SPONSORS REPORT

Lykie Liquor in Foreign Bodies by Skin in SIN (Singapore)

Photo credit: kairosnapshots

Art & Skin is the theme for this years edition of

M1 Singapore Fringe Festival allowing
creatives to design performance of unparalleled
vulnerability, beauty and surprise.
FiveLines.Asias review of Foreign Bodies

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 CONTENTS

Executive Summary
[ Pg 5 ]

The Fringe in Numbers

[Pg 9]

Performance & Exhibition Details

[ Pg 11]

Sponsors, Partners & Supporters

[ Pg 15 ]

Publicity & Marketing

[ Pg 18 ]

Reviews & Audience Feedback

[ Pg 38 ]

Fringe Team 2017

[ Pg 43 ]

M1 Singapore Fringe Festival 2018

[ Pg 45 ]

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I loved the theme! The variety of work shown,
the imaginative way the festival brought
together artists looking at skin through many
filters, the nuanced way the festival was
connecting work and initiating conversations
over themes of gender, identity, sexuality,
intimacy and more. This was a rich melting pot
of ideas, I was extremely proud to be part of
such a diverse community.
Liz Atkin, Artist,
Artist Talks and #CompulsiveCharcoal

#CompulsiveCharcoal by Liz Atkin (United Kingdom)

Photo credit: Liz Atkin
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 EXECUTIVE SUMMARY
The 13th edition of the M1 Singapore Fringe Festival, curated around the theme of Art
& Skin, has continued to have a meaningful impact on Singapores creative and
cultural landscape, creating much attention and conversation. We are proud to say
that with this years Festival, we have strengthened the quality, rigour and
impression of our programming, thanks to your strong and enduring support.

We sustained our strong support for independent Singapore artists, signalling a

serious commitment to local voices and creative discipline. Works featured included
both reworkings and brand new pieces, many of which enjoyed support from Centre
42, with whom we have developed a robust partnership.

From Left, Datin Coconut Muffin, Steven Manja, Michelle Piper,

Foreign Bodies by Skin in SIN
Photo credit: Audi Khalid

Many of our performances saw full houses: six of the eight productions presented
had sold out performances, namely: Labels by Worklight Theatre, Si Ti Kay by
Akulah BIMBO SAKTI, Foreign Bodies by Skin In SIN, Pretty Butch by Tan Liting,
Skin Tight by Ah Hock and Peng Yu, and Fresh Fringe: Triple-Bill. The other two
productions FIGHT! PALAST by PENG! Palast and Under My Skin by Alessandra
Fel were almost sold out. We also added one extra show of Pretty Butch, due to
popular demand. Because of the enthusiastic support by audiences and partners
alike, the Festival saw an overall house of 94%with long waiting lists for tickets to
sold out performances.

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Every year we are trying something new in the Fringe, and this year was no
exception. We had our first ever Fresh Fringe, which enabled us to offer yet another
platform to highlight new and exciting writing. This is something we hope to continue,
as long as the interest and resources are there. We also had our first art on public
transport, our first ever burlesque troupe, and our first public discussion in a Long
Table format. The responses to these many firsts have been incredibly warm and
encouraging, clearly indicating the audiences hunger for cutting edge, challenging
artworks that are pertinent to the times.

It was also unfortunately the first time we had to pull two programmes from the line-
up due to censorship. While this decision was not an easy one, we believed it to be
the best one that kept the Festivals integrity intact, whilst remaining sensitive to the
artists and all our wonderful partners. Despite the furore surrounding the withdrawal
of the two works, we are very much heartened by the positive media support, and a
great ground swell of encouragement, appreciation and comradeship from the arts
community. The press and online media also displayed great support via extensive
preview coverage and some very positive and constructive reviews.

All of this would not be possible without the ongoing support of M1 and all our
sponsors and partners. We are thankful that all of you have remained stalwart Fringe
fans and friends through the years.

Sean Tobin, Festival Artistic Director and Ivan Lim, M1 Limited,

Director of Corporate Communications and Investor Relations at
the Festivals Media Launch.
Photo credit: Karmen Wong

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We welcome your feedback on this years instalment of the Fringe, and look forward
to continued conversation between us, in order to keep the Fringe a dynamic and
vital part of our Singapore arts scene.

Enclosed in this report are all the key information and statistics gathered by our team
for this years Festival.

We are already excited about Fringe 18: Lets Walk and look forward to working with
you on it. Applications for Fringe 18 are already coming in and the open call closes
on 3rd March 2017.

Kind regards,

Sean Tobin
Artistic Director
M1 Singapore Fringe Festival

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"[The Fringe experience] felt like we were all
part of a family, working together. Even though
the shows were largely separate and we were
all working independently, it felt like we were all
working together for a common artistic goal.
Tan Liting, Director & Playwright,
Pretty Butch

Pretty Butch by Tan Liting (Singapore)

Photo credit: Throbbingpixels

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THE FRINGE IN NUMBERS

12 DAYS

7 COUNTRIES

74 ARTISTS

8 VENUES

11 EVENTS

94% OVERALL HOUSE

9,069 PEOPLE REACHED

$3,230,720.21 PR VALUE

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 75% of our audience are Singaporeans

73% of our audience are between the ages of 19 to 40

53% of our audience for 2017 are new to the Fringe

28% of overall ticket sales were from school bookings

76% of our audience would recommend the

performance to family/ friends

91% of our audience rated the performances

excellent or good

89% of our audience feel that the ticket prices are

very reasonable or reasonable

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 PERFORMANCE &
EXHIBITION DETAILS

Toralina Purrverse in Foreign Bodies by Skin in SIN (Singapore)

Photo credit: kairosnapshots

This is a performance about vulnerability as

well as empowerment in getting naked. Be it
nakedness of the body or the mind, they are
equally intimate and intimidating It is a
beautiful piece of work about pursuing
acceptance, body confidence and really,
breaking every societal boundary there is.
Kudos to M1 Fringe Festival for embracing this
and having art that really makes a difference.
Popspoken, about Foreign Bodies by
Skin in SIN (Singapore)
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 NO. OF TOTAL TIX/ %TAGE
TITLE DATES VENUE
SHOWS CAPACITY VISITORS HOUSE

Fringe Highlights

Foreign Bodies by
5 7 Jan 3 Esplanade Recital Studio 696 669 96.12%
Skin in SIN (Singapore)

Labels by Esplanade Theatre

4 5 Jan 2 320 320 100.00%
Worklight Theatre (United Kingdom) Studio

Live Fringe

FIGHT! PALAST #membersonly by Esplanade Theatre

6 7 Jan 2 320 252 75.75%
PENG! Palast (Germany/ Switzerland) Studio

Under My Skin by Esplanade Theatre

11 12 Jan 2 440 416 94.55%
Alessandra Fel (Italy/ Singapore) Studio

Skin Tight by Esplanade Theatre 360

13 14 Jan 2 340
Ah Hock and Peng Yu (Singapore) Studio 94.44%

Esplanade Rehearsal
Fresh Fringe Triple-Bill 14 Jan 1 80 80
Studio 100.00%

Si Ti Kay by
5 7 Jan 3 Centre 42 Black Box 150 142
Akulah BIMBO SAKTI (Singapore) 94.67%

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 NO. OF TOTAL TIX/ %TAGE
TITLE DATES VENUE
SHOWS CAPACITY VISITORS HOUSE

Pretty Butch by
11 15 Jan 6 Centre 42 Black Box 360 350
Tan Liting (Singapore) 97.22%

Artist Talks & #CompulsiveCharcoal At least

4 14 Jan - various - -
by Liz Atkin (United Kingdom) 6,500

Si Ti Kay by Akulah BIMBO SAKTI (Singapore)

Photo credit: Shawn Byron Danker

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 Labels by Worklight Theatre (United Kingdom)
Photo credit: Ben Borley

We were really impressed by the efficiency of

the whole process from start to finish. We
thought that having a unifying theme meant
that there was an automatic topic of
conversation and exciting link between all the
works, which was unique as far as
international festivals we have played at are
concerned.
Joe-Sellman-Leava,
Creator & Performer, Labels

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 SPONSORS, PARTNERS
& SUPPORTERS

Liz Atkin and some #CompulsiveCharcoal drawings

with THRIVE/ Khoo Teck Puat Hospitals industry partners
Photo credit: Liz Atkin

During the trip itself, a number of interviews,

profiles and connections were made through M1
Singapore Fringe Festival and the British Council of
Singapore. All of these had huge impact for the
publicity surrounding my stay and interaction with
the public.
Liz Atkin, Artist,
Artist Talks and #CompulsiveCharcoal

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 Special Thanks

M1 Singapore Fringe Festival

Sponsors | Partners | Supporters

Total no. of Sponsors, Partners and Supporters 31

No. of Repeat Sponsors 17

M1 Limited
Arts Fund
Cultural Matching Fund
British Council
Embassy of Switzerland in Singapore
Italian Cultural Institute of Singapore
Pro Helvetia
Swisslos Kultur Kanton Bern
Kultur Stadt Bern
Esplanade Theatres on the Bay
Centre 42
quest-ce que cest
fFurious

Official Magazine - Time Out Singapore

Official Outdoor Media Mediacorp OOH Media
Official Social Media Community Netccentric
Official Hotel - Hotel Grand Pacific

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 No. of New Sponsors 14

Binjaitree
THRIVE
Khoo Teck Puat Hospital
LASALLE College of the Arts
library@esplanade
Buds Theatre Company
W!LD RICE
Two Queens
Fry Bistro
Bar Naked
The Garden Slug
Dough Empire
Ladies District
Arts Council England

Chrysanthemum Gate
by Andrew Sutherland and Chanel Ariel Chan (Australia |Singapore)
Photo credit: Glenn Ong

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PUBLICITY & MARKETING

For both performances we were delighted to play

to full houses, so obviously the marketing worked!
We saw plenty of visible adverts (banners on
streets, at bus stops) as we wandered around the
city, giving both Labels and the festival as a whole a
really strong presence.
Joe Sellman-Leava,
Creator & Performer, Labels

Labels by Worklight Theatre (United Kingdom)

Photo credit: Anna Bruce

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COLLATERAL |
DESCRIPTION
AVENUE

PRINT

24,000 booklets were distributed to all M1 stores and SISTIC

Programme Booklets authorised agents, as well as selected community libraries, schools,
24,000 copies | A4 size | arts venues, embassies and cultural organisations, cafes,
36 pages restaurants, clubs, and entertainment and retail outlets around
Singapore.

Programme Leaflets for

10,000 copies of in-house designed and printed programme leaflets
all productions
about each work and artist were distributed at all performances and
10,000 copies | A5 size | 4
exhibitions.
8 pages

M1 Singapore Fringe Festival 2017 events at the Esplanade were

Esplanade Theatres on included in the Whats On (January 2017 issue), with 20,000 copies
the Bay distributed at Esplanade, SISTIC Authorised Agents, lifestyle caf
chains, hotels and arts venues from December 2016 onwards.

Two half-page advertisements for the November and December

2016 issues, and one full-page advertisement in January 2017s
Time Out Singapore
issue were included in Official Magazine Time Out to advertise the
Festival.

ENCORE (The European

Selected events were listed on the website and Facebook page.
Season)

3 full-page SISTIC Run-on-Print advertisements were featured in the

November and December 2016 and January 2017 SISTIC
SISTIC
Entertainment Guides, available at all authorised SISTIC agents
islandwide, selected hotels, schools, cafes and arts and cultural
venues.

Singapore Art Week Information about Liz Atkins #CompulsiveCharcoal was included on
the flyers.

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COLLATERAL | AVENUE DESCRIPTION

OUTDOOR AND ON-SITE

Copies of the Festival booklets were distributed in-store to

M1
customers from October 2016.

38 DigiBoard, 5 4Prime and 130 In-shelter posters advertising M1

Mediacorp Singapore Fringe Festival 2017 were displayed at bus shelters
around the island from December 2016 to January 2017.

Foyerboards, Tunnel and Bus Stop Posters and numerous floor

Esplanade Theatres on
stickers were displayed around Esplanade from September 2016
the Bay
to January 2017.

25 street banners were displayed along Waterloo Street and

Arts & Heritage District
Middle Road from November 2016 to January 2017.

Singapore Tourism Board 22 street banners were displayed along Stamford Road in January
2017.

Madge of Honor posing with the Esplanade Foyerboard advertising Foreign Bodies

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COLLATERAL | AVENUE DESCRIPTION

ONLINE

A dedicated Festival website was created at

www.singaporefringe.com. The website, designed by fFurious, was
Festival website
also mobile-enabled and customised for both desktop, tablet and
mobile-phone viewing.

The dedicated Facebook page and individual event pages were

frequently updated with mentions, listings, previews, rehearsal
photos and reviews.
Festival Facebook page
In addition, Festival director Sean Tobin posted Q&A with artists,
which gave insights to the artists processes, inspirations and
personalities.

The dedicated Instagram account was actively posting and

Festival Instagram account
connecting with artists, audience members and industry partners.

The dedicated Twitter account was actively posting and connecting

Festival Twitter account
with artists, audience members and industry partners.

5 unique EDMs were sent to a total mailing list of 10,000

(comprising databases of local and international partners of The
Necessary Stage, SISTIC, embassies, sponsors, partners and
Electronic Direct Mailers venues, schools, The Necessary Stage's Volunteer E-Group and
(EDMs) the Arts Community E-Group).

Genre-specific EDMs were sent to targeted groups such as

educators and students.

Esplanade Theatres on The Festivals events were included on Esplanade's dedicated

the Bay website (www.esplanade.com) from December 2016 - January
2017, with 2,477 users accessing the information.

2 EDMs were also sent to selected demographics of Esplanade's

mailing list, with a total reach of 135,238 people reached.

Centre 42 Centre 42s dedicated Facebook page featured a banner

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COLLATERAL | AVENUE DESCRIPTION

advertising the Fringe works supported by Centre 42

Their support for Bitten under the Guest Room, Under My Skin
under the Basement Workshop programme, and Pretty Butch
under the Boiler Room programme, included documentation and
video interviews with the artist and the process.

In addition, Centre 42s Citizen Reviewers attended the Fringe

performances and posted their reviews on the website
(http://centre42.sg/category/cr-theatrereviews).

5 dedicated EDMs were sent to SISTICs selected database to

advertise the Fringe, along with Facebook and Instagram shout
outs and advertising on the main website (www.sistic.com.sg) via
SISTIC New Release and Highlights icons.

The Festival was also advertised via the SISTIC Buzz Subheader,
mobile app icon and customised event pages.

Official Social Media Network wide cost-per-click campaign provided box ads of the
Community - Netccentric Festival to blogs signed up to Netccentric which received 3,003
clicks throughout the campaign period from 11 November 2016
15 January 2017.

Shoutouts for the Festival were done on both the official and
influencers social media channels, including a featured blog post
on the Nuffnang site:
Netccentrics reach:
1) Facebook: 3,182 x 2 posts
2) Instagram: 8,493 x 2 posts
3) Twitter: 2,200 x 1 post
4) Dayre: 460 x 1 post

Netccentrics influencers reach:

1) @xinlinnn: 40,000
2) @brenwho: 30,400

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COLLATERAL | AVENUE DESCRIPTION

3) @melinairwan: 60,000

Official Magazine Previews and event listings on Time Out's website from November
Time Out Singapore 2016 to January 2017, and EDMs were sent to their database.

Singapore Art Week Information about Liz Atkins #CompulsiveCharcoal was included
on the website.

ENCORE! Information about selected events was included on the website and
Facebook page.

The Smart Local

Feature article on selected events at M1 Singapore Fringe Festival.

Arts Republic
Banner ads on website www.artsrepublic.sg

Channel News Asias video on Liz Atkins #CompulsiveCharcoal

was a hit on social media, generating more than 159,000 views
and 2,500 positive responses on Facebook alone!

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COLLATERAL | AVENUE DESCRIPTION

Others

The M1 Singapore Fringe Festival 2017 staged a successful press

Media Launch of the
launch at the Esplanade on 4 October 2016, which generated a
Festival
few press previews immediately after.

The official Opening Reception of the M1 Singapore Fringe

Opening Reception of the Festival 2017 was held on 5 January 2017, attended by Guest of
Festival Honour Nominated Member of Parliament (Arts) Kok Heng Leun
and various members of the media, sponsors and artists.

Guests at the Festival Opening Reception

Photo credit: Dawn Chua

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Programme Booklets

Festival Website

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Festival Website

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Electronic Direct Mailers

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Electronic Direct Mailers

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Electronic Direct Mailers

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Festival Facebook Page

Festival Twitter Page

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Festival Instagram Page

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Time Out Advertisements

SISTIC Run-on-Print Advertisements

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Arts & Heritage District Street Banners

Singapore Tourism Board Street Banners

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Mediacorp OOH Bus Shelter Posters 4Prime

Mediacorp OOH Bus Shelter Posters DigiPrime

Mediacorp OOH Bus Shelter Posters In Shelter

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Esplanade Onsite Collaterals Floor stickers

Esplanade Onsite Collaterals Bus stop poster

Esplanade Onsite Collaterals Tunnel poster

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Esplanade Onsite Collaterals - Foyerboards

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Centre 42 Facebook homepage banner

[I liked] the bold content curated, inspired by

Skin, and the diversity of artists, themes and
content selected across all the different shows. It
was a good, refreshing mix.
Thong Pei Qin, Co-creator, Bitten

Bitten by Thong Pei Qin & Nidya Shanthini Manokara (Singapore)

Photo credit: Pencilmania

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 REVIEWS &
AUDIENCE FEEDBACK

Pretty Butch by Tan Liting (Singapore)

Photo credit: Throbbingpixels

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Fringe Highlights:
Foreign Bodies by Skin in SIN (Singapore)
Foreign Bodies was an evening of art and
defiance. One felt that the training and performance
was an emancipatory experience for members of Skin
in SIN, and the transmission of joy and acceptance
was infections. As a riposte to narrow minds, the
performances successfully communicated the idea that
diversity, rather than being the exception, is our default
position.
- Kathy Rowland, Arts Equator

Outstanding! Everything and more I hoped it would

be.
Photo credit: Audi Khalid
- Audience member

Pushing boundaries in a thoughtful way.

- Audience member

Fringe Highlight:
Labels by Worklight Theatre (United Kingdom)
Labels is a genuinely original and side-splitting
play, featuring social prejudice and racism
leading the audience to tears and laughter in
multiple measures.
- FiveLines.Asia

Alternately thought provoking and side-

splittingly hilarious, Labels is, at its heart, a
beautiful human story and an absolute must-
watch.
- Sim Xin Yi, bakchormeeboy.com

Reminders and reflections about racism and

prejudice in our daily lives.
Photo credit: Anna Bruce
- Audience member

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Live Fringe:
#CompulsiveCharcoal and Artist Talks by Liz Atkin (United Kingdom)

It was an awesome experience and Liz did a great

job in engaging the audience.

I used to pick any pimple I saw or felt on my skin and

it never occurred to me that that was anything else
beyond vanity.

The workshop was therapeutic and I felt totally at

peace after the session.

Photo credit: Liz Atkin

Thank you Liz and organisers for making this
happen.
- Workshop attendee

Live Fringe:
Si Ti Kay by Akulah BIMBO SAKTI (Singapore)

A very visceral presentation of ideas and

themes that made for a unique theatre
experience.
- Audience member

"The performers were breathtaking in intensity."

- Audience member

Photo credit: TUCKYS Photography/

Cake Theatrical Productions

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Live Fringe:
Pretty Butch by Tan Liting (Singapore)

Sensitive and nuanced, this piece is almost like a Judith

Butler essay, popping at the seams with its investigation of
gender and the way it is performed, mimed, mocked and
torn apart basically.
- dumbriyani

Tan Liting handles her material well, having thoroughly

researched her topic and crafting a play that will strike a
chord with almost anyone in the audience, while
communicating oft unspoken issues in society.
- bakchormeeboy.com

Photo credit: Crispian Chan

Live Fringe:
FIGHT! PALAST #membersonly by PENG! Palast (Germany | Switzerland)

Combat, cooking and creation: three main

drives of humanity are harnessed to forge
connections, the fourth need that defines
people. Membership in FIGHT! PALAST
#membersonly is not exclusive. Including as
many as possible is the charming point.
- Akshita Nanda, The Straits Times Life!

so many experiences in the show were

tactile, raw and live, particularly the post-show
activities that were meticulously prepared.
- Michael Ng, bakchormeeboy.com
Photo credit: Rob Lewis

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Live Fringe:
Under My Skin by Alessandra Fel (Italy | Singapore)

Creator and director Alessandra Fel, an Italian

residing here, has a wonderful grasp of
movement theatre and how the body can be
used to express meaning without sound.
- Akshita Nanda, The Straits Times Life!

Under My Skin was an interesting exploration

of how to illustrate the many facets of maternal
depression, and possesses some really
fascinating and memorable stanzas of physical
theatre.
Photo credit: Attilio Rapisarda
- Michael Ng, bakchormeeboy.com

Live Fringe:
Skin Tight by Ah Hock and Peng Yu (Singapore)

The work continues to speak to me in so many

ways, which to me is the hallmark of a meaningful
work.
- Nirmala Seshadri

Loved the performance, extremely expressive

choreography.
- Audience member

Intriguing, inspiring and fantastic. Entertaining,

meaningful. Struck a chord with me.
- Audience member
Photo credit: @chingkaichingkai

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 FRINGE TEAM 2017
Artistic Director Sean Tobin

The Necessary Stage

Artistic Director Alvin Tan
Resident Playwright Haresh Sharma
General Manager Melissa Lim
Festival Manager Jezamine Tan
Festival Coordinator Mishaal Syed Nasar
Project Managers Irma Suzanna Ruslan
Edlyn Ng
Karmen Wong
Production Manager Azyyati Alias
Researcher Shawn Chua Ming Ren
Accounts Assistant Choo Kok Cheng
Accountant Two Point Pte Ltd

Volunteer Coordinators Shazwaani Bte Mohamed Shaari

Nur Izyan Bte Iliyas

Production Coordinators Mishaal Syed Nasar

Josiah Yoong
Chan Yuay Yu

Lighting Coordinator Ignatius Tan

Production Interns Liew Su Yee

Nadira Bte Rizal Pillay

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 Board of Directors Tan Chong Kee
Vincent Lim
Diana Lim-Chong
Haresh Sharma
Alvin Tan
Christopher Tan
Serene Tan
Andy Yeo

The public relations for the M1 Singapore Fringe Festival 2017 was managed by
Phish Communications Pte Ltd.

Skin Tight by Ah Hock and Peng Yu (Singapore)

Photo credit: Andrew Ng

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 M1 SINGAPORE FRINGE
FESTIVAL 2018: LETS WALK
Let's Walk is the first in a series of Fringe instalments themed around iconic Singaporean artists
and their signature works. Each year we will nominate an artist and a selected work, and invite
artists from a range of disciplines from Singapore and around the world to respond to them with
their own new or existing works. Through the borrowing of their work, we aim to honour the artist
and recognise and build on the lasting universal significance and resonance of his or her work.

The 2018 theme Let's Walk comes from the title of a series of striking street performances by
eminent Singaporean contemporary artist, Amanda Heng.

For Fringe 2018, we invite you to consider this culturally significant work by one of our most
important artists. Amanda began this series in 1999 and performed the work in Singapore, Japan,
France, Poland, Indonesia, Sweden and Spain.

Amanda Heng has worked in a range of mediums, and perhaps her most notable works such as
Let's Walk are so immediately engaging and participatory. While charmingly simple in form, they
are arresting and deeply effective in drawing much needed attention to some of the most important
social concerns of our times.

Let's Walk is one of a series of walking performances that she has created over the years. The
walks are designed and carried out with spectacular simplicity and intimacy, managing to carry
both the potent provocation of a protest, and the peaceful contemplation of a walking meditation.
From the title itself, Amanda clearly signals her invitation to engage, connect, collaborate and
move forward.

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Let's Walk invited us all to think about
the beauty business, and the lack of
progress for women in society. In her
performance, she invited members of
the public to join her in walking
backwards along the streets with
high-heeled shoes in their mouths,
while trying to guide themselves with
handheld mirrors.

Amanda created the work in

response to a range of worrying
trends she was concerned about in
the late 1990s, and are still concerns
to this day. In 1997, Asia had been hit hard with a financial crisis. Many people lost their jobs and
businesses, but women seemed to be the first to get retrenched.

Curiously and disturbingly, the beauty business did especially well at this time, as women were
pressured to look better than their natural best. In Amanda's own words, "A lot of Singaporean
women were 'upgrading' themselves, going to beauty salons, having plastic surgery and so on to
keep their jobs. A woman's looks are still worth more than her abilities."

So in tribute to Amanda's work, to this work in particular, and to the many important ideas and
questions it evokes, we invite you to propose your own works, to build on the provocations in Let's
Walk.

We are looking for progressive works that voice the concerns of today. Whether you are exploring
themes of gender, beauty, inequality, injustice, economics, or all of the above, and more. And in
whatever form or discipline you practice.

Look out for a range of stimuli that we will be sharing to get you more acquainted with Amanda and
with this workphotos, videos, and other archival materials and start getting your proposals ready,
whether they are existing or new works, that can build on the spirit of concern and creation
inherent in Amanda Heng's Let's Walk.

So, lets walk.

17 28 January 2018.

Get involved.

SEAN TOBIN
Artistic Director
M1 Singapore Fringe Festival

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Michelle Piper in Foreign Bodies by Skin in SIN (Singapore)
Photo credit: Audi Khalid

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 THE NECESSARY STAGE |
M1 SINGAPORE FRINGE FESTIVAL
278 Marine Parade Road

#B1-02 Marine Parade Community Building

Singapore 449282

CONTACT US AT

Tel: (65) 6440 8115

Fax: (65) 6400 9002

Email: admin@necessary.org | info@singaporefringe.com

Website: www.necessary.org | www.singaporefringe.com

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