Shavasana (Corpse Pose)
Shavasana (Corpse Pose)
Shavasana (Corpse Pose)
After so much time being bound to the actions of the body, the practitioner's awareness is hopefully
turned inwards and purified of sensory distraction. Shavasana then becomes the beginning of
deeper, meditative yogic practices. In state of sensory withdrawal it becomes easier to be aware of
the breath and of the state of the mind itself. Though not the best position for prolonged meditative
contemplation the reclined position dulls the mind too much for the kind of discernment necessary
to achieve deeper meditative states, this can be a successful introductory practice for those not yet
ready for formal meditation.
Completion
The yoga practice is a form of ritual. Regardless of the style of yoga, most classes follow the same
pattern(2). It begins with a short opening period where the practitioner gathers him or herself up,
turning inwards, away from the mundane world and setting an intention for the practice. Following
that comes the practice itself. And to end there comes an integration phase where the effects of the
practice are allowed to take hold and penetrate deep into the self of the practitioner. Shavasana is
the primary vehicle of that process.
Not All Corpses Are Alike
In the classic pose the practitioner lies out flat on the ground, with no support. For very few of us is
this a truly comfortable position, however. Comfort is essential in the pose. Much as in the fairy tale
of the princess and the pea, the slightest point of discomfort can be endlessly distracting. Here are
several variations worth experimenting with for their varied effects.
Variation 1: Blanket Under Head
Props: 1 Blanket
If the shoulders, back or chest are tight, the shoulders will not rest on the floor and the head will be
pitched back. Elevating the head will bring the head and neck to a level position and will soften the
back of the neck. This is worth doing even when the body is relatively open.
Method:
Use either a standard fold blanket or a broad half-fold blanket under the head drawn down to graze
the tops of the shoulders.
Effects:
Lengthens and softens back of neck.
Releases throat.
Softens jaw and muscles of face.
Softens brain, allowing mind to settle.
Variation 2: Bolster Under Knees
Method:
Place a bolster crosswise under the knees. If a bolster is not available, stack up two or three long
half-fold blankets and use them instead.
Effects:
Allows thighs and hamstrings to soften.
Takes weight off pelvis, allowing it to rest level.
Allows hips to release.
Allows lumbar spine to settle and lower back to release.
Variation 3: Legs On Chair
Method:
Place a broad half-fold blanket at the base of a chair, sofa or bed and have another blanket for under
the head. Lie back with the calves on the chair, the pelvis and head on blankets, the shoulders on the
floor.
Effects:
Allows thighs and hamstrings to soften.
Takes weight off pelvis, allowing it to rest level.
Allows hips to release.
Allows lumbar spine to settle and lower back to release.
Takes pressure of the heart.
Allows venous blood and lymph to drain out of the legs.
Variation 4: Trunk On Blankets
Props: 3 Blankets
Another variation to consider when the upper back, shoulders and chest are tight. Elevating the
trunk opens the chest and allows the shoulders to release back and down. This makes it a useful
counter to forward extensions, Halasana (Plough Pose) and Sarvangasana (Shoulder Stand). It also
frees up the breathing mechanism, making this an ideal set-up for reclined pranayama. This
variation can also be done with a bolster under the trunk for a much higher lift.
Method:
Arrange two long half-fold blankets in the shape of a "t to go under the trunk and place a broad
half-fold blanket on top for under the head. Sit at the base of the blanket set-up and lie back with the
blankets into the small of the back to support the lumbar spine. Draw the pillow-blanket down to
graze the tops of the shoulders and to support the base of the neck.
Effects:
Allows shoulders, neck and chest to soften.
Allows shoulders to fall back and down, reduces excessive curvature of thoracic spine, allowing
cervical spine to lengthen and neck to release.
Lifts and opens ribcage, maximizing interior space of lung cavity.
Supports diaphragm.
Allows lumbar spine to settle and lower back to release.
Variation 5: Trunk On Blankets, Bolster Under Knees
Method:
Arrange two long half-fold blankets in the shape of a t to go under the trunk and place a broad
half-fold blanket on top for under the head. Place a blanket cross wise for under the knees. Sit at the
base of the blanket set-up and lie back with the blankets into the small of the back to support the
lumbar spine. Draw the pillow-blanket down to graze the tops of the shoulders and to support the
base of the neck. Adjust the position of the bolster under the knees so that the heels can rest
comfortably on the floor and the thighs and hips can settle.
Effects:
Allows shoulders, neck and chest to soften.
Allows shoulders to fall back and down, reducing excessive curvature of thoracic spine, allowing
2. Keeping the core muscles soft and, using only the strength of the arms, roll your spine down
towards the floor. Take care to place each segment of the back evenly down on the floor before
proceeding to the next.
3. Lie back with your head on the blanket and draw it down to graze the tops of your shoulders and
support the back of the neck. Take a moment in this position to assess your alignment. Is the pelvis
level and the lower back long? If not, place the hands on the buttocks and both lengthen and
broaden them as you roll the flesh towards the heels.
4. Slide out one heel at a time to extend the legs. Begin with the legs together and then let them
drop out to the sides. Take the feet a comfortable distance apart, but be sure not to overdo it. Wider
is not necessarily better.
5. Pick the head up and glance down the length of the body. If the legs are not arranged
symmetrically, adjust them so that they are.
6. Press the elbows firmly down into the floor and pick the upper back up off the blanket. Tuck the
shoulder blades in and roll the shoulders down, opening the top chest.
7. Keep the elbows where they are and release the forearms down with the palms facing up.
8. Mentally scan the body and see if any other minor adjustments are necessary. After adjusting the
shoulders, you may find it necessary to re-adjust the lower back. This may, in turn, shift the
shoulders a little. Sometimes it is necessary to go back and forth a few times to get it right. DO
NOT GET CARRIED AWAY WITH YOUR ADJUSTMENTS. It is possible to go on forever
adjusting around attempting to achieve the perfect position. Deal with the major issues and then
make a firm resolution not to change anything else for the remainder of the time.
9. Glance up and adjust the forehead so that it is level with the ceiling. The back of the head is an
unreliable reference point as it is unlikely to be completely symmetrical.
10. Gently allow the chin to release into the chest and the back of the neck to lengthen. You want
there to be a gentle downward incline from the eyebrows to the top of the chest.
11. Release the eyelids from top to bottom and begin the process of turning your awareness
inwards. Hold the pose for anything from 3 to 30 minutes.
Turning Inward
There are many different ways to practice interiorization in Shavasana. Here are four approaches,
each of which deals with successively more subtle points of focus: the body, the senses, the breath
and the mind itself. Any one of these practiced alone would be sufficient, or you may combine two
or more for longer holdings.
Muscle Relaxation
Starting with the feet and working your way to the head, use suggestion to soften and release the
different parts of the body.
Eventually, you learn how to voluntarily initiate relaxation, but initially it may take the use of
guided imagery to encourage the muscles to relax. Here are some suggestions:
Silently name each body part and imagine the breath flowing directly into that body part. Think of
the body part as being darker or in shadow and imagine that the breath brings light into the muscles.
Alternatively, you can think of the breath as dissolving the tension like sugar dissolving in water.
With each exhalation the tension flows out of the body.
After naming the body part, imagine it getting heavier and heavier with each exhalation and
sinking into the floor.
After naming the body part, imagine it melting as if it were snow melting in the winter sun.
Imagine the body were a sack of grain. For each body part, visualize rips forming in the sack and
the grain pouring out onto the floor.
Imagine the body as a suit of clothes falling through the air in slow motion and touching the
ground, body part by body part. As each part touches the floor, all the wrinkles fall out of the fabric.
Sense Withdrawal
Sensory withdrawal begins with relaxation of the physical sense organs. This softens their
attachment to the outside world, preparing them to turn inwards. Sometimes this can be a bit
nebulous for the inexperienced practitioner to grasps. Releasing specific parts of the face can assist
in the release of the nearby sense organs.
The sense of touch resides in the skin. While softening the muscles of the body, pay special
attention to the skin, allowing it to soften and release as well. This has the added benefit of calming
the nervous system directly, as there is a connection between the skin cells and the nerves: nerves,
skin and brain all emerge from the same embryonic cells in the womb.
The senses of taste and smell can be released by addressing the mouth and nose:
Soften the tip of the tongue and allow it to detach itself from the roof of the mouth.
Release the tongue from the tip to the root, near the back of the throat.
Release the roof of the mouth and the back of the throat.
Soften upwards from there behind the nose and into the nostrils.
Soften the bridge of the nose and the sinuses.
The sense of hearing can be released by softening the jaw and the ear canal:
Soften the chin and the jaw.
Soften the hinges of the jaw.
Soften the ear canal in and forward towards the eyes.
Soften the inner ear.
The sense of sight can be released by softening the temples, the muscles around the eyes and the
eyeballs themselves:
Soften the temples. Allow them to deflate and sink inwards.
Soften the eyebrows, the cheek bones and the bridge of the nose.
Soften the muscles around the eyes.
Soften the eyeballs and allow them to sink down past the temples.
Soften the backs of the eyes and the optic nerve. moving back into the skull.
According to yogic philosophy there is one more sense, the mind. The mind, as opposed to
consciousness or thoughts, is the part of you that organizes all the senses and mediates between
consciousness and the outside world. To release the mind, we have to address the brain directly:
Soften the skull.
Soften the brain itself.
Allow the brain to detach itself from behind the forehead and let it sink down to rest on the back of
the skull.
Allow the front of the brain to settle on the back of the brain.
Soften the individual brain cells and allow them to deflate and sink towards the floor.
Breath Awareness
With the body relaxed and the senses turned inwards, it is now possible to become aware of the
inner spaces of the body and the movement of the breath. There are two ways to think of the breath,
either as the mechanism of breathing or as the flow of breath.
In the first, we can either observe the movement of the ribcage and belly or the passage of air
through the nostrils. Let us look at the ribcage first: