1-dB Compression
1-dB Compression
Most linear amplifiers have a fixed gain for a specific frequency range. If you plot
output power versus input power, you will see a linear relationship (Fig. 1). The
slope of the line is the gain. As the input power continues to increase, at some point
the gain begins to decrease. The amplifier goes into compression where no further
output increases occur for an input increase. The gain flattens, meaning that at high
signal levels, the amplifier becomes saturated. Its response becomes non-linear and
produces signal distortion, harmonics, and potentially intermediation products.
The 1-dB point is measured by driving the amplifier with a sine wave at the desired
signal frequency. The input level is increased while the output power is plotted.
The output is usually measured with a vector signal analyzer (VSA) or similar
instrument. An attenuator may be needed at the input to control the input level, and
an attenuator is usually needed at the output to minimize any potential damage to
the VSA input.
Third-Order Intercept
If the signals are close together in frequency, some of the sum and difference
frequencies called intermodulation products produced can occur within the
bandwidth of the amplifier. These cannot be filtered out, so they will ultimately
become interfering signals to the main signals to be amplified. That’s why every
effort must be made to control the biasing, signal levels, and other factors to ensure
maximum possible linearity, greatly reducing the intermodulation distortion (IMD)
products (see “Understanding Intermodulation Distortion Measurements”
at www.electronicdesign.com).
Figure 2 shows two signals f1 and f2 occurring within the amplifier bandwidth.
With distortion, new signals f1 – f2 and f1 + f2 are produced. They can usually be
filtered out. However, these signals will also mix with the second, third, and higher
harmonics to produce a wide range of potentially interfering signals with the
amplifier pass band. The most troublesome are the third-order products, which are
2f1 ± f2 and 2f2 ± f1. Those possibly occurring in the amplifier frequency range are
2f1 – f2 and 2f2 – f1.
2. An amplifier produces this spectrum of signals with two input signals f1 and
f2 if it becomes non-linear due to saturation. The most troubling signals are
the third-order products 2f1 – f2 and 2f2 – f1 that are near the original inputs
and cannot be filtered out.
If you plot the output power versus input power, you will get a curve similar to the
one used for the 1-dB compression discussion (Fig. 3). This is the first-order signal
plot. Note the flattening of the gain curve showing compression. Also plotted on
this same graph are the third-order product signal levels. These products increase at
a rate three times that of the first-order products on a logarithmic scale because the
mathematics of mixing indicates a 3:1 gain rate for the third-order products.
3. The third-order intercept is a theoretical point at which the third-order
distortion signal amplitudes equal the input signals.
Now if you extend the linear portions of the two gain curves as shown in Figure 3,
they will meet at a point where the third-order signals equal the first-order or input
signals in amplitude. This is the third-order intercept point. It is a theoretical point
that is never achieved in practice. However, it is useful in determining the linearity
condition of an amplifier.
The IP3 value can be read with reference to the input or the output. If you read the
value from the output axis, it is called OIP3. Reading the value from the input axis,
the value is IIP3.
The higher the output at the intercept, the better the linearity and the lower the
IMD. The IP3 value essentially indicates how large a signal the amplifier can
process before IMD occurs. For example, an IP3 rating of 25 dBm is better than
one of 18 dBm. The IP3 point is typically about 10 dB above the 1-dB compression
point.
Summary
The 1-dB compression point is important since it shows you the input power point
where compression begins and distortion will occur. Amplifiers should be operated
below the compression point.