On Paul Ricoeur The Owl of Minerva
On Paul Ricoeur The Owl of Minerva
On Paul Ricoeur The Owl of Minerva
Divine Knowledge
A Kierkegaardian Perspective on Christian Education
David Willows
Impossible God
Derrida’s Theology
Hugh Rayment-Pickard
On Paul Ricoeur
The Owl of Minerva
RICHARD KEARNEY
Boston College, USA
First Published 2004 by Ashgate Publishing
Richard Kearney has asserted his moral right under the Copyright, Designs and Patents Act, 1988,
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Part One 11
Conclusion 171
Taking his cue from such German hermeneutic thinkers as Dilthey, Heidegger
and Gadamer, Ricoeur elaborated a complex set of enquiries into what he
called the enigma of ‘semantic innovation’. How does new meaning come to
be, and, in doing so, reconfigure the meanings of the past? This fundamental
hermeneutic question is based on the thesis that existence is itself a mode of
interpretation (hermeneia), or, as the hermeneutic maxim goes: Life interprets
itself. But where Heidegger concentrated directly on a fundamental ontology of
interpretation, Ricoeur advances what he calls the ‘long route’ of multiple
hermeneutic detours. This brought him into dialogue with the human sciences,
where philosophy discovers its limits in what is outside of philosophy, in those
border exchanges where meaning traverses the various signs and disciplines in
which Being is interpreted by human understanding. Ricoeur thus challenged
Heidegger’s view that Being is accessible through the ‘short route’ of human
existence (.Dasein) which understands itself through its own possibilities; he
argued instead that the meaning of Being is always mediated through an
endless process of interpretations - cultural, religious, political, historical and
scientific. Hence Ricoeur’s basic definition of hermeneutics as the ‘art of
deciphering indirect meaning’.
Philosophy is hermeneutical to the extent that it reads hidden meanings in
the text of apparent meanings. And the task of hermeneutics is to show how
existence arrives at expression, and later again at reflection, through the
1
2 On Ricoeur
with biology, Husserl and Whitehead with mathematics and so on. In the
interpretation o f texts, scientific ‘explanation’ and phenomenological
‘understanding’ converse and converge. Philosophy thus opens itself once
again to a productive dialogue with its other.
But if the semiological challenge restores hermeneutics to the model o f the
text, it does not in any sense enclose it in some prison house o f language. On
the contrary, the hermeneutic dialectic advanced by Ricoeur is one which
passes through the detour o f the text in the name o f something beyond it - what
he calls the ‘matter o f the text’. Here we encounter the ontological horizon o f
world-meaning opened up by the textual workings o f language.
This ultimate reference - to a world not merely represented by the text but
disclosed by the text - brings us beyond epistemology to ontology. Thus the
ultimate horizon o f Ricoeur’s work remains, from beginning to end, the
horizon o f being which signals to us obliquely and incompletely: a promised
land but never an occupied one. We encounter here a truncated ontology -
provisional, tentative, exploratory. And this limitation on the pretensions o f
speculative reason signals for Ricoeur a renunciation o f Hegel and all other
versions o f systematic closure. The interpretation o f being is always something
begun, but never completed.
The implications o f Ricoeur’s privileging o f the text as a model o f
interpretation are radical. Meaning is no longer construed as an essence to be
intuited (Husserl), nor as a transcendental condition o f possibility to be reflected
upon (Kant). The text breaks the circuit o f internal reflection and exposes us to
intersubjective horizons o f language and history. Meaning, as Ricoeur constantly
reminds us, involves someone saying something to someone about something.
This requires us to pay attention to the particular contexts and presuppositions o f
each speaker and each reader. Interpretation is described accordingly by Ricoeur
as the process by which, in the interplay o f question and answer, the interlocutors
collectively determine the contextual values which inform their conversation.
Interpretation explodes the confines o f the timeless reflective subject and
discloses us as language-using beings in a world with others.
The hermeneutic model o f the text reveals complexities o f meaning beyond
the face-to-face o f spoken dialogue. It goes beyond the direct reference o f two
interlocutors co-present to one another in an immediately identifiable situation
‘here and now ’. This involves a ‘long’ intersubjective detour through the
sedimented horizons o f history and tradition. In The Conflict o f Interpretations
(1969), Ricoeur demonstrates how the short intersubjective relation (of two
speakers in conversation) is invariably intertwined with various long
intersubjective relations, mediated by various social institutions, groups,
nations and cultural traditions. The long intersubjective relations may thus be
said to be sustained by a historical tradition, o f which our immediate dialogue
Introduction 5
to serve as a critique o f both egology (the view that the self is origin o f itself) and
ideology (the view that understanding is a matter o f false consciousness).
Let us return to Ricoeur’s central claim that the working of the text is itself a
process o f ‘semantic innovation’. In the case o f the symbol, this involves a
crossing o f intentionalities at the level o f the word. In the case o f metaphor, it
involves a production o f new meaning at the level o f the sentence. In the case o f
narrative, it takes the form o f an emplotment (mise-en-intrigue) which
synthesizes heterogeneous temporal elements at the level o f language as a
whole. This last is what Ricoeur names configuration. And like symbol and
metaphor before it, he relates it to the schematizing function o f productive
imagination. Emplotment, as Ricoeur writes in the first volume o f Time and
Narrative (1983), engenders a mixed intelligibility between the theme o f a story
(its intellectual component) and the intuitive presentation o f characters, events,
circumstances and reversals o f fortune that make up the denouement. In this
way, Ricoeur says, we can speak o f a schematism o f the narrative function.
This schematizing role o f narrative operates a dialectic between the dual
hermeneutic demands o f tradition and innovation. Each supplements the other.
Tradition needs innovation in order to sustain itself as a living transmission o f
meaning capable o f being reactivated in its inaugural moments, while innovation
needs tradition in order to make sense as a form o f expression governed by rules.
Even in its deviant or transgressive guises, it is always a matter o f ‘rule-governed
deformation’. The nouveau roman and anti-roman presuppose the roman. Once
again, Ricoeur reminds us that we are part o f a hermeneutic circle o f distantiation
and belonging, o f novelty and familiarity, o f far and near. The possibility of
deviation is inscribed in the very rapport between sedimented paradigms and
actual works. Apart from the extreme case o f schism, as Ricoeur notes, this is the
very opposite o f servile application. Rule-governed deformation is the pivot
around which the various changes o f paradigm through application are
organized. It is this diversity o f applications that confers a history on the
productive imagination and that makes a narrative tradition possible.
This dialectic o f innovation and tradition involves not just writing but
reading. We pass accordingly from what Ricoeur calls configuration to
refiguration - from the text to the reader who acts in a world. Hence the title o f
Ricoeur’s volume Du texte à Taction (1986). Written narrative requires the
reader for its completion. Or to put it in Ricoeur’s terms, emplotment is a joint
work o f text and reader. It is the reader who accompanies the interplay of
innovation and sedimentation, who schematizes emplotment, plays with
narrative gaps, and, finally, refigures what the author configures and defigures.
This re-creative labour signals, in the last analysis, a reshaping o f the world o f
action under the sign of the plot.
Plots are not, o f course, confined to texts signed by individual authors. They
are also to be found at the level o f what Ricoeur calls the social imaginary -
Introduction 7
that body o f collective stories, histories and ideologies which informs our
modes o f socio-political action. Social imagination, he argues, is constitutive
o f our lived reality. Ricoeur goes on to analyse this phenomenon under the
dialectical headings o f ideology and utopia. While ideology tends to promote
collective images which integrate a community around a shared identity,
utopian images work in the opposite direction o f novelty, rupture and
discontinuity. The social imagination serves both an ideological role o f
identification and a utopian role o f disruption. The former preserves and
conserves; the latter projects alternatives. Thus one o f the central functions o f
hermeneutics identified by Ricoeur is the critical interrogation o f the socio
political imaginaire which governs any given society and motivates its citizens.
In relation to society, no less than in relation to the text, Ricoeur promotes a
dialectical balance between belonging and distance. Ideology as a symbolic
confirmation o f the past and utopia as a symbolic opening towards the future
are, he insists, complementary. Cut off from one another, they run the risk o f
pathological extremes: ideology imprisoning us in reactionary conservatism,
utopia sacrificing us to a schizophrenic image o f an abstract future without the
conditions for its realization.
In this regard, Ricoeur manages to combine a Gadamerian respect for
tradition with a Habermasian critique o f ideology. The risk for Gadamer is
innocent obedience to the authority o f inherited prejudice; the risk for
Habermas is obliviousness to the truth that critique is also a tradition - one
which, as Ricoeur points out, reaches back to the Greek narratives o f Socratic
questioning and the biblical narratives o f exodus and resurrection. The danger
is severing our utopian horizon o f expectation from the ideological horizon o f
past and present. One o f the most urgent hermeneutic tasks today, insists
Ricoeur, is to reconcile these two tasks o f the social imaginary - reanimating
tradition and realizing utopia.
The dialectic o f critique and creation - to which we shall return in several o f
our studies below - is, in fact, a typical exemplification o f R icoeur’s canonical
play between a hermeneutics o f suspicion and affirmation. Suspicion takes the
form o f a critique o f false consciousness by the three ‘masters o f suspicion’ -
Freud, Marx and Nietzsche. By contrast, the hermeneutics o f affirmation
emphasizes our fundamental desire to be, keeping us open to an irreducible
‘surplus o f m eaning’ (surcroît de sens). The former, Ricoeur argues, is a
necessary prelude to the latter. We can only recover our ontological desire to be
authentically in a ‘second naïveté’ by first interrogating ourselves as we exist
outside o f ourselves. Authentic meaning must traverse the purgatorial fires o f
alienation. Hence the crucial importance o f Freud’s disclosure o f unconscious
desire, N ietzsche’s genealogy o f will-to-power, and M arx’s critique o f false
consciousness. All three recognized that meaning, far from being transparent to
itself, is an enigmatic process which conceals at the same time as it reveals.
Ricoeur insists therefore on the need for a hermeneutics o f suspicion which
8 On Ricoeur
But critique is not the only task o f hermeneutics. Once divested o f illusions, we
often find ourselves faced with a remainder o f ontological meaning which
exists beyond the self. And it is this surplus meaning which re-invites and re-
ignites the affirmation o f our desire-to-be. But the promised land o f ontological
affirmation is at best a hope which the interpreter, like Moses, can only glimpse
before dying. That is why hermeneutic truth takes the form o f a wager. It is less
an acquisition than a task. Because we are finite beings, our understanding
always remains within the historical limits o f the hermeneutic circle. The myth
o f absolute reason must always be resisted in favour o f a plurality o f critical
debates and detours. A creative conflict o f interpretations is inevitable. This
explains Ricoeur’s characteristic willingness to open his hermeneutic
phenomenology to a open debate with such interlocutors as structuralism,
psychoanalysis, analytic philosophy, political theory, sociology, theology and
the sciences o f language. Here as elsewhere his hermeneutic maxim prevails -
the shortest route from se lf to se lf is through the other.
The ontological surplus o f meaning is, for Ricoeur, ultimately an invitation
to create. This theme o f creation may be said to run from Ricoeur’s first
hermeneutic studies on symbolism to the later studies o f ‘narrative identity’ in
Time and Narrative and Oneself as Another (1990). But such a poetics of
creation cannot be removed from an ethics o f just action. It is always a question
o f moving back and forth between text and action. That is why it is no accident
that Ricoeur’s hermeneutic studies o f narrative identity in Oneself as Another
lead directly to what he calls his ‘little ethics’ - a discussion o f how cultures
seek to realize the Aristotelian goal o f a ‘good life with and for others in just
institutions’. This is a task which the Greeks identified with the conjunction o f
practical wisdom (phronesis) and creativity (poiesis). Ricoeur’s hermeneutics
represents, I believe, one o f the most significant contemporary realizations o f
this most ancient o f philosophical tasks.
That Ricoeur’s final writings - in the last decade of the twentieth century
and in the early years o f the twenty-first - are devoted to issues o f loss and
pardon, memory and mourning, melancholy and forgetfulness, by no means
signals an abandonment o f this task. On the contrary, Ricoeur’s ceaseless
efforts to reconfigure our projects o f creative hope in the shadow o f the past -
both individual and historical - is testimony to his uncompromising
commitment to a conflict o f perspectives. Hermeneutic enquiry is, for Ricoeur,
an indispensable way o f giving a future to the past.
Introduction 9
On a more personal note, I would like to acknowledge the honour and pleasure
it is for me to publish this particular selection o f studies and dialogues. The
selection is not entirely neutral, for it is assuredly informed by my own
experience o f working with Ricoeur as my doctoral adviser in the University o f
Paris in the late 1970s and by our enduring friendship ever since. Such themes
as narrative imagination, poetics o f possibility, the ethics o f self-as-other or the
ontology-eschatology debate have been topics o f continued discussion
between us over the years. There are few philosophers from whom I have learnt
so much and even fewer whom I have had the privilege to know so well. The
fact that this book is completed twenty-five years since I first met Ricoeur, and
in the ninety-second year o f his life, encourages me to offer it as a heartfelt
tribute from a learner to a master.
The title o f this work also has something o f a personal connotation. Every
time I visited Ricoeur over the years at his home in Chatenay-Malabry, outside
Paris, I was invariably struck by the hosts o f owls furnishing his offfice and
library. Ricoeur is, in more ways than one, the living epitome o f the Owl o f
Minerva - a thinker who has always preferred the long route over the short cut
and has never written an essay or book until he had first experienced and
questioned deeply what it was he was writing about. He, like the Owl o f
Widsom in H egel’s famous example, only takes flight at dusk when he has
fully attended to what transpired (as both action and suffering) during the
long day’s journey. The fact that he has endured for almost a century -
following in the footsteps o f his fellow hermeneut, Gadamer (is there
something in the hermeneutic water?) - additionally qualifies him, o f course,
for the emblematic title o f a wise old owl. Someone bom in 1913 who
witnessed three world wars (counting the cold war), endured years o f prison
captivity under the Nazis, taught in dozens o f universities and countries and
wrote over thirty major books knows, I think, what he is talking about when he
completes a book in his ninetieth year called La Mémoire, I ’histoire, I 'oubli. It
10 On Ricoeur
is a privilege, I would suggest, for us, his readers, to learn deeply from his lived
reflections.
I wish to thank my assistants at Boston College, John Manoussakis and Todd
Sadowski, for the invaluable editorial assistance they offered me in the
preparation o f this manuscript. I am also grateful to Martin Warner and Kevin
Vanhoozer, editors o f the series on Transcending Boundaries in Philosophy and
Theology at Ashgate, for inviting me to contribute this volume to their
collection. Finally, I would like to thank the editors o f the various journals or
publications where several earlier versions or sections o f the studies below
have appeared over the years. A special acknowledgement note is appended to
each study.
References
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History and Truth (Evanston, IL: Northwestern University Press, 1965).
Freedom and Nature: The Voluntary and the Involuntary (Evanston, IL: Northwestern University
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Husserl: An Analysis of his Phenomenology (Evanston, IL: Northwestern University Press,
1967).
The Symbolism of Evil (New York: Harper and Row, 1967).
Freud and Philosophy: An Essay on Interpretation (New Haven, CT: Yale University Press,
1970).
Tragic Wisdom and Beyond [with Gabriel Marcel ] (Evanston, IL: Northwestern University Press,
1973).
The Conflict of Interpretations: Essays in Hermeneutics (Evanston, IL: Northwestern University
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Political and Social Essays, ed. D. Stewart and J. Bien (Athens, OH: Ohio University Press,
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(Boston, MA: Beacon Press, 1978).
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(London: Routledge, 1991).
Oneself as Another (Chicago, IL: University of Chicago Press, 1992).
Figuring the Sacred: Religion, Narrative and Imagination (Minneapolis, MN: Fortress Press,
1995).
'Towards a New Ethos for Europe' and 'Love and Justice' in: Paul Ricoeur: The Hermeneutics of
Action, ed. Richard Kearney (London: Sage Publications, 1996).
Thinking Biblically: Exegetical and Hermeneutical Studies, P. Ricoeur and Andre LaCocque
(Chicago, IL: University of Chicago Press, 1998).
'Memory and Forgetting' in: Questioning Ethics, ed. Mark Dooley and Richard Kearney (London
and New York: Routledge, 1999).
The Just (Chicago, IL: University of Chicago Press, 2001).
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Recognition (Cambridge, MA: Harvard University Press, forthcoming.
Philosophy of Paul Ricoeur, ed. Louis E. Hahn , The Library of Living Philosophers (La Salle, IL:
Open Court, 1995). This text includes Ricoeur's autobiography, 25 critical essays with replies by
P. Ricoeur, and a complete Ricoeur bibliography of primary and secondary sources compiled by
Frans D. Vansina and P. Ricoeur, pp. 605-815.