Student Instruction Videography Script and Storyboard
Student Instruction Videography Script and Storyboard
Student Instruction Videography Script and Storyboard
Storyboard)
o Express an idea?
o Address an injustice?
o Autobiography?
What will make your video stand out among millions of other videos?
1. Work together to develop a single script idea or consider working individually for several
minutes and then comparing ideas.
2. When deciding on a script idea, consider the time, location, lighting, and prop resources
necessary to complete your production filming in a limited period of time and with
autumn lighting conditions, etc.
3. Develop your script: Your script may not include words, but it needs to document the
progression of your video and support its content.
As needed:
Note monologue or dialogue that will be spoken
Note emotional reaction
Note mood
Note motivation
Begin to think about the type of shots that will enhance your video
You may want to take this time to decide who the actors will be in your video if any.
It may also be helpful for some groups to determine who will run the camera and who will
direct the action if these roles will be filled primarily by a single person.
Everyone needs to have a voice and to be heard during your pre-production and production
work. This is largely about improvisation, cooperation, and experimentation.
4. Once you have sufficiently developed your script, begin work on your storyboard.
Read the vocabulary list below. You are not responsible for these terms at this time, but they may
help you develop ideas and to note shots and actions you wish to use while filming.
o The storyboard is a resource for you; it can be as detailed or as simple as you feel
is sufficient.
o Storyboards are typically created in a series of frames or boxes like a large comic
strip
o Leave room below and/or around each panel so that you may take notes regarding
shots, spoken parts, lighting, locations, and other information that will make your
shots more organized and useful
o It is generally better to take multiple shots and shots from various angles while
shooting a single scene. Lighting conditions, clothing, and environment changes.
It is easier to have too many options that you do not use than to try to recreate the
conditions for addition shots later.
You may take this time to scout locations, check lighting, and locate props
5. Collect and check out your video camera and tripods
Lead room Space in a shot that shows where a person or object is going
Head room The space between the top of the head and the edge of the shot
Rule of thirds Focal point of image in the axis or vertices of an imaginary 1/3 grid
Three-point lighting Key, fill, and backlighting to illuminate the object or figure
Key light The main light (often from primary figures POV
Back light Light behind a figure or object and opposite camera POV
Storyboard Drawn images that represent scenes, shots, actions, and audio
information to help organize the filming procedure
Point of view shot (POV) As if the actor were seeing the shot with their own eyes
Wide or Long shot (LS) A shot that shows people and objects within a large setting.
Close-up shot (CU) Head and shoulders shot used to capture expressions
Extreme close-up shot (ECU) Very close shot that may crop part of subject
Eye Level shot Shot toward actor at the level of his or her eyes
Post-production Editing the raw film into a video and audio sequence
Frames per second (FPS) Individual frame exposures per second of filming (about 30 for us)