SOUTHERN LUZON STATE UNIVERSITY

Lucban, Quezon
INSTITUTE OF HUMAN KINETICS
PE 02 – RHYTMIC ACTIVITIES Total Score
Preliminary Examination
S.Y. 2013-2014

NAME ______________________________ DATE__________________

YEAR/ COURSE _______________________ DAY OF P.E. ___________

TEST I – MULIPLE CHOICE

Direction: Blacken the circle of the correct answer provided before the number.

A B C D
O O O O 1. Basic of Music and Dance
a. rhythm c. rhythmic activities
b. rhythmic pattern d. rhythmic movement

A B C D
O O O O 2. Enhance and expand the quality of movements
a. movement concept c. traditional concept
b. skill concept d. imaginary concept

A B C D
O O O O 3. Act of moving rhythmically and expressively to an accompaniment
a. dance c. rhythms
b. dancing d. rhythm

A B C D
O O O O 4. Characteristics of dance in places where life is easy
a. slow c. gay
b. sad d. frolicsome

A B C D
O O O O 5. In places where life is hard, dance movements are ________
a. light c. fast
b. heavy d. mournful

A B C D
O O O O 6. Level of the body where arms in lateral position can be done.
a. shoulder c. waist
b. chest d. all of the above

A B C D
O O O O 7. If you are brushing with your right foot, which foot is your free foot?
a. right foot c. both feet
b. left foot d. none of the above
A B C D
O O O O 8. Dance formation using “cabeceras”
a. circle c. square
b. diamond d. oblong

A B C D
O O O O 9. Area of the hall occupied by the “costados”
a. length c. side
b. width d. front

A B C D
O O O O 10. When facing center, dancer doing clockwise, movement is toward ________
a. left c. right
b. front d. back

A B C D
O O O O 11. In “Do – Si – Do” dancers return to proper place _________
a. turning about c. turning right
b. without turning d. turning left

A B C D
O O O O 12. If you are hopping with your left foot, which is your supporting foot?
a. left foot c. both left or right
b. right foot d. none of the above

A B C D
O O O O 13. Hayon- hayon is placing one forearm in front and the other at the back at
__________ level.
a. shoulder c. waist
b. chest d. hips

A B C D
O O O O 14. Direction of hand movement in Kumintang
a. clockwise c. clockwise or counterclockwise
b. counterclockwise d. all of the abovE
A B C D
O O O O 15. Masiwak is turning the hand from the wrist
a. full way c. whole way
b. halfway d. quarter way

A B C D
O O O O 16. Part of the foot used in pivoting
a. whole foot c. ball
b. heel d. all of the above

A B C D
O O O O 17. Salok is a/n ________ term
a. Ibanag c. Visayan
b. Tagalog d. Ilocano

A B C D
O O O O 18. Carinosa is classified as
a. Natural dance c. Ethnic dance
b. National dance d. Local dance
A B C D
O O O O 19. Dance which is not a social/ballroom dance
a. Cha – cha – cha c. Ballet
b. Paso doble d. Waltz

A B C D
O O O O 20. Highest form of dance for the purpose of entertainment
a. Gymnastic dance c. Creative dance
b. Modern dance d. Recreational dance

A B C D
O O O O 21. Movement used in the Natural dance.
a. axial movement c. non – locomotor movement
b. locomotor movement d. all of the above

A B C D
O O O O 22. Raising one arm upward, the other raise sideward
a. first position c. third position
b. second position d. fourth position
A B C D
O O O O 23. Heels together and toes turned out
a. first position c. third position
b. second position d. fourth position
A B C D
O O O O 24. In doing Jaleo, the part of the body almost touching when postures turned
around
a. elbows c. hips
b. knees d. shoulder

A B C D
O O O O 25. Concept of movement refers to
a. ideas c. feeling
b. action d. tradition
A B C D
O O O O 26. To rap slightly with the bow or toe
a. tap c. step
b. point d. hop

A B C D
O O O O 27. The term “ABRASETE” originated in ______________
a. Sweden c. Scandinavia
b. Switzerland d. Spain

A B C D
O O O O 28. Hapay is to flourish something as a sign of _____________
a. courtesy c. thanksgiving
b. respect d. invitation

A B C D
O O O O 29. Foot bearing the weight of the body
a. Free c. outside
b. Inside d. supporting
A B C D
O O O O 30. Ilocano Kumintang is done with
a. open palms c. tightly closed fist
b. slightly closed fist d. none of the above

A B C D
O O O O 31. Bring foot forcibly and noisily on the floor.
a. cut c. stamp
b. point d. tap

A B C D
O O O O 32. Touching toes on the floor
a. draw c. point
b. place d. raise

A B C D
O O O O 33. Hitting or brushing the floor with the ball or heel
a. brush c. place
b. jump d. slide

A B C D
O O O O 34. Number of beat/s of two quarter notes and one half note
a. one c. three
b. Two d. four

A B C D
O O O O 35. Musical symbol which has ½ beat
a. c.
b. d.

A B C D
O O O O 36. Note which receives two beat
a. eighth note c. sixteenth note
b. half note d. quarter note

A B C D
O O O O 37. When group is in circle formation facing center and everybody is moving left, the
direction is ________________
a. clockwise c. clock direction
b. counterclockwise d. opposite clock direction

A B C D
O O O O 38. Movement where there is a transfer of weight
a. place c. tap
b. step d. point

A B C D
O O O O 39. Girl executed ABRASETE by __________________________
a. placing hands on waist of partner
b. placing hands on hips of the partner
c. holding the elbow of partner
d. holding hand of partner
A B C D
O O O O 40. Feet apart sideways at shoulder width
a. 1st position of the feet c. 3rd position of the feet
nd
b. 2 position of the feet d. 4th position of the feet
A B C D
O O O O 41. If you are hopping with your right foot, which is your supporting foot
a. left foot c. inside foot
b. right foot d. outside foot

A B C D
O O O O 42. Note which has two flags or tails
a. eighth c. sixteenth
b. quarter d. thirty – second

A B C D
O O O O 43. Pandangos, Jotas, Lanceros, and Surtidos are example of
a. comic dance c. religious dance
b. festival dance d. wedding dance

A B C D
O O O O 44. Value of folk dancing produced if the dancer improves his sensitivity to rhythm.
a. Cultural c. recreational
b. Physiological d. social

A B C D
O O O O 45. Prime reason for dancing
a. physical purposes c. entertainment purposes
b. emotional purposes d. social purposes

A B C D
O O O O 46. Filipinos who usually dance pantomimic dance
a. Negritos c. Tagalog
b. Visayan d. Ilocanos

A B C D
O O O O 47. Part of the arm close to waist in “bilao”
a. Forearm c. upper arm
b. Elbow d. lower arm

A B C D
O O O O 48. Formation of Rigodon de Honor
a. Squire c. long formation
b. Circle d. oblong

A B C D
O O O O 49. Number of measures of a sway balance
a. One c. three
b. Two d. four

A B C D
O O O O 50. Highest form of dance for the purpose of entertainment
a. Gymnastic dance c. creative dance
b. Modern dance d. recreational dance
Test II. MATCHING TYPE
Direction: Match column A with column B. Write letter only.
Nature of the Dance
A B
____ 51. Comic dance a. dance in social gathering
____ 52. Courtship dance b. depicts funny movements
____ 53. Festival dance c. depicts action for industry or manual labor
____ 54. Game dance d. depicts affectionate movement
____ 55. Local Dances e. expresses play elements
____ 56. National dance f. found throughout the country
____ 57. Occupational dance g. only found in a certain locality
____ 58. Religious dance h. performed during wedding feast
____ 59. War dance i. performed in connection with religious vows
____ 60. Wedding dance j. shows imaginary combat
k. suitable for special occasion

Dance terms
A B
____ 61. Lateral Position a. moving the hand from the wrist clockwise or
counter clockwise
____ 62. Hayon-hayon b. turning palms up and down alternately
____ 63. Bilao c. both arms sideward right or left
____ 64. Kumintang d. turning the hand halfway clockwise then lower
then raise or low
____ 65. Salok e. crossing the arms and bending body slightly
____ 66. Sarok f. one forearm in front, other at the back
____ 67. Hapay g. flourishing or offering something as a sign of
invitation
____ 68. Masiwak h. partners return to proper place without turning
____ 69. Jaleo i. swinging arms upward and downward as if
scooping
____ 70. Do – Si – Do j. supporting the head with the forearm
k. turning around with elbows almost touching

TEST IV. FUNDAMENTAL POSITIONS OF ARMS AND FEET

Direction: Identify the following diagram showing the fundamental positions of arms and feet

71. ____________________ 72. ____________________ 73. _______________

 74. ____________________ 75. _____________________

76.__________________ 77.____________________ 78. _______________

79. _________________________ 80. _____________________

TEST V. RHYTHMIC PATTERN

A. Write the note of the following counting.

81. Ct. 1 ah and ah =

82. Ct. 1 and 2 =

83. Ct. 1 2 3 =

84. Ct. 1, 2, 3, 4 =

85. Ct. 1 2 1 2
 B. Write the counting for the following notes

86.

87.

88

89.

90.

TEST VI. DANCE FORMATIONSDirection: Identify the following dance formations commonly
used in dancing, giving consideration to the direction of the arrow. Write letter only.

a. Square or quadrille facing center

b. Double circle facing out
c. Scattered formation
d. Single circle patterns facing each other
e. Column formation facing audience
f. V formation facing audience
g. Double circle facing counter clockwise
h. Double line formation partners facing
i. Semi- circle facing in
j. Single circle facing clockwise

91. ___________________ 92. ___________________ 93. _______________

94. ___________________ 95. ___________________ 96. _______________

97. ___________________ 98. ___________________ 99. _______________

100. ___________________