Frankenstein Essay 2
Frankenstein Essay 2
Frankenstein Essay 2
11 Jun. 2019
The novel, Frankenstein, also known as The Modern Prometheus by Mary Shelley
portrays the creation of an individual and the responsibility of the actions that take place as it
proceeds. In this novel, Victor Frankenstein goes beyond human possibilities and gives life to the
Creature, who is a new born and knows nothing about the inhabitants of its world and how to
live. The Creature eventually causes the destruction of Victor’s family and hence he regrets
making it. If clearly noticed, the choices the characters make in this novel give course to the
actions of their own and their fellow characters as we progress further into the story; causing a
permanent effect in the lives of the characters, thus the novel as a whole itself. As we proceed
further we will see how the violent actions taken by the Creature are not his fault, rather were
caused due to the ill treatment and ignorance of Victor Frankenstein himself and other characters
in the novel.
Having three narrators to the novel, there are multiple first person views and as a result of
which we are able to view the perspective of the Creature and make reason, and analyze what is
going on with it. The first of the violent actions that the Creature commits is by killing Elizabeth,
who is Victor Frankenstein’s wife. It is followed by another heinous act by the murder of
Victor’s youngest brother William. Even though it might seem that the Creature himself is
responsible for the death of Victor’s family, there still lies a question of why it acted like this
As we can see from time to time, the Creature struggles to be acknowledged by the ones
he encounters. It is clearly seen that at the beginning of the story, the Creature starts out as a kind
and peaceful being; “His jaw opened and, he muttered some inarticulate sounds, while a grin
wrinkled his cheeks.” (Shelley 84; vol. I, Ch. IV) much like a newborn when he first greets
Victor as he is born. It is pretty clear that initially the Creature did not intend to harm Victor and
even decides to leave him because it knew that he felt disgust during the periods that they
encountered each other afterwards. The Creature, even though referred to as the “Monster”, it
has strong emotions and stumbles upon the worst kind such as fear, cold, sadness, and anger
during the first weeks of isolation and also during the short encounters with the people in the
community. It starts living in a nearby forest on the second morning of its birth where it
experiences hunger, thirst, and warmth; the basic human instincts. As seen in the novel, “some
fled, some attacked me, until grievously bruised by stones and many other kinds of missile
weapons, I escaped to the open country, and fearfully took refuge in a low hovel,” (Shelley 124;
vol II, Ch. III), the Creature has never been warmly welcomed by the society and is rather hated
and attacked upon, looked at as a fear; and since that incident the Creature is also fearful to
interact with humans in a normal manner. Due to this behavior by the society it begins to hate
itself and began to question the cause of his creation. But if this same Creature was treated with
love and respect as a normal human being, circumstances would have been very different. This
behavior of hatred is displayed by the Creature through the murder of Victor Frankenstein’s
friends and family members. It is seen that at some point in the novel, the Creature develops
strong affection for the De Lacey family, who live poorly in a cabin; and attempts to befriend the
blind old man of the family. But it is hurtfully chased away; “When I thought of my friends, of
the mild voice of De Lacey, the gentle eyes of Agatha, and the exquisite beauty of the Arabian,
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these thoughts vanished, and a gush of tears somewhat soothed me. But again, when I reflected
that they had spurned and deserted me, anger returned, a rage of anger;” (Shelley 151; vol. II,
Ch. IX). It is very clear that the rough behavior from the De Lacey family devastated the
Creature’s perseverance of social bonding and changed its behavior towards the entirety of the
Victor Frankenstein created an individual that lives with his consequences and faces a life
of disappointment and sadness, the result of an ambitious want to discover and create the
impossible. Although the Creature’s features were very carefully handpicked, the overall vision
of his life’s work collapses as it comes to life. Seemingly Victor runs away from the reality and
pretends that the Creature was never born while attempting to live his old life again. Regardless,
the truth quickly caught up to him. “I had conceived a violent antipathy even to the name of
natural philosophy.”(Shelley 92; vol. I, Ch. V) considering anything involving the Creature. Due
to negligence from his creator, the Creature takes the pain and directs to Victor’s happiness, i.e.
his family and friends. A very good example would be the murder of Victor’s childhood friend
Henry Clerval, enlarging the hate that he holds towards it. These vengeful acts from the Creature
cause Victor to become wild and bitter towards it, as a result the death of either becomes the one
and only solution. Sylvia Bowerbank’s journal, The Social Order vs the Wretch: Mary Shelley’s
Victor. Bowerbank notes that the Creature’s need for a companion became too strong that the
death of Elizabeth “he ensures that Victor will be his companion in misery until death.”
(Bowerbank 428). Apparently it seems that the Creature figured out that by killing the important
people in Victor’s life would make him hunt it for the next days to come till one dies. If we think
from a certain perspective, Victor could have been the bond, a major connection, to channeling
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the Creature’s emotion but he does not take responsibility for its actions and causes it to rely on
Victor Frankenstein, as the creator, should have looked after the Creature like a mother
who would nurture her own newborn as suggested by the academic journal, Frankenstein and the
Miltonic Creation of Evil, by David Soyka. Victor is given an opportunity by the Creature to
repair the hostility between them, but his “lack of foresight, couples with his male egocentrism,
fails to anticipate the evil he lets loose by not owning up to this responsibility to alleviate his
creation’s loneliness, a reaction that would normally be instinctive in any good mother.” (Soyka
173). The failure in properly nurturing the creature caused the visible evil to develop and grow
within the Creature each time it faced rejection and was stumbled upon by loneliness. Victor
being the only one to know the origin of the Creature does not nurture it properly; and even
though after being given a second chance to mend the things between them, he decides to push it
away until his grief became the only goal in life for the Creature.
The Creature was not given any choice on his looks and as a result, its feelings of sadness
and hatred are the cause for his dismay in life as well as in the trust and respect for humanity as a
whole. It could not convince people to like him for its true initial nature. The Creature’s outward
appearance is the only reason that transforms its innocent nature to hate and sadness. In short, the
creator, Victor Frankenstein created such circumstances for the Creature that lead to both of their
demise and misfortune; it is simply because Victor could not uphold his duties as a mother and
as a creator. It could have been a simple solution to the problems, either help the Creature live
the life that he created, or end its misfortunes through death. Regardless of how the Creature
shapes itself, it’s treated the same way. Overall, Victor’s actions and denial of his creation’s
existence changed his future, Hence, Victor is to blame for the actions of the Creature, because
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with the determined ambition to do things no man had done before comes huge responsibilities,
Works Cited
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Bowerbank, Sylvia. “The Social Oder vs. the Wretch: Mary Shelley’s Contradictory -
Mindedness in Frankenstein.” ELH, vol. 46, no. 3, Fall 1979, pp 418 – 31.
Shelley, Mary Wollstonecraft, Frankenstein; or, The Modern Prometheus. 1818. Edited by D. L.
Soyka, David. “Frankenstein and the Miltonic Creation of Evil.” Extrapolation, vol 33. No.2,