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    What Kind of Dramaturg Do You Want To Be?: Dramaturgy

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    Emma Cordray
    The document outlines various roles that a dramaturg can take on, including being a literary manager, historian, keeper of the text, word person, diplomat, and mediator. It also lists specific tasks that a dramaturg may be responsible for such as providing different perspectives on scripts/scores, tracking songs, organizing materials, advocating for exciting pivotal songs, asking questions, and starting conversations to help identify core messages and plot points. The roles and responsibilities show that a dramaturg can support the development of a musical or play in many ways through research, feedback, and facilitating communication between collaborators.

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    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd

    What Kind of Dramaturg Do You Want To Be?: Dramaturgy

    Uploaded by

    Emma Cordray
    69 views1 page
    The document outlines various roles that a dramaturg can take on, including being a literary manager, historian, keeper of the text, word person, diplomat, and mediator. It also lists specific tasks that a dramaturg may be responsible for such as providing different perspectives on scripts/scores, tracking songs, organizing materials, advocating for exciting pivotal songs, asking questions, and starting conversations to help identify core messages and plot points. The roles and responsibilities show that a dramaturg can support the development of a musical or play in many ways through research, feedback, and facilitating communication between collaborators.

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    dramaturgy_def_poster_color.pdf

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    The document outlines various roles that a dramaturg can take on, including being a literary manager, historian, keeper of the text, word person, diplomat, and mediator. It also lists specific tasks that a dramaturg may be responsible for such as providing different perspectives on scripts/scores, tracking songs, organizing materials, advocating for exciting pivotal songs, asking questions, and starting conversations to help identify core messages and plot points. The roles and responsibilities show that a dramaturg can support the development of a musical or play in many ways through research, feedback, and facilitating communication between collaborators.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Download as pdf or txt
    69 views1 page

    What Kind of Dramaturg Do You Want To Be?: Dramaturgy

    Uploaded by

    Emma Cordray
    The document outlines various roles that a dramaturg can take on, including being a literary manager, historian, keeper of the text, word person, diplomat, and mediator. It also lists specific tasks that a dramaturg may be responsible for such as providing different perspectives on scripts/scores, tracking songs, organizing materials, advocating for exciting pivotal songs, asking questions, and starting conversations to help identify core messages and plot points. The roles and responsibilities show that a dramaturg can support the development of a musical or play in many ways through research, feedback, and facilitating communication between collaborators.

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    © All Rights Reserved
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    ADVOCATE Literary Manager HISTORIAN KEEPER OF THE TEXT WORD PERSON DIPLOMAT MEDIATOR

    Tem

    What kind of dramaturg


    po
    c Need
    Dramati Plot Points
    Second Opinion Story
    Line S tyle Characters
    Mu sical Storyline

    do you want to be? veals


    R e Identify/Define
    Identify g
    Provide Bi
    ng Core Message
    Different Voici Materials
    Used
    Perspective DEVISED
    MUSICAL THEATE Define Plot Points THEATER
    Plot points
    WRITER R Context Track
    Political Script/Score Drafts
    Social Cultural Dialogue Pivo
    tal S
    ongs Provide
    Track Organize Performance
    Research/Co
    ntext Exciting Variations
    Songs Advocate
    g
    Confusin Music Structure Ask Questions
    An Ear to L Given
    isten
    Circumstances Plot Structure
    Demos Start
    Provide Identify Given Conversations
    Structure/Story
    r c u m s tances
    A Shoulder to Cry on C i Costum
    es Props

    Scenic
    Plot tempo Elements Style
    Define Message Identify
    Script Drafts PLAYWRIGHT
    Tempo Geographical
    Dialogue
    Track Performance Order Social
    Workshops Style Political
    Organize Purpose ‘DANCE
    rk
    Context
    o
    Structure

    w W
    Dance Variations
    Ne
    Track
    Given Play Structure Cultural
    Circumstances Provide
    Character Development Story/Message
    Open Dialogue
    Timelines Outside Perspective
    Scene Charts
    Plot points Dialogue

    Genre Motivation

    Essential

    DRAMATURGY
    Props
    Ask Time Period Plot Points Character
    Questions Psychology
    Costumes
    Start Given Background
    Circumstances Identify
    Conversations Set Libretto
    Audience Supertitles
    Engagement Feedback
    Translation Given
    Q&A
    OPERA Circumstances

    Track Research Composer


    Talk Backs
    Social Provide
    Basic Duties Actor Text Librettist
    Liberato/Score Context Production
    Packet Glossary Changes History
    Gather
    io n
    ct
    Translations Political Cultural

    u
    Feedback
    d
    Alterations

    ro
    Geographical

    P
    Cuts
    Provide
    Lobby Program Context
    Genre Background Motiv
    Display Note ation
    Casebook Essential Plot Points Essential Plot Points
    Background
    Motiv
    ation
    Character Psychology
    Time Period Genre
    Props Character Psy
    Identify chology
    Time Period
    Research Set
    Props
    Identify
    Given Circumstances Given Circumstances
    Given Circumstances Playwright
    Costumes Set Given Circumstances
    Playwright
    Cuts/Alterations PLAY Research
    Workshop
    Costumes
    MUSICAL Research Workshop
    Don’t be limited by Track Education
    Field Trip
    Field Trip
    Script Changes
    the examples on the poster! Feedback Provide Study Guide
    Feedback Education
    Provide Study Guide
    Plot
    Context Q&A
    Track
    Rights/Permissions Talk Back Produc
    tion Hi Produc
    Explore other performance styles! Geographical story Talkbacks Context
    tion Hi
    story
    Q&A Social
    Cultural Script/Music Geographic
    al
    Changes
    Children’s Theater, Puppetry, Immersive Political
    Plot
    Social
    Cultural
    Theater, Performance Art, Digital/Distance Cuts/Alterations
    Political
    Theater, and MORE! Rights/Permissions
    Created By Kelsey Blotter
    Found At www.kelseyblotter.com

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