Short Story A Day Framework
Short Story A Day Framework
Short Story A Day Framework
Even if you don’t normally plan your stories, don’t be afraid of this framework. It
simply contains all the elements you need to start and finish a short story.
• Stories live because of a character who wants something, but can’t have it.
• The middle of the story is where you complicate things. Every incident grows
out of the previous actions of the main character.
• You’ve finished your story when something has changed (or the opportunity
for change has arrived and your character has dismissed it).
• Finish with a closing image/thought that reflects the theme of the story.
Use the framework to plan, then write your story today. You can do it!
On page 2, you’ll find the framework. Print it out and use it.
On page 3, you’ll find my example. Notice I haven’t decided on then ending yet. I’ll
see how I feel when I start writing.
On page 4, find typical short story length and my #1 tip for delighting readers.
__________________________________________(strong verb)_____________________________________(subject)
so they _______________________________________________________________________________________(verb),
Micro/Nano: 140 characters- 250 words I. Don’t spoon-feed them. Don’t be afraid to leave gaps in
Drabble: 100 words the story (or backstory). People who like short stories, like
filling in the gaps. It makes them feel smart.
Flash Fiction: 250-1,000 words
Sudden Fiction/Short-Shorts: II. Give the title a double meaning, something that only
becomes clear after they read the story (for example, Steve
1,000-2,500 words
Almond’s story “Stop” is about a highway rest stop, and a
Short Story: 1,000-7,500 words girl who won’t. He ends the story with “She persists”.)
Novelettes: 7,500-17,000 words
III. Create an opening image then echo it, at the end. Allow
Novellas: 17,000-40,000 words the contrast to remind the reader something has changed,
Novel: 40,000+ (but probably around or come full circle. If characters are eating breakfast at the
start, and sipping a nightcap at the end, the reader feels like
90,000)
the story is balanced. If we see them on the run at the start,
and safely behind closed doors at the end, it feels
Sweet spot for magazines that publish intentional.
new writers: 2,000-3,000 words When the reader notices these touches they (say it with
me) feel clever…which makes them like you and seek out
more of your writing!