369.00
Nikon D3300 DSLR body...............................................
229.00
299.00
Nikon Df + AF-S 50mm f/1.8G Special Edition.............. 1,895.00
Nikon Df DSLR body, chrome or black nish................. 1,775.00
Nikon Df + AF-S 50mm f/1.8G SPECIAL GOLD Edition 5,000.00
Nikon 1System
0% or Low
Interest
Finance
Nikon 1 V3 10-30mm + Grip Kit.....................................

Nikon 1 S1 11-27.5mm Kit.............................................
Nikon 1 S1 11-27.5mm + 30-110mm Kit........................
Nikon 1 AW1 + 11-27.5mm f/3.5-5.6..............................
Nikon 1 AW1 + 11-27.5mm f/3.5-5.6 + 10mm f/2.8........
Nikon 1 J5 + 10-30mm PD Zoom lens, black................
Nikkor VR 6.7-13mm f/3.5-5.6........................................
Nikkor VR 11-27.5mm f/3.5-5.6......................................
Nikkor VR 10-30mm f/3.5-5.6 PD-Zoom........................
Nikkor VR 30-110mm f/3.8-5.6.......................................
1 Nikkor VR 70-300mm f/4.5-5.6...................................
1 Nikkor AW 10mm f/2.8................................................
1 Nikkor 10mm f/2.8.......................................................
1 Nikkor 18.5mm f/1.8....................................................
1 Nikkor 32mm f/1.2.......................................................
1 Nikkor VR 10-100mm f/4.5-5.6 PD-Zoom...................
Nikon SB-N7 Speedlight................................................
Nikon GP-N100 GPS Unit..............................................
Mount adapter FT1........................................................
725.00
475.00
595.00
499.00
619.00
375.00
345.00
139.00
199.00
165.00
689.00
229.00
159.00
129.00
549.00
469.00
129.00
99.00
199.00
Nikon Coolpix
Coo
Nikon Coolpix A.............................................................
Nikon 1 J5 + 10-30mm PD Zoom Lens Black.............
849.00
375.00
AF-S & AF DX Nikkor Lenses

10.5mm f/2.8G AF DX ED Fisheye................................
495.00
145.00
AF-S 35mm f/1.8G DX...................................................
619.00
AF-S 10-24mm f/3.5-4.5G IF-ED DX.............................
AF-S 12-24mm f/4G IF-ED DX......................................
839.00
AF-S 16-80mm f/2.8-4E ED VR DX...............................
755.00
AF-S 16-85mm f/3.5-5.6G ED VR DX...........................
465.00
AF-S 17-55mm f/2.8G DX IF-ED................................... 1,075.00
AF-P 18-55mm f/3.5-5.6G VR DX.................................
199.00
AF-P 18-55mm f/3.5-5.6G DX.......................................
149.00
AF-S 18-55mm f/3.5-5.6G VR ED DX...........................
125.00
AF-S 18-55mm f/3.5-5.6G VRII ED D...........................
149.00
AF-S 18-105mm f/3.5-5.6G VR DX IF-ED.....................
189.00
AF-S 18-140mm f/3.5-5.6G VR DX ED.........................
395.00
AF-S 18-200mm f/3.5-5.6G VR II DX IF-ED..................
525.00
AF-S 18-300mm f/3.5-5.6G ED VR DX.........................
699.00
AF-S 18-300mm f/3.5-6.3G ED VR DX.........................
495.00
AF-S 55-200mm f/4-5.6G DX ED VR II.........................
225.00
AF-S 55-300mm f/4.5-5.6G DX VR...............................
249.00
20mm f/2.8D AF.............................................................

24mm f/2.8D AF.............................................................
28mm f/2.8D AF.............................................................
35mm f/2D AF................................................................
50mm f/1.8D AF.............................................................
50mm f/1.4D AF.............................................................
105mm f/2D AF-DC.......................................................
135mm f/2D AF-DC.......................................................
180mm f2.8D AF IF-ED.................................................
449.00
335.00
219.00
239.00
99.00
225.00
765.00
975.00
635.00
AF-S FX Silent Wave Nikkor Lenses

AF-S 20mm f/1.8G ED..................................................
539.00
AF-S 24mm f/1.8G........................................................
579.00
AF-S 24mm f/1.4G ED.................................................. 1,475.00
AF-S 28mm f/1.8G........................................................
465.00
AF-S 35mm f/1.4G........................................................ 1,290.00
AF-S 35mm f/1.8G ED..................................................
369.00
AF-S 50mm f/1.4G IF....................................................
339.00
AF-S 50mm f/1.8G IF....................................................
159.00
AF-S 58mm f/1.4G........................................................ 1,199.00
AF-S 85mm f/1.8G........................................................
349.00
AF-S 85mm f/1.4G........................................................ 1,139.00
AF-S 14-24mm f/2.8G IF-ED......................................... 1,345.00
AF-S 16-35mm f/4G ED VR..........................................
839.00
AF-S 17-35mm f/2.8D IF-ED......................................... 1,295.00
AF-S 18-35mm f/3.5-4.5G.............................................
515.00
AF-S 24-70mm f/2.8G IF-ED......................................... 1,275.00
AF-S 24-70mm f/2.8E ED VR....................................... 1,725.00
AF-S 24-85mm f/3.5-4.5G ED VR.................................
365.00
AF-S 24-120mm f/4G ED VR II......................................
799.00
AF-S 28-300mm f/3.5-5.6G ED VR...............................
669.00
AF-S 70-200mm f/2.8G VR II IF-ED.............................. 1,669.00
AF-S 70-200mm f/4G VR IF-ED....................................
990.00
AF-S 70-300mm f/4.5-5.6G VR IF-ED...........................
419.00
AF-S 80-400mm f/4.5-5.6G VR II ED............................ 1,779.00
AF-S 200-400mm f/4G VRII IF-ED................................ 4,849.00
AF-S 200-500mm f/5.6E VR ED................................... 1,165.00
AF-S 200mm f/2G VR II IF-ED...................................... 4,049.00
AF-S 300mm f/4E PF ED VR II...................................... 1,390.00
AF-S 300mm f/2.8G VR II IF-ED................................... 3,989.00
AF-S 400mm f/2.8E VR FL ED...................................... 8,390.00
AF-S 500mm f/4E FL ED VR......................................... 7,890.00
AF-S 600mm f/4G VR IF-ED......................................... 6,495.00
AF-S 600mm f/4E FL ED VR......................................... 9,490.00
AF-S 800mm f/5.6E VR FL ED (inc. TC800-1.25E ED teleconverter)
....................................................................................... 12,425.00
TC-14E III 1.4x teleconverter.........................................
390.00
TC-17E II 1.7x teleconverter..........................................
299.00
TC-20E III 2x teleconverter............................................
329.00
AF & AF-S Micro-Nikkor Lenses

AF-S 40mm f/2.8G DX Micro........................................
60mm f/2.8D Micro........................................................
AF-S 60mm f/2.8G ED Micro........................................
AF-S 85mm f/3.5G VR DX IF-ED Micro........................
AF-S 105mm f/2.8G AF-S VR Micro IF-ED...................
200mm f/4D AF Micro IF-ED.........................................
199.00
359.00
419.00
359.00
629.00
1,169.00
Nikon Speedlights
SB-5000 Speedlight......................................................
SB-700 Speedlight........................................................
SB-500 Speedlight........................................................
SB-300 Speedlight........................................................
SB-R1C1 Close-Up Commander Kit.............................
SB-R1 Close-Up Remote Kit.........................................
SU-800 Wireless Speedlight Commander.....................
SB-R200 Wireless Remote Speedlight.........................
469.00
215.00
185.00
99.00
499.00
399.00
269.00
159.00
Manual Focus Nikkor AIS Lenses

20mm f/2.8 Nikkor.........................................................
24mm f/2.8 Nikkor.........................................................
28mm f/2.8 Nikkor.........................................................
35mm f/1.4 Nikkor.........................................................
45mm f/2.8P Nikkor, chrome.........................................
50mm f/1.4 Nikkor.........................................................
50mm f/1.2 Nikkor.........................................................
901.00
608.00
615.00
1,227.00
325.00
597.00
743.00
Zoom-Nikkor Manual AIS Lenses

28-85mm f/3.5-4.5 Zoom-Nikkor ..................................
599.00
Special Purpose: Perspective

Control & Micro-Nikkor Lenses
AF FX Nikkor Lenses
24mm f/3.5D PC-E ED Nikkor.......................................

28mm f/3.5 PC Nikkor...................................................
45mm f/2.8D ED PC-E Nikkor.......................................
55mm f/2.8 Micro-Nikkor...............................................
85mm f/2.8D ED PC-E Nikkor.......................................
105mm f/2.8 Micro-Nikkor.............................................
200mm f/4 Micro-Nikkor................................................
14mm f/2.8D AF ED....................................................... 1,189.00

16mm f/2.8D AF Fisheye...............................................
615.00
PC: Perspective Control. PC-E:Tilt/Shift-Perspective Control
Prices include 20% VAT. Prices Subject to Change. E.&O.E.
40 Churton Street, London SW1V 2LP, England Tel: 020-7828 4925 Fax: 020-7976 5783
info@graysofwestminster.co.uk Mon-Fri 10am - 5:30pm, Sat 10am - 1pm
1,375.00
1,195.00
1,345.00
541.00
1,199.00
1,047.00
895.00
TO ORDER TELEPHONE 020-7828 4925
Follow us on:
@NikonatGrays
Nikon
we have been expecting you...
New 20.9mp DX format sensor.

153 Autofocus point system with 99 cross-type AF sensors.
Up to 10 frames per second in Continuous High speed shooting mode.
200 NEF (RAW) le capacity buer allowing for never before possible continuous shooting capabilities.
A standard ISO range of 100 to 51,200, extendable up to 1,640,000 ISO equivalent.
Thanks to a brand new EXPEED 5 processor one can shoot at high ISOs with low noise.
A new 2359k-dot LCD touch screen which oers touch operation in review and Live View modes.
4K/UHD high denition D-Movies (3840x2160 pixels) can be recorded at 30p/25p/24p as well as 50p and 60p in (full HD)
1080p, and the camera oers clean HDMI output in all qualities.
Fitted with XQD and SDHC card slots as standard to handle the cameras 200 RAW le frame bursts.
Compatibility with Nikons new wireless Snapbridge technology
which allows for seamless viewing and sharing of photos to a smart
ORDER YOUR D500 TODAY
device, even while the camera is switched o.
020-7828 4925
Nikon D500 DSLR body 1,729.00 inc. VAT
Find us on Facebook: www.facebook.com/graysofwestminster
Visit our website: www.graysofwestminster.co.uk
THE UKS MOST PRESTIGIOUS COMPETITION FOR AMATEUR PHOTOGRAPHERS
In association with
OF THE YEAR
COMPETITION
CREATIVE WIDEANGLE
1 Zay Yar Lin Myanmar

50pts
Its early days in APOY 2016, but here

we present the top 30 images from
APOY round 2 Width of a Circle
ay Yar Lin from Yangon
in Myanmar is the winner
of round 2 Width of
a Circle (Creative
Wideangle) of APOY 2016. Zay
Yar Lin takes home a Sigma dp1
Quattro compact camera and Sigma
VF-31 optical viewnder worth a
total of 1,079.98.
Thanks to its optimised design
featuring a xed focal-length lens
and integrated body, the Sigma dp1
Quattro offers both sensor and lens
performance at the highest level.
The result is full-bodied image
quality that incorporates a newly
developed Foveon X3 direct image
sensor. This sensor is similar to
traditional colour lm in that its
multiple layers capture all the
information that visible light
transmits. Along with Sigmas
proprietary image-processing
technology, the sensor produces
incredible resolution, precise
gradation, gorgeous colour and
breathtaking realism with a 3D feel.
The Sigma dp1 Quattro
incorporates a 19mm f/2.8
(equivalent to a 28mm lens on a
1 st
35mm DSLR) high-performance

wideangle lens, which is optimised
for the Quattro sensor to maximise
the sensor performance, not only
around the focusing point but also
other areas in the image. The dp1
is able to process high volumes of
image data at a level similar to that
of a high-end DSLR, and the shape,
weight, layout and other camera
elements all come together in a
compact body to deliver outstanding
image quality.
In addition, the dp1 camera body
offers a balanced shape, layout and
weight distribution. Its complete
and robust specication allows the
photographer to concentrate fully
on photography itself and leverage
the cameras potential to produce
outstanding images.
Zay Yar Lin also wins a Sigma
VF-31 optical viewnder for the
dp1 Quattro that mounts on the
hotshoe. The viewnder offers a
framing guide for deciding the
composition without the colour
LCD monitor and accurate
framing unaffected by external
light conditions.
Nikon D750, 16-35mm, 1/320sec at f/11,

ISO 200
This was an especially strong

round, but here we had a clear
winner. Zay Yar Lin tells us: An
Intha sherman sets up his net
to sh as he paddles his boat
with a unique leg-rowing
technique in Myanmars Inle
Lake. The image was taken
from a high bamboo stage built
near the shing place in the
lake for photography purposes.
This shot shows an
extraordinary combination
of light, atmosphere and
beautifully exotic subject matter.
The 2016 leaderboard

In this second round of APOY 2016, Betrand Chombart has taken rst
place above James Marsh in second. Just six points behind is George
Digalakis in third place. In joint fourth we nd Zay Yar Lin, who won this
round of APOY, and Adrian Mills.
1
2
3
4
4
32
Bertrand Chombart
James Marsh
George Digalakis
Zay Yar Lin
Adrian Mills
68pts
61pts
55pts
50pts
50pts
6 Anthony Kim
6 Alf Bailey
8 Philip Moon
8 Naf Selmani
10 Tony Sellen
49pts
49pts
48pts
48pts
47pts
2nd
2 Anthony Kim
USA 49pts
The image (above) was taken from a high

bamboo stage and shows an extraordinary
combination of light, atmosphere and
beautifully exotic subject matter
3
Canon EOS 5D Mark III,

14mm, 1/5,000sec at f/3.5,
ISO 400
This is an absolutely
thrilling exercise in
action photography
that quite simply
works on every level.
It really could not
have been better
timed. The wash
of light in the
background is an
ideal accompaniment
to the impressive
display of the
subject. Even the
left-hand brush of
trees works.
3rd
3 Naf Selmani London 48pts
Nikon D7100, 10-20mm, 1/200sec at f/5.6, ISO 100
Here we see another example of perfectly timed action photography.

This particular image was taken at the Holi Festival of Colours in
London and captures one mans temporary reprieve from the
thronging crowds packed into Queen Elizabeth Olympic Park. To
have him smiling and looking at the camera is a real bonus in this
quite excellent shot.
33
4 Tony Sellen Essex
47pts
Nikon D600, 20mm, 1/100sec at f/8, ISO 3,200
Tony has captured a nicely lit and

atmospherically people-less shot of this
unusual metro station in Stockholm, Sweden.
5 Ana Caroline de Lima Brazil
46pts
Nikon D5100, 55-200mm, 1/250sec at f/8, ISO 125
Here we see another image of a sherman

in Myanmar. This time we see how a more
minimalist approach can be used to bring
out the atmosphere.
6 Anil Gozoglu Poland
45pts
Canon EOS 6D, 17-40mm, 1/250sec at f/6.3, ISO 200
Anils light-saturated monochrome image is a

beautiful capture of the Tczew bridge crossing
the Vistula River in Poland.
7 Fearghal Breathnach Ireland
44pts
Canon EOS 5D Mark III, 16-35mm, 1/5sec at f/16, ISO 50
The glassy water balances the composition

nicely in this image of the Skgafoss waterfall
in Iceland.
8 Adam Stephenson Hereford
43pts
Nikon D750, 14mm, 25secst at f/2.8, ISO 3,200
Adam has really captured the majesty and

beauty of our world, as well as the sweeping
galaxy that surrounds it.
9 Allan Novelli Cheshire
42pts
Fujifilm X-T1, 10-20mm, 10secs at f/9, ISO 200, tripod,

cable release
Allans image of Caernarfon Castle in North

Wales has used the subtle leading lines of the
boats to draw us into the background subject.
10 Tom Lowe Tyne & Wear
41pts
Canon EOS 6D, 17-40mm, 257secs at f/16, | ISO 50
Here we see an image of Blyth Beach on the

Northumberland coast and a nice use of a
man-made object to act as foreground interest.
11 Teo Liak Song Malaysia
40pts
Nikon D800E, 16-35mm, 1/60drv at f/160, ISO 1,600
This is an excellent composition. The light

perfectly draws us in towards the baker, while
also allowing us to appreciate the rows of
bread in the foreground.
12 Andrew Bilewycz Cornwall
11
12
39pts
Olympus OM-D E-M1, 12-40mm, 1/500sec at f/5.6, ISO 200
Here we see how wideangle and pin-sharp

focus can work together to produce dynamic
nature photography.
13 Svetlana Volkova Latvia
38pts
Canon EOS 5D, 24-105mm, 1/2,000sec at f/4, ISO 100
Exposing for the highlights has meant that

Svetlana has rendered the person jumping
as a graphic silhouette in the composition.
14 Tomer Eliash Israel
37pts
Canon EOS 5D Mark II, 16-35mm, 1/40sec at f/4, ISO 2,500
Tomers image of the Yad Vashem, Israels

ofcial memorial to the Jewish victims of the
Holocaust, is not only visually impressive but
also thoroughly moving.
15 Mustafa Abdulhadi Bahrain
15
36pts
Canon EOS 5D Mark III, 70-200mm, 1/500sec at f/8,

ISO 640
This intriguing image shows how people can be

used as graphic elements in a scene
16 Mike Hughes Cumbria
35pts
iPhone 6 Plus in Panoramic Mode
A brilliant toned panorama of the greenhouse

in the Glasgow Botanic Gardens
34
In association with
10
13
14
16
35
17 George Digalakis Greece
34pts
Nikon D7000, 11-16mm, 108sec at f/8, ISO 100, ND filters
17
18
George used two Hoya ND lters to achieve

this image of a shermans hut in Greece.
18 Mark Cornick Surrey
33pts
Canon EOS 6D, 17-40mm, 1/100sec at f/5, ISO 1,000
Mark has utilised the modern interior

architecture of the Saatchi Gallery in London
to create a clean and simple composition.
19 Robert Haubrich-Schweizer
Germany
32pts
Fujifilm FinePix X100, 23mm, 1/280sec at f/4.5, ISO 200
This image is a joy to look at and shows how a

wideangle lens can be used in portraiture.
20 Ornella Sol Binni USA
31pts
Canon EOS 6D, 24-105mm, 1/320sec at f/8, ISO 200
Using a wideangle lens has meant that Ornella

can include some necessary negative space
against the shaft of light around the subject.
21 Anita Nicholson Northumberland 30pts

Canon EOS 450D, 10-20mm, 120secs at f/4, ISO 100
Here we see a low point of view at a very wide

angle to emphasise the strong leading line of the
causeway to St Marys Lighthouse, Whitley Bay.
22 Dennis Baldwin Greater

Manchester
20
21
29pts
Various exposures
In this image called Safe Place, Dennis has

created a joiner image to speak about his
struggle with agoraphobia.
23 Mark Darlington Derbyshire
28pts
Canon EOS 60D, 11mm, f/13, ISO 100
This image, taken in Derbyshire, is breathtaking.
24 Stuart Stevenson South

Lanarkshire
27pts
Canon EOS 5D Mark II, 17-40mm, 1/13sec at f/14, ISO 100
This is a great self-portrait. Its been taken at

the perfect time of day and is simply, yet
effectively, composed.
25 Drew Deas Worcestershire
23
24
26pts
Nikon D810, 24-70mm, 1/125sec at f/22, ISO 64
Here we nd a shot of a Harley-Davidson

Custom Street 750, placed in a city setting to
complement its urban-inspired design.
26 Andrew Fusek Peters Shropshire 25pts

Canon EOS 60D, 14mm, 27secs at f/2.8, ISO 6,400, tripod
This is an image of real depth and beauty that

you could stare at for ages.
27 Eric Svec Slovakia
24pts
Nikon D50, 8mm, f/8
This image is almost dizzying in its ability to

communicate the speed and skill of the
roller-blading photographer.
28 Nathaniel Gonzales USA
23pts
27
28
Canon EOS 70D, 10-22mm, 0.6sec at f/16, ISO 100, tripod
Theres something almost classic about this

image. The vivid colours are beautiful.
29 Ric George Gloucestershire
22pts
Fujifilm X100T, 23mm, 1/5sec at f/10, ISO 200
This image of a game of Mousetrap is

extraordinarily clever note the mouse with its
eye on the cheese while the cinematic ratio
(21:9) is a perfect frame.
30 Bertrand Chombart Shropshire
21pts
Nikon D800E, 29mm, 360secs at f/11, ISO 100
Bertrand has captured an engaging and

minimalist image of La Dfense in Paris
36
In association with
19
This image (left) is

a joy to look at and
shows how a wideangle
lens can be used
in portraiture
22
25
29
26
30
37
Appraisal
Expert advice and tips on improving your photography from Damien Demolder
Reducing the overall
contrast has toned
down the brightness
of the canopy and
concrete ledge
Picture
of the
week
AFTER
Rain Mike Taylor Panasonic Lumix DMC-TZ5, 20.3mm, 1/20sec at f/4.7, ISO 400
BEFORE
In the original image, the bright-green canopy

and yellow concrete ledge demand more of
the viewers attention than is due to them
NOT EVERYONE will think this shot is interesting

because at rst glance it doesnt appear to have
a subject. When we ask ourselves: What is this a
picture of? how we see and think will determine
whether our answer is An ashtray or A series of
lines and colours. All of us dont see and think in
the same way.
What caught my eye with Mikes picture is
the arrangement of the blocks of colour that
divide the frame into about 12 sections, and
the way the bold green works with the deep
pink and pale yellow. The pattern of the
colours, lines and regular shapes is broken
by the ashtray and the furniture, which
makes them stand out and adds scale to the
scene and a sense of reality in the abstract.
The clever bit for me is that while the hard
physical lines all travel left to right, the rain

travels almost perpendicular from the top of
the frame to the bottom. The lines of rain are
soft and uid against the hard edges of the
building, which is all rather pleasant to look at.
What works against the relaxing view,
though, is the brightness of the canopy and
the yellow concrete ledge. They stand out too
much. The frame works when the sections act
in unison and not when one is stronger than
the others. Ive reduced the overall contrast
and toned down the brightness of the
offending areas so they blend into the piece,
rather than stand out.
This is a very pleasing view that is nicely seen
and neatly framed, so Mikes shot wins my
Picture of the Week award.
Win!
Send up to six prints, slides or images on CD (include the original files from the camera along
with your versions on the CD). Tell us about the pictures and include details of equipment used Submit your images
Please see the Send us your pictures section on page 3
and exposure settings. Send your images to Appraisal at the address on page 20. Enclose an SAE if you
for details or visit www.amateurphotographer.co.uk
want them returned. The picture of the week will receive a years digital subscription to AP worth 79.99
38
YOUR PICTURES
Angel of
the Bridge
Andrew Blake
BEFORE
AFTER
Canon EOS 400D, 27mm,

1sec at f/4, ISO 100
IM NOT sure what is going on in
this picture, but I like the idea.
The lights disappearing into the
distance, along with the ornate
railings, make an excellent
background. However, our friends
pose, which sits somewhere
between Jesus on the Cross, Kate
Winslet in Titanic and a zombie, is
mystifying since he appears to be
dressed as a sherman.
Andrew has created excellent
standards of symmetry, and I like
his composition, which leaves lots
of space at the top of the frame.
The subject, though, looks like a
stand-in for a test shot.
This scene would suit someone
with an interesting outline a
man in a broad-brimmed hat and
a apping raincoat, or a lady with
long legs and high heels striding
with purpose. Both would work
well farther into the distance, too.
The trick, when trying to create
an effective silhouette, is to have a
background that is light enough
for the black shape to be dened.
Here, the background is too dark
and contrasty for the subject to
properly stand out. Surprisingly, it
Becs original image

with hard transitions
between the smooth
and noisy areas
Andrews original JPEG image
is often low contrast that makes a

silhouette work rather than high
contrast, as with the shortening of
tones one shade can easily blend
into the other.
Ive created a new version with
less contrast and greatly lifted
shadows that show the glow of
the lovely orange background,
and which allows the man to
stand out much more. The JPEG
le has fallen apart rather, but the
original raw le would lift nicely to
produce exactly the right effect.
This is a great scene, Andrew,
and an exciting idea, so it would
be worth shooting it again. This
time, though, get your sherman
friend to dress as Lili Marleen or
Humphrey Bogart.
BEFORE
With noise reduction

applied, the image
appears a little
too soft
Less contrast and greatly lifted shadows have allowed the man to stand
out more; they also bring out the glow of the lovely orange background
SMOOTH
With noise added, there

is a uniform texture
over the image
GRAIN
Moon at sunset Bec Wolf Nikon D610, 200mm, 6secs at f/9, ISO 800
THIS is a very pleasant scene of the low winter
moon against a sunset sky. I love the colours
Bec has recorded and the simple natural
skyline. I like that there is loads of detail in the
sky, and we have features in the clouds and
shades of blue along with the orange and red,
so nowhere is blank and everywhere is detailed.
Bec used an exposure of 6secs at f/9 and
ISO 800 with her Nikon D610 and a stop of
exposure compensation to darken the scene.
But I think that, subsequently, she has had to
brighten the image, since some areas display
more noise than we would expect.
The problem here is not so much the noise
but the uneven measures taken to disguise it.

Some areas, such as the moon, the sky
around the moon and the trees, and the
bottom left, feature lots of noise and display
ne detail in the subjects that reside there.
Other areas are smoothed and show less
detail, but what stands out is the transition
from the smooth areas to the areas of noise.
Ive created a version that uses lots of noise
reduction to smooth all the areas, but while we
are no longer troubled by the hard transitions
the whole image perhaps looks a bit too soft,
and the stars have lost their twinkle.
A second version adds noise to create a
uniform texture over the whole frame. This

allows the detail to exist, the stars to twinkle
and the nice texture of the sky around the
moon to show through at the cost of some
grain. Of course, the answer is to get your
exposure right in the rst place so we dont
need to amplify the noise when dragging up
the shadows. Bec could also have used a
lower ISO setting, such as 100, and a longer
shutter speed to reduce the amount of noise.
Its a nice shot all the same, though, Bec.
You might go back to the original image and
reprocess it without trying to smooth out
the noise.
Damien Demolder is a photographer, journalist and photographic equipment expert, speaker, judge and educator. He has worked in the photographic publishing industry for 17 years, including 15 years at
Amateur Photographer. He uses a wide range of equipment, from wooden plate cameras to the latest DSLRs, and is a great fan of all products that make good photography more accessible to more people
39
Plus 10 trade-in bonus*
We trade
almost
anything
with absolutely no fuss
Fast quotation
within 24 hours
Free collection of your

pre-loved gear
Realise the value of your old photo equipment. Contact us

for a fast quote, and if upon inspection we nd that your
gear is in better condition, we will increase our offer. And,
with the UKs largest range of photo equipment - over 17,000
products, including all the latest models - upgrading with
Wex is quick and easy.
Receive an extra 10 Trade-In Bonus by entering code

AP10 in the Comment Box on our Quote page.
Visit www.wex.co.uk/bonus to submit a quote

or call us on
We credit your Wex
account swiftly
01603 486413
Monday-Friday 8.30am-6pm
Terms and Conditions: Except Bank Holidays. *Promotional code is only applicable on part-exchange quotations that are accepted by you the customer
and Warehouse Express Limited, this offer ends 30th June 2016. A full inspection of your exchange will be carried out by highly trained staff before any
credit will be released. Wex Photographic is a trading name of Warehouse Express Limited (registered as company no. 03366976). Registered ofce: 13
Frensham Road, Sweet Briar Industrial Estate, Norwich, Norfolk, NR3 2BT. Warehouse Express Limited 2016.
BEST ACCESSORIES 2016
Testbench
Accessorise
yourself
Andy Westlake
and Michael
Topham take a
look at some of the
most interesting
new photography
accessories of
2016 so far
Pluto Trigger
85 www.plutotrigger.com
FOR SOME photographic subjects, triggering the shutter manually
just wont do for instance, when split-second timing is required
or if you want to run a long, complex time-lapse sequence. The
Pluto Trigger is an intriguing new accessory that aims to give a
huge range of remote-triggering options, both on its own and
when used with a smartphone.
The trigger unit connects to a smartphone via Bluetooth, and
to your camera using interchangeable cables that are available for
most brands; alternatively, it can work as an infrared release with
compatible cameras. Your phone can then be used much like a
conventional remote release, and can also be used to programme
such things as timelapse and HDR shooting. In addition, the phones
sensors can be used to trigger the shutter in response to such things
as sound, vibration or motion.
Whats more, the trigger unit itself has several built-in sensors,
including for sound, light, proximity and lightning; theres even a
laser trigger, with a tiny laser unit included in the box. From our
initial testing everything seems to work, making it a remarkable
product for the price.
95 www.cullmann.de/en
ITS NOT often we see a tripod that tries to
do something genuinely different, but the
Cullmann NANOMAX 460M is one such
product. At rst sight its a conventional
aluminium-alloy model with foursection legs and a pan-and-tilt head.
Its trick is that the centre column can
be removed entirely, with the head
still attached, to form a monopod.
This is quicker and easier than
other tripods that need the
column and one leg removed,
then screwed together to
make a monopod.
The tripod offers a decent
maximum height of 168cm
A detachable
and weighs a manageable
centre column
1.72kg. Adjustable-angle
forms a short
monopod
legs give a minimum
working height of 19cm,
although youll need to use the included short
centre column for this. The maximum load is
specied as 4kg, which should be sufcient for
most enthusiast DSLR and CSC set-ups.
Other features include rubber feet, which screw
back to reveal ground spikes, and quick-tooperate lever locks for the leg sections. Both the
tripod spider and the head also include bubble
levels to keep your horizons straight.
The Pluto Trigger

contains an array
of sensors and
can also connect
to a smartphone
Cullmann NANOMAX
460M RW20
41
Tenba Cooper shoulder bags
Tenbas Cooper 13 Slim (left)

and Cooper 15 (above)
RDE VideoMicro
44 www.rode.com
AUSTRALIAN company RDE specialises in high-quality
microphones for video, and the aptly named VideoMicro is its latest
offering. It is a small, lightweight, on-camera microphone designed to
complement the latest generation of video-capable compact system
cameras and DSLRs. It comes in a comprehensive kit, complete with
an anti-vibration Rycote mount, which does a good job of isolating
the microphone from the cameras operational noises, and a furry
windshield for outdoor use. The coiled red lead uses standard
3.5mm audio jacks at each end.
The compact size is achieved partly because the microphone
has no battery, requiring plug-in power from the camera itself. The
VideoMicro is directional, meaning that it predominantly focuses on
sounds in front of the camera, and delivers mono sound with the
same output to the cameras left and right audio channels. Unlike
more expensive powered mics, it has no gain control or low-cut lter.
The VideoMicro is very nicely made, with a robust aluminium body
shell, and the sound quality is decent too. The fact that this all comes
at a relatively low price makes it a compelling option for
photographers also interested in making better videos.
RDEs VideoMicro
is small and neat
124-209 www.tenba.com/uk
THERES a huge range of messenger-type bags on the
market for carrying a laptop alongside your camera kit,
but Tenbas Cooper range stands out for its quality of
construction and array of thoughtful design touches.
Four models are available in different sizes. Our
favourites are the Cooper 13 Slim that can take a
CSC or compact DSLR with three or four lenses
alongside a 13in laptop, and the larger Cooper 15
that accepts a DSLR system plus a 15in laptop.
The Coopers are good-looking bags made of grey
canvas and leather, with removable, lightly padded camera
inserts. The lid closure uses special silent Velcro, and
theres a zipped opening at the top for quicker access
to your gear, with a secondary zipped security cover
beneath. Other neat features include a trolley strap at
the back, expanding side pockets, a weatherproof cover and
numerous internal pockets for such things as memory cards
and spare batteries. These are far from the cheapest bags on
the market, but theyre among the best weve seen.
The substantial
Power Amp 18
doubles as a
torch or lantern
ZAGG
Power Amp 18
89.99
www.zagg.com/uk
POWER banks are useful for
keeping all your electronic
gizmos up and running
when youre away from
mains power for a while,
including smartphones,
tablets and an increasing
number of cameras. The
ZAGG Power Amp 18 is
a particularly impressive
example, packing a
substantial 18,00mAh
capacity, which should
fully charge a typical
smartphone around
six times, or a Sony Alpha 7
battery 10 times. It has three USB-charging outputs each capable of
delivering 2.4A, which allows fast charging of power-hungry devices.
The stand-out feature of the Power Amp 18 is that it doubles as a
light. It has both a bright LED torch and a more subtle lantern mode,
using a translucent strip around the device edge. A silicone strap and
metal loop can be used to organise your cables or hang the device up.
Build quality is great, with a chunky aluminium body and rubberised
coating, although this means its rather large and heavy. However, if your
photography involves long treks outdoors it could be just what you need.
Testbench
Manfrotto TwistGrip clamp
1901 fotografi
makes quality
leather camera
straps
1901 Rodchenko
Leather Camera Strap
34.95 www.1901fotogra.co.uk
WE SEE a lot of camera straps in the AP ofce, including wrist straps,

neck straps and shoulder sling straps in almost every colour and
material. However, few offer quite the same quality and value for
money as these British-made camera straps from 1901 fotogra.
The Rodchenko is the companys latest offering. Its a heavyweight
neck strap designed for larger cameras, with a 3cm-wide neck pad to
help ease the load. The length is adjustable (83cm-137cm) using two
sliding pewter buckles, and the strap is available in black, dark brown,
Italian brown, merlot and tan. It will t practically any camera,
attaching either directly through slot-type lugs or to eyelets using the
supplied split rings.
If this strap is larger than what you need, 1901fotogra offers a
range of slimmer neck straps for lighter cameras, along with a variety
of wrist straps. All are made to the same high quality.
39.95 www.manfrotto.co.uk
IF YOU plan to travel light and use your smartphone to take a few
pictures over the summer, Manfrottos TwistGrip smartphone clamp is
worth a look. Devised for users interested in smartphone photography,
the TwistGrip allows you to clamp
The TwistGrip features
smartphones (with a width of
a shoe mount for
80mm or less) and mount
microphones
or LED
them to any support or
lights
accessory that features a
in thread connection. It is
perfect for the times when
you might like to attempt a
time-lapse, long exposure
or family group shot. Made
of aluminium, the TwistGrip
features an easy-touse twist movement
and a locking knob
to secure your
smartphone just
make sure you dont
unscrew the locking
knob too far
otherwise youll nd
yourself picking it up
off the oor. Super
slim, sturdy and well
made, the TwistGrip is an
essential accessory for
anyone wanting to take full
advantage of a smartphones
photographic capabilities.
Billingham 35 rucksack
280 www.billingham.co.uk
Wacoms
Intuos Photo
is a great entrylevel graphics tablet
Wacom Intuos Photo

Creative Pen & Touch tablet
72 www.wacom.com
ONE ACCESSORY that can make all the difference with your image
editing and archiving when youre working from home in front of your
computer is a graphics tablet, which is designed to offer superior control
of the cursor and create accurate selections using the supplied pen. The
Wacom Intuos Photo Creative Pen & Touch tablet combines the
traditional use of a graphics tablet with the sort of hands-on touchsensitive control youd get from a smartphone. The tablet fully supports
multi-touch nger gestures to rotate, pinch to zoom, or ick to navigate
between images without getting anywhere near a mouse. The Intuos is
the perfect starting point for anyone who hasnt used a graphics tablet
before and provides users with 1,024 pen pressure levels, a 152x95mm
active working area and four express keys to put shortcuts at your
ngertips. Whats more, the tablet comes bundled with Corel PaintShop
Pro X8 for Windows and Corel AfterShot Pro 2 for Windows and Mac.
This photo tablet represents excellent value for money.
ENGLISH bag maker Billingham has had an unusually busy year.

Following on from three new S-series bags for CSCs, the company has
just released two rucksacks. The larger of the two, the 25, is essentially
a resurrection of a much-loved older model, designed for carrying a
comprehensive DSLR kit. However, the one weve picked, the 35, is a
brand-new, lightweight, slimline design.
Inside the 35 is a removable padded camera module. Measuring
23cm wide and 24cm deep, this will hold a CSC or mid-sized DSLR
with three or four lenses. A decent-sized
zipped pocket on the front of the
bag will take personal items and
accessories. The couple of brass
rings underneath it can be
used to attach other items
(Billingham sells optional tripod
straps and is promising a
water bottle holder), and a
lightly padded slip pocket in
the lid can take a 10in tablet
or netbook. Four colours
will be available: black, tan,
sage or burgundy.
The 35 is beautifully
made from canvas and
leather, with brass ttings.
The price is undeniably high,
but this beautiful bag will last
a lifetime, while protecting
your kit from everything the
British weather can throw at it.
43
Testbench
Kaiser SmartCluster Midi

99 www.kaiser-fototechnik.de/en
WHEN
,
B
KSCM,
LED
M1157121135,
SCM,
L80LED
5800K,
120
PL
90,
USB
C
3200K
O,
VisibleDust Arctic Beez
109 www.visibledust.com
HEARCICBz
VDDHAPOUMXD100
GVSA,
,
LED
,
351220VD
ABzAAA
Kaisers
SmartCluster
Midi charges
using micro USB
Kingston MobileLite Wireless Pro

The Wireless Pro
91 www.kingston.com
boasts 64GB
HEKINGSONML
ML
internal
WP
storage
KML
,P
A
USB
SD
,
,
SD,MSD
,USB
I
Iq64GB
6,700A
,
USB,F,
KMLWP
Lastolite Circular Bottletop

Reflector 1.2m
79 www.lastolite.com
The Lastolite
Circular
Bottletop
Reflector covers
boast four
different coatings
44
FORPORRAI,,
LCB
R120
,
F,
,
G
,,O
Eyefi Mobi Pro

49.99 (16GB)/65.99 (32GB)
www.eye.com
EYEFI specialises in making Wi-Fi-enabled SD cards for cameras,
and the Mobi Pro is its most fully featured yet. The card is designed
to automatically transfer everything you shoot to your computer,
smartphone or tablet, directly or via a home/ofce network. You
can even choose to transfer raw and video les as well as JPEGs.
Alternatively, the card can be set to transfer selected images
only specied by marking them as protected on the camera.
However, this is not all. The card includes a one-year subscription
to the Eye Cloud service (which costs 34.99 per year thereafter),
allowing you to back up all of your les remotely. You can then
arrange your photos into albums for sharing with friends, family or
clients. When using the Eye Mobi app, all your images can be synced
back to any of your mobile devices, allowing ofine viewing of your
photos and albums. The Eye Mobi Pro card is compatible with
almost any camera that uses SD cards, along with many that have
CompactFlash Type II slots via an optional 15.99 adapter.
The latest photography kit and

technique at your ngertips
Lastolite EzyBounce
24.95 www.manfrotto.co.uk/lastolite
USING a bare ash on a subject
can often make things look a bit
garish, with heavy shadows and
overpowering highlights. A
bounce card allows users to angle
the light and, by making it diffuse,
make the image more appealing. The
EzyBounce ashgun is compact, and
when not in use it packs down to the
size of a gents wallet. It would go pretty
much unnoticed in a kitbag and comes with
its own carry pouch.
The bounce card is also a doddle to use.
Attaching it is easy, and it has a silicone strap
with numerous notches on it that enable it to t
different-sized ashguns. The white part of the
bounce card folds in and out, allowing users to
direct the ashlight as they choose. For those
using ash a lot, especially for events such as
weddings, the Lastolite EzyBounce ashgun
bounce card is a worthwhile purchase.
Lee Filters
72 www.leelters.com
THE LATEST additions from Lee Filters include the Super Stopper
and a selection of very hard and medium neutral-density graduated
lters that were only available as custom-made lters for professional
photographers in the past. The new Super Stopper ND lter has
been designed to work well in harsh midday sunlight, reducing the
amount of light that enters the lens by an astonishing 15 stops. By
signicantly extending the exposure time, the Super Stopper has the
effect of allowing anything that moves in a scene to become blurred.
To help calculate correct exposure, Lee Filters has recently
developed a new app (available for free from the App Store) for iOS,
and were expecting an Android version to follow very soon.
The medium and very hard ND grads provide
superb control when attempting to balance
lighter and darker areas of the frame. Both
ND grads are available in 0.3ND (1 stop),
0.45ND (112 stops), 0.6ND (2 stops),
0.75ND (212 stops), 0.9ND
(3 stops) and 1.2ND
(4 stops) strengths.
More great pictures

More technique
More opinion
More inspiration
Download online, enjoy ofine
Buy from the comfort of your own home
Available the day the magazine goes on sale
Missed an issue? Simply download a back copy
Try it today
www.amateurphotographer.co.uk/digital-edition
ORDER FORM
FREEPOST Time Inc (No stamp needed UK Only)

YES! I would like to subscribe to Amateur Photographer saving up to 35%
n UK Direct Debit, pay only 24.99 per quarter, SAVING
TOP
OFFER
YOU 35% of the full price of 38.88
n 2 years (102 issues) Credit Card- Pay only 201.99 (full price 311.00)
saving 35% across the two years
n 1 year (51 issues) Credit card- Pay only 108.49 (full price 155.50)
saving 30% across the year
GODownload
DIGITAL!
your
magazine right away.
Every subscription package includes
access to the digital version for iPad
and iPhone**
YOUR DETAILS:
Mr/Mrs/Miss/Ms:
Surname:
Forename:
If you would like to receive emails from Amateur Photographer and Time Inc. (UK) Ltd containing news, special offers,
product and service information and, occasionally, take part in our magazine research via email, please include your email
below.
Email:
Address:
Postcode:
Home Tel. No: (inc area code)
If you would like to receive messages from Amateur Photographer and Time Inc. (UK) Ltd containing news, special offers, product
and service information and, occasionally, take part in our magazine research via your mobile, please include your mobile phone
number below.
Mobile:
Date of Birth:
D n
D n
Mn
M n
Y n
Y n
Y n
Y
n
GIFT SUBSCRIPTION
Mr/Mrs/Miss/Ms: Forename:
Surname:
Address:
PLUS
CHOOSE FROM 3 EASY WAYS TO PAY:

1. CHEQUE
I enclose a cheque/postal order for: _____________ made payable to Time Inc. (UK) Ltd.
ENJOY THESE FANTASTIC

SUBSCRIPTION BENEFITS:
2. CREDIT/DEBIT CARD
Please debit my: n Amex
Card No.
n Visa n Visa Debit n Mastercard
nnnn nnnn nnnn nnnn

Expiry Date
M M nn
Y Y
nn
Signature:
Date:
(I am over 18)
3. DIRECT DEBIT: To pay 24.99 per quarter by UK Direct Debit, please

complete your details below:
PAYMENT DETAILS DIRECT DEBIT
Instruction to your bank or building society to pay by Direct Debit.
For office use only: Originators Reference 764 221
Save up to 35% off the normal

subscription rate
Enjoy the luxury of home delivery
Get exclusive Rewards for subscribers

every month. Join Rewards at
amateurphotographer.co.uk/rewards
Name of Bank:
Address of Bank:
Postcode:
Name of Account Holder:
Sort Code:
Account No:
nnnnnn
nnnnnnnn
Exclusive for
subscribers
Instruction to your Bank or Building Society: Please pay Time Inc. (UK) Ltd Direct Debits from the account
detailed on this Instruction subject to the safeguards assured by the Direct Debit Guarantee. I understand that
this instruction may remain with Time Inc. (UK) Ltd and if so, details will be passed electronically to my Bank
or Building Society.
Signature:
Date:
(I am over 18)
Offer open to new subscribers only. Final closing date for all orders is 6th June 2016. The full subscription rate is
for 1 year (51 issues) and includes postage and packaging. If the magazine ordered changes frequency per annum,
we will honour the number of issues paid for, not the term of the subscription. Direct Debit offer is available to UK
subscribers only. For enquiries from the UK please call: 0330 333 1113, for overseas please call: +44 330 333 1113
(lines are open Monday- Friday GMT, 8:30am- 5:30pm ex. Bank Holidays) or e-mail: help@magazinesdirect.com.
Calls to 0330 numbers will be charged at no more than a national landline call, and may be included in your phone
providers call bundle. **The digital version comes free with the print edition of your subscription and is available
strictly on a trial basis. Time Inc. (UK) Ltd reserves the right to withdraw free access to the digital version at any
time. The Rewards scheme is available for all active print subscribers of magazines published by Time Inc. (UK) Ltd,
free of charge. Digital subscribers also get access as long as the subscription has been purchased directly through
the publishers at magazinesdirect.com. Full terms and conditions are available at mymagazinerewards.co.uk. Time
Inc. (UK) Ltd who publish Amateur Photographer, will collect your personal information to process your order. Time
Inc. (UK) Ltd would like to contact you by post or telephone to promote and ask your opinion on our magazines and
services. Please tick here if you prefer not to hear from Time Inc. (UK) Ltd . Time Inc. (UK) Ltd may occasionally
pass your details to carefully selected organisations so that they can contact you by telephone or post with regards
to promoting and researching their products and services. Please tick here if you prefer not to be contacted .
Time Inc. (UK) Ltd would like to send messages to your mobile with offers from carefully selected organisations
and brands, promoting and researching their products and services. If you want to receive messages please tick
here . Time Inc. (UK) Ltd would like to email you with offers from carefully selected organisations and brands,
promoting and researching their products and services. If you want to receive these messages please tick here .
QAP code 15W
Every month enjoy new offers, giveaways and prizes,

included FREE with your subscription. With all of this, your
subscription will pay for itself in no time. View all Rewards
at amateurphotographer.co.uk/rewards
0330 333 1113

Quote code: 15W
7 days a week from 8am to 9pm (UK time)
SAVE 35%
UP
TO
when you subscribe today!*
That s ju
st
1.is9su6e
per
*per quarter by Direct Debit

THE DIRECT DEBIT GUARANTEE: This Guarantee is offered by all banks and building societies that accept instructions to pay Direct Debits If there are any changes to the amount, date or frequency of your Direct Debit Time Inc. (UK) Ltd will notify you 10 working
days in advance of your account being debited or as otherwise agreed. If you request Time Inc. (UK) Ltd to collect a payment, confirmation of the amount and date will be given to you at the time of the request. If an error is made in the payment of your Direct Debit,
by Time Inc. (UK) Ltd or your bank or building society you are entitled to a full and immediate refund of the amount paid from your bank or building society If you receive a refund you are not entitled to, you must pay it back when Time Inc. (UK) Ltd asks you to
You can cancel a Direct Debit at any time by simply contacting your bank or building society. Written confirmation may be required. Please also notify us.
Subscribe online at
amateurphotographersubs.co.uk/15W
Complete
the coupon
opposite
Testbench
CAMERA TEST
At a glance
16-million-pixel Four Thirds sensor
ISO 200-25,600 (ISO 100-25,600
extended)
Dual IS with 5-axis in-body
stabilisation
4K video recording
and 4K Photo mode
509 body only, 599 with
12-32mm f/3.5-5.6 lens
Panasonic Lumix
DMC-GX80
Andy Westlake tests Panasonics latest mid-range
compact system camera
For and against
Highly effective in-body
image stabilisation
Compact, portable,
rangefinder-style design
Quiet,
discreet shutter
Useful
4K Photo modes
Default control
set-up feels dated
Viewfinder
isnt the best
No mic socket
for video
48
Where in the range
Panasonic
Lumix DMC-GX8
Price 649 body only
This CSC includes

in-body stabilisation,
a 20.3MP sensor and
4K video recording in
a weatherproofed
body with a tilting
EVF and fully
articulated screen.
Panasonic
Lumix DMC-G7
Price 450 body only
With an SLR-style
body, the G7 has 4K
video, an excellent
viewfinder and an
articulated screen,
but no in-body IS.
Data file
16MP Four Thirds Live MOS
4,592x3,448
2x
Micro Four Thirds
60secs-1/4000sec (1sec1/16000sec electronic)
ISO 100-25,600 (extended)
ISO
Exposure modes PASM, iAuto, scene, panorama
Multi, centreweighted, spot
Metering
Exposure comp 5EV in 0.3EV steps
8fps (6fps with focus tracking)
Continuous
shooting
4K 25fps; full HD 50fps
Video
1.04-million-dot 3in
Screen
tilting touchscreen
2.76-million-dot EVF
Viewfinder
(16:9 aspect ratio)
49-point contrast detection
AF points
SD, SDHC, SDXC
Memory card
DMW-BLG10E Li-ion
Power
Approx 300 shots per charge
Battery life
121x71x32mm
Dimensions
430g inc battery and card
Weight
Sensor
Output size
Focal length mag
Lens mount
Shutter speeds
Here the GX80 gave brightly

coloured detailed results at ISO
800, while its dual IS allowed
handholding at 472mm
(equivalent) and 1/200sec
with the new Panasonic
100-400mm f/4-6.3 lens
hile Panasonic
was the rst
company to
make a compact
system camera in the shape of the
Lumix DMC-G1 in 2008, in the
intervening years the company
hasnt really settled on any specic
kind of design. Its GX series aimed
at enthusiast photographers is a
case in point. The GX1 was a
viewnderless, xed-screen camera
designed as a spiritual successor
to the much-loved GF1. Its
replacement, the GX7, was a
slightly larger camera with a built-in
tilting electronic viewnder, a tilting
LCD screen and, in a rst for
Panasonic, in-body image
stabilisation (IS). Last years
replacement for this popular model
was the GX8 an evolution of
the design with a fully articulated
screen and weathersealing, but in
a much bulkier body that wasnt

universally well received.
Now, with the GX80, Panasonic
has gone back to essentially the
same template as the GX7 in
making a compact rangefinderstyle body with a tilting screen
and built-in EVF. There are a few
omissions the EVF is fixed rather
than tilting, and the GX7s focus
mode switch has disappeared.
But in exchange you get all of
Panasonics latest and greatest
technology, most notably a new
dual IS system that combines
5-axis in-body IS with 2-axis
optical IS when using suitably
equipped lenses. This being
Panasonic, theres also 4K video
recording and its associated 4K
Photo mode for extracting 8MP
stills from 30fps 4K footage.
In short, with the GX80
Panasonic appears to have hit
on a Goldilocks formula not too

big, not too small and not too
expensive, either. It costs 509
body only, 599 in a kit with the
tiny retracting 12-32mm
f/3.5-5.6 OIS pancake zoom, or
729 in a dual-lens kit adding the
compact 35-100mm f/4-5.6 OIS
telezoom. Three colour options
are on offer: all black, silver and
black, and silver and brown. So
how well does it perform?
Features
The GX80 has a pretty solid
feature set, most of which weve
seen previously on other recent
Panasonic cameras. Rather than
the 20-million-pixel sensor used
by the GX8, the GX80 shares the
familiar 16-million-pixel MOS
thats in Panasonics other Micro
Four Thirds cameras. However,
for the first time Panasonic has
removed the optical low-pass filter

entirely, which helps eke out a little
more detail, although in practice
the difference isnt huge. New
image processing is designed
to minimise sampling artefacts
such as aliasing and moir. The
sensitivity range is now ISO
200-25,600 as standard, with a
pulled ISO 100 option available
that offers lower noise but less
headroom before highlight details
start to clip to pure white.
The GX80 is capable of
continuous shooting at 8 frames
per second at full resolution, which
is comparable to other similarly
priced CSCs and faster than most
DSLRs. If you want it to refocus
between frames the speed drops
to a still-impressive 6fps. Switch
to 4K Photo mode and you can
shoot at fully 30fps, then easily
extract 8MP stills from the footage
a feature none of its direct

competitors can match.
One relatively new 4K-based
feature is 4K Post Focus. This
takes a series of frames at
different focus distances such that
every object in the scene is in
focus in at least one, and then
records them together as a 4K
movie file. The idea is that you can
then refocus the image after the
event simply by tapping on the
cameras touchscreen. This is all
very clever and fun to play with,
and it even gets its own button on
the camera, but its difficult to
understand what its supposed
to be used for in practice.
An all-new shutter mechanism
employs an electromagnetic drive
with two solenoids to operate the
shutter curtains, eliminating the
use of springs. While
shooting, the GX80s new
49
shutter operates with a

quiet, discreet snick and
feels much softer compared to
the GX8. according to the firm,
it also reduces shutter-related
vibrations by 90%, and in practice
I saw no evidence for image
blurring due to shutter shock. a
shock-free and silent electronic
shutter is also on hand offering
speeds of up to 1/16000sec,
which is handy for using fast
lenses in bright light, but carries
the risk of image distortion due
to rolling shutter effects.
For photographers who enjoy
shooting black & white, theres
an attractive, new, high-contrast
black & white JPeG processing
mode, called L.Monochrome. You
can mimic the effect of using
coloured filters in front of the lens
with black & white film yellow,
orange, red or green and
apply blue or sepia toning with
adjustable levels of saturation.
Naturally, you can also record
a raw file alongside.
Plenty of other useful features
are on board, such as an autostitching panorama mode,
image-processing filters, timelapse shooting and an extensive
array of bracketing options,
including focus and aperture
bracketing. Wi-Fi is built in,
allowing remote control of the
camera from a smartphone and
transfer of images from the
camera for sharing with friends
and family members.
Build and handling

In the hand, the GX80 feels very
nicely made and quite heavy for
its size. It has a relatively small
handgrip, which is just enough
to wrap your fingers around,
with a well-defined space to place
your thumb. Where the tiny GM5
was too small to be comfortably
usable and the GX8 felt a bit large
and bulky, the GX80 hits a
near-perfect middle ground.

The control layout isnt
necessarily the best youll find, but
its logical enough and works
reasonably well out of the box. Its
based around twin control dials to
change exposure settings, front
and rear; by default both do the
same thing in all exposure modes
except manual, but either can be
configured to set exposure
compensation directly instead. The

rear dial can also be clicked-in to
change its function, and during
shooting this brings up a
comprehensive exposurecompensation and bracketing
interface. Meanwhile, the D-pad
on the back gives access to
focus-area selection, IsO, white
balance and drive mode.
You can also use the
The new L.Monochrome

mode gives attractive
images straight out
of the camera
In-body IS/dual IS
PerhaPs the GX80s most
appealing new feature is
Panasonics latest dual Is system.
Like the GX8 before it, the camera
can use both in-lens and in-body
Is together to allow the use of even
slower shutter speeds without blur
from camera shake. But where the
GX8 only offered four axes of
correction in-body, the GX80
offers five, adding in correction for
rotation around the lens axis. This
tends to be important for long
exposures with wideangle lenses,
so its great to see it added.
The good thing about this is that
you get Is with every lens you can
use, not just those from Olympus,
sigma, samyang and so on, but
also old manual lenses on mount
adapters (when using the latter,
the camera helpfully prompts you
to enter the focal length when you
50
Here the dual IS system allowed me to handhold at 1/6sec and 58mm equivalent, using the 12-32mm OIS kit zoom
turn it on). so if your subjects not

moving, you can keep shutter
speeds much slower than usual in
low light and use lower IsO
settings. This in turn can often
offset the noise disadvantage of
the smaller Micro Four Thirds
sensor. Whats more, the image

stabilisation works for video
recording, including at 4K.
In practice, the GX80s
stabilisation works very well, and is
at least as good as Olympuss
hitherto class-leading system. Ive
found it gives excellent results with

all lenses Panasonic, Olympus or
third-party, with or without optical
stabilisation often allowing the
use of shutter speeds around
4 stops slower than would be
possible without it.
CAMERA TEST
Testbench
Focal points
Panasonics GX80 includes an impressive
feature set in a compact, easy-to-carry body
Built-in flash
Hotshoe
The hotshoe accepts
more powerful Micro
Four Thirds-dedicated
external flash units,
such as Panasonics
own DMW-FL360L.
Viewfinder and screen

Broadly speaking, the GX80 uses
the same viewnder and screen
as the older GX7, with the main
difference being that the EVF no
longer tilts upwards. While Im sure
this will dismay some GX7 owners
thinking of upgrading, Ive never
really found much use for tilting
EVFs, especially on a camera with
a tilting LCD. The big advantage is
that, without having to t in the tilt
mechanism, the camera can be
made noticeably more compact
most obviously, the eyecup
doesnt stick as far out the back
compared to that in the GX7.
The viewnder itself uses a
2.76-million-dot-equivalent panel
with a 16:9 aspect ratio. Panasonic

quotes an impressive-sounding
0.7x magnication, but things are
a little more complicated than
that. Youll only get this when
recording video or stills in 16:9,
and narrower aspect ratios result
in less of the screen being used.
When you use the cameras native
4:3 aspect ratio for stills, youre
looking at an effective
magnication closer to 0.6x,
although this still gives a view
similar in size to competitors such
as the Fujilm X-E2S or Olympus
OM-D E-M10 Mark II.
Similar to that in the GX7,
the EVF panel is of the eldsequential type, meaning that
rather than having red, green and
blue dots, it displays red, green
and blue components of the
image in quick succession to
give a full-colour display. One
disadvantage is that this can
sometimes give disconcerting
rainbow effects, particularly when
panning. Overall, though, the EVF
is quite usable, if not as nice as
those on some of its competitors.
The rear screen is similar to the
GX7s, being a 1.04-million-dot
touchscreen that tilts 80 up and
45 down. This is really useful for
shooting video, or stills at odd
angles. Obviously, its not as
exible as a fully articulated
screen, especially when shooting
stills in portrait format (instead, it
positively encourages shooting
everything in landscape format),
but its quicker to use and helps
keep the body camera small, and
thats a compromise many users
will be happy to make.
Autofocus
For autofocus, the GX80
uses a contrast-detection
Connectors
A plastic flap on the handgrip conceals micro HDMI and
micro USB sockets the latter is used for battery
charging. The GX80 wont accept a wired remote release.
71mm
touchscreen to reposition the AF

area directly, even when using the
EVF, and if youre one of the
two-thirds of the population who is
right-eye dominant, this should
work ne. However, if youre a
left-eye shooter like me, youll
probably nd the touchscreen
unusable for this, as your nose will
constantly reset the focus area.
Yet because the camera is highly
customisable, its possible to
re-assign the D-pad to move the
AF area directly if you prefer, and
rework the rest of the interface to
operate as you wish.
Indeed, many of the controls
are user-congurable, including
four external Fn buttons, ve
touchscreen Fn buttons and the
on-screen Q Menu. Panasonics
menus are relatively well
organised and logical too, so its
not too difcult to nd your way
around the camera and set it up
how you want. I set the Fn1 button
that by default accesses 4K Post
Focus to control ISO and white
balance instead.
32mm
ISO 6,400 is usable for small images, but fine detail is lacking
Activated by
pressing a button on
the back, the built-in
flash has a modest
guide number of 6m
@ ISO 200.
Unfortunately, it
cant be used for
wireless control of
external units.
121mm
Tripod socket
Battery
The tripod socket is located in line

with the lens but right at the front
of the camera body, which could
cause problems with some large
lenses and quick-release plates.
The DMW-BLG10E
battery is used in
other Panasonic
cameras, including the
LX100, TZ100 and GX7.
Its rated for around
300 shots per charge.
51
Testbench
CAMERA TEST
Lab results
Andrew Sydenhams lab tests reveal just how the camera performs
The GX80 uses the same 16-million-pixel Four Thirds sensor seen in
most of Panasonics recent CSCs, and it behaves very much as weve
come to expect. The company says that removing the low-pass lter
brings a small increase in resolution, but in practice the difference
isnt all that large, as it has historically used very weak low-pass lters
anyway. Image quality is otherwise very predictable, with accurate,
quite attractive colour rendition and plenty of detail at low ISO
settings. Colour saturation is held well as ISO is increased, but ne
detail is blurred away by ISO 1,600. The top two ISO settings of
12,800 and 25,600 should be avoided if possible.
Dynamic range
The GX80 includes no fewer than 22 creative filters: this is the toy effect
system, and as usual

Panasonic offers a huge
number of modes. You can
choose face-detection or
subject-tracking modes, allow the
camera to choose the subject
from a 49-area grid spread
across almost the entire frame, or
specify any subset of those points
as the focus region. Alternatively,
you can select the focus area
manually, and theres even a
pinpoint mode for focusing on
especially ne details in the scene.
During video recording, you can
also smoothly pull focus from one
subject to another simply by
tapping the touchscreen.
When used with Panasonics
own lenses, the GX80 can also
employ the rms own Depth from
Defocus (DFD) technology. This
uses knowledge of the lenss
optical characteristics when the
image is out of focus to speed
up the autofocus.
With almost all Micro Four
Thirds lenses, autofocus is
extremely fast and essentially
silent. Indeed, with static subjects
theres no apparent speed penalty
when using Olympus lenses that
dont support DFD, so existing
owners neednt worry about
having to change their lenses.
Performance
In use, the GX80 is generally well
behaved and produces attractive
images. Its colour rendition is
typically Panasonic being
accurate and attractive, if a little
subdued compared to some its
52
rivals. Auto white balance tends to

give neutral results, occasionally
erring to the cool side. Overall,
though, the cameras JPEGs are
perfectly usable, and theres
always the option of taking
advantage of the in-camera raw
development to tweak the results.
Metering is generally accurate,
giving well-judged exposures
much of time. Unfortunately,
though, it does have a certain
tendency towards underexposure
in dull conditions, requiring positive
exposure compensation to give
good results. However, the
cameras live histogram helps with
judging when this is necessary.
Image quality is very good
at low ISOs, with easily sufcient
detail for a nice A3 (16x12in)
print. But it gradually deteriorates
as the ISO increases, and by
ISO 1,600 theres a noticeable
loss of detail. Id still use up to
ISO 6,400 for non-critical
purposes online sharing and
small prints but would steer
clear of the highest settings.
Dont forget, though, that the
effective IS means these are
relatively rarely needed anyway.
The GX80s standard lens
is a plastic-mount version of
Panasonics tiny 12-32mm
f/3.5-5.6 OIS zoom. It offers
impressive image quality for its
size, although its somewhat weak
at the 24mm-equivalent
wideangle setting, and the
64mm-equivalent tele end is a
little limiting. But it makes the
camera extremely portable.
The GX80 gives pretty typical dynamic range measurements for a Micro Four
Thirds model in our Applied Imaging tests. It cant quite match most APS-C
cameras at low ISOs, although with readings above 11EV at ISO 100 and 200,
theres still real scope for recovering additional shadow detail from raw files.
At ISO 1,600 a figure of 9.2EV indicates that the cameras files should still
give good detail rendition through the full tonal range, but will have little
scope for further manipulation. Beyond this things get marginal, with the
ISO 3,200 and ISO 64,00 reading indicate increasing noise that will have a
particularly negative effect on shadow detail. The two top settings have
very low readings indeed, indicating poor image quality.
Resolution
JPEG ISO 200
32
JPEG ISO 800

31
JPEG ISO 3,200

30
JPEG ISO 6,400

28
JPEG ISO 12,800

24
JPEG ISO 25,600

22
At low ISOs the GX80 resolves around 3,200l/ph, which is about as good
as wed expect from this sensor. This initially holds up well as the ISO is
increased, dropping only slightly at ISO 3,200 to 3,000l/ph, at least when
faced with our high-contrast test chart. However, noise has a more
significant impact at higher settings, with resolution dropping to around
2,400l/ph at ISO 12,800 and just 2,200l/ph at ISO 25,600.
The competition
Our cameras and lenses are tested using the industrystandard Image Engineering IQ-Analyser software.
Visit www.image-engineering.de for more details
Noise
Fujifilm X-E2S
Both raw and JPEG images

taken from our diorama scene
are captured at the full range
of ISO settings. The camera is
placed in its default setting
for JPEG images. Raw images
are sharpened and noise
reduction applied, to strike
the best balance between
resolution and noise.
JPEG ISO 200
Price: 549 body only

Sensor: 16.3MP APS-C CMOS
ISO: 100-51,200 (extended)
JPEG ISO 800
Fujifilms rangefinderstyle CSC offers

photographer-friendly
traditional controls, with
exposure-compensation
dials and top-plate
shutter-speed. It has a
fine 2.36-million-dot EVF
and gives excellent JPEG
output, but the rear
screen is fixed.
Olympus OM-D
E-M10 Mark II
Sensor: 16.1MP Four
Thirds CMOS
ISO: 100-25,600 (extended)
The E-M10 Mark II offers

a similar specification to
the GX80, with 5-axis
in-body stabilisation, a
2.36-million-dot EVF and
tilting touchscreen, but
wrapped in Olympuss
SLR-like design. Video
is only full HD.
Sony Alpha 6000

Sensor: 24.3MP APS-C CMOS
ISO: 100-25,600
It may be an ageing
design, but the Alpha
6000 still holds its own
pretty well, with a
sophisticated hybrid
focus system and
excellent full HD video
capability. The LCD tilts,
but the EVF has just 1.44
million dots, which now
looks a bit dated.
Our verdict
JPEG ISO 3,200
JPEG ISO 6,400
JPEG ISO 12,800
JPEG ISO 25,600
There are no huge surprises here, with the GX80 behaving much like other recent
Micro Four Thirds cameras. It gives nice, clean images at ISO 100 and 200, and
while a little luminance noise becomes visible at ISO 400 and 800 if you look very
closely, you wont see it in a print. Very fine low-contrast detail visibly starts to
degrade at ISO 800, but colour saturation is maintained very well. Images are
still quite usable at ISO 1,600, but by ISO 3,200 noise reduction is visibly
smearing away fine detail and shadow detail is blocking up. Higher settings are
increasingly affected by noise, and while ISO 6,400 is still OK for web and small
prints, the top two sensitivity settings are very noisy indeed. They should really
be seen as for emergency use only when theres no other option.
WITH the GX80, Panasonic has

made a camera that feels much
more like the GX7s spiritual
successor than the GX8 ever
did impressive as that camera
undoubtedly is. Similar in size,
design and layout to the GX7, the
GX80 is also attractively priced.
Considering its effective dual
image stabilisation and 4K video
recording, its particularly
interesting for enthusiast
photographers who also have an
interest in exploring the creative
opportunities afforded by
movie making.
In terms of design and styling,
the GX80 isnt as charismatic as
many of its direct competitors, but
dont let that put you off. Its well
designed and ts nicely in your
hand, while being quite compact
to slip easily into a small bag. The
control layout works well enough,
although I think that it is high time
Panasonic revisited its control
interface to concentrate on easier
viewnder shooting. Nonetheless,
the GX80 is so customisable that

any deciencies in its default
set-up can be overcome, if youre
prepared to spend a bit of time
setting the camera up to your own
needs and preferences.
The tiny 12-32mm kit lens
completes the package nicely, and
of course the camera can accept
any lens in the Micro Four Thirds
range. This now covers practically
every imaginable option, from
relatively inexpensive primes like
Panasonics 25mm f/1.8, to big,
but pricey, long telephoto zooms
such as the Panasonic 100400mm f/4-6.3 OIS.
Overall, Id have to say the
GX80 is probably Panasonics
best-judged compact system
camera to enter the market for
quite some time. The combination
of a small body, highly effective
in-body image stabilisation and
4K video recording is unique.
For photographers who are also
interested in shooting video, its
a very compelling option.
FEATURES
BUILD & HANDLING
METERING
AUTOFOCUS
AWB & COLOUR
DYNAMIC RANGE
IMAGE QUALITY
VIEWFINDER/LCD
9/10
8/10
7/10
8/10
8/10
8/10
8/10
8/10
53
Offer available only to UK residents aged 16 and over. Terms,conditions. and exclusions apply. Offer available until 31/05/2016.
Say cheese to our camera

equipment insurance
FREE
DiGiTal sUBscripTiOn TO
AMATEUR
PHTOTGRAPHER*
w
hen yOU TaKe OUT
a new insUrance
pOlicy wiTh Us!
Insurance Services
COVER INCLUDES
Accidental damage
Theft
Cover for theft of your camera, equipment

and accessories including from a vehicle
Hire in the event of a claim
Hire cover included as standard whilst we

replace or repair your camera
Full Worldwide Cover
*Mon to Fri 9am to 6pm
Insure your
camera and
accessories
today!
Up to 25,000 worth of cover for your

camera, equipment and accessories
UK residents only required to be in the UK

for 1 day in any period of insurance
Low excess
Standard excess only 50

New for old replacement
New for old on your specic camera available,

including vintage or rare items
Public liability
Protection for you against damage to another

person or their property
Personal Accident
Optional cover available to protect yourself

when using your camera or equipment
Mechanical Breakdown
Option to add Mechanical Breakdown cover on

items purchased from new less than 5 years ago
Call now 0844

0345 450
249 7203
1902**
www.amateurphotographer.co.uk/apprintad
www.amateurphotographer.co.uk/apprintad
POLICY TERMS, CONDITIONS & EXCLUSIONS APPLY. FULL DETAILS CAN BE FOUND IN OUR POLICY DOCUMENT WHICH IS AVAILABLE ON OUR WEBSITE. AMATEUR PHOTOGRAPHER INSURANCE SERVICES IS A TRADING STYLE OF THISTLE
INSURANCE SERVICES LIMITED. AUTHORISED AND REGULATED BY THE FINANCIAL CONDUCT AUTHORITY. A JLT GROUP COMPANY. REGISTERED OFFICE: THE ST BOTOLPH BUILDING, 138 HOUNDSDITCH, LONDON EC3A 7AW
REGISTERED IN ENGLAND NO 00338645. VAT NO. 244 2321 96.
Technical
Support
E X PER T A DV I C E
Nikon D750 shutter count
I recently sent away my

pair of D750 DSLRs after
reading Nikons service
advisory, which stated the shutter
in a number of Nikon D750
DSLRs may not function normally.
Ive got both my bodies back from
Nikon, and theyve sent me a
letter saying theyve both got
brand new shutter units. However,
Ive checked the shutter count
on both and they havent been
reset to zero. Should they have
been reset? I know my friend,
who had a new shutter tted in
his Canon EOS 5D, saw his count
return to zero.
Jason Malkinson
Unlike Canon, which
returns the shutter count
to zero when a new
shutter is tted, Nikon doesnt
reset the shutter count when a
shutter is replaced. Its natural
to think the shutter count would
be reset after a new shutter has
been tted, but much like a cars
mileage that doesnt get reset to
zero when the original engine
fails and is replaced with a brand
new one, Nikon employs the
same policy. On Nikon cameras,
the shutter count refers to the
wear and tear of the camera and
not an individual part, and theres
the option to request the shutter
count upon changing the shutter
to let you know how many
actuations the shutter has
completed. Its important to le
away the letter youve received
stating that the shutters have
been replaced safely. This can be
shown as proof of the work thats
been completed should you nd
yourself in the position of selling
the cameras in the future.
Michael Topham
Lens or camera?
I use a Fujilm X-T1 with

14mm, 16mm, 35mm
(f/2 version) and 56mm
lenses. Im hankering after a small
TIPS
TRICKS
H AC K S
Adobe programs explained
Email your questions to: apanswers@

timeinc.com, Twitter @AP_Magazine and
#AskAP, or Facebook. Or write to
Technical Support, Amateur Photographer
Magazine, Time Inc. (UK), Pinehurst 2,
Pinehurst Road, Farnborough Business
Park, Farnborough, Hants GU14 7BF
K N OW - H OW
Lightroom
and
Elements
serve
two very
distinct
purposes
At present I use Adobe Elements 14.

What advantages could I expect
from Adobe Lightroom, are the
two compatible and what is Adobe CC?
John Farebrother
Adobe Photoshop Elements 14 is

essentially an image-manipulation
program. It works on the basis of
opening up your les one-by-one, making
changes, and saving your processed images as
copies, usually JPEGs. Its a great choice for
enhancing images for printing or sharing online.
Lightroom is a bit different. Rather than just
being an image editor, its also a professional
workow-management tool. Its based around
a catalogue of all your images, and allows you
to assign tags describing whats in each picture
(e.g. names and places), which helps you nd
shots much more easily in future.
Lightroom takes a different approach to
processing, too. Its a non-destructive editor,
meaning that when you open and manipulate
a le, your changes are stored as recipes of
changes to be made, rather than as a new le.
Theyre only actually applied when you output
a version, either as a new le or when making a
print. Lightroom can also apply similar processing
to a batch of images using predened presets.
This means that if you only normally process a
couple of favourite shots at a time, and enjoy
spending time getting them just right,

Lightroom may not offer an obvious advantage
over Elements. However, you can always
download a free trial at creative.adobe.com/
products/download/lightroom and use it for a
month. You can also run both programs on your
computer at the same time. You can work on
les in Lightroom, output copies, and then make
further changes in Elements, or vice versa.
Finally, CC stands for Creative Cloud, which
is Adobes term for the latest versions of its
software. Lightroom works on a subscriptionbased model, where you pay a small sum each
month for use of the software (8.67 per
month for both Lightroom and Photoshop).
Once you stop paying, the software stops
working, although youll still have access to your
les. In contrast, Lightroom 6 is a standalone
program for which you pay a xed upfront cost
of 104 for a licence to use the software.
Andy Westlake
lens in the 1823mm range. The

problem seems to
be that the 18mm
has a very mixed
reception and the
23mm is a bit too
large for my liking.
Another tempting
alternative would be The X100S
an alternative
a Fujilm X100T, but to a new lens?
its out of my budget.
lenses for the X series, but
Any suggestions?
suffers from obvious chromatic
Brian (forum member)
aberrations and poor edge
The primary dilemma
sharpness when its used wide
here is that youre
open. The Fujinon XF 23mm f/1.4
after a lens that doesnt
R is a far superior optic, but as
currently exist in the Fujinon XF
you say its larger and is 185g
lens line-up. The Fujinon XF
heavier. There have been some
18mm f/2 R is one of the original rumours of a Fujinon XF 23mm
f/2 arriving in the future, and if

its anything like the Fujinon XF
35mm f/2 R we anticipate that it
might be smaller and lighter than
the XF 23mm f/1.4 R. There is
no indication as to when it might
arrive, though, so you could end
up waiting a while.
If youd like an alternative
sooner rather than later, you
could always consider a secondhand X100S. A mint-condition
second-hand version will set
you back around 500, but
theres also the pocket-friendly
Fujilm X70 to consider, which
could act as a smaller walkabout
camera, providing you with
a xed focal length thats
equivalent to 28mm.
Michael Topham
55
The perfect gift for

Whatever their interest, whatever they love,
a magazine subscription is the perfect gift this Fathers Day.
SAVE
39%
SAVE
36%
6 Issues for 18.49
SAVE UP TO
39%
SAVE
39%
6 Issues for 19.49
SAVE UP TO
39%
SAVE
26%
12 Issues for 29.49
SAVE UP TO
40%
6 Issues for 18.99
SAVE
34%
25 Issues for 51.49
SAVE UP TO
40%
SAVE
39%
6 Issues for 17.99
Country & Equestrian
SAVE
40%
6 Issues for 43.99
6 Issues for 18.49
Sports
SAVE
30%
12 Issues for 21.99
SAVE
38%
SAVE
39%
12 Issues for 23.49
Music & Photography
SAVE
55%
12 Issues for 11.99
SAVE UP TO
55%
SAVE
40%
6 Issues for 18.99
SAVE UP TO
40%
p to
5 5%
t
Fa
Fther
Suave
he
rs
D
SAVE
40%
un
J
h
t
ay 19
SAVE
35%
6 Issues for 18.49
6 Issues for 21.49
Cycling
SAVE
34%
SAVE
53%
12 Issues for 11.99
6 Issues for 22.49
Outdoors
SAVE
39%
SAVE
40%
6 Issues for 17.49
6 Issues for 17.99
Marine
Every subscription gift includes:
More Titles
Online!
Quicketdeliver
Betpricegurnteed
A unique gift delivered throughout the year
Exclusive discounts direct from the publisher
IntntcceonouriPd
Subcriberrewrdincluded
Receive instant access to the iPad and

iPhone edition of the magazine**
Enjoy hand-picked offers, unique giveaways

and unmissable prizes, exclusive to subscribers +
0330 333 1113

Quote code: MGFA
7 days a week from 8am to 9pm (UK time)
Subscribe online at
magazinesdirect.com/dad02
*When you subscribe by Direct Debit. Offer open to new subscribers only. Final closing date for all orders is 30th June 2016. Please allow up to 6 weeks for delivery of your first subscription issue, 8 weeks for overseas orders. **The digital version comes free with
the print edition of your subscription and is available strictly on a trial basis. Time Inc. UK Ltd reserve the right to withdraw free access to the digital version at any time. + The Rewards scheme is available for all active print subscribers of magazines published by
Time Inc. (UK) Ltd, free of charge. It is also available to digital subscribers as long as the subscription has been purchased directly through the publishers at magazinesdirect.com. Only the recipient of the subscription is entitled to access Rewards. Full terms and
conditions are available at mymagazinerewards.co.uk. For enquiries and overseas rates please contact help@magazinesdirect.com or call +44(0) 330 333 1113.
BRIAN HARRIS
Technical Support
My life in
cameras
In association with
Veteran press photographer Brian

Harris talks us through the many
cameras that have shaped his career
1972
1970
1965
Brian Harris worked

as a photographer
on The Times and
was appointed chief
photographer of
The Independent
when it launched
in 1986. He has
received numerous
awards and had
several solo
exhibitions,
including shows at
the Barbican and Photofusion. His book and
then the Prime Minister Hit Me will be published
soon. Visit brianharrisphotographer.co.uk.
1972
Kodak Instamatic 50
1970
I bought my Nikon F second-hand

from Leopold Cameras in
Clerkenwell, London. This superbly engineered
camera was strong enough to take any abuse,
and a joy to hold, being perfectly weighted with
any lens attached. It had a wonderfully bright
viewnder with interchangeable ground-glass
screens, a detachable pentaprism allowing you
to look down into the
camera at waist level to
shoot quiet
candids, and
an almost
innite
number of
available
lenses.
News Latest
announcements from
the video world
1987
1987
Mamiya C220
I saved 145 in 1970 to buy this

camera from RG Lewis in Holborn,
London. I needed a high-quality 2-square
camera when I started to
shoot weddings and babies
while a 17-year-old junior at
the Fox Photos press agency,
just off Fleet Street in
London. The C200 was
the only interchangeable
twin lens camera on the
market, with Sekor lenses
ranging from a wide 55mm
to a monster 250mm
telephoto, all very high
contrast and giving a feel
of acute sharpness.
Nikon F
Leica M6
1965
This was the post-war equivalent of

the Kodak Box Brownie of my
parents generation. It travelled everywhere with
me, allowing me to photograph events at school
and our family holidays. Despite the Instamatics
limitations only a cloudy bright/ash and sunny
exposure settings, and a very basic xed-focus
lens the results were very good. On family
holidays I was allowed two cartridges of lm.
Imagine only
having 24
exposures,
and having
to make sure
that every
picture
came out.
This was my go-to camera for

the best part of 30 years. It was
small and discreet, and a true extension of my
brain and heart working as one. A Leica M6,
one lens, 20 rolls of Kodak Tri-X or Fujilm
colour neg, a passport and a few credit cards in
your wallet, and you could travel the world
without having
to take a laptop,
chargers or
even a bag.
Wonderful
memories!
2015
2015
NIKKI BERTOYA
Brian Harris
The Video
Mode features
a range of
video tips and
tutorials to
help you learn
filmmaking
techniques
kit to get the best out of

your lmmaking
Nikon D810
As digital photography has now

taken over, for good or bad, I now
use a couple of digital Nikons for my professional
work a Nikon D700 and a D810. I also have a
Leica M9. As cameras have become bigger and
heavier, and as my physiotherapists bill has also
increased, Im starting to leave most of my
professional kit at home and now travel with just
my M9 and one lens.
Its a return to
basics and
thinking
pictures, rather
than thinking
where to rest
my weary back
and shoulders.
Reviews Latest video
Tuition Expert
technique to get the best
out of your kit
www.thevideomode.com
www.facebook.com/thevideomode
@thevideomode
57
SRB
PHOTOGRAPHIC
01582 661878
WWW.SRB-PHOTOGRAPHIC.CO.UK
Est. 1967
If youre hesitant about investing in lters, SRB

is a good place to start. An Excellent choice.
- Amateur Photographer Magazine, 2014
Gear
of the year
AWARD WINNING SERVICE & PRODUCTS * GOOD SERVICE AWARD 2015 & 2016 * GEAR OF THE YEAR 2015
Lens/Camera Adaptors
Circular Filters
ND1000
Circular Polarisers
Our award
winning 10 stop
long exposure
lter
Sizes: 25 to 86mm
16.95 67mm
17.50 72mm
17.95 77mm
18.50 82mm
18.95 86mm
49mm
52mm
55mm
58mm
62mm
24.95
25.95
26.95
27.95
28.95
62mm
67mm
72mm
77mm
82mm
29.95
31.95
32.95
34.95
39.95
Best Value
in Photoplus
Big Stopper
Group Test
62mm
67mm
72mm
77mm
29.95
31.95
32.95
33.95
34.95
35.95
36.95
37.95
39.95
Sizes: 25 to 105mm
62mm
12.50
67mm
12.95
72mm
13.50
77mm
13.95
82mm
14.50
46mm
49mm
52mm
55mm
58mm
ND Fader Filters
46mm
49mm
52mm
55mm
58mm
19.50
19.95
22.50
24.95
29.95
UV Filters
- Photoplus
46mm
49mm
52mm
55mm
58mm
14.95
15.95
16.95
18.95
20.95
ND Grad Filters
- AP Mag
4 stars for
quality & value
Sizes: 40 to 82mm
46mm
16.50
49mm
16.95
52mm
17.95
55mm
18.95
58mm
19.95
ND Filters
Grads:0.3 0.6 0.9 1.2

62mm
20.95
67mm
21.95
72mm
22.95
77mm
23.95
82mm
24.95
More Filters...
Sizes: 27 to 82mm
Grads:0.3 0.6 0.9 1.2
46mm 13.95 62mm 19.50
49mm 14.50 67mm 20.50
- Digital Camera
52mm 15.50 72mm 22.50
55mm 16.50 77mm
24.50 5 stars in DCs
ND Group Test
58mm 17.50
82mm 29.50
visit srb-photographic.co.uk for more info

from 19.95
Infrared Filters
from 9.95
Skylight Filters
from 7.50
Black & White Filters
from 14.95
Colour Grad Filters
from 12.95
Star Effect Filters
Square Filters
Pro Square Filter Holders
Best
Value
- NPhoto Magazine
NEW Pro
Aluminium Holders!
A Size Pro Holder
P Size Pro Holder
P Size W/A Pro Holder
19.95
24.95
24.95
Square Filter Holders
Pro Filter Kits

Types: ND Soft, ND Hard, Full ND
Starter Kit: 1 filter
Filter Kit: 3 filters
A Size Pro Starter Kit
29.95
A Size Pro Filter Kit
44.95
P Size Pro Starter Kit
34.95
8.95
4.95
4.95
Adaptor Rings
4.95
- P Size Pro Holder

- 3x ND Filters
- Cloth & Wallet
A Size Starter Kit

A Size Filter Kit
P Size Starter Kit
P Size Filter Kit
Canon EOS
Canon EOS
Canon EOS
Canon EOS
Canon EOS
Canon EOS
Canon EOS
Canon EOS
Canon EOS
Canon EOS-M
Canon EOS-M
Canon EOS-M
Canon EOS-M
Canon EOS-M
Canon EOS-M
Canon EOS-M
Fuji X
Fuji X
Fuji X
Fuji X
Fuji X
Fuji X
Fuji X
Fuji X
Nikon
Nikon
Nikon
Nikon 1
Nikon 1
Nikon 1
Nikon 1
Nikon 1
Nikon 1
Nikon 1
Nikon 1
Micro 4/3
M42
Nikon
Nikon G
Pentax K
Olympus OM
Con/Yash
Leica R
Leica M
Canon FD
Canon EOS
Leica M
Nikon
Canon FD
C Mount
M39
M42
M42
Leica M
Nikon
Canon EOS
Olympus OM
4/3
Canon FD
Con/Yash
M42
Canon FD
C Mount
M42
M39
Nikon
Canon EOS
Pentax K
Leica M
Leica R
Con/Yash
Canon EOS
16.95
22.95
39.95
24.95
24.95
24.95
22.95
24.95
44.95
29.95
29.95
29.95
29.95
29.95
29.95
29.95
24.95
29.95
29.95
29.95
29.95
29.95
29.95
29.95
24.95
44.95
32.95
24.95
22.95
29.95
44.95
29.95
39.95
37.95
23.95
29.95
Micro 4/3
Micro 4/3
Micro 4/3
Micro 4/3
Micro 4/3
Micro 4/3
Micro 4/3
Micro 4/3
Micro 4/3
Micro 4/3
Micro 4/3
4/3
4/3
4/3
4/3
4/3
4/3
Pentax
Pentax
Pentax
Pentax
Sony Alpha
Sony Alpha
Sony Alpha
Sony Alpha
Sony Alpha
Sony NEX
Sony NEX
Sony NEX
Sony NEX
Sony NEX
Sony NEX
Sony NEX
Sony NEX
Sony NEX
Sony NEX
Nikon
Nikon G
M42
Olympus OM
Minolta MD
Leica R
Leica M
Sony Alpha
Pentax K
Canon FD
Con/Yash
M42
Con/Yash
Leica R
Nikon
Olympus OM
Pentax K
M42
Nikon
Sony Alpha
Canon FD
M42
Minolta MD
Nikon
Pentax K
Canon FD
Canon EOS
Nikon
Sony Alpha
Olympus OM
Pentax K
Leica M
Leica R
Canon FD
M39
M42
29.95
34.95
29.95
29.95
29.95
29.95
29.95
34.95
29.95
29.95
29.95
17.95
22.95
22.95
22.95
22.95
22.95
18.95
44.95
44.95
44.95
15.95
44.95
44.95
44.95
44.95
29.95
29.95
34.95
29.95
29.95
29.95
29.95
42.95
23.95
23.95
With our on-site engineering factory we can help! Visit srb-photographic.co.uk for more info
Accessories
In-It Lens Pocket N
Microfibre Cloths
Olloclip Lenses
Lens Pouch
Deluxe Lens Pouch
Circular Filter Pouch
Square Filter Wallet
Square Filter Case
Lightning Sensors
Selfie Stick Bundle
Bluetooth Remotes
OpTech Straps
Camera Spirit Levels
Deluxe Lens Pouch

from 11.95
0.3 ND Glass Pro

0.9 ND Glass Pro
29.95
29.95
- Digital Photo
for build,
image quality
& value
23.95
24.95
25.95
Caps & Hoods
Auto Extension Tubes
NEW
DSLR Self Kit

Compact Self Kit
Angled Self Kit
28mm On-It Carbon

FIbre Tripod
NEW
only
Canon EOS 17.50 Olympus 4/3 17.50

Micro 4/3
17.50 Sony Alpha
17.50
Nikon
17.50
149.95
- Practical Photo, Jan 2016
Lee Filters Seven5 System
EXCLUSIVE
Lee Filters
100mm Starter
Kit
139.95
NEW
34.95
24.95
34.95
Three Filter Wallet

4.95
You could easily expect to pay that for the lightweight alloy head alone. - F2 Freelance Magazine
Manual Extension Tubes
from
E
In-It Camera WrapN from 8.95
Lens Pen
4.95
from 5.95
Cleaning Kits
from 3.50
Dust Blowers
Cleaning Solution
4.95
9.95
Memory Card Cases
8.95
Reflector Kits
5.95
Rainsleeves Pack of 2
9.95
White Balance Caps
Filter Stack Caps
from 10.95
39.95
Angled View Finder
17.95
DC Compact Mount
9.95
Circular filter Wraps
Tripods & Mounts
54.95
49.95
54.95
49.95
- Digital Photo, 2015
Lee Filters 100mm System
1.50
from 59.95
from 8.50
from 11.95
5.95
9.95
1.95
64.95
9.95
3.95
from 9.99
from 3.50
from
Self Take Kits
Lens Caps
3.95
Body Caps
3.50
Rear Lens Caps
3.50
from 10.95
Petal Hoods
Rubber Lens Hoods 4.95
from 5.95
Metal Hoods
Body & Rear Sets
5.95
- April, 2014
- Photo Plus
from 20.00
Adaptors Rings
Foundation Kit
59.95
Professional Kit
115.00
ND Grad Sets
199.00
from75.00
Individual Filters
Big Stopper
104.95
Little Stopper
95.99
Landscape Polariser 173.99
EWfrom 3.95
24.95
39.95
24.95
39.95
Set of 3 tubes
Each set includes four
Canon EOS from 29.95 Nikon
close up lenses with
upto +17 diopter and Canon EOS-M 49.95 Pentax Q
Micro 4/3
49.95 Sony Alpha
a protective case
Nikon 1
49.95 Sony NEX
67mm
72mm
77mm
Lens
Types: ND Soft, ND Hard, Full ND
Close up Lens Sets
19.95
20.95
21.95
22.95
Camera
only
Close up & Macro
52mm
55mm
58mm
62mm
49.95
Sizes: A Size & P Size

0.9 Hard ND Grad
13.50
1.2 Hard ND Grad
15.95
Circular Polariser
26.00
Blue Grad
13.50
Sunset Grad
13.50
Twilight Grad
13.50
Black & White Filters
13.50
4x Star Effect
13.50
6x Star Effect
13.50
P Size Diffusion Filter 12.50
13.50
13.50
13.50
15.95
13.50
13.50
13.50
15.95
13.50
13.50
Lens
P Size Pro Filter Kit
Individual Square Filters

0.3 Full ND
0.6 Full ND
0.9 Full ND
1.2 Full ND
0.3 Soft ND Grad
0.6 Soft ND Grad
0.9 Soft ND Grad
1.2 Soft ND Grad
0.3 Hard ND Grad
0.6 Hard ND Grad
Camera
Square Filter Kits
A Size Holder
P Size Holder
P Size W/A Holder
2015
Seven5 Holder
59.50
Adaptor Rings
Starter Kit
ND Grads
ND Filters
Big Stopper
Little Stopper
Polarisers
Deluxe Kit
*NEW* Lee Filters 15-stop Super Stopper now available online! Seven5 system - 64.95
17.50
109.00
52.00
64.95
65.00
68.00
190.00
460.00
25mm Onit
Carbon
Fibre Tripod
119.95
colours: Red,
Blue, Black
EW24.95
On-It Monopod N
Travel Tripod
Tripod Lens Mount
Binocular Brackets
Window Mount
Dash Mount
Universal Tripod
Mount
9.99
49.95
9.99
24.95
9.95
46.00
Lee Filters SW150 System
SW150 Mark II Holder

150.00
100mm system - 99.95
SW150 Mark II Adaptors

Nikon 14-24mm 89.95
89.95
Canon 14mm
Sigma 12-24mm 89.95
Samyang 14mm 89.95
Tamron 15-30mm 89.95
Tokina 16-28mm 89.95
SW150 Field Pouch 47.95
SW150 system - 129.95
Many more great products online! Sign up for the latest news and oers at www.srb-photographic.co.uk
Technical Support
Professor Newman on
The plenoptic
camera
Lytro may have failed in the consumer market, but its
latest offering aims to revolutionise movie production
or a number of
years, Lytro has been
developing what it calls
a Light Field camera,
culminating into the Lytro ILLUM
(tested in AP 22 November 2014).
Recently, the company announced
it was pulling out of the consumer
market in order to concentrate on
developing a new cinema camera,
which boasts some impressive
statistics. Within its frame, the size
of a small van, it packs a tea-traysized sensor with 755MP. It can
shoot at 300 frames per second.
This new camera will, it is
claimed by Lytro, bring a number
of advantages to lm production,
including the ability to refocus
after shooting, to change the
apparent camera position and to
exclude from the image objects
further than a selected distance.
Light Field camera is a
proprietary name for a plenoptic
camera. This is taken from the
Latin plenus, meaning full, so such
a camera in some sense records
full information about the light.
What this means in practice is that
the camera measures not only the
brightness and colour of a ray of
light crossing the focal plane, but
also the direction at which it
crossed. Since the direction of
the ray is perpendicular to the

wavefront of the light, this allows
the wavefronts of the light to
be calculated. In turn, when
the wavefronts are known, the
position of the objects from
which they emanated is known,
producing what is in effect a
holographic system.
The outcome of this is that the
camera provides information not
The latest
photography kit
and technique at
your ngertips
Recently I wrote an article on

Canons dual-pixel phase-detection
autofocus system. In that system,
the pixel under every microlens
is split into two sub-pixels, each
sub-pixel collecting light from only
half of the cameras taking lens.
The effect is that the image
composed of right sub-pixels is
taken from light rays entering the
right-hand side of the lens and the
This information can be used to adjust

the focus point of the image after capture
only about the distribution of
objects in the scene in lateral and
vertical directions, but also in the
depth direction. This information
can be used to adjust the depth of
eld or even the focus point of the
image, after capture. It was this
capability that Lytro had hoped
would secure a large market in
photography. It hasnt worked out
quite like that, perhaps because
conventional cameras are now
very good at securing in-focus
shots, so theres little need for
refocusing after shooting.
Ironically, the way a plenoptic
camera works is actually very
similar to the phase-detection
mechanism that makes modern
cameras focus so effective.
image composed of left sub-pixels

is taken from the left-hand side
of the lens. Since they are taken
from slightly different directions,
the objects display different
parallaxes, and this allows their
distance to be calculated.
To turn a dual-pixel camera
into a plenoptic camera, instead
of two sub-pixels under each
microlens, wed have a twodimensional array, maybe 64
sub-pixels (in an 8x8 grid). Now,
instead of images from two
different directions, we have them
from 64 directions. With suitable
signal-processing algorithms, the
seeming wonders of changing
focus and depth of eld after
capture can be performed.
Lytros new cinema camera

can alter depth of field and
focus, even after capture
More great
pictures
More technique
More opinion
More inspiration
Download online,
enjoy ofine
Buy from the comfort
of your own home
Available the day
the magazine goes
on sale
Missed an issue?
Simply download a
back copy
Try it today
www.amateurphotographer.
co.uk/digital-edition
Bob Newman is currently Professor of Computer Science at the University of Wolverhampton. He has been working with the design and development of
high-technology equipment for 35 years and two of his products have won innovation awards. Bob is also a camera nut and a keen amateur photographer
subscribe 0330 333 1113 I www.amateurphotographer.co.uk I 00 Month 2016
59
To advertise please call 020 3148 2510

Index to advertisers
Cameraworld Ltd........................................ 73
Email simon.gerrard@timeinc.com
Grays of Westminster..................... 30-31, 60
Camtech Photographic Ltd ....................... 61
Park Cameras Ltd ............... Cover: iii, 68-69

Permier Ink & Photographic ...............70-71
Intro 2020 ..................................... Cover: ii, 9

Sony Europe Limited .......................Cover:iv
Digital Depot ......................................... 65,75

London Cameras Exchange Ltd ............... 79
Wex Photographic ........................... 40,62-64
Ffordes (Photographic) Ltd..................66-67

Flaghead Photographic Ltd....................... 60
60
Srb-Griturn Ltd........................................... 58
Nikon (UK) Ltd .......................................... 21
Classified ...............80-81
DIGITAL PHOTOGRAPHY
Digital Photography
CANON EOS 30D COMP WITH ALL ACCESS.......................... MINT-BOXED 129.00

CANON EOS 50D BODY COMPLETE WITH ALL ACCESS.........MINT BOXED 299.00
CANON 550 EX SPEEDLITE.................................................... MINT-CASED 129.00
CANON 550 EX SPEEDLITE...................................................................EXC+ 80.00
CANON 580 EX SPEEDLITE.................................................... MINT-CASED 199.00
CANON 580 EX MKII SPEEDLITE........................................... MINT-CASED 225.00
FUJI X-PRO 1 BODY COMPLETE WITH ALL ACCESS ............ MINT-BOXED 325.00
FUJI X100 COMPLETE WITH ALL ACCESSORIES .................. MINT-BOXED 275.00
FUJI X10 COMPLETE WITH ACCESSORIES.............................MINT BOXED 195.00
FUJI X20 COMPLETE WITH ACCESSORIES & CASE...............MINT BOXED 245.00
FUJI 18mm f2 R FUJINON BLACK LENS ................................MINT BOXED 245.00
FUJI 35mm f1.4 R FUJINON LENS .........................................MINT BOXED 295.00
FUJI 56mm f1.2 R XF FUJINON LENS..................... MINT BOXED AS NEW 545.00
FUJI 60mm f2.4 R MACRO FUJINON AS NEW .......................MINT BOXED 295.00
FUJI 18-55mm f2.8/4 R LM OIS XF WITH HOOD ...............................MINT 325.00
FUJI NP-W126 BATTERY.......................................................................NEW 29.00
FUJI EF-42 FLASHGUN FOR X PRO1 ....................... MINT BOXED AS NEW 139.00
FUJI RR-90 REMOTE RELEASE .............................................................NEW 25.00
FUJI FIT FC-E3 OFF CAMERA FLASH CORD..........................................NEW 12.00
NIKON D610 BODY NEW UNREGISTERED........................................NEW 875.00
NIKON D800 BODY ONLY 2000 ACTUATIONS .....................MINT BOXED 1,095.00
NIKON D600 BODY COMPLETE ONLY 3011 ACTUATIONS .....MINT BOXED 799.00
NIKON D2X BODY ONLY 17354 ACTUATIONS COMPLETE .....MINT BOXED 495.00
NIKON D3200 BODY & 18-55mm VR MK II LENS & GRIP..................MINT 245.00
NIKON D3100 BODY & 18-55 VR LENS..............................................MINT 199.00
NIKON D5100 BODY WITH 18-55 VR LENS............................MINT BOXED 295.00
NIKON D200 BODY COMPLETE ONLY 3899 ACTUATIONS ..MINT - BOXED 199.00
NIKON D80 BODY COMPLETE WITH ALL ACCESS ............................MINT- 165.00
NIKON D80 BODY COMPLETE WITH ALL ACCESS .............................EXC+ 145.00
NIKON V1 BODY WITH NIKON 10-30 VR LENS KIT ................MINT BOXED 199.00
NIKON COOLPIX P7000.............................................................MINT BOXED 95.00
NIKON 18.5mm f1.8 1 NIKKOR FOR V SERIES.........................MINT BOXED 99.00
NIKON 32mm f1.2 1 NIKKOR FOR V SERIES..........................MINT BOXED 499.00
NIKON GR-N100 GRIP FOR V1..................................................MINT BOXED 59.00
NIKON SB800 SPEEDLIGHT ................................................... MINT-BOXED 189.00
NIKON SB700 SPEEDLIGHT ..................................... MINT BOXED AS NEW 199.00
NIKON SB600 SPEEDLIGHT ...............................................................MINT- 125.00
SIGMA EM-140 DG NA - ITTL MACRO FLASH .......................MINT BOXED 225.00
SIGMA EF 610 DG SUPER FLASH NIKON FIT ...........................MINT BOXED 95.00
SIGMA EF-530 DG ST ELECTRONIC FLASH ITTL NIKON FIT....MINT BOXED 75.00
OLYMPUS E-PL5 WITH 14-42 LENS COMPLETE....................MINT BOXED 175.00
OLYMPUS 12mm f2 ZUIKO DIGITAL ED MICRO 4/3RDS....................MINT 399.00
OLYMPUS 45mm f1.8 M ZUIKO DIGITAL MICRO 4/3RDS..................MINT 125.00
OLYMPUS 60mm f2.8 MACRO M ED MICRO 4/3RDS ........................MINT 275.00
PENTAX Q WITH 01 STANDARD PRIME LENS 8.5-40.5........ MINT-BOXED 195.00
PANASONIC 45-75mm F4/5.6 LUMIX G X VARIO M 4/3RDS.............MINT 219.00
SIGMA 10-20mm F4/5.6 DC EX HSM OLYMPUS 4/3RDS...... MINT+HOOD 245.00
OLYMPUS 50mm F2 MACRO ZUIKO DIGITAL ED 4/3RDS......MINT CASED 365.00
OLYMPUS 70 - 300mm F4/5.6 ZUIKO DIGTAL ED 4/3RDS................MINT 225.00
OLYMPUS EC-20 TELECONVERTER FOR 4/3RDS...................MINT CASED 245.00
OLYMPUS EX - 25 EXTENSION TUBE 25MM............................MINT CASED 95.00
OLYMPUS HLD-4 BATTERY GRIP FOR E3 BODY..................................MINT 85.00
OLYMPUS HLD-5 BATTERY GRIP FOR E620 BODY..............................MINT 39.00
OLYMPUS HLD-6 BATTERY GRIP FOR OMD-EM5..................MINT BOXED 129.00
OLYMPUS FL-14 FLASH UNIT ...............................................EXC++ BOXED 69.00
OLYMPUS FL- 40 FOR OLYMPUS DIGITAL...............................MINT BOXED 59.00
PANASONIC LUMIX DMC-GM1 16Mp WITH BATT & CHGR ..............MINT- 145.00
PANASONIC LUMIX DMC FZ200 COMPLETE ALL ACCESS ....MINT BOXED 225.00
PANASONIC GF1 BODY COMPLETE......................................... MINT-BOXED 95.00
PANASONIC GF2 BODY COMPLETE WITH ALL ACCESS.........MINT BOXED 145.00
PANASONIC DMW-VF1 FINDER FOR PANASONIC....................MINT BOXED 89.00
LEICA 14 - 50 D f2.8/3.5 LUMIX VARIO ELMARIT 4/3rds .................MINT 199.00
SIGMA 30mm F2.8 DN MICRO 4/3RDS..................................MINT BOXED 115.00
SIGMA 60mm f2.8 DN ART LENS..........................................EXC++ BOXED 79.00
SONY DSC-HX90V COMPLETE VERY LOW USE......................MINT BOXED 275.00
SONY DT 30mm F2.8 MACRO SAM LENS..............................MINT BOXED 115.00
SONY ALPHA HVL-F36AM FLASH GUN ..................................MINT CASED 129.00
Canon Autofocus, Digital Lenses, Canon FD
CANON AUTOFOCUS, DIGITAL LENSES, CANON FD
CANON EOS 1 BODY.............................................................................EXC+ 99.00

CANON EOS 1N BODY.........................................................................EXC+ 145.00
CANON 16 - 35mm f2.8 USM L MK 2 ................................MINT BOXED 875.00
CANON 17 - 40mm F4 USM L ............................................MINT BOXED 385.00
CANON 24 - 70mm F2.8 USM L MKI................... MINT BOXED AS NEW 695.00
CANON 28 - 80mm f2.8/4 USM L.....................................EXC++CASED 375.00
CANON 28 - 300mm f3.5/5.6 USM L IMAGE STABILIZER. MINT-BOXED 1,275.00
CANON 70 - 200mm f4 USM L IMAGE STAB + T/COLLARMINT-BOXED 675.00
CANON 70 - 200mm f2.8 USM L IS IMAGE STABI MK1 ....MINT CASED 875.00
CANON 70 - 200mm f2.8 USM L........................................MINT BOXED 745.00
CANON 100 - 400mm f4 USM L IS IMAGE STABILIZER ....MINT BOXED 799.00
CANON 14mm f2.8 USM L................................................. MINT-BOXED 795.00
CANON 300mm f4 USM L IMAGE STABILIZER...................MINT CASED 799.00
CANON 15mm f2.8 EF FISHEYE .............................. MINT BOXED AS NEW 379.00
CANON 28mm f2.8 E/F.......................................................................MINT 195.00
CANON 50mm f1.8 MARK 1 (VERY RARE NOW)................................MINT 135.00
CANON 50mm f1.8 MK II.....................................................................MINT- 59.00
CANON 60mm f2.8 USM MACRO LATEST..............................MINT BOXED 235.00
CANON 85mm f1.8 USM.........................................................MINT BOXED 195.00
CANON 100mm f2 USM.....................................................................MINT- 265.00
CANON 100mm f2 USM................................................................... EXC++ 225.00
CANON 17 - 55mm f2.8 USM IMAGE STABILIZER.................MINT BOXED 399.00
CANON 17 - 85mm f4/5.6 IMAGE STABILIZER......................MINT BOXED 169.00
CANON 18 - 55mm f3.5/5.6 MK II .......................................................MINT 59.00
CANON 18 - 200mm f3.5/5.6 EF-S IMAGE STABILIZER ........ MINT+HOOD 299.00
CANON 28 - 105mm f3.5/4.5 USM ....................................................MINT 145.00
CANON 28 - 135mm f3.5/5.6 USM IMAGE STABILIZER ........MINT BOXED 179.00
CANON 55 - 250mm f4/5.6 IS COMPLETE.............................MINT BOXED 110.00
CANON 75 - 300mm f4.5/5.6 USM MKII............................................MINT 129.00
CANON 100 - 300mm f4/5.6 USM ......................................................MINT- 95.00
KENCO DG CANON FIT TUBE SET 12,20,36MM........................MINT BOXED 99.00
CANON EF 1.4X EXTENDER MK I........................................................MINT 159.00
CANON EF 1.4X EXTENDER MK II ..........................................MINT CASED 185.00
CANON EF 2.0X EXTENDER MK I............................................MINT BOXED 175.00
CANON EF 2.0X EXTENDER MK II ..........................................MINT BOXED 185.00
CANON EF 2.0X EXTENDER MK II ..........................................MINT CASED 179.00
KENCO DG CANON FIT TUBE SET 12,20,36MM...................................MINT- 99.00
KENCO TELEPLUS PRO 300 DGX 2.0 TELECONVERTER.........MINT BOXED 159.00
TELEPLUS MC7 7 ELEMENT 2X TELECONVERTER..............................MINT- 75.00
TELEPLUS 2X CONVERTER CANON A/F...............................................MINT- 45.00
CANON ANGLE FINDER B .........................................................MINT BOXED 79.00
SIGMA 4.5mm f2.8 EX DC HSM CIRCULAR FISHEYE.............MINT CASED 475.00
SIGMA 10mm f2.8 EX DC FISHEYE HSM ...............................MINT BOXED 345.00
SIGMA 17 - 35mm f2.8/4 EX HSM APHERIC ....................................MINT- 179.00

SIGMA 18 - 50mm f 2.8 EX DC SLD GLASS ......................... MINT-BOXED 145.00
SIGMA 170 - 500mm f5/6.3 APO COMP WITH HOOD........... MINT-BOXED 299.00
TAMRON 10-24 f3.5/4.5 A/F SP LD Di ASPHERIC VR ...........MINT BOXED 225.00
TAMRON 28 - 300mm f3.5/6.3 I/F LD DI ASP VIB CONTROLMINT BOXED 375.00
TOKINA 100mm f2.8D MACRO ATX-PRO + HOOD............................MINT- 245.00
TOKINA 10 -17mm f3.5/4.5 ATX DX FISHEYE (LATEST) ...................MINT 299.00
TOKINA 11 - 16mm f2.8 ATX - PRO ASPHERICAL.................MINT BOXED 279.00
Contax G Compacts & SLR & Ricoh
CONTAX G COMPACTS AND SLR & RICOH
CONTAX TIX TITANIUM COMPACT + LEATHER CASE............MINT CASED 299.00

CONTAX 21mm f 2.8 BIOGON BLACK WITH FINDER .............MINT BOXED 499.00
CONTAX 21mm f2.8 BIOGON WITH FINDER...........................MINT BOXED 499.00
CONTAX 28mm F2.8 BIOGON G + HOOD,CAP....................MINT BOXED 275.00
CONTAX 90mm f2.8 SONNAR G BLACK +B&W FILTER.....MINT BOXED 245.00
CONTAX 90mm f2.8 SONNAR G + HOOD,FILTER,CAP.......MINT CASED 195.00
CONTAX 35 - 70mm f3.5/5.6 G VARIO-SONNAR T*...........MINT BOXED 395.00
CONTAX TLA 140 FLASH FOR G1/G2 .......................................MINT CASED 65.00
CONTAX TLA 200 FLASH FOR G1/G2 .......................................MINT CASED 69.00
CONTAX TLA 200 FLASH FOR G1/G2 BLACK...........................MINT BOXED 79.00
CONTAX GD1 DATABACK FOR CONTAX T3............................. MINT-BOXED 69.00
CONTAX 45mm F2.8 TESSAR T* PANCAKE LENS + HOOD ...............MINT 195.00
CONTAX 300mm F4 TELE TESSAR AE ..............................................MINT- 295.00
CONTAX 28 - 70mm F3.5/4.5 VARIO SONNAR T* MM ..........MINT BOXED 295.00
CONTAX TLA 280 FLASH.....................................................................MINT- 95.00
Leica M, R & Screw & Rangfinders
LEICA M , R , & SCREW & RANGEFINDER
LEICA M8 BODY NEW SHUTTER AND SERVICE....................EXC++BOXED 799.00

LEICA M7 BODY LATE MODEL ............................. MINT BOXED AS NEW 1,395.00
LEICA M6 TTL BLACK 0.72 WITH STRAP..........................................MINT- 999.00
LEICA M4P BODY BLACK .....................................................EXC++BOXED 475.00
LEICA M5 BODY.................................................................................MINT- 600.00
LEICA M3 BODY............................................................................... EXC++ 399.00
LEICA M2 BODY WITH CASE................................................EXC++CASED 595.00
LEICA M2 BODY............................................................................... EXC++ 399.00
LEICA M1 BODY....................................................................EXC++CASED 499.00
LEICA MDA BODY SER NO 12659XX CIRCA 1970.............................MINT- 425.00
LEICA MDA BODY SER NO 14111XXCIRCA 1975-76...................... EXC++ 399.00
LEICA IIIg BODY WITH LEICA 5cm f2................................. MINT-CASED 1,195.00
LEICA II & 50MM F2 NICKEL ELM (FROM A COLLECTION)......... EXC++ 365.00
LEICA IIIA STANDARD WITH 5CM F2 COLL SUMMITAR...............EXC+++ 365.00
LEICA III BODY REALLY NICE CLEAN BODY WITH CASE..................MINT- 295.00
LEICA IIIC BODY WITH CASE........................................................... EXC++ 195.00
LEICA IIIC RED BLIND RARE ........................................................... EXC++ 345.00
LEICA CL BODY ............................................................................... EXC++ 299.00
LEICA CL BODY .................................................................................MINT- 445.00
LEICA C LUX 2 COMPLETE ALSO LEATHER CASE..................MINT BOXED 299.00
ZEISS 21mm F4.5 BIOGON ZM................................ MINT BOXED AS NEW 699.00
LEICA 16,18,21mm F4 ASPH M TRI-ELMAR 6 BIT LATESTMINT BOXED 2,295.00
LEICA 21mm F4 SUP ANGULON + M ADAP + FINDER....MINT IN KEEPER 895.00
MINOLTA 28mm f2.8 ROKKOR LENS WITH FILTERS,HOOD...............MINT 399.00
LEICA 28mm f2.8 ELMARIT M WITH HOOD CANADIAN.........MINT BOXED 899.00
LEICA 28mm f2.8 ELMARIT ASPHERIC 6 BIT (UNUSED) MINT BOXED 1,095.00
ZEISS 35mm f2.8 BIOGON BLACK + HOOD M FIT .................MINT BOXED 395.00
LEICA 35mm F2 SUMMICRON ASPH BLACK 6 BIT LATESTMINT BOXED 1,495.00
LEICA 35mm f2 SUMMICRON .............................................MINT BOXED 1,095.00
LEICA 35mm f3.5 SUMMARON M WITH LEICA FILTER ....................MINT- 325.00
LEICA 35mm f3.5 SUMMARON M WITH SPECS................................MINT- 395.00
LEICA 50mm f1.4 SUMMILUX M BLACK......................................... EXC++ 895.00
LEICA 50mm f2 SUMMICRON BLACK 11826.........................MINT BOXED 895.00
LEICA 50mm f2 SUMMICRON 6 BIT LATEST ......................MINT BOXED 1,095.00
LEICA 50mm f2 SUMMICRON CHROME SER NO 36301## .... MINT+HOOD 995.00
LEICA 50mm f2 SUMMICROM CHROME 11816 ...... MINT BOXED AS NEW 799.00
LEICA 50mm f2 SUMMICRON BLACK COMP WITH HOOD .....MINT BOXED 850.00
LEICA 50mm f2 SUMMICRON CHROME M FIT..............................EXC+++ 575.00
LEICA 50mm f2 SUMMICRON CHROME M FIT...................................MINT 595.00
LEICA 50mm f2 CLOSE FOCUS SUMM + SPECS ............................ EXC++ 595.00
LEICA 50mm f2.5 SUMMARIT M LATEST 6 BIT...... MINT BOXED AS NEW 745.00
LEICA 5cm F3.5 COLLAPSABLE ELMAR FOR M 13339## ................MINT- 299.00
LEICA 5cm f3.5 ELMAR RED SCALE ...............................................MINT-- 345.00
LEICA 75mm f2 SUMMICRON APO 6 BIT LATEST ..............MINT BOXED 1,495.00
LEICA 90mm f2.8 TELE ELMARIT + HOOD + CASE FOR M ...MINT BOXED 495.00
LEICA 90mm f2.8 ELMARIT M 11807 ..................... MINT BOXED AS NEW 799.00
LEICA 90mm f2.5 SUMMARIT M 6 BIT LATEST + HOOD.......MINT CASED 875.00
LEICA 9cm, f4 ELMAR COLL FOR M .................................................MINT- 175.00
LEICA 135mm f4.5 HEKTOR.................................................................EXC+ 75.00
VOIGTLANDER BESSA T 101ST ANNIV HELIAR SET BLUE.....MINT BOXED 795.00
VOIGTLANDER BESSA L BODY...............................................MINT BOXED 115.00
VOIGTLANDER 15mm f4.5 S/WIDE + M MOUNT+ FINDER................MINT 299.00
VOIGTLANDER 25mm f4 SNAPSHOT SKOPAR + FINDER ......MINT BOXED 275.00
VOIGTLANDER 35mm f1.2 NOKTON + HOOD M ASPHERIC..............MINT- 595.00
VOIGTLANDER 15mm FINDER.............................................................MINT- 79.00
VOIGTLANDER BESSA R GRIP FOR R,R2,R3 ETC.....................MINT BOXED 49.00
LEICA UNIVERSAL POLARING FILTER KIT M(13356).............MINT BOXED 199.00
LEICA M GRIP FOR M7/M6/M6TTL ETC..............................................MINT- 49.00
CANON 50mm f1.8 LEICA SCREW WITH M MOUNT...........................MINT 295.00
LEICA 35mm F2.8 SUMMARON SCREW L39.....................................MINT- 499.00
LEICA 35mm F3.5 SUMMARON SCREW............................................MINT- 299.00
LEICA 5cm F1.5 SUMMARIT SCREW ................................................MINT- 365.00
LEICA 5cm F2 SUMMARIT SCREW ......................................MINT-KEEPER 299.00
LEICA 5cm F2 SUMMITAR COLL + M MOUNT...............EXC++IN KEEPER 275.00
LEICA 135mm F2.8 ELMARIT M WITH SPECS..............................ECX+++ 299.00
LEICA 135mm F4.5 HEKTOR + HOOD M MOUNT.............................. EXC++ 99.00
LEICA 135mm F4.5 HEKTOR IN KEEPER.......................................EXC+++ 199.00
LEICA FIT DALLMEYER 13.5CM F4.5 DALRAC..............................EXC+++ 375.00
LEICA 90mm F4 ELMAR BLACK SCREW......................................... EXC++ 145.00
LEICA 135mm F4.5 HEKTOR + HOOD SCREW .................................. EXC++ 99.00
LEICA SF20 FLASH FOR M6 etc...............................................MINT BOXED 89.00
LEICA SF24D FLASH...............................................................MINT BOXED 189.00
LEICA FONOR BLACK RANGEFINDER.................................... MINT-CASED 175.00
LEICA WINDER M4-2 FOR M4 ETC........................................ MINT-BOXED 145.00
LEICA R7 BLACK BODY ......................................................... MINT-BOXED 225.00
LEICA R5 BODY BLACK .....................................................................MINT- 225.00
LEICAFLEX BODY CHROME ...............................................................MINT- 195.00
LEICA 50mm F2 SUMMICRON ROM LENS 11345................. MINT-BOXED 445.00
LEICA 60mm f2.8 MACRO ELMARIT.................................................MINT- 299.00
LEICA 180mm F4 ELMARIT R 3 CAM.............................................. EXC++ 345.00
SWAROVSKI EL RANGE 10x42 RANGEFINDER BINOS .......NEW UNUSED 1,695.00
SWAROVSKI 8x32 EL WITH CASE AND STRAP......................MINT CASED 799.00
Medium & Large Format
MEDIUM & LARGE FORMAT
HASSELBLAD H1 BODY WITH HV90X FINDER & BACK......... MINT-BOXED 795.00

HASSELBLAD 35mm f3.5 HC FOR H SYSTEM.................... MINT-BOXED 1,195.00
HASSELBLAD 50 - 110 f3.5/4.5 HC FOR H SYSTEM.......... MINT-BOXED 1,195.00
HASSELBLAD HM 16 - 32 BACK FOR H1 SYSTEM ................MINT BOXED 175.00
HASSELBLAD 150mm f4 SONNAR T* ....................................MINT BOXED 299.00
HASSELBLAD VFC-6 METERED PRISM..................................MINT BOXED 175.00
HASSELBLAD A12 BACK CHROME....................................................MINT- 129.00
BRONICA 45mm F4 RF LENS FOR RF645 WITH FINDER .......MINT BOXED 325.00
BRONICA 50mm F2.8 ZENZANON MC.............................................EXC+++ 99.00
BRONICA 110mm F4 MACRO LENS PS.............................................MINT- 295.00
BRONICA 150mm F3.5 ZENZANON E MC.................................MINT BOXED 99.00
BRONICA 150mm F3.5 ZENZANON E MC.............................................MINT 89.00
BRONICA 150mm F4 E........................................................................MINT- 89.00
BRONICA ETRSI 120 BACK..................................................................MINT- 69.00
BRONICA POLAROID BACK FOR ETRSI, ETRS ETC ..................MINT BOXED 59.00
BRONICA AEII METERED PRISM ..........................................................EXC+ 75.00
BRONICA PLAIN PRISM FOR ETRS/ETRSI............................................MINT 75.00
BRONICA PLAIN PRISM FOR ETRS/ETRSI......................................... EXC++ 59.00
BRONICA ROTARY PRISM FINDER FOR ETRS, ETRSI ETC..................MINT- 75.00
BRONICA MOTOR WINDER E...........................................................EXC+++ 89.00
BRONICA 150mm F3.5 ZENZANON S................................................MINT- 165.00
BRONICA SQ-B COMPLETE WITH LENS, BACK & WLF ......... MINT-BOXED 345.00
BRONICA 40mm f4 ZENZANON S ULTRA WIDE FOR SQ...................MINT- 199.00
BRONICA 50mm f3.5 PS LENS & CASE ................................ MINT-BOXED 199.00
BRONICA 65mm F4 ZENZANON PS FOR SQ.......................... MINT-CASED 145.00
BRONICA 110mm F4 PS ZENZANON MACRO FOR SQ .......... MINT-CASED 365.00
BRONICA 150mm F4 PS ZENZANON FOR SQ........................ MINT-CASED 145.00
BRONICA 180mm f4.5 PS LENS & CASE .............................. MINT-BOXED 199.00
BRONICA AE PRISM FINDER SQ-i LATST MODEL..................MINT BOXED 225.00
BRONICA PRISM ME METERED FOR SQA/SQAI..................................MINT- 89.00
BRONICA SPEED GRIP FOR SQA/SQAI................................................MINT- 69.00
BRONICA FILMBACK SQ-i220 FOR SQA/SQAi..........................MINT BOXED 79.00
MAMIYA 6 BODY ...............................................................................MINT- 775.00
MAMIYA 150mm F4.5 G WITH HOOD FOR MAMIYA 6...................MINT 365.00
MAMIYA 180mm F4.5 SEKOR Z W FOR RZ........................................MINT 199.00
MAMIYA 250mm F4.5 LENS FOR RZ ................................................MINT- 195.00
MAMIYA 150mm F3.5 A/F FOR 645 A/F............................................MINT 299.00
MAMIYA 210mm F4 SEKOR C FOR 645.................................MINT CASED 195.00
MAMIYA 180mm F4.5 SEKOR FOR RB...............................................MINT 169.00
MAMIYA 220 BACK FOR RZ 67...........................................................MINT- 95.00
PENTAX 135mm f4 MACRO TAKUMAR SMC FOR 6x7 ......................MINT 175.00
PENTAX 200mm F4 FOR PENTAX 67 + FILTER AND HOOD .............MINT- 199.00
PENTAX 55mm F4 SMC FOR 6X7 ......................................................MINT 175.00
PENTAX 55mm F2.8 FOR PENTAX 645..................................MINT BOXED 199.00
ROLLEIFLEX SCHNEIDER 150MM F4.6 MAKRO FOR 6008................MINT- 575.00
WISTA TYPE N 4X5 MOUNT ROLL FILM HOLDER FOR 6X7 .... MINT-BOXED 75.00
Nikon Auto-Focus, Digital Lenses & Accessories
NIKON A/F & DIGITAL , LENSES & ACCESSORIES
NIKON F5 50TH ANNIVERSARY Ltd EDITION NEW.........NEW UNUSED 1,499.00

NIKON F6 BODY UNUSED THIS IS A NEW ITEM.................NEW UNUSED 1,195.00
NIKON F100 BODY SLIGHT STICKY GRIP............................................MINT- 99.00
NIKON 10.5mm F2.8 G IF-ED AF DX FISHEYE LENS..........MINT BOXED 425.00
NIKON 20mm f2.8 A/F D ....................................................MINT BOXED 295.00
NIKON 50mm F1.8 A/F........................................................................MINT- 69.00
NIKON 50mmF1.8 A/F D...................................................... MINT-BOXED 79.00
NIKON 50mm F1.8 G AF-S LENS........................................MINT BOXED 129.00
NIKON 50mm f1.4 A/F D ....................................................MINT BOXED 195.00
NIKON 60mm F2.8 A/F D........................................................MINT BOXED 225.00
NIKON 60mm F2.8 G ED AF-S MICRO NIKKOR ..................MINT BOXED 275.00
NIKON 105mm f2.8 A/F MICRO NIKKOR............................................MINT 295.00
NIKON 300mm F4 D IF-ED AF-S AS NEW........... MINT BOXED AS NEW 845.00
NIKON 12 - 24mm F4 G IF-ED AF-S DX.............................MINT BOXED 495.00
NIKON 16 - 80mm f2.8/4 G ED DX AF-S VR LATEST.........MINT BOXED 695.00
NIKON 16 - 85mm F3.5/5.6 G DX ED AF-S VR ..................MINT CASED 289.00
NIKON 17 - 55mm F2.8 F2.8 G IF-ED AF-S + HOOD......... MINT-CASED 465.00
NIKON 17 - 55mm F2.8 F2.8 G IF-ED AF-S + HOOD........ MINT- BOXED 499.00
NIKON 18 - 70mm f3.5/4.5 G IF ED AF-S + FILT + HOOD.............MINT 125.00
NIKON 18 - 105mm f3.5/5.6 DX ED AF-S VR ........................ MINT+HOOD 129.00
NIKON 18 - 200mm f3.5/5.6 G IF/ED AF-S VR....................MINTBOXED 275.00
NIKON 24 - 70mm F2.8 G IF - ED AF-S .............. MINT BOXED AS NEW 899.00
NIKON 24 - 85mm f3.5/4.5 ED AF-S VR LATEST...................MINT BOXED 295.00
NIKON 24 - 120mm f3.5/5.5 A/F D ...............................................MINT- 175.00
NIKON 24 - 120mm f4 G ED VR AF-S LATEST...................MINT CASED 575.00
NIKON 28 - 300mm f3.5/5.6 G ED AF-S VR LATEST .............MINT BOXED 499.00
NIKON 35 - 105mm f3.5/4.5 A/F WITH MACRO.................................MINT 129.00
NIKON 35 - 135mm f3.5/4.5 A/F + HOOD.........................................MINT- 129.00
NIKON 55 - 200mm f4/5.6 IF-ED DX AF-S VR...................................MINT 115.00
NIKON 55 - 200mm f4/5.6 IF-ED DX AF-S...............................MINT BOXED 89.00
NIKON TC20E AF-1 2.0X TELECONVERTER........................... MINT-BOXED 129.00
NIKON TC20E II AF-S TELECONVERTER............................................MINT- 195.00
NIKON TC20E III AF-S TELECONVERTER LATEST MKIII.........MINT BOXED 299.00
TAMRON 1.4X A/F D TELECONVERTER NIKON FIT ..............MINT BOXED 69.00
SIGMA 1.4X EX DG APO TELECONVERTER ............................MINT BOXED 125.00
SIGMA 30mm F1.4 EX DC HSM NIKON FIT............. MINT BOXED AS NEW 199.00
SIGMA 50mm F2.8 MACRO EX A/F D ................................MINT BOXED 145.00
SIGMA 105mm f2.8 EX MACRO .............................................MINT CASED 175.00
SIGMA 12 - 24mm F4.5/5.6 EX DG HSM II LATEST MODEL..MINT BOXED 445.00
SIGMA 15 - 30mm F3.5/4.5 EX DG ASPHERICAL & HOOD....MINT BOXED 199.00
SIGMA 17 - 35mm F2.8/4 EX ASHERICAL...........................EXC++BOXED 135.00

SIGMA 50 - 500mm F4.5/6.3 DG HSM OPT/STAB O/S......... MINT-BOXED 699.00
SIGMA 70 - 200mm F2.8 APO EX DG MACRO...................... MINT-BOXED 295.00
SIGMA 70 - 200mm F2.8 MKII APO EX DG MACRO ..............MINT BOXED 395.00
SIGMA 135 - 400mm F4.5/5.6 D APO......................................... EXC++ 275.00
SIGMA 150 - 500mm f5.6/6.3 DG HSM OS STABILISER .......MINT BOXED 485.00
TAMRON 18 - 200mm F3.5/6.3 IF ASPHERIC XR DI II ............MINT BOXED 89.00
TAMRON 55 - 200mm F4/5.6 LD MACRI DI II .........................MINT BOXED 99.00
TOKINA 12 - 24mm F4 IF DX ASPHERICAL AT-X PRO .......... MINT+HOOD 299.00
TOKINA 16 - 50mm F2.8 ASPHERICAL AT-X PRO DX ...........MINT BOXED 275.00
TOKINA 300mm f2.8 AT-X SD PRO WITH HOOD...............................MINT- 595.00
Nikon Manual
NIKON MANUAL FOCUS
NIKON F3 BODY.............................................................................EXC+++ 275.00

NIKON F3 HP BODY ......................................................................... EXC++ 199.00
NIKON F2 PHOTOMIC BODY CHROME...............................................MINT- 275.00
NIKON F PHOTOMIC T WITH 50mm f2 NIKON LENS....................... EXC++ 250.00
NIKON F APOLLO PHOTOMIC FTN WITH 50mm f1.4.....................MINT- 399.00
NIKON FM2 BLACK BODY...................................................... MINT-BOXED 225.00
NIKON FM2n WITH MF16 DATABACK...............................................MINT- 245.00
NIKON FM BLACK............................................................................ EXC++ 129.00
NIKON FM BLACK..............................................................................MINT- 145.00
NIKON FE2 BODY CHROME ...............................................................MINT- 175.00
NIKON FE2 BLACK BODY................................................................. EXC++ 165.00
NIKON FE CHROME BODY .................................................................MINT- 125.00
NIKKORMAT FT3 BLACK BODY ............................................. MINT-CASED 149.00
NIKKORMAT FT3 CHROME BODY......................................................MINT- 195.00
NIKKORMAT FTN CHROME...................................................EXC++CASED 120.00
NIKKORMAN FT BODY WITH 50mm f2 LENS.......................EXC++CASED 125.00
NIKON 20mm f2.8 AIS........................................................................MINT 375.00
NIKON 24mm F2.8 AIS.......................................................................MINT 215.00
NIKON 45mm F2.8 GN NIKKOR .........................................................MINT- 199.00
NIKON 50mm F1.8 AIS.............................................................MINT BOXED 79.00
NIKON 50mm f1.4 AI.........................................................................MINT- 159.00
NIKON 50mm f1.4 AIS........................................................................MINT 195.00
NIKON 55mm F1.2 AI .........................................................................MINT 365.00
NIKON 55mm F2.8 MICRO NIKKOR AIS ............................................MINT- 159.00
NIKON 85mm F1.4 AIS...........................................................MINT CASED 575.00
NIKON 85mm f2 AIS SUPERB PORTRAIT LENS .................................MINT 225.00
NIKON 105mm F2.8 AIS MICRO NIKKOR ...............................MINT BOXED 395.00
NIKON 105mm F2.8 AIS MICRO NIKKOR ...........................................MINT 295.00
NIKON 105mm F4 AIS MICRO NIKKOR .............................................MINT- 275.00
NIKON 180mm f2.8 AIS ED GLASS ...................................................MINT- 395.00
NIKON 200mm F4 AIS MICRO NIKKOR ................................EXC+++CASE 295.00
NIKON 200mm F4 NIKKOR Q................................................... MINT-CASED 95.00
NIKON 200mm f4 AIS.........................................................................MINT 195.00
NIKON 200mm F5.6 MEDICAL NIKKOR + POWER PACK .......MINT BOXED 475.00
NIKON 300mm f4.5 AIS WITH TRIPOD COLLAR................................MINT- 295.00
NIKON 600mm f5.6 Ai WITH HOOD AND FILTER HOLDERSMINT-CASED 1,295.00
NIKON 28 - 85mm f3.5/4.5 AIS SUPRB MANUAL ZOOM ..................MINT- 165.00
NIKON 35 - 70mm F3.3/4.5 ZOOM NIKKOR MACRO AIS..................MINT- 169.00
NIKON 35 - 105mm F3.5/4.5 AIS ZOOM MACRO...................MINT BOXED 195.00
NIKON 35 - 105mm F3.5/4.5 AIS ZOOM MACRO............................ EXC++ 139.00
NIKON 35 - 135 F3.5/4.5 AIS ............................................................MINT- 149.00
NIKON 35 - 135 F3.5/4.5 AIS .............................................................EXC+ 125.00
NIKON 35 - 200mm f3.5 AIS..................................................MINT BOXED 199.00
NIKON 43 - 86mm F3.5 AI ZOOM...................................................... EXC++ 69.00
NIKON PK13 AUTO EXTENSION RING...................................... MINT-BOXED 55.00
NIKON PK12 AUTO EXTENSION RING................................................ EXC++ 49.00
NIKON PK11 AUTO EXTENSION RING...................................................MINT 49.00
NIKON TC 200 CONVERTER..................................................................MINT 69.00
NIKON SB 16 FLASH FOR F3/FM2/FM3/FE/FE2................................ EXC++ 99.00
NIKON SB 16 FLASH FOR F3............................................................. EXC++ 65.00
Olympus Manual
OLYMPUS MANUAL
OLYMPUS OM2SP SPOT BODY COMP WITH CASE ...................EXC+CASED 99.00

OLYMPUS OM2 BLACK.........................................................................EXC+ 99.00
OLYMPUS OM2 BODY CHROME ............................................ MINT-BOXED 110.00
OLYMPUS 28mm f2 ZUIKO................................................................MINT- 195.00
OLYMPUS 28mm F2.8 ZUIKO .................................................EXC++BOXED 55.00
OLYMPUS 28mm F3.5 ZUIKO .................................................. MINT-CASED 39.00
OLYMPUS 35mm F2.8 SHIFT CONTROL PC LENS..............................MINT 345.00
OLYMPUS 35mm F2.8 ZUIKO ..............................................................MINT- 69.00
OLYMPUS 50mm F1.8 ZUIKO ...................................................MINT BOXED 55.00
OLYMPUS 50mm F1.8 ZUIKO ...............................................................MINT 45.00
OLYMPUS 50mm F3.5 MACRO..........................................................MINT- 129.00
OLYMPUS 135mm f2.8 ZUIKO..................................................MINT BOXED 95.00
OLYMPUS 135mm F3.5 ZUIKO ................................................ MINT-CASED 49.00
OLYMPUS 200mm f4 ZUIKO................................................................MINT- 89.00
OLYMPUS 300mm f4.5 ZUIKO............................................... MINT-BOXED 199.00
OLYMPUS 28 - 48mm F4 ZUIKO ............................................EXC++BOXED 69.00
OLYMPUS 35 - 70mm F3.5/4.5 ZUIKO.................................................MINT 89.00
OLYMPUS 35 - 70mm F4 ZUIKO .........................................................MINT- 75.00
OLYMPUS 75-150mm F4 ZUIKO...........................................................MINT 69.00
OLYMPUS EXT TUBE 14mm, 25mm....................................................MINT- 55.00
OLYMPUS VARIMAGNI FINDER ........MINT BOXED 59.00 DIGITAL PHOTOGRAPHY
We urgently require your used photographic equipment. We have

customers waiting for: Nikon, Canon, Leica, Contax, Bronica,
Hasselblad and most other makes of camera lenses, accessories,
binoculars and collectables. We will buy for cash from you, or we
are happy to sell on your behalf on a commission basis. Best prices
paid. We can arrange collection and even call and collect and pay
on the spot if necessary anywhere in the UK.
HASSELBLAD X PAN II WITH 45mm + HOOD.................... MINT-BOXED 1,495.00

HASSELBLAD 90mm f4 FOR X PAN.......................................MINT BOXED 275.00
HASSELBLAD X PAN SOFT LEATHER OUTFIT CASE ..........................MINT 175.00
Visitors are welcome, please phone for an appointment.
Retailer of the Year, Gold Service Award winner 2015

and Best Online Retailer 2002-2014.
Good Service Awards winner 2008-2016.
THE WEX PROMISE: Over 17,000 Products | Free Delivery on 50 or over** | 30-Day Returns Policy
D500
D5500
Black
Black
or Red
New
20.9
D7100
24.2
D7200
24.1
24.2
megapixels
megapixels
megapixels
megapixels
10.0 fps
1080p
5.0 fps
1080p
6.0 fps
1080p
6.0 fps
1080p
movie mode
movie mode
D500
Body
1729
1729
2479
New D500 Body

New D500 + 16-80mm
D3300 Body................................................. 248

D3300 + 18-55mm AF-P VR.......................... 299
D610
movie mode
Body 499
D5500
499
569
D5500 Body
D5500 + 18-55mm VR II
D5300 Body................................................... 389

D5300 + 18-55mm AF-P VR .......................... 459
D5300 + 18-140mm VR................................. 599
D750
24.3
movie mode
D7100
From
569
D7200
569
799
D7100 Body
D7100 + 18-105mm VR
CUSTOMER REVIEW: D7100 Body

Quality bit of kit! Love it!
Fang! Warwickshire
From
714
714
888
D7200 Body
D7200 + 18-105mm
Read our D7200 review on

our blog at wex.co.uk/blog
D5
D810
New
24.3
megapixels
megapixels
6.0 fps
1080p
megapixels
movie mode
6.5 fps
1080p
movie mode
5.0 fps
12.0 fps
Full Frame
Full Frame
Full Frame
Full Frame
CMOS Sensor
CMOS Sensor
From 999
D610
999
1499
D610 Body
D610 + 24-85mm
20.8
36.3
megapixels
CMOS Sensor
CMOS Sensor
From 1389
D750
1389
1716
1979
D750 Body
D750 + 24-85mm
D750 + 24-120mm
From 2139
D810
2139
D810 Body
Read our D810 review on

Body 5199
D5
5199
New D5 Body
Read our D5 review on our

blog at wex.co.uk/blog
For 2-year warranty on any camera and lens kit simply register your new Nikon within 30 days of purchase. Offer applies to UK & Republic of Ireland stock only. Call 0800 597 8472 or visit www.nikon.co.uk/register
A68
A6300
New
Black or Silver
A7R II Black
New
megapixels
megapixels
megapixels
5.0 fps
11.0 fps
1080p
0 fps
megapixels
100
1080p
12.0 fps
Cashback*
4K Video
A7R II
movie mode
2599
A6300 From
2599
2499
899
1179
1499
A7R II Body
A7S II Body
A7R Body
A7 II Body
A7s Body
GX8
New
Silver or Black
24.0
24.0
42.4
New
GH4R
movie mode
999
New A6300 Body

New A6300 + 16-50mm
A6000 Body
A6000 + 16-50mm PZ
999
1099
439
489
RECOMMENDED FULL FRAME E-MOUNT LENSES:

New Sony FE 85mm f1.4 G ................................................................................................ 1499
New Sony FE 24-70mm f2.8 G ........................................................................................... 1799
Sony FE 24-70mm f4.0 ZA OSS ZA Vario-Tessar Carl Zeiss T*............................................... 799
749 inc. 50 Cashback*

Sony FE 70-200mm f4.0 G OSS .......................................................................................... 999
A68
20.03
16.05
479
New A68 Body

New A68 + 18-55mm
A77 II Body
A77 II + 16-50mm
A58 + 18-55mm
+ 55-200mm
479
549
764
1199
399
RECOMMENDED A-MOUNT LENSES:

Sony 70-400mm f4-5.6 G SSM II . 1509
Sony 70-300mm f4.5-5.6 G SSM . 689
Sony 28-75mm f2.8 SAM ............ 569
Sony 35mm f1.8 DT SAM ............ 149
GH4R
100
8.0 fps
Cashback*
4K Video
4K Video
From
megapixels
From 999
999
New GH4R Body
From 649
649
799
467
GH4 Body
G7 Body
GX8
New GX8 Body

New GX8 + 12-60mm
New GX8 + 14-42mm
879
799
Panasonic Cashback* oer ends 1.06.16

RECOMMENDED LENSES:
Panasonic 14-45mm f3.5-5.6 ......................................................................... 229
Panasonic 100-300mm f4.0-5.6 LUMIX G Vario .............................................. 378
Panasonic 45-175mm f4.0-5.6 LUMIX G X Vario ............................................. 279
Panasonic LUMIX 45-150mm f4.0-5.6 ASPH OIS............................................. 169
Sony Cashback* oer ends 04.09.16
E-M10 II
Black or Silver
PEN-F
20.3
16.3
megapixels
75
New PEN-F
Cashback*
From 999
New PEN-F
OM-D E-M1 Body
OM-D E-M1 + 12-50mm
OM-D E-M1 + 12-40mm
OM-D E-M5 II Body
from 999
849
969
1233
749

OM-D E-M5 II + 12-40mm
1299

OM-D E-M5 II + 12-50mm

Olympus Cashback* oer ends 31.05.16
899
100
E-M10 II From 449

OM-D E-M10 II Body
24.3
megapixels
New
6.5 fps
449

OM-D E-M10 II + 14-42mm 549

OM-D E-M10 + 14-150mm II
579
RECOMMENDED LENSES:
Olympus 75mm f1.8................. 620
Olympus 12-40mm f2.8 Pro ..... 719
Olympus 40-150mm f2.8 Pro ... 1099
K-1
New
7.0 fps
From 1599
New K-1 Body

K-3 II Body
K-3 II + 18-55mm
K-3 II + 18-135mm
K-3 II + 16-85mm
K-3 Body
K-3 + 18-135mm
K-50
K-S1
K-S2
1599
709
789
1009
1099
659
939
389
from 249
from 479
Cashback*
megapixels
16.3
megapixels
4K Video
8.5 fps
movie mode
Black or Silver
36
megapixels
10.0 fps
1080p
X-Pro2
Black or Silver
K-1
New
Black or silver
X-E2S
movie mode
X-E2S From 549

New X-E2S Body
New X-E2S + 18-55mm
X-E2 Body
8 fps
1080p
549
749
399
FUJINON X-MOUNT LENSES:

90mm f2 R LM WR XF.............. 615
56mm f1.2 APD XF .................. 875
35mm f2 R WR ........................ 299
16-55mm f2.8 R LM WR.......... 699
100-400mm f4.5-5.6 R LM OIS WR
+ 1.4x teleconverter................. 1499
X-Pro2 From 1349

New X-Pro2 Body
X-T10 Body
1349
449

X-T10 + 18-55mm
+ 55-200mm XF
949

805
X-T1 + 18-135mm
1079
X-T1 Body
Fuji Cashback* oer ends 31.05.16
CALL CENTRE NOW OPEN SUNDAYS
Wex. You can always be reassured

Love
youre going to get great service and a
great item at the best price. Thanks!
S. Pradham Essex
01603 208761
Mon-Fri 8am-7pm, Sat 9am-6pm, Sun 10am-4pm
visit www.wex.co.uk
THE WEX PROMISE: Part-Exchange Available | Used items come with a 12-month warranty
EOS 760D
The new EOS 5DS

A revolution in resolution
80D
24.2
24.7
megapixels
megapixels
The rst of its kind in the EOS line-up, the

Canon 5DS is a full-frame DSLR boasting a
groundbreaking 50.6-megapixel CMOS
sensor for professional photographers
who want high-resolution images and
extraordinary detail.
Aimed at the most demanding professionals,
the 5DS R sports a low-pass cancellation lter
to deliver sharpness and extraordinary clarity.
5DS Body
5DS R Body
50
5.0 fps
1080p
Cashback*
Body 549
760D
529
750D +18-55mm
709
750D + 18-135mm
50.6
5.0
1080p
fps
movie mode
EOS 7D MkII
5D Mark III
20.2
Body 1179
7D Mk II
New
22.3
4.5 fps
1080p
megapixels
movie mode
6.0 fps
1080p
movie mode
16.0 fps
Full Frame
CMOS sensor
Full Frame
CMOS sensor
Full Frame
CMOS sensor
Body 1119
6D
1179
7D Mark II Body
EOS 1D X Mk II
megapixels
20.2
movie mode
CUSTOMER REVIEW: EOS 70D + 18-135mm IS STM

An excellent step up
Adam Portsmouth
megapixels
megapixels
10.0 fps
1080p
449
EOS 6D
999
1089
1349
697
722
379
700D Body
700D + 18-55mm IS STM
5DS R Body 2899
New 80D Body

New 80D + 18-55mm
New 80D + 18-135mm
70D Body
70D + 18-55mm f3.5-5.6 IS STM

5DS Body 2699
From 999
NEW 80D
549
459
760D Body
750D Body
megapixels
7.0 fps
1080p
movie mode
movie mode
2699
2899
New
1119
6D Body
20.2
5D Mark III Body 2178

2178
5D Mark III Body
1D X Mk II
Body
5199
5199
New 1D X Mk II Body
Read our 1D X Mk II review on

Canon Cashback* oer ends 31.08.16
Tripods
Pre-Loved
cameras
GT3542L
178cm Max Height
16cm Min Height
Quality used cameras,

lenses and accessories
with 12 months warranty*
www.wex.co.uk/pre-loved
*Excludes items marked as incomplete or for spares
Mountaineer
Carbon eXact Tripod:
GT0532................................................. 269
GT1532................................................. 499
GT2542................................................. 599
GT3542L ............................................... 709
MT190XPRO3
160cm Max Height
9cm Min Height
MT190XPRO3 ............. 129
MT190XPRO4 ............. 159
MT190CXPRO3 Carbon Fibre ............. 229
MT190CXPRO4 Carbon Fibre ............. 249
MT190XPRO3 + 496RC2 Ball Head ..... 139
MT190XPRO4 + 496RC2 Ball Head......189
Befree
Travel Tripod
144cm Max Height
34cm Min Height
Hybrid GP2B
1000g Max Load
25.7cm Height
Aluminium
Available in Black, Red,
Green and Blue ................... 119
Carbon Fibre ...................... 248
Joby Tripods
Original............................ 17
Hybrid ............................. 29
SLR Zoom................. from 39
Focus GP-8 ............... from 79
Flashguns & Lighting Accessories

Macrolites:
Speedlights:
Kits:
Flashguns:
Flashguns:
Flashguns:
Speedlites:
430EX III-RT
219.99
199.99 inc. 20
Cashback*
600EX-RT
429
MR-14EX II
499
Flashguns:
26 AF-1
79.99
44 AF-2
115
MT-24EX
749
Macro ash:
52 AF-1
179
64 AF-2
299
15 MS-1
249
SB5000
499
SB700
229
R1 Close-Up
415
HVL-F60M
429
FL-300R
134.99
EF 610 DG Super
119
i40
169
EM-140 DG
Macro Flash
289
Plus III Set

199
Collapsible
Omega Reector Umbrella Flash Kit
99
70
PlusX Set
120
Ezybox SpeedLite 2 49.95
5-in-1 Relector
24.99
3m Background
Support
89
Ezybox Hotshoe EzyBalance

From 89.99 Grey 19.99
AF 540 FGZ II AF 360FGZ II

349
249
Di700 Air
199
Sekonic L-308s
139
Di866 Mark II...199
Rogue
MiniTT1 149
FlexTT5 149
FL-600R
279
Flashguns:
Flashguns:
EF 610 DG ST
89
HVL-F43M
249
R1C1
555
FlashBender2
FlashBender2 XL Pro Lighting
System 84.95
31.95
Background
Support 124.99
TriFlip Kits
From 69.99
Reector
Wall
Mounting Kit Folding Softbox Bracket
24.99
From 54.99
61.99
Reectors:
30cm
12.50
50cm
22.99
75cm
34.99
Urban Collapsible 95cm
59
165
120cm 74.99
O Camera
ash Cord
From 30.99
Tilthead bracket
23.99
Pro 478DR
299
DigiPro F2
209
Terms and Conditions All prices incl. VAT at 20%. Prices

correct at time of going to press. FREE Delivery** available
on orders over 50 (based on a 4-day delivery service).
For orders under 50 the charge is 2.99** (based on a
4-day delivery service). For Next Working Day Delivery
our charges are 4.99**. Saturday deliveries are charged
at a rate of 7.95**. Sunday deliveries are charged at
a rate 8.95**.(**Deliveries of very heavy items, N.I.,
remote areas of Scotland & Ch. Isles may be subject to
extra charges. E. & O.E. Prices subject to change. Goods
subject to availability. Live Chat operates between
9.30am-6pm Mon-Fri and may not be available during
peak periods. Subject to goods being returned as new
and in the original packaging. Where returns are accepted
in other instances, they may be subject to a restocking
charge. Applies to products sold in full working
condition. Not applicable to items specically described
as IN or incomplete (ie. being sold for spares only). Wex
Photographic is a trading name of Warehouse Express
Limited. Warehouse Express 2016.
*CASHBACKS Are redeemed via product registration with
the manufacturer. Please refer to our website for details.
Showroom: Drayton High Road, (opposite ASDA)
Norwich. NR6 5DP. Mon & Wed-Sat 10am-6pm, Tues
10am-5pm, Sun 10am-4pm
Retailer of the Year, Gold Service Award winner 2015

and Best Online Retailer 2002-2014.
Good Service Awards winner 2008-2016.
CALL CENTRE NOW OPEN SUNDAYS
01603 208761
Mon-Fri 8am-7pm, Sat 9am-6pm, Sun 10am-4pm
visit www.wex.co.uk
Follow us on Twitter, Facebook, Google+ and Youtube

for all the latest offers, reviews, news and advice!
DSLR Lenses
CANON LENSES
EF 20mm f2.8 USM ........................................ 385
EF 24mm f1.4L II USM.................................... 1099
EF-S 24mm f2.8 Pancake................................ 127
EF 24mm f2.8 IS USM .................................... 455
EF 28mm f1.8 USM ........................................ 345
EF 35mm f1.4L II USM.................................... 1799
EF 35mm f2 IS USM........................................ 379
EF 40mm f2.8 STM......................................... 118.97
98.97 inc. 20 Cashback*
EF 50mm f1.2L USM....................................... 995
EF 50mm f1.4 USM ........................................ 232
EF 50mm f1.8 STM......................................... 97
EF-S 60mm f2.8 USM Macro.......................... 305
EF 85mm f1.2L II USM.................................... 1499
EF 85mm f1.8 USM ........................................ 237
EF 100mm f2.8 USM Macro........................... 373
EF 100mm f2.8L Macro IS USM ..................... 619
EF 300mm f4.0 L IS USM................................ 959
EF-S 10-18mm f4.5-5.6 IS STM ...................... 179
EF-S 10-22mm f3.5-4.5 USM ......................... 377
EF 11-24mm f4L USM .................................... 2799
EF-S 15-85mm f3.5-5.6 IS USM...................... 509
EF 16-35mm f2.8L Mk II USM ........................ 1060
EF 16-35mm f4L IS USM ................................ 682
EF-S 17-55mm f2.8 IS USM ............................ 519
EF-S 18-55mm f3.5-5.6 IS STM Lens .............. 169
EF-S 18-135mm f3.5-5.6 IS STM .................... 295
Nikon Cashback* oer ends 29.06.16

EF-S 18-135mm f3.5-5.6 IS USM.................... 449
EF-S 18-200mm f3.5-5.6 IS............................. 355
EF 24-70mm f2.8L IS USM II........................... 1400
EF 24-70mm f4L IS USM ................................ 675
EF 28-300mm f3.5-5.6 L IS USM .................... 1795
EF-S 55-250mm f4-5.6 IS STM ....................... 199
EF 70-200mm f2.8L IS USM II......................... 1499
EF 70-200mm f4L IS USM .............................. 795
EF 70-300mm f4.0-5.6 L IS USM .................... 876
EF 100-400mm f4.5-5.6L IS USM II ................ 1799
NIKON LENSES
10.5mm f2.8 G IF-ED AF DX Fisheye ..............549
14mm f2.8 D AF ED Lens................................1199
20mm f1.8 G AF-S ED.....................................579
24mm f1.4 G AF-S ED.....................................1572
24mm f1.8 G AF-S ED.....................................629
28mm f1.8 G AF-S ..........................................495
35mm f1.8 G ED AF-S.....................................399
40mm f2.8 G AF-S DX Micro ..........................209
45mm f2.8 D PC-E Micro ...............................1393
58mm f1.4 G AF-S ..........................................1349
60mm f2.8 D AF Micro...................................368
60mm f2.8 G AF-S ED.....................................439
85mm f1.8 G AF-S ..........................................399
105mm f2.8 G AF-S VR IF ED Micro ...............659
135mm f2.0 D AF DC......................................1029
180mm f2.8 D AF IF-ED..................................695
300mm f4.0E AF-S PF ED VR..........................1470

500mm f4.0E FL AF-S ED VR ..........................8149
600mm f4.0E FL AF-S ED VR ..........................9649
10-24mm f3.5-4.5 G AF-S DX .........................669
16-80mm f2.8-4G ED AF-S DX VR ..................769
16-85mm f3.5-5.6 G ED AF-S DX VR ..............499
17-55mm f2.8 G ED DX AF-S IF ......................979
18-35mm f3.5-4.5G AF-S ED ..........................549
18-105mm AF-S DX f3.5-5.6 G ED VR ............195
18-140mm f3.5-5.6 G ED AF-S DX VR ............429
18-200mm f3.5-5.6 G ED AF-S DX VR II .........549
18-300mm f3.5-5.6 ED AF-S VR .....................749
24-70mm f2.8 G ED AF-S................................1399
24-85mm f3.5-4.5 AF-S G ED VR....................375
24-70mm f2.8E AF-S ED VR............................1849
24-120mm f4 G AF-S ED VR ...........................849
28-300mm f3.5-5.6 G ED AF-S VR..................729
55-200mm f4.0-5.6 G AF-S ED DX VR II .........254
55-300mm f4.5-5.6 G AF-S DX VR..................269
70-200mm f2.8G ED AF-S VR II ......................1799
70-300mm f4.5-5.6 G ED AF-S IF VR..............449
80-400mm f4.5-5.6 G ED AF-S VR..................1859
200-500mm f5.6E AF-S ED VR .......................1179
8-16mm f4.5-5.6 DC HSM..............................499

10-20mm f3.5 EX DC HSM .............................329
12-24mm f4.5-5.6 EX DG HSM II....................529
17-70mm f2.8-4.0 DC OS HSM ......................319
18-250mm f3.5-6.3 DC Macro OS HSM.........279
18-300mm f3.6-6.3 C DC
Macro OS HSM...............................................345
24-35mm f2 DG HSM A..................................699
24-70mm f2.8 IF EX DG HSM .........................549
70-200mm f2.8 EX DG OS HSM .....................729
120-300mm f2.8 OS.......................................2499
150-600mm f5.0-6.3 S DG OS HSM ...............1199
150-600mm f5-6.3 C DG OS HSM..................739
TAMRON LENSES - with 5 Year Warranty

90mm f2.8 SP Di USD VC Macro ....................
180mm f3.5 Di SP AF Macro ..........................
10-24mm f3.5-4.5 Di II LD SP AF ASP IF .........
15-30mm f2.8 SP Di VC USD ..........................
16-300mm f3.5-6.3 Di II VC PZD Macro.........
18-200mm f3.5-6.3 Di II VC............................
18-270mm f3.5-6.3 Di II VC PZD ....................
24-70mm f2.8 Di VC USD SP ..........................
28-300mm f3.5-6.3 Di VC PZD .......................
70-200mm f2.8 Di VC USD.............................
Computing
Perfect for
200 AW Black
carrying a DSLR
with lens attached,
an additional lens,
ash, accessories,
a 2-litre hydration
reservoir (not
included), plus
extra gear such
as a bike helmet,
jacket, snacks and
a compact tripod.
Anvil Slim
Professional
Backpack
Manfrotto
Pro Light 3N1
Backpacks
Whistler:
Photo Sport BP:
BP 350 AW..............................257 200 AW .............................. 118
BP 450 AW..............................286 300 AW .............................. 147
Designed to hold
a digital SLR
with battery grip
and mid-range
zoom lens
attached, 3-4
additional lenses,
a ashgun and
iPad/tablet.
PIXMA Pro 100S..........................375

PIXMA Pro 10S............................529
PIXMA Pro 1................................629
Hadley Pro
Original
Khaki
Canvas/Leather: Khaki, Black

FibreNyte/Leather: Khaki,
Sage, Black.
Digital.........................109
Anvil:
Anvil Slim..............189.99 Small ..........................139
Anvil Super ...........189.99 Large...........................154
Anvil Pro ...............209.99 Pro Original................169
3N1-25.......................159
3N1-35.......................179
Datacolor Spyder
5 Pro.................135
i1 Display Pro...169
ColorMunki
Smile.................72
Intuos Pro Professional

Pen and Touch Tablet
Small ........................ 168.99
Medium ................... 239
Large ........................ 325
Digital compact camera accessories are available on our website
Digital Compact Cameras
New
16.1
20.1
megapixels
12.8
megapixels
65x
4.2x
optical zoom
optical zoom
1080p
megapixels
30
5.0x
Cashback*
optical zoom
1080p
1080p
movie mode
PowerShot G7 X Mk II
579
549
PowerShot G9 X 357
Black or Silver
24x
optical zoom
Ricoh GR II
16.2 Megapixel with
xed f2.8 GR lens ...... 469
50
Cashback*
50
New
WG-30
Red or Black.............. 159
PowerShot IXUS 285 HS .............................. 169

PowerShot SX60 HS..................................... 298.99
PowerShot SX540 ........................................ 299
PowerShot SX720 ........................................ 299
PowerShot G1 X Mark II.............................. 463.99
PowerShot G3 X........................................... 599
movie mode
movie mode
PowerShot G5 X
Cashback*
20.1
20.1
megapixels
megapixels
Lumix TZ100
Lumix LX100 499

Lumix DMC-FZ1000 549

549
Lumix TZ60 ................................................... 199

Lumix FZ72.................................................196
FZ72
Lumix TZ70 ................................................243
Lumix FZ200 ................................................. 279
Lumix TZ80 ................................................... 329
Panasonic Cashback* oer ends 1.06.16

Stylus Tough TG-860
184
Stylus TG-4
Black, Silver &

White
264
Black or
Silver
New
16.3
16.3
megapixels
16.4
megapixels
megapixels
New
APS-C
Black
18.2
megapixels
30.0x
optical zoom
1080p
movie mode
Cyber-Shot HX90V
289
679
499
929
For Canon-t Tamron,

Sigma or Samyang lenses,
visit our website
Photo Sport BP
Perfect for
carrying a pro
DSLR with lens
attached, 4-6 additional lenses,
a ashgun and
accessories.
169
269
Tamron Cashback* oer ends 29.05.16

SIGMA LENSES - with 3 Year Warranty
24mm f1.4 DG HSM A....................................599
30mm f1.4 DC HSM .......................................299
35mm f1.4 DG HSM .......................................599
85mm f1.4 EX DG HSM ..................................619
105mm f2.8 APO EX DG OS HSM Macro .......329
150mm f2.8 EX DG OS HSM Macro ...............649
Photo Bags & Rucksacks

Whistler BP 350
AW Backpack
579
579
349
849
399
size sensor
Cyber-shot WX500 ........................................ 229

Cyber-shot HX400.......................................... 279
Cyber-Shot RX100 II..................................... 329
Cyber-Shot RX100 III.................................... 539
Cyber-Shot RX10............................................ 559
Cyber-Shot RX100 IV .................................... 759
Cyber-Shot RX10 II......................................... 1036
For Sony batteries and cases

visit our website
FREE delivery on orders over 50**
X100T 794
Fuji X70 539
New
Black
20.8
megapixels
21x
Fuji XP90 174
DJI Quadcopter
Drones
From 449
optical zoom
DL24-500
749
**Based on a 4-day delivery service, UK only.
Real Shop
Real People
www.
Real Knowledge
Real Cameras
.com
SITE UPDATED EVERY HOUR - 24 HOURS PER DAY
Largest Used Equipment Specialists Since 1960

Canon EOS
EOS 1V Body Only.............................................. E+^199 - 329
EOS 1N Body Only.................................................. E+^79 - 99
EOS 1 + E1 Booster .........................................As Seen / E+^79
EOS 1 Body Only .................................................... E+^79 - 89
EOS 3 Body Only ............................................................. E+^99
EOS 30 Body Only .............................................. E++^59 - 119
EOS 30 Date Body Only................................................... E+^69
EOS 30E Body Only................................................ As Seen^39
EOS 5 + 35-80mm + VG10 Grip....................................... E+^49
EOS 5 + VG10 Grip.................................As Seen / E+^29 - 49
EOS 5 Body Only ............................................................. E+^59
EOS 50E + BP50 Grip............................................. As Seen^39
EOS 50E Body Only......................................................... E+^49
EOS RT Body Only..................................................Unused^149
10-22mm F3.5-4.5 EFS................................................ E++^249
11-24mm F4 L USM .................................................. E++^2,249
14mm F2.8 L USM ........................................................Exc^539
14mm F2.8 L USM II ............................E+ / E++^1,079 - 1,129
15mm F2.8 EF Fisheye ................................................ E++^379
15-85mm F3.5-5.6 IS USM..........................................Mint-^389
16-35mm F2.8 L USM MKII.......................................... E++^749
17-40mm F4 L USM ...................................E+ / E++^329 - 339
17-55mm F2.8 EFS IS USM.............................. E++^349 - 379
18-55mm F3.5-5.6 EFS IS.............................................. E++^79
18-55mm F3.5-5.6 IS STM...................................Mint-^79 - 89
22mm F2 STM..................................................... E++ / Mint-^89
24mm F2.8 IS USM.....................................................Mint-^299
24-70mm F2.8 L USM ................................E+ / E++^589 - 689
24-70mm F4 L IS USM.....................................Mint-^489 - 579
24-105mm F4 L IS USM.................................... E++^399 - 429
28mm F1.8 USM .......................................................... E++^279
28-70mm F3.5-4.5 EF II ................................................. E++^49
28-80mm F2.8-4 L USM................................................. E+^349
35-350mm F3.5-5.6 L USM........................ Exc / E+^499 - 529
45mm F2.8 TS-E .......................................................... E++^849
50mm F1.0 L USM ...................................................Mint-^2,750
50mm F1.2 L USM ....................................................... E++^779
50mm F1.4 USM .................................... E++ / Mint-^179 - 199
50mm F1.8 EF II............................................................... E+^49
50mm F1.8 EF Mk1............................................. E++^99 - 129
50mm F1.8 STM............................................................Mint-^79
50mm F2.5 EF Macro................................................... E++^159
55-200mm F4.5-5.6 USM............................................... E++^59
55-200mm F4.5-5.6 USM II............................................ E++^69
55-250mm F4-5.6 IS STM................................................ E+^99
65mm F2.8 MP-E Macro .............................................. E++^659
70-200mm f4 L USM ..................................E+ / E++^289 - 339
70-300mm f4-5.6 IS USM...........................E+ / E++^199 - 219
70-300mm F4-5.6 L IS USM......................................... E++^679
70-300mm F4.5-5.6 DO IS USM .................................... E+^299
75-300mm F4-5.6 IS USM..........................E+ / E++^189 - 199
75-300mm F4-5.6 USM III............................ E+ / Mint-^59 - 99
80-200mm F2.8 EF L...................................................... E+^299
80-200mm F4.5-5.6 EF III ..............................E+ / E++^39 - 49
80-200mm F4.5-5.6 USM................................................. E+^49
85mm F1.2 L USM ......................................................... E+^799
85mm F1.2 L USM MkII................................................ E++^949
85mm F1.8 USM .........................................................Mint-^219
100mm F2.8 L Macro IS USM...................................... E++^489
100mm F2.8 USM Macro ............................................... E+^239
100-400mm F4.5-5.6 L IS USM..................E+ / E++^599 - 679
200mm F2.8 L USM II .................................................. E++^399
300mm F2.8 L IS USM...............................................Exc^1,789
300mm F4 L IS USM..................................E+ / E++^589 - 649
300mm F4 L USM .......................................................... E+^449
400mm F2.8 L IS USM................................................ E+^3,979
400mm F2.8 L USM ............................. Exc / E+^1,389 - 1,789
400mm f5.6 L USM................................. E++ / Mint-^699 - 729
600mm F4 L USM ......................................................Exc^2,499
Contax 35-70mm F3.4 MM........................................... E++^289
Contax 35-135mm F3.3-4.5 MM................................... E++^449
Contax 100mm F2 MM................................................. E++^699
Samyang 24mm F1.4 ED AS UMC .............................Mint-^359
Sigma 12-24mm F4.5-5.6 EX DG HSM......E+ / E++^259 - 299
Sigma 15-30mm F3.5-4.5 EX DG................................... E+^179
Sigma 17-70mm F2.8-4 DC OS Macro HSM ..............Mint-^219
Sigma 28-70mm F2.8 D EX............................................ E+^129
Sigma 50mm F2.8 EX DG Macro................................. E++^149
Sigma 70mm F2.8 EX DG Macro................................. E++^189
Sigma 70-200mm F2.8 EX APO HSM............................ E+^219
Sigma 70-210mm F2.8 Apo.............................................. E+^99
Sigma 100-300mm F4 Apo EX HSM.............................. E+^249

Sigma 105mm F2.8 EX Macro ...................E+ / E++^149 - 159
Sigma 135-400mm F4.5-5.6 Apo ................................. E++^179
Sigma 150mm F2.8 EX DG Macro HSM........... E++^319 - 349
Sigma 170-500mm F5-6.3 Apo ...................................... E+^149
Sigma 170-500mm F5-6.3 Apo DG.............................. E++^249
Sigma 300mm F2.8 Apo..........................................Unused^299
Sigma 300mm F2.8 Apo DG HSM ............................ E++^1,299
Sigma 300mm F2.8 APO EX DG HSM ..................... E++^1,549
Sigma 300mm F4 Apo................................E+ / E++^149 - 179
Sigma 400mm F5.6 Apo................................................. E+^129
Sigma 400mm F5.6 Apo Tele Macro.............................. E+^149
Sigma 500mm F4.5 Apo EX HSM............................... E+^1,749
Tamron 10-24mm F3.5-4.5 Di II LD AsphE++ / Mint-^249 - 259
Tamron 14mm F2.8 Asph (IF) AF SP........................... E++^349
Tamron 18-270mm F3.5-6.3 DI II VC............................. E+^199
Tamron 24-135mm F3.5-5.6 Asph ............................... E++^149
Tamron 28-75mm F2.8 XR Di ...................................... E++^189
Tamron 28-300mm F3.5-6.3 XR Di VC ......E+ / E++^249 - 279
Tamron 70-200mm F2.8 SP LD ..................................... E+^299
Tamron 70-300mm F4-5.6 LD........................................ E++^49
Tamron 90mm F2.8 SP AF Macro..............E+ / E++^159 - 219
Tokina 10-17mm F3.5-4.5 DX Fisheye................. Ex Demo^469
Tokina 12-24mm F4 ATX PRO SD............................... E++^219
Tokina 17mm F3.5 RMC .............................................. E++^139
Tokina 28-80mm F2.8 ATX Pro.................................... E++^189
Tokina 35mm F2.8 Macro DX ATX............................... E++^249
Tokina 50-135mm F2.8 DX ATX .................................. E++^299
Tokina 300mm F2.8 ATX SD.......................................... E+^599
Walimex 14mm F2.8 Pro.............................................Mint-^199
Zeiss 21mm F2.8 ZE .............................. E++ / Mint-^699 - 749
Zeiss 28mm F2 ZE ..................................... Exc / E+^399 - 479
Sigma 1.4x AF Tele Converter ......................................... E+^59
Sigma 1.4x Apo EX DG Converter ................................. E++^99
Kenko 1.4x Converter DGX Pro300 ............................... E++^79
1.4x EF Extender.......................................................... E++^119
1.4x EF II Extender............................................ E++^159 - 179
2x EF Extender....................................As Seen / E++^79 - 129
2x EF II Extender.........................................................Mint-^179
2x EF MkII Extender...................................E+ / E++^149 - 169
270EX Speedlite.............................................E+ / E++^45 - 49
300EZ Speedlite...............................................E+ / E++^9 - 29
380EX Speedlite............................................................... E+^39
420EX Speedlite.............................................E+ / E++^59 - 65
430EX Speedlite............................................................... E+^79
430EZ Speedlite......................................................E+ / E++^29
540EZ Speedlite.............................................E+ / E++^29 - 39
550EX Speedlite.................................................... E+^85 - 109
580EX MkII Speedlite.................................E+ / E++^179 - 189
580EX Speedlite....................................... E+ / Mint-^109 - 149
600EX-RT Speedlite.......................................... E++^329 - 349
Metz 15 MS-1 Flash ..................................................... E++^179
Metz 50AF1 Digital ......................................................... E++^99
Nissin Di622 Speedlite ............................................ E+^49 - 59
Sigma EF610 DG ST Flash............................................ E++^49
Sigma EF500 DG ST Flash............................E+ / E++^19 - 39
Sigma EF500 ST Flash .................................................... E+^39
Sigma EM-140 DG Macroflash..................................... E++^199
ML3 Macrolite................................................................. E++^49
MR-14EX Macro Ringlite.......................... E+ / Mint-^219 - 279
MT-24EX Macro Ringlite .............................................. E++^489
ST-E2 Transmitter ...................................... E++ / Mint-^59 - 79
Rode Stereo Videomic Pro............................................Mint-^89
Technical Back E with Keyboard..................... Unused^49 - 75
Tripod Mount Ring B (B)................................................. E++^49
WFT-E7B Wireless Transmitter.................................... Mint^399
Canon Manual
F1NAE Black Body Only................................................Exc^159
F1N Black Body Only ..................................................... E+^159
F1 Black Body Only...............................As Seen / E+^89 - 129
EF Black + 50mm F1.8..................................................... E+^99
T90 Body + Databack..................................................... E+^119
T90 Body Only.........................................As Seen / E+^49 - 79
T70 Body Only................................................E+ / E++^19 - 29
A1 Black + 50mm F1.8 ..................................................... E+^69
A1 Black Body Only.........................................................Exc^49
AE1 Chrome Body Only ................................................... E+^39
AV1 Chrome Body Only ................................................... E+^49
20mm F3.5 Macrophoto Lens....................................... E++^149
28mm F2.8 FD........................................E++ / Unused^29 - 59
35mm F3.5 B/lock............................................................. E+^29
35-70mm F3.5-4.5 FD ..............................E+ / Unused^25 - 49

35-70mm F4 FD ...................................................... E+^15 - 19
35-70mm F4 FD AF...................................................Unused^89
35-105mm F3.5-4.5 FD .................................................... E+^45
50mm F3.5 FD + FD25 Tube ........................................... E+^79
70-150mm F4.5 FD .......................................................... E+^19
70-210mm F4 FD ......................................... Exc / E++^29 - 79
75-200mm F4.5 FD ...................................... Exc / E++^19 - 49
80-200mm F4 B/lock ...................................................... E++^59
85mm F2.8 FD Soft Focus ............................................. E+^249
100mm F4 FD Macro + Tube ..................................Unused^199
100mm F4 Macro B/Lock ................................................Exc^59
100-300mm F5.6 FD ................................E+ / Unused^59 - 99
135mm F2.5 B/lock........................................................... E+^35
200mm F2.8 FD.....................................................E+ / E++^149
200mm F4 FD................................................................... E+^29
300mm F5.6 FD............................................ E+ / Mint-^69 - 79
Tokina 300mm F2.8 ATX............................. Unused^549 - 599
199A Speedlite ........................................................ E+^15 - 19
244T Speedlite .................................................E+ / E++^5 - 15
277T Speedlite ................................................................. E+^15
299T Speedlite ............................................................... E++^29
300TL Speedlite .............................................E+ / E++^20 - 39
480G Speedlite................................................................. E+^99
ML2 Macrolite................................................................... E+^69
ML3 Macrolite.................................................E+ / E++^39 - 59
2x A Extender........................................................ E++^35 - 39
2xB Extender.................................................................... E+^29
AE Finder FN...........................................................E+ / E++^99
Angle Finder A2....................................................... As Seen^15
Angle Finder B..........................................E+ / Unused^15 - 35
Angle Finder C....................................................... E++^75 - 79
Booster T Finder...................................................... As Seen^49
Servo EE Finder ......................................As Seen / E+^49 - 75
Speed Finder F............................................... As Seen^39 - 65
Speed Finder FN ............................................E+ / E++^59 - 99
Waist Level Finder F....................................................... E++^59
Waist Level Finder FN........................................... E++^75 - 79
Waist Level Finder FN-6X .............................................. E++^85
AE Motordrive FN........................................................... E++^49
MA Drive Set ............................................E+ / Unused^59 - 69
Winder A.....................................................E+ / Unused^9 - 20
Winder A2......................................................................... E+^15
Contax G Series
G2 Millennium Kit ........................................ E++^1,449 - 1,450
G1 Body Only + GA1 Mount........................................... E+^199
G1 Body + GD1 Back ..................................................... E+^169
G1 Body only....................................................... E+^149 - 179
21mm F2.8 G + Finder - Black ....................................... E+^589
28mm F2.8 G..................................................... E++^229 - 249
35-70mm F3.5-5.6 G Vario........................................... E++^399
90mm F2.8 G..................................................... E++^189 - 229
90mm F2.8 G + GG3 Hood .......................................... E++^199
90mm F2.8 G - Black.................................................... E++^299
GC11 Case (G1)............................................................... E+^39
GC21 CASE (G2) ............................................................. E+^69
Goldpfeil Leather Holdall .............................................Mint-^149
TLA140 Flash ...................................... As Seen / Mint-^20 - 49
TLA200 Flash ................................................................. E++^79
TLA200 Flash (Black)................................................... E++^129
70-300mm F4-5.6 AF .........................E++ / Unused^399 - 649

80-200mm F4 MM ........................................................ E++^179
85mm F1.4 AE.............................................................. E++^349
100mm F2 AE............................................................... E++^599
100mm F3.5 AE................................................... E+^179 - 199
100mm F3.5 MM ............................................................ E+^199
100mm F4 S Planar...................................................... E++^699
135mm F2 (60 Year Edition) ................................Unused^2,399
135mm F2.8 MM ............................................................ E+^169
180mm F2.8 AE.......................................................Unused^599
180mm F2.8 MM .......................................................... E++^349
200mm F3.5 AE.....................................................E+ / E++^149
200mm F4 AE.............................................. Unused^449 - 499
300mm F4 AE................................................................. E+^299
Yashica 100-300mm F5.6 ML .......................................... E+^25
TLA20 Flash ...................................................E+ / E++^15 - 39
TLA280 Flash ................................As Seen / Unused^39 - 149
TLA30 Flash .............................................E+ / Unused^19 - 49
TLA360 Flash ..........................................................E+ / E++^79
TLA480 Flash ................................................................. E+^129
Digital Mirrorless
Fuji X-E1 Black Body Only ........................................... E++^179
Fuji X-E2 Silver Body Only ........................................... E++^299
Fuji X-Pro1 Body Only.................................................. E++^279
Fuji X-T1 Body Only ....................................................Mint-^549
Fuji X-T1 Graphite Body Only............................ E++ / Mint-^649
Fuji X-T10 Black Body Only.......................................... Mint^399
Fuji Finepix X-S1 .......................................................... E++^179
Fuji Finepix X20............................................................ E++^199
Fuji Finepix X100 Black Edition...................................Mint-^479
Fuji Finepix X100S + Hood & Case.............................Mint-^499
Fuji Finepix X100S Black.............................................Mint-^479
Nikon J1 Black Body Only .............................................. E++^49
Nikon J2 + 11-27.5mm ................................................. E++^175
Olympus E-M5 MarkII L/Edition Body.....Mint- / Mint^689 - 849
Olympus E-M5 MKII Body Only - Black... E++ / Mint^599 - 649
Olympus E-M5 MKII Body Only - Silver........................ E++^549
Olympus E-M5 Black Body Only ............ E++ / Mint-^269 - 279
Olympus E-P5 Silver Body Only................................... E++^279
Olympus E-PL1 Blue + 14-42......................................... E++^89
Olympus E-PL2 Black + 14-42mm ............................... E++^139
Olympus E-PM1 Black Body Only.................................... E+^49
Olympus E-PM1 Body + FL14 Flash ................................ E+^59
Panasonic G2 + 14-42mm.............................................. E+^149
Panasonic G3 Black Body Only......................E+ / E++^75 - 79
Panasonic GF-2 Body + Case.......................................... E+^65
Panasonic GF-2 Body Only............................................ E++^69
Panasonic GH-3 Body + Grip ....................................... E++^379
Panasonic GX7 Body Only..........................................Mint-^279
Samsung NX10 + 30mm ................................................ E+^159
Sony A5100 Body Only ........................................Unknown^279
Sony A6000 Body Only ...............................................Mint-^349
Sony A7 Body Only ........................................................ E+^589
Sony A7R Body Only.................................................... E++^769
Sony NEX3 + 18-55mm.................................................... E+^97
Fuji X Lenses
10-24mm F4 XF...........................................................Mint-^599
16-50mm F3.5-5.6 OIS XC........................................... E++^129
18-55mm F2.8-4 XF ..................................................... E++^279
18mm F2 XF R ...........................................E+ / E++^159 - 179
Contax SLR Series
35mm F1.4 XF R .......................................................... E++^249
N1 + 24-85mm.............................................................. E++^449 55-200mm F3.5-4.8 OIS XF .............................Mint-^389 - 399
N1 Body Only ............................................................... E++^249 Zeiss 12mm F2.8 Touit X ............................................Mint-^589
NX Body Only............................................................... E++^169
AX Body Only ................................................................. E+^199 4/3rds Lenses
RTS3 Body Only............................................................. E+^299 Olympus 7-14mm F4 ED Zuiko .................................... E++^699
ST Body Only ................................................................. E+^199 Olympus 8mm F3.5 FishEye Zuiko D..........................Mint-^349
RTS2 Body Only............................................................. E+^129 Sigma 10-20mm F4-5.6 EX DC HSM.........E+ / E++^159 - 179
Aria Body Only.................................................................. E+^89 Olympus 11-22mm F2.8-3.5 Zuiko........... E+ / Mint-^219 - 269
167MT Body Only........................................... Exc / E+^39 - 59 Olympus 12-60mm F2.8-4 ED SWD ..........E+ / E++^279 - 349
137MA Body Only............................................................. E+^69 Panasonic 14-150mm F3.5-5.6 Asph........................... E++^549
137MD Body Only ............................................................ E+^35 Olympus 14-35mm F2 SWD......................................... E++^949
28-70mm F3.5-4.5 MM...................................... E++^249 - 259 Olympus 14-45mm F3.5-5.6 Zuiko.......................... As Seen^29
28-80mm F3.5-5.6 AF ....................... Unused / New^349 - 399 Panasonic 14-50mm F2.8-3.5 OIS Asph...................... E++^149
28-85mm F3.3-4 MM.................................................... E++^269 Olympus 14-54mm F2.8-3.5 Zuiko.............E+ / E++^129 - 189
35-70mm F3.4 MM ......................................................... E+^249 Olympus 18-180mm F3.5-6.3 Zuiko.................. E++^219 - 249
35mm F2.8 MM .............................................................. E+^139 Panasonic 25mm F1.4 Summilux D ............................. E++^299
50mm F1.4 AF.............................................................. E++^499 Olympus 35mm F3.5 Macro Zuiko ...................... E++^79 - 129
50mm F1.7 AE................................................E+ / E++^75 - 99 Olympus 40-150mm F3.5-4.5 Zuiko........As Seen / E+^29 - 35
60mm F2.8 AE Macro................................................... E++^299 Olympus 40-150mm F4-5.6 ED Zuiko............E+ / E++^39 - 49
70-200mm F4-5.6 AF ................................................... E++^499 Olympus 50-200mm F2.8-3.5 SWD ...........E+ / E++^419 - 449
The Kirk, Wester Balblair, Beauly, Inverness. IV4 7BQ.
Prices
correct when
compiled.
E&OE.
T: 01463 783850
E: info@ffordes.com
WANTED
YOUR EQUIPMENT
Olympus 50-200mm F2.8-3.5 Zuiko............................. E++^369
Olympus 50mm F2 ED Macro Zuiko ............................ E++^249
Sigma 70-200mm F2.8 Apo EX DG HSM ................... Mint-^349
Olympus 70-300mm F4-5.6 ED Zuiko......................... Mint-^199
Sigma 105mm F2.8 EX DG Macro............................... E++^149
Olympus EC-14 Tele Converter ................................... E++^199
Olympus EC20 2x Tele Converter................................ E++^229
Micro 4/3rds Lenses
Samyang 7.5mm F3.5 UMC Fisheye ........................... E++^179
Olympus 12-40mm F2.8 M.Zuiko ................................ Mint-^499
Olympus 12-50mm F3.5-6.3 M Zuiko.........E+ / E++^139 - 149
Panasonic 12.5mm F12 G 3d.............................. E++ / Mint-^79
Tamron 14-150mm F3.5-5.8 DiIII ................................. E++^189
Olympus 14-150mm F4-5.6 M.Zuiko ED II.................. Mint-^299
Panasonic 14-42mm F3.5-5.6 Asph OIS.... E++ / Mint-^69 - 79
Olympus 14-42mm F3.5-5.6 EZ M.Zuiko .................... Mint-^129
Panasonic 14-45mm F3.5-5.6 ASPH G Vario ... E++^129 - 149
Panasonic 14mm F2.5 Asph ........................................ E++^109
Olympus 15mm F8 Body Cap Lens............................... Mint-^35
Olympus 17mm F2.8 M.Zuiko ...................................... E++^129
Sigma 19mm F2.8 DN...................................................Mint-^89
Panasonic 20mm F1.7 G Pancake............................... E++^159
Voigtlander 25mm F0.95 Nokton.....................................E+^449
Olympus 25mm F1.8 M.Zuiko - Black .......................... E++^199
Olympus 40-150mm F2.8 M.Zuiko Pro........................ Mint-^819
Panasonic 45-200mm F4-5.6 OIS..................... E++^159 - 169
Olympus 45mm F1.8 M.Zuiko ...................................... E++^129
Panasonic 45mm F2.8 DG Asph Macro............ E++ / Mint-^349
Olympus 75mm F1.8 ED Black M.Zuiko....................... E++^469
Olympus 75mm F1.8 ED Silver M.Zuiko ...................... E++^499
Olympus MC-14 1.4x Teleconverter............................. Mint^210
Sony NEX Lenses
10-18mm F4 E OSS ..................................................... E++^439
16-50mm F3.5-5.6 PZ OSS........................................... Mint-^99
18-200mm F3.5-6.3 OSS ............................................. E++^369
18-55mm F3.5-5.6 OSS .......................................Mint-^69 - 89
20mm f2.8 E ................................................................Mint-^159
24-70mm F4 FE ZA OSS .................................Mint-^589 - 629
28-70mm F3.5-5.6 FE OSS.........................................Mint-^199
35mm F1.8 E OSS ......................................................Mint-^199
50mmm F1.8 OSS.......................................................Mint-^139
55-210mm F4.5-6.3 OSS ............................................Mint-^119
Samyang 8mm F2.8 UMC Fish-Eye II......................... Mint-^169
Sigma 19mm F2.8 DN...................................................Mint-^89
Tamron 18-200mm F3.5-6.3 Macro................................ E++^99
Zeiss 32mm F1.8 Touit E ............................................. Mint^399
Digital SLR Cameras
Canon EOS 1DX Body Only.........................................E+^2,989
Canon EOS 1D MKIV Body Only .................................E+^1,349
Canon EOS 1D MkIII Body Only .................................. E++^579
Canon EOS 1D MKIIN Body Only ......................... As Seen^249
Canon EOS 1D MkII Body Only ................. As Seen^149 - 199
Canon EOS 5D MKIII Body Only........ E+ / Mint-^1,549 - 1,599
Canon EOS 5D MkII Body Only ..........As Seen / E+^499 - 729
Canon EOS 5D + BG-E4 Grip ...................................... E++^329
Canon EOS 6D Body Only ........................................... E++^839
Canon EOS 7D Body Only .......................................... Mint-^399
Canon EOS 100D Body Only ...................................... Mint-^219
Canon EOS 60D + Vertical Grip......................................E+^299
Canon EOS 60D Body Only ............................................E+^299
Canon EOS 50D + BG-E2 Grip .......................................E+^249
Canon EOS 50D Body Only .................................. As Seen^129
Canon EOS 30D Body Only ..................As Seen / E++^79 - 99
Canon EOS 20D + BG-E2 Grip .........................................E+^89
Canon EOS 1000D Body Only .............................E+ / Mint-^119
Canon EOS 500D Body Only ..........................................E+^159
Canon EOS 450D + BG-E5 Grip .................................. E++^119
Canon EOS M2 + 18-55mm STM ................................ E++^219
Fuji S5 Pro Body Only .....................................................E+^189
Nikon D4 Body Only .................................................. E++^2,189
Nikon D3S Body Only...................................................E+^1,749
Nikon D3 Body Only .............................................. As Seen^399
Nikon D800E Body Only............................................ E++^1,179
Nikon D800 Body Only ............................. E+ / Mint-^989 - 999
Nikon D750 Body Only .............................................. E++^1,189
Nikon D610 Body Only ........................... E++ / Mint-^699 - 839
Nikon D300 Body Only ....................................................E+^199
Nikon D200 + MB-D200 Grip........................................ E++^159
Nikon D90 Body Only ................................................... E++^179

Nikon D80 Body Only ......................................................Exc^99
Nikon D7000 Body Only ..................................................E+^289
Nikon D5500 + 18-140mm .......................................... Mint-^559
Nikon D5300 Body Only ..............................................Mint-^289
Nikon D5100 Body Only ............................................... E++^169
Nikon D3100 Body Only ..............................................Mint-^129
Olympus E3 Body Only ...................................................E+^219
Olympus E1 + HLD-2 Battery Grip .............................. Mint-^189
Olympus E420 + 14-42mm..............................................E+^149
Olympus E450 + 14-42mm..............................................E+^129
Olympus E520 + 14-42mm........................................... E++^149
Olympus E600 +14-42mm+40-150mm+Grip ..................E+^259
Olympus E600 Body + HLD-5 Grip ............................. Mint-^299
Olympus E620 + 14-42mm + 40-150mm ..................... E++^339
Pentax K3 + 18-55mm WR.......................................... Mint-^569
Pentax K3 Body Only ..................................................Mint-^529
Pentax K50 Body Only ................................................Mint-^229
Pentax KX + 18-55mm ................................................. E++^139
Pentax *isT D + 18-55mm .............................................. E++^99
Pentax *isT D Body Only......................................... As Seen^49
Pentax *isT DL Body Only.................................................E+^79
Sigma SD1 Merrill + 105mm + EF610 Flash............... Mint-^849
Sony A100 + 18-70mm....................................................E+^119
Sony A200 Body Only .......................................................E+^89
Sony A3000 + 18-55mm..............................................Mint-^149
Sony A330 Body Only .................................................... E++^99
Sony A390 + 18-55mm............................................ As Seen^99
Sony A450 Body Only .....................................................E+^119
Sony A550 + 18-55mm................................................. E++^249
Sony A700 Body + VG-C70AM Grip ............................ E++^269
Leica M Series
M Monochrom Body Only (Typ 246)......................... Mint-^4,949
M Monochrom Black Body Only ........ E++ / Mint^3,489 - 3,889
M-P Black Body Only................................................Mint-^3,989
M-P Chrome Body Only............................................. Mint^4,299
M (240) Black Body Only......................E+ / E++^3,099 - 3,399
M (240) Chrome Body Only................................E+ / E++^3,349
M-E Anthracite Body Only ................. E++ / Mint^2,489 - 2,789
M9 Black Body Only .............................E+ / E++^2,099 - 2,299
M8 Chrome Body Only ....................................................E+^699
M6 Platinum + 50mm F1.4 ........................................ Mint^6,449
M6TTL Millennium + 35mm F2 + 50mm F1.4 ........... E++^5,489
M6 Titanium + 35mm F1.4 + 50mm F1.4 .................. E++^4,489
M6 Titanium + 35mm F1.4 ...........................................E+^3,449
M6 Historica Edition................................................... Mint^3,799
MP 0.72x Black Body Only........................................ E++^2,595
M7 0.72x Black Body Only ........................................ E++^1,449
M7 0.72x Chrome Body Only .................................... E++^1,499
M6TTL 0.58x Black Body Only........................................E+^749
M6TTL 0.72x Black Body Only.................................. E++^1,099
M6 0.72x Chrome Body Only ....................................... E++^849
M4P Anniversary Chrome + 50mm F2 ...................... E++^1,789
M4-P Black Body Only.................................................. E++^649
M2 Chrome Body Only ....................................................E+^449
CL Black Body Only.........................................................E+^299
Konica Hexar RF Limited Edition............................... Mint^2,489
Konica Hexar RF + 50mm F2 + Flash........E+ / E++^749 - 799
16/18/21mm F4 Tri Elmar + Finder .......................... Mint-^2,989
21mm F2.8 Asph M Black ................ E++ / Mint-^1,399 - 1,499
21mm F2.8 Asph M Black 6bit................................... E++^1,499
21mm F2.8 M Black............................... Exc / E++^849 - 1,199
21mm F3.4 Black.............................................................E+^599
21mm F3.4 Super Elmar ..........................................Mint-^1,799
21mm F4 Chrome + Finder ..........................................E+^1,149
24mm F2.8 Asph M Black ....................Exc / Mint-^949 - 1,349
24mm F2.8 Asph M Black 6bit................................... E++^1,489
24mm F3.8 Asph M Black ..........................Mint-^1,189 - 1,199
28/35/50mm F4 Tri Elmar...................... E++/Mint-^2399-2,799
28mm F2 Asph M Black ...............................................E+^1,399
28mm F2 Asph M Black 6bit.................E+ / E++^1,489 - 1,589
28mm F2.8 Asph M Black 6bit....................Mint-^1,129 - 1,149
28mm F2.8 M Black....................................E+ / E++^589 - 689
35mm F1.4 Asph M Black ............................................E+^1,689
35mm F1.4 Asph M Black 6bit.......... E++ / Mint-^2,439 - 2,749
35mm F2 Asph M Chrome ...........................................E+^1,289
35mm F2 Black................................................................E+^799
35mm F2 M Black............................................................E+^949
35mm F2.4 Asph M Black 6bit.................................. Mint-^1,149
35mm F2.5 M Black 6bit......................... E++ / Mint-^739 - 779
35mm F3.5 Chrome (M3) ............................................. E++^299
COMMISSION SALE
PART EXCHANGE
BUY FOR CASH
35MM, MEDIUM
FORMAT, LARGE
FORMAT, DIGITAL
Part-Exchange Any Digital SLR Or Micro System Camera And Get :
X-Pro 2 Body
24MP X-Trans CMOS III sensor (APS-C)
273 Autofocus points (169 of which PDAF)
2.36M-dot OLED/Optical hybrid viewfinder
ISO 200-12800, expandable to 100-51200
with Raw shooting at all settings
Ffordes Price 1349

Less Extra Trade-In Bonus: 100
X-T1 + 18-135mm
16MP X-Trans CMOS II sensor (APS-C)
Weather resistant body
2.36M-dot OLED viewfinder
3.0 1.04M dot 3:2 tilting LCD
Ffordes Price 1089

X-T1 + 18-55mm 1049

Plus Claim Cashback: 100
X-E2s + 18-55mm
Built-In pop up flash
3.0 1.04M dot LCD
Ffordes Price 749

X-E2s body only 549
X-T10 + 16-50mm
Built-In pop up flash
3.0 920K dot LCD
Ffordes Price 549

X-T10 body only 449

Plus Claim Cashback: 50
Trade-In Bonus and Cashback available on new purchases until 31st May 2016
WANTED
Film / Digital / Medium & Large Format / AF & Manual Lenses / Bags & Tripods
CONTACT US FOR YOUR QUOTE
The ORIGINAL commission sale specialists. We also PART EXCHANGE and BUY FOR CASH
Visit our state of the art

stores in Burgess Hill (West Sussex)
and Central London
Visit our website for directions &
opening times for both stores
Experts in photography
24.2
MEGA
PIXELS
7 FPS
Unbeatable stock availability
24.3
1080p
3.0
MEGA
PIXELS
The EOS 80D excels at sports, portraiture, landscape, street, travel

and low light photography as well as serious movie making,
thanks to innovative technologies that help you achieve stunning
results in any situation.
Canon EOS 70D
24.2
MEGA
PIXELS
5 FPS
Body only
+ 18-55 IS STM
459.00
529.00
20.2
10 FPS
+24 -85 VR
+24 -120 VR
1,390.00 1,716.00 1,979.00
7 FPS
Nikon D7200
24.2
24.2
MEGA
PIXELS
MEGA
PIXELS
Nikon D610
24.3
MEGA
PIXELS
6 FPS
Body only
+ 18-55 IS STM
Body only
+ AF-P 18-55 VR
Body only
+ 18-105 VR
Body only
+ 24-85 VR
722.00
499.00
569.00
714.00
888.00
999.00
1,499.00
Add an EOS 760D guide book for

only 14.99!
Add a Canon BG-E14 battery grip

for only 149.00!
Canon EOS 5D Mark III
Add a Panasonic EN-EL14a spare

battery for only 40.00!
Nikon D810
Add a Nikon MB-D15 battery grip

for only 229.00!
Nikon D500
20.2
22.3
36.3
20.9
MEGA
PIXELS
MEGA
PIXELS
MEGA
PIXELS
MEGA
PIXELS
Body only
+ 100-400 L IS II
Body only
+ 24-105 IS STM
Body only
+ 11-24mm f/4 L
Body only
+ 24-70 f/2.8 ED
1,179.00
2,928.00
1,119.00
1,489.00
2,178.00
4,927.00
2,139.00
3,523.00

for only 174.00!
Canon EOS 5Ds
Visit us in store or online to see how

you can claim Canon lens rewards!
Canon EOS 5Ds r
Canon EOS-1D X Mark II
50.6
50.6
20.2
MEGA
PIXELS
MEGA
PIXELS
MEGA
PIXELS
14 FPS
Body SRP
5,199.00
Body only
Body only
NEW!
See website for low

2,699.00 prices on lenses
See website for low

2,899.00 prices on lenses
See website for latest

information on availability!

for only 225.00!
Add a Canon WFT-E7 wireless le

transmitter for only 599.00!
Claim a FREE SanDisk 64GB Extreme

PRO CFast 2.0 Card and Reader!
CANON LENSES
14mm f/2.8L II USM
20mm f/2.8 USM
24mm f/1.4L Mk II USM
24mm f/2.8 IS USM
EF-S 24mm f/2.8 STM
28mm f/1.8 USM
28mm f/2.8 IS USM
35mm f/1.4L USM
35mm f/1.4L II USM
35mm f/2.0 IS USM
40mm f/2.8 STM
50mm f/1.2 L USM
50mm f/1.4 USM
50mm f/1.8 STM
EF-S 60mm f/2.8 Macro
MP-E 65mm f/2.8
85mm f/1.2L II USM
85mm f/1.8 USM
100mm f/2 USM
100mm f/2.8 USM Macro
100mm f/2.8L Macro IS
135mm f/2.0L USM
180mm f/3.5L USM
Prices updated DAILY! Visit us in store, online at

parkcameras.com or call our expert team on 01444 23 70 60
1,529.00
385.00
1,099.00
455.00
127.00
345.00
389.00
959.00
1,799.00
379.00
149.00
995.00
245.00
97.00
329.00
753.00
1,499.00
249.00
349.00
373.00
619.00
679.00
6 FPS
697.00
200mm f/2.0L IS USM

200mm f/2.8L USM/2
300mm f/2.8L USM IS II
300mm f/4.0L USM IS
400mm f/2.8L USM IS II
400mm f/4.0 DO IS II
400mm f/5.6L USM
500mm f/4.0L IS MK II
600mm f/4.0L IS MK II
800mm f/5.6L IS USM
TSE 17mm f/4.0L
TSE 24mm f/3.5L II
TSE 45mm f/2.8
TSE 90mm f/2.8
8-15mm f/4L Fisheye USM
EF-S 10-18mm IS STM
EF-S 10-22mm f/3.5-4.5
EF 11-24mm f/4L USM
EF-S 15-85mm f/3.5-5.6 IS
16-35mm f/2.8L II USM
16-35mm f/4.0L IS USM
4,350.00
569.00
4,799.00
959.00
7,698.00
6,999.00
889.00
6,899.00
8,895.00
9,899.00
1,449.00
1,479.00
934.97
1,124.00
899.00
179.00
377.00
2,799.00
529.00
1,060.00
682.00
549.00
519.00
EF-S 18-135mm IS STM

EF-S 18-200mm f/3.5-5.6
24-70mm f/2.8L II USM
24-105mm f/3.5-5.6 IS STM
28-300mm f/3.5-5.6L IS
EF-S 55-250mm f/4-5.6 IS STM
70-200mm f/2.8L IS II USM
70-200mm f/2.8L USM
70-200mm f/4.0L USM
70-300mm f/4.0-5.6 IS
70-300mm f/4.0-5.6L IS USM
70-300mm DO IS USM
75-300mm f/4.0-5.6 III
75-300mm f/4.0-5.6 III
100-400mm L IS USM II
200-400mm f/4.0L USM
1.4x III Extender
2x III Extender
329.00
385.00
1,400.00
675.00
727.00
375.00
1,795.00
199.00
1,499.00
945.00
795.00
439.00
356.00
894.00
1,089.00
188.00
219.00
1,799.00
8,598.00
314.00
302.00
79.99
139.99
Add a Nikon MB-D12 battery grip

for only 284.00!
20.8
549.00
1,199.00
625.00
579.00
463.00
369.00
1,379.00
245.00
495.00
255.00
399.00
151.00
199.00
244.00
349.00
109.00
169.00
NEW!
Body SRP
5,199.00
NEW!


Eligible for 12 months interest free

credit. Call 01444 23 70 50 for details
Receive a FREE 32GB XQD Card &

USB 3 Card Reader when pre-ordering

AF-D 60mm f/2.8 Micro
AF-S 60mm f/2.8G Micro ED
AF-S 85mm f/3.5G DX
AF-S 85mm f/1.8G
AF-S 105mm f/2.8G VR
AF-DC 105mm f/2 Nikkor
AF-D 135mm f/2.0D
AF-D 180mm f/2.8 IF ED
AF-D 200mm f/4D IF ED
AF-S 200mm f/2G ED VR II
AF-S 300mm f/2.8G ED VR II
AF-S 300mm f/4 D IF-ED
AF-S 300mm f/4E PF ED VR
AF-S 400mm f/2.8 FL ED VR
AF-S 500mm f/4G ED VR
AF-S 500mm f/4E FL ED VR
AF-S 600mm f/4E FL ED VR
368.00
439.00
389.00
399.00
659.00
805.00
1,029.00
695.00
1,179.00
4,099.00
3,999.00
999.00
1,499.00
8,999.00
5,849.00
8,149.00
9,649.00
AF-S 800mm f/5.6E FL ED VR12,990.00

AF-S 10-24mm f/3.5-4.5G
639.00
AF-S 16-80mm f/2.8-4E ED VR 769.00
AF-S 16-85mm f/3.5-5.6G
499.00
AF-S 17-35mm f/2.8 IF ED
1,347.00
AF-S 17-55mm f/2.8G DX
979.00
AF-S 18-35mm f/3.5-4.5G
519.00
AF-S 18-105mm VR
204.00
AF-S 18-140mm ED VR DX
429.00
AF-S 18-200mm ED DX VR II
534.00
AF-S 18-300mm f/3.5-6.3 VR
549.00
AF-S 24-85mm VR
359.00
AF-S 28-300mm ED VR
699.00
AF-S 55-200mm f/4-5.6G VR II 229.00
AF-S 70-200mm f/2.8 VR II
1,679.00
AF-S 70-300mm IF ED VR
429.00
AF-S 200-400mm VR II
5,199.00
For up to 150 cashback on selected Nikon lenses, see in store or visit

www.parkcameras.com/nikon-lens-cashback
Sony HX90v
18.2
MEGA
PIXELS
Sony RX100 IV
20.1
30x
MEGA
PIXELS
Sony RX10 III

20.1
2.9x
MEGA
PIXELS
25x
NEW!
In stock at only Add a Sony HWA
case for 39.99
289.00
Add a Sony NP-BX1 spare battery
for only 39.99
Sony a6000
Enjoy up to 590 as a reward on compatible lenses when buying selected
Canon cameras! See in store or www.parkcameras.com/canon-lens-rewards.
153
AF
MEGA
PIXELS POINTS
10 FPS
NIKON LENSES
AF-G 10.5mm f/2.8G ED DX
AF-D 14mm f/2.8D
AF-D 16mm f/2.8D Fisheye
AF-S 20mm f/1.8G ED
AF-D 20mm f/2.8
AF-D 24mm f/2.8D
AF-S Nikkor 24mm f/1.4G
AF-D 28mm f/2.8
AF-S 28mm f/1.8G
35mm f/2 AF Nikkor D
AF-S 35mm f/1.8G ED
AF-S 35mm f1.8G DX
AF-S 40mm f/2.8G ED
AF 50mm f/1.4D
AF-S 50mm f/1.4G
AF-D 50mm f/1.8
AF-S 50mm f/1.8G
Visit www.parkcameras.com/used
for pre-loved D610 bodies
Nikon D5
Body SRP
1,729.00
Visit us in store or online to see how

you can claim Canon lens rewards!
1080p
3.2
549.00
Canon EOS 6D
Canon EOS 7D Mark II
Body only
Nikon D5500
20.2
MEGA
PIXELS
5 FPS
Body only See website for low

prices on lenses
Add a spare Canon LP-E17 battery

for only 44.00!
MEGA
PIXELS
NOW IN STOCK!
from 999.00
Canon EOS 760D
24.2
MEGA
PIXELS
6.5 FPS
UK stock
In a world where anything is possible, this full-frame

24.3-megapixel powerhouse gives you the freedom to dare.
The newly designed FX-format sensor delivers exceptional image
quality with cleaner results than ever before at high ISOs.
Quote AMATEUR PHOTOGRAPHER & receive a FREE SanDisk

32GB Extreme Pro SDHC card (95MB/s) worth 50.99!
Canon EOS 750D
Competitive low pricing
In stock at only
759.00
See website for

RX100 IV cases
Add a Sony NP-BX1 spare battery

for only 39.99
Sony a6300
24.3
24.2
MEGA
PIXELS
MEGA
PIXELS
In stock at only
1,250.00
Try this camera

out in store!
Add a Sony NP-FW50 spare battery

for only 64.95
Sony a7S II
12.2
4K
MEGA
PIXELS
IS
NEW!
FREE Seminars
FR
EXCLUSIVE
EX
EXCL
CL
Offers
Offer
ffers
ers
FREE
FR
FRE
EE PRIZE
PRI
RIZE
IZE Draws
Draws
FREE
FR
FRE
EE Can
EE
Canon
Ca
non sens
non
se
sensor
nsor cl
nsor
clean
cleans
eans
eans
FREE
FR
FRE
EE Exp
EE
Expert
Ex
pert
per
ert Ad
Advi
Advice
vi
vice
ce
FREE
FR
FRE
EE Giv
Giveaways
Gi
veaw
ve
eawa
ays
ay
11th June 2016 - LONDON

18th June 2016 - BURGESS HILL
Jo
Joiin us at our annual
Join
nnu
nual
al Imaging
IIm
mag
ma
agi
ging
ng F
Fe
Festival
esti
esti
tivva
all wh
wher
where
erree
ere
nnua
yyou
yo
ou can share your
our passion
our
passio
pass
ssion
ion for
for photography!
ph
phot
otog
ot
og
ogrra
aphy
ap
phy
hy!!
IMAGING
FESTIVAL
16
June 2016
Learn more at
www.parkcameras.com/festival2016
Body only
+ 16-50mm
Body only
+ 16-50mm
Body only
439.00
489.00
999.00
1,099.00
2,499.00
Protect your screen with Sony

PCK-LM17 LCD protectors for 13.00
E-Series
16mm f/2.8 Pancake
24mm f/1.8 ZA Carl Zeiss
24mm f/2.0 Carl Zeiss T*
50mm f/1.8 OSS
55mm f/1.8 FE Sonnar T* ZA
90mm F2.8 Macro G FE OSS
10-18mm f/4 OSS
16-50mm f/3.5-5.6 OSS
169.00
679.00
949.00
199.00
618.00
969.00
629.00
259.00
Trade your old camera in store and

receive an 80 bonus! Ends 25.05.16
16-70mm f/4G ZA OSS
725.00
18-200mm f/3.5-6.3 P. Zoom
849.00
24-70mm f/4 FE Vario-Tessar T* 805.00
24-240mm f/3.5-6.3 FE OSS
749.00
28-70mm f/3.5-5.6 FE OSS
449.00
28-135mm f/4 G FE PZ OSS
1,899.00
55-210mm f/4.5-6.3 OSS
239.00
70-200mm f/4 G FE OSS
999.00
All prices include VAT @ 20%. For opening times and store addresses, visit www.parkcameras.com/ap.
All products are UK stock. E&OE. * = Please mention Amateur Photographer for this special price
Prices correct at time of going to press; Prices subject to change; check website for latest prices.
See in store for

trade-in bonus!
Add a Metabones Canon EF to

E-mount T IV Adaptor for only 200
Alpha-Series
30mm f/2.8 SAM 1:1 Macro DT
35mm f/1.8 DT
50mm f/1.4 Carl Zeiss
11-18mm f4.5-5.6 DT
16-35mm f/2.8 Carl Zeiss T*
24-70mm f/2.8 II Carl Zeiss T*
55-200mm f4.0-5.6 SAM DT
70-200mm f/2.8 G SSM II
150.00
149.00
1,099.00
509.00
1,399.00
1,799.00
179.00
2,199.00
Visit our website - updated daily
Call one of our knowledgeable sales advisors
www.parkcameras.com/ap
Monday - Saturday (9:00am - 5:30pm) or Sunday (9:30am - 4:00pm)
or e-mail us for sales advice using
01444 23 70 60
sales@parkcameras.com
UKs largest independent photo store

16.1
MEGA
PIXELS
3.0
10 FPS
IS
*Prices include 75 cashback from Olympus. Available 01.05.16 - 31.07.16.
16.2
MEGA
PIXELS
Olympus PEN-F
20.3
75
8 FPS
MEGA
PIXELS
1080p
75
cashback
When it comes to capturing ne details, the higher the resolution,

the better. Thats why the E-M5 Mark II comes with new 40M High
Res Shot. By capturing eight shots sequentially and then combining
them into one, it is ideal for photographing works of art, landscapes
or more of an amazing 40 megapixels.
Olympus E-M10 Mark II
Award winning customer service

16.0
4K
3.0
MEGA
PIXELS
Body only
+12-50mm
Body only
+14-140mm
674.00*
824.00*
899.00*
1,399.00*
*Prices include 100 cashback from

Panasonic. Available 27.04.16 - 01.06.16.
Panasonic LUMIX G7
Panasonic LUMIX GX8
*Prices include up to 100 cashback

from Panasonic. Ends 01.06.16.
Panasonic FZ330
Panasonic TZ80
16.3
16.0
20.3
MEGA
PIXELS
MEGA
PIXELS
MEGA
PIXELS
FREE
cashback
50
GRIP
Up to
100
cashback
cashback
+ 14-42mm EZ
Body only
+ 17mm f/1.8
Body only
+ 12-40mm
Body only
+ 14-42mm
Body only
+ 14-42mm
374.00*
474.00*
999.00
1,199.00
849.00
1,279.00
398.97*
449.00*
574.00*
679.00*
Olympus 300mm
OLYMPUS LENSES
f/4.0 IS PRO
SRP
2,199.00
Add an Olympus ECG-4 handgrip for

the PEN-F for 109.99
NEW!

Eligible for 12 months interest free
credit. Call 01444 23 70 60 for details
12mm f/2.0
549.00
17mm f/1.8 M. ZUIKO
349.00
25mm f/1.8 M. ZUIKO
279.00
45mm f/1.8
179.00
60mm f/2.8 Macro
349.00
7-14mm f/2.8 PRO
837.50
12-40mm f/2.8 PRO
719.00
14-42mm f/3.5-5.6 II R MFT
239.00
40-150mm f/4-5.6 R M. ZUIKO 149.00
40-150mm f/2.8 PRO + 1.4x 1,249.00
75-300mm f/4.8-6.7 ED II
349.00
See website for cashback on selected lenses!
36.4
MEGA
PIXELS
3.2
5 FPS
Claim a FREE Olympus HLD-7 batt.

grip from Olympus! Ends 30.09.16
Olympus TG-870
16
12.8
MEGA
PIXELS
MEGA
PIXELS
In stock at only Available in black,

249.00 white or green
Add an Olympus Li-50B spare
battery for only 44.99
IS
30x
50
cashback
In stock at only
449.00*
In stock at only
Add the MS2E

mic for 279
Add the BLC12

batt for 49
389.00*
*Price includes 50 cashback from

Panasonic. Ends 01.06.16.

The Leica SL-System marks the beginning of a new era of

professional photography. As the
rst
rst mirrorless system camera
of its kind, it offers an impressive range of innovative features &
sets entirely new standards with regard to versatility & handlin
handling
and rugged resilience.
NEW!
Body SRP 1,599.00
Pentax K-S2
24.3
MEGA
PIXELS
MEGA
PIXELS
8 FPS
24
MEGA
PIXELS
11 FPS
4K
3.0
Leica Q (typ 116)
Pentax K-3 II
16.1
.00
269
Available in
orange or silver
Add a Pentax D-Li109 spare battery

for only 59
Body only
.00
399
+ 18-50mm WR
.00
24.2
MEGA
PIXELS
479
Add a Pentax remote control F for

only 21.90.
Body only
.00
709
+ 18-135mm WR
.00
1,009
Add a Pentax D-BG5 battery grip for

only 149.00

TAMRON LENSES
cashback
In stock at only
389.00*
Add the BLC12

batt for 49

4,999.00
Limited numbers available in our London or Burgess Hill

stores, or online at www.parkcameras.com/ap
LEICA M LENSES
Leica M 240
24
4K
MEGA
PIXELS
8 FPS
4K
8 FPS
1080p
NEW!
Now in stock at
30
cashback
LEICA SL (typ 601)
1080p
See website for the latest information on availability!
4K
24x
50
NEW!
The K-1 features a 36.4 megapixel full-frame sensor with an AA

lter
lter simulator, Full HD video, a new SR II 5-axis shake re

reduction
mechanism, and is compatible with numerous lenses.
Ricoh WG-M2
WG

Panasonic LX100
PANASONIC LENSES
14mm f/2.5 II Pancake

299.00
20mm f/1.7 II ASPH
269.00
45mm f/2.8 Macro
498.00
42.5mm f/1.2 O.I.S
1,099.00
7-14mm f/4.0 ASPH
739.00
12-60mm f/3.5-5.6 ASPH
359.00
14-140mm f/3.5-5.6
405.00
35-100mm f/2.8 O.I.S
799.00
45-175mm f/4.0-5.6 O.I.S
279.00
100-300mm f/4-5.6 O.I.S
378.00
100-400mm f/4.0-6.3
1,349.00
See website for even more lenses!
Body only

Olympus. Ends 31.07.16.
100
cashback
The LUMIX GH4R raises both still and moving images to a

breathtaking new peak of quality. 4K video recording capability
adds to the amazing potential of this camera for innovative image
creators.
Olympus E-M1
IS
Panasonic
LUMIX GH4R
Family owned & Run
Limited stock available!
Limited stock available!
See web for latest price
4,398.00
For the range of accessories available,

see in store or online
For the range of lenses available,

see in store or online
SIGMA LENSES
28mm f/1.4 Summilux-M

28mm f/2 Summicron-M
35mm f/2.4 Summarit
50mm f/2.4 Summarit
75mm f/2.4 Summarit
90mm f/2.4 Summarit
3,799.00
2,560.97
1,799.00
3,247.00
1,255.00
2,495.00
1,394.97
999.97
2,159.97
1,124.97
2,499.00
1,199.97

Tamron 18-270mm
Tamron 16-300mm
Tamron 150-600mm
Sigma MC-11
Sigma 50-100mm
Sigma 150-600mm
f/3.5-6.3 Di II VC PZD
f/3.
f/3.5-6.3 Di II VC PZD
f/5-6.3 Di VC USD
Mount Converter
f/1.8 DC HSM | ART
f/5-6.3 Sports + TC-1401 Kit
25
40
cashback
NEW!
cashback
NEW!
In stock at only
In stock at only
In stock at only
Limited stock now available!
Limited stock now available!
269.00
399.00
739.00
199.00
829.00
1,299.00

Tamron. Ends 31.05.16.

Tamron. Ends 31.05.16.
Add a Kenko 95mm Digital MC UV

lter for only 55 (normally 120)
Use your Canon / Sigma lenses

with a Sony E-mount camera
Available in Canon, Nikon or Sigma

ts. See website for details.
Available in Canon, Nikon or Sigma

ts. See website for details.
SP 35mm f/1.8 Di VC USD

60mm f/2 macro
SP 90mm F/2.8 Di VC USD
SP 90mm f/2.8 Di MACRO VC
SP AF 90mm f/2.8 Di Macro
499.00
499.00
299.00
749.00
579.00
349.00
259.97
SP AF 10-24mm f/3.5-4.5 Di-II

SP 15-30mm f/2.8 Di VC USD
16-300mm Di II VC PZD
SP 17-50mm f/2.8 XR Di II VC
SP AF 17-50mm f/2.8 Di II
18-200mm f/3.5-6.3 Di II VC
18-270mm f/3.5-6.3Di-II
349.00
799.00
399.00
329.00
249.00
169.00
269.00

SP 28-75mm f/2.8 XR Di Macro
28-300mm Di VC PZD
70-200mm f/2.8 Di LD (IF)
AF 70-300mm f/4-5.6 VC USD
70-300mm f/4-5.6 Di LD Macro
679.00
319.00
499.00
929.00
475.00
239.00
89.99
Visit our website for full details on all the Tamron lenses, as well as special deals on lters!
Slik Pro 340DX
Sunpak Ultra Pro 423
CamRanger
Aluminium tripod
trip
with head
Carbon bre
tripod with
head
Wireless camera control
4.5mm f/2.8 Fisheye EX DC

8mm f/3.5 Circ. Fish EX DG
15mm f/2.8 Diag F/eye EX DG
19mm f/2.8 DN
20mm f/1.4 DG HSM
24mm f/1.4 DG HSM
30mm f/1.4 DC HSM
30mm f/2.8 DN
35mm f/1.4 DG HSM
50mm f/1.4 DG HSM (Art)
60mm f/2.8 DN
85mm f/1.4 EX DG HSM
105mm f/2.8 EX DG OS HSM
150mm f/2.8 OS Macro
180mm f/2.8 EX DG OS HSM
599.00
599.00
499.00
119.00
629.00
599.00
299.00
119.00
599.00
579.00
119.00
619.00
329.00
649.00
1,099.00
(1,428 when bought separately)
300mm f/2.8 APO EX DG

2,199.00 70-200mm f/2.8 OS
500mm f/4.5 APO EX DG
3,599.00 70-300mm f/4.0-5.6 DG Macro
8-16mm f/4.5-5.6 DC HSM
499.00 70-300mm f/4.0-5.6 APO Macro
10-20mm f/3.5 EX DC HSM
329.00 120-300mm f/2.8 DG OS HSM
12-24mm f/4.5-5.6 II DG HSM
529.00 150-500mm f/5.0-6.3 DG OS
17-50mm f/2.8 DC OS HSM
279.00 150-600mm f/5-6.3 DG | C
17-70mm f/2.8-4 DC OS
319.00 150-600mm Cont. + 1.4x
18-35mm f/1.8 DC HSM
549.00 150-600mm f/5-6.3 DG | S
18-200mm f/3.5-6.3 DC OS HSM 249.00 150-600mm Sport + 1.4x
18-250mm DC Macro OS HSM
279.00 300-800mm f/5.6 EX DG HSM
18-300mm f/3.5-6.3 DC Macro
349.00 1.4x Teleconverter APO EX DG
24-35mm f/2 DG HSM Art
699.00 1.4x Teleconverter TC1401
24-70mm f/2.8 IF EX DG
549.00 2.0x Teleconverter APO EX DG
24-105mm f/4 DG OS HSM
599.00 2.0x Teleconverter TC2001
50-500mm f/4.5-6.3 OS HSM
849.00 USB Dock
729.00
99.00
149.00
2,499.00
494.99
739.00
849.00
1,199.00
1,299.00
5,499.00
179.00
229.00
199.00
269.00
39.99
Visit our website for full details on all the Sigma lenses, as well as special deals on lters!
In stock at only
In stock at only
In stock at only
99.00
84.00
229.00
Cant see what youre after? See our website for thousands more products!
For a whole range of tips and tricks and news all all the latest new products, visit blog.parkcameras.com
Lowering the cost of printing...

We are a small, family owned and run company, specialising in photographic
consumables and proud winners of multiple Good Service Awards.
We are located in Leamington Spa, in the heart of Warwickshire.
If youre passing, please pop into our shop and meet Cooper our office dog!
01926 339977 www.premier-ink.co.uk
Ink Cartridges
Albums & Frames
Photo Papers
We carry one of the largest ranges of printer ink cartridges

in the UK, with cartridges in stock for practically every inkjet
printer. We always stock Original cartridges, which are made
by your printer manufacturer, and in many cases we also offer
Compatible cartridges, which are usually made by a UK company
called Jet Tec. Using Jet Tec Compatibles is a way of saving
money, without compromising on the quality of your prints.
We now stock a comprehensive range of frames, mounts, albums

and accessories. The full range can be viewed on our website,
with detailed close-up images of each product to help you
choose the perfect way to display your printed photographs.
Below is just a tiny sample of what we offer:
We carry a massive range of papers (sheets & rolls) at competitive

prices. Below are some examples of the selection we stock.
Here are the

results from two
independent ink
tests that agree...
Jet Tecs colours were superb, with single

greys and blacks very close to Epson... so
Jet Tec wins!
- Total Digital Photography Magazine
What were looking at here is not only
the best choice of ink for the R300 printer,
but also the best choice of ink in this
group test, period. Theres just no getting
away from the superb combination of
performance and pricing.
- Computer Upgrade Magazine
Ink Test
Winner
Grace Albums
Available in
Burgundy
or Blue.
Rio Frames
Travel
Albums
Handcrafted solid wood with

30mm wide profile, in four
colours.
Over a dozen
designs in stock.
Grafton
Albums
Available in
Burgundy
or Blue.
Baby
Albums
PGi29
Pixma Pro 1
Originals:
Set of 12
Colours 36ml each
PGi72
Pixma Pro 10
Originals:
Set of 10
Colours 14ml each
CLi42
Pixma Pro 100
Originals:
Set of 8
Colours 13ml each
Compatibles:
Set of 8
Colours 14ml each
Originals:
229.99 No.16 Set of 4
19.99 No.16 Black 5.4ml
No.16 Colours 3.1ml each
No.16XL Set of 4
No.16XL Black 12.9ml
No.16XL Colours 6.5ml each
94.99
9.99 Compatibles:
No.16 Set of 4
No.16 Black 12ml
No.16 Colours 12ml each
74.99
9.99
CLi8
Pixma Pro 9000
Originals:
Set of 8
Colours 14ml each
Compatibles:
Set of 8
Colours 14ml each
More Canon
Many more in stock!
14.99
3.99
3.99
22.99
7.99
5.99
42.99
14.99
11.99
14.99
3.99
3.99
No.24
Elephant Inks
Originals:
No.24 Set of 6
84.99 No.24 Colours 4.6ml each
8.99 No.24XL Set of 6
44.99 Compatibles:
4.99 No.24 Set of 6
No.24 Black 7ml
Inks...
Originals:
PGi520/CLi521 Set of 5
PGi520 Black 19ml
CLi521 Colours 9ml
PGi525 Black 19ml
CLi526 Colours 9ml
PGi550 Black 15ml
CLi551 Colours 7ml
PGi550/CLi551XL Set of 5
PGi550XL Black 22ml
CLi551XL Colours 11ml
PG540 Black 8ml
PG540XL Black 21ml
CL541 Colour 8ml
CL541XL Colour 15ml
PG545XL Black 15ml
CL546XL Colour 13ml
Compatibles:
PGi5 Black 27ml
CLi8 Colours 13ml
PGi5/CLi8 Set of 5
PGi520 Black 19ml
CLi521 Colours 9ml
PGi525 Black 19ml
CLi526 Colours 9ml
PGi550XL Black 25ml
CLi551XL Colours 12ml
PGi550/CLi551XL Set of 5
BCi6 Colours 15ml
PG40 Black 28ml
CL41 Colour 24ml
PG50 Black 28ml
CL51 Colour 24ml
PG510 Black 11ml
CL511 Colour 11ml
PG512 Black 18ml
CL513 Colour 15ml
PG540XL Black 21ml
CL541XL Colour 15ml
PG545XL Black 15ml
PG546XL Black 21ml
22.99
7.99
5.99
42.99
14.99
11.99
No.18
Daisy Inks
Originals:
27.99 No.18 Set of 4
3.99 No.18 Black 5.2ml
No.18XL Set of 4
74.99 Compatibles:
9.99 No.18 Set of 4
No.18 Black 12ml
27.99 No.18 Colours 12ml each
3.99
PGi9
Pixma Pro 9500
Originals:
Set of 10
Colours 14ml each
Compatibles:
Set of 10
Colours 14ml each
Multiple
different
designs
available.
No.16
Fountain Pen Inks
42.99
9.99
8.99
42.99
9.99
8.99
37.99
9.99
7.99
54.99
11.99
10.99
10.99
15.99
13.99
15.99
13.99
15.99
4.99
3.99
19.99
4.99
3.99
19.99
4.99
3.99
19.99
4.99
3.99
19.99
2.99
12.99
16.99
12.99
14.99
13.99
15.99
13.99
15.99
13.99
14.99
11.99
12.99
41.99
7.99
64.99
11.99
22.99
3.99
3.99
No.26
Polar Bear Inks
Originals:
No.26 Set of 4
No.26 Black 6.2ml
No.26XL Set of 4
Compatibles:
No.26 Set of 4
No.26 Black 10ml
29.99
8.99
7.99
49.99
14.99
13.99
14.99
3.99
3.99
T0481-T0486
Seahorse Inks
Originals:
Set of 6
Colours 13ml each
Compatibles:
Set of 6
Colours 13ml each
19.99
3.99
T0541-T0549
Frog Inks
Originals:
Set of 8
Colours 13ml each
Compatibles:
Set of 8
Colours 13ml each
105.99
14.99
27.99
3.99
More Epson inks >>>
E&EO. Prices may be subject to change, but hopefully not!
Frisco Frames
Simple,
basic design
available in a
huge range
of sizes &
colours.
Plastic Bevel, Glass Front:

Frisco 6x4 seven colours
1.99
2.29
2.79
3.49
Frisco 10x8 seven colours 3.79
Frisco 12x8 seven colours 4.59
Frisco A4 seven colours
3.99
Frisco A3 seven colours
8.99
Wood Bevel, Glass Front:
Emilia 6x4 two colours
4.99
5.99
6.99
7.99
8.99
Rio 6x4 four colours
5.99
6.99
7.99
8.99
9.99
More Ink Cartridges...

T0711-T0714
Cheetah Inks
Originals:
Set of 4
Black 7.4ml
Colours 5.5ml each
Compatibles:
Set of 4
Black 7.4ml
Colours 5.5ml each
32.99
8.99
8.99
14.99
4.99
3.99
T0791-T0796
Owl Inks
Originals:
Set of 6
Colours 11.1ml each
Compatibles:
Set of 6
Colours 11.1ml each
72.99
12.99
19.99
3.99
T0801-T0806
Hummingbird Inks
Originals:
Set of 6
Colours 7.4ml each
Compatibles:
Set of 6
Colours 7.4ml each
49.99
8.99
19.99
3.99
Originals:
Set of 8
Colours 11.4ml each
Compatibles:
Set of 8
Colours 11.4ml each
66.99
9.99
27.99
3.99
T0961-T0969
Husky Inks
T0591-T0599
Lily Inks
Originals:
Set of 8
Colours 13ml each
Compatibles:
Set of 8
Colours 13ml each
Memo Style Albums:

Grace 6x4 100 photos
5.99
9.99
14.99
7.99
13.99
Grace A4 100 photos
15.99
Grafton 6x4 200 photos
9.99
Grafton 7x5 200 photos 13.99
Baby 6x4 200 photos
9.99
Travel 6x4 200 photos
8.99
Traditional Style Albums:
Grace 29x32cm 100 pages 14.99
Grafton 29x32cm 100 pgs 14.99
Baby 29x32cm 100 pages 12.99
Accessories:
Photo Corners Pack of 250 2.99
Photo Stickers Pack of 500 1.99
T0871-T0879
Flamingo Inks
69.99
16.99
Emilia Frames
Distressed wood
shabby chic
effect.
Blue or White.
Originals:
Set of 8
Colours 11.4ml each
Compatibles:
Set of 8
Colours 11.4ml each
69.99
8.99
27.99
3.99
T1571-T1579
Turtle Inks
89.99
11.99
Originals:
Set of 8
Colours 25.9ml each
27.99
3.99
T7601-T7609
Killer Whale
Originals:
Set of 9
Colours 25.9ml each
149.99
18.99
169.99
18.99
Originals:
26.99
No.62XL Black 12ml
21.99
No.62XL Colour 11.5ml
23.99
No.300 Black 4ml
10.99
No.300 Colour 4ml
12.99
No.301 Black 3ml
9.99
No.301 Colour 3ml
11.99
No.301XL Black 8ml
18.99
No.301XL Colour 6ml
18.99
No.350 Black 4.5ml
11.99
No.351 Colour 3.5ml
14.99
No.363 Black 6ml
13.99
No.363 C/M/Y/PC/PM each 9.99
No.363 SET OF 6
39.99
No.364 Black 6ml
7.99
No.364 PB/C/M/Y 3ml each 6.99
No.364 SET OF 4
21.99
No.364XL Black 14ml
13.99
No.364XL PB/C/M/Y 6ml each 12.99
No.364XL SET OF 4
49.99
No.920XL SET OF 4
46.99
No.932XL SET OF 4
43.99
No.950XL SET OF 4
69.99
Compatibles:
No.15 Black 46ml
4.99
No.21 Black 10ml
7.99
No.22 Colour 21ml
11.99
No.45 Black 45ml
4.99
No.56 Black 24ml
9.99
No.57 Colour 24ml
12.99
No.78 Colour 36ml
9.99
No.110 Colour 12ml
10.99
No.300XL Black 18ml
14.99
No.300XL Colour 18ml
16.99
No.301XL Black 15ml
14.99
16.99
No.337 Black 21ml
10.99
No.338 Black 21ml
10.99
No.339 Black 34ml
12.99
No.343 Colour 21ml
12.99
No.344 Colour 21ml
14.99
No.348 Photo 21ml
12.99
No.350XL Black 30ml
14.99
16.99
No.363 Black 20ml
6.99
4.99
No.363 SET OF 6
24.99
No.364 Black 10ml
4.99
3.99
No.364 SET OF 4
15.99
No.364XL Black 18ml
8.99
No.364XL Colours 11ml each 7.99
No.364XL SET OF 4
31.99
No.920XL SET OF 4
19.99
No.932XL SET OF 4
29.99
No.940XL SET OF 4
29.99
No.950XL SET OF 4
29.99
Many more in stock!
Photo Glossy 160gsm:

6x4 50 sheets +50 FREE
3.99
A4 100 sheets
12.99
Photo Satin 200gsm:
9.99
A4 100 sheets +100 FREE 19.99
Photo Glossy 200gsm:
9.99
A4 20 sheets
6.99
Premium Pearl 270gsm:
6.99
A4 20 sheets +20 FREE
8.99
Premium Gloss 270gsm:
A4 25 sheets OFFER
8.99
A3 25 sheets OFFER
15.99
A3+ 25 sheets OFFER
19.99
Smooth Pearl 310gsm:
6x4 100 sheets
14.99
7x5 100 sheets
17.99
A4 25 sheets
12.99
A4 100 sheets
39.99
A4 250 sheets
84.99
A3 25 sheets
25.99
A3+ 25 sheets
35.99
17 Roll 30 metres
69.99
24 Roll 30 metres
96.99
Smooth Gloss 310gsm:
6x4 100 sheets
14.99
7x5 100 sheets
17.99
A4 25 sheets
12.99
A4 100 sheets
39.99
A3 25 sheets
25.99
A3+ 25 sheets
35.99
Premium Matt Duo 200 gsm:
A4 50 sheets
12.99
A3+ 50 sheets
34.99
Heavy Duo Matt 310gsm:
A4 50 sheets
17.99
A3+ 50 sheets
44.99
Gold Fibre Silk 310gsm:
A4 50 sheets
37.99
A3+ 50 sheets
89.99
Gold Mono Silk 270gsm:
A4 25 sheets
16.99
A3+ 25 sheets
42.99

6x4 100 sheets
12.99
7x5 100 sheets
16.99
A4 50 sheets
17.99
A3 50 sheets
34.99
A3+ 25 sheets
25.99
Panoramic 25 sheets
26.99
17 Roll 30 metres
68.99
24 Roll 30 metres
85.99
PF Lustre 275gsm:
6x4 100 sheets
12.99
7x5 100 sheets
16.99
A4 50 sheets
17.99
A3 25 sheets
35.99
A3+ 50 sheets
47.99
Panoramic 25 sheets
26.99
17 Roll 30 metres
69.99
24 Roll 30 metres
86.99
PF Gloss 270gsm:
A4 50 sheets
17.99
A3 50 sheets
35.99
A3+ 50 sheets
47.99
Panoramic 25 sheets
26.99
Matt Ultra 240gsm:
A4 50 sheets
12.99
A3 50 sheets
26.99
A3+ 50 sheets
35.99
Fine Art / Fibre Base Papers:
Baryta A4 20 sheets
21.99
Bartya A3 20 sheets
42.99
Etching A4 25 sheets
19.99
Etching A3 25 sheets
34.99
Smooth Cotton A4 25 sh 24.99
Smooth Cotton A3 25 sh 51.99
PP-201 Plus Glossy II 275gsm:

6x4 50 sheets
9.99
7x5 20 sheets
11.99
A4 20 sheets
11.99
A3 20 sheets
27.99
A3+ 20 sheets
36.99
PT-101 Pro Platinum 300gsm:
6x4 20 sheets
7.99
A4 20 sheets
16.99
A3 20 sheets
37.99
A3+ 10 sheets
24.99
SG-201 Semi-Gloss 260gsm:
6x4 50 sheets
9.99
A4 20 sheets
11.99
A3 20 sheets
27.99
A3+ 20 sheets
42.99
LU-101 Pro Lustre 260gsm:
A4 50 sheets
14.99
A3 50 sheets
32.99
A3+ 50 sheets
49.99

6x4 100 sheets
12.99
7x5 100 sheets
18.99
A4 50 sheets
18.99
A4 50 sheets
18.99
A3 50 sheets
35.99
A3+ 25 sheets
28.99
17 Roll 30 metres
64.99
24 Roll 30 metres
89.99
Ultra Pearl 295gsm:
6x4 100 sheets
14.99
7x5 100 sheets
20.99
A4 25 sheets
12.99
A3 25 sheets
22.99
A3+ 25 sheets
30.99
13 Roll 10 metres
21.99
17 Roll 30 metres
68.99
24 Roll 30 metres
92.99
Titanium Lustre 280gsm:
A4 25 sheets
22.99
A3 25 sheets
44.99
A3+ 25 sheets
62.99
Oyster 271gsm:
6x4 100 sheets
12.99
7x5 100 sheets
18.99
A4 50 sheets
18.99
A3 25 sheets
22.99
A3+ 25 sheets
28.99
13 Roll 10 metres
26.99
17 Roll 30 metres
64.99
24 Roll 30 metres
89.99
Gloss 271gsm:
6x4 100 sheets
12.99
7x5 100 sheets
18.99
A4 50 sheets
18.99
A3 25 sheets
22.99
A3+ 25 sheets
28.99
13 Roll 10 metres
26.99
17 Roll 30 metres
64.99
24 Roll 30 metres
89.99
Matt Plus 240gsm:
6x4 100 sheets
10.99
7x5 100 sheets
13.99
A4 50 sheets
13.99
A3 25 sheets
17.99
A3+ 25 sheets
22.99
13 Roll 10 metres
24.99
17 Roll 30 metres
42.99
24 Roll 30 metres
58.99
Matt Proofing 160gsm:
A4 150 sheets
18.99
A3 75 sheets
22.99
17 Roll 30 metres
26.99
24 Roll 30 metres
36.99
Double Sided Matt 250gsm:
A4 100 sheets
24.99
A3 50 sheets
27.99
Fine Art / Fibre Base Papers:
FB Gold Silk A4 25 sh
23.99
FB Gold Silk A3 25 sh
47.99
FB Distinction A4 25 sh 25.99
FB Distinction A3 25 sh 48.99
FB Royal A4 25 sheets
28.99
FB Royal A3 25 sheets
56.99
FB Gloss A4 25 sheets
26.99
FB Gloss A3 25 sheets
51.99
FB Matt A4 25 sheets
19.99
FB Matt A3 25 sheets
38.99
Artist A4 25 sheets
22.99
Artist A3 25 sheets
39.99
Museum A4 25 sheets
25.99
Museum A3 25 sheets
48.99
Parchment A4 25 sheets 22.99
Parchment A3 25 sheets 39.99
Omega A4 25 sheets
24.99
Omega A3 25 sheets
46.99
Portrait A4 25 sheets
26.99
Portrait A3 25 sheets
53.99
Portrait White A4 25 sh 26.99
Portrait White A3 25 sh 49.99
Premium Gloss 255gsm:

9.99
7x5 30 sheets
9.99
A4 15 sheets +15 FREE
9.99
A3 20 sheets
29.99
A3+ 20 sheets OFFER
24.99
Ultra Gloss 300gsm:
6x4 50 sheets
9.99
7x5 50 sheets
12.99
A4 15 sheets
11.99
Premium Semi-Gloss 251gsm:
6x4 50 sheets
8.99
A4 20 sheets
14.99
A3 20 sheets
29.99
A3+ 20 sheets OFFER
24.99
Archival Matte 192gsm:
A4 50 sheets
14.99
A3 50 sheets
33.99
A3+ 50 sheets
44.99
Heavyweight Matte 167gsm:
A4 50 sheets
11.99
A3 50 sheets
34.99
A3+ 50 sheets
44.99
www.premier-ink.co.uk Telephone: 01926 339977 or 0800 1077 211 Premier Ink & Photographic 12 Longfield Road, Leamington Spa, Warwickshire CV31 1XB
Lowering the cost of photography

Orders are shipped promptly by Royal Mail 1st class post, for which we charge just 1.99 per
order. All prices include VAT, and a full VAT receipt is provided with every order. Payment
accepted credit/debit card, cheque or postal order. Orders accepted securely online,
www.premier-ink.co.uk, over the telephone 01926 339977, by post, or by visiting our shop:
Premier Ink & Photographic, Longfield Road, Sydenham Ind Estate, Leamington Spa CV31 1XB.
01926 339977 www.premier-ink.co.uk
Memory
Batteries
Filters
The full range of Sandisk and

Lexar memory cards at very
competitive prices.
Replacement rechargeable
Li-ion batteries, manufactured
by Hahnel or Blumax. All come
with a two-year guarantee.
One of the largest ranges of screw-in threaded

filters in the UK, from Hoya, Kood and Marumi.
We carry sizes from 24mm, up to 105mm, and offer Clear
Protectors, UVs, Skylights, Circular Polarisers, ND4s, ND8s, ND16s,
ND32s, ND64s, ND500s, ND1000s, Variable NDs, Starbursts, Close
Up Sets and more! Below are just a few examples...
SDHC & SDXC

Lexar Professional
633X (95MB/s)
16GB
8.99
32GB
15.99
64GB
27.99
128GB
54.99
1000X (150MB/s)
16GB
14.99
32GB
22.99
64GB
35.99
128GB
63.99
2000X (300MB/s)
32GB
51.99
64GB
95.99
Sandisk Blue
33X (5MB/s)
4GB
3.49
8GB
3.99
16GB
5.99
Sandisk Ultra
266X (40MB/s)
8GB
4.99
16GB
6.99
32GB
12.99
64GB
24.99
Sandisk Extreme
400X (60MB/s)
16GB
10.99
32GB
17.99
64GB
34.99
Sandisk Extreme Pro
633X (95MB/s)
16GB
17.99
32GB
23.99
64GB
42.99
128GB
82.99
1866X (280MB/s)
16GB
49.99
32GB
79.99
64GB
129.99
Compact Flash
Lexar Professional
800X (120MB/s)
8GB
19.99
16GB
27.99
32GB
36.99
64GB
56.99
1066X (160MB/s)
16GB
33.99
32GB
56.99
64GB
99.99
128GB 192.99
Sandisk Ultra
333X (50MB/s)
8GB
11.99
16GB
15.99
32GB
24.99
Sandisk Extreme
800X (120MB/s)
16GB
26.99
32GB
32.99
64GB
47.99
128GB
94.99
Sandisk Extreme Pro
1066X (160MB/s)
16GB
33.99
32GB
47.99
64GB
82.99
128GB 149.99
XQD Cards
Lexar Professional
1333X (200MB/s)
32GB
69.99
64GB
99.99
MicroSDHC & SDXC

Lexar Professional
633X (95MB/s)
32GB
21.99
64GB
43.99
Delkin Professional
375X (56MB/s)
32GB
16.99
64GB
32.99
Sandisk Ultra
320X (48MB/s)
16GB
6.99
32GB
12.99
64GB
24.99
Readers & Cases

Lexar USB3 Card Reader 22.99
Lexar HR1 Workflow Hub 49.99
Delkin USB2 Card Reader 9.99
Delkin USB3 Card Reader 19.99
Delkin SD Card (x8) Case 6.99
Delkin CF Card (x4) Case 6.99
NB-2L/LH for Canon

9.99
NB-4L for Canon
9.99
NB-5L for Canon
9.99
NB-6L for Canon
9.99
NB-7L for Canon
9.99
NB-9L for Canon
9.99
NB-10L for Canon
12.99
NB-11L for Canon
12.99
BP-511 for Canon
12.99
LP-E5 for Canon
9.99
LP-E6 for Canon
16.99
LP-E8 for Canon
12.99
LP-E10 for Canon
12.99
LP-E12 for Canon
12.99
NP45 for Fuji
9.99
NP50 for Fuji
9.99
NP95 for Fuji
9.99
NPW126 for Fuji
12.99
NP400 for Fuji
12.99
EN-EL3E for Nikon
14.99
EN-EL5 for Nikon
9.99
EN-EL9 for Nikon
12.99
EN-EL10 for Nikon
9.99
EN-EL11 for Nikon
9.99
EN-EL12 for Nikon
9.99
EN-EL14 for Nikon
19.99
EN-EL15 for Nikon
24.99
EN-EL19 for Nikon
12.99
EN-EL20 for Nikon
12.99
EN-EL21 for Nikon
12.99
Li10B/12B for Olympus
9.99
Li40B/42B for Olympus
9.99
Li50B for Olympus
9.99
BLM-1 for Olympus
12.99
BLN-1 for Olympus
24.99
BLS-1 for Olympus
12.99
BLS-5 for Olympus
15.99
CGR-S006 for Panasonic 9.99
CGA-S007 for Panasonic 9.99
DMW-BCG10 Panasonic 19.99
DMW-BCM13 Panasonic 19.99
DMW-BLB13 Panasonic 27.99
DMW-BLC12 Panasonic 23.99
DMW-BLD10 Panasonic 23.99
DMW-BLG10 Panasonic 22.99
DMW-BMB9 Panasonic 22.99
D-Li90 for Pentax
12.99
D-Li109 for Pentax
12.99
SLB-1137D for Samsung 9.99
SLB-1674 for Samsung 12.99
BG-1 for Sony
19.99
BX-1 for Sony
14.99
BY-1 for Sony
12.99
NP-FM500H for Sony
19.99
NP-FH50 for Sony
19.99
NP-FW50 for Sony
24.99
Battery Grips
Professional battery
grips, made by Hahnel.
5DMkII for Canon
5DMkIII for Canon
6D for Canon
7D for Canon
70D for Canon
650D/700D for Canon
D600 for Nikon
D800/D810 for Nikon
D3300/D5300 for Nikon
D7100 for Nikon
84.99
84.99
84.99
84.99
84.99
84.99
84.99
84.99
74.99
84.99
Battery Chargers
Universal Chargers
Unipal ORIGINAL
Unipal PLUS
Unipal EXTRA
19.99
24.99
29.99
AA & AAA Chargers

Hahnel TC Novo inc. 4xAA 8.99
Energizer Pro inc. 4xAA 14.99
Energizer 1 Hr inc. 4xAA 22.99
Other Batteries
Pre-Charged Rechargables
AA GP Recyko 3+1 FREE
5.24
AAA GP Recyko 3+1 FREE 5.24
AA Energizer Extreme (4) 8.99
AAA Energizer Extreme (4) 6.99
Standard Rechargeables
AA GP 2600mAh (4)
9.99
AA Lloytron 1300mAh (4) 3.99
AA Lloytron 2700mAh (4) 6.99
AAA Lloytron 1100mAh (4) 3.99
Lithium Batteries
AA Energizer Ultimate (4) 5.99
AAA Energizer Ultimate (4) 5.99
CR123A Energizer (1)
1.99
CR2 Energizer (1)
1.99
2CR5 Energizer (1)
3.99
CRP2 Energizer (1)
3.99
CRV3 Energizer (1)
5.99
A544 Energizer Alkaline (1) 1.99
A23 Energizer Alkaline (1) 1.99
LR44 Energizer Alkaline (2) 1.99
CR2025, CR2032 etc
1.99
Straps & Accessories
KOOD Slim Frame

UV Filters
37mm
4.99
40.5mm
4.99
46mm
4.99
49mm
4.99
52mm
4.99
55mm
5.99
58mm
6.99
62mm
7.99
67mm
8.99
72mm
9.99
77mm
11.99
82mm
14.99
86mm
19.99
Marumi DHG Slim

Frame Multi-coated
Clear Protectors
37mm
10.99
43mm
10.99
46mm
10.99
49mm
10.99
52mm
10.99
55mm
11.99
58mm
12.99
62mm
14.99
67mm
15.99
72mm
17.99
77mm
19.99
82mm
22.99
KOOD Slim Frame

Circular Polarisers
37mm
12.99
40.5mm
12.99
46mm
12.99
49mm
12.99
52mm
14.99
55mm
15.99
58mm
17.99
62mm
19.99
67mm
22.99
72mm
26.99
77mm
29.99
82mm
34.99
86mm
39.99
Marumi DHG Slim

Frame Multi-coated
UV Filters
52mm
13.99
58mm
15.99
62mm
17.99
67mm
19.99
72mm
21.99
77mm
24.99
HOYA Pro-1D Slim

Frame Multi-coated
Clear Protectors
52mm SPECIAL 16.99
58mm
28.99
62mm
31.99
67mm
35.99
72mm
39.99
77mm SPECIAL 29.99
82mm
49.99
Marumi DHG Slim

Frame Multi-coated
Circular Polarisers
52mm
31.99
58mm
35.99
62mm
39.99
KOOD
67mm
44.99
ND4 & ND8 Filters 72mm
49.99
52mm
26.99 77mm
54.99
58mm
34.99 82mm
69.99
HOYA Pro-1D Slim

Frame Multi-coated
Circular Polarisers
52mm
52.99
58mm
60.99
62mm
67.99
67mm
75.99
72mm
90.99
77mm SPECIAL 79.99
82mm
120.99
Hoya HMC
Slim Frame
UV Filters
37mm
40.5mm
46mm
49mm
52mm
58mm
62mm
67mm
72mm
77mm
82mm
12.99
12.99
12.99
11.99
11.99
14.99
16.99
18.99
21.99
25.99
29.99
Square Filters
Sling Straps
from 29.99
The ingenious
Peak Design
Clutch, Slide,
Leash, Cuff &
Capture Clip
System. Entire
range in stock.
From
15.99
Neoprene
Straps
from 11.99
Tripods & Monopods

EVO3
IS HERE
Manfrotto
Carbon Fibre Monopod
Only 59
Vyv
149
Rick 199
Brian 349
Manfrotto
XPRO
3 Way
Head 99
Triad 30
Tripod with
BH30
Ball Head
Only 39
NEW Manfrotto
We stock three widths of square filters:

A-type (67mm wide), P-Type (84mm wide)
and Z-Type (100mm wide). Made in the UK, Kood square filters
are optically flat, with excellent colour density, neutrality and
stability. They received a maximum 5 star rating from Digital
Camera Magazine.
P-Type: 84mm wide filters
Standard Holder
5.99
Wide Angle Holder
6.99
Filter Wallet for 8 filters 9.99
Adapter Rings 49-82mm 4.99
Circular Polariser
27.99
ND2 Solid
12.99
ND2 Soft Graduated
13.99
ND2 Hard Graduated
13.99
ND4 Solid
12.99
ND4 Soft Graduated
13.99
ND4 Hard Graduated
13.99
ND8 Solid
14.99
ND8 Soft Graduated
15.99
ND8 Hard Graduated
15.99
Light Blue Graduated
12.99
Dark Blue Graduated
12.99
Light Tobacco Graduated 12.99
Dark Tobacco Graduated 12.99
Light Sunset Graduated 14.99
Dark Sunset Graduated 14.99
Starbursts x4, x6, x8
17.99
Red/Green/Yellow each 14.99
Six-piece ND Filter Kit 59.99
Z-Type: 100mm wide filters

Pro Holder
24.99
ND2 Solid
16.99
ND2 Soft Graduated
17.99
ND2 Hard Graduated
17.99
ND4 Solid
16.99
ND4 Soft Graduated
17.99
ND4 Hard Graduated
17.99
ND8 Solid
18.99
ND8 Soft Graduated
19.99
ND8 Hard Graduated
19.99
Light Blue Graduated
17.99
Dark Blue Graduated
17.99
Light Tobacco Graduated 17.99
Dark Tobacco Graduated 17.99
Light Sunset Graduated 18.99
Dark Sunset Graduated 18.99
A-Type: 67mm wide filters
Standard Holder
4.99
ND2 Solid
10.99
ND2 Graduated
11.99
10.99
A popular kit containing an ND2, ND2 ND4 Solid
ND4
Graduated
11.99
Soft Grad, ND4, ND4 Soft Grad, Filter
ND8 Solid
11.99
Holder, plus Adapter Ring of your
choice (49-82mm).
ND8 Graduated
12.99
190 & 055

tripods
from just 149
Camera Bags
Mind Shift bags
from 27
A big range of Billingham bags

starting at 109
Entire range of
ThinkTank bags
in stock, from
just 25.99
Lens Accessories
Bayonet-Fit Lens Hoods
ES-62 Canon 50/1.8
9.99
ES-71II Canon 50/1.4
9.99
ET-60 Canon 75-300/4-5.6 9.99
ET-65B Canon 70-300/4-5.6 9.99
ET-67 Canon 100/2.8 Macro 9.99
ET-67B Canon 60/2.8
9.99
EW-60C Canon 18-55 IS
7.99
EW-63C Canon 18-55 IS STM 9.99
EW-73B Canon 18-55 IS
9.99
EW-78BII Canon 28-135 IS 9.99
EW-78D Canon 18-200 IS
9.99
EW-78E Canon 15-85 IS
12.99
EW-83E Canon 17-40/4.0 12.99
HB-32 Nikon 18-105 VR
7.99
HB-45 Nikon 18-55 VR
7.99
Stepping Rings
25mm to 105mm
160 different sizes
4.99-5.99
Reversing Rings
52mm to 77mm
Canon, Nikon, Sony, Olympus

and Pentax
9.99-19.99
Coupling Rings
49mm-77mm
Screw-Fit Lens Hoods

37mm Rubber Hood
40.5mm Rubber Hood
43mm Metal Hood
46mm Rubber Hood
46mm Metal Hood
49mm Rubber Hood
49mm Shaped Petal Hood
52mm Rubber Hood
55mm Rubber Hood
58mm Rubber Hood
62mm Rubber Hood
67mm Rubber Hood
72mm Rubber Hood
77mm Rubber Hood
3.99
3.99
5.99
3.99
5.99
3.99
6.99
3.99
6.99
3.99
6.99
3.99
6.99
4.99
7.99
4.99
7.99
5.99
9.99
5.99
9.99
Lens Caps
Lens Caps Centre-Pinch
2.99
Body
& Rear Lens Caps 3.99
9.99-11.99
Action Cameras
Genuine GoPro
A massive range of GoPro

Cameras, Batteries, Memory
Cards and Accessories in stock
at competitive prices!
www.premier-ink.co.uk Telephone: 01926 339977 or 0800 1077 211 Premier Ink & Photographic 12 Longfield Road, Leamington Spa, Warwickshire CV31 1XB
Hero
Hero+
Hero3+ Black
Hero4 Silver
Hero4 Black
Hero4 Session
Battery Hero3+
Battery Hero4
Dual Charger Hero3+
Dual Charger Hero4
Battery BacPac
LCD Touch BacPac
Blackout Housing
Tripod Mounts
Chest Harness
Head Strap
Helmet Strap
Handlebar Mount
The Handler
CALL US
CALL US
CALL US
CALL US
CALL US
CALL US
14
14
25
39
39
59
39
7
29
14
12
14
21
E&EO. Prices may be subject to change, but hopefully not!
THE ALL-NEW CELEBRATION OF FIELDSPORTS & COUNTRY LIFE
FAIR
FIELD &
COUNTRY
CORNBURY PARK, OXFORDSHIRE
FRIDAY 10TH-SUNDAY 12TH JUNE 2016
A fantastic weekend featuring:

GOURMET FOOD
DOGS WELCOME
SHOPPING
FISHING
SHOOTING
Celebrity chef Rachel Green

cooks up a storm with fabulous
food to taste and buy at the
Real Food Fair.
The perfect venue to take your

four-legged friend to: Dog
Creche, Scurries, Gundog
Demonstration Arena and
much more.
All the things you really want

to buy from the best retailers
in the business.
Learn to cast with famous

shing brand Orvis whose top
level coaches are offering free
road tests on a range of rods.
Meet top experts from the

shooting world. Try a gun on
the shooting line or treat
yourself to a new gun.
BOOK EARLY, PAY LESS

BUY TICKETS: www.eldandcountryfair.com
Kids under 12 free Dogs welcome No booking fee
Ticket hotline: 01252 555213
The Best, On Show
(lines open Mon-Fri 9:30am-5pm)
Proudly brought to you by the publishers of:
Ofcial Charities
Supporters
We Buy Cameras
...and More
SPRING is the BEST time
to upgrade to
FREE Accessory Kit*
FREE Accessory Kit*
FREE Accessory Kit*
worth 56 WHEN YOU BUY...
(All congurations)
* Ends 01/06/16
(All congurations)
* Ends 01/06/16
(All congurations)
* Ends 01/06/16
INCLUDES:
Lowepro Adventura 170AW,
Hahnel Cleaning Kit
& Lexar 8GB Class 10 SD
INCLUDES:
Canon Powershot SX720 HS
Lowepro Portland 20 Case
& Lexar 16Gb 633x PRO SD
INCLUDES:
Ansmann LP-E6 Battery,
Hahnel Cleaning Kit,
Lowepro Photo Hatch 22L
& Joby Gorillapod SLR Zoom
INCLUDES:
Canon 100EG Bag,
Hahnel Cleaning Kit
& Lexar 32GB 633x PRO SD
INCLUDES:
Canon Powershot G3X
Canon DCC-2300 Case
INCLUDES:
Canon Powershot G5X
Lowepro Santiago 30 II Case
INCLUDES:
Canon Powershot G5X
Canon DCC-1890 Case
SAVE
SAVE
SAVE
SAVE
55
259
92
89
279
RRP 334
599
175
INCLUDES:
Canon IXUS 175
RRP 858
579
180
SAVE
39
RRP 671
INCLUDES:
Canon IXUS 180
RRP 138
RRP 168
99
139
CHELMSFORD 01245 255510
High Chelmer Shopping Centre, Chelmsford, Essex CM1 1XB

chelmer@cameraworld.co.uk
LONDON 020 7636 5005
14 Wells Street (off Oxford Street), London W1T 3PB

sales@cameraworld.co.uk
359
RRP 448
SAVE
29
www.cameraworld.co.uk
Goods and delivery services subject to stock and availability.
Prices subject to change. Pictures are for illustration purposes only.
All prices include VAT@ 20%. E. & O.E.
Second hand goods to be part exchanged or sold for cash are subject to inspection.
In association with
Your one-stop shop

for filmmaking basics
SHOOTING VIDEO EDITING INSPIRATION
The Video Mode features a range of video tips and
tutorials to help you learn filmmaking techniques
News Latest announcements

from the video world
Reviews Latest video kit to get

the best out of your lmmaking
Tuition Expert technique

to get the best out of your kit
www.thevideomode.com
www.facebook.com/thevideomode
@thevideomode
MONTHLY EXTRAS,
EXCLUSIVE TO SUBSCRIBERS
Save 25% or more on

tickets to Sandown,
Epsom and Kempton
Racecourses
30% off Y-Cam indoor

HD wireless home
security camera
20% off homeware at

IWOOT
20% off shoes and fashion at

Spartoo
20% off all new camera

insurance policies
20% off premier swimming

equipment at Aqua Sphere
Plus
40 free photo prints from PhotoBox
This month, be sure to log in to Rewards to access the above offers and youll
find even more online all EXCLUSIVE and FREE to magazine subscribers.
Redeem your rewards today at
amateurphotographer.co.uk/rewards
The Rewards scheme is available for all active print subscribers of magazines published by Time Inc. (UK) Ltd, free of charge. Digital subscribers also get access, as long as the subscription has been purchased directly through the
publishers at magazinesdirect.com. Full terms and conditions are available at mymagazinerewards.co.uk. For enquiries, contact rewards@quadrantsubs.com or call 0330 333 1113 (Lines are open Monday- Friday, 8:30am- 5:30pm
excluding Bank Holidays)
Reader Offer
SOLAR ECLIPSE
USA 2017
Amateur Photographer has teamed
up with Omega to offer readers the
chance to experience the Holy Grail for
eclipse chasers, the almost-spiritual
moment when the Moon drifts in front
of our nearest star and the Suns light is
totally blocked from view. Our selection
of eclipse-watching touring holidays all
include return flights to the USA, hotel
accommodation with breakfast, expert
guest astronomers and a full
touring itinerary.
8 & 14 day tours include an

evening presentation by
BBC Sky at Night presenter
Pete Lawrence
on
The tours...
Nashville
Photographing an Eclipse
Idaho Falls
Grand Canyon
Earth, Sky & Sun Tour

Eclipseville USA
5 days - 19-23 August 2017
From 1899pp
Nashville Clarksville (eclipse-watching)
Eclipse & Parks Tour
14 days - 13-26 August 2017

From 3699pp
8 days - 18-25 August 2017

From 2199pp
Salt Lake City Idaho Falls (eclipse-watching)
Yellowstone National Park Craters of the Moon
Las Vegas Grand Canyon South Rim

Bryce Canyon National Park Salt Lake City
Idaho Falls (eclipse-watching)
Yellowstone National Park Craters of the Moon
Requestaabrochure
brochurefor
forfull
fulldetails,
details, or
or view
viewthis
this product
productonline
onlineat
at:omega-holidays.com/TINC29
www.omega-holidays.com
Request
We have included a reasonable budget for your flights. Should the cost of these fall below or rise above this amount we will amend the holiday cost to reflect these changes and therefore the price may
increase or decrease accordingly. The final price will be confirmed in September 2016 when flight details become available.
For more information or to book, please call:
01524 37500 quote TINC29

OPENING TIMES: MON-FRI 8.30-19.30 SAT 8.30-17.30 SUN 10.00-16.30
OmegaHols @OmegaHols OmegaHols

Organised by Omega Holidays plc, ABTA V4782,
ATOL Protected 6081, a company wholly independent
of Amateur Photographer, published by Time Inc. (UK)
Ltd. Single supplements apply. Subject to availability.
Omega
EVERYTHING you need to get

started in photography, from
understanding the basics to
shooting advice from the pros.
Complete guide to
PHOTOGRAPHY
T H E U LT I M AT E H A N D B O O K TO CA P T U R E YO U R B E S T E V E R S H OTS
W
O
N
Y
L
N
O
LY**
ON.9
9
9
9
9
.
5
us
ught direct from
*plus P&P if bo
us
m
fro
ct
re
di
ht
ug
*plus P&P if bo
1
6
4
PAGES
LEARN
How to take great shots
SHOOT
Expert capture advice
EDIT
Master photo editing
Buy direct via 020 3148 4138 or download to your tablet
ASK THE EXPERTS AT

THE UKS FAVOURITE PHOTO SPECIALIST
PART EXCHANGE WELCOME
Upgrading - we want your old camera & lenses! They may be

worth more than you think! Quality equipment bought outright!
Guaranteed UK stock with 3-year warranty on all products.

Big selection available now in all LCE stores. Come in and ask our
knowledgeable staff for a try before you buy demonstration.
SIGMA 150-600MM
F5-6.3 DG SPORTS + TC-1401
TELECONVERTER
When paired,the teleconverter and lens
offer 210-840mm F6.3-9 zoom lens
reach,with full autofocus functionality
with most recent DSLR cameras.
CANON/NIKON FIT
SIGMA 10-20MM
F3.5 EX DC HSM
Ultra wide-angle zoom lens with

a large,constant aperture of F3.5,
designed specifically for digital SLR
cameras. SRP 649.99
s &ter
n
e
L ver
conkits!
1329.99
CANON/NIKON FIT
329.99
SIGMA 150-600MM F5-6.3 DG

CONTEMPORARY + TC-1401
TELECONVERTER
849.99
CANON/NIKON FIT
SIGMA
18-300MM
SIGMA
70-200MM
SIGMA
105MM
F3.5-6.3 DC
MACRO OS HSM
A high ratio zoom lens

offering a compact design
and enhanced features
to make it the ideal travel
companion. SRP 499.99
CANON/NIKON FIT
344.99
F2.8 EX DG
MACRO OS HSM
F2.8 APO EX DG
OS HSM
High performance,large
aperture medium
telephoto macro lens
with OS (Optical Stabilizer).
SRP 649.99
CANON/NIKON FIT
The OS function offers

the use of shutter
speeds approximately
4 stops slower than otherwise possible
and allows for easy shooting for many
types of photography. SRP 1539.99
CANON/NIKON FIT
FREE
Sigma
AML72-01
329.99
724.99
close-up lens
worth 49.99 Until 31/5,by redemption.
BATH
01225 462234
COLCHESTER
01206 573444
HEREFORD
01432 272655
MANCHESTER
0161 834 7500
PORTSMOUTH
023 9283 9933
TAUNTON
01823 259955
BRISTOL (BALDWIN ST)

0117 929 1935
DERBY
01332 348644
LEAMINGTON
01926 886166
NORWICH
01603 612537
READING
0118 9592149
WINCHESTER
01962 866203
BRISTOL (BROADMEAD)
0117 927 6185
EXETER
01392 279024
LINCOLN (HIGH ST)

01522 528577
NEWCASTLE
0191 213 0060
SALISBURY
01722 335436
WORCESTER
01905 22314
CHELTENHAM
01242 519 851
GLOUCESTER
01452 304513
LINCOLN (SILVER ST)

01522 514131
NOTTINGHAM
0115 941 7486
SOUTHAMPTON (CIVIC CTR)

023 8033 1720
CHESTER
01244 326531
GUILDFORD
01483 504040
LONDON (STRAND)
0207 3790200
PLYMOUTH
01752 664894
SOUTHAMPTON (HIGH ST)

023 8022 1597
BRANCHES NATIONWIDE
OPENING TIMES:
MondaySaturday
9am5:30pm
Selected stores open Sunday
- please check for details.
UK MAIL ORDER Next day delivery available from all LCE branches. Postage & Insurance 4.99 for most items.
E. & O. E. Prices quoted include VAT @ 20%. Prices subject to change. Goods subject to availability.
SEARCH OUR USED EQUIPMENT AT:
www.LCEgroup.co.uk
To advertise here, call Tommy Sullivan: 020 3148 2510 Email tommy.sullivan@timeinc.com
Accessories
Black & White processing
Wanted
Karen Willson Bristol

NEW WEBSITE NOW LIVE !
Superior quality processing &

printing.
tel: 01179 515671
www.kwflmprocessing.co.uk
Camera Fairs
phot
teddingtonphot
graphic
New and used photographic specialist
BUY & SELL QUALITY

USED PHOTOGRAPHIC
EQUIPMENT
020 8977 1064
www.teddingtonphotographic.com
Cameras for Sale
FREE UK DELIVERY ON ALL

30th
ORDERS TILL JUNE
MAY 31ST
CHECKOUT CODE APMY
AP285
50 x a5 Imajet Pre-scored Fine satin Matt Cards c/w Envelopes12.98
Equipment Wanted
Equipment to sell?
Great news! The global market for quality digital and film
cameras, lenses and accessories is stronger than ever!
With our worldwide network of customers we're paying
the highest prices for Nikon, Canon, Leica, Fuji, Contax,
Olympus, Panasonic, Sony, Zeiss, Voigtlander, Konica,
Minolta, Sigma, Tamron, Tokina, Hasselblad, Pentax,
Bronica, Mamiya and other top-quality brands.
We have lots more in stock. Please phone or see details &

onmore
our website
Wepictures
have lots
in stock.
Agfa Automatic
66. Condition
4/C. Rare
1st camera
with aperture
Please phone
or see details
& pictures
on our website
priority
auto
exposure.
Canon VL
body.
Conditionc.1956.................................................1595.00
3-4/D. Possibly one of the first 22
Alpa
fit (small bayonet)
Delft 18cm f4.5 Alefar. 5/E
manufactured
(in May Old
1956................................................
249.00
Rare early
..........................................................................175.00
Canon
7sZ +lens.
50mm
f0.95. 4/C. Rare - only around 4,000
manufactured.
Serviced....................................................
1695.00
A&
N Auxiliary qtr.
plate tailboard, brass bound +
Canon
19mm 5in.
f3.5,f8.
L.T.M.
+ finder & case. 4/C. Rare Ross Goerz
4-5/E..........................................................349.00
only 980
649.00
Canon
VI-Tmanufactured.......................................................
body. 3-4/D..............................................................249.00
Chapman
qtr.
plate
mahogany
field camera + f8lens & 5 dds.
Canon P body. 3-4/D...................................................................225.00
4-5/E.50mm
.................................................................................
295.00
Canon
f1.4, Leica screw mount. 4-5/D.......................215.00
Corfield
Periflex
3b + 50/1.9
Lumax
+ case.
3-4/E.
City
Salerare
& Exchange
qtr.......................................................
plate
tropical
reflex
+
Very
black Periflex
449.00
Ross
150/4.5.
4/J.
Beautiful
British
made
tropical
SLR
....1749.00
Exakta B (black)+ 7.5cm f2.8Tessar + cap, case & box
Escaflex
J, 80mm
f3.5
5/E. Rare 1st Japanese299.00
6x6 SLR
+ extension
tubes,
etc.Tri-Lausar.
5/G ................................................
with
a leaf45PS
shutter.
c.1954...........................................................495.00
Fotoman
+ Nikkor-W
1805.6 + finder. 4/D.................... 399.00
Firstflex
screw mount
Gemflex 35,
subminiature
TLR,50mm
25/3.5, f3.5 First Anastigmat. 4-5/E. c.1955.
Made
Occupied 35mm
Japan SLR...............................................495.00
+ case. 4-5/E ........................... 299.00
Rare
earlyinJapanese
Hasselblad 1600F/1000F
fit Zeiss-Opton
250/4
Hasselblad
135/5.6 S-Planar
for bellows.
3/D.Sonnar.
4-5/D.
Rarec.1973......................................................................299.00
- less than 500 manufactured. c.1951 ............. 275.00
Near
mint.
Kodak SIII
Super
Kodak
Six-20. 4-5/J.
The firstetc.
auto-exposure
Hobix
+ box,
Japanese
instructions
4/E. Rare camera with
camera
- only around
725
manufactured ............................ 949.00
reflex
& eye-level
finders.
c.1954...............................................175.00
Konica Petite
Hexar Lightning
RF LimitedBolt,
+ 50/1.2
M-Hexanon,
boxed
outfit.
Kodak
blue
+
matching
powder
compact.
Body 4/D, lens 3/D. Only 2001 manufactured....................
1695.00
Condition
Leica II (D),4/J................................................................................299.00
black + 50/3.5 nickel Elmar. 4-5/E c.1932........... 499.00
Lancaster
The 4-5/D.
International
qtr. plate tailboard,
Leica III, black.
c.1935Patent
...............................................
325.00
Lancaster
lens + rotary
4-5/E.....................................299.00
Leica
IIIc, sharkskin
+ 5cmshutter.
f3.5 Elmar
+ cap. 3-4/C.
Leica
50mm, f3.5
c.1929...........................495.00
BodyI (A),
c.1948/50
lens Elmar.
c.1950.5-6/E.
Serviced..............................
499.00
Leica
50mm
f3.5 Elmar,
nickel.
4/D. c.1933. Hard
Leica III,
IIIc black
+ 5cm+f2
Summitar.
4/D, lens
4/C. c.1950...............
449.00
Leica
IIIf in
r-d,this
d-acondition.............................................................695.00
Betriebsk. + 5cm f2 Summitar.
to find
5/C.IIIa
Serviced
1795.00
Leica
body.....................................................................
4/D. c.1938........................................................225.00
Leica Ic
IIIfbody.
r-d, d-a.
4/C.c.1951.......................................................249.00
c.1954. Serviced ................................. 349.00
Leica
4-5/D.
Leitz
IIIf
r-d,
d-a.
4/D.
c.1956
.................................................
325.00
Leica Ic converted to If b-d body. 4/D. c.1951.........................285.00
Leica IIIf
IIIg b-d
+ 5cm
f2 Summicron
+ box.
3-4/D,5cm
lens 4/C.
Leica
Attrappe
(dummy)
+ dummy
f2.8 c.
1959,
lens
c.1952...............................................................
995.00
Elmar.
Rare
dealer display
dummy...............................295.00
Leica
IIIg4-5/-.
+ 5cm
f2.8Elmar
+ box. 3-4/C.
c.1959,
Leica
body.Serviced
4/D. c.1957........................................................495.00
lensIIIg
c.1958.
......................................................... 895.00
Leica
5cm
f2 Summicron + instructions, inspection 495.00
Leica IIIg
IIIg. +4/D.
c.1957............................................................
tag &2.8cm
box. 4-5/C.
c.1960,
lens4/E.
c.1957.
Serviced...................795.00
Leitz
f6.3 Hektor
+ caps.
c.1939..........................
325.00
Leica
Ig body
inspection
& box.
c.1959.
Serviced155.00
525.00
Leitz 5cm
f3.5+Elmar,
coatedtag
+ cap.
4/E.4/C.
c.1952
....................
Leitz 5cm
5cm f2
Summicron,
screw
+ caps.
c.1955.......... 275.00
Leitz
f3.5
Elmar, coated
+ cap.
4/D.4-5/D.
c.1948.....................195.00
Leitz 5cm
40cmf3.5
f5 Telyt
+ caps.
4/D. +
c.1958.
Rarec.1956.
Leitz
red-scale
Elmar
cap. 3/D.
Near mint249.00
only12.5cm
3360 manufactured.....................................................
275.00
Leitz
f2.5 Hektor + hood & box. 5/E. c.1959.............299.00
Leica M3
M3, body,
black black
paint. paint.
4/D. Serial
is for a is for a
Leica
4/D. number
Serial number
c.1959
chromeM3..................................................................1149.00
M3 ......................................................... 1199.00
c.1959
chrome
Leica M2
M2. 4/C. c.1960.
Serviced.............................................
Leica
inspection
tag, instructions
+ box. 4-5/E, 649.00
Leica M2. body
4-5/C.+c.1962.
Serviced
.........................................
595.00
base-plate
5/-. c.1959................................................................549.00
Leica
M4, black,
50th Anniversary. 4/C. Only 1750
Leica
M5 Attrappe
(dummy),
black
+ dummy
50/2 Summicron.
Anniversary
M4 cameras
made.
c.1975.
Serviced............
1395.004/-.
Rare
displayengraved
dummy Ernst
.......................................................395.00
Leicadealer
M4, chrome,
Leitz Canada Ltd, Midland Canada.
Leica
body,
black
+ box.
4-5/C. c.1982.
Serviced
........549.00
3-4/D.M4-P
Very rare
- only
100
manufactured.
c.1967
...............
2250.00
Leica
(0.72
Classic)
c.1997
...............749.00
Leica M6
M6 TTL
0.72
LHSA,body,
black black.
paint +4-5/D.
box etc.
3/D. Only
650
manufactured.
Almostbody,
as new.
c.2000
.................................
1695.00
Leica
M6 TTL (0.85)
silver
chrome
+ box. 3/D. c.2000995.00
Leitz 50mm
35/2 Summicron,
M3 specs
Leitz
f2 Summicron
(III),(8element)
M mount ++caps.
caps c.1969..............................................................................499.00
& box. 4-5/E. c.1961 ................................................. 799.00
4-5/D.
Leica 90mm
35/2 Summicron-M
ASPH., blackASPH.
paint ++hood,
& box.
Leica
f2 APO-Summicron-M
caps,caps,
casecase
& box.
3/C.
3/D. Almost
as new. c.2000 ................................................. 1995.00
Near
mint. c.2001......................................................................1549.00
Leitz 50/2 Summicron (III), M + caps. 4-5/D. c.1969.............. 549.00
Leitz 135mm f4 Elmar, M + cap & keeper. 3/D.

Near
Leitz mint.
50/1.4c.1961......................................................................195.00
Summilux, chrome (v.II in v.I mount) 4/C. c.
Leica
12027
24mm
bright-line finder, silver +
1961.
Serviced
...................................................................
849.00
case & box. 3-4/D......................................................................349.00
Leica
501.4
Summilux-M,
blackfinder
paint +
+ case.
caps, 4-5/D...............149.00
case &
Leitz SBLOO 3.5cm bright-line
box.
3/D.
Almost
as
new.
c.2000
.......................................
2195.00
Leicaflex SL2, chrome + 50/2 Summicron-R. 4/E c.1975....425.00
LeitzR5
90/2.8
Tele-Elmarit,
black,
M. Near
4/D (c.1968.....................
375.00
Leica
body,
silver chrome.
3/E.
mint. c.1987............175.00
Leica 220,
135/4black,
Tele-Elmar-M
+ caps,4-5/C.
case &Serviced..................399.00
box. 3/D.
Linhof
95/3.5, boxed.
Meagher
2.25x2.25in.
tailboard camera, uncut lens panel. 4/E.
Very
Near mint.
c.1992...............................................................
649.00
rare
& 280/4.8
unusual,Telyt,
tiny screw
wooden
tailboard
Leitz
+ caps
& box.camera......................2495.00
4/D. c.1966............. 175.00
Minolta
Miniflex
4x4
+
cap,
case,
strap,
accessory
sports
finder
+ box.
Leica 12014 21mm/24mm/28mm viewfinder, silver
4-5/D.
Rare3/D.
camera,
unusual two-tone blue design. c.1959.549.00
+ case.
Near mint.........................................................
225.00
Nicca
3-F
,
Leica
copy
+
5cm
f2
Nikkor-H.C.
4/D
.....................349.00
Leica Motor M, 14408, for M6 etc. + box & instructions. 3/D.
Nikon I + 5cm f2 Nikkor. 5/C. serviced. One of the first 250 Nikon
Near mint
...........................................................................
cameras
manufactured!
Very rare - only around 450 sold. 225.00
Minolta
35 Model IIB + 5cm f1.8Super Rokkor. 4/D............... 325.00
c.1948 .......................................................................................9995.00
NikonSP
I ++5cm
Nikkor
+ cap. 4-5/C.
5/C. FullServiced......................995.00
working order, serviced and
Nikon
5cmf2f1.4
Nikkor-S.
guaranteed,
film tested.
One+ of
the first
250 Nikon
cameras
manufacNikon
S3 Olympic
(black)
50/1.4
Nikkor-S
Olympic
+ hood,
cap
& Very
case.rare
4/D.- Rare
- only 2000
manufactured.
c.1964.1995.00
tured!
only around
450 were
sold. c.1948.........
10995.00
Nikkor-S.C
5cm f1.5,+L.T.M.
+ aluminium
Nikon S2, black-dial
5cm f1.4
Nikkor-S.CNikkor
+ cap, keeper.
case,
4-5/D.
Very rare
- only
408 manufactured............................1495.00
instructions
& box.
4/D........................................................
699.00
Nikkor-S.C.
L.T.M, first
5005
Nikon SP +5cm
5cm f1.4,
f1.4 Nikkor-S
+ cap,
lensseries
hood,+case,
MiOJ
cap.
4/D...........................................................................449.00
instructions, box & outer box. 4/C. Serviced ...................... 1495.00
Nikkor-P.C 8.5cm f2 (Occupied Type II), L.T.M. + hood, caps & case,
Nikon S3
(black)
+ 50/1.4
Nikkor-S Olympic
MiOJ.
4/EOlympic
Rare 903
series.
Only 1200-1300
manufactured 995.00
+ case,
instructions,
& outer
box. 4-5/C.
Serviced ...... 2495.00
Nikon
2.1cm
finder for box
Nikon
rangefinder.
5/E........................225.00
Nikkor
(W-Nikkor.C)
3.5cm
f1.8,
L.T.M
+ caps & case.
Nikon F2 Titan body (+ DE-1 prism). 5-6/E............................595.00
3/D. Rare
- only
around
1600 manufactured.
Near mint
.... early
1195.00
Olympus
M-1
+ 50/1.8
M-System.
4-5/C. Serviced.
Rare
version
of OM-1...........................................................................349.00
Nikkor-S.C.
5cm f1.4, L.T.M., first 5005 series + cap with MiOJ
Olympus
caps f1.4
& case. 3/D.
marking.OM
4/D.8/2.8
One ofAuto-Fisheye
the first 500 +50mm
Very
rarelenses
& near
mint...............................................................799.00
Nikkor
manufactured
............................................... 449.00
Press
Van 120,
75/3.5
+ cap.
Rare
couNikkor-S.C
8.5cm
f1.5,Takumar
L.T.M + hood
& 4-5/G.
caps. 5/D
Rare
pled-rangefinder
6x6/6x4.5
camera.
c.1954 ...........................295.00
only 489 manufactured....................................................
1395.00
Rolleiflex Original, f3.8 Tessar. 4/G. Hard to find in this
Nikon
Reflex
Housing
(type
II)
+
45
degree
finder
&
condition.....................................................................................249.00
cable release.
4/D.post-war,
Rare accessory
995.00
Rolleiflex
4x4, black,
60/3.5.....................................
Xenar. 4/G...................295.00
OlympusSL66E
OM 8mm
Auto-Fisheye
+ caps
case.Rolleiflex
inc.f2.8
80/2.8
Planar HFT.
4/D.&Rare
3/D.2000
Verymanufactured..........................................................995.00
rare & near mint................................................... 849.00
only
Rouch
qtr. plate
Detective
camera,
Rouch 5x4
Robot Eureka,
Star Classic
+ super-thin
30mm
f4 Xenagon.
Instantaneous
3/D, lens 4/D.Doublet.
Very rare4-5/G
& near.................................................549.00
mint.................................... 749.00
Sanderson
De Luxe,
half-plate,
brass-bound + Zeiss 350mm449.00
Rolleiflex 2.8D,
Planar.
4/D.....................................................
Protarlinse,
F.P. shutter
attachment
etc. + outfit
Wrayflex II Goerz
+ 50/2.8Unilux
+ cap
& case. 4-5/D.
Rare- case.
4-5/G. Rare De Luxe version. c.1902......................................499.00
only
approximately
350
manufactured
................................
749.00
Talbot & Eamer Talmer, qtr. plate Detective camera. 5/G .....495.00
Zeiss 3.5cm
f2.8Biogon
for Contaflex
TLR
+ cap,
Teleca,
subminiature
binocular
camera.
Rare
& unusual design.
pouch
&
box.
Condition
4-5/E.
c.1936...............................
1495.00
4-5/E. c.1950................................................................................349.00
Zeiss 8.5cm
f2 Sonnar for35mm
Contaflex
4/D.& case. 3-4/D.
Toyoca
35, side-by-side
TLRTLR.
+ cap
Rare&lens.
c.1935.................................................................
949.00
Rare
unusual.
c.1955............................................................995.00
Un-named
quarter-plate tailboard,
James Cole
(tambour)
Zeiss 40-120/2.8Vario-Sonnar
for Contarex
+ hood
& caps.Flexible
4/E. Rare Rising
& Falling
Ross 6x5
Rapid Symmetrical. 4-5/E.499.00
less than
1,000Front,
manufactured.
c.1971...................................
995.00
Zeiss
for Contarex
+ hood
Zeiss40-120mm
Super-Ikontaf2.8
IV +Vario-Sonnar
case & instructions.
3/D. Near
mint&.. 299.00
caps.
- less than
1,000 manufactured.
c.1971....895.00
Lots 4/E.
moreRare
collectables
available.
Please visit our
website for full
Zeiss Contax IIIa c-d + 50/1.5 Opton Sonnar + case. 4-5E ...249.00
details and pictures of all the above items (and hundreds more)
Free Collection
Contact Jonathan Harris for an immediate quote:
info@worldwidecameraexchange.co.uk
or phone 01277 631353
Same-day Payment
Looking to buy? Please visit our website:
www.worldwidecameraexchange.co.uk
subscribe 0330 333 4555 I www.amateurphotographer.co.uk I28 May 2016
CLASSIFIED
81
Photo Critique
Final Analysis
Roger Hicks considers
The Waiting Game, 2011, by Txema Salvans

TXEMA SALVANS (IN CAMERA GALLERY)
nyone who drives around

certain parts of Europe
will have seen a strange,
sad phenomenon: roadside
prostitutes. At rst I did not realise what
they were doing, but then, I was driving
an old Land Rover with my wife at my
side. A sales rep, lorry driver or travelling
preacher might have cottoned on to the
situation more quickly.
Some prostitutes are attractive; some
clearly have stories to tell. Others are not
the most likely to attract a client. Many
are reputedly trafcked from Eastern
Europe. This seems likely, but without
interviewing them, who can know?
Txema Salvans previous long-term
project was Spanish holidaymakers. His
pictures stand well enough alone, but
they work better as part of a series: an
exhibition or (ideally) a book. His site,
www.txemasalvans.com, is opaque, but
you can learn much more about him

if you read the interview with him on
www.thegreatleapsideways.com. This
photograph was taken in Alcoletge, Lleida,
Spain, in 2011, and is part of the book
The Waiting Game, published in 2014.
There is a deliberate deadness to the
photographs in this series: unattering
light and angles from which the faces are
difcult to discern. Depersonalisation is
important. We are not tempted to make
up stories for them. Another picture in the
series shows a girl sitting in the shade of
an advertising hoarding. Translated, it
says Low Prices All Year.
Salvans says he photographs Spain
because he is Spanish: he can read
the cultural signals, understand the
background, reply in the right language if
challenged. For this series he wanted to
work unobtrusively, where his subjects
would not have to pose and he wouldnt
have to direct them. Also, he didnt want

attention from the police or the pimps, let
alone the working girls. His solution was
ingenious: he bought a yellow-coloured
surveyors tripod and a high-visibility vest,
and borrowed a Cambo Wide to take the
pictures. There are always surveyors on
Spanish roads, so nobody noticed him: a
perfect example of hiding in plain sight.
Not only could he use camera movements
(rise, fall, cross) to aid composition, but he
could also make enormous prints that
were very sharp. For example, the chairs
and sofas on which many of the girls sat
look good from a distance, but are shabby
and worn when examined closely.
The series is undoubtedly bleak and
depressing, but it has a photographic
beauty that is strangely divorced from the
subject matter. It is simultaneously an
indictment of the indifference of the
camera, and a tribute to it.
Roger Hicks has been writing about photography since 1981 and has published more than three dozen books on the subject, many in partnership with his wife Frances Schultz (visit his new website
at www.rogerandfrances.eu). Every week in this column Roger deconstructs a classic or contemporary photograph. Next week he considers an image by the Detroit Photographic Co
82
SONY LENS CASHBACK AT

Superior speed, response, &
quality in a compact body
NEW
& now in
stock!
Meet the 6300 the agship model in the form of an APSC mirrorless
camera that takes autofocusing (AF) and imaging speed and performance
to astonishing new heights.
The camera boasts an unrivalled 4D FOCUS system that can lock focus on
a subject in as little as 0.05 seconds, the worlds fastest AF* acquisition time.
Additionally, the 6300 has an incredible 425 phase detection AF points** that
are densely positioned over the entire image area the worlds highest number of
AF points on any interchangeable lens camera, and can shoot images at up to 11
frames per second with continuous autofocus and exposure tracking.
MEGA
PIXELS
from 999.00
4K Available
See website for full details
ISO
24.2
3.0
11 FPS
10051200
Explore the next dimension

Advanced 4D FOCUS tracks even fastmoving
subjects quickly and precisely.
See incredible image quality

New image sensor delivers images with less
noise within a wide sensitivity range up to ISO
51200.
Experience professional movie functions

Record the ultimate resolution in 4K movie
quality and enjoy other movie functions
favoured by professionals.
*Among interchangeablelens digital cameras as of February 2016, based on Sony research. Measured using CIPAcompliant guidelines, and internal measurement method with an E PZ 1650mm F3.55.6 OSS lens mounted,
PreAF o and viewnder in use.
**Among digital cameras as of February 2016, based on Sony research.
Sony E 16-70mm
Sony E 20mm
Sony E 24-70mm
Sony FE 24-240mm
f/4G ZA OSS
f/2.8
f/4 OSS
f/3.5-6.3 OSS
50
20
50
50
Cashback!
Cashback!
Cashback!
Cashback!
In stock at 599.00*
In stock at 239.00*
In stock at 749.00*
In stock at 714.00*
Price includes 50 cashback from Sony.

Ends 04.09.16.

Ends 04.09.16.

Ends 04.09.16.

Ends 04.09.16.
Sony FE 28mm
Sony FE 35mm
Sony FE 35mm
Sony E 55-210mm
f/2
f/1.8 OSS
f/2.8 ZA
f/4.5-6.3 OSS
30
30
30
20
Cashback!
Cashback!
Cashback!
Cashback!
In stock at 339.00*
In stock at 319.00*
In stock at 498.00*
In stock at 209.00*

Ends 04.09.16.

Ends 04.09.16.

Ends 04.09.16.

Ends 04.09.16.
Sony FE 55mm
Sony FE 70-200mm
Sony E 18-105mm
Sony FE 16-35mm
f/1.8 ZA
f/4 G OSS
f/4G OSS
f/2.8 ZA OSS
40
60
30
60
Cashback!
Cashback!
Cashback!
Cashback!
In stock at 589.00*
In stock at 1,139.00*
In stock at 419.00*
In stock at 989.00*

Ends 04.09.16.

Ends 04.09.16.

Ends 04.09.16.

Ends 04.09.16.
VISIT OUR WEBSITE UPDATED DAILY
OR PHONE US 7 DAYS A WEEK
www.parkcameras.com/ap
01444 23 70 60
All prices include VAT @ 20%. See website for our opening times for both our London and Burgess Hill stores.
All products are UK stock. E&OE. Please mention Amateur Photographer when ordering items from this advert.
Prices correct at time of going to press; Prices subject to change; check website for latest prices.
Follow us for the latest news,

oers & competitions

Amateur Photographer - May 28, 2016

Uploaded by

Copyright:

Available Formats

Amateur Photographer - May 28, 2016

Uploaded by

Document Information

Copyright

Available Formats

Share this document

Share or Embed Document

Sharing Options

Did you find this document useful?

Is this content inappropriate?

Copyright:

Available Formats

Amateur Photographer - May 28, 2016

Uploaded by

Copyright:

Available Formats

What accessories are discussed in the magazine?

What accessories are discussed in the magazine?

What photography accessories can't photographers live without?

What photography accessories can't photographers live without?

Focal length: 90mm

Exposure: F/5.6 1/60sec

For Canon, Nikon and Sony mounts

COVER PICTURES STU MEECH, HELEN SLOAN/HBO

bag, and thats why, for this special issue of AP,

ONLINE PICTURE OF THE WEEK

Shy by Martin Tosh

Send us your pictures

Each week we choose our favourite

The new MindShift DSLR holsters

Canon compact superzooms in soon

Canon will debut the PowerShot

Manfrotto has launched a backpack

Number of Photo show visitors rise

This years Photography Show in

BA calls for drone register

ERNST HAAS/GETTY IMAGES

Creative cropping can be

A wideangle lens can

28 May 2016 I www.amateurphotographer.co.uk I subscribe 0330 333 1113

Words & numbers

Not focusing on the eyes

subscribe 0330 333 1113 I www.amateurphotographer.co.uk I 28 May 2016

SOURCE: NATIONAL PORTRAIT GALLERY

Never use direct flash

The I-1 provides manual

is fully analogue, the companion app

Priced 229, the I-1 sports a

28 May 2016 I www.amateurphotographer.co.uk I subscribe 0330 333 1113

Storm over Scroby Sands Wind Farm, Great

The most interesting things to see, to do

Shooting the Ultimate Cotswold View

A new photography tuition company, Cotswold Photo Walks, offers

the end of the day, its not about me; its

For the latest news visit www.amateurphotographer.co.uk

This is an exclusive collection

1926: Britain Through the Lens

Images of a pivotal year from Getty Images

THE COURAGE of women

Women photojournalists honoured

SPEAIGHT/HULTON ARCHIVE/GETTY IMAGES

photographers that would

THIS years Take a

Carys Jones Photography

Stunning horse images from equine specialist Carys Jones can be

ver the past few years, the

The Sony Xperia Z5 Compact has a

The move towards bigger

Lars Rehm is a freelance photographer and writer,

World Press Photo 16

Hand Jobs: Life as a Hand Model

28 May 2016 I www.amateurphotographer.co.uk I subscribe 0330 333 1113

Phil Hall has some tips, tricks and techniques

FILTERS are a vital accessory, but use them

Position your ND grad

ALL PICTURES THESE PAGES JEREMY WALKER