Carolina in The Morning Barbershop Arrangement

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CAROLINA IN THE MORNING

(1922)
Words by GUS KAHN Music by WALTER DONALDSON
Arrangement by WILLIAM LUU
Intro
  4                
Tenor          
Lead  4  
Car o lin a! I long for you so! I hope to come back to you one
Just

Bari   4                      
Bass  4               
Verse I
5
                     
            
day. Wish ing is good time wast ed. Still, it's a hab it they
one fine day.
        
            
      
      
     
day. You know But
9
               
            
  
say. Wish ing for sweets I've last ed. That's all I do all day.
say, they say.
    
           
 
      
          
day, all day.
14
                      
               
May be there's noth thing in wish ing; but speak ing of wish ing, I'll

      
                
  
          
but
This Arrangement © 2018 by William Luu
This work is licensed under the Creative Commons Attribution 4.0 International License.
To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/.
2 Carolina In The Morning
17
   say, I'll say.
 Chorus 1
        
    
say. No thing could be fin er than to
say, I'll say. No thing

          
  

say, I'll say, I'll say.

20
    
                      
be in Ca ro li na in the morn ing.
fin er in the morn ing.

         
 
      

You know that

23
  
                    
No one could be sweet er than my sweet ie when I meet her in the
No thing sweet meet

   

 
 

25
     
           

morn ing. Where the morn ing


morn ing.

             
         
Carolina In The Morning 3
28
                        
          
glo ries twine a round the door, whi sper ing pret ty sto ries
the door,
          
              

    

33 more, once more. Chorus 2


       
     
       
I long to hear once more. Stroll ing with my girl ie where the
Stroll ing

            
    

36
     
                        
dew is pear ly ear ly in the morn ing.
girl ie in the morn ing.
 
         
  
   

morn ing, and you'll see

39
      
                
But ter flies all flut ter up and kiss each lit tle but ter cup at
But ter flies at

   

 
 
4 Carolina In The Morning
41
 
          

dawn ing.
dawn ing.

         
     

43
                     
     
          
If I had A lad din's lamp for on ly a day, I'd make a wish and

                         
          
I'd

46
                       
              
here's what I'd say. No thing could be fin er than to be in Ca ro li na in the

              
                    
      

49
Interlude
              
  
morn ing, morn ing! I can't
morn', in the morn ing,
  
   
      


         
    
  
'Cos I
Carolina In The Morning 5
52 Reprise
        
                   
wait no more. No thing could be fin er than to be in Ca ro li na in the
No thing fin er
      
   
       
Be cause

55 
       
                
morn ing. No one could be sweet er than my
be in the morn
 ing. You know that no one
      
         

  

58 morn ing.
    
                   

sweet ie when I meet her in the morn ing.


sweet er

   



  
  
   

morn ing.

Tag
61
                       
  
Ca ro li na in the morn'!
morn'! Ca ro li na in the morn'! In the morn'!
      
 
                 
      

6 Carolina In The Morning
Optional Tag
Tag
61 morn'.
Tenor
            
             
 
Lead 

Ca ro li na in the morn'. In the morn'. Oh, Ca ro li na in the morn'.

      
Bari                     
Bass       

morn.

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