Features and Developments of Architecture During Mughal Period
Features and Developments of Architecture During Mughal Period
Features and Developments of Architecture During Mughal Period
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At the same time it must also be accepted that a period of 100 years
(1556-1658) covered by the reign of Akbar, Jahangir and Shah
Jahan has a special significance for the promotion of architecture.
Likewise there was some activity in this area in the period of Babur
and Humayun. Therefore, it is said that the Mughal period was the
golden period of Indian architecture.
3. Specific characteristic:
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4. Costly decorations:
The Mughal emperors in general but Shah Jahan in particular
decorated his buildings with costly articles. One of the important
distinguishing features of the Mughal buildings is their
ornamentation as compared with the simple buildings of the
previous Muslim rulers of India.
5. Building material:
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Shah Jahan mostly made use of marble in place of red stone. With a
view to enhance the beauty and effect of the ceilings, he made full
use of gold, silver, precious and coloured stones. At several places,
the pictures of trees, animal scenes and other flora and fauna have
been depicted. (See next question).
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architecture-during-mughal-period/2854
Features of Mughal Architecture
The great Mughals had left an indelible mark on architecture of Indo-Persian school
of art. The use of pure white marble, inlay work of gold, silver and precious metals,
cut and polished stones, gardens around tombs, minarets in the mosques and
palace halls were some of the chief features of the art.
Babur built buildings at Dholpur, Gwalior, Sikri etc and mosques at Kabuli
Bazar of Panipat, Sambhal and Agra.
In Agra Fort importance was given to Gujarat and Bengal architectural school.
The Mughal architecture in Shah Jahans time reached its final glory. Shah
Jahan replaced Akbars red stone structures in Agra and Lahore and rebuilt
them in white marble. His additions were seen in Diwan-i-Khas, Diwan-i-Am,
Sish Mahal, Musamman Burj and Moti Masjid.
The Red fort built of red sandstone and marble has exquisite and vast
gateways, Di wan-i-Am and Diwan-i-Khas. In the Diwan-i-Khas, where the
emperor gave audience to the royal princess, nobles and other dignitaries had
the gem studded Peacock Throne placed.
Jama Masjid at Delhi was one of the most elegant buildings of his time. Shah
Jahan has immortalized his name by buildings the Taj Mahal in the memory of
his beloved queen Mumtaz Mahal. Aurangzeb, a staunch Sunni Muslim was
averse to art and culture. His period was marked by decline in art and
architecture.
http://www.importantindia.com/12318/features-of-mughal-architecture/
Mughal architecture is the distinctive Indo-Islamic architectural style that developed in northern and
central India under the patronage of Mughal emperors from the 16th to the 18th century. It is a
remarkably symmetrical and decorative amalgam of Persian, Turkish, and Indian architecture. The
Mughals were also renowned for creating exquisite gardens in the Persian charbagh layout, in
which the quadrilateral gardens were divided by walkways or flowing water into four smaller parts.
Early Mughal architecture first developed during the reign of Akbar the Great (15561605), who
commissioned palaces, mosques, gardens, and mausoleums. The architecture was a synthesis of
Persian, Turkic, Timurid Iranian, Central Asian, and Indian Hindu and Muslim styles. Akbari
architecture is also remarkable for its large scale use of sandstone, evident both in the construction of
Fatehpur Sikri, Akbar's royal city, and Akbar's own tomb in Sikandra. The mosque at Fatehpur Sikri
boasts the Buland Darwaza, the largest gateway of its kind in India. Early Mughal mosques had
massive enclosed courtyards and domed shallow prayer halls.
Tomb of Humayun
One of the most stellar accomplishments of Mughal architecture under Akbar is the tomb of his father
Humayun, situated in Delhi. Commissioned in 1562 by Humayun's wife, Hamida Banu Begum, and
designed by a Persian architect, Humayun's Tomb was the first garden tomb on the Indian
subcontinent and the first structure to use red sandstone on such a large scale. It is also the first
Indian building to use the Persian double dome, with an outer layer supporting a white marble exterior
a material not seen in earlier Mughal architectureand the inner layer giving shape to the
cavernous interior volume. The use of indigenous Rajasthani decorative elements is particularly
striking, including the small canopies or chhatris (elevated, dome shaped pavilions) surrounding the
central dome. It boasts the use of the pietra dura technique, with marble and even
stone inlay ornamentation in geometrical and arabesque patterns on the facade of the mausoleum,
and jali or latticed stone carving decoration. This style of decorative facade was an important addition
to Mughal architecture and flourished in later Mughal mausolea, including the Taj Mahal.
Humayun's Tomb
Under the rule of Jahangir (16051627), Mughal architecture became more Persian than Indian.
Jahangir's great mosque at Lahore is a good example of the Persian style and is covered with
enameled tiles. At Agra, the tomb of Itmad-ud-Daula, completed in 1628, was built entirely of white
marble and decorated in elaborate pietra dura mosaic, an inlay technique of using cut and fitted,
highly polished colored stones to create images.
The vision of Shah Jahan (16281658) introduced a delicate elegance and detail to Mughal
architecture, illustrated in the Jama Masjid in Delhi, the Moti Masjid situated within the Agra Fort, and
the Sheesh Mahal in the Lahore Fort, which makes spectacular use of pietra dura and complex
mirror work. Shah Jahan's most famous achievement, however, is indisputably the Taj Mahal.
The Taj Mahal
Located in Agra, the Taj Mahal is a white marble mausoleum built between 1632 and 1648 by Shah
Jahan in memory of his third wife, Mumtaz Mahal. Constructed by 20,000 men, it represents the
Islamic garden of paradise and is widely regarded as the greatest achievement in Mughal architecture.
The Taj Majal, built under Shah Jahan, represents the Islamic garden of paradise and
is widely regarded as the greatest achievement in Mughal architecture.
The mausoleum rests in the middle of a large square plinth and has four almost identical facades,
each with a large arch-shaped doorway. It is topped by a large double dome and a finial, combining
both the traditional Islamic motif of the crescent moon and the Hindu symbol of the trident,
associated with the god Shiva. The central dome is adorned with a lotus design and is surrounded by
four smaller chhatris, each of which also has the same lotus motif. Four tall minarets extend from
the corners of the plinth.
The exterior decorations of the Taj Mahal include calligraphy, abstract forms, verses from the
Koran, and vegetable motifs, executed in paint, stucco, carvings, and pietra dura work. The interior
decorations also feature inlay work of precious and semi-precious gemstones. Muslim tradition forbids
elaborate decoration of graves, and the bodies of Shah Jahan and Mumtaz Mahal are interred in a
plain crypt underneath the mausoleum. However, the inner tomb features two cenotaphs, or false
tombs, that are richly decorated with inlays of semi-precious stones forming vines and flowers and
surrounded by jali screens, or latticed screens with ornamental patterns constructed through the use
of calligraphy and geometry.
This is an example of pietra dura inlay work and lattice carvings from the interior of
the Taj Mahal.
During Aurangzeb's reign (16581707), brick and rubble with stucco ornamentation replaced squared
stone and marble as the building materials of choice. Aurangzeb was responsible for additions to the
Lahore Fort: building one of the 13 gates, which was named for him, and building the Badshahi
mosque, a structure constructed from brick with red sandstone facades. In general, however, Mughal
architecture had begun to decline during Aurangzeb's reign, a process that would accelerate after his
death.
Source: Boundless. Architecture of the Mughal Period. Boundless Art History Boundless, 14 Oct.
2016. Retrieved 14 Jan. 2017 from https://www.boundless.com/art-history/textbooks/boundless-art-
history-textbook/south-and-southeast-asia-after-1200-ce-28/the-mughal-period-178/architecture-of-
the-mughal-period-662-11018/