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Fulltext02 PDF
Fulltext02 PDF
Richard Hirsch
1. Introdue tion
In this paper I will take it as given that emotions are phenomena that
exist in their own right. They can not be reduced to bodily sensations or
neuro-phsyiological events. They are instead velY eomplex psycho-social
conceptual phenomena. Our interest in this paper will therefore be primari-
ly aimed at looking at tHe emotions in this sense and only secondaril'y in
vie'. . ing the emotions as some sort of somatic states.
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Zeno, also reckoned with a nwnber of emQtional sta tes that wel'e good, i e
rationai and natural.
We see here that Zeno takes aJather negative view of what "e today nomally
call the emotions. This is probably a result of his aims of disciplining the
~oul in order to gain the status of 'a wise man'. However the case may be, one
We notic'e that Zena lists a munber of species under the different class
concepts. These are related in same sense to the general class con,cept. In.
,."hat \."ays the species are related to the general concept is) however, not
specified. There are probably many points of criticism that can be addressed
at this classification, for instance, whether Shrune really belongs under
Fear or constitutes a general class concept on a par with Fear. The main
point to be made here, however, is that there seem to be large groups of
related concepts that pertain to the emotions. Specifying "hich groups
there are and hOl'f the concepts in the groups are related to each other
has been the major goal of the m.ny propos als for classifications of the
emotions.
In the mare modern discussion these general group s are usual1y spaken
of in tems of family resemblances (W PAlston, 1968) or in tenns of seman-
tic fields (Hirsch, 1980). In this paper I will refer to sucl>. groups as
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'The emotions are all those affections ''lhich cause men to change
their opinion in regard to their judgements, and are accompanied
by plasure and pain. Each of them must be divided under tnree
heads; for instance, in ragard to anger, the dispositian of:
mind which makes men angry, the persons with whorn they are nngry
and occasions which give rise to anger.' CAristotle, 1975:7.3)
The systematic attempt at reducing the emotions to plcasure and pain was
left to Spinoza. In his 'Ethics t Spinoza gives an account of the emotions
where they are placed in relation to nature (or being) according to his
geometrical method.
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Al though sueh a striet dichotolT)' between mind 'and body is most likely
unfruitful, a very interesting point in Spinoza's account of the emotions
which was already present in some degree in Aristotle's aeeount is the im-
plicatiönal relationships: between the emotion cencepts. For instance, Hope
implies Fear and Fear implies Hope, Bashfulness implies Fear, Derision im-
plies Hate, Anger implies Hate, etc. Suehi'11plieational relations between
the emotion concepts are very lmportant for the construction of the concep-
tual eomplexes that we will diseuss later. There seerns to be a kind of
implicational care in the complex which is implied by the other _concept~
but which does not necessarily imply the others. The noxt comprehensiv~
account of the 'passions of the soul' and which has exercised great influ-
ence on most philisophical and ps)~hological accounts of the emotions is
faund in David Hume's 'Treatise on Human Nature, Part II':
The passions are secondary impressions. These can be furthe~ divided inte
two kinds - the calm and the violent. The calm consist of 'the sense of
beall.tyand defonnity in action, composition,and external object" _. something;.
like I good taste' in an aesthetic Sense. This is usual1y confused: with'
reasoning, says Hume. THe violent passions,are 'the passions of lov.e· ande
hatred, grief and joy, pride and humility', (HUme, 1952:4)
intD consciousness I . (Sartre, 1962: 33) Rather , Sartre c1aims that emotions
are something e1se - namely, 'a certain relation -between Dur psychic being
and the ,,"orId I . This relation is not chaotic but has I an organized and
deseribable strueture.' (Sartre, 1962:34) The emotions that are dealt with
in SartreTs treatise are those ,~hich Hume refers to as the violent passions.
Sartre's account of the emotions will play a major Tole in Dur attempt to
explain why we swear to express OUT. emotions.
Although eertain psychologists have held that there are only three basic
emotions- namely, fear, rage, and love eJ
B Watson), the latest attempt
in the psyehologieal literature at elassifying the emotions reckons with
ten emotions. 'fhis is the so-called Differential Emotions Theory of CarToll
B. Izard (Izard,1977)
We see that Izard has diffieulty puttinga one-term label on the emotions,
two tenns are given for each fundamental emotion. This is to represent the
fact that each emotion varies in intensity, the first tenn being the 10wer
level of intensity and the second term the higher. We see that Zeno and
Izard are both wrestling with the problem of plaeing diserete names on
something that is in real ity a continuwn. As usual our everyday words have
a tendency to fail us \'men it comes to a direct confrontatian \1ith real ity .
Although the emotionaI spectrums,,~ms to fall into rather distinet centers
of foeus, there are lots of problems of drawing the lines between them.
~lhere,for instance, does excitement end and enjoyment take over? These
problems of distinguishing the various coneeptual complexes from each other
are mirrored by the probl~ms that we have in trying to identify which
emotion a subject is expresslllg. Putting a label on a specifie expression
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We have then the following dimensions in our conceptual model of· the emotions·
1) Object, 2) Cause, 3)Goal, ")~Disposition to Action, 5) Bodily Manifestation,
6) Reasons, 7) Beliefs and S) Implications. We must give values for all of
these components for a complete characterization of any of the emotions.
For the purposes of this study ,;e will reckon ,;ith the following primary
emotionai complexes.
1. Anger
2. Joy
3. Surpl'':'se
4. Fear
5. Disgust
6. Grief
For the sake of economy these complexes will be referred to by thelr most
general categoT)' label.
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these authors say about magic and.the emotions, Olle version of the relations-
ship between the emotions and sl<earing will be proposed.
Other types of. swearing, i e those where we east abuse on others or make
pronouncements upon them, such as ,1'You son-of-a-bitch U , or IIGo to hell!",
also find their origin here. In our impotent rage we make these utterances
as a sort of pIain-clothes sorCel'er in an act of black rnagic where the
object of aur rage is to became that ,,",ich we call it or be projected inta
abomination. Crying"Shit!" in reactian to a repulsive or repugnant situation
is following the principle of 'fighting fire with fire'. This sympathetic
principle where ane evil force is combated with another is a dominant
element in ~gic.
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The thesis here then, is that ,;hen the human will is confrontedwith a ,,'OrId
which is impossible to deal with in nonnal ways, we approach the world in
a magical attitude where we take symbolic action uttering curses, ,oaths,
etc. and making ges tures that are aimed at introducmg the will as a cause
in the world.
Under the influence of the strong emotions, those Hume called the violent
passions, the subject attempts to achieve his goal not by ordinary means
of cause and effect, but by extraordinary means of magical spelis,
incantations, and curses.
For the purposes of this study these will be labeled in the following manner.
These classes are not disjunctive but rather elements of,the different
classes are found in all classes. This means that there is P!obably no pure
type of consciousness belonging to any of the classes. All types of consci-
ousness contain an admixture of other types. We have, therefore, for instan-
ce, attitudes to conceptualizations and emotions involved in reasoning to
some degree and vice versa. There is, however, from a developmental point of
view, an assumption that the Class I types of consciousness appear in pri-
marly concrete specific situations where there is some immediate "knmdedge-,
of-acquaintance!l of the object (or objects) that comprise the content of
the consiousness. This is the type of consciousness we adapt "\-;rhen confronted '-.
with a real ripe juicy apple on a wann surrnner day, as opposed to the type
that we adopt when asked to tell the difference between apples and pears.
~bving from Class I to .Classes II and III means that the degree of cognition
involved is becoming greater. This does not mean, hmvever, that there is no
cognition in Class I or that there is no emotive element in Class III.
The whole brain is most likely involved in all of the different types of
consciousness 8:t Ieast above any very rudimentary level of arousal - "it
appears that for the brain to 'understand' the surrounding world, to per-
ceive its meaning and to take action in difficult tasks the cerebral cortex
must be activated not only locally but also totally." (Lassen, Ingvar &
Skinh~j 1978: 59)
Later we find expressions that in some way. are intimately related with that
which they signify. Sofie of these could be strictly onomatopoetic, while
others are more generally sound-symbolic identifications of a synesthetic
nature where an experience of the thing·signified is transfered from a
visual, olfactica1, oral, or tacti1e sensory impression to an acoustic
image. Because, for instance, something is stinking or repulsive to the
taste, the words that refer to this thing are also taken to be stinking or
repulsive themse1ves. They are, as it \'lere, gui1ty by association of the
same sins as the things they refer to.
Some of our basic so-ca11ed figures of speech qre a1so involved in this
primitive type of symbolism, e.g. metaphor, metonymy, and synekdoche. A
case in point would be that because the sexual act has certain aggressive
aspects the word that refers to the sexual act can also be used metaphori-
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II'hatever the explanation might be in the fil1al analysis, the main point to
be noted is that the Telationship between the symbol and its signification
is not conceived of as contingent but ratheT as of a causal, necessary or
essentiaI nature.
This identification of the word with the thing symbolized is typica1 fOT a
10\'1 degree of linguistic awareness. There are rnany examples of this pheno-
menan. Particularly fine, is a passage from the novel "Things falling apart"
by Chinua Achebe. ilA snake was never called by.its name at night, because
it would hear. It was called astring." CAchebe, 1958:9) "Snake" here is
understood to be a sort of proper name for the animal ,.mich ",hen mentioned
functions as a vocative. For this reason its "true" name is not used,
instead it is given a nickname or pseudonym.
Ieast not have any privileged survival status in relation to other-.'. .ords or
expressions effected by the aphasia.
The class III types of consciousness are related in tum to language expres-
sions such as debates, theories, and praofs.
This viel' does, however, claim that the predominately Class III types of
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consciousness are rather late developments in the history of the species and
the individ1.l3.1. Al 5.0 , judgillg from experience in everyday life, it 5eems
that even after the species or individual has developed Class III types of
consciousness, that they are something which are employed Qnly rather in-
frequently.
By ''iay of summary, therefore under the sway of one of the primary emotions
the speaker adopts a Class I type of consciousness in "hich the s"caring is
meant to be magieal. In other circumstances and in other clas ses of consci-
ousness the swearing CDuld be meant as serious but non-magical or even as
non-serious, non-literal, and non-magical.