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arr.
Bill Kangas FALSETTOS William Finn
2016 Revival - Act One
4
4
= 175
FOUR JEWS IN A ROOM BITCHING
Marvin
44
Whizzer
44
Mendel
Jason 44
4
4
Trina
Flute 44
4
Oboe 4
44
4
B♭ Clarinet
Alto Saxophone 4
Tenor Saxophone 44
44
Trombone
44
44
Piano
44
44
Harpsichord
44
44
Accordion
44
44
Harp
44
Drumset
4
4
44
Marimba
Temple Blocks 44
4
Xylophone 4
4
Glockenspiel 4
4
Vibraphone 4
Triangle 44
2
9
a
Mrvn.
Four Jews in a room Four Jews in a room plot crime! I'm bitch ing, he's bitch ing, they're bitch ing, we're bitch ing!
bitch ing.
a
Whzr.
Four Jews in a room Four Jews in a room plot crime! I'm bitch ing, he's bitch ing, they're bitch ing, we're bitch ing!
bitch ing.
a
Mndl.
Four Jews in a room Four Jews in a room plot crime! I'm bitch ing, he's bitch ing, they're bitch ing, we're bitch ing!
bitch ing.
Jsn.
Four Jews in a room Four Jews in a room plot a crime! I'm bitch ing, he's bitch ing, they're bitch ing, we're bitch ing!
bitch ing.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
3
17
Mrvn.
Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y! bitch, bitch, bitch, bitch, all the time! Ooh
Bitch, bitch,
Whzr.
Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y! Bitch, bitch, bitch, bitch, bitch, bitch, all the time! Ooh
3
Mndl.
Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y! Bitch, bitch, bitch, bitch, bitch, bitch, all the time! What do they do for
Jsn.
Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y! Bitch, bitch, bitch, bitch, bitch, bitch, all the time! Ooh
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
4
25
Mrvn.
Ooh Four Jews in a room Four Jews in a room stoop to pray!
bitch ing.
Whzr.
Ooh Four Jews in a room Four Jews in a room stoop to pray!
3 bitch ing.
Mndl.
love? What do they do for love? Four Jews in a room, they stoop to pray!
bitch ing.
Jsn.
Ooh Four Jews in a room Four Jews in a room stoop to pray!
bitch ing.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
5
33
Mrvn.
I'm Jew ish! Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y! bitch, bitch, bitch, bitch, night and
Bitch, bitch,
Whzr.
Half Jew ish! Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y! Bitch, bitch, bitch, bitch, bitch, bitch, night and
Mndl.
I'm Jew ish! Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y! Bitch, bitch, bitch, bitch, bitch, bitch, night and
Jsn.
I'm Jew ish! Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y! Bitch, bitch, bitch, bitch, bitch, bitch, night and
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
6
41
Mrvn.
day! We crossed the de sert, runn ing for our lives! Flee ing from the
Whzr.
day! We crossed the de sert, runn ing for our lives! Flee ing from the
Mndl.
day! We crossed the de sert, runn ing for our lives! Flee ing from the
Jsn.
day! We crossed the de sert, runn ing for our lives! Flee ing from the
Trna.
Sla ver y! Sla ver y!
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
7
4
42 4
49
Mrvn.
4
42 4
Pha roah who was up to no good! Now we're at the Red Sea, Phar oah is be hind us, want ing us ex tinct ed. And then the
Whzr.
4
42 4
Pha roah who was up to no good! Now we're at the Red Sea, Phar oah is be hind us, want ing us ex tinct ed. And then the
Mndl.
4
42 4
Pha roah who was up to no good! Now we're at the Red Sea, Phar oah is be hind us, want ing us ex tinct ed. And then the
What we need
is a miracle!
Jsn.
4
42
4
Pha roah who was up to no good! Now we're at the Red Sea, Phar oah is be hind us, want ing us ex tinct ed. And then the
4
Trna.
42 4
4
Fl.
42
4
4
Ob.
42 4
B♭ Cl.
42
44
4
A. Sax.
T. Sax. 42 4
44
42
Tbn.
42 44
2 44
4
Pno.
4
42 4
44
42
Hch.
4
42 4
44
42
Acc.
4
42 4
44
42
Hrp.
2 44
4
4
Drs.
42
4
44
42
Mrm.
42
44
4
Tmp. Bl.
42 4
4
Xyl.
42 4
4
Glk.
Vib. 42 4
42
Trgl. 44
8
58
*gasp*
Mrvn.
3 our 3 our 3
Red Sea split be fore us! No more tsour is! We got our we got we got we got our mi ra cle!
*gasp*
Whzr.
Red Sea split be fore us! No more tsour is! We got our mi ra cle!
*gasp*
Mndl.
3 our 3 our
Red Sea split be fore us! No more tsour is! We got our we got we got mi ra cle!
*gasp*
3 3
Jsn.
Red Sea split be fore us! more tsour is! We got our we got our we got our mi ra cle!
No
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
9
67
*gasp*
Mrvn.
Four Jews itch ing for Four Jews bitch ing their whole lives long! I'm Mar vin!
ans wers.
*gasp*
Whzr.
Four Jews itch ing for Four Jews bitch ing their whole lives long! I'm Whizz er!
ans wers.
*gasp*
Mndl.
Four Jews itch ing for Four Jews bitch ing their whole lives long! I'm Men del!
ans wers.
*gasp*
Jsn.
Four Jews itch ing for Four Jews bitch ing their whole lives I'm Ja son!
ans wers. long!
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
10
75
or
Mrvn.
Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y! bitch, bitch, bitch, bitch, right wrong!
Bitch, bitch,
Whzr.
Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y! Bitch, bitch, bitch, bitch, bitch, bitch, right or wrong!
Mndl.
Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y! Bitch, bitch, bitch, bitch, bitch, bitch, right or wrong!
Jsn.
Bitch, bitch, funn y, Bitch, bitch, bitch, bitch, bitch, bitch, right or wrong! In case of smoke, please call our moth ers on the phone and say their
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
11
83
Mrvn.
We are ma nip u lat ing peo ple and we need to know our worst sides ar'nt ig nored!
Whzr.
We are ma nip u lat ing peo ple and we need to know our worst sides ar'nt ig nored!
Mndl.
The guilt in vest ed will in time pay wise ly.
Jsn.
sons are all on fi re!
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
12
91
Mrvn.
We smell in bed! Who stole the
Whzr.
We do not tip py toe. We charge a head to show... Ex cel in bed! I want the bed!
Mndl.
...we're good in bed! I love the bed.
Jsn.
We do not tip py toe. Where is the bed? Who has the bed? Who stole the bed?
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
13
98
Whee!
Mrvn.
bed? The bed is Four Jews in a room Four Jews bitch ing their Jew ...ish men
bitch ing!
Whee!
Whzr.
I lost it twice! The bed is nice! The bed is Four Jews in a room Four Jews bitch ing their Jew ...ish men
bitch ing!
Whee!
Mndl.
The bed is mine! The bed is Four Jews in a room Four Jews bitch ing their Jew ...ish men
bitch ing!
Whee!
Jsn.
The bed is Four Jews in a room Four Jews talk ing like Jew ...ish men
bitch ing!
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
14
106
Mrvn.
I'm neu ro tic, he's neu ro tic, they're neu ro tic, we're neu ro tic! Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y! I'm nau seuous!
Whzr.
I'm neu ro tic, he's neu ro tic, they're neu ro tic, we're neu ro tic! Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y! I'm nau seous!
Mndl.
I'm neu ro tic, he's neu ro tic, they're neu ro tic, we're neu ro tic! Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y! I'm Jew ish!
Jsn.
I'm neu ro tic, he's neu ro tic, they're neu ro tic, we're neu ro tic! Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y! I'm sim ple!
Trna.
Sla ver y,
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
15
113
Mrvn.
Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y! I'm neu ro tic, he's neu ro tic, they're neu ro tic, We're four Jews in a room bitch ing!
Whzr.
Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y! I'm neu ro tic, he's neu ro tic, they're neu ro tic, we're neu ro tic! I'm neu ro tic, he's neu ro tic, they're neu ro tic, we're neu ro tic!
Mndl.
Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y! I'm neu ro tic, he's neu ro tic, they're neu ro tic, we're neu ro tic! I'm neu ro tic, he's neu ro tic, they're neu ro tic, we're neu ro tic!
Jsn.
Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y! I'm neu ro tic, he's neu ro tic, they're neu ro tic, we're neu ro tic! I'm neu ro tic, he's neu ro tic, they're neu ro tic, we're neu ro tic!
Trna.
sla ver y!
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
16
120
Mrvn.
I'm Jew ish, he's Jew ish, they're Jew ish, we're Jew ish! I'm Jew ish, he's Jew ish, they're Jew ish, we're Jew ish! I'm neu ro tic, he's neu ro tic,
Whzr.
I'm neu ro tic, he's neu ro tic, they're neu ro tic, we're neu ro tic! I'm neu ro tic, he's neu ro tic, they're neu ro tic, we're neu ro tic! Bitch, bitch,
Mndl.
Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y! Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y! I'm Jew ish, he's Jew ish,
Jsn.
Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y! Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y! Bitch, bitch, bitch, bitch,
Trna.
Four Jews in a room! Four Jews in a room! Sla ver y,
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
17
125
Mrvn.
they're neu ro tic, we're neu ro tic! Four Jews in a room, in a room bitch ing, now and then! Can't
bitch bitch bitch bitch
Bitch, bitch,
Whzr.
bitch, bitch! Four Jews in a room bitch ing, Bitch, bitch, bitch bitch bitch bitch now and then! Can't
Mndl.
they're Jew ish, we're Jew ish! Four Jews in a room bitch ing, now and then! Can't
bitch bitch bitch bitch
Bitch, bitch,
Jsn.
funn y, funn y, funn y, funn y! Four Jews in a room bitch ing, Bitch, bitch, bitch bitch bitch bitch now and then! Can't
y!
sla ver
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
18
134
Mrvn.
lose! Loose screws! Four Three! Five Jews!
Whzr.
lose! Loose screws! Four One! Five Jews!
Mndl.
lose! Loose screws! Four Four! Five Jews!
Jsn.
lose! Loose screws! Four Two! Five Jews!
Trna.
Five! Five Jews!
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
19
3
89
= 150
4
A TIGHT-KNIT FAMILY
145
Mrvn.
89 43
Well, the sit u a tion's this; I do not wish to of fend: I di vorced my wife, I left my child, and I ran off with a
Whzr.
89 43
Mndl.
89 43
Jsn.
89 43
Trna.
89 43
Fl.
89 43
Ob.
89 43
B♭ Cl.
89 43
A. Sax.
89 43
T. Sax.
89 43
Tbn.
89 43
89 43
Pno.
89 43
89 43
Hch.
89 43
89 43
Acc.
89 43
89 43
Hrp.
89 43
Drs.
89 43
89 43
Mrm.
89 43
Tmp. Bl.
89 43
Xyl.
89 43
Glk.
89 43
Vib.
Trgl. 89 43
20
154
3 3 3 3 3
Mrvn.
friend But I want a tight knit fam il y I want a group that har mon ize s, I want my wife and kid and friend to pre tend time will mend our pain.
Whzr.
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
21
3
89
4
4 4
164
Mrvn.
89 43 44
So it's nine teen sev en ty nine, and we don't go by the books. We all eat as one, wife, friend, and son, and I sing out as they cook.
Whzr.
89 43 44
Mndl.
89 43 44
Jsn.
89 43 44
Trna.
44
89 43
Fl.
89 43 44
Ob.
89 43 44
B♭ Cl.
89 43 44
A. Sax.
89 43 44
T. Sax.
89 43 44
Tbn.
89
43 44
89 43
44
Pno.
89 43 44
89 43 44
Hch.
89 43 44
89 43 44
Acc.
89 43 44
89 43 44
Hrp.
89 43
44
Drs.
89 43 44
89 43 44
Mrm.
89 43
44
Tmp. Bl.
89 43 44
Xyl.
89 43 44
Glk.
89 43 44
Vib.
89 43
Trgl. 44
22
= 160
172
3 3 3 3
Mrvn.
I love my tight knit fam il y. I love the way the cook lin gui ni! Is n't it great? We're all so swell! Such a dear cli en tele! I swear we're gon na3 come
Whzr.
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
23
182
3 3 3 3
Mrvn.
through it! I fear we'll prob ab ly... fight. But noth ing's im poss ib le. Live by your wit. Kid, wife and lov er will
Whzr.
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
24
LOVE IS BLIND
191 rit.
3
Mrvn.
have to ad mit. I was right! I cush ioned the fall! I want it all! I want it all! I want it...
Whzr.
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
25
200
Mrvn.
I want it all...
Whzr.
3 3 3
Mndl.
Sit down, my dear. I hear you have a prob lem. I'm sure you're not dis gust ing or in dis creet. Take a load off your
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
26
207
Mrvn.
Whzr.
Eh-eh-eh! That's a question with
Happy or sad? 3 3 3
no answer.
Mndl.
feet. Let's not dis cuss the weath er, let's face the facts. Marv in's wife must re lax.
Thank you. Well -
Jsn.
Trna.
Love is n't sex,
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
27
44
42
214
Mrvn.
44
42
Whzr.
44
42
Mndl.
44
42
Jsn.
42 44
3
Trna.
44
42
that's a thing my hus band once told me. Mar vin, my ex... you've seen him for years... told me ov er the phone to tell you my fears. Do you on ly
Fl.
44
Ob. 42
4
42
4
4
B♭ Cl.
A. Sax. 42 4
4
42
T. Sax. 4
42 44
Tbn.
44
42
42 44
Pno.
2 44
4
42 44
Hch.
44
42
42 44
Acc.
44
42
42 44
Hrp.
2 44
Drs. 4
44
42
42 44
Mrm.
42
44
Tmp. Bl.
44
Xyl. 42
44
Glk. 42
44
Vib. 42
42
Trgl. 44
28
44
220
Mrvn.
Whzr. 44
44
Haha, no.
Mndl.
44
Breathe deep, my dear. You'll find me un der stand ing. Your pain is a pri or i, un fold your un told sto ry!
Jsn.
Trna. 44
44
treat queers?
Fl.
Ob. 44
44
B♭ Cl.
44
A. Sax.
T. Sax. 44
Tbn.
44
44
44
Pno.
44
44
Hch.
44
44
Acc.
44
44
Hrp.
Drs. 44
44
44
Mrm.
Tmp. Bl. 44
44
Xyl.
44
Glk.
44
Vib.
Trgl. 44
29
226
Mrvn.
Whzr.
Mndl.
Now to break bread, loo sen your glands. Put your head in my hands.
Jsn.
3
3
Trna.
I'm ev' ry thing he want ed. It's time I put it all to geth er. The date was set, my
Fl.
Ob.
3
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
30
233
Mrvn.
Whzr.
Mndl.
Jsn.
3 3
Trna.
fath er let me marr y, I marr ied, I... Then Mar vin came from work. Sat me down on the bed. He
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
31
87 44
238
Mrvn.
87 44
Syph il is. Syph il is
Whzr.
87
44
Mndl.
87 44
What? Good. Yes? Good.
Jsn.
87
44
Trna.
87
44
told me how he loved me, how he need ed and / or val ued me "I have syph il is", he said, "I have syph il is, it's true. I have some thing rott en, which app eared, though now it's well for gott en...
Fl.
87 44
Ob.
87 44
B♭ Cl.
87 44
A. Sax.
T. Sax. 87 44
87 44
Tbn.
87
44
44
87
Pno.
87
44
87 44
Hch.
87
44
87 44
Acc.
87
44
87 44
Hrp.
87
Drs. 44
87 44
87 44
Mrm.
87
44
Tmp. Bl.
87 44
Xyl.
87
44
Glk.
87 44
Vib.
87
Trgl. 44
32
242
Mrvn.
May be dar ling so do you.
Whzr.
Mndl.
You're a love ly girl! What a love ly girl, though she's poss ib ly dis
Jsn.
Trna.
May be dar ling so do you!" I am prob ab ly dis eased... and so eas i ly app eased!
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
33
44
46
247
Mrvn.
46 44
hep a tit is too!
Whzr.
46 44
Hep a hep a hep a ti tis, hep a ti tis, hep a ti tis.
Mndl.
46 44
eased! Hep a hep a hep a ti tis! Hep a ti tis, hep a ti tis? Love is blind,
Jsn.
46 44
Hep a hep a hep a ti tis! Hep a ti tis, hep a ti tis?
Trna.
4
46 4
He took pains to not ex cite us, he ex plained I've hep a tit is, too!
Fl.
46 44
Ob.
4
46 4
4
B♭ Cl.
46
4
4
A. Sax.
T. Sax. 46 4
46 44
Tbn.
46
44
46 44
Pno.
46 44
46 44
Hch.
46
44
46 44
Acc.
46
44
46 44
Hrp.
46
44
Drs.
46 44
46 44
Mrm.
46
44
Tmp. Bl.
46 44
Xyl.
Glk.
46 44
Vib.
46 44
46
Trgl. 44
34
252
Mrvn.
Whzr.
Mndl.
love can tell a mill ion sto ries. Love's un kind, Spite ful in a mill ion ways
Jsn.
Trna.
Then I stayed home from work.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
35
87 44
258
Mrvn.
87
44
Whzr.
87
44
Mndl.
87
44
Yes? What? Yes? Good.
Jsn.
87
44
Dad dy is a prick! Dad dy is n't mine!
3 3
Trna.
87
44
Took good care of my men. They faked de spair, they wet their bed, they combed their hair, they act ed dead, One said He said
Fl.
87
44
Ob.
87 44
B♭ Cl.
87
44
A. Sax.
T. Sax. 87 44
87
44
Tbn.
87
44
87
44
Pno.
87 44
87 44
Hch.
87
44
87
44
Acc.
87
44
87
44
Hrp.
Drs. 87 44
87
44
87 44
Mrm.
87
44
Tmp. Bl.
87 44
Xyl.
87
Glk. 44
87 44
Vib.
87
Trgl. 44
36
4
4
262
Mrvn.
4
4
Will you be my val en tine?
Whzr.
4
Mndl. 4
4
4
You're a dam aged girl!
Jsn.
4
4
3 3
Trna.
44
He filled my coats with can dies and notes, with "Will you be my val en tine?" This gets hard er to be lieve. I've a scal pel up my
Fl.
4
4
Ob.
44
4
B♭ Cl.
4
A. Sax.
T. Sax. 44
44
Tbn.
4
4
44
Pno.
4
4
44
Hch.
4
4
44
Acc.
4
4
44
Hrp.
44
Drs.
4
4
44
Mrm.
44
4
Tmp. Bl.
Xyl. 4
4
Glk. 4
4
Vib. 4
Trgl. 44
37
46 44
267
Mrvn.
46 44
What a dam aged girl! Pett y, pett y, pett y, pett y.
Whzr.
46 44
What a dam aged girl! Pett y, pett y, pett y, pett y.
Mndl.
46 44
What a dam aged girl! Do not ev er slit your Pett y, pett y, pett y, pett y. Love is
Jsn.
46
44
What a dam aged girl! Pett y, pett y, pett y, pett y.
is
Trna.
44
46
sleeve. I've missed him, he's still miss ing, don't make noise but dadd y's kiss ing boys! Love
Fl.
46 44
Ob.
46 44
B♭ Cl.
46 44
A. Sax.
T. Sax. 46 44
46 44
Tbn.
44
46
46 44
Pno.
46 44
46 44
Hch.
46
44
46 44
Acc.
46
44
46 44
Hrp.
46
44
Drs.
46
44
46 44
Mrm.
46
44
Tmp. Bl.
46 44
Xyl.
46 44
Glk.
46 44
Vib.
46
Trgl. 44
38
272
Mrvn.
Whzr.
Mndl.
blind, love can tell a mill ion sto ries. Love's un kind, Spite ful in a mill ion
Jsn.
a mill
love can tell a mill
Trna.
blind, ion sto ries. Love's un kind, spite ful in ion
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
39
278
Mrvn.
Love is blind, love can tell a mill ion sto ries. Love's un kind,
Whzr.
Love is blind, love can tell a mill ion sto ries. Love's un kind,
Mndl.
ways. Love is blind, love can tell a mill ion sto ries. Love's un kind,
Jsn.
Love is blind, love can tell a mill ion sto ries. Love's un kind,
Trna.
ways. Love is blind, love can tell a mill ion sto ries. Love's un kind,
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
40
285
Mrvn.
3
spite ful in a mill ion ways. Love is cra zy, love is oft en bor ing, love stinks. Love is prett y oft en de bris, when you find what you find, then ne ver ne ver ne ver ne ver ne ver do it ov er a gain.
Whzr.
spite ful in a mill ion ways. Love... Love... Love... Love...
Mndl.
spite ful in a mill ion ways. Love... Love... Love... Love...
Jsn.
spite ful in a mill ion ways. Love... Love... Love... Love...
Trna.
spite ful in a mill ion ways. Love... Love... Love... Love...
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
41
= 70
291 rit.
Mrvn.
Love reads like a bad bi og raph y, all the names are changed to pro tect the in no cent. Love is blind.
Whzr.
Love... Love... Love is blind.
Mndl.
Love... Love... Love is blind. My name is Men del. I treat her hus band. I think she's
Jsn.
Love... Love... Love is blind.
Trna.
Love... Love... Love is blind.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
42
rit.
= 80
297
Yeah, perhaps... it is.
Mrvn.
Whzr.
Yeah, I don't
...work. Work is my passion. 3 3 care to discuss it.
Mndl.
ver y in5 se cure... but so am I! I've nev er marr ied. Or per haps, that's an al i bi. I think she's charm ing. I think she's
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
43
44
= 190
= 35 = 70 THE THRILL OF FIRST LOVE
304 rit. rit.
Mrvn.
44
His name is Men del... Ooh...
Whzr.
4
4
His name is Ah... Ooh...
3 3
Mndl.
44
need y. In just five sess ions 5on my couch, she'll be like new! Re turn next Fri day. I ad mit, I ad mi re you.
Jsn.
44
His name is Men del... Ooh...
Trna.
44
His name is Men del... Ooh...
Fl.
44
Ob.
4
4
B♭ Cl.
4
4
A. Sax.
T. Sax. 44
44
Tbn.
44
4
4
Pno.
44
44
Hch.
44
44
Acc.
44
44
Hrp.
Drs. 44
44
44
Mrm.
44
Tmp. Bl.
44
Xyl.
Glk.
44
Vib.
44
Trgl. 44
44
= 180
311
3 3 3
Mrvn.
...Whizz er begs. Shave your legs. You're a prick...
3 3
Whzr.
3
Hang up all your clothes. Whizz er knows. Make me sick. God, you're im poss ib le! We've been to geth geth er for nine months
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
45
320
Don't.
Mrvn.
3
Ten months Ten months Ten months We are the salt of the bour geoi sie I bring home the ba con, and we're proud to say we love it, how we don't
Won't. Won't.
Whzr.
Nine months Nine months While I put the steak in and we're proud to say we love it, how we won't
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
46
Don't. 3
4
= 200
330
Mrvn.
3
4
A gree
Whzr.
3
4
A gree Ev' ry thing he owns is vile, Mar vin does n't care whit, Mar vin does n't share my de vo tion to style
Mndl.
43
Jsn.
43
3
Trna.
4
Fl.
43
3
Ob.
4
3
B♭ Cl.
4
3
A. Sax.
T. Sax. 4
43
Tbn.
43
43
Pno.
43
43
Hch.
43
43
Acc.
43
43
Hrp.
43
Drs.
43
43
Mrm.
43
3
Tmp. Bl.
4
3
Xyl.
4
3
Glk.
Vib. 4
Trgl. 43
47
346
Mrvn.
2
Whzr.
Men from France can can cel a debt, Men in cuff links make me for get my name I in tend to up set This re
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
48
363
Mrvn.
Whizz er takes me by the neck Whizz er has un lim it ed know ledge of dreck
What is this, wash and wear?
Whzr.
grett a ble game
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
49
378
Mrvn.
Men tion is made At ten tion is paid in full
Whzr.
Send me flow ers Make them ro ses See how quick ly he sours?
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
50
= 210
394
Mrvn.
When he push es, I pull I was rich, he was hor ny
Whzr.
Hang up your clothes, Mar vin, breed ing shows, Mar vin We
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
3 3 3 3 3 3
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
51
= 200
406
Mrvn.
Close your eyes, Whizz er
Whzr.
fit like a glove Pass ion dies But I'd kill for that thrill of first love
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
52
44
= 175
419
Mrvn.
44
3 3
We ask for pass ion at all times We stand to pass ion and drink this toast And we're not de ny ing that of
Whzr.
44
3 3
We ask for pass ion at all times We stand to pass ion and drink this toast Still, it's aw f'lly try ing that of
Mndl.
44
Jsn.
44
Trna.
44
Fl.
44
Ob.
44
B♭ Cl.
44
A. Sax.
T. Sax. 44
44
Tbn.
44
44
Pno.
44
44
Hch.
44
44
Acc.
44
44
Hrp.
44
Drs.
44
44
Mrm.
44
Tmp. Bl.
44
Xyl.
44
Glk.
Vib.
44
Trgl. 44
53
3
4
rit. = 200
430
Mrvn.
3
4
all the less er pass ions... we like fight ing... most.
Whzr.
3
4
all the less er pass ions... we like fight ing... most.
3
Mndl.
4
3
Jsn.
4
3
Trna.
4
3
Fl.
4
3
Ob.
4
3
B♭ Cl.
4
3
A. Sax.
4
T. Sax.
3
4
3
Tbn.
4
3
4
Pno.
3
4
3
4
Hch.
3
4
3
4
Acc.
3
4
3
4
Hrp.
43
3
Drs.
4
3
4
Mrm.
43
3
Tmp. Bl.
4
3
Xyl.
4
3
Glk.
4
Vib.
Trgl. 43
54
440
Mrvn.
Whizz er screws too much to see What a joy's mo no
ga my What a joy is sav ing his joys for one man Love me
Whzr.
Leave me Ha,
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
55
454
2
Mrvn.
Want me No one's so cruel and cheap What you love, you de vour what I cov et, I keep
Whzr.
Don't be a fool Feed me What I love I de vour
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
56
= 210
469
Mrvn.
Is n't that right, Whizz er? Oh, let's both fight, Whizz er! I'm best when I cheat So I'll cheat, Whizz er, and I'll
Whzr.
I was trained in ka ra te
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
57
44
= 175
482
Mrvn.
44
shove And I'll kill for that thrill of first love
Whzr.
44
3
We've been to geth er for nine months
Mndl.
44
Jsn.
44
Trna.
44
Fl.
44
Ob.
44
B♭ Cl.
44
A. Sax.
T. Sax.
44
44
Tbn.
44
44
Pno.
44
44
Hch.
44
44
Acc.
44
44
Hrp.
44
Drs.
44
44
Mrm.
44
Tmp. Bl.
44
Xyl.
44
Glk.
Vib.
44
Trgl. 44
58
rit.
W - we've been together for ten months!
494
Mrvn.
3
Ten months Ten months Ten months In fact, we've al most sur vived a year We're too bu sy moun ting a dis play of our aff ec tion... that is
Whzr.
3
Nine months Nine months In fact, we've al most sur vived a year True, but who is count ing? and we're play of our aff ec tion... that is
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
59
3
4
= 220
503
Mrvn.
3
4
so... sin cere
Whzr.
3
4
so... sin cere
3
Mndl.
4
3
Jsn.
4
3
Trna.
4
3
Fl.
4
3
Ob.
4
3
B♭ Cl.
4
3
A. Sax.
4
T. Sax.
3
4
3
Tbn.
4
3
4
Pno.
3
4
3
4
Hch.
3
4
3
4
Acc.
3
4
3
4
Hrp.
43
3
Drs.
4
3
4
Mrm.
43
3
Tmp. Bl.
4
3
Xyl.
4
3
Glk.
4
Vib.
Trgl. 43
60
518
Mrvn.
Whzr.
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
3 3
3
2
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
61
531 accel.
Mrvn.
Pass ion dies Pass ion dies
Whzr.
Pass ion dies Pass ion dies I would
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
3
3
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
62
544
Mrvn.
I would kill for that thrill of first love I would kill for that thrill I would kill for that thrill of first love love
Whzr.
kill for that thrill of first love I would kill for that thrill of first love I would kill for that thrill of first love love
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
63
44A THREE PART MINI-OPERA
= 100
558 MARVIN AT THE PSYCHIATRIST:
Mrvn.
44
love
Whzr.
44
love
Mndl.
44
Jsn.
44
My fath er says that love is the most
Trna.
44
Fl.
44
44
Ob.
44
B♭ Cl.
44
A. Sax.
T. Sax.
44
Tbn.
4
4
44
Pno.
44
44
Hch.
44
44
Acc.
44
44
Hrp.
44
Drs.
44
44
Mrm.
44
44
Tmp. Bl.
Xyl.
44
Glk.
44
Vib.
Trgl. 44
64
2 3
43 44 4 4
572
Mrvn.
2 3
43 44
4 4
Marvin at the Psychiatrist; A Sort a, kin da.
Three Part Mini-Opera. Part One.
Whzr.
2 3
43 44
Mndl. 4 4
2
43 44 4 43
Do you love him? Do you
3 3 3
Jsn.
2 3
43
44
4 4
beau tif ul thing in the world. I think games are. I think chess it the most beau 3ti ful thing, not love.
Trna.
2 3
43
44
Fl. 4 4
2 3
43
44
4 4
Ob.
2 3
43
44
4 4
2 3
B♭ Cl.
43
44
4 4
A. Sax.
2 3
43
44
T. Sax. 4 4
2 3
43
44
Tbn. 4 4
2
43
44
4 43
2
34 44
4 43
Pno.
2 3
43 44
4 4
2 3
43 44
4 4
Hch.
2 3
43
44
4 4
2 3
43 44
4 4
Acc.
34 44 2 3
4 4
2 3
43
44
4 4
Hrp.
2 3
43
44
Drs. 4 4
2 3
43
44
4 4
2 3
43 44
4 4
Mrm.
43
44 42 43
2 3
Tmp. Bl.
43 44
Xyl. 4 4
2 3
43
44
Glk. 4 4
2 3
43 44
Vib. 4 4
43
Trgl. 44 42 43
65
586
Mrvn.
Sort a, kind a. He makes me smile a lot, esp ec ial ly at meal time. makes me feel I'm sort a smart. He's de light ful. Yes... and spite ful.
Whzr.
Mndl.
need him? Is he spec ial? And ro man tic?
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
66
596
Mrvn.
And yet it seems that so am I. Man... Sort a sty lish. Ver y, ver
Whzr.
Mndl.
Just en joy what you can. Love the boy, not the man. Kin da, ver y?
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
67
609 Yes, yes, I would say that is very true.
Mrvn.
y... sort a... Yes. Yes. Yes. ...yes. I think he's sort a kin da...
Whzr.
Mndl.
And kind of hard to des cribe? When he's na ked, does he thrill you? Is he vic ious? Would he kill you?
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
68
621
Mrvn.
mean. But I love him, and I need it. If he loved me, I'd con cede it. Heel...
Whzr.
Mndl.
Don't de spise what you feel. Love the friend, not the heel... He's some times
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
69
44 43 44
= 160
634
Mrvn.
44 43 44
Some times ev il.
Part two.
Whzr.
44
Mndl.
43 44
44 43 44
worth less? Some times smar my? Ex plore, Mis ter Mar vin, your core Mis ter Mar vin, Note how your wife's, your ex wife's sub tle glo ries, coup led with her tra gic sto ries
Jsn.
44
43
44
Trna.
44 43 44
Fl.
44
43
44
Ob.
44 43 44
B♭ Cl.
44
43
44
A. Sax.
44 43 44
T. Sax.
44
43
44
Tbn.
44 43 44
44 43
44
Pno.
44 43 44
44 43 44
Hch.
44 43 44
44 43 44
Acc.
44 43 44
44
43
44
Hrp.
44
43
44
Drs.
44
43
44
44 43 44
Mrm.
44
43
44
Tmp. Bl.
44 43 44
Xyl.
44 43 44
Glk.
44 43 44
Vib.
44
43
Trgl. 44
70
= 90
643
Mrvn.
Whzr.
Mndl.
move me in un re por ted ways! At her ver y first sess ion, she made quite an im press ion! Do you mind that she was here to speak of Ja son and I find that I hope
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
71
652 Good.
Mrvn.
Right. No?
Whzr.
2 Good.
Mndl.
Ja son acts out more, 'cause there's a few more things we need ex plore. You said she was with old ing? Well, that's not quite true. Per haps she
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
72
663
Mrvn.
Did she reall y?
Whzr.
Mndl.
held back love from you. I just know what I'm told! 'Cause when I met your wife, she was an y thing but cold! It was n't quite pre cise to say that she was ice. When I
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
73
44
= 80 = 90 = 115
672 rit.
Mrvn.
44
Yes. Yes! Yes, sir.
Whzr.
4
4
rit.
Mndl.
44
2
met your wife, she was ver y nice! Ver y, ver y, ver y! Was she faith ful? Be ob jec tive! She was faith ful? And you want ed to im press her?
Jsn.
44
Trna.
44
Fl.
44
Ob.
44
B♭ Cl.
44
A. Sax.
44
T. Sax.
44
Tbn.
44
44
Pno.
44
44
Hch.
44
Acc.
44
44
Hrp.
44
44
Drs.
44
Mrm.
44
44
Tmp. Bl.
44
Xyl.
44
Glk.
44
Vib.
Trgl. 44
74
= 70
681
Yes. Please.
Mrvn.
Yes, sir. But im press her, I did not. What? Huh? Who...?
Whzr.
4 3 3
Mndl.
Did she sweat a lot? Was she ruth less? Nar ciss is tic? Let me var y the mood... 3 the
Does she sleep in
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
75
690 ...nope.
Mrvn.
Whzr.
No... does not... sleep... nude... Going on.
Mndl.
nude? I have ques tions that should prob 'ly go un an swered, but they're
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
76
= 75
702
Mrvn.
Whzr.
Mndl.
ques tions Like, did she wear a neg li ge? Could you blow, and it would blow a way? Since this sess ion's near ly
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
77
4
4
= 115
712 Huh. So now you're
interested in me.
Mrvn.
4
4
My son's dis tress ing. I'm con va lesc ing.
Part Three.
Whzr.
4
4
Of course.
Mndl.
4
4
through, tell me what is go ing on with you!
Jsn.
4
4
My fath er's snide. He's
Trna.
4
4
Fl.
4
4
4
Ob.
4
4
B♭ Cl.
4
4
A. Sax.
T. Sax. 4
44
4
Tbn.
4
44
Pno.
4
4
44
Hch.
4
4
44
Acc.
4
4
44
Hrp.
44
Drs.
4
4
44
Mrm.
44
4
Tmp. Bl.
Xyl.
4
4
4
Glk.
4
Vib. 4
Trgl. 44
78
724
Mrvn.
What should I do now? I ag ree. Why not me? We go to ball games.
Whzr.
Mndl.
Jsn.
mor bid and dis sat is fied. He loves a noth er. He loves a noth er. The ball is tossed.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
79
736
for that?
Mrvn.
The pitch er's hand some. Is that my fault, though? Should I be blamed Ad mi re art. But we
Whzr.
Mndl.
Jsn.
Yeah, and our team lost. Ex plore mu se ums... We stand to geth er...
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
80
= 100
745 rit.
Mrvn.
stand there look ing miles a part. How do I reach him? What words of wis dom? What should I do now?
Whzr.
Mndl.
3 3
Jsn.
My fath er says that love is the most beau tif ul thing in the world. I think
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
81
2 44
43 44
= 130 MY FATHER'S A
4
755 HOMO
Mrvn.
2 4
43
44
4 4
Marvin at the Psychiatrist: A Three Part Mini-Opera.
Whzr.
2 4
43
44
4 4
Oh. The end.
Mndl.
2 4
43 44 4 4
3
Jsn.
2 44
43 44
4
games are. I think chess it the most beau 3ti ful thing, not love. My fath er's a ho mo, my
Trna.
2 44
43
44
4
Fl.
2 44
43 44
4
Ob.
2 44
43
44
4
2 44
B♭ Cl.
43 44
4
A. Sax.
2 44
43
44
T. Sax. 4
2 44
43 44
4
Tbn.
2
43
44
4 44
43 44 2
4
4
4
Pno.
2 44
43
44
4
2 44
43 44
4
Hch.
2 4
43
44
4 4
2 44
43 44
4
Acc.
2 4
43
44
4 4
2 44
43 44
4
Hrp.
2 4
43
44
4 4
Drs.
2 44
43 44
4
2 44
43 44
4
Mrm.
43
44 42 44
2 44
Tmp. Bl.
43 44
4
Xyl.
2 44
43 44
4
Glk.
2 44
43 44
Vib. 4
43
Trgl. 44 42 44
82
46 44
769
Mrvn.
46
44
Whzr.
46
44
Mndl.
6
4
44
Jsn.
46 44
moth er's not thrilled at all. Fath er ho mo, what a bout chro mo somes? Do they car ry? Will they car ry? Who's the ho mo now? My
Trna.
46 44
Fl.
46 44
44
Ob.
46
3
B♭ Cl.
46 44
3
A. Sax.
T. Sax. 46 44
46 44
Tbn.
46
44
46 44
Pno.
46
44
46 44
Hch.
46
44
46 44
Acc.
46
44
46 44
Hrp.
46
44
3
Drs.
46 44
46 44
Mrm.
46
44
Tmp. Bl.
46 44
Xyl.
46 44
Glk.
46 44
Vib.
46
Trgl. 44
83
776
Mrvn.
Whzr.
Mndl.
Jsn.
fath er says that one day I'll grow up to be pre si dent. And that i dea's not so wild. I don't lead the life of a nor mal child.
Trna.
Fl.
Ob.
3
B♭ Cl.
3
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
3
Drs.
Mrm.
3
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
84
42 44
784
Mrvn.
42
44
Whzr.
42
44
Mndl.
42 44
Jsn.
42 44
'Cause I'm too smart for my own good, and I'm too good for my sorr y litt le life. My moth er's no wife,
44
Trna.
42
Fl.
42 44
Ob.
42
44
B♭ Cl.
42 44
A. Sax.
T. Sax. 42 44
42 44
Tbn.
42
44
42
44
Pno.
42
44
42 44
Hch.
42
44
42 44
Acc.
42
44
42 44
Hrp.
3
44
42
Drs.
42 44
42 44
Mrm.
42
44
Tmp. Bl.
42 44
Xyl.
42 44
Glk.
42 44
Vib.
42
Trgl. 44
85
42 44
792
= 120
Mrvn.
Whzr.
42
44
42
44
Mndl.
42 44
No! *gags*
Jsn.
42 44
and my fath er's no man, no man at all. ...I could take
I worr
y a lot,
Honey, why don't you go out and play? you to the
I worr
y a lot,
3 3 3 Jewish center!
Trna.
42 44
Sweet heart, I worr y. Sweet heart, I do. I worr y a lot.
Fl.
42 44
Ob.
4
42
4
4
B♭ Cl.
42 4
A. Sax.
4
42
T. Sax. 4
42 44
Tbn.
42 44
24
44
Pno.
42 44
42 44
Hch.
42 44
42 44
Acc.
42 44
42 44
Hrp.
42
44
Drs.
42 44
42 44
Mrm.
42
44
Tmp. Bl.
42 44
Xyl.
42 44
Glk.
Vib. 42 44
42
Trgl. 44
86
4
42 4
EVERYONE TELLS JASON
802 TO SEE A PSYCHIATRIST
Mrvn.
4
42
Whzr. 4
4
42
Mndl. 4
Jsn. 42 44
4
42 4
What is nor mal?
...I wouldn't know.
Trna.
4
42 4
3 ing
3 you like play
I think chess a lone, that's not nor mal! Why don't 3
3 you speak on the tel e phone with an y one? Just get a friend! An y one! Dar ling, please see a psy chi a trist. He's quite a
Fl.
4
Ob. 42 4
4
42
4
4
B♭ Cl.
A. Sax. 42 4
4
42
T. Sax. 4
4
Tbn. 42 4
4
42 4
4
42 4
Pno.
4
42 4
4
42 4
Hch.
4
42 4
4
42 4
Acc.
4
42 4
4
42 4
Hrp.
4
Drs. 42 4
4
42 4
4
42 4
Mrm.
42 44
4
Tmp. Bl.
42
Xyl. 4
4
Glk. 42 4
4
Vib. 42 4
Trgl. 42 44
87
810
Mrvn.
Whzr.
Mndl.
Jsn.
Trna.
guy, and I ad mi re how he acts. No one is say ing you're a sick neu ro tic, but you could find some help, hear me out, please. Yes, you could find some help, he could help you re a lize
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
88
45 44
818
Mrvn.
45 44
3
Ja son, please see a psy
Whzr.
45 44
Mndl.
45
Jsn. 44 No!
45 44
Trna.
45
44
how con fused you are! It's ver y clear, Dad dy's sin cere, but a schmo... You and I must trust our e mo tions, make no com mo tions. Will you go?
Fl.
45
44
Ob.
45
44
B♭ Cl.
45
44
A. Sax.
45
T. Sax. 44
45
44
Tbn.
45
44
45 44
Pno.
45 44
45 44
Hch.
45
44
45
44
Acc.
45
44
45
44
Hrp.
45
Drs. 44
45
44
45 44
Mrm.
45
44
Tmp. Bl.
45 44
Xyl.
45 44
Glk.
45 44
Vib.
45
Trgl. 44
89
828
3
Mrvn.
3
chi a trist. He's just a psy chi a trist. I'll pay the bill un til you're old. Ja son, please see a psy
Whzr.
Mndl.
Jsn.
No, I
Trna.
Dar ling, please lis ten to your fath er here. He's not a
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
90
837
3
Mrvn.
chi a trist. He's just a psy chi a trist. I'll pay the bill un til you're old. What a mess this
Whzr.
Mndl.
Forget it!
Jsn.
won't go. I will not go! Ne ver, ne ver, ne ver, ne ver, ne ver, ne ver, ne ver, ne ver! What a mess this
Trna.
gen ius type, Lord knows, but he knows what's true. He chose a man who I think knows the an swers to all your prob lems. Men del un der stands what's both er ing you. What a mess this
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
91
45 44
845
Mrvn.
45 44
is, this fam il y, ex perts can see this is so. Pho to graphs can't cap ture our ma gic, we're sim ply tra gic, will you go? Ja son, please see a psy chi a trist. He's not... ex or bi tant.
Whzr.
45 44
Mndl.
5 44
4
...no!
Jsn.
5 44
4
is, this fam il y, ex perts can see this is so. Pho to graphs can't cap ture our ma gic, we're sim ply tra gic. I won't say boo.
Trna.
45
44
is, this fam il y, ex perts can see this is so. Pho to graphs can't cap ture our ma gic, we're sim ply tra gic, will you go? Ja son, please see a psy chi a trist. He's not... ex or bi tant.
Fl.
5 44
4
Ob.
45
44
B♭ Cl.
45
44
A. Sax.
45
T. Sax. 44
45
Tbn.
44
45
44
45 44
Pno.
45 44
45 44
Hch.
45
44
45
44
Acc.
45
44
45
44
Hrp.
45
Drs. 44
45
44
45 44
Mrm.
45
44
Tmp. Bl.
45 44
Xyl.
Glk. 45 44
45 44
Vib.
45
Trgl. 44
92
855
*gasp*
Mrvn.
And he's ver y smart. No. Hey, kid.
Whzr.
Mndl.
Jsn.
If in tell i gence were the on ly cri ter i on, then I would n't real ly need a psy chi a trist, would I? Would I? Just be cause you've failed as par ents.
*gasp*
Trna.
And he's ver y smart. No. Get thee to a psy chi a trist!
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
93
= 90
862 Oh my God.
Mrvn.
Lis ten! He needs a psy chi a trist. A psy chi a trist? Speak with whom? With Whizz er? Whizz er...
Whzr.
Mndl.
Jsn.
I don't need... I want... I want to speak with Whizz er. With Whizz er. With Whizz er. Whizz er...
Trna.
He needs a psy chi a trist. A psy chi a trist? With Whizz er? Whizz er...
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
94
MARVIN flicks the back
870 of WHIZZER's head. slow rit.
Mrvn.
Whizz er... Whizz er... Whizz er...
may
Hahahahaha...
Ja son,
Ow!
Whzr.
I'm not sure, Ja son. be so. Ab so lute ly, Ja son...! He'll go!
Mndl.
Jsn.
Whizz er... Whizz er... Whizz er... Whizz er, do you think I should see a psy chi a trist? TRINA gestures desperately, O kay, I'll go! I'll
clearing her throat.
Trna.
Whizz er... Whizz er... Whizz er...
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
95
3
= 100
2
880 THIS HAD BETTER
COME TO A STOP
Mrvn.
3
2
If he comes here? ...they don't make house calls. WHIZZER's watch goes off.
Oh!
Whzr.
3
2
Late for dinn er, late a gain. Late for dinn er, late a gain.
3
Mndl.
Jsn. 2
3
2
go! ...if he comes here!
Trna.
3
2
He'll go! He might come here! Late for dinn er, late a gain.
3
Fl.
2
3
Ob.
2
3
B♭ Cl.
2
3
A. Sax.
T. Sax. 2
23
3
Tbn.
2
23
Pno.
3
2
23
Hch.
3
2
23
Acc.
3
2
23
Hrp.
23
3
Drs.
2
23
Mrm.
23
3
Tmp. Bl.
2
3
Xyl.
2
3
Glk.
Vib. 2
Trgl. 23
96
23
890
Mrvn.
23
Late for dinn er, late a gain. Late for dinn er, late, late, late, late! Late for dinn er, late a gain. Late for dinn er, late a gain. Late for dinn er, late a gain.
Whzr.
23
Late for dinn er, late a gain. Late for dinn er, late, late, late, late! Late for dinn er, late a gain. Late for dinn er, late a gain. Late for dinn er, late a gain.
Mndl.
23
Late for dinn er, late a gain. Late for dinn er, late a gain. Late for dinn er, late a gain.
Jsn.
23
Late for dinn er, late a gain. Late for dinn er, late, late, late, late! Late for dinn er, late a gain. Late for dinn er, late a gain. Late for dinn er, late a gain.
for dinn er,
Trna.
23
Late late a gain. Late for dinn er, late, late, late, late! Late for dinn er, late a gain. Late for dinn er, late a gain. Late for dinn er, late a gain.
Fl.
23
Ob.
23
B♭ Cl.
23
A. Sax.
T. Sax. 23
23
Tbn.
3
2
23
Pno.
23
23
Hch.
23
23
Acc.
23
23
Hrp.
32
Drs.
23
23
Mrm.
23
Tmp. Bl.
23
Xyl.
23
Glk.
23
Vib.
Trgl. 23
97
= 95
896
Mrvn.
Late for dinn er, late, late, late, late! Whizz er's sup posed to al ways be here, mak ing dinn er, set to screw! That's what prett y boys should do! Check their hair lines,
Whzr.
Late for dinn er, late a gain. late!
Mndl.
Late for dinn er, late, late, late, late!
Jsn.
Late for dinn er, late, late, late, late!
Trna.
Late for dinn er, late, late, late, late!
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
98
905
3
Mrvn.
3
make the dinn er3 and love me! This has gott a come to a stop, Whizz er. This litt le thing that we have will not last. Don't feel res pon si ble, af ter all, it's through.
Whzr.
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno. 3
3
Hch.
3
Acc.
Hrp.
3
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
99
86
914
3 3
Mrvn.
86
6
Life can be won der ful! Is n't this won der ful? And this had bett er come to a stop, Whizz er! Now, Whizz er, ciao, Whizz er, bend!
Whzr.
86
I'm not res pon si ble!
Mndl.
86
Jsn.
86
Trna.
86
Fl.
86
Ob.
86
B♭ Cl.
86
A. Sax.
86
T. Sax.
86
Tbn.
86
68
Pno.
86
86
Hch.
86
86
Acc.
86
86
Hrp.
6
8
Drs.
86
86
Mrm.
86
Tmp. Bl.
86
Xyl.
86
Glk.
86
Vib.
Trgl. 86
100
922
Mrvn.
This had bett er come to an end!
Whzr.
Mndl.
Jsn.
3
Trna.
I was sup posed to make the dinn er... make it prett y on his plate! Ev' ry wife should pull her weight! Have it read y, make it tast y and
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
3
Pno.
3
Hch.
3
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
101
931
Mrvn.
Whzr.
Mndl.
Don't feel re spon si ble, af ter all, it's through.
Jsn.
3 3
Trna.
love him! This had bett er come to a stop, This has been a tra gic and horr i ble flop!
doc tor.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
3
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
102
86
939
Mrvn.
86
Whzr.
86
I met this
Mndl.
86
3 3 3 3
Don't ask me ques tions, I'm fright ened of ques tions! But grate ful that it's come to a stop, Tri na! Smile, Tri na, I'll help you mend!
Jsn.
86
Trna.
86
Who is re pon si ble? I met this
Fl.
86
Ob.
86
B♭ Cl.
86
A. Sax.
T. Sax. 86
86
Tbn.
86
86
Pno.
86
86
Hch.
86
86
Acc.
86
86
Hrp.
6
8
Drs.
86
86
Mrm.
86
Tmp. Bl.
86
Xyl.
86
Glk.
86
Vib.
Trgl. 86
103
948
Mrvn.
Brains! I'm not so rich,
Whzr.
man to day. He was n't ver y smart, but he was rich, Mar vin. Which, Mar vin, do you pre fer I lust for, brains or mon ey? Brains or mon ey?
Mndl.
Jsn.
Mar vin. or mon ey?
Trna.
man to day. He was n't ver y smart, but he was rich, Which, Mar vin, do you pre fer I lust for, brains or mon ey? Brains
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
104
43
957
3
Mrvn.
43
but hell, I'm smart! Love me. Love me, please, or break my heart. This is all ver y
3
Whzr.
43
No. This is all ver y neat.
Mndl.
43
Jsn.
43
3
Trna.
43
No. This is all ver y neat.
Fl.
43
Ob.
43
B♭ Cl.
43
A. Sax.
T. Sax. 43
43
Tbn.
43
3
4
Pno.
43
43
Hch.
43
43
Acc.
43
43
Hrp.
3
4
Drs.
43
43
Mrm.
43
Tmp. Bl.
43
Xyl.
43
Glk.
43
Vib.
Trgl. 43
105
86
966
3
Mrvn.
86
3
neat. This is all ver y neat, this is all ver y smart. And this had bett er come to a stop, Men del! Don't touch me! Don't con de scend!
Whzr.
86
3
This is all ver y smart.
Mndl.
86
Jsn.
Trna. 86
86
3
This is all ver y smart.
Fl.
86
Ob.
86
B♭ Cl.
86
A. Sax.
T. Sax. 86
86
Tbn.
86
68
Pno.
86
86
Hch.
86
86
Acc.
86
86
Hrp.
6
8
Drs.
86
86
Mrm.
86
Tmp. Bl.
86
Xyl.
86
Glk.
86
Vib.
Trgl. 86
106
= 113
974
Mrvn.
This had bett er come This had bett er come to a This, this, this, this, this had bett er come to an end! This had bett er come to an end!
Whzr.
Mndl.
Jsn.
Trna.
Chop, chop, chop, chop,
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
3
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
107
23
983
Mrvn.
Whzr. 23
23
Chop, chop, chop, chop, chop, chop, chop, chop! Chop, chop, chop, chop, chop, chop, chop, chop!
Mndl.
23
Chop, chop, chop, chop, chop, chop, chop, chop! Chop, chop, chop, chop, chop, chop, chop, chop!
Jsn.
23
Chop, chop, chop, chop, chop, chop, chop, chop! Chop, chop, chop, chop, chop, chop, chop, chop!
Trna.
23
chop! I chopped it, I served his food, the ass hole forced me! And still the bas tard di vorced me!
Fl.
23
Ob.
23
B♭ Cl.
23
A. Sax.
T. Sax. 23
23
Tbn.
23
23
Pno.
23
23
Hch.
23
23
Acc.
23
23
Hrp.
23
Drs.
23
23
Mrm.
23
Tmp. Bl.
23
Xyl.
23
Glk.
23
Vib.
Trgl. 23
108
3
2
992
Mrvn.
3
2
Late for dinn er, late a gain! Late for dinn er, late a gain! Late for dinn er, late a gain! Late for dinn er, late a gain! Late!
Whzr.
3
2
Chop, chop, chop, chop, chop, chop, chop, chop! Chop, chop, chop, chop, chop, chop, chop, chop! Chop, chop, chop, chop, chop, chop, chop, chop! Chop!
Mndl.
3
2
Chop, chop, chop, chop, chop, chop, chop, chop! Chop, chop, chop, chop, chop, chop, chop, chop! Chop, chop, chop, chop, chop, chop, chop, chop! Chop!
Jsn.
23
Chop, chop, chop, chop, chop, chop, chop, chop! Chop, chop, chop, chop, chop, chop, chop, chop! Chop, chop, chop, chop, chop, chop, chop, chop! Chop!
Trna.
23
It is n't like he says! You prob' ly hurt his pride! He's gott a have it all! He's like a ba by who's de nied!
3
Fl.
2
Ob.
23
3
B♭ Cl.
2
A. Sax.
T. Sax. 23
23
Tbn.
23
23
Pno.
23
23
Hch.
3
2
23
Acc.
23
23
Hrp.
23
Drs.
23
23
Mrm.
23
3
Tmp. Bl.
2
3
Xyl.
2
3
Glk.
Vib. 2
23
Trgl.
109
998
Mrvn.
This is in cre di bly bor
3
Whzr.
3
This has gott a come to a stop, Mar vin! This has been a lou sy but fab u lous flop! Why is it al ways our selves who have to change?
3
Mndl.
3
This has gott a come to a stop, Mar vin! This has been a lou sy but fab u lous flop!
3
Jsn.
3
This has gott a come to a stop, Mar vin! This has been a lou sy but fab u lous flop!
3
Trna.
3
This has been a lou sy but fab u lous flop!
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
110
86
1006
Mrvn.
3
86
ing!
3 3 3
Whzr.
86
You've got a tem per that re de fines tem per! And this had bett er come to a stop, Mar vin! Why, Mar vin? Try, Mar vin! bend! This had bett er come
3 3 3 3
Mndl.
86
You've got a tem per that re de fines tem per! And this had bett er come to a stop, Mar vin! Why, Mar vin? Try, Mar vin! bend! This had bett er come
3 3 3 3
Jsn.
86
You've got a tem per that re de fines tem per! And this had bett er come to a stop, Mar vin! Why, Mar vin? Try, Mar vin! bend! This had bett er come
3 3 3 3
Trna.
86
You've got a tem per that re de fines tem per! And this had bett er come to a stop, Mar vin! Why, Mar vin? Try, Mar vin! bend! This had bett er come
Fl.
86
Ob.
86
B♭ Cl.
86
A. Sax.
T. Sax. 86
86
Tbn.
86
6
8
Pno.
86
86
Hch.
86
86
Acc.
86
86
Hrp.
6
8
Drs.
86
86
Mrm.
86
Tmp. Bl.
86
Xyl.
86
Glk.
86
Vib.
Trgl. 86
111
23
1014
Mrvn.
3
2
This had bett er come to an end! This had bett er come to an end!
Whzr.
23
This had bett er come to a This, this, this, this, this had bett er come to an end! This had bett er come to an end!
Mndl.
23
This had bett er come to a This, this, this, this, this had bett er come to an end! This had bett er come to an end!
Jsn.
23
This had bett er come to a This, this, this, this, this had bett er come to an end! This had bett er come to an end!
Trna.
23
This had bett er come to a This, this, this, this, this had bett er come to an end! This had bett er come to an end!
Fl.
23
Ob.
23
B♭ Cl.
23
A. Sax.
T. Sax. 23
23
Tbn.
23
23
Pno.
23
23
Hch.
23
23
Acc.
23
23
Hrp.
23
Drs.
23
23
Mrm.
23
Tmp. Bl.
23
Xyl.
23
Glk.
23
Vib.
Trgl. 23
112
12
8
= 130
1022 I'M BREAKING DOWN
12
Mrvn.
Whzr. 8
12
8
12
Mndl.
8
12
Jsn.
8
12
Trna.
8
12
Fl.
8
12
Ob.
8
12
B♭ Cl.
8
12
A. Sax.
T. Sax. 8
12
8
12
Tbn.
8
12
8
Pno.
12
8
12
8
Hch.
12
8
12
8
Acc.
12
8
12
8
Hrp.
12
8
12
Drs.
8
12
8
Mrm.
12
8
12
Tmp. Bl.
8
12
Xyl.
8
12
Glk.
Vib. 8
12
Trgl. 8
113
89 12
8
= 135
1032
Mrvn.
89
12
Whzr. 8
89
12
8
Mndl.
89 12
8
Jsn.
89 12
8
Trna.
89 12
8
Fl.
89 12
8
Ob.
89 12
8
B♭ Cl.
89 12
8
A. Sax.
T. Sax. 89 12
8
89 12
8
Tbn.
89 12
8
89
12
8
Pno.
89
12
8
89 12
8
Hch.
89
12
8
89 12
8
Acc.
89
12
8
89 12
8
Hrp.
9 12
8 8
Drs.
89 12
8
89 12
8
Mrm.
89
12
8
Tmp. Bl.
89 12
8
Xyl.
89 12
8
Glk.
89 12
Vib. 8
89
12
Trgl. 8
114
12
8
1040
Mrvn.
12
Whzr. 8
12
8
Mndl.
12
8
12
Jsn.
8
Trna.
12
8
I'd like to be a prin cess on a throne... to have a coun try I can call my own... ...and a king... ...who's
Fl.
12
8
Ob.
12
8
B♭ Cl.
12
8
A. Sax.
12
T. Sax. 8
12
8
Tbn.
12
8
12
8
Pno.
12
8
12
8
Hch.
12
8
12
8
Acc.
12
8
12
8
Hrp.
12
8
Drs.
12
8
12
8
Mrm.
12
8
12
Tmp. Bl.
8
12
Xyl.
8
12
Glk.
Vib. 8
12
Trgl. 8
115
1048
Mrvn.
Whzr.
Mndl.
Jsn.
Trna.
lust y and re qui res fling with a fe male thing! Great, men will be men. Let me turn on the gas.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
116
1056
Mrvn.
Whzr.
Mndl.
Jsn.
best.
vin grabb
ing er's ass!
Trna.
I caught them in the den with Mar Whizz Oh sure, I'm sure he's sure he did his I mean, he meant to be what
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
117
1063
Mrvn.
Whzr.
Mndl.
Jsn.
He's a queen,
I'm a queen!
Trna.
he was not. The things he was are things which I for got. Where is my crown? I'm break ing down! I'm break ing down! My life is
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
118
1070
Mrvn.
Whzr.
Mndl.
Jsn.
4 I mean, that's sick!
4
Trna.
shitt y, and my kid seems like an id i ot to me! I mean he's great! It's me who is the matt er, talk ing madd er than the madd est hatt er! If I re peat
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
119
1077
Mrvn.
Whzr.
Mndl.
Jsn.
Trna.
one more word, I swear, I'll lose my brain! Oh, what else should I ex plain? Oh yes, it's true! I can cry on cue, but so can you! I'm break ing down! I'm break ing
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
120
89
1085
Mrvn.
89
Whzr.
89
Mndl.
89
Jsn.
89
You ask me, "Is it fun to cry over nothing?" IT IS.
Trna.
89
down! Down, down... I'm break ing down.
Fl.
89
Ob.
89
B♭ Cl.
89
A. Sax.
89
T. Sax.
89
Tbn.
89
89
Pno.
89
89
Hch.
89
89
Acc.
89
89
Hrp.
9
8
Drs.
89
89
Mrm.
89
Tmp. Bl.
89
Xyl.
89
Glk.
89
Vib.
Trgl. 89
121
12
8
1094
Mrvn.
12
Whzr. 8
12
8
Mndl.
12
8
Jsn.
12
8
Trna.
12
8
Now let's con sid er what I might do next. I hate ad mitt ing I've be come per plexed! I'm be reaved! I've
Fl.
12
8
Ob.
12
8
B♭ Cl.
12
8
A. Sax.
12
T. Sax. 8
12
8
Tbn.
12
8
12
8
Pno.
12
8
12
8
Hch.
12
8
12
8
Acc.
12
8
12
8
Hrp.
12
8
Drs.
12
8
12
8
Mrm.
12
8
Tmp. Bl.
12
8
Xyl.
12
8
Glk.
12
Vib. 8
12
Trgl. 8
122
1102
Mrvn.
Whzr.
Mndl.
Jsn.
Trna.
cried, I've shook, I've yelled, I've heaved! I have been de ceived! As en em ies go, Whizz er is not so bad.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
123
1110
Mrvn.
Whzr.
Mndl.
Jsn.
it makes
me so damn mad!
Trna.
It's just he's so damn happ y that I want to hate him, but I reall y can't. It's like a night mare how this
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
124
1117
Mrvn.
Whzr.
Mndl.
Jsn.
Don't is wrong!
Sing along!
Trna.
all pro ceeds! I hope that Whizz er don't ful fill his needs! What was the noun? I'm break ing down! I'm break ing down! I'll soon re
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
125
1124
Mrvn.
Whzr.
Mndl.
Jsn.
And also
4 pills!
Trna.
dec o rate these stalls, I'd like some padd ing on the walls! I wann a sleep... Sure, things 'll prob' ly wor sen, but it's not like I'm some health y per son.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
126
= 110
1130 accel.
Mrvn.
Whzr.
Mndl.
Jsn.
Trna.
I've re thought my talks with Marv, and one fact does e merge... I think I like his shrink! So that is why I might turn to drink, I'm on the brink of break ing
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
127
= 135
1138
Mrvn.
Whzr.
Mndl.
Jsn.
ne ver
I only want to love a man who can love me...
Help me!
or like me... or help me...
Trna.
down! I'm break ing down! Down, down... Marv in was
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
128
= 100
1147
Mrvn.
Whzr.
Mndl.
Jsn.
ing
I'm break
Trna.
mine... He took his meet ings in the boy's la trine. I used to cry! He'd make a scene! I'd rath er die than dry clean Marv in's wedd ing gown!
Fl.
Ob.
B♭ Cl. gliss.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
129
1154
Mrvn.
Whzr.
Mndl.
Jsn.
4 I mean, it stinks!
4
Trna.
down! I'm break ing down! It's so up sett ing when I found that what's rec tan gu lar is round! I mean he's queer! And me, I'm just a freak who needs it
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
130
= 110
1161 rall. accel.
Mrvn.
Whzr.
Mndl.
Jsn.
...I don't know...
Trna.
may be ev' ry oth er week! I've re thought the fun we've had and one fact does e merge... I've played the fool ish clown! The al most vir gin who sings this
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
131
1169
Mrvn.
Whzr.
Mndl.
Jsn.
The only thing that's breaking up is my
of break
family!
Trna.
dirge is on the verge ing down! I'm break ing down! Down, down...
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
132
1176
Mrvn.
Whzr.
Mndl.
Jsn.
Trna.
The on ly thing that's break ing up is my fam' ly, but me, I'm break ing down!
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
133
The phone rings.
44
PLEASE COME TO OUR HOUSE
= 75 = 100
1184
4
Mrvn.
Whzr.
4
4 Hello?
4
Yes, this is Mendel
Weisenbachfeld. Trina, how are you?
4
Mndl.
4
4
Jsn.
4
freely
Trna.
4
4
Doc tor Men del, please. Doc tor Men del, vis a vis what Mar vin did, or... rath er has n't done. You must ex or cise a dev il! Cause it in
4
Fl.
4
4
Ob.
4
B♭ Cl.
44
4
A. Sax.
4
T. Sax.
44
4
Tbn.
4
44
gliss
.
Pno.
4
4
44
Hch.
4
4
44
Acc.
4
4
44
Hrp.
44
4
Drs.
4
44
Mrm.
44
4
Tmp. Bl.
4
4
Xyl.
4
4
Glk.
4
Vib.
Trgl. 44
134
= 160
1195
Mrvn.
Whzr.
Mndl.
Jsn.
Trna.
hab its Mar vin's son. Please come to our house and talk a bit with Ja son. It's a slight ex a gger a tion, but he's sick in the head. Oh, sure, some times you'll think he's
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
135
42 44
1203
Mrvn.
42
Whzr.
44
42
44
Mndl.
42 44
Jsn.
42 44
What should I say to the man? Should I be mean to the man? I'l be my self.
Trna.
42 44
won der ful, but he's wild! I'm sure he's Mar vin's child! Just be your self. Stop ask ing ques tions! Be your
Fl.
42 44
Ob.
42
44
B♭ Cl.
42 44
A. Sax.
42
T. Sax.
44
42 44
Tbn.
42
44
24 44
Pno.
42 44
42 44
Hch.
42 44
42 44
Acc.
42 44
42 44
Hrp.
42 44
Drs.
42 44
42 44
Mrm.
42
44
Tmp. Bl.
42 44
Xyl.
42 44
Glk.
42 44
Vib.
42
Trgl. 44
136
4
4
1211 The doorbell rings.
Mrvn.
44
Whzr.
44
Mndl.
44
Let's talk.
Jsn.
44
I'l be my self! Hell o to my house! So good of you to tra vel on a ccount of my un rav el ing, now let's eat some food.
Trna.
44
self! Don't be dis gust ing! Be your self! I think be fore the
Fl.
44
Ob.
44
B♭ Cl.
44
A. Sax.
44
T. Sax.
4
4
4
Tbn.
4
44
Pno.
4
4
44
Hch.
4
4
4
4
Acc.
44
4
4
Hrp.
44
Drs.
44
44
Mrm.
44
4
Tmp. Bl.
4
Xyl.
44
4
Glk.
4
Vib.
Trgl. 44
137
46
1219
Mrvn.
Whzr. 46
46
*gasp*
Mndl.
46
Time to jaw! First I'll ex tend my paw! I think she's hold ing it so ten der ly, I'll prob' ly faint. If so, I'd rath er die in this po si tion than re main the saint you
Jsn.
46
Trna.
46
food gets cold.
Fl.
46
Ob.
B♭ Cl. 46
46
A. Sax.
T. Sax. 46
46
Tbn.
6
4
46
Pno.
46
46
Hch.
46
46
Acc.
46
46
Hrp.
46
Drs.
46
46
Mrm.
46
Tmp. Bl.
46
Xyl.
46
Glk.
46
Vib.
Trgl. 46
138
6 44
4
1228
Mrvn.
46
Whzr.
44
46 44
Mndl.
46 44
think you know I'm not, al though... I must be show ing bett er than the norm re straint. Oh, what a
Jsn.
46 44
Oh, what a
Trna.
46 44
Oh, what a
44
Fl.
46
Ob.
B♭ Cl. 46 44
46
44
A. Sax.
T. Sax. 46 44
6 44
4
6 4
Tbn.
4 4
46 44
Pno.
6
4
44
46 44
Hch.
46 44
6 44
4
Acc.
46 44
6 44
4
Hrp.
44
46
Drs.
46
44
46 44
Mrm.
46
44
6
Tmp. Bl.
44
4
Xyl.
46 44
6
Glk.
44
Vib. 4
46
Trgl. 44
139
42 44
1236
Mrvn.
42
Whzr.
44
42
44
Mndl.
42 44
love ly ta ble. Such a ro man tic ta ble. Knives in place, lots of space to spread out and eat. No tice how our eyes dis creet
Jsn.
42 44
love ly ta ble. Such a ro man tic ta ble. Knives in place, lots of space to spread out and eat. No tice how our eyes dis creet
Trna.
42 44
love ly ta ble. Such a ro man tic ta ble. Knives in place, lots of space to spread out and eat. No tice how our eyes dis creet
Fl.
42 44
Ob.
B♭ Cl. 42 44
42
44
A. Sax.
T. Sax. 42 44
42
44
Tbn.
2 4
4 4
4 2 4
4
Pno.
42
44
42 44
Hch.
42 44
42
44
Acc.
42 44
42
44
Hrp.
2 4
4 4
Drs.
42
44
42 44
Mrm.
42
44
Tmp. Bl.
42 44
Xyl.
42 44
Glk.
42 44
Vib.
42
Trgl. 44
140
1244
Mrvn.
Whzr.
Mndl.
ly... Please come to our house. The dinn er's on the ta ble, we will talk if we are a ble to, but prob' ly we won't. We sit. The kid looks prett y
Jsn.
ly... Please come to our house. The dinn er's on the ta ble, we will talk if we are a ble to, but prob' ly we won't. We sit.
Trna.
ly... Please come to our house. The dinn er's on the ta ble, we will talk with you, but prob' ly we won't. We sit.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
141
1252
Mrvn.
Whzr.
Mndl.
mis' ra ble. Ain't that the truth? We're tired! I think the room looks just a wee bit small. A dieu. I do not eat at all at
Jsn.
Un in spired. We're tired! A dieu.
Trna.
We're tired! This girl a grees. I'll wait out side and hold the food!
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
142
= 110 very slight accel.
1260 rit. JASON'S THERAPY
Mrvn.
Whzr.
Mndl.
times like these. There's work to do! She'll wait.
Jsn.
They'll wait! Mis ter Men del... I get a po ple xy think ing of my fath er. I re
Trna.
The worst is through. I'll wait. I'll wait for you!
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
143
1269
Mrvn.
Whzr.
Hahahaha.
Mndl.
Jsn.
sem ble him in far too ma ny ways... his sad de mean or... the way he acts the swine. At least his room is clean er than mine. Is it
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
144
45 44
= 160
1279 = 110 rit.
Mrvn.
45
44
Whzr.
45
44
Mndl.
45
4
4
3 3
3 3
Jsn.
45 44
fa tal? Do you see re al sim i lar i ties be tween us? He and Whizz er live like... Well, I think it's clear. What do I do? What do I say? How 3do I ask? What do I hope for? Is it my
Trna.
Fl. 45 44
45 44
Ob.
45
44
B♭ Cl.
45 44
A. Sax.
45
T. Sax. 44
Tbn.
45 44
45
44
45
44
Pno.
45 44
45 44
Hch.
45
44
45 44
Acc.
45
44
45 44
Hrp.
45
Drs. 44
45 44
45 44
Mrm.
45
44
Tmp. Bl.
45 44
Xyl.
45
44
Glk.
45 44
Vib.
45
Trgl. 44
145
4 42 44
4
= 160
1286
Mrvn.
44
42
Whzr.
44
44
42
44
So you feel alright for about
Look around you! No one is screaming at you! If you feel alright for ten minutes, feel alrig
ten minutes!
Mndl.
44 42 44
Stop!
3 3
3
Jsn.
44 42 44
mind? Love is n't free! Love is n't blind, what do I see?
Trna.
4 42 44
Fl. 4
Ob. 44 42 44
4 42 44
4
B♭ Cl.
A. Sax. 44 42 44
4 42 44
T. Sax. 4
44 42 44
44
Tbn.
44 42
44 42
44
Pno.
44 42 44
44 42 44
Hch.
ss.
g li
4 42 44
4
44 42 44
Acc.
4 42 44
4
44 42 44
Hrp.
44 42 44
Drs.
44 42 44
44 42 44
Mrm.
44 42 44
4
Tmp. Bl.
42
44
Xyl. 4
4
42
44
Glk. 4
4 42 44
Vib. 4
Trgl. 44 42 44
146
1294
Mrvn.
Whzr.
Drop it and smile!
Mndl.
Why don't you feel al right for the rest of your life? Why don't you feel al right for the rest of your life? Why don't you feel al right for the rest
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
147
= 115
1302
Mrvn.
Whzr.
Mndl.
of your life? ...is this
therapy?
Jsn.
I
Trna.
Chop, chop, chop, chop, chop, I chopped it. It's a gour met ver sion of chick en me ren go. Took me all day, I'll say 'twas worth the time.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
148
= 120
1309
Mrvn.
Why is he al ways here?
Whzr.
The psy chi a trist re turn ing, re turn ing...
Mndl.
Jsn.
Trna.
lie.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
149
1317
Mrvn.
Whzr.
five se ssions la ter.
Mndl.
Try to for get all thing home ly, try to for get all things snide. Noth ing's as good as you re call. Count what's good, then di vide. If you
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
150
42 44 45 44
1323 rit.
Mrvn.
42 44
45 44
Right! This is ther a py!
Whzr.
2 44
Mndl. 4 45 44
42 44
45 44
count, it's al right, you can fi gure out the world. You can add and sub tract at will. You can cov er up the past, you can kill the pain ver y eas il y! Right! This is ther a py!
...so, scram!
Jsn.
4
42
44
45 4
Is this ther a py?
Trna.
42 44
45 44
Right! This is ther a py!
Fl.
42
44
45 44
Ob.
42 44
45 44
B♭ Cl.
42 44 45 44
A. Sax.
42 44
45 44
T. Sax.
42 44 45 44
44
Tbn.
42
44 45
42
44 5 44
4
Pno.
42 44
45
44
42 44 5 44
4
Hch.
42
44
45
44
42 44 45 44
Acc.
42
44
45
44
42 44 45 44
Hrp.
42
44 45 44
Drs.
42 44 45 44
42 44 45 44
Mrm.
42
44
45 44
Tmp. Bl.
42 44 45 44
Xyl.
42 44 45 44
Glk.
42 44 45 44
Vib.
42
44
Trgl. 45 44
151
44
= 110
1329 very slight accel.
Mrvn.
Whzr. 44
Mndl. 44
44
Jsn.
44
Mis ter Men del... As re gard ing your in ten tions to my moth er... are they ev 'ry thing a wom an would de sire? Her hand is read y, it on ly needs a
Trna.
Fl. 44
44
Ob.
44
4
B♭ Cl.
A. Sax. 4
T. Sax. 44
44
44
Tbn.
44
Pno.
44
44
Hch.
44
44
Acc.
44
44
Hrp.
Drs. 44
44
44
Mrm.
44
Tmp. Bl.
44
Xyl.
Glk.
44
44
Vib.
Trgl. 44
152
1338
Mrvn.
Whzr.
Mndl.
Jsn.
ring. I'll buy con fett i and... sing? I'm em bar assed. I'ts not my re spon si bi li ty to ask you. But I won der if it's ev er crossed your mind.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
153
45 44 42 44
= 160 = 160
1348 rit.
Mrvn.
45
44
42
44
Whzr.
45
4 42 44
4
3 3 3
3 3 3 3
Mndl.
45 44 42 44
What do I say? Where do I look? Why 3do I laugh? How do I an for? Is it my mind? Love is n't free! Love is n't blind, what do I see?
Look around you!
Jsn.
45 44 42 44
Stop!
Trna.
45 44 42 44
Fl.
Ob. 45 44 42 44
45 44 42 44
B♭ Cl.
A. Sax. 45 44 42 44
45 44 42 44
T. Sax.
45 44 42 44
Tbn.
45 44 42
44
45 44
42
44
Pno.
45
44
42
44
45
44
42
44
Hch.
.
gliss
45 44 42 44
45 44 42 44
Acc.
45
44
42
44
45
44
42
44
Hrp.
45
44
42
44
Drs.
45 44 42 44
45 44 42 44
Mrm.
45
44
42
44
44
Tmp. Bl.
45 42
44
Xyl.
45
44
42
44
Glk.
45 44 42 44
Vib.
45
44
42
Trgl. 44
154
1355
Mrvn.
Whzr.
Mndl.
A lot of nice furniture! Someone's bring you dinner! Someone brought your lunch! Washing your... socks. Jesus Christ!
Someone's washing your laundry!
Jsn.
Why don't you feel al right for the rest of your life? Why don't you
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
155
1363
Whoo!
Mrvn.
Why don't you feel al right for the rest
Whoo!
Whzr.
Why don't you feel al right for the rest
Whoo!
Mndl.
Why don't I feel al right for the rest of my life? Why don't you feel al right for the rest
Whoo!
Jsn.
feel al right for the rest of your life? Why don't you feel al right for the rest of your life? Why don't you feel al right for the rest
Whoo!
Trna.
Why don't you feel al right for the rest
Fl.
Ob.
gliss.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
156
1370
Mrvn.
of your life? Why don't you feel al right for the rest of your life? Why don't you feel al right for the rest of your life? Feel, feel, feel,
Whzr.
of your life? Why don't you feel al right for the rest of your life? Why don't you feel al right for the rest of your life? Feel, feel, feel,
Mndl.
of your life? Why don't you feel al right for the rest of your life? Why don't you feel al right for the rest of your life? Feel al right for the rest of my life!
Jsn.
of your life? Why don't you feel al right for the rest of your life? Why don't you feel al right for the rest of your life? Feel al right for the rest of your life!
Trna.
of your life? Why don't you feel al right for the rest of your life? Why don't you feel al right for the rest of your life? Feel, feel, feel,
Fl.
Ob.
B♭ Cl.
A. Sax.
3
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
157
1376
Mrvn.
feel, feel, feel, feel, feel, feel, feel, feel, feel, Life!
Whzr.
feel, feel, feel, feel, feel, feel, feel, feel, feel, Life!
Mndl.
Feel al right for the rest of my life! Feel al right for the rest of your life! Feel al right for the rest of your life! Feel al right for the rest of your, rest of your... life!
Jsn.
Feel al right for the rest of your life! Feel al right for the rest of my life! Feel al right for the rest of my life! Feel al right for the rest of your, rest of your... life!
Trna.
feel, feel, feel, feel, feel, feel, feel, feel, feel, Life!
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
g li
ss.
Pno.
gli
ss.
Hch.
Acc.
Hrp.
3 3
3
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
158
A MARRIAGE PROPOSAL
= 150
1385
Mrvn.
Whzr.
Mndl.
I love you, dear. I think you're swell You're ne ver near me close e nough to tell if I'm de light ful or not I crave your wrist
This is how you make a marriage proposal.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
159
1400
Mrvn.
Whzr.
3
Mndl.
I praise your thigh There's not a guy, there's not a piece of pa per there's not a man in pants who could
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
160
1409 rall.
Mrvn.
Whzr.
Mndl.
love you the same as I! Oft en times, lov ers are cra zy peo ple, some times, they kill each oth er Just like a bib lic al broth er did to his bib lic cal
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
161
Biblical times?
1418
Mrvn.
Whzr.
3 ...biblical times!
Mndl.
broth er... back in... bib lic al times... Oh, those bib lic al times! I love your eyes I love your face
Jsn.
Biblical times?
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
gliss.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
162
1428
Mrvn.
Whzr.
Mndl.
I want you by my side to 3 place
take my if I get sick or de tained. Don't touch your hair, you're per fect! Don't start to cry There's not a guy,
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
163
1437
Mrvn.
Whzr.
3
Mndl.
there's not a horse or ze bra there's not a gi ant man who could love you the same as I! For get that gi ant man, he can't love you the same as I!
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
164
A TIGHT KNIT FAMILY (REPRISE)
1446
Mrvn.
Well, the sit u a tion's this; I don't want to cause a stink
Whzr.
Mndl.
I'm not a gi ant man, but I'll love you un til, love you un til I die!
Jsn.
Good.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
165
3
89 4
1457
3 3
Mrvn.
89 43
I di vorced my wife, she dried her eyes, then she ran off with my shrink But I want a tight knit fam il y I want a wife who knows what love is.
Whzr.
89 43
Mndl.
89 43
Jsn.
89 43
Trna.
89 43
Fl.
89 43
Ob.
89 43
B♭ Cl.
89 43
A. Sax.
89 43
T. Sax.
89 43
Tbn.
89 43
89 43
Pno.
89 43
89 43
Hch.
89 43
89 43
Acc.
89 43
89 43
Hrp.
89 43
Drs.
89 43
89 43
Mrm.
89 43
Tmp. Bl.
89 43
Xyl.
89 43
Glk.
89 43
Vib.
Trgl. 89 43
166
1466
3 3 3
Mrvn.
May be she does, I'm "too damn peeved", "self ab sorbed", "self de ceived!" Who knows?
Whzr.
Mndl.
I should wor ry what he says, like his words could hurt me worse.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
167
89 43
1474
Mrvn.
89 43
You said it.
Whzr.
3
89 4
3 3
Mndl.
89 43
Marv in acts be reft, my acts of theft are in cred ib ly per verse... It's em bar ass ing, but I've got a nice tight fam il y, son with a brain and nice bright moth er!
Jsn.
89
43
Trna.
89 43
Fl.
89
43
Ob.
89 43
B♭ Cl.
89
43
A. Sax.
T. Sax. 89 43
89
43
Tbn.
89 43
89 43
Pno.
89 43
89 43
Hch.
89 43
89 43
Acc.
89 43
89
43
Hrp.
89 43
Drs.
89
43
89 43
Mrm.
89 43
Tmp. Bl.
89 43
Xyl.
89 43
Glk.
89 43
Vib.
Trgl. 89 43
168
= 160
1483
Mrvn.
I, I can't be lieve she loves you. Why,
Whzr.
3 3 3 3
Mndl.
Yes, I feel guilt. Yes, I'm a nnoyed! So was Jung, so was Freud! But I, I 3 come
know you'll through it! If so. you'll end look ing
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
169
1493
Mrvn.
I'm sure she can not love you! But noth ing's im poss ib le. King of the lo sers. I want,
Whzr.
3 3 3
Mndl.
rich. Look who's got power. At eight y an ho ur, he can bitch, I can stall! I
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
170
1502
3
Mrvn.
I want it all! I'm sure we're gon na3 come through it, no doubt the bast tard pre pares! We're
Whzr.
Mndl.
3
got it all! I'm sure we're gon na come through it, no doubt the bas tard3 pre pares! We're
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
3
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
3
Vib.
Trgl.
171
1513
3 3 3 3
Mrvn.
need y and want ing, we're greed y as swine. The fam ily was mine! But who dares, dares to brawl? I want it all! I want it
Whzr.
3 3 3 3 3
Mndl.
need y and want ing, we're greed y as swine. I just got a fam ily But who dares, dares to brawl? I got it all! I got it
Jsn.
Trna.
Fl.
Ob.
3
B♭ Cl.
A. Sax.
3
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
172
44
= 80
1522 TRINA'S SONG
Mrvn.
44
all! I want it all!
Whzr.
44
Mndl.
44
all! I got it all!
4
Jsn.
4
44
Trna.
4
Fl.
4
44
Ob.
B♭ Cl.
4
4
44
A. Sax.
T. Sax.
4
4
44
Tbn.
4
4
Pno.
44
44
Hch.
44
44
Acc.
44
4
4
Hrp.
44
4
Drs.
4
44
Mrm.
44
44
Tmp. Bl.
44
Xyl.
44
Glk.
Vib.
Trgl. 44
173
1535
Mrvn.
Whzr.
Mndl.
Jsn.
3
tired of all the
I'm
Trna.
hap py men who rule the world. They grow, of that I'm sure. They grow, but
s.
glis
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
174
1543
Mrvn.
Whzr.
Mndl.
Jsn.
lis 'ning
Trna.
don't ma ture. I'd like the chance to hide in that world to these men who aren't quite men yet, but aren't boys make
I'm
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
175
1551 rall.
Mrvn.
Whzr.
Mndl.
Jsn.
rall.
Trna.
noise and throw their knives. Their toys are peo ples' lives. They fight too hard, and play too rough, they
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
176
= 95
1556 a tempo
Mrvn.
Whzr.
Mndl.
Jsn.
Trna.
some times love, but not e nough. My heart will beat at will, but still... It's cra zy how they're act ing! It's cra zy, my re sponse. It's stu pid how I love them, so dumb how
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
177
1563
Mrvn.
Whzr.
Mndl.
Jsn.
4 3 3 3 3
Trna.
I an ti ci pate their wants! But as long as they a muse me, that a lone is what's re quired! So I'll roar like I'm wired. I'll ex plore what I'm feel ing, acc ept what I'm feel ing is
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
178
1569 rit. a tempo
Mrvn.
Whzr.
Mndl.
Jsn.
3
Trna.
tired! I'm tired! So tired of all the happ y men who rule the world. Happ y fright ened men who rule the world. Stu pid, char ming men. Sill y, child ish jerks. That
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
3
Pno.
3
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
179
1577 rall.
Mrvn.
Whzr.
Mndl.
Jsn.
rall.
Trna.
said, I'll be his wife. I'll wed and change my life. I'll laugh, I'll smile, I'll wel come cheer, the
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
180
= 125
1582 a tempo MARCH OF THE FALSETTOS
Mrvn.
Whzr.
Mndl.
Jsn.
Trna.
time is right, the men are near. Now happ i ness and love a ppear...
Fl.
Ob.
B♭ Cl.
3 3 3 3 3 3 3 3
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
181
1591
Mrvn.
March, march, March of the Fal sett os,
Whzr.
March, march, March of the Fal sett os,
Mndl.
March, march, March of the Fal sett os,
Jsn.
March, march, March of the Fal sett os,
Trna.
Fl.
Ob.
3 3
B♭ Cl.
3 3 3 3 3 3 3
3
A. Sax.
T. Sax.
Tbn.
Pno.
3 3 3 3
Hch.
Acc.
Hrp.
Drs.
Mrm.
3 3
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
182
1599 Whee!
Mrvn.
March of the Fal sett os! Who is man e nough to march to March of the Fal sett os? One foot foll ow ing the oth er, teach it to your broth er make him march, march!
Whee! C'mere!
Whzr.
March of the Fal sett os! Who is man e nough to march to March of the Fal sett os? One foot foll ow ing the oth er, teach it to your broth er make him march, march!
Whee!
Mndl.
March of the Fal sett os! Who is man e nough to march to March of the Fal sett os? One foot foll ow ing the oth er, teach it to your broth er make him march, march!
Whee!
Jsn.
March of the Fal sett os! Who is man e nough to march to March of the Fal sett os? One foot foll ow ing the oth er, teach it to your broth er make him march, march!
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
183
1609 Pbbbth! Oops!
Mrvn.
March of the Fal sett os, March of the Fal sett os! March a li ttle bit, march a li ttle bit, march
a li ttle bit on! Four men sway ing in phos phor esc ence,
Pbbbth! Oops!
Whzr.
March of the Fal sett os, March of the Fal sett os! March a li ttle bit, march a li ttle bit, march
a li ttle bit on! Four men sway ing in phos phor esc ence,
Pbbbth! Oops!
Mndl.
March of the Fal sett os, March of the Fal sett os! March a li ttle bit, march a li ttle bit, march a li ttle bit on! Four men sway ing in phos phor esc ence,
Pbbbth! Oops!
Jsn.
March of the Fal sett os, March of the Fal sett os! March a li ttle bit, march a li ttle bit, march a li ttle bit on! Four men sway ing in phos phor esc ence,
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
3 3 3
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
184
1618 It's a goddamn surety
*chatter*
ing,
we're lacking in maturity!
ne ver minc four
men
con
vinc
Mrvn.
keep re play ing their a do lesc ence! Four men mar ching but mar ching is so ing! March!
It's a goddamn surety
*chatter*
ing,
we're lacking in maturity!
ne ver minc four
men
con
vinc
Whzr.
keep re play ing their a do lesc ence! Four men mar ching but mar ching is so ing! March!
It's a goddamn surety
*chatter*
we're lacking in maturity!
Mndl.
keep re play ing their a do lesc ence! Four men mar ching but ne ver minc ing, four men mar ching is so con vinc ing! March!
It's a goddamn surety
*chatter*
we're lacking in maturity!
Jsn.
keep re play ing their a do lesc ence! Four men mar ching but ne ver minc ing, four men mar ching is so con vinc ing! March!
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
185
1629
Mrvn.
March! March! March!
Whzr.
March! March! March! Whizz er says it does n't, dea rie!
Mndl.
Mar vin's al ways wa ry! March! March! What a stu pid the ory! March!
Jsn.
March! Does this mean that I'm a fai ry? March! March!
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
186
1636
in the
a lone
Mrvn.
...four... night! March, march, March of the Fal sett os, March of the Fal sett os!
in the
a lone
Whzr.
Don't be scared! Don't get tight! Ass es bared? My de light shared... young... night! March, march, March of the Fal sett os, March of the Fal sett os!
Mndl.
men a lone in the night! March, march, March of the Fal sett os, March of the Fal sett os!
Jsn.
...with... a lone in the night! March, march, March of the Fal sett os, March of the Fal sett os!
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
187
1645 Hiiiii!
Mrvn.
Who is man e nough to march to March of the Fal sett os? One foot foll ow ing the oth er, prac tice it on one an oth er! March, march! March of the Fal
Hiiiii!
Whzr.
Who is man e nough to march to March of the Fal sett os? One foot foll ow ing the oth er, prac tice it on one an oth er! March, march! March of the Fal sett os
Hiiiii!
Mndl.
Who is man e nough to march to March of the Fal sett os? One foot foll ow ing the oth er, prac tice it on one an oth er! March, march! March of the Fal
Hiiiii!
Jsn.
Who is man e nough to march to March of the Fal sett os? One foot foll ow ing the oth er, prac tice it on one an oth er! March, march! March of the Fal sett os
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
188
= 95
1654 TRINA'S SONG (REPRISE)
Uh oh!
Mrvn.
sett os, March of the Fal sett os! Mar ching home
Uh oh!
Whzr.
March of the Fal sett os! Mar ching home
Uh oh!
Mndl.
sett os, March of the Fal sett os! Mar ching home
Uh oh!
Jsn.
March of the Fal sett os! Mar ching home
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
3 3 3 3 3 3
Pno.
3 3 3 3 3 3
Hch.
Acc.
Hrp.
3 3 3 3 3 3 3 3 3
3 3
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
189
= 80
1663
Mrvn.
Whzr.
Mndl.
Jsn.
Trna.
Please, for give my for mer spiel ing. It does not con cern the man. As for doubts that I've been feel ing... I'll ig nore them when I can. And the
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
190
1668
Mrvn.
Whzr.
Mndl.
Jsn.
3 3 3 3
Trna.
things that I must do, I'll do to amke this all suc ceed. I'll com mit. That's a greed. And with wit and pre ci sion, I've made a de ci sion to get the things I need! God, I'll
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
191
1674
Mrvn.
Whzr.
Mndl.
Jsn.
...no.
Trna.
try! Try! ...I'll cry. I'll laugh. And un a fraid, I'll laugh... ...and
Fl.
Ob.
B♭ Cl.
A. Sax.
3
T. Sax.
Tbn.
3
Pno.
3
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
192
43
1680 rall. = 115
Mrvn.
43
Whzr.
43
Mndl.
43
Jsn.
43
Trna.
43
hire a maid. I'll fight the gods, I'll... fight my ex. I'll beat the odds, I'll have good sex! My fu ture's now on trial. I smile...
Fl.
43
Ob.
43
B♭ Cl.
43
A. Sax.
43
T. Sax.
43
Tbn.
43
43
Pno.
43
43
Hch.
43
43
Acc.
43
43
Hrp.
43
Drs.
43
43
Mrm.
43
Tmp. Bl.
43
Xyl.
43
Glk.
43
Vib.
Trgl. 43
193
= 100
THE CHESS GAME
1690 rit.
Mrvn.
That's the king. Treat him nice. Use some brains, now pro tect him.
Whzr.
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
194
44
43
= 175
1701
Mrvn.
44 3
4
Play the game! Have a litt le scotch.
Whzr.
44
43
Yes, I know. Here I go... Please don't watch me, I can do it. Shit. I blew it. May be you could show me where? I
Mndl.
44
Jsn. 43
44
Trna. 43
44
Fl. 43
44
43
Ob.
44 43
B♭ Cl.
44 43
A. Sax.
44
T. Sax. 43
44 43
Tbn.
44
43
44
43
Pno.
44
43
44 43
Hch.
44
43
44 43
Acc.
44
43
44 43
Hrp.
44
43
Drs.
44
43
44 43
Mrm.
44
43
Tmp. Bl.
44 43
Xyl.
44
Glk. 43
44
Vib. 43
44
Trgl. 43
195
1712
Mrvn.
Do you want my help? Start a gain, we've seen the worst.
Whzr.
fear I've lost my head... No, I don't, I can think it through my self!
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
196
4
4 43
1724 rall. a tempo
rit.
Mrvn.
4 3
4 4
Move a pawn. Move. There. Move a pawn. Not the queen. Je sus. Life's a sham, and ev' ry move is wrong. We've ex am ined
Whzr.
4
4 43
I'll go first. No, sir. Where? Here? Who? Who? Life's a sham, and ev' ry move is wrong. We've ex am ined
Mndl.
4
Jsn. 4 43
4
Trna. 4 43
4
Fl. 4 43
4
4 43
Ob.
4
4 43
4
B♭ Cl.
4 43
A. Sax.
4
T. Sax. 4 43
4
4 43
Tbn.
44 34
4
4 43
Pno.
4
4 43
4
4 43
Hch.
4
4 43
4
4 43
Acc.
4
4 43
4
4 43
Hrp.
4
Drs. 4 43
4
4 43
4
4 43
Mrm.
44 43
4
Tmp. Bl.
43
Xyl. 4
4
4 43
34
Glk.
4
Vib. 4
Trgl. 44 43
197
1736 = 145
Mrvn.
ev' ry move as we move a long. Winn ing is ev' ry thing to me... Winn ing is ev' ry
Whzr.
ev' ry move as we move a long. Noth ing is ev' ry thing to me... Noth ing is
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
198
= 65 = 95
1749 Move a pawn.
Mrvn.
thing to me. Good first move. Thank you kind ly,
And money.
Whzr.
ev' ry thing Ex cept sex. Quite al right. Take a turn. Move the pawn. Move the pawn.
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
199
42 43
= 175 = 175
1762
Mrvn.
42 43
God, you're prett y. What? or witt y. Move. Move.
Whzr.
42 43
Take my hand. Play the game! More's the pit y, since you need a man ...who's brain y or witt y. What should I do now? Where?
Mndl.
Jsn. 42 43
42 43
Trna.
Fl. 42 43
42 43
Ob.
42 43
B♭ Cl.
42 43
A. Sax.
T. Sax. 42 43
42 43
Tbn.
42
43
42 43
Pno.
42 43
42 43
Hch.
42 43
42 43
Acc.
42 43
42 43
Hrp.
42 43
Drs.
42 43
42 43
Mrm.
42 43
Tmp. Bl.
42 43
Xyl.
Glk. 42 43
Vib. 42 43
Trgl. 42 43
200
4
4 43
1774 rall. rit.
Mrvn.
4
4 43
There. This game's shits. Yes, sir. Yes. Wait! Wait! Wait!
Whzr.
4
4 43
How should I be have my self? May be we should call it quits. Let me win? Please? Thanks! Whizz er wins! Whizz er wins! Check mate!
Mndl.
4
Jsn. 4 43
4
Trna. 4 43
4
Fl. 4 43
4
4 43
Ob.
4
4 43
4
B♭ Cl.
4 43
A. Sax.
4
T. Sax. 4 43
4
4 43
Tbn.
44 34
4
4 43
Pno.
4
4 43
4
4 43
Hch.
4
4 43
4
4 43
Acc.
4
4 43
4
4 43
Hrp.
4
Drs. 4 43
4
4 43
4
4 43
Mrm.
44 43
4
Tmp. Bl.
43
Xyl. 4
4
4 43
34
Glk.
4
Vib. 4
Trgl. 44 43
201
= 175 = 145
1784 a tempo rall.
Mrvn.
Life's a sham, and ev' ry move is wrong. We've ex am ined ev' ry move as we move a long.
Whzr.
Life's a sham, and ev' ry move is wrong. We've ex am ined ev' ry move as we move a long.
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
202
= 70
1799
Mrvn.
Whzr.
Whizz er's sup posed to make the dinn er... be a pat sy,
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
203
1811
Mrvn.
This has gott a come to a stop!
Whzr.
lose at chess... al ways brave ly ac qui esce... clip the cou pons... make 3
the dinn er, and love him! This has gott a come to a stop, Mar vin!
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno. 3
3
Hch.
Acc.
Hrp.
3
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
204
1820
Mrvn.
3
Fab u lous flop! An y one un der stand, all I want's a kiss? An y one un der stand!? This has gott a come to a stop,
3 3 3
Whzr.
3
This has been a lou sy but fab u lous flop! Don't start ex plain ing, I'm sick of ex plain ing! And this has gott a come to a stop,
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
205
86
1828
Mrvn.
86
Whizz er! Now, Whizz er, ciao, Whizz er, bend! This had bett er come This had bett er come to a This, this, this, this, This had bett er come to an
Whzr.
86
Mar vin! Now, Mar vin, ciao, Mar vin, bend! This had bett er come This had bett er come to a This, this, this, this, this had bett er come to an end!
Mndl.
86
Jsn.
86
Trna.
86
Fl.
86
Ob.
86
B♭ Cl.
86
A. Sax.
86
T. Sax.
86
Tbn.
86
86
Pno.
86
86
Hch.
86
86
Acc.
86
86
Hrp.
6
8
Drs.
86
86
Mrm.
86
Tmp. Bl.
86
Xyl.
86
Glk.
86
Vib.
Trgl. 86
206
= 115
1837 MAKING A HOME
Mrvn.
end! This had bett er come to an end!
Whzr.
This had bett er come to an end!
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
207
1846
Mrvn.
Whzr.
3 3 3
Mndl.
Wel come to our hum ble place, we're con cerned with sett ing a tone... ...with fill ing the space... mak ing a home.
Jsn.
3 3 3
Trna.
Wel come to our hum ble place, we're con cerned with sett ing a tone... ...with fill ing the space... mak ing a home.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
208
1853
Mrvn.
Whzr.
3
Mndl.
She be comes a happ y wife. Shap ing a
Jsn.
3
Trna.
He de cides the role to ass ume. Build ing a life...
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
209
= 120 = 115
1860
Mrvn.
Whzr.
Mndl.
room. What it needs is peo ple... Men and wom en talk ing... Men and wom en think ing out loud... How far
Jsn.
Trna.
What it needs is peo ple... Men and wom en talk ing... Men and wom en think ing out loud... How far
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
210
1869
Mrvn.
Whzr.
Mndl.
3 3
to go. Vis it when you please, you are not re qui red to We'll buy the cheese! God bless our home.
Jsn.
3 3
Trna.
to go. Vis it when you please, you are not re qui red to We'll buy the cheese! God bless our home.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
211
1877
Mrvn.
Whzr.
Mndl.
Jsn.
Trna.
Books a bound, to show we read. The dog's been flead
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
212
1883
Mrvn.
Whzr.
Mndl.
So do I.
Jsn.
Trna.
and... sent out side to play. I hope it runs a way.
Fl.
Ob.
3 3
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
213
1889
Mrvn.
Whzr.
We de ceive.
Mndl.
3
Af ter noons, we make hors d'oeurves, af ter af ter noons, we re ceive.
Jsn.
So do I.
3
Trna.
Af ter noons, we make hors d'oeurves, af ter af ter noons, we re ceive.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
214
= 130
1895
Mrvn.
Whzr.
3
This is the price mak ing be lieve. What it needs is peo ple... Men and wom en laugh
Mndl.
3
This is the price mak ing be lieve. What it needs is peo ple... Men and wom en laugh
Jsn.
3
Trna.
This is the price mak ing be lieve. What it needs is peo ple... Men and wom en laugh
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
215
= 100 = 115
1903
Mrvn.
Whzr.
ing... Men and wom en think ing out loud... Could he love me...?
Mndl.
ing... Men and wom en think ing out loud... Should she love me...? Yes, we love the bed. Yes, we love to fight 3
the un known.
Jsn.
3
Trna.
ing... Men and wom en think ing out loud... Should he love me...? Yes, we love the bed. Yes, we love to fight the un known.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
216
= 110
1912 rall.
Mrvn.
3 3
Whzr.
3
Forg ing a head... Hat ing our lives. Mak ing a home...
3
Mndl.
3 3
...sharp en ing knives, forg ing a head... Lov ing our lives. 3 a
Mak ing home... 3
Mak ing a
3
Jsn.
Hat ing our lives.
3 3 3
Trna.
3 3
Bak ing the bread... Forg ing a head... Lik ing our lives. Mak ing a home... Mak ing a
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
217
THE GAMES I PLAY
= 70
1920 rit. rit.
Mrvn.
Whzr.
3
Mak ing a home... I don't look for trou ble I do not ac cept
Mndl.
3
home... Mak ing a home...
Jsn.
3
Trna.
home... Mak ing a home...
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
218
1930
Mrvn.
Whzr.
3
blame. I've a good and a bad side, but they're one in the same Ask me to a rouse you, I will rise and o bey These are the games I play
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
219
1942
Mrvn.
3
Whzr.
3
I screw ev' ry morn ing then bathe and drink tea. I've been play in' ca nast a dis as tr ous
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
220
= 75
1952
Mrvn.
Whzr.
ly. All my rec re at ion seems to suit me o kay These are the games I play It's tough with love,
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
221
1963
Mrvn.
Whzr.
love's tough to show . Let me face the mu sic. It's a song that I was wait ing to hear so long so long a go
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
222
1974
Mrvn.
3
Whzr.
3
I bet on the horse s. I die by de gree I am sure his di vorce is a tri bute to me Ask me if I
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
223
= 80
1984 accel.
Mrvn.
3
Whzr.
love him it de pends on the day. These are the games I play It's tough my friend Love's look ing strong
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
224
1995 accel.
Mrvn.
Whzr.
Play ag ain the mu sic. It's a song that I've been wait ing to hear for much too long Years, years too long
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
225
2004 a tempo
Mrvn.
3 3
Whzr.
It hurts not to love him. It hurts when love fades. It's hard when part of him is off play ing fam' ly cha rades Ask me if I need him.
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
226
2014
Mrvn.
3
Whzr.
3
Get3 him out of my
way These are These are the games 3 the
These are games 3
these are the o ly games
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
3 3
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
227
42 86 42 87 42 86
= 195
2025 rit. MARVIN HITS TRINA
Mrvn.
42 86 42 87 42 86
Hell o, Tri na,
Whzr.
42 86 42 87 42 86
I play!
Mndl.
42
Jsn. 86 42 87 42 86
42
86 42 87 42 86
Trna.
42
Fl. 86 42 87 42 86
42
Ob. 86 42 87 42 86
42 86 42 87 42 86
2 7
42 86
B♭ Cl.
A. Sax. 4 8 42 86
T. Sax.
42 86 42 87 42 86
42 86 42 87 42 86
Tbn.
42 86 42 87 42 86
42 86 42 87 42 86
Pno.
42
86 42 87 42 86
42 86
42
87 42 86
Hch.
42 68 42 78 24 86
42 86 42 87 42 86
Acc.
42
86 42 87 42 86
42 86 42 87 42 86
Hrp.
3 3
42 86 42 87 42 86
Drs.
2 6 2 7 2
4 8 4 8 4 86
42 86 42 87 42 86
Mrm.
Tmp. Bl. 42 86 42 87 42 86
42
Xyl. 86 42 87 42 86
42
Glk. 86 42 87 42 86
42
Vib. 86 42 87 42 86
Trgl. 42 86 42 87 42 86
228
6
8 42 87 42 86 42 83 44
2037
Mrvn.
6 42 87 42 86 42 83 44
8
thank you for send ing this! Good ness, Tri na! I am re lieved! Frank ly, Tri na, nice of you send ing this! Thank you, Tri na! I have re ceived your new sent
Whzr.
6 42 87 42 86 42 83 44
Mndl. 8
Jsn. 86 42 87 42 86 42 83 44
Trna. 86 42 87 42 86 42 83 44
6 42 87 42 86 42 83 44
Fl. 8
Ob. 86 42 87 42 86 42 83 44
6 42 87 42 86 42 83 44
B♭ Cl. 8
A. Sax. 86 42 87 42 86 42 83 44
6 42 87 42 86 42 83 44
T. Sax. 8
86 42 87 42 86 42 83 44
Tbn.
86 42 87 42 86 42 83 44
86 42 87 42 86 42 83
44
Pno.
86 42 87 42 86 42 83 44
86
42 87
42 86
42 83
44
Hch.
6 24 78
24 68
24
38 44
8
86 42 87 42 86 42 83 44
Acc.
6 42 87 42 86 42 83 44
8
86 42 87 42 86 42 83 44
Hrp.
86 42 87 42 86 42 83 44
Drs.
86 24 87 24 86 24 83 44
86 42 87 42 86 42 83 44
Mrm.
86 42 87 42 86 42 83
Tmp. Bl. 44
6 42 87 42 86 42 83 44
Xyl. 8
6 42 87 42 86 42 83 44
Glk. 8
6 42 87 42 86 42 83 44
Vib. 8
86 42 87 42 86 42 83
Trgl. 44
229
6
8 44 86 44 86 44
2045 = 80
Mrvn.
86 44 86 44 86 44
wedd ing in vi ta tions! They are pseu do ro man tic and sick! You say you'll love him un til you both die! You die on May twen ty sev enth at eight!
Whzr.
86 44 86 44 86 44
Pseu do ro man tic and sick! Love him un til you both die! May twen ty sev enth at eight! He has lost his
Mndl.
86 44 86 44 86 44
Pseu do ro man tic and sick! Love him un til you both die! May twen ty sev enth at eight!
Jsn.
86 44 44
86
44
86
Pseu do ro man tic and sick! Love him un til you both die! May twen ty sev enth at eight!
Trna.
86 44 44
86 44
Fl. 86
86 44 44
86
44
86
Ob.
44
86 44 86 44 86
6 44
B♭ Cl.
44
86
44
86
A. Sax. 8
44
T. Sax. 86 44 86 44 86
44
86
44
86
44
86
Tbn.
86 44 86 44 86 44
8
6 4
4 68 44 86
44
Pno.
86 44 86 44 86 44
86 44 86 44 86 44
Hch.
86 44 86 44 86 44
44
86 44 86 44
86
Acc.
86 44 44
86 44 86
44
86
44
86
44
86
Hrp.
86 44 86 44 86 44
Drs.
86 44 44
86
44
86
44
86 44 86 44
86
Mrm.
86
44
86
44
86
44
44
Tmp. Bl.
86 44 86 44
Xyl. 86
86 44 44
86 44
Glk. 86
86 44 44
86 44
Vib. 86
86
44
86
44
86
Trgl. 44
230
42
2053 rit.
Mrvn.
42
Whzr.
42
mind. Mar vin is not so un couth. Mar vin is not so un kind.
Mndl.
42
Jsn.
42
Trna.
42
Men del plans to rub my back. Men del's not a ma ni ac.
Fl.
Ob. 42
42
B♭ Cl.
A. Sax. 42
42
T. Sax.
42
Tbn.
42
42
Pno.
42
42
Hch.
42
42
Acc.
42
42
Hrp.
Drs. 42
42
42
Mrm.
Tmp. Bl. 42
42
Xyl.
42
Glk.
42
Vib.
Trgl. 42
231
23 42 86 42 87 42 86
= 195
2063
Mrvn.
23 42 86 42 87 42 86
Tell me, Tri na, what was the im pe tus? Sorr y, Tri na! Look in my eyes! Real ly, Tri na?
Whzr.
Mndl.
23 42 86 42 87 42 86
Jsn. 23 42 86 42 87 42 86
Trna. 23
42 86 42 87 42 86
23 42 86 42 87 42 86
And he's sweet... and he's warm... and he loves me so.
Fl.
Ob.
23
42
86
42
87
42
86
23 42 86 42 87 42 86
B♭ Cl.
A. Sax.
23
42
86
42
87
42
86
T. Sax. 23 42 86 42 87 42 86
23
42
86
42
87
42
Tbn. 86
23
42 86 42 87 42 86
23 42 86 42 87 42 86
Pno.
23 42 86 42 87 42 86
23 42 86 42 87 42 86
Hch.
23 42 86 42 87 42 86
23
42
86
42
87
42
86
Acc.
23 42 86 42 87 42 86
23
42
86
42
87
42
86
Hrp.
23 42 86 42 87 42 86
Drs.
2
23
6 2 7 2
4 8 4 8 4 86
23 42 86 42 87 42 86
Mrm.
Tmp. Bl. 23 42 86 42 87 42 86
Xyl.
23 42 86 42 87 42 86
Glk.
23 42 86 42 87 42 86
Vib.
23 42 86 42 87 42 86
Trgl. 23 42 86 42 87 42 86
232
6 2 3 4 6
8 4 8 4 8 44 86 44
2073
Mrvn.
6 86 44
42 83 44
8 86 44
This is ri di cu lous! Je sus, Tri na! How I de spise your need for stu pid con ver sa tion! You are try ing to ru in my sleep! I'm sure you chose him to make me look
Whzr.
6 86 44
42 83 44
8 86 44
Try ing to ru in my sleep! Chose him to make me look
Mndl.
6 86 44
42 83 44
8 86 44
Try ing to ru in my sleep! Chose him to make me look
Jsn.
86
86
42
83
44 44
86
44
Try ing to ru in my sleep! Chose him to make me look
Trna.
86
Fl. 86 42 83 44 44 86 44
86
86
42
83
44 44
86
Ob.
44
86 42 83 44 86 44 86 44
6
B♭ Cl.
86
42
83
44 44
86
44
A. Sax. 8
T. Sax. 86 42 83 44 86 44 86 44
6
42
83
44
86
44
86
44
Tbn. 8
86 44
86 42 83 44 86 44
6 2 3 4 6 4
86
44
8 4 8 4 8 4
Pno.
6 86
42 83 44 44 86
44
8
86 4
42 83 4 86 44 86 44
Hch.
6
8 4
2 8
3 4
4 86 44 86 44
86 42 83 44 86 44 86 44
Acc.
86
86 42 83 44 44 86 44
6
42
83
44
86
44
86
44
8
Hrp.
86 42 83 44 86 44 86 44
Drs.
6 2 86
83
44 44
86
44
8 4
86 42 83 44 86 44 86 44
Mrm.
86 42 83
44
86
44
86
Tmp. Bl. 44
6 86
42 83 44 44 86 44
Xyl. 8
86
Glk. 86 42 83 44 44 86 44
6 86
42 83 44 44 86 44
Vib. 8
86 42 83
44
86
44
86
Trgl. 44
233
44
86 44
2081
= 80
rit.
Mrvn.
44
86 44
bad! How could you ev er de ny what we had?
Whzr.
44
86 44
bad! Ev er de ny what we had? We had fights and games. Mar vin called us fu nny names. Mar vin al ways played the
Mndl.
44
86 44
bad! Ev er de ny what we had? Mar vin acts like
Jsn.
44 44
86
bad! Ev er de ny what we had?
Trna.
44 44
86
We had fights and games. Mar vin called us fu nny names. Mar vin al ways played the
Fl.
44 44
Ob. 86
44
44 86
4 44
B♭ Cl.
86
A. Sax. 4
44
T. Sax. 44 86
44 44
86
Tbn.
44 86 44
44
86
44
Pno.
44
86 44
44
86 44
Hch.
44
44
86
44 44
86
Acc.
44 44
86
44 44
86
Hrp.
44
86 44
Drs.
44 44
86
44 44
86
Mrm.
44
86
44
44
Tmp. Bl.
44
Xyl. 86
44 44
Glk. 86
44 44
Vib. 86
44
86
Trgl. 44
234
42 23 42 86
= 195
2091
...I am so dumb.
Mrvn.
42
23
42
86
Whzr.
42
23
42
86
clown. And he's sweet... and he's mean... Do I love him? ...no.
Mndl.
42 23 42 86
he's un trained. Mar vin, I am so a shamed.
Jsn.
42 23
42 86
Trna.
42 23 42 86
clown. And he's sweet... and he's mean...
Fl.
Ob.
42
23
42
86
42 23 42 86
B♭ Cl.
A. Sax.
42
23
42
86
T. Sax. 42 23 42 86
42
23
42
86
Tbn.
42 23
42 86
6
42 23 42 8
Pno.
42 23 42 86
42 23 42 86
Hch.
42 23 42 86
42 23
42
86
Acc.
42 23 42 86
42
23
42
86
Hrp.
Drs. 42 23 42 86
42
23
42
86
42 23 42 86
Mrm.
Tmp. Bl. 42 23 42 86
Xyl.
42 23 42 86
Glk.
42 23 42 86
Vib.
42 23 42 86
Trgl. 42 23 42 86
235
6 LOVE YOU
8 42 86 42 86 42 86 42 86 44
= 70
2102
MARVIN hits I NEVER WANTED TO
TRINA.
Mrvn.
6
42 86 42 86 42 86 42 86 44
8
WHY?
Whzr.
6
42 86 42 86 42 86 42 86 44
8
Dumb! Dumb! Dumb! Dumb!
Mndl.
6
42 86 42 86 42 86 42 86 44
8
Dumb! Dumb! Dumb! Dumb!
Jsn.
86
42 86
42 86
42 86
42 86
44
Dumb! Dumb! Dumb! Dumb!
*gasp*
Trna.
86 42 86 42 86 42 86 42 86 44
Dumb! Dumb! Dumb! Dumb!
Fl.
6
42 86 42 86 42 86 42 86 44
Ob. 8
B♭ Cl. 86 42 86 42 86 42 86 42 86 44
6
A. Sax. 8 42 86 42 86 42 86 42 86 44
T. Sax. 86 42 86 42 86 42 86 42 86 44
86 42 86 42 86 42 86 42 86 44
Tbn.
86 42 86 42 86 42 86 42 86 44
86 42 86 42 86 42 86 42 86
44
Pno.
86 42 86 42 86 42 86 42 86
44
86 42 86 42 86 42 86 42 86 44
Hch.
6 2 6 2 6 2 6 2
86
44
8 4 8 4 8 4 8 4
86 42 86 42 86 42 86 42 86 44
Acc.
86
42
86
42
86
42
86
42
86
44
86 42 86 42 86 42 86 42 86 44
Hrp.
Drs. 86 42 86 42 86 42 86 42 86 44
86 42 86 42 86 42 86 42 86 44
86 42 86 42 86 42 86 42 86 44
Mrm.
86 42 86 42 86 42 86 42 86
Tmp. Bl. 44
6
42 86 42 86 42 86 42 86 44
Xyl. 8
6
42 86 42 86 42 86 42 86 44
Glk. 8
6
42 86 42 86 42 86 42 86 44
Vib. 8
86 42 86 42 86 42 86 42 86
Trgl. 44
236
2114
Mrvn.
Whzr.
Mndl.
Jsn.
Trna.
I ne ver want ed to love you. I on ly want ed to love and not be Let me go... ...you should know
blamed.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
237
2127
Mrvn.
Whzr.
Mndl.
I ne ver want ed to love you. In my pro fes sion, one's love stays un ex pressed. Here we stand. Take my hand,
Jsn.
Trna.
I'm not a shamed to have loved you.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
238
2139
Mrvn.
3 our fam 3i
Love ly?
Whzr.
3
3
He loves his fath er!
3
Mndl.
3
God, I'm dis tressed how I love you. Help us
3 3
Jsn.
3 the world! 3 3 3 3
I hate I love my dad. I love the things I've ne ver had! Lord, hear our call! 3
Trna.
3 3 our fam 3i
He3
hates ev' ry thing! Love ly?
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
239
2149 slight accel.
3 3
Mrvn.
Help us all! Help us all!
3 3
Whzr.
Help us all! Help us all! I ne ver want ed to love you. I ne ver want ed 'til death do we two part. Con de scend. Stay my friend. How
3
Mndl.
all! Help us all!
3 3
Jsn.
Help us all! Help us all!
3 3
Trna.
Help us all! Help us all!
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
240
= 85 = 93
2160 rall.
Mrvn.
Whzr.
do I start not to love you?
Mndl.
Jsn.
3
Trna.
I'm 3 3
ev' ry thing he want ed. It's time I 3
put it all to geth er. Our hands were
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
241
2172
Mrvn.
I ne ver want ed to love you! I on ly want ed to see my face in yours.
Whzr.
Mndl.
Jsn.
mine! He's
Trna.
tied! My fath er cried "You'll mar ry!" We mar ried! He's mine! He's
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
242
2183
3 3
Mrvn.
Jas on's wild! Save this child! How he a dores and hates me... It real ly killed me when you took those vows! Don't mis un der stand... I'm in de mand!
Whzr.
Mndl.
Jsn.
mine!
Trna.
mine!
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
243
23
2193
Mrvn.
23
And a ny how, we're through. I ne ver wan ted... I want ted... I ne ver, ne ver, ne ver, ne ver, ne ver, ne ver, want ed to love you! I ne ver want ed to love you!
Whzr.
Mndl. 23
Jsn. 23
Trna. 23
Fl. 23
Ob. 23
B♭ Cl. 23
A. Sax. 23
T. Sax. 23
23
Tbn.
23
23
Pno.
23
23
Hch.
23
23
Acc.
23
23
Hrp.
23
Drs.
23
23
Mrm.
Tmp. Bl. 23
23
Xyl.
Glk. 23
Vib. 23
Trgl. 23
244
44
= 90
2201 FATHER TO SON
Mrvn.
44
I ne ver want ed to love you! Love you!
Whzr.
44
Love you!
Mndl.
44
Love you!
Jsn.
4
4
Love you! My fa ther says that
Trna.
44
Love you!
Fl.
44
Ob.
44
44
B♭ Cl.
A. Sax.
T. Sax.
44
44
Tbn.
44
44
Pno.
44
44
Hch.
4
4
44
Acc.
4
4
44
Hrp.
44
Drs.
44
44
Mrm.
Tmp. Bl. 44
44
Xyl.
44
Glk.
44
Vib.
Trgl. 44
245
4 2
42 4 4 44
2215
Mrvn.
4 2
42
44
Whzr. 4 4
4 2
42
44
Mndl. 4 4
4 2
42 4 4
44
is the most
3 3 3 3
Jsn.
4 2
42 44
4 4
love beau ti ful thing in the world. I think... girls are. I think girls are the most beau ti ful thing... not love.
Trna.
4 2
42
44
Fl. 4 4
4 2
42 44
Ob. 4 4
4 2
42
44
4 4
4 2
B♭ Cl.
42 44
A. Sax. 4 4
4 2
42
44
T. Sax. 4 4
4 2
42 44
4 4
44
Tbn.
4 2
42 4 4
42
4
4
2
4
44
Pno.
4 2
42
44
4 4
4 2
42 44
4 4
Hch.
4 2
42
44
4 4
4 2
42 44
4 4
Acc.
4 2
24 44
4 4
4 2
42 44
4 4
Hrp.
4 2
42
44
Drs. 4 4
4 2
42 44
4 4
4 2
42 44
4 4
Mrm.
42 44 42
44
4 2
Tmp. Bl.
42 44
Xyl. 4 4
4 2
42 44
Glk. 4 4
4 2
42 44
Vib. 4 4
42 44 42
Trgl. 44
246
2226
I
Mrvn.
Kid... be my son. What I've done to you is rott en. Say... I was scared. I kept march ing in one place. March ing in time to a tune I'd for gott en.
Whzr.
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
247
2238
Mrvn.
loved you. I love you. I meant no dis grace. This here is love, when we're talk ing face to face.
Whzr.
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
248
2251
3
Mrvn.
Fa ther to son, I for one would take love... slow er. I've made my choice. You can sing a diff' rent song. Watch, as you sing, how your
Whzr.
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
249
2262
Mrvn.
voice gets much low er. You'll be, kid... a man, kid... ...if noth ing goes wrong. Sing for your self as you march a long.
Whzr.
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
250
= 75
2274
A man,
3
Mrvn.
kid... you'll be, kid... what e ver your song. Sing for us all as we march
Whzr.
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
251
2287 END ACT ONE
rit.
Mrvn.
a long.
Whzr.
Mndl.
Jsn.
Trna.
Fl.
Ob.
B♭ Cl.
A. Sax.
T. Sax.
Tbn.
Pno.
Hch.
Acc.
Hrp.
Drs.
Mrm.
Tmp. Bl.
Xyl.
Glk.
Vib.
Trgl.
252
Voice 1 FALSETTOS
2016 Revival - Act One
8
4
arr. Bill Kangas William Finn
4
= 175
FOUR JEWS IN A ROOM BITCHING
ing.
Four Jews in a room Four Jews in a room plot a crime!
bitch
14
I'm bitch ing, he's bitch ing, they're bitch ing, we're bitch ing!
17
Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y! Bitch, bitch,
20
bitch, bitch, bitch, bitch, all the time! Ooh Ooh
27
ing.
Four Jews in a room Four Jews in a room stoop to pray!
bitch
33
2
I'm Jew ish! Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y!
37
bitch, bitch, bitch, bitch, night and day! We crossed the
Bitch, bitch,
45
42
de sert, runn ing for our lives! Flee ing from the Pha roah who was up to no
51
2 4
good! Now we're at the Red Sea, Phar oah is be hind us, want ing us ex tinct ed.
4 4
56 *gasp*
And then the Red Sea split be fore us! No more tsour is!
63
3 our we got
3 our 3 our mi
We got our we got we got ra cle! Four Jews itch ing for
68 *gasp*
wers.
ans Four Jews bitch ing their whole lives long!
74
3
I'm Mar vin! Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y!
77
Bitch, bitch, bitch, bitch, bitch, bitch, right or wrong!
85
5
We are ma nip u lat ing peo ple and we need to know our worst sides ar'nt ig nored!
89
We smell in bed! Who stole the bed? The bed is
100 Whee!
ing!
Four Jews in a room Four Jews bitch ing their Jew ...ish men
bitch
105
3
I'm neu ro tic, he's neu ro tic, they're neu ro tic, we're neu ro tic!
108
Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y! I'm nau seuous!
114
Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y! I'm neu ro tic, he's neu ro tic,
117
they're neu ro tic, We're four Jews in a room bitch ing! I'm Jew ish, he's Jew ish,
2
121
they're Jew ish, we're Jew ish! I'm Jew ish, he's Jew ish,
123
they're Jew ish, we're Jew ish! I'm neu ro tic, he's neu ro tic,
125
they're neu ro tic, we're neu ro tic! Four Jews in a room, in a room bitch ing,
128
bitch
Bitch, bitch, bitch bitch bitch now and then! Can't lose!
135
2
Four
Loose screws! Three! Five Jews!
= 150
144 A TIGHT-KNIT FAMILY
3
89 4
Well, the sit u a tion's this; I do not wish to of fend:
150
I di vorced my wife, I left my child, and I ran off with a
154
3 3
3
friend But I want a tight knit fam il y I want a group that har mon ize s,
159
3 3
89
I want my wife and kid and friend to pre tend time will mend our pain.
164
9 3 4
8 4 4
So it's nine teen sev en ty nine, and we don't go by the books. We all
168
eat as one, wife, friend, and son, and I sing out as they cook.
3
172
3 3
I love my tight knit fam il y. I love the way the cook lin gui ni!
= 160
176
3 3
Is n't it great? We're all so swell! Such a dear cli en tele! I swear
181
3
3 come
we're gon na through it! I fear we'll prob ab ly... fight.
187
3 3 3
But noth ing's im poss ib le. Live by your wit. Kid, wife and lov er will
191 rit.
3
4 6
have to ad mit. I was right! I cush ioned the fall! I want it all! I want it
197 LOVE IS BLIND
6 4 2 5 3 2
42 44
all! I want it... I want it all...
213
7 4 3
8 4
239
7 3 2
46 44 87 44
Syph il is. Syph il is May be dar ling so do you.
248
2
46
hep a tit is too!
263
6 7
4
4 4
Will you be my val en tine? What a dam aged girl!
270
Pett y, pett y, pett y, pett y. Love is blind,
4
281
love can tell a mill ion sto ries. Love's un kind, spite ful in a mill ion ways.
287
3
Love is cra zy, love is oft en bor ing, love stinks. Love is prett y oft en de
289
bris, when you find what you find, then ne ver ne ver ne ver ne ver ne ver do it ov er a gain.
291
3 4
Love reads like a bad bi og raph y, all the names are changed to pro tect the in no cent.
= 70 = 80 = 35
293 rit. Yeah, perhaps... it is.
rit. rit.
3
4
Love is blind. His name is
4
= 70 = 190
307 rit. THE THRILL OF FIRST LOVE
3 3
Men del... Ooh... ...Whizz er begs. Shave your
= 180
316
3
legs. You're a prick... Ten months Ten months Ten months
322
3 34
3
4
We are the salt of the bour geoi sie I bring home the ba con, and we're
= 200
328 Don't.Don't.
2
proud to say we love it, how we don't A gree
368
4
Whizz er takes me by the neck Whizz er has un lim it ed
375
know ledge of dreck Men tion is made At ten tion is
5
4 5
= 210
387
paid in full When he push es, I pull
403
8 2
44
I was rich, he was hor ny Close your eyes, Whizz er
= 200 = 175
410
3
We ask for pass ion at all times We stand to
425
3 8
3
4
pass ion and drink this toast And we're not de ny ing that of
= 200
430 rit.
all the less er pass ions... we like fight ing... most. Whizz er
441
3 2
screws too much to see What a joy's mo no ga my What a joy is
446
2
sav ing his joys for one man Love me Want me
458
2
No one's so cruel and cheap What you love, you de vour
= 210
466 Oh,
2
what I cov et, I keep Is n't that right, Whizz er? let's both
474
fight, Whizz er! I'm best when I cheat So I'll cheat,
481
Whizz er, and I'll shove And I'll kill for that thrill of first
6
2
44
= 175
489 W - we've been together for ten m
love Ten months Ten months Ten months
496
3 29
3
4
In fact, we've al most sur vived a year We're too bu sy moun ting a dis
= 220
502 rit.
play of our aff ec tion... that is so... sin cere Pass ion
536 accel.
dies Pass ion dies I would kill for that
547
thrill of first love I would kill for that thrill I would kill for that
553
4 5
4 A THREE PART MINI-OPERA 6
43 44 42 43
thrill of first love love love
4
= 100
565 MARVIN AT THE PSYCHIATRIST: Marvin at the Psychiatrist; A
Three Part Mini-Opera. Part One.
Sort a, kin da.
586
Sort a, kind a. He makes me smile a lot, esp ec ial ly at
590
4
meal time. makes me feel I'm sort a smart. He's de light ful. Yes... and
595
3
spite ful. And yet it seems that so am I. Man...
606 Yes, yes, I would say that is very true.
Sort a sty lish. Ver y, ver y... sort a... Yes.
7
616
2
Yes. Yes. ...yes. I think he's sort a kin da... mean. But I
623
4 3
2
44
3
4
love him, and I need it. If he loved me, I'd con cede it. Heel...
4 4
= 160
632
9 2 11
Some times ev il.
= 90
648 Good.
44
Right. No? Did she reall y?
= 80 = 90 = 115
676 rit.
Yes. Yes! Yes, sir. Yes, sir. But im press
= 70
682 Yes. Please.
5 11 3 4 2 4 2
her, I did not. What? Huh? Who...?
4
= 75 = 115
690 ...nope. Huh. So now you're
interested in me.
721
2
My son's dis tress ing. I'm con va lesc ing. What should I do now?
726
I ag ree. Why not me? We go to ball games.
736
2
The pitch er's hand some. Is that my fault, though? Should I be blamed for
740
that? Ad mi re art. But we stand there look ing miles a part.
8
= 100
746 rit.
4 5 HOMO 2
34 44 42 44
46
4
How do I reach him? What words of wis dom? What should I do now?
4
= 130
751 MY FATHER'S A
4 18 4 4
42 44
42 44
42 44
4
= 120
771
12
4
4 TO SEE A PSYCHIATRIST 45 44
805 EVERYONE TELLS JASON
Ja son,
827
3
3
please see a psy chi a trist. He's just a psy chi a trist. I'll pay the bill un
833
3
3
til you're old. Ja son, please see a psy chi a trist. He's just a psy
839
5 4
4 4
chi a trist. I'll pay the bill un til you're old. What a mess this
845
is, this fam il y, ex perts can see this is so. Pho to graphs can't cap ture our ma gic,
850
2
we're sim ply tra gic, will you go? Ja son, please see a psy chi a trist. He's not...
854 *gasp*
ex or bi tant. And he's ver y smart. No. Hey, kid.
862
Lis ten! He needs a psy chi a trist. A psy chi a trist? Speak with
9
= 90
866 Oh my God.
2 2 2 2
whom? With Whizz er? Whizz er... Whizz er... Whizz er...
872 MARVIN flicks the back slow rit.
of WHIZZER's head.
3 3
Whizz er... If he comes here?
2
= 100
882 THIS HAD BETTER
COME TO A STOP
23
...they don't make house calls.
890
3
Late for dinn er, late a gain. Late for dinn er, late, late, late, late!
2
893
Late for dinn er, late a gain. Late for dinn er, late a gain.
895
Late for dinn er, late a gain. Late for dinn er, late, late, late, late!
= 95
898
Whizz er's sup posed to al ways be here, mak ing dinn er, set to screw!
902
3 and
That's what prett y boys should do! Check their hair lines, make the dinn er
906
3
love me! This has gott a come to a stop, Whizz er. This litt le thing that we
911
3
have will not last. Don't feel res pon si ble, af ter all, it's through.
915
3 3
6
Life can be won der ful! Is n't this won der ful? And this had bett er come to a stop,
10
6
8
918
20 2 8
86
Whizz er! Now, Whizz er, ciao, Whizz er, bend! This had bett er come to an
923
3
end! Brains! I'm not so rich, but hell, I'm
4
958
smart! Love me. Love me, please, or break my heart.
965
3 3
86
3
This is all ver y neat. This is all ver y neat, this is all ver y smart. And
969
this had bett er come to a stop, Men del! Don't touch me! Don't con de
973
9 2
23
scend! This had bett er come This had bett er come to a This, this, this, this,
= 113
977
3
this had bett er come to an end! This had bett er come to an end!
2
992
2 6
Late for dinn er, late a gain! Late for dinn er, late a gain! Late for dinn er, late a gain!
995
3 2 5
86
Late for dinn er, late a gain! Late! This is in cre di bly bor
1006
3 4 12 7 3
2 89
ing! This had bett er come to an end!
8
= 130 = 135
1020 I'M BREAKING DOWN
This had bett er come to an end!
11
9 2 12 4 37 2 35 5 14
12 9 12
8 8 8 8
= 110 = 135
1038 accel.
2 4 4 4 2
= 100 = 110
1152 rall. accel.
11 4 14 2
42 44
4
= 75 = 100 = 160
1177 The phone rings.
PLEASE COME TO OUR HOUSE
14 10 21 5
46 44 42 44
= 110
1213 The doorbell rings. rit. JASON'S THE
very slight accel
4 2 3 2 9 6
5 4 2 4
4 4 4 4
= 110 = 160 = 160
1271 rit.
6 9 2
2 4
4 4 45
= 115 = 120
1303 rit.
5 4 2 5
54 44 45
Why is he al ways here?
= 110 = 160
1328 very slight accel.
15
5 44 42 44
4
Right! This is ther a py!
= 160
1349 rit. Whoo!
Why don't you feel al right for the rest
1370
of your life? Why don't you feel al right for the rest of your life? Why don't you
1373
3
feel al right for the rest of your life? Feel, feel, feel, feel, feel, feel,
= 150
1377 A MARRIA
feel, feel, feel, feel, feel, feel, Life!
12
23 5 29
1388 rall. Biblical times? A TIGHT
89
1454
9 3
4
Well, the sit u a tion's this; I don't want to cause a stink I di
8
1458
vorced my wife, she dried her eyes, then she ran off with my shrink But
1462
3 3
I want a tight knit fam il y I want a wife who knows what love is.
1466
3 3 3
4 8
3
89
May be she does, I'm "too damn peeved", "self ab sorbed", "self de ceived!"
4
= 160
1470
Who knows? You said it. I,
1489
3
I can't be lieve she loves you. Why, I'm sure she
1494
can not love you! But noth ing's im poss ib le. King of the lo sers.
1501
3 come
I want, I want it all! I'm sure we're gon na through it,
1508
3 3
no doubt the bast tard pre pares! We're need y and want ing, we're
1514
3 3 3
greed y as swine. The fam ily was mine! But who dares, dares to brawl?
13
4 4
4
= 80
1519 TRINA'S S
4 9 4 2 4
I want it all! I want it all! I want it all!
= 95
1532 rall. a tempo
4 4 4 2 12
= 125
1564 rit. a tempo rall. a tempo MARCH OF THE FAL
1597 Whee!
March, march, March of the Fal sett os, March of the Fal sett os! Who is
1602
man e nough to march to March of the Fal sett os? One foot
1606
foll ow ing the oth er, teach it to your broth er make him march, march!
1609 Pbbbth! Oops!
March of the Fal sett os, March of the Fal sett os! March a li ttle bit,
1613
march
a li ttle bit, march a li ttle bit on! Four men sway ing in
1617
2 2
phos phor esc ence,keep re play ing their a do lesc ence! Four men mar ching but
1621 It's a goddamn surety *chatter*
we're lacking in maturity!
3
ne ver minc ing, four men mar ching is so con vinc ing! March!
1629
March! March! March! ...four...
14
1639
a lone in the night! March, march, March of the Fal sett os,
1643
March of the Fal sett os! Who is man e nough to march to
1647 Hiiiii!
March of the Fal sett os? One foot foll ow ing the oth er,
1651
2 5
prac tice it on one an oth er! March, march! March of the Fal
= 95
1654 Uh oh! TRINA'S SONG (REP
5 4 2 10
43
sett os, March of the Fal sett os! Mar ching home
= 80 = 115
1667 rall. rit.
= 100
1697 THE CHESS GAME
2 8
44 43
That's the king. Treat him nice. Use some brains, now pro tect him.
= 175
1702
2
4
Play the game! Have a litt le scotch.
4
1718
4
4 43
Do you want my help? Start a gain, we've seen the worst.
1725 rall. rit.
Move a pawn. Move. There. Move a pawn. Not the queen. Je sus.
1730 a tempo
Life's a sham, and ev' ry move is wrong. We've ex am ined ev' ry move as we
15
2
= 145
1737
4
move a long. Winn ing is ev' ry thing to me... Winn
= 65 = 95
1747 Move a pawn.
2 2
42
ing is ev' ry thing to me. Good first move.
= 175
1759
2 3
43
Thank you kind ly, God, you're prett y.
4
= 175
1769
4 3
4
What? or witt y. Move. Move. There.
4
= 175
1778 rall. rit. a tempo
This game's shits. Yes, sir. Yes. Wait! Wait! Wait! Life's a
1785
8 2 5 5
sham, and ev' ry move is wrong. We've ex am ined ev' ry move as we
= 145 = 70
1791 rall.
move a long.
1819
2
3
This has gott a come to a stop! Fab u lous flop! An y one un der stand,
1823
6
all I want's a kiss? An y one un der stand!? This has gott a come to a stop,
8
1828
Whizz er! Now, Whizz er, ciao, Whizz er, bend! This had bett er come
1833
This had bett er come to a This, this, this, this, This had bett er come to an end!
16
17 8 32 6
= 115 = 120 = 115 = 130 = 100
1838 MAKING A HOME
5 2 35 30
This had bett er come to an end!
= 115 = 110 = 70 = 75
1907 rall. rit. rit. THE GAMES I PLAY
9 3 21 3
42 86
= 80 = 195
1989 accel. accel. a tempo rit. MARVIN HI
6
8 42 87 42 86 42
2033
2
4 87 42 86
Hell o, Tri na, thank you for send ing this!
2038
6 2 3 4
8 4 8 4
Good ness, Tri na! I am re lieved! Frank ly, Tri na,
2041
86 44
nice of you send ing this! Thank you, Tri na! I have re ceived your new sent
2045
4
86 44 86
wedd ing in vi ta tions! They are pseu do ro man tic and
4
2047
6 2
86 44 2 3
sick! You say you'll love him un til you both die! You die on
4 2
= 80
2050 rit.
2
42 86 42 87
May twen ty sev enth at eight!
= 195
2065
7
8 42 86 42 83
Tell me, Tri na, what was the im pe tus? Sorr y, Tri na!
2071
Look in my eyes! Real ly, Tri na? This is ri di cu lous! Je sus, Tri na!
17
3 4 86
8 4
2075
6 4
86 44
How I de spise your need for stu pid con ver sa tion! You are
8 4
2078
6
44 86 44 2
try ing to ru in my sleep! I'm sure you chose him to make me look
4
= 80
2081 rit.
2
23 42 86 42 86 42 86
bad! How could you ev er de ny what we had?
= 195
2093 ...I am so dumb.
2 I NEVER WANTED TO 33
6 2 6 2 6 4 TRINA. LOVE YOU
WHY?
8 4 8 4 8 4
= 70
2106 MARVIN hits
11 6 2
= 85 = 93
2147 slight accel.
3 3
2 2 2
3 our fam i ly? 3
Love Help us all! Help us all!
2171 rall.
I ne ver want ed to love you! I on ly want ed to see
2181
3 3
my face in yours. Jas on's wild! Save this child! How he a dores
2188
and hates me... It real ly killed me when you took those vows!
2191
3
Don't mis un der stand... I'm in de mand! And a ny how, we're through.
2
2195
I ne ver wan ted... I want ted... I ne ver, ne ver, ne ver, ne ver,
18
2197
ne ver, ne ver, want ed to love you! I ne ver want ed to love you!
2201
5 3
4 24 44 42 44
I ne ver want ed to love you! Love you!
4
= 90
2212 FATHER TO SON
Kid... be my
2227
son. What I've done to you is rott en. Say... I was scared. I kept
2232
I
march ing in one place. March ing in time to a tune I'd for gott en.
2238
3
loved you. I love you. I meant no dis grace. This here is
2244
love, when we're talk ing face to face. Fa ther to son,
2253
I for one would take love... slow er. I've made my choice. You can
2258
3
sing a diff' rent song. Watch, as you sing, how your voice gets much
2263
2
low er. You'll be, kid... a man, kid... ...if noth ing goes wrong.
= 75
2268
Sing for your self as you march a long.
A
19
2278
3
man, kid... you'll be, kid... what e ver your song. Sing for us all
2
2285 rit. END ACT ONE
as we march a long.
20
Voice 2 FALSETTOS
2016 Revival - Act One
8
4
arr. Bill Kangas William Finn
4
= 175
FOUR JEWS IN A ROOM BITCHING
ing.
Four Jews in a room Four Jews in a room plot a crime!
bitch
14
I'm bitch ing, he's bitch ing, they're bitch ing, we're bitch ing!
17
Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y! Bitch, bitch,
20
bitch, bitch, bitch, bitch, all the time! Ooh Ooh
27
Four Jews in a room Four Jews in a room stoop to pray!
bitch ing.
33
2
Half Jew ish! Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y!
37
Bitch, bitch, bitch, bitch, bitch, bitch, night and day! We crossed the
45
42
de sert, runn ing for our lives! Flee ing from the Pha roah who was up to no
51
2 4
good! Now we're at the Red Sea, Phar oah is be hind us, want ing us ex tinct ed.
4 4
56 *gasp*
And then the Red Sea split be fore us! No more tsour is!
63 *gasp*
We got our mi ra cle! Four Jews itch ing for ans wers.
69
Four Jews bitch ing their whole lives long! I'm Whizz er!
75
3
Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y! Bitch, bitch,
78
2
bitch, bitch, bitch, bitch, right or wrong! We are ma nip u lat ing
86
peo ple and we need to know our worst sides ar'nt ig nored!
91
We do not tip py toe. We charge a head to show... Ex cel in bed!
96
I want the bed! I lost it twice! The bed is nice! The bed is
100 Whee!
ing!
Four Jews in a room Four Jews bitch ing their Jew ...ish men
bitch
105
3
I'm neu ro tic, he's neu ro tic, they're neu ro tic, we're neu ro tic!
108
Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y! I'm nau seous!
114
Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y! I'm neu ro tic, he's neu ro tic,
2
117
they're neu ro tic, we're neu ro tic! I'm neu ro tic, he's neu ro tic,
119
they're neu ro tic, we're neu ro tic! I'm neu ro tic, he's neu ro tic,
121
they're neu ro tic, we're neu ro tic! I'm neu ro tic, he's neu ro tic,
123
they're neu ro tic, we're neu ro tic! Bitch, bitch, bitch, bitch! Four Jews in a
127
room bitch ing, Bitch, bitch, bitch bitch bitch bitch now and then!
133
2 4 15
89 43 89 43
Four
Can't lose! Loose screws! One! Five
= 150
140 A TIGHT-KNIT FAMILY
3 4 10 15 7 6 6
42
Jews!
4 4
= 160
169 LOVE IS BLIND
4 2 5 3 2 2 8
42 44
87 44 46
219
6 4 7 3 2 2
4 4 87 44
249
2
46 44
Hep a hep a hep a ti tis, hep a ti tis, hep a ti tis.
264
What a dam aged girl! Pett y, pett y, pett y, pett y.
3
4 7
4
271
Love is blind, love can tell a mill ion sto ries. Love's un
284
3 4
kind, spite ful in a mill ion ways. Love... Love... Love... Love... Love...
= 70 = 80
292 rit. rit. rit.
3
44
Love... Love is blind.
= 35 = 70 = 190
306 rit. THE THRILL OF FIRST LOVE
His name is Ah... Ooh...
314
3 3
Hang up all your clothes. Whizz er knows. Make me sick.
= 180
317
3
3
God, you're im poss ib le! We've been to geth geth er for nine months
320
3
4
Nine months Nine months While I put the steak in
= 200
327 Won't.Won't.
2
and we're proud to say we love it, how we won't A gree
333
2
Ev' ry thing he owns is vile, Mar vin does n't care whit,
341
Mar vin does n't share my de vo tion to style Men from
349
2
France can can cel a debt, Men in cuff links make me for get my name
4
5
357
9 2 4
I in tend to up set This re grett a ble game
371 What is this, wash and wear?
5
Send me flow ers Make them ro ses See how
= 210
391
2
quick ly he sours? Hang up your clothes, Mar vin, breed ing
402
2
44
shows, Mar vin We fit like a glove Pass ion dies
= 200 = 175
412
But I'd kill for that thrill of first love We ask for
421
3
3
pass ion at all times We stand to pass ion and drink this toast
427
3 20
4
Still, it's aw f'lly try ing that of all the less er pass ions... we like
= 200
431 Ha,
4 6 4
fight ing... most. Leave me Don't be a fool
= 210
457
14
44
Feed me What I love I de vour I was
= 175
476
3
trained in ka ra te We've been to geth er for nine months
494
3
Nine months Nine months In fact, we've al most sur vived a year
5
499
3 29
True, but who is count ing? and we're play of our aff ec tion... that is
4
= 220
503
so... sin cere Pass ion dies Pass ion
540 accel.
dies I would kill for that thrill of first love I would
548
4 4 A THREE P
kill for that thrill of first love I would kill for that thrill of first
4
= 100
555 MARVIN A
5 27 2 3 12
2 3
43 44
love love love
4 4
570 Marvin at the Psychiatrist; A
Three Part Mini-Opera. Part One.
2 2
3
44 43
2
44
3
4
= 160
626 Part two.
11 17 2
4
4
= 90 = 80 = 90 = 115 = 70
648 rit.
16 3 4 3 Part Three.28
44
= 75 = 115 = 100
688 rit.
5 5 2
34 44 42 44
46
4
4
= 130
751 Marvin at the Psychiatrist: A Three Part Mini-Opera.
MY FATHER'S A
HOMO
4 18 4 4
42 44
42 44
42 44
4
= 120
771
6
12 20
4
4 5 4
4 4 5 4
4 4
805 EVERYONE TELLS JASON
TO SEE A PSYCHIATRIST
4 2 2 5 2 3
= 90
849 Hahahahaha...
875 Ow!
2
23 COME TO A STOP
I'm not sure, Ja son. Ja son, may be so. Ab so lute ly, Ja son...!
= 100
879 slow rit. WHIZZER's watch goes off.
Oh! THIS HAD BETTER
He'll go! Late for dinn er, late a gain.
889
23
Late for dinn er, late a gain. Late for dinn er, late a gain. Late for dinn er, late,
892
16
late, late, late! Late for dinn er, late a gain. Late for dinn er, late a gain.
= 95
895
4 2 23 2
86 86
Late for dinn er, late a gain. Late for dinn er, late a gain. late!
914
I'm not res pon si ble! I met this
948
man to day. He was n't ver y smart, but he was rich, Mar vin. Which, Mar vin,
952
2 2
43
do you pre fer I lust for, brains or mon ey? Brains or mon ey?
958
3
3
No. This is all ver y neat. This is all ver y
7
3 2 7 6
6
8
= 113
967
2
23
smart. Chop, chop, chop, chop,
987
3
chop, chop, chop, chop! Chop, chop, chop, chop, chop, chop, chop, chop!
2
992
Chop, chop, chop, chop, chop, chop, chop, chop! Chop, chop, chop, chop,
994
2
chop, chop, chop, chop! Chop, chop, chop, chop, chop, chop, chop, chop! Chop!
997
3
This has gott a come to a stop, Mar vin! This has been a lou sy but
1002
3
3
fab u lous flop! Why is it al ways our selves who have to change?
1006
3 3 3
6
You've got a tem per that re de fines tem per! And this had bett er come to a stop,
8
1009
Mar vin! Why, Mar vin? Try, Mar vin! bend! This had bett er come
1014
3 4 12 7 3
89
This had bett er come to a This, this, this, this, this had bett er come to an end!
2 8
= 130 = 135
1019 I'M BREAKING DOWN
9 2 12 4 37 2 35 5 14
12 89 12
This had bett er come to an end!
8 8 8
= 110 = 135
1038 accel.
8
2 4 4 4 2
= 100 = 110
1152 rall. accel.
11 4 14 2
42 44
4
= 75 = 100 = 160
1177 The phone rings.
PLEASE COME TO OUR HOUSE
14 10 21 5
46 44
42 44
= 110
1213 The doorbell rings. rit. JASON'S THE
very slight accel
4 2 3 2 9 6
45 44 42 44
= 110 = 160 = 160
1271 rit.
6 3
= 115 = 120
1303
5 2 5
2 4 54 44
The psy chi a trist re turn ing, re turn ing...
4 4
= 110
1317 rit. very slight accel.
4 2 5 15
45 44 42 44
five se ssions la ter.
= 160 = 160
1335 rit. Whoo!
1368
Why don't you feel al right for the rest of your life? Why don't you
1371
feel al right for the rest of your life? Why don't you feel al right for the rest
1374
3 23 5
of your life? Feel, feel, feel, feel, feel, feel, feel, feel, feel,
= 150
1378 A MARRIAGE PROPOSAL rall.
feel, feel, feel, Life!
9
2 29 5 9 3 15 9
8 4 8
1417 A TIGHT KNIT FAMILY (REPRISE)
9 3 10 37 7 4 4 9
4
8 4
= 160 = 80
1475 TRINA'S SONG
4 2 4 4 4
= 95
1549 rall. a tempo rit. a tempo
4 2 12
= 125
1576 rall. a tempo MARCH OF THE FALSETTOS
March, march,
1598 Whee!
March of the Fal sett os, March of the Fal sett os! Who is
1602 C'mere!
man e nough to march to March of the Fal sett os? One foot
1606
foll ow ing the oth er, teach it to your broth er make him march, march!
1609 Pbbbth! Oops!
March of the Fal sett os, March of the Fal sett os! March a li ttle bit,
1613
march a li ttle bit, march a li ttle bit on! Four men sway ing in
1617
2 2
phos phor esc ence, keep re play ing their a do lesc ence! Four men mar ching but
1621 It's a goddamn surety *chatter*
we're lacking in maturity!
ne ver minc ing, four men mar ching is so con vinc ing! March!
10
1629
March! March! March! Whizz er says it does n't, dea rie!
1636
Don't be scared! Don't get tight! Ass es bared? My de light shared... young...
1639
a lone in the night! March, march, March of the Fal sett os,
1643
March of the Fal sett os! Who is man e nough to march to
1647 Hiiiii!
March of the Fal sett os? One foot foll ow ing the oth er,
1651
2 5
prac tice it on one an oth er! March, march! March of the Fal sett os
= 95
1654 Uh oh! TRINA'S SONG (REPR
5 4 2 10
43
March of the Fal sett os! Mar ching home
= 80 = 115 = 100
1667 rall. rit. THE CHES
2
= 175
1698
44 3
Yes, I know. Here I go... Please don't watch me,
4
1707
3
I can do it. Shit. I blew it. May be you could show me where? I
1712
fear I've lost my head...
No, I don't, I can think it
11
2
44 43
1721 rall.
through my self! I'll go first. No, sir. Where? Here? Who?
1729 rit.
2
Who? Life's a sham, and ev' ry move is wrong. We've ex am ined
= 145
1736
4
And money. 4
ev' ry move as we move a long. Noth ing is ev' ry thing to me...
= 65 = 95
1744
Noth ing is ev' ry thing Ex cept sex. Quite al right.
1758
42 43
Take a turn. Move the pawn. Move the pawn. Take my hand.
= 175
1763
3
4
Play the game! More's the pit y, since you need a man ...who's
= 175
1770
4
43
brain y or witt y. What should I do now? Where? How should I be
4
1775
43
have my self? May be we should call it quits. Let me win?
= 175
1780 rall. rit.
Please? Thanks! Whizz er wins! Whizz er wins! Check mate! Life's a
1785
8 2
sham, and ev' ry move is wrong. We've ex am ined ev' ry move as we move a long.
= 145 = 70
1792 rall.
Whizz er's sup posed to
12
1809
make the dinn er... be a pat sy, lose at chess... al ways brave ly ac qui esce...
1814
3
clip the cou pons... make the dinn er, and love him!
1818
3
3
3
This has gott a come to a stop, Mar vin! This has been a lou sy but fab u lous flop!
1822
3 3
6
8
Don't start ex plain ing, I'm sick of ex plain ing! And
1827
this has gott a come to a stop, Mar vin! Now, Mar vin, ciao, Mar vin, bend!
1832
This had bett er come This had bett er come to a This, this, this, this,
1835
17 8 26
this had bett er come to an end! This had bett er come to an end!
= 115 = 120 = 115
1842 MAKING A HOME
3
We de ceive. This is the price mak ing
= 130
1898
be lieve. What it needs is peo ple... Men and wom en laugh
= 100 = 115
1903
5
ing... Men and wom en think ing out loud... Could he love me...?
= 110
1909 rall. 3 3
3
Forg ing a head... Hat ing our lives. Mak ing a home...
13
3
= 70
1920 rit. rit. THE GAMES I PLAY
3
Mak ing a home... I don't look for trou
1928
ble I do not ac cept blame. I've a good and a bad side, but they're
1933
2
3
one in the same Ask me to a rouse you, I will rise and o bey
1939
These are the games I play I screw ev' ry morn ing then
1947
3
3
bathe and drink tea. I've been play in' ca nast a dis as tr ous ly.
1953
All my rec re at ion seems to suit me o kay These are the games I
= 75
1959
play It's tough with love, love's tough to show .
1965
3
Let me face the mu sic. It's a song that I was wait ing to hear so long so
1971
long a go I bet on the horse s. I die by de gree
1979
3
3
I am sure his di vorce is a tri bute to me Ask me if I love him it de
1985 accel.
3
pends on the day. These are the games I play
14
= 80
1991
It's tough my friend Love's look ing strong Play ag ain the mu
1996 accel.
sic. It's a song that I've been wait ing to hear for much too long Years,
2001 a tempo
years too long It hurts not to love him. It hurts when love
2007
3 3
fades. It's hard when part of him is off play ing fam' ly cha rades
2012
3
3
3
Ask me if I need him. Get him out of my way These are These are the
2018
3
42 86 42 87 42 86 42 87
games 3 the
These are games 3 the
these are o ly games I
= 195
2026 rit. MARVIN HITS TRINA
2
7 2 6 2 3 4 86 44
8
play!
4 8 4 8 4
2039
44 86 44 86
4
Pseu do ro man tic and
4
2047
44
sick! Love him un til you both die! May twen ty sev enth at
= 80
2051
2 2
2
42
3
eight! He has lost his mind. Mar vin is not so un couth.
2 4
2057 rit.
Mar vin is not so un kind.
15
2 2
6 2 7 2 6 2 3 4
4 8 4 8 4 8 4 8 4 86
= 195
2068
6 4 86 44 86
8 4
2078
68 44
Try ing to ru in my sleep! Chose him to make me look bad!
= 80
2082
2
42
Ev er de ny what we had? We had fights and games. Mar vin called us
2087 rit.
3
fu nny names. Mar vin al ways played the clown.
2
2095
2 6 2 6 2 6 2 6 2
And he's sweet... and he's mean... Do I love him? ...no.
4 8 4 8 4 8 4 8 4
= 195
2100
2
2 6 4 TRINA. 31 3
Dumb! Dumb! Dumb!
4 8 4
= 70
2109 MARVIN hits I NEVER WANTED TO
LOVE YOU
3 his fath er! 3
Dumb! He loves
2149 slight accel.
3 3
Help us all! Help us all! I ne ver want ed to love you.
2154
5 2 2 2
I ne ver want ed 'til death do we two part. Con de scend. Stay my friend.
= 85 = 93
2159 rall.
20 7
23
4
How do I start not to love you?
4
= 90
2176 FATHER T
Love you!
16
5 3 21 29 3
2 4 2 4
4 4 4 4
= 75
2214
5 2
2283 rit. END ACT ONE
17
Voice 3 FALSETTOS
2016 Revival - Act One
8
4
arr. Bill Kangas William Finn
4
= 175
FOUR JEWS IN A ROOM BITCHING
ing.
Four Jews in a room Four Jews in a room plot a crime!
bitch
14
I'm bitch ing, he's bitch ing, they're bitch ing, we're bitch ing!
17
Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y! Bitch, bitch,
20 3
bitch, bitch, bitch, bitch, all the time! What do they do for love?
26 3
What do they do for love? Four Jews in a room, they stoop to
bitch ing.
31
2
pray! I'm Jew ish! Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y!
37
Bitch, bitch, bitch, bitch, bitch, bitch, night and day! We crossed the
45
42
de sert, runn ing for our lives! Flee ing from the Pha roah who was up to no
51
2 4
good! Now we're at the Red Sea, Phar oah is be hind us, want ing us ex tinct ed.
4 4
56 *gasp*
And then the Red Sea split be fore us! No more tsour is!
63
3 our we got
3 our
We got our we got mi ra cle! Four Jews itch ing for
68 *gasp*
wers.
Four Jews bitch ing their whole lives long!
ans
74
7
I'm Men del! Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y! Bitch, bitch,
78
2
bitch, bitch, bitch, bitch, right or wrong! The guilt in vest ed will in
90
time pay wise ly. ...we're good in bed! I love the bed.
98 Whee!
The bed is mine! The bed is Four Jews in a room bitch ing!
102
Four Jews bitch ing their Jew ...ish men I'm neu ro tic, he's neu ro tic,
107
2
they're neu ro tic, we're neu ro tic! Bitch, bitch, bitch, bitch,
109
funn y, funn y, funn y, funn y! I'm Jew ish! Bitch, bitch, bitch, bitch,
115
funn y, funn y, funn y, funn y! I'm neu ro tic, he's neu ro tic,
117
they're neu ro tic, we're neu ro tic! I'm neu ro tic, he's neu ro tic,
2
119
they're neu ro tic, we're neu ro tic! Bitch, bitch, bitch, bitch,
121
funn y, funn y, funn y, funn y! Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y!
124
I'm Jew ish, he's Jew ish, they're Jew ish, we're Jew ish! Four Jews in a
127
room bitch ing, Bitch, bitch, bitch bitch bitch bitch now and then!
133
2 4 15
89 43
89 43
Four
Can't lose! Loose screws! Four! Five
= 150
140 A TIGHT-KNIT FAMILY
3 4 10 15 4
Jews!
4 4
= 160
169 LOVE IS BLIND
Sit down, my dear. I
204
3
hear
you have a prob lem. I'm sure you're not dis gust ing or
206
3 Happy or sad? Eh-eh-eh! That's a questio
3
no answer.
in dis creet. Take a load off your feet.
211
3 3 3
5
42
4
Let's not dis cuss the weath er, let's face the facts. Marv in's wife must re lax.
4
214 Haha, no.
Breathe deep, my dear. You'll find me un der stand ing.
3
224
4 3
Your pain is a pri or i, un fold your un told sto ry!
226
2 4
87 44
Now to break bread, loo sen your glands. Put your head in my hands.
236
What? Good. Yes? Good.
245
44
46
You're a love ly girl! What a love ly girl, though she's poss ib ly dis eased!
248
Hep a hep a hep a ti tis! Hep a ti tis, hep a ti tis? Love is blind,
252
2 2 2
87 44
love can tell a mill ion sto ries. Love's un kind, Spite ful in a mill ion ways
258
2
46
Yes? What? Yes? Good.
266
46 44
You're a dam aged girl! What a dam aged girl! Do not ev er slit your
270
Pett y, pett y, pett y, pett y. Love is blind, love can tell a mill ion sto ries.
275
Love's un kind, Spite ful in a mill ion ways. Love is blind,
281
love can tell a mill ion sto ries. Love's un kind, spite ful in a mill ion ways.
4
= 70
287 rit.
Love... Love... Love... Love... Love... Love... Love is blind. My name is
295
ver y 5in se cure...
Men del. I treat her hus band. I think she's but so am
298 ...work. Work is my passion.3
3
care to discuss it.
I! I've nev er marr ied. Or per haps, that's an al i bi.
= 80
302 rit. Yeah, I don't rit.
I think she's charm ing. I think she's need y. In just five
= 35 = 70
305 rit. 3
3 4 7 12 3 67 20
4
4
5 my couch,
sess ions on she'll be like new! Re turn next Fri day. I ad
= 190 = 180 = 200 = 210
309 THE THRILL OF FIRST LOVE
2 10 39 21 4 10
44 43
mit, I ad mi re you.
4
= 200 = 175 = 200 = 210 = 175
418
39 25 5 5
3 4 A THREE PART MINI-OPERA
3
4 2 3 Three Part Min
4 4 4 4 4 4
= 220 = 100
503 accel. MARVIN AT THE PSYCHIATRIST: Marvin at the P
4
583
4
Do you love him? Do you need him? Is he spec ial? And
594
2
ro man tic? Just en joy what you can. Love the boy, not the man.
604
Kin da, ver y? And kind of hard to des cribe?
5
614
7
When he's na ked, does he thrill you? Is he vic ious? Would he kill you?
619
44
Don't de spise what you feel. Love the friend, not the heel...
= 160
633
4 34
44
He's some times worth less? Some times smar my? Ex
4
637
4
4
plore, Mis ter Mar vin, your core Mis ter Mar vin, Note how your
640
wife's, your ex wife's sub tle glo ries, coup led with her tra gic sto ries
643
move me in un re por ted ways! At her ver y first sess ion, she made
= 90
647
quite an im press ion! Do you mind that she was here to speak of Ja son and I
651 2
find that I hope Ja son acts out more, 'cause there's a few more things we
655 Good.
need ex plore. You said she was with old ing?
661
Well, that's not quite true. Per haps she held back love from you.
665
I just know what I'm told! 'Cause when I met your wife, she was an y thing but cold!
6
669
2
4
It was n't quite pre cise to say that she was ice. When I met your wife, she was ver y
4
= 80
674 rit.
44
nice! Ver y, ver y, ver y! Was she faith ful? Be ob jec tive! She was faith ful? And you
= 90 = 115 = 70
679
4
want ed to im press her? Did she sweat a lot? Was she
685
3 3
2 2
3 the
ruth less? Nar ciss is tic? Let me var y the mood... Does she sleep in
690 No... does not... sleep... nude...
Going on.
nude? I have ques tions that should
701
2
prob 'ly go un an swered, but they're ques tions Like, did she wear a neg li
= 75
704
4
ge? Could you blow, and it would blow a way? Since this
4
711 Of course.
28 5
2 4
44
43 44
sess ion's near ly through, tell me what is go ing on with you!
4 4
= 115 = 100
718 rit. Oh. The end.
5 2 18 4 4
46 44
42 44
42 44
= 130 = 120
762 MY FATHER'S A
HOMO
12
2 4
TO SEE A PSYCHIATRIST
45
4
4 4 4
801 EVERYONE TELLS JASON
7
20 4 2 2 5
5 4
4 4
826
2 3
4 2 2
3
3 COME TO
2
= 90 = 100
867 slow rit. THIS HAD
2 2
23
889
21
86
Late for dinn er, late a gain. Late for dinn er, late a gain.
= 95
895
6 2 16
Late for dinn er, late a gain. Late for dinn er, late, late, late, late!
8
919
Don't feel re spon si ble, af ter all, it's through.
940
86
3 3 3 3
Don't ask me ques tions, I'm fright ened of ques tions! But
942
13 10 2 7 6
43
86
grate ful that it's come to a stop, Tri na! Smile, Tri na, I'll help you mend!
= 113
947
2
23
Chop, chop, chop, chop,
987
3
2
chop, chop, chop, chop! Chop, chop, chop, chop, chop, chop, chop, chop!
992
Chop, chop, chop, chop, chop, chop, chop, chop! Chop, chop, chop, chop,
994
chop, chop, chop, chop! Chop, chop, chop, chop, chop, chop, chop, chop! Chop!
8
2
997
3
3 3
This has gott a come to a stop, Mar vin! This has been a lou sy but
1002
3 3 3
86
3
fab u lous flop! You've got a tem per that re de fines tem per! And
1008
this had bett er come to a stop, Mar vin! Why, Mar vin? Try, Mar vin!
1012
23
bend! This had bett er come This had bett er come to a This, this, this, this,
1016
4 12 7 3 2 12 4 37 2
89
12
89
12
this had bett er come to an end! This had bett er come to an end!
8 8 8
= 130 = 135
1023 I'M BREAKING DOWN
12 35 5 14 2 4 4
8
= 110 = 135 = 100 = 110
1095 accel.
4 2 11 4
4
= 75
1166 rall. accel. The phone rings.
PLEASE COME TO OUR HOUSE
Hello? Yes, this is Mendel Trina, how are
Weisenbachfeld.
14 2 3
42 44
= 100 = 160
1194 The doorbell rings.
Let's talk. Time to
1220 *gasp*
46
jaw! First I'll ex tend my paw! I think she's hold ing it so ten der ly, I'll
1224
prob' ly faint. If so, I'd rath er die in this po si tion than re main the saint you
9
6 4
4 4
1228
think you know I'm not, al though... I must be show ing bett er than the
1232
42 44
norm re straint. Oh, what a love ly ta ble. Such a ro
1238
man tic ta ble. Knives in place, lots of space to spread out and eat.
1242
No tice how our eyes dis creet ly... Please come to our house. The
1248
dinn er's on the ta ble, we will talk if we are a ble to, but prob' ly we won't. We
1251
sit. The kid looks prett y mis' ra ble. Ain't that the truth? We're
1255
tired! I think the room looks just a wee bit small. A dieu.
1259 rit.
5 4 2 3 2
5 4 2
I do not eat at all at times like these. There's work to do! She'll wait.
4 4 4
= 110 = 110 = 160
1264 JASON'S THERAPY
very slight accel. Hahahaha. rit.
3
2 4
4 4
= 160
1287 Look around you!
No one is screaming at you!
So you feel alright for about
If you feel alright for ten minutes, feel alright for twenty minutes, feel alright
Drop it and smile!
ten minutes!
Stop! Why don't you feel al right for the rest
1298
of your life? Why don't you feel al right for the rest of your life? Why don't you
10
6 8
= 115 = 120
1301
feel al right for the rest of your life?
1318
Try to for get all thing home ly, try to for get all things snide.
1320
Noth ing's as good as you re call. Count what's good, then di vide. If you
1323 rit.
2 44
4
count, it's al right, you can fi gure out the world. You can
1324
5 4 2 5
5 4
add and sub tract at will. You can cov er up the past, you can kill the pain ver y eas il y!
4 4
= 110
1327 very slight accel.
45
44
Right! This is ther a py!
= 160
1348 3 rit.
3 3 3
11
4 2 4
4 4 4
What do I say? Where do I look? Why 3do I laugh? How do I an for? Is it my
= 160
1350 3
3 3
mind? Love is n't free! Love is n't blind, what do I see? Why don't I
1365 Whoo!
feel al right for the rest of my life? Why don't you feel al right for the rest
1370
of your life? Why don't you feel al right for the rest of your life? Why don't you
1373
feel al right for the rest of your life? Feel al right for the rest of my life!
11
1376
Feel al right for the rest of my life! Feel al right for the rest of your life!
1378
3 3
Feel al right for the rest of your life! Feel al right for the rest of your, rest of your...
= 150
1381 A MARRIAGE PROPOSAL
life! I love you, dear.
1393
I think you're swell You're ne ver near me close e nough to tell
1398
if I'm de light ful or not I crave your wrist I praise your thigh
1402
3
There's not a guy, there's not a piece of pa per
1407
there's not a man in pants who could love you the same as I!
1411
Oft en times, lov ers are cra zy peo ple, some times, they kill each oth er
1415 rall.
Just like a bib lic al broth er did to his bib lic cal broth er... back in...
1419 ...biblical times!
3
bib lic al times... Oh, those bib lic al times!
1424
I love your eyes I love your face I want you
12
1429
3 place
by my side to take my if I get sick or de tained. Don't touch your hair,
1433
you're per fect! Don't start to cry There's not a guy,
1438
3
there's not a horse or ze bra there's not a gi ant man who could
1442
love you the same as I! For get that gi ant man, he can't love you the same as I!
1446
4 11
89
3
I'm not a gi ant man, but I'll love you un til, love you un til I die!
4
1452 A TIGHT KNIT FAMILY (REPRISE)
9
I should
8
1472
9 3
8
wor ry what he says, like his words could hurt me worse. Marv in
4
1475
acts be reft, my acts of theft are in cred ib ly per verse...
1478
3 3
It's em bar ass ing, but I've got a nice tight fam il y, son with a brain and
1482
3 3 3
nice bright moth er! Yes, I feel guilt. Yes, I'm a nnoyed! So was Jung,
= 160
1486
so was Freud! But I, I 3 come
know you'll through it! If so.
13
2
1492
3 3
3
you'll end look ing rich. Look who's got power. At
1498
3
eight y an ho ur, he can bitch, I can stall! I got it all! I'm sure
1506
3
the bas tard3
we're gon na come through it, no doubt pre pares!
1512
3 3 3
3
We're need y and want ing, we're greed y as swine. I just got a fam ily
1516
3
4 4 4 9
4
But who dares, dares to brawl? I got it all! I got it all! I got it
= 80
1524 TRINA'S SONG
4 2 4 4 4
all!
= 95
1551 rall. a tempo rit. a tempo
4 2 12
= 125
1577 rall. a tempo MARCH OF THE FALSETTOS
March, march, March of the Fal sett os,
1599 Whee!
March of the Fal sett os! Who is man e nough to march to
1603
March of the Fal sett os? One foot foll ow ing the oth er,
1607
teach it to your broth er make him march, march! March of the Fal sett os,
14
1610 Pbbbth! Oops!
March of the Fal sett os! March a li ttle bit, march a li ttle bit,
1614
march a li ttle bit on! Four men sway ing in phos phor esc ence,
1618
2 2
keep re play ing their a do lesc ence! Four men mar ching but ne ver minc ing,
1622 It's a goddamn surety *chatter*
we're lacking in maturity!
four men marching is so con vinc ing! March!
1629
4
Mar vin's al ways wa ry! March! March! What a stu pid the ory!
1634
March! men a lone in the night! March, march,
1642
March of the Fal sett os, March of the Fal sett os! Who is
1646 Hiiiii!
man e nough to march to March of the Fal sett os? One foot
1650
foll ow ing the oth er, prac tice it on one an oth er! March, march!
1653
2 5 5
4
2 10
43
March of the Fal sett os, March of the Fal sett os! Mar ching home
= 95 = 80 = 115
1660 Uh oh! TRINA'S SONG (REPRISE) rall.
15
5 15
4 3
4 4
4 3
4 4
= 100 = 175
1695 rit. THE CHESS GAME rall.
2 7 13 4
= 65 = 95
1727 rit.
5 2 7 8
42 43
44 43
= 175 = 175 = 175 = 145
1764 rall. rit. rall.
8 2 5 13 2 2 11
86
= 70 = 115
1796 MAKING
3
1843
3
Wel come to our hum ble place, we're con cerned with sett ing a tone...
1849
3 3
4
...with fill ing the space... mak ing a home.
= 120
1854
3
She be comes a happ y wife. Shap ing a room. What it needs is peo
1863
ple... Men and wom en talk ing... Men and wom en think
= 115
1867
10
3 to
ing out loud... How far to go. Vis it when you please, you are not re qui red
1873
3
3
We'll buy the cheese! God bless our home.
1888
So do I. Af ter noons, we make hors d'oeurves, 3 re
af ter af ter noons, we ceive.
16
= 130
1895
3
This is the price mak ing be lieve. What it needs is peo
1901
ple... Men and wom en laugh ing... Men and wom en think
= 100 = 115
1905
ing out loud... Should she love me...? Yes, we love the bed.
1910 rall. 3
3
3 un
Yes, we love to fight the known. ...sharp en ing knives, forg ing a
= 110
1915 rit.
35 30 9 3
3
head... Lov ing our lives. 3 a
Mak ing home... 3 a
Mak ing home...
= 70 = 75 = 80
1921 rit. THE GAMES I PLAY accel. accel.
21 3
42 86 42 87 42 86 42
3
Mak ing a home...
= 195
2004 a tempo rit. MARVIN HITS TRINA
2 7 2 6 2 3 4 2
4 8 4 8 4 8 4 86 44
2038
44 86 44 86 44
Pseu do ro man tic and
2047
6 2 2
44 2 3 2
sick! Love him un til you both die! May twen ty sev enth at
4 2 4
= 80
2051 rit.
2 6 2 7 2 6 2 3 4 2
4 86
eight!
8 4 8 4 8 4 8 4
= 195
2068
17
6 4 6 4 6
8 4 8 4 8
2078
6
68 44 42
Try ing to ru in my sleep! Chose him to make me look bad!
= 80
2082 rit.
2
3 42 86 42
Ev er de ny what we had? Mar vin acts like he's un trained.
2
= 195
2093
2
4 8 4 8 4 8 4 8 4
6 2 6 2 6 2 6 4
Mar vin, I am so a shamed.
2103
4 2 18
4
Dumb! Dumb! Dumb! Dumb!
= 70
2111 MARVIN hits I NEVER WANTED TO
TRINA. LOVE YOU
I ne ver want ed to love you.
2134
4
In my pro fes sion, one's love stays un ex pressed. Here we stand.
2138
11 6 2 2 2
Take my hand, God, I'm dis tressed how I love you.
= 85 = 93
2148
3 slight accel.3 rall.
20 9 5
23 4
42
Help us all! Help us all!
4
= 90
2176 FATHER TO SON
3 21 29 3
24 44 42 44
Love you!
= 75
2219
5 2
2284 rit. END ACT ONE
18
Voice 4 FALSETTOS
2016 Revival - Act One
8
4
arr. Bill Kangas William Finn
4
= 175
FOUR JEWS IN A ROOM BITCHING
ing.
Four Jews in a room Four Jews in a room plot a crime!
bitch
14
I'm bitch ing, he's bitch ing, they're bitch ing, we're bitch ing!
17
Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y! Bitch, bitch,
20
bitch, bitch, bitch, bitch, all the time! Ooh Ooh
27
Four Jews in a room Four Jews in a room stoop to pray!
bitch ing.
33
2
I'm Jew ish! Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y!
37
Bitch, bitch, bitch, bitch, bitch, bitch, night and day! We crossed the
45
42
de sert, runn ing for our lives! Flee ing from the Pha roah who was up to no
51 What we need
is a miracle!
2 4
good! Now we're at the Red Sea, Phar oah is be hind us, want ing us ex tinct ed.
4 4
56 *gasp*
And the Red
Sea be fore us! more tsour is!
then split No
63
3 3
We got our we got our we got our mi ra cle! Four Jews itch ing for
68 *gasp*
wers.
Four Jews bitch ing their whole lives I'm Ja son!
ans long!
74
Bitch, bitch, funn y, Bitch, bitch, bitch, bitch, bitch, bitch,
79
6 2
right or wrong! In case of smoke, please call our moth ers on the phone and say their
83
sons are all on fi re! We do not tip py toe.
95
Where is the bed? Who has the bed? Who stole the bed?
99 Whee!
ing!
The bed is Four Jews in a room Four Jews talk ing like Jew ...ish
bitch
104
2
men I'm neu ro tic, he's neu ro tic, they're neu ro tic, we're neu ro tic!
108
Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y! I'm sim ple!
114
Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y! I'm neu ro tic, he's neu ro tic,
117
they're neu ro tic, we're neu ro tic! I'm neu ro tic, he's neu ro tic,
2
119
they're neu ro tic, we're neu ro tic! Bitch, bitch, bitch, bitch,
121
funn y, funn y, funn y, funn y! Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y!
124
Bitch, bitch, bitch, bitch, funn y, funn y, funn y, funn y! Four Jews in a room bitch ing,
128
Bitch, bitch, bitch bitch bitch bitch now and then! Can't lose!
135
2 4 15 10 15
89 43
89 43 44
Four
Loose screws! Two! Five Jews!
= 150 = 160
144 A TIGHT-KNIT FAMILY
7 2 3 6
42 44
195 LOVE IS BLIND Thank you.
Well -
4 2 5 3 2 2 8
4
87 44 46
4
220
7 3
46 44 87
249
7 2 2
44
Hep a hep a hep a ti tis! Hep a ti tis, hep a ti tis?
8
260
2 7
46 44
Dad dy is a prick! Dad dy is n't mine!
267
What a dam aged girl! Pett y, pett y, pett y, pett y.
3
279
Love is blind, love can tell a mill ion sto ries. Love's un kind,
285
3 4
spite ful in a mill ion ways. Love... Love... Love... Love... Love... Love...
= 70 = 80 = 35
293 rit. rit. rit.
7 12 67 20
44 43
Love is blind. His name is
= 70 = 190 = 180 = 200 = 210
307 rit. THE THRILL OF FIRST LOVE
2 10 3 39 21 4 10
44
Men del... Ooh...
4 4
= 200 = 175 = 200 = 210 = 175
418
39 25
3 4 A THREE PART MINI-OPERA
4 4
= 220 = 100
503 accel. MARVIN AT THE PSYCHIATRIST:
34 44
My fath er says that love is the most
572
3 3 3
4 26 2 3
2 3
beau tif ul thing in the world. I think games are. I think chess it the most
4 4 4
576 Marvin at the Psychiatrist; A
Three Part Mini-Opera. Part One.
12 2 2 3 2 3
4 3 44
beau3ti ful thing, not love.
4 4
= 160
614
4 11 17 2
4
4
= 90 = 80 = 90 = 115 = 70
644 rit.
16 3 4 3 3
4
4
= 75 = 115
686
4
3
722
4 4
My fath er's snide. He's mor bid and dis sat is fied. He loves a noth er.
729 Yeah,
2
He loves a noth er. The ball is tossed. and our team lost.
= 100
742 rit.
Ex plore mu se ums... We stand to geth er... My
751
3 3
3 4 2
4 44
4 4
fath er says that love is the most beau tif ul thing in the world. I think
755
3
5
6
3
games are. I think chess it the most beau ti ful thing, not love.
4
= 130
761 MY FATHER'S A
HOMO
6
4
44
My fath er's a ho mo, my moth er's not thrilled at all.
770
Fath er ho mo, what a bout chro mo somes? Do they car ry?
774
Will they car ry? Who's the ho mo now? My fath er says that one day I'll grow
777
3
up to be pre si dent. And that i dea's not so wild. I
780
2
don't lead the life of a nor mal child. 'Cause I'm
4
786
too smart for my own good,
and I'm too good for my sorr y litt le life.
5
2 4
4 4
789
2 2
2 4
4 4 2
My moth er's no wife, and my fath er's no man,
4
= 120
793 No! *gags*
4 12
24 TO SEE A PSYCHIATRIST
45
4
no man at all.
4 4
804 EVERYONE TELLS JASON No!
10
What is nor mal?
826
45
No, I won't go. I will not go! Ne ver, ne ver, ne ver, ne ver,
842 Forget it!
5 44
4
ne ver, ne ver, ne ver, ne ver! What a mess this is, this fam il y,
846
ex perts can see this is so. Pho to graphs can't cap ture our ma gic,
850 ...no!
we're sim ply tra gic. I won't say boo. If in
856
2
tell i gence were the on ly cri ter i on, then I would n't real ly need a psy chi a trist,
858
would I? Would I? Just be cause you've failed as par ents. I don't need...
863
I want... I want to speak with Whizz er. With Whizz er. With
= 90
868
Whizz er. Whizz er... Whizz er... Whizz er... Whizz er...
6
2
873
3
3 COME TO A STOP
Whizz er, do you think I should see a psy chi a trist? O kay, I'll
2
= 100
879 slow rit. THIS HAD BETTER
23
go! I'll go! ...if he comes here!
890
3
2
Late for dinn er, late a gain. Late for dinn er, late, late, late, late!
893
21
86
Late for dinn er, late a gain. Late for dinn er, late a gain.
= 95
895
6 2 23 2 14 10 2 7 6
86 43
86
Late for dinn er, late a gain. Late for dinn er, late, late, late, late!
8
= 113
919
2
986
23
Chop, chop, chop, chop, chop, chop, chop, chop! Chop, chop, chop, chop,
991
chop, chop, chop, chop! Chop, chop, chop, chop, chop, chop,
993
2
chop, chop! Chop, chop, chop, chop, chop, chop, chop, chop! Chop, chop,
995
3
chop, chop, chop, chop, chop, chop! Chop! This has gott a come to a stop,
1000
3
3
Mar vin! This has been a lou sy but fab u lous flop!
7
3
1006
3 3 3
6
8
You've got a tem per that re de fines tem per! And this had bett er come to a stop,
1009
Mar vin! Why, Mar vin? Try, Mar vin! bend! This had bett er come
1014
4 12 7 3
23 89
This had bett er come to a This, this, this, this, this had bett er come to an end!
8
= 130 = 135
1019 I'M BREAKING DOWN
9 2 12 4 37 2 35 5 14
12
89
12
This had bett er come to an end!
8 8 8
= 110 = 135
1038 accel.
2 4 4 4 2
= 100 = 110
1152 rall. accel.
11 10
4
4
= 75 = 100 = 160
1177 The phone rings.
PLEASE COME TO OUR HOUSE
1206
2 44
What should I say to the man? Should I be mean to the man?
4
1209 The doorbell rings.
I'l be my self. I'l be my self! Hell o to my house! So
1215
10 6
46
4
good of you to tra vel on a ccount of my un rav el ing, now let's eat some food.
4
1218
Oh, what a love ly ta ble. Such a ro
8
2
4 44
1238
man tic ta ble. Knives in place, lots of space to spread out and eat.
1242
No tice how our eyes dis creet ly... Please come to our house. The
1248
2
dinn er's on the ta ble, we will talk if we are a ble to, but prob' ly we won't. We
1251
sit. Un in spired. We're tired! A dieu.
= 110
1261 rit. JASON'S THERAPY
very slight accel.
They'll wait! Mis ter Men del... I get
1267
a po ple xy think ing of my fath er. I re sem ble him in far too ma ny ways... his
1271
sad de mean or... the way he acts the swine. At least his room is
= 110
1276
clean er than mine. Is it fa tal? Do you see re al sim i lar i ties be
1281
45 44
tween us? He and Whizz er live like... Well, I think it's clear.
= 160
1284 3 rit.
3 3 3
8 6
4 2 4
4 4 4
What do I do? What do I say? How 3do I ask? What do I hope for? Is it my
= 160
1286 3 ...is this
3 3
therapy?
mind? Love is n't free! Love is n't blind, what do I see?
9
6 13
42 44 45 44
= 115 = 120
1304 rit. ...so, scram!
Is this ther a py? Mis ter
= 110
1330 very slight accel.
Men del... As re gard ing your in ten tions to my moth er... are they
1333
ev 'ry thing a wom an would de sire? Her hand is read y, it on ly needs a ring. I'll
1339
45
buy con fett i and... sing? I'm em bar assed. I'ts not
= 160
1344
2
5 44 42 44
4
my re spon si bi li ty to ask you. But I won der if it's ev er crossed your mind.
= 160
1349 rit. Look around you!
A lot of nice furniture!
Someone's bring you dinner!
Someone's washing your laundry!
Someone brought your lunch!
Washing your... socks. Jesus Christ!
Stop! Why don't you
1361
feel al right for the rest of your life? Why don't you feel al right for the rest
1364 Whoo!
of your life? Why don't you feel al right for the rest of your life?
1368
Why don't you feel al right for the rest of your life? Why don't you
1371
feel al right for the rest of your life? Why don't you feel al right for the rest
1374
of your life? Feel al right for the rest of your life! Feel al right for the rest of your life!
10
1377
3 23 5
Feel al right for the rest of my life! Feel al right for the rest of my life! Feel al right for the rest
= 150
1380 A MARRIAGE PROPOSAL
This is how you make a marriage proposal. rall.
2 29 5 9 3 15 9 3
of your, rest of your... life!
8 4 8 4
1418 A TIGHT KNIT FAMILY (REPRISE)
3 10 37 7 4 4 9
4 4
= 160 = 80
1476 TRINA'S SONG
4 2 4 4 4
= 95
1550 rall. a tempo rit. a tempo
4 2 12
= 125
1576 rall. a tempo MARCH OF THE FALSETTOS
March, march,
1598 Whee!
March of the Fal sett os, March of the Fal sett os! Who is
1602
man e nough to march to March of the Fal sett os? One foot
1606
foll ow ing the oth er, teach it to your broth er make him march, march!
1609 Pbbbth! Oops!
March of the Fal sett os, March of the Fal sett os! March a li ttle bit,
1613
march a li ttle bit, march a li ttle bit on! Four men sway ing in
11
1617
2 2
phos phor esc ence, keep re play ing their a do lesc ence! Four men mar ching but
1621 It's a goddamn surety *chatter*
we're lacking in maturity!
ne ver minc ing, four men mar ching is so con vinc ing! March!
1629
3
March! Does this mean that I'm a fai ry? March! March!
1635
...with... a lone in the night! March, march,
1642
March of the Fal sett os, March of the Fal sett os! Who is
1646 Hiiiii!
man e nough to march to March of the Fal sett os? One foot
1650
foll ow ing the oth er, prac tice it on one an oth er! March, march!
1653
2 5 5
4
2 10
43
March of the Fal sett os March of the Fal sett os! Mar ching home
= 95 = 80 = 115
1660 Uh oh! TRINA'S SONG (REPRISE) rall.
5 15
44 43 44 43
= 100 = 175
1695 rit. THE CHESS GAME rall.
2 7 13 4
= 65 = 95
1727 rit.
12
5 2 7 8
4 4
2 3 4 3
4 4
= 175 = 175 = 175 = 145
1764 rall. rit. rall.
8 2 5 13 2 2 11
86
= 70 = 115
1796 MAKING
17 8 21 9 6 5
= 120 = 115 = 130 = 100 = 115
1843 rall.
2 35 30
So do I.
= 110 = 70 = 75
1916
3 rit. rit. THE GAMES I PLAY accel.
9 3 21 3
42 86 42 87
Hat ing our lives.
= 80 = 195
1991 accel. a tempo rit. MARVIN HITS TRINA
7 2 6 2 7 2 6 2 3 4 2
8 4 8 4 8 4 8 4 8 4 86
2035
6 4
8 4 86 44 86
2046
6 2
68 44 2 3
Pseu do ro man tic and sick! Love him un til you both die!
4 2
= 80
2050 rit.
2
42 86 42 87 42 86 42 83 44
May twen ty sev enth at eight!
= 195
2065
2
4 86 44
4 86 44
2076
6 2
4 6 4 2
4 8 4
Try ing to ru in my sleep! Chose him to make me look
4
= 80
2081 rit.
bad! Ev er de ny what we had?
13
2
3
2 42 86 42 86 42 86
= 195
2095
2 29
Dumb! Dumb!
6 2 6 2 6 4
8 4 8 4 8 4
= 70
2106 MARVIN hits I NEVER WANTED TO
TRINA. LOVE YOU
Dumb! Dumb!
2143
3 3 3
3 the world! 3 3 3
11 6 2 2
I hate I love my dad. I love the things I've ne ver had!
= 85 = 93
2148 slight accel.
3 3 rall.
2 3
Lord, hear our call!3 Help us all! Help us all!
2173
7 7
mine! He's mine!
23
4
4
2189
Love you!
4
4
= 90
2213 FATHER TO SON
3 3
2
My fa ther says that love is the most beau ti ful thing in the world. I think...
2 4 2
4 4 4 44
2218
3 3
21 29 3 5 2
girls are. I think girls are the most beau ti ful thing... not love.
= 75
2225 rit. END ACT ONE
14
Voice 5 FALSETTOS
2016 Revival - Act One
40 11 2
4 24 44
arr. Bill Kangas William Finn
4
= 175
FOUR JEWS IN A ROOM BITCHING
34 17 6
Sla ver y! Sla ver y!
60
12
Sla ver y, sla ver y! Four Jews in a room!
122
2 4 15
89 43
89 43 44
Four Jews in a room! Sla ver y, sla ver y! Five! Five Jews!
= 150
141 A TIGHT-KNIT FAMILY
4 10 15 7 6
4
= 160
170 LOVE IS BLIND
Love is n't sex,
214 3
24 44
that's a thing my hus band once told me. Mar vin, my ex... you've seen him for years...
217
3 2
told me ov er the phone to tell you my fears. Do you on ly treat queers?
221 3
I'm ev' ry thing he want ed. It's time I
231
3
put it all to geth er. The date was set, my fath er let me marr y, I
235
3 3
marr ied, I... Then Mar vin came from work. Sat me down on the bed. He
87
238
7 44
told me how he loved me, how he need ed and / or val ued me
"I have syph il is", he said,
8
240
4
"I have syph il is, it's true.
4
241
I have some thing rott en, which app eared, though now it's well for gott en...
242
6 44
May be dar ling so do you!" I am prob ab ly dis eased... and so eas i ly app
4
246
4 7
4
eased! He took pains to not ex cite us, he ex plained I've hep a tit is, too!
250
3 3
87
Then I stayed home from work. Took good care of my men. They
259
4
4
faked de spair, they wet their bed, they combed their hair, they act ed dead, One said
261
3 3
He said He filled my coats with can dies and notes, with "Will you be my val en
264
46 44
tine?" This gets hard er to be lieve. I've a scal pel up my sleeve.
268
4
4
I've missed him, he's still miss ing, don't make noise but dadd y's kiss ing boys!
271
Love is blind, love can tell a mill ion sto ries. Love's un kind, spite ful in a mill ion
2
278
ways. Love is blind, love can tell a mill ion sto ries. Love's un kind,
285
3 4
spite ful in a mill ion ways. Love... Love... Love... Love... Love... Love...
= 70 = 80 = 35
293 rit. rit. rit.
7 12 67 20
44 43
Love is blind. His name is
= 70 = 190 = 180 = 200 = 210
307 rit. THE THRILL OF FIRST LOVE
2 10 3 39 21 4 10
44
Men del... Ooh...
4 4
= 200 = 175 = 200 = 210 = 175
418
39 25 5 27
3 4 A THREE PART MINI-OPERA
2 3
43 44
4 4 4 4
= 220 = 100
503 accel. MARVIN AT THE PSYCHIATRIST: Marvin at the Psychi
Three Part Mini-Op
2 3 12 2 2 3
605
2 3 4 11 17
4 3 44 4
4 4 4
= 160 = 90 = 80
636 rit.
2 16 3
4
4
= 90 = 115 = 70 = 75
679
4 3 4 28 5
34 44 42 44
4
= 115 = 100
711 rit.
4 5 HOMO 2 18 4
46
4
42 44
42 44
4 4
= 130
759 MY FATHER'S A
3
3
4
4
= 120
795 Honey, why don't you go out and play?
3
Sweet heart, I worr y. Sweet heart, I do. I worr y a
y a lot,
800 ...I could take
I worr
3 3 you to the
Jewish center!
4
42
3 3
lot, I worr y a lot. I think you like play ing
4
803 ...I wouldn't know.
3 3
chess a lone, that's not nor mal! Why don't you speak on the
806 EVERYONE TELLS JASON
TO SEE A PSYCHIATRIST
tel e phone with an y one? Just get a friend! An y one! Dar ling, please see a psy
809
chi a trist. He's quite a guy, and I ad mi re how he acts. No one is say ing you're a
813
sick neu ro tic, but you could find some help, hear me out, please.
816
45 44
Yes, you could find some help, he could help you re a lize how con fused you
819
9
are! It's ver y clear, Dad dy's sin cere, but a schmo... You and I must
823
trust our e mo tions, make no com mo tions. Will you go?
835
Dar ling, please lis ten to your fath er here. He's not a gen ius type, Lord knows,
838
but he knows what's true. He chose a man who I think knows the an swers
4
841
44
45
to all your prob lems. Men del un der stands what's both er ing you. What a mess this
845
is, this fam il y, ex perts can see this is so. Pho to graphs can't
849
2
cap ture our ma gic, we're sim ply tra gic, will you go? Ja son, please see a psy
853 *gasp*
chi a trist. He's not... ex or bi tant. And he's ver y smart. No.
860
Get thee to a psy chi a trist! He needs a psy chi a trist. A psy chi a trist?
= 90
865
3 2
With Whizz er? Whizz er... Whizz er... Whizz er...
872 TRINA gestures desperately,
slow rit.
clearing her throat.
3
3
Whizz er... He'll go! He might come here!
2
= 100
883 THIS HAD BETTER
COME TO A STOP
23
Late for dinn er, late a gain. Late for dinn er, late a gain.
891
Late for dinn er, late, late, late, late! Late for dinn er, late a gain.
894
21 2 2
86
Late for dinn er, late a gain. Late for dinn er, late a gain. Late for dinn er, late,
= 95
897
late, late, late! I was sup posed to make the dinn er...
5
925
3
make it prett y on his plate! Ev' ry wife should pull her weight!
929
2
Have it read y, make it tast y and love him! This had bett er come to a stop,
934
3 3
4 2
86
This has been a tra gic and horr i ble flop!
doc tor.
939
Who is re pon si ble? I met this man to day. He
949
2
43
was n't ver y smart, but he was rich, Mar vin. Which, Mar vin, do you pre fer I lust
953
2 3 2
86
for, brains or mon ey? Brains or mon ey? No.
962
3
7 2
3
This is all ver y neat. This is all ver y smart.
= 113
973
2
3
Chop, chop, chop, chop, chop! I chopped it, I served his food, the
2
985
3
ass hole forced me! And still the bas tard di vorced me!
2
992
It is n't like he says! You prob' ly hurt his pride! He's gott a
995
have it all! He's like a ba by who's de nied!
6
3
1001
3 3 3
3
86
3
This has been a lou sy but fab u lous flop! You've got a tem per that
1007
3
6
8
re de fines tem per! And this had bett er come to a stop, Mar vin!
1010
Why, Mar vin? Try, Mar vin! bend! This had bett er come
1014
3 4 12 7 3
2 89
This had bett er come to a This, this, this, this, this had bett er come to an end!
8
= 130 = 135
1019 I'M BREAKING DOWN
9 2 2
12
This had bett er come to an end!
8 8
1038
I'd like to be a prin cess on a throne...
1044
to have a coun try I can call my own... ...and a king... ...who's
1048
lust y and re qui res fling with a fe male thing! Great,
1053
men will be men. Let me turn on the gas. I caught them in the den with
1058
Mar vin grabb ing Whizz er's ass! Oh sure, I'm sure he's sure he
1061
did his
best. I mean, he meant to be what he was not.
7
1064 He's a queen,
I'm a queen!
The things he was are things which I for got.
1067
Where is my crown? I'm break ing down! I'm break ing down! My life is
1070
4 I mean, that's sick!
4
shitt y, and my kid seems like an id i ot to me! I mean he's great! It's
1074
me who is the matt er, talk ing madd er than the madd est hatt er! If I re peat
1077
one more word, I swear, I'll lose my brain! Oh, what else should I ex
1081
2
plain? Oh yes, it's true! I can cry on cue, but so can you! I'm break ing
1084 You ask me, "Is it fun to cry over nothing?" IT IS.
2
89 12
down! I'm break ing down! Down, down... I'm break ing
8
1091
down. Now let's con sid er what I might do next.
1098
I hate ad mitt ing I've be come per plexed! I'm be reaved! I've
1102
cried, I've shook, I've yelled, I've heaved! I have been de ceived! As
1107
en em ies go, Whizz er is not so bad. It's just he's so damn happ y
8
1112
that it makes me so damn mad! I want to hate him, but I reall y can't.
1116
It's like a night mare how this all pro ceeds! I hope that Whizz er don't ful
1119 Don't is wrong!
Sing along!
fill his needs! What was the noun? I'm break ing down! I'm break ing
1123
4 And also
pills!
down! I'll soon re dec o rate these stalls, I'd like some padd ing on the walls!
1126
I wann a sleep... Sure, things 'll prob' ly wor sen, but it's
= 110
1129
not like I'm some health y per son. I've re thought my talks with Marv, and
1132
one fact does e merge... I think I like his shrink! So that is
= 135
1136 accel.
2 2
why I might turn to drink, I'm on the brink of break ing down! I'm break ing
1139 I only want to love a man who can love me...
Help me!
or like me... or help me...
down! Down, down... Marv in was ne ver mine...
1148
He took his meet ings in the boy's la trine. I used to cry! He'd
= 100
1151
make a scene! I'd rath er die than dry clean Marv in's wedd ing gown! I'm break ing
9
1154
4 4
down! I'm break ing down! It's so up sett ing when I found that what's rec
1157 I mean, it stinks!
tan gu lar is round! I mean he's queer! And
= 110
1160 ...I don't know...
me, I'm just a freak who needs it may be ev' ry oth er week! I've re thought the
1163 rall.
fun we've had and one fact does e merge... I've played the fool ish
1167 accel.
of break
ing
2
clown! The al most vir gin who sings this dirge is on the verge
1170 The only thing that's breaking up is my
family!
down! I'm break ing down! Down, down... The
1178
3 4
4
on ly thing that's break ing up is my fam' ly, but me, I'm break ing
= 75
1182 The phone rings.
PLEASE COME TO OUR HOUSE
freely
down! Doc tor Men del, please. Doc tor
1191
Men del, vis a vis what Mar vin did, or... rath er has n't done. You must ex or cise a
= 100 = 160
1194
dev il! Cause it in hab its Mar vin's son. Please
1198
come to our house and talk a bit with Ja son. It's a slight ex a gger a tion, but he's
10
1201
42
sick in the head. Oh, sure, some times you'll think he's won der ful, but he's
1204
2 4
4
4 4
wild! I'm sure he's Mar vin's child! Just be your self. Stop ask ing
1210 The doorbell rings.
8 6
46 44
ques tions! Be your self! Don't be dis gust ing! Be your self!
1218
42
44
I think be fore the food gets cold. Oh, what a
1236
4
love ly ta ble. Such a ro man tic ta ble.
4
1240
2
Knives in place, lots of space to spread out and eat. No tice how our eyes dis creet
1244
2
ly... Please come to our house. The dinn er's on the
1249
ta ble, we will talk with you, but prob' ly we won't. We sit. We're
1255
5
tired! This girl a grees. I'll wait out side and hold the food!
= 110
1260 rit. JASON'S THERAPY
very slight accel.
4 2 3 2 9 6
5 4 2 4
The worst is through. I'll wait. I'll wait for you!
4 4 4 4
= 110 = 160 = 160
1271 rit.
11
= 115
1303
Chop, chop, chop, chop, chop, I chopped it. It's a
1306
13 2
2 4 5 4
gour met ver sion of chick en me ren go. Took me all day, I'll say 'twas worth the time. I
4 4 4 4
= 120
1309 rit.
5 4 2 5 15
45 44 42 44
lie. Right! This is ther a py!
= 110 = 160 = 160
1330 very slight accel. rit. Whoo!
1368
Why don't you feel al right for the rest of your life? Why don't you
1371
feel al right for the rest of your life? Why don't you feel al right for the rest
1374
3 23 5
of your life? Feel, feel, feel, feel, feel, feel, feel, feel, feel,
= 150
1378 A MARRIAGE PROPOSAL
Life!
23 6 5
89 43
feel, feel, feel,
1416 rall. Biblical times? Good. A TIGHT KNIT FAMILY
3 15 10 37 7 4 4
89 43
4
4
= 160 = 80
1459 TRINA'S SONG
1536
3
I'm tired of all the hap py men who rule the world. They grow, of
12
1541
that I'm sure. They grow, but don't ma ture. I'd like the chance to
1545
hide in that world I'm lis 'ning to these
1549
men who aren't quite men yet, but aren't boys make noise and
1552
throw their knives. Their toys are peo ples' lives. They
1555 rall.
fight too hard, and play too rough, they some times love, but not e nough. My
= 95
1557 a tempo
heart will beat at will, but still... It's cra zy how they're act ing! It's
1561
cra zy, my re sponse. It's stu pid how I love them, so dumb how
1563
4
I an ti ci pate their wants! But as long as they a muse me, that a lone is what's re
1565
quired! So I'll roar like I'm wired. I'll ex
1568
3 3 3 3 rit. a tempo
plore what I'm feel ing, acc ept what I'm feel ing is tired! I'm tired! So tired of all the
1571
3
happ y men who rule the world. Happ y fright ened men who rule the world.
13
1575
Stu pid, char ming men. Sill y, child ish jerks. That said, I'll be his wife. I'll
1579 rall.
wed and change my life. I'll laugh, I'll smile, I'll wel come cheer, the
= 125
1582 a tempo MARCH OF THE FALSETTOS
75
time is right, the men are near. Now happ i ness and love a ppear...
= 95
1587 TRINA'S SONG (REPRISE)
Please, for give my for mer spiel ing. It does
1665
not con cern the man. As for doubts that I've been feel ing...
= 80
1667
I'll ig nore them when I can. And the things that I must do, I'll do to amke this all suc
1669
ceed. I'll com mit. That's a greed. And with
1672
3 3 3 3
wit and pre ci sion, I've made a de ci sion to get the things I need! God, I'll try!
1675 ...no.
Try! ...I'll cry. I'll laugh. And un a fraid, I'll laugh... ...and
1680 rall.
43
hire a maid. I'll fight the gods, I'll... fight my ex. I'll
= 115
1682
beat the odds, I'll have good sex! My fu ture's now on trial. I smile...
14
4 5
4
4
= 100 = 175
1688 rit. THE CHESS GAME
15 2 7 13 4
4 3 44 43
4 4
= 65 = 95
1709 rall. rit.
5 2 7
42 43
44 43
= 175 = 175
1758 rall.
8 8 2 5 13
= 175 = 145 = 70
1783 rit. rall.
2 2 11 3
86
= 115
1827 MAKING A HOME
3
Wel come to our hum ble place,
1847
3 3
we're con cerned with sett ing a tone... ...with fill ing the space... mak ing a
1852
3
2
home. He de cides the role to ass ume. Build ing a life...
= 120
1859
What it needs is peo ple... Men and wom en talk ing...
= 115
1866
Men and wom en think ing out loud... How far to go. Vis it when you please,
1871
3 3
you are not re qui red to We'll buy the cheese! God bless
1876
our home. Books a bound, to show we read. The
15
1882
4
dog's been flead and... sent out side to play. I hope it runs
1887
3
a way. Af ter noons, we make hors d'oeurves, af ter af ter noons, we re
= 130
1894
3
ceive. This is the price mak ing be lieve. What it needs is peo
1901
ple... Men and wom en laugh ing... Men and wom en think
= 100 = 115
1905
ing out loud... Should he love me...? Yes, we love the bed.
1910 rall.
3
3 3
Yes, we love to fight the un known. Bak ing the bread... Forg ing a
= 110
1915
3 rit.
3 3
3 35 30 9 3
head... Lik ing our lives. Mak ing a home... Mak ing a home...
= 70 = 75 = 80
1921 rit. THE GAMES I PLAY accel. accel. a tempo
21 3
42 86 42 87 42 86 42 87
Mak ing a home...
= 195
2005 rit. MARVIN HITS TRINA
2
7 2 6 2 3 4 86 44 86 44 86
8 4 8 4 8 4
2039
6
6 44 24
8
= 80
2050 rit.
Men del plans to rub my back. Men del's not a
16
3
2
2062
2
2 6 2 7 2 6 2 3 4 86
4
ma ni ac. And he's sweet... and he's warm... and he loves me
8 4 8 4 8 4 8 4
= 195
2067
6 44 86
4 68 44
so.
8 4
= 80
2078
42
We had fights and games.
2086 rit.
2 2
23
42 86
Mar vin called us fu nny names. Mar vin al ways played the clown.
= 195
2093
6 2 6 2 6 2 6 2 6
8
And he's sweet... and he's mean...
4 8 4 8 4 8 4 8
2102
6 2 6
4
8 4 LOVE YOU
Dumb! Dumb! Dumb! Dumb!
= 70
2110 *gasp*
MARVIN hits I NEVER WANTED TO
TRINA.
I ne ver want ed to love you.
2122
11
I on ly want ed to love and not be blamed. Let me go...
2126
2
...you should know I'm not a shamed to have loved you.
2143 slight accel.
3
11
3
3
3 3 our fam i 3
He hates ev' ry thing! Love ly? Help us all!
= 85
2150
Help us all! I'm 3 3
ev' ry thing he want ed. It's time
17
= 93
2168
3 rall.
I 3
put it all to geth er. Our hands were tied! My fath er cried "You'll
2175
mar ry!" We mar ried! He's mine! He's mine!
7 7
23
2185
Love you!
5 3 21 29
24 44 42 44
4
4
= 90
2211 FATHER TO SON
3 5 2
= 75
2277 rit. END ACT ONE
18
Flute FALSETTOS
2016 Revival - Act One
4
arr. Bill Kangas William Finn
4
= 175
FOUR JEWS IN A ROOM BITCHING
14
6
23
3
26
4
34
4
5 2 5
24 44
46
3
66
9 5 27
76
122
19 4
89
3
4
= 150
125 A TIGHT-KNIT FAMILY
8 3
8 4
9 3
153
3 4 8 13
4 4
= 160
169
3 6 6
42
195 LOVE IS BLIND
2 4 4
2 5 3 2 2 8
4 4 87 44 46
219
6 4
4 4
249
253
3 2 2 2 2
87
44
46 44
256
4
4
271
274
277
280
2
7 4 4
= 80
284 rit. rit.
4 7 12 3 67
4
4
= 35
= 70 = 190 = 180 = 200
303 rit. rit. THE THRILL OF FIRST LOVE
20 2 10 39 21 10
44 43 44
= 210 = 200 = 175 = 200 = 210 = 175
398
3 39 25 5
4 A THREE PART MINI-OPERA
2 3
4 4
3
4 4 4 4 4
= 220 = 100
502 accel. MARVIN AT THE PSYCHIATRIST:
27 2 3 12 2 2
3
4
578 Marvin at the Psychiatrist; A
Three Part Mini-Opera. Part One.
3
4 3
2 3 4 11 17
4 4
44
= 160 = 90 = 80
633 rit.
2 16 3
44
= 90 = 115 = 70 = 75
678
4 3 4 28 5
34 44 42 44
4
= 115 = 100
711 rit.
5 HOMO 2 18
44
46
4
4 24 44
= 130
759 MY FATHER'S A
3 4
42 44 2 4
4 4
= 120
791
12 20
45 44
45 44
808 EVERYONE TELLS JASON
TO SEE A PSYCHIATRIST
3
4 2 2 5
2 3
4 2 2
= 90
852 slow rit.
3 3 2 21
3 3
2 2 86
= 100 = 95
882 THIS HAD BETTER
COME TO A STOP
6 2 23 2
86
8
919
2
43
951
10 2 7 10 2 2 2 3 11
86 23 86
= 113
961
6 2 9 5 12 7 3 2 7
23
89
12
8 8 8
= 130 = 135
1010 I'M BREAKING DOWN
2 4 2
1047
33 2 6
89 12
8
1059
8 16 5 14
= 110 = 135 = 100
1104 accel.
2 4 4 4 2
= 110
1154 rall. accel.
11 4 14 2
42 44
4
= 75 = 100 = 160
1177 The phone rings.
PLEASE COME TO OUR HOUSE
4
14 10 21 5
4 4
6 4
4 4
2 4
= 110
1213 The doorbell rings. rit. JASON'S THE
very slight accel
4 2 3 2 9 6
5 4 2 4
4 4 4 4
= 110 = 160 = 160
1271 rit.
6 13 2 5 4
2 4 54 44
4 4
= 115 = 120 = 110
1303 rit. very slight accel.
2 5 28 6
45 44 42 44
= 160 = 160 = 150
1339 rit. A MARRI
23 5 2 29 5 9
8
1388 rall. A TIGHT KNIT
9 3 8
8 4
1458
3 8 13
89 43
= 160
1472
1500
1507
4
1514
3
4
4
1523
5
4 9
4
= 80
1531 TRINA'S SONG
4 2 4 4
= 95
1546 rall. a tempo rit.
4 4 2 77 5 5
= 125 = 95 = 80
1570 a tempo rall. a tempo MARCH OF THE FALSETTOS
TRINA'S SONG (REPRISE)
4 2 10
43
= 115 = 100
1673 rall. rit. THE CHESS GAME
5 15 2 7
44 43 44 43
= 175 = 145
1700 rall. rit.
1738
4
2
= 65 = 95 = 175
1749
7
24 43 44 43
= 175
1767 rall. rit.
3 2
= 175 = 145
1784 rall.
5 2 4 8 3
= 70
1799
2 2 6
86
1827
6
17 3
= 115 = 120 = 115
1841 MAKING A HOME
31 5
= 130 = 100 = 115
1869 rall.
2 22
= 110 = 70
1915 rit. rit.
THE GAMES I PLAY
7
= 75
1949
10 5
1965
= 80
1989 accel.
2 13
1999 accel. a tempo
3
42 86 42 87 42
= 195
2023 rit. MARVIN HITS TRINA
2
86 44
42
6 2 7 2 6 2 3 4
8 4 8 4 8 4 8 4
2036
6 2
44 86 44 86 44 2 3
4 2
= 80
2047 rit.
2
42 86 42 87 42 86 42 83 44
= 195
2065
7
2 6
4
4 86 44 86 44 86 44 42
= 80
2076 rit.
2 2
2
4
3
2
42 86 42 86 42 86
= 195
2092
6 2 6 2 6 4 2 35 13 6
8 4 8 4 8 4
= 70 = 85
2106 MARVIN hits I NEVER WANTED TO slight accel.
TRINA. LOVE YOU
2 2 2 3
= 93
2169 rall.
7 9 2
23
2185
5 3 21 29
4 24 44 42 44
4
= 90 = 75
2212 FATHER TO SON
3 5 2
2278 rit. END ACT ONE
8
Oboe FALSETTOS
2016 Revival - Act One
55 2 34 30 20
4 24 44
arr. Bill Kangas William Finn
4
= 175 = 150
FOUR JEWS IN A ROOM BITCHING A TIGHT-
10
89 43
147
10 13
9 3 4
8 4 4
= 160
166
7 6 6 4
42 44
196 LOVE IS BLIND
2 5 3 2 2 8
64 44
87 44
226
251
3 2 2
87 44
255
4
46 44
264
4
4
271
274
14
= 70
277 rit.
= 80
296 rit.
4
4
= 35
= 70 = 190
303 rit. rit. THE THRILL OF FIRST
4 12 34
43
= 180 = 200
311
8 11 7 2
= 210
366
401
2 10
44
= 200 = 175
412
2 8
3
4
= 200
431
8
449
= 210
464
472
2
2
482
10 4
4
4 43
= 175 = 220
491
511
2
521
530
539 accel.
4
552
3 5 27 2
4 A THREE PART MINI-OPERA
3 4 2 3
4 4 4 4 4
= 100
565 MARVIN AT THE PSYCHIATRIST: Marvin at the Psychiatrist; A
Three Part Mini-Opera. Part One.
3 12 2 2 3
4 3
4 4
= 160
609
2 3 11 7
3 44
4
= 90
638
666
3
4
4
= 80 = 90
674 rit.
= 115 = 70
680
10
686
3
= 75
703
28 5
4
43 44
4
= 115 = 100
714 rit.
4 2 4 5 HOMO 2 18
46
4
42 44
4 4 4 4
= 130
757 MY FATHER'S A
4 4 4
4 42 44 42 44
= 120
790
12
45
4
4
808 EVERYONE TELLS JASON
TO SEE A PSYCHIATRIST
830
45
841
5 4
4
4 4
846
4
2 2 5
2 3
4 2 2
= 90
856 slow rit.
3 2 3 2 21 2
3 23
2 86
= 100 = 95
883 THIS HAD BETTER
COME TO A STOP
23 2 14 10 2
86 43
86
921
10 2 2 2 3 11 2
23 86
= 113
977
9 5 12 7 3 2 12 4
23
89
12
8 8
= 130 = 135
1012 I'M BREAKING DOWN
37 2 35 5 14 2
89
12
8
= 110 = 135 = 100
1056 accel.
4 4
4 2 11 4
4
= 110 = 75
1158 rall. accel. The phone rings.
PLEASE COME TO O
3
= 100 = 160
1191
3 2
42 44
1203 The doorbell rings.
4
1216
2
6 4
4
4
1226
5
3 3
2
4 44
1234
8 5 5 4
= 110
1245 rit. JASON'S THERAPY
very slight accel.
2 3 2 9 6
5 4 2 4
4 4 4 4
= 110 = 160 = 160
1275 rit.
6
= 115 = 120
1304
3 rit.
2 2
44
4 45
1316
5 4 2 5
54 44 5 4 2 4
4 4 4 4
= 110 = 160
1328 very slight accel. rit.
28
2 A MARRIAGE PROPOSAL
12
4
4
= 160 = 150
1352
3 3
1402
rall.
2
1414
4
1424
13
1435 A TIGHT KNIT F
6
10 3
89 43 9
8
1455
10 13
9 3
8 4
= 160
1475
1504
4
1511
1520
3 4 9
4
4
= 80
1525 TRINA'S SONG
1546 rall.
2
2
= 95
1557 a tempo
4
1567 rit. a tempo
2 77 5 5 4
= 125 = 95 = 80
1581 rall. a tempo MARCH OF THE FALSETTOS
TRINA'S SONG (REPRISE) rall.
2 6
34
= 115 = 100
1682 rit. THE CHESS GAME
7
5 15 2 7 13
4 3
4 4
4 3
4 4
= 175 = 65
1701 rall. rit.
4 5 2 7
42 43
44
= 95 = 175 = 175
1751
4 3
4 4
= 175
1779 rall. rit.
2
= 145
1790 rall.
4 13
= 70
1802
2 2 5
86
= 115
1827 MAKING A
17 8 8
= 120 = 115
1843
10 6
2
3
= 130 = 100 = 115
1885
3
= 110 = 70
1912 rall. rit. THE GAME rit.
35 30 9 3 21
= 75 = 80
1924 accel. accel. a tempo rit.
3
42 86 42 87 42 86 42 87 42 86 42
= 195
2029 MARVIN HITS TRINA
8
2 6
2 3 4
4 8 4 86 44 86 44 86 44
= 80
2042
2 2
2 3 2 6 2 7 2
4 2 4 8 4 8 4
= 195
2058 rit.
2 2
6 2 3 4
4 8 4 8 4 86 44 86 44 86 44
2072
6 2 2
44 2 3 42
4 2
= 80
2083 rit.
2
4 8 4 8 4 8 4 8 4 8 4
6 2 6 2 6 2 6 2 6 4
= 195
2101
4 2 35 3
4
= 70
2111 MARVIN hits I NEVER WANTED TO slight accel.
TRINA. LOVE YOU
6 2 2 2 20
23
= 85 = 93
2158 rall.
9 2 5
3 4 24 44 42
2 4
= 90
2196 FATHER TO SON
3 21 22
2 4
4 4
2221
3 5 2
= 75
2275 rit. END ACT ONE
9
B♭ Clarinet FALSETTOS
2016 Revival - Act One
55 2 34 30 20
24 44
arr. Bill Kangas William Finn
4
4
= 175
FOUR JEWS IN A ROOM BITCHING
4 2 3
89
3
4
= 150
146 A TIGHT-KNIT FAMILY
2
89
3 4
4 4
163
= 160
173
183
193
7 6 6 4 2
4
42
4
198 LOVE IS BLIND
228
3
2 4 6 4
87
4
4 4 4
237
4
4
250
253
2 2
7 4
8 4
256
2
46
4
4
266
273
276
279
7
283 rit.
4 4
44
= 80 = 35
= 70 = 190
294 rit. rit. rit. THE THRILL OF FIRS
4 12 21
43
= 180 = 200
311
6
352
4
368
2
6
383
2
= 210
398
2
44
= 200
409
4 10 4 4
4 43
= 175 = 200
420
12 5
446
= 210
470
2
479
10
4 3
4 4
= 175
488
3 4
4
= 220
504
2
515
524
3
532
541 accel.
4
554
3 5
4 A THREE PART MINI-OPERA 2 3 20
4 3
4 4
4 4 4
= 100
566 MARVIN AT THE PSYCHIATRIST: Marvin at the Psychiatrist; A
Three Part Mini-Opera. Part One.
2
600
3 2
614
3 2 3 4
44 43 44
= 160
629
11 17 2
4
4
= 90 = 80 = 90 = 115 = 70
648 rit.
16 3 4 3 4 13
4
= 75 = 115
689
5 5
43 44
= 100
735 rit.
4 2 4 5 HOMO 2 4
6
4 4 4 4 4
= 130
757 MY FATHER'S A
4
4
4
771
3
2
3
778 3
42 44
3
785
4
42 44
4 4
2 4
= 120
792
12 20
TO SEE A PSYCHIATRIST
45 44
45 44
807 EVERYONE TELLS JASON
4 2 2 5 2 3 4 2
= 90
851
2
3
23
2 2 3 2
23
= 100
879 slow rit. THIS HAD BETTER
COME TO A STOP
21 2 23 2 14 10 2 7
86 86 43
86
= 95
898
10 2 2 2 3 11 2 9
23 86 23
= 113
980
5
12
8
= 130
1022 I'M BREAKING DOWN
= 135
1032
5
9 12
8
8 8
1037
2 4
1051
1060
3
1063
1070
2
1073
2
1081
4 9 12
8
8
1087
8 2
1097
4
1110
3
1117
6
1124
2
= 110
1127
= 135
1135 accel.
5
= 100
1141
.
l is s
iss.
g
gl
1153
2
3
= 110
1158 rall. accel.
1169
3
1173
2
4
4
1182
4 14 2 The doorbell r
2 4
4 4 4
= 75 = 100 = 160
1188 The phone rings.
PLEASE COME TO OUR HOUSE
14 10 21 5
46 44
42 44
= 110
1214 rit. JASON'S THE
very slight accel.
7
4 2 3
45 44 42 44
= 110 = 160
1271 rit.
9 6 6 13 2
4 2 4 54 44
4 4 4
= 160 = 115 = 120
1288 rit.
5 4 2 4
5 4 2
4 4 4
= 110 = 160
1330 very slight accel. rit.
2 4 28 6 23 5 2
4 4
= 160 = 150
1351 A MARRIAGE PROPOSAL rall.
29 5 9 3 2
8 4
1422 A TIGHT KNIT FAMILY (REPRISE)
3
89
1465
9 3 2
8
4
1475
2
= 160
1487
4
1495
1505
1512
3
8
1519
3 4 4
9
4
= 80
1525 TRINA'S SONG
4 2 4 4
= 95
1546 rall. a tempo rit.
4 4 2
= 125
1570 a tempo rall. a tempo MARCH OF THE FALSETTOS
3 3
1587
3 3 3 3 3 3 3
1592 3
3
19 8
3 3
3
1595
13
3 3 3 3
1628
7 5 5
= 95 = 80
1651 gliss. TRINA'S SONG (REPRISE)
4 2 6
43
= 115
1677 rall. rit.
2
44
= 100 = 175
1696 THE CHESS GAME
9
4 3 4 5
4 4
44
1709
2 7 13 4
4 3
4 4
= 65 = 95
1725 rall. rit.
5 2 7 3
42 43
44 43
= 175 = 175 = 175
1761 rall. rit.
2
= 145
1787 rall.
2 4
= 70
1800
13 2 2 9 17 8 32 6
86
= 115 = 120 = 115 = 130
1814 MAKING A HOME
5 2 35
= 100 = 115 = 110 = 70
1906 rall. rit. rit.
THE GAMES I PLAY
30 9 3 21 3
42
= 75 = 80
1959 accel. accel. a tempo rit.
42 86
2 7 2 6 2 7 2 6 2 3 4
4 8 4 8 4 8 4 8 4 8 4
= 195
2032 MARVIN HITS TRINA
2 6 4 6 4 6 4
4
4 8 4 8 4 8 4
= 80
2044
2
2 3 2
4 2 4
2056 rit.
10
2 6 2 7 2 6 2 3 4 6 4 6
4 8 4 8 4 8 4 8 4 8 4 8
= 195
2068
6 4 6 4
8 4 8 4
= 80
2080 rit.
2
2
4
3
2
42 86 42
= 195
2091
2 6 2 6 2 6 2 6 4 2 35
4 8 4 8 4 8 4 8 4
= 70
2103 MARVIN hits I NEVER WANTED TO slight accel.
TRINA. LOVE YOU
13 6 2 2 2 20 9 2
23
= 85 = 93
2150 rall.
4 5 3 21
24 44 42 44
4
= 90
2210 FATHER TO SON
29 3 3 2
= 75
2248 rit. END ACT ONE
11
Alto Saxophone FALSETTOS
2016 Revival - Act One
4 55 2 34 30 20
24 44
arr. Bill Kangas William Finn
4
= 175 = 150
FOUR JEWS IN A ROOM BITCHING A TIGHT
4 15 10 15
89 43
89 43 44
= 160
147
7 6 6 4 2
24 44
198 LOVE IS BLIND
5 3 2 2 8 7 3
64 44
87 44 87
228
7 2 2 2 4
44
46
44
8
260
272
275
7 6
4 4
278 rit.
7 12
4
4
= 80 = 35
= 70 = 190 = 180
302 rit. rit. rit. THE THRILL OF FIRST LOVE
3 67 2 10
4
= 200 = 210
330
4 10 28
4 43
= 200 = 175 = 200
416
5
17
= 210
461
10
44 3
4
= 175 = 220
489
508
517
524
533
541 accel.
2
553
3 5
4 A THREE PART MINI-OPERA
4 43
= 100
562 MARVIN AT THE PSYCHIATR
27 2 3 12 2
3 4 2 3
4 4 4 4
575 Marvin at the Psychiatrist; A
Three Part Mini-Opera. Part One.
2
2 3 2 3 4
44 43 4
4
= 160
628
11 17 2
4
4
= 90 = 80 = 90 = 115 = 70
648 rit.
16 3 4 3 28
44
= 75 = 115 = 100
689 rit.
5 5 HOMO 2
34 44 42 44
46 44
= 130
751 MY FATHER'S A
4 18 4 4
24 44
42 44
42
4
= 120
771
12 20
2 4
TO SEE A PSYCHIATRIST
45 44
4 4 45
804 EVERYONE TELLS JASON
5 4 4 2 2 5 2
4 4
846
3 4 2 2 3
3 COME TO A STOP
2
= 90 = 100
869 slow rit. THIS HAD BETTE
3
2
890
7
3
= 95
896
6 2 10 2
86
913
3
6 2 14 10 2 7 10
6
4
3 6
8 8
= 113
937
2 2 2 3
23
990
6 2
86
1004
23
1018
3 7 3 2
12
89
12
8 8
= 130 = 135
1022 I'M BREAKING DOWN
12 12 4 37 2 35 5 14
89
12
8 8
= 110 = 135 = 100
1040 accel.
2 4 4 4 2
= 110
1153 rall. accel.
11 14 2
44
42 44
= 75 = 100 = 160
1177 The phone rings.
PLEASE COME TO OUR HOUSE
14 10 21 5
46 44
42 44
= 110
1213 The doorbell rings. rit. JASON'S THE
very slight accel
4 2 3 2
5 4 2 4
4 4 4 4
= 110 = 160 = 160
1271 rit.
6
1290
4
6 13 2
42 44 5 4
4 4
= 115 = 120
1302 rit.
5 4 2 5
5 4 2 4
4 4 4 4
= 110 = 160 = 160
1330 very slight accel. rit.
6
1354
g l is s
.
1366
2
1373
3
2 23 5 rall.
= 150
1380 A MARRIAGE PROPOSAL
2 29 5
89 43
1418 A TIGHT KNIT FAMILY (REPRIS
15 10 18
89 43
= 160
1460
1509
3
1516
1522
5
3 4 9 4
44
= 80
1528 TRINA'S SONG rall.
2 4 4 4 4
= 95
1557 a tempo rit. a tempo rall.
2 77 5 5
= 125 = 95 = 80
1583 a tempo MARCH OF THE FALSETTOS TRINA'S SONG (REPRISE)
4 2 10
3
43
= 115 = 100
1677 rall. rit. THE CHESS GAME
5 15 2 7 13
44 43 44 43
= 175 = 65
1703 rall. rit.
4 5 2 7
42 43
44
= 95 = 175 = 175
1752
4 3 8 8 2
4 4
= 175 = 145
1779 rall. rit. rall.
5 2 3 4
= 70
1807
2 2
86
1827
17 8 32 6
= 115 = 120 = 115 = 130 = 100
1837 MAKING A HOME
5 2 35 30
= 115 = 110 = 70 = 75
1908 rall. rit. rit. THE GAMES I PLAY
6
9 3 10
= 80
1989 accel. accel. a tempo
3 2 6
3 3
4 8
= 195
2020 rit. MARVIN HITS TR
6 2 7 2 6 2 7 2 6 2
8 4 8 4 8 4 8 4 8 4
2033
6
2 3 4 6 4 6 4 6 4
4 8 4 8 4 8 4 8 4
= 80
2042
2 2
2 3 2 6 2 7 2
4 2 4 8 4 8 4
= 195
2058 rit.
2 6 4 6 4 6 4
2 6 2 3 4
4 8 4 8 4 8 4 8 4 8 4
2072
4 6 2 2
4 42 23 42
= 80
2083 rit.
2 6
4 8 42 86 42 86 42 86
= 195
2101
2 35 13 6
86 42 86 44
= 70 = 85
2108 MARVIN hitsI NEVER WANTED TOslight accel.
TRINA. LOVE YOU
2 2 2 17 9 2
23
= 93
2169 rall.
5
4 24 44 42 44
4
= 90
2208 FATHER TO SON
7
4 3 21 29 3 5
4
= 75
2222 rit.
2
2292 END ACT ONE
8
Tenor Saxophone FALSETTOS
2016 Revival - Act One
55 2 34 30 20
24 44
arr. Bill Kangas William Finn
4
4
= 175
FOUR JEWS IN A ROOM BITCHING
4 15 10 15
89 43
89 43 44
= 150 = 160
146 A TIGHT-KNIT FAMILY
7 6 6 4 2 5
24 44
198 LOVE IS BLIND
3 2 2 8
64 44
7 3 2
87 44 87
44
233
4 2 2 4 8 14 4 4
4
46 44
= 80
262 rit. rit.
4 7 12 67
4 43
= 35
= 70 = 190 = 180 = 200
303 rit. rit. THE THRILL OF FIRST LOVE
18 10
44 43
= 210 = 200 = 175
398
3 39 21 10 4
4 44
43
= 200 = 210 = 175 = 220
432
7
510
526
4 3
535 accel.
9 3 5
4 A THREE PART MINI-OPERA
3 4 2
4 4 4 4
= 100
554 MARVIN AT THE PSYCHIATRIST:
27 2 3 12 2 2
2 3
4 4
577 Marvin at the Psychiatrist; A
Three Part Mini-Opera. Part One.
3 2 3 4 11 17
44 43 44
= 160 = 90 = 80
632
4 2 16
4
= 90 = 115 = 70
677 rit.
3 4 3 4 28 5
4
43 44
= 75 = 115 = 100
707 rit.
4 2 4 5 HOMO 2 18
4 4 4 46 44 42 44
= 130
757 MY FATHER'S A
4 4 4
24 44
2 4
4 4 4
= 120
790
12 20
45 44
45 44
808 EVERYONE TELLS JASON
TO SEE A PSYCHIATRIST
4 2 2 5 2 3 4 2 2
= 90
852 slow rit.
3 2 2 3 2 21
3
2 23 86
= 100 = 95
881 THIS HAD BETTER
COME TO A STOP
2
6 2 23 2 14 10 2 7 10
6
4
3 6
8 8 8
= 113
919
2 2 2 3 11 2 9
23 86 23
990
5 12 7 3 2 12 4 37
8 89 12
8 89
= 130 = 135
1022 I'M BREAKING DOWN
9 2 35 5 14 2 4
12
8 8
= 110 = 135 = 100
1093 accel.
4 4 2 11 4
4
= 110 = 75
1162 rall. accel. The phone rings.
PLEASE COME TO OUR H
14 2 14 10
42 44
46 44
42
= 100 = 160
1192 The doorbell rings.
2 4 21 5 4 2
4 4
= 110
1239 rit. JASON'S THERAPY
very slight accel.
3 2
5 4 2 4
9 6
6 13
4 4 4 4
= 110 = 160 = 160 = 115 = 120
1279 rit. rit.
2 5 4 2 5
42 44 54 44
= 110
1324 very slight accel.
5 4 2 4 28 6 23 5
4 4 4 4
= 160 = 160 = 150
1348 rit. A MARRIAGE PROPOSAL rall.
2 29 5 9 3 15 9
8 4 8
1418 A TIGHT KNIT FAMILY (REPRISE)
3
9 3 10 37 7 4 4 9
8 4 4
= 160 = 80
1475 TRINA'S SONG
4 2 4 4 4
= 95
1548 rall. a tempo rit. a tempo
4 2 77 5 5
= 125 = 95 = 80
1575 rall. a tempo MARCH OF THE FALSETTOS TRINA'S SONG (REPRISE)
4 2 10
43
= 115 = 100
1674 rall. rit. THE CHESS GAME
5 15 2 7 13
44 43 44 43
= 175
1701 rall. rit.
4 5 2
42 43
= 65 = 95 = 175
1750
7 8 8 2
44 43
= 175 = 175 = 145
1772 rall. rit. rall.
5 13 2 2 11 17 8
86
= 70 = 115 = 120
1807 MAKING A HOME
32 6 5 2
= 115 = 130 = 100 = 115 = 110
1868 rall. rit.
35 30 9 3 21
= 70 = 75 = 80
1922 rit. THE GAMES I PLAY accel. accel. a tempo rit.
3
42 86 42 87 42 86 42 87 42 86 42
= 195
2028 MARVIN HITS TRINA
4
2 3 4 2 6 4 6 4 6 4 6
4 8 4 8 4 8 4 8 4
= 80
2042 rit.
2 2 2
3 2 6 2 7 2 6
4 2 4 8 4 8 4 8
= 195
2059
6 2 3 4 2 6 4 6 4 6 4
8 4 8 4 8 4 8 4 8 4
= 80
2073
6 2 2
42 23 42 86 42
= 195
2084 rit.
2 35
2 6 2 6 2 6 2 6 4
4 8 4 8 4 8 4 8 4
= 70
2103 MARVIN hits I NEVER WANTED TO slight accel.
TRINA. LOVE YOU
13 6 2 2 2 20 9 2
23
= 85 = 93
2150 rall.
4 5 3 21
24 44 42 44
4
= 90
2210 FATHER TO SON
29 3 5 2
= 75
2248 rit. END ACT ONE
5
Trombone FALSETTOS
2016 Revival - Act One
55 89 5 15
24 44
arr. Bill Kangas William Finn
4
89 43
89 43 44
4
= 175 = 150
FOUR JEWS IN A ROOM BITCHING A TIGHT-KNIT FAMILY
10 15 7 6 6
4
42 44
4
= 160
170 LOVE IS BLIND
4 2 5 3 2 2 8
4 87 44
46
4
4 4
220
7 3 2 2 2 4 8 14
44
87
44
46 44
250 rit.
4 4 8 12
44
= 80 = 35
= 70 = 190 = 180
294 rit. rit. rit. THE THRILL OF FIRST LOVE
67 20 2 10 39
3
43
4 44
= 200 = 210 = 200 = 175 = 200
330
21 10 39 25 6
43
44
44
43
= 210 = 175 = 220 = 100
471 accel. MARVIN AT TH
A THREE PART
27 2 3 12 2
43 44 42 43
575 Marvin at the Psychiatrist; A
Three Part Mini-Opera. Part One.
2 3 2 3 4
4 3 44
4 4
= 160
628
11 17 2
4
4
= 90 = 80 = 90 = 115 = 70
648 rit.
16 3 4 3 28
4
4
= 75 = 115 = 100
688 rit.
5 5 3 18
34 44 42 44
46 44 42
= 130
751 MY FATHER'S A
HOMO
4 4
2 4
4 4
42 44 2 4
4 4
= 120
789
12 20
45 44 45 44
807 EVERYONE TELLS JASON
TO SEE A PSYCHIATRIST
4 2 2 5 2 3 4 2 2
= 90
851 slow rit.
3 3 2 3 2 21 2
3
2 23 86
= 100 = 95
881 THIS HAD BETTER
COME TO A STOP
23 2 14 10 2 7 10 2
86 43 86 23
= 113
921
2 2 3 11 2 9 5 8
3 12
86 23
2 8
= 130
992 I'M BREAKING D
3 2 12 4 37 2 35 5
89 12 89 12
8 8
= 135 = 110
1035 accel.
14 2 4 4 4
= 135 = 100 = 110
1138 rall. accel.
2 11 14
44
42 44
= 75 = 100 = 160
1175 The phone rings.
PLEASE COME TO OUR HOUSE
2
2 14 10 21
44 6 4
4 4
2 4
4 4
1211 The doorbell rings. rit.
5 4 2 3 2 9
5 4 2 4
4 4 4 4
= 110 = 110 = 160 = 160
1266 JASON'S THERAPY
very slight accel. rit.
6 6 13 2 5
2 4
4 4 54 44
= 115 = 120 = 110
1297 rit. very slight accel.
4 2 5 28 6
45 44 42 44
= 160 = 160
1335 rit.
24 5 2 29 5
89
= 150
1387 A MARRIAGE PROPOSAL
rall. A TIGHT KNIT
15 10 37 7 4
9 3 44
89 43
8 4
= 160 = 80
1458 TRINA'S SONG
9 4 2 4 4
= 95
1536 rall. a tempo
4 4 2 77 5
= 125 = 95
1568 rit. a tempo rall. a tempo MARCH OF THE FALSETTOSTRINA'S SON
5 4 2 10
43
= 80 = 115 = 100
1667 rall. rit. THE CHE
5 15 2
44 43 44 43
= 175
1698 rall. rit.
7 13 4 5
42
= 65 = 95 = 175
1730
3
2 7 8 8
42 43 4 3
4 4
= 175 = 175 = 145
1769 rall. rit. rall.
2 5 13 2 2 11 17
86
= 70 = 115
1804 MAKING A HOME
8 32 6 5 2
= 120 = 115 = 130 = 100 = 115 = 110
1860 rall. rit.
35 30 9 3 21
= 70 = 75 = 80
1922 rit. THE GAMES I PLAY accel. accel. a tempo rit.
3
42 86
2 7 2 6 2 7 2 6
4 8 4 8 4 8 4 8
= 195
2028 MARVIN HITS TRINA
2
6 2 3 4 4 6 4 6 4
8 4 8 4 86 4 8 4 8 4
= 80
2041
6 2 2
42 23 42 86 42
= 195
2052 rit.
2
2 7 2 6 2 3 4
86
4 6 4
4 8 4 8 4 8 4 4 8 4
2070
6 2
4 6 4 2 3
4 8 4 4 2
= 80
2081 rit.
2
42
6 2 6 2 6 2 6 2 6 4
8 4 8 4 8 4 8 4 8 4
= 195
2099
2 35 13 6 2 2 2
4
4
= 70 = 85 = 93
2111 MARVIN hits I NEVER WANTED TO slight accel. rall.
TRINA. LOVE YOU
4
20 9 2 5
2 4
2
3 44
4 4
= 90
2176 FATHER TO SON
3 21 29 3
4 2 4
4 4 4
= 75
2220
5 2
2285 rit. END ACT ONE
5
Piano FALSETTOS
2016 Revival - Act One
4
arr. Bill Kangas William Finn
4
= 175
FOUR JEWS IN A ROOM BITCHING
4
4
4
8
13
16
20
24
29
33
38
42
2
46
42
50
2
4
2 4
4 4
56
2 4
4 4
60
64
68
3
73
77
81
85
89
95
4
98
104
107
111
115
119
5
2
123
2
129
133
2
136
2
2
= 150
142 A TIGHT-KNIT FAMILY
2
8 43
9
148
98 43
6
153
159
8 43
9 44
165
98 43 44
4
4
170
44
= 160
176
183
7
189
195
199 LOVE IS BLIND
203
207
211
8
215
42 44
218
4 44
2
222
227
231
234
9
7 44
8
238
87 44
4
4
241
4
4
46
245
6
4
6 4
4
4
249
46 44
252
256
10
7
4
8
4
259
87 44
263
46
267
46
6 4
4
4
270
46 44
273
277
11
280
284
288
= 70
292 rit.
297
= 80 = 35
302 rit. rit.
12
4 THE THRILL OF FIRST LOVE
4
= 70 = 190
307 rit.
44
= 180
312
319
3
4
= 200
325
43
333
342
13
350
358
367
376
384
= 210
392
14
400
406
4
4
= 200
414
44
4
4
= 175
420
44
3
4
= 200
426
3
4
433
15
442
450
459
= 210
468
474
480
16
44
= 175
489
4
4
495
3
4
= 220
502
3
4
511
518
524
17
531
538 accel.
547
556
= 100
3
44 A THREE PART MINI-OPERA
562 MARVIN AT THE PSYCHIATRIST:
3
4
4
34 44 42 43
572 Marvin at the Psychiatrist; A
Three Part Mini-Opera. Part One.
3 4 2
4 4 4 43
18
581
591
600
609
618
625
19
4
4 3
4 44
= 160
634
4
4 43 44
643
= 90
647
653
658
665
20
4
4
= 80 = 90 = 115
674 rit.
44
= 70
682
688
695
702
= 75
708
21
44
= 115
714
44
723
732
741 rit.
= 100
748
44 42 4
43
4
755
44 42 44
43
22
6
4
= 130
763 MY FATHER'S A
HOMO
46
6 44
4
770
6
4 44
777
42
783
42
2 44
4
42 44
= 120
789
2
4 44
42 44
42
797
42
23
2 4
4 4
804 EVERYONE TELLS JASON
TO SEE A PSYCHIATRIST
42 4
4
810
813
45 44
818
45 44
826
830
24
834
839
45 44
843
45 44
851
855
860
25
= 90
864
870
876 slow rit.
2
32 COME TO A STOP
= 100
884 THIS HAD BETTER
2
23
3
2
892
3
2
= 95
896
26
902
3
3
907
912
86
918
86
924
929
3
3
27
934
86
940
86
6
8
944
6
8
951
3
4
957
3
4
963
28
86
969
86
974
= 113
980
23
988
23
994
999
29
86
1005
86
6
8
1010
6
8
1015
3
2
1020
23
3 12
8
= 130
1024 I'M BREAKING DOWN
3
12
8
= 135
1031
30
9
8 12
8
1036
89 12 8
1041
1044
1048
1053
1057
31
1061
1065
1070
1074
1080
1085
32
9
8 12
8
1090
89 12
8
12
8
1095
12
8
1098
1102
1107
1112
33
1116
1121
= 110
1126
1131
= 135
1136 accel.
1140
34
1146
= 100
1152
1156
= 110
1160
1166 rall. accel.
1170
35
1174
1179
2 4
4
= 75
1184 The phone rings.
PLEASE COME TO OUR HOUSE
2
44
= 100 = 160
1193
1199
1203
36
2 4
4 4
1209 The doorbell rings.
42 44
1215
1219
46
1224
46
6 4
4 4
1228
6 4
4 4
1231
37
1235
2 44
4
1238
42 44
1243
1247
1251
1256 rit.
38
= 110
1262 JASON'S THERAPY
very slight accel.
1270
= 110
1275
45 44
2
4
44
= 160
1281 rit.
45 44 2 44
4
4
4
= 160
1288
4
4
1292
39
1295
= 115
1299
1305
= 120
1309
1313
1316
40
1319
2 4 45 4
4 4 4
1323 rit.
42 44 45 44
44
= 110
1329 very slight accel.
4
4
1336
1341
5 44 2 44
4 4
= 160 = 160
1348 rit.
45 44
42 44
41
1353
1356
1359
1363
1368
1373
42
2
= 150
1379 A MARRIAGE
2
g l is
s.
1388
1399
1405
1412 rall.
gliss.
gglilissss..
1420
43
1427
1434
1440
1447 A TIGHT KNIT FAMILY
8 43
9
1454
98 43
3
4
1459
3
4
44
1464
89
1470
89
9
8 43
1475
9 43
8
1480
= 160
1486
1493
45
1499
1506
1516
1522
3
44
= 80
1527 TRINA'S SONG
3
44
1535
46
1540
1542
1544
1550
1553
= 95
1555 rall. a tempo
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