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    DL1 Lo PDF

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    Chris Efstathiou
    The DL-1 analog delay pedal allows users to adjust delay settings like feedback and time while playing. J1 controls feedback to determine the number of repeats, J2 controls the time or length of the delay, and VR2 presets the delay mix level. Delay times can create effects ranging from a "doubled" sound at very short times to U2-style repeats at higher feedback. Adjusting settings on the fly allows for unique modulated sounds. The pedal offers buffered or true bypass modes.

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    DL1 Lo PDF

    Uploaded by

    Chris Efstathiou
    29 views1 page
    The DL-1 analog delay pedal allows users to adjust delay settings like feedback and time while playing. J1 controls feedback to determine the number of repeats, J2 controls the time or length of the delay, and VR2 presets the delay mix level. Delay times can create effects ranging from a "doubled" sound at very short times to U2-style repeats at higher feedback. Adjusting settings on the fly allows for unique modulated sounds. The pedal offers buffered or true bypass modes.

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    The DL-1 analog delay pedal allows users to adjust delay settings like feedback and time while playing. J1 controls feedback to determine the number of repeats, J2 controls the time or length of the delay, and VR2 presets the delay mix level. Delay times can create effects ranging from a "doubled" sound at very short times to U2-style repeats at higher feedback. Adjusting settings on the fly allows for unique modulated sounds. The pedal offers buffered or true bypass modes.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    29 views1 page

    DL1 Lo PDF

    Uploaded by

    Chris Efstathiou
    The DL-1 analog delay pedal allows users to adjust delay settings like feedback and time while playing. J1 controls feedback to determine the number of repeats, J2 controls the time or length of the delay, and VR2 presets the delay mix level. Delay times can create effects ranging from a "doubled" sound at very short times to U2-style repeats at higher feedback. Adjusting settings on the fly allows for unique modulated sounds. The pedal offers buffered or true bypass modes.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
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    of 1

    DL-1 Analog Delay

    The DL-1 puts all the great vintage delay and echo sounds right at your fingertips- adjustable WHILE YOU PLAY!
    The controls of the DL-1 are similar to a footpedal. VR2 must be pre-set, J1 and J2 are user adjustable.
    J1- Feedback- This controls the number of repeats
    J2- Time- Controls the length of the delay
    VR2- Delay Mix Level
    The unit is adjustable from 10ms to 550ms. Longer delay levels will create more background noise, similar to a vintage
    Echoplex. Very short delay levels combined with a very low feedback setting can create a cool “doubled” effect. Add-
    ing a little more time creates the perfect 50’s Rockabilly Slapback echo. Medium delay levels with a little more repeat
    gives you the “Dark Side of the Moon” effect. Adding more feedback puts you into “U2” territory.
    When played through a clean amp you’ll find the pre-setting the VR2 level pot high, in some cases at maximum, works
    best. Overdriven amps and distortion pedals will accentuate the delay effect, so much lower levels often sound very
    good.
    Since you can adjust the delay effect WHILE playing- we find using our pinky to drastically change the delay level can
    create some amazing effects- from crazy detuned effects to amazing hip-hop scratching.

    Buffered Output- Soldering the output jack to the Buffered Output mode means that the Op-Amp is always on- giving
    your guitar clean unity gain when the switch is OFF. This is an excellent choice since your guitar is now Low Impedance-
    cleaner signal, drives effects better, no capacitance buildup with long cable runs. The only downside is your guitar
    MUST have a working 9 volt battery to operate. If using the MSW Switch use J3.
    True Bypass- In this mode when the switch is off the guitar is 100% PASSIVE- no battery needed. This extends battery
    life and gives you the true unaffected sound of your guitar. The only downside is a slight pop when the circuit is en-
    gaged. When used with the MSW single switch use J4.

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