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    Poker Face Piano

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    Simon Lawrenson
    The document contains musical notation for a piano piece. It consists of musical staffs with note symbols arranged in measures indicating the rhythm, melody, and harmony of the piece over its duration from measures 1 to 72. The time signature is indicated as 4/4 and the tempo as Lively q=110.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    Poker Face Piano

    Uploaded by

    Simon Lawrenson
    175 views3 pages
    The document contains musical notation for a piano piece. It consists of musical staffs with note symbols arranged in measures indicating the rhythm, melody, and harmony of the piece over its duration from measures 1 to 72. The time signature is indicated as 4/4 and the tempo as Lively q=110.

    Original Description:

    Poker Face Piano

    Copyright

    © © All Rights Reserved

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    PDF, TXT or read online from Scribd

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    The document contains musical notation for a piano piece. It consists of musical staffs with note symbols arranged in measures indicating the rhythm, melody, and harmony of the piece over its duration from measures 1 to 72. The time signature is indicated as 4/4 and the tempo as Lively q=110.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    175 views3 pages

    Poker Face Piano

    Uploaded by

    Simon Lawrenson
    The document contains musical notation for a piano piece. It consists of musical staffs with note symbols arranged in measures indicating the rhythm, melody, and harmony of the piece over its duration from measures 1 to 72. The time signature is indicated as 4/4 and the tempo as Lively q=110.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    You are on page 1of 3

    Piano

    Poker Face


    Lively q = 110

       

     


    1–3
            

     
                     
           
     
        
      
    7

        

             
             
        
     
     
        
                
      

    11

        

      

    A
    
     
    
     

     
     
                     
     
     
     
     
                
     
    15
    
         

            

    
                      
         
     
    
     
                
     
    19

        

          

     
                     
         
     
     
     
                
     
    23

        

      
    
     
    
     

     
     
                     
     
     
     
     
                
      V.S.
    2 Piano
    27

        

       
     
     
     
        

       
                          
          

    31 B

        

     
     
     
       
         
               

    35

          

     
    
     
     
     
                 

    39 C

        

          

     
                     
         
     
     
     
                
     
    43 D

        

          

     
                     
         
     
     
     
                
     
    47

        

          

     
                     
         
     
     
     
                
     
    Piano 3
    51

        

          

    
                     
         
     
    
     
                
     
    55 E x5
          
     

      
     
     
     
     
                 

    59 F

        

     
     
     
       
         
               

    63

        

     
     
     
       
         
               

    67

       

     
       
     
       
                 

    70 
      

     
    71–72
           
     

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