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Blue
From Wikipedia, the free encyclopedia

Main page This article is about the colour. For other uses, see Blue (disambiguation).
Contents
Blue is one of the three primary colours of pigments in painting and traditional colour theory, as well as in the RGB colour model.
Current events Blue
Random article It lies between violet and green on the spectrum of visible light. The eye perceives blue when observing light with a dominant
 
About Wikipedia wavelength between approximately 450 and 495 nanometres. Most blues contain a slight mixture of other colours; azure contains
Contact us some green, while ultramarine contains some violet. The clear daytime sky and the deep sea appear blue because of an optical
Donate effect known as Rayleigh scattering. An optical effect called Tyndall scattering explains blue eyes. Distant objects appear more
blue because of another optical effect called aerial perspective.
Contribute
Help Blue has been an important colour in art and decoration since ancient times. The semi-precious stone lapis lazuli was used in
Community portal ancient Egypt for jewellery and ornament and later, in the Renaissance, to make the pigment ultramarine, the most expensive of
Recent changes all pigments. In the eighth century Chinese artists used cobalt blue to colour fine blue and white porcelain. In the Middle Ages,
Upload file European artists used it in the windows of cathedrals. Europeans wore clothing coloured with the vegetable dye woad until it was
replaced by the finer indigo from America. In the 19th century, synthetic blue dyes and pigments gradually replaced mineral
Tools
pigments and synthetic dyes. Dark blue became a common colour for military uniforms and later, in the late 20th century, for
What links here
Related changes business suits. Because blue has commonly been associated with harmony, it was chosen as the colour of the flags of the United
Special pages Nations and the European Union.[2]
Permanent link
Surveys in the US and Europe show that blue is the colour most commonly associated with harmony, faithfulness, confidence,
Page information
distance, infinity, the imagination, cold, and sometimes with sadness.[3] In US and European public opinion polls it is the most
Cite this page
Wikidata item popular colour, chosen by almost half of both men and women as their favourite colour.[4] The same surveys also showed that
Spectral coordinates
blue was the colour most associated with the masculine, just ahead of black, and was also the colour most associated with
Wavelength approx. 450–495 nm
Print/export [3]
intelligence, knowledge, calm and concentration.
Frequency ~670–610 THz
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Printable version Contents [hide]     Colour coordinates

1 Shades and variations Hex triplet #0000FF

In other projects
2 Types sRGBB  (r, g, b) (0, 0, 255)
Wikimedia Commons
3 Etymology and linguistic differences HSV       (h, s, v) (240°, 100%, 100%)

Languages 4 Science and nature Source HTML/CSS[1]

‫ا‬ 4.1 Optics B: Normalized to [0–255] (byte)

Español 4.2 Pigments and dyes

ह ी 4.3 Scientific natural standards
Bahasa Indonesia 4.4 Why the sky and sea appear blue
Bahasa Melayu
4.5 Atmospheric perspective
Português
4.6 Astronomy
Русский
‫اردو‬ 4.7 Blue eyes
中⽂ 4.8 Lasers
5 History
137 more
5.1 In the ancient world
Edit links
5.2 In the Byzantine Empire and the Islamic World
5.3 During the Middle Ages
5.4 In the European Renaissance
5.5 Blue and white porcelain
5.6 War of the blues – indigo versus woad
5.7 Blue uniform
5.8 Search for the perfect blue
5.9 Impressionist painters
5.10 Blue suit
5.11 In the 20th and 21st century
6 In world culture
6.1 As a national and international colour
6.2 Politics
6.3 Religion
6.4 Gender
6.5 Music
6.6 Transportation
6.7 Associations and sayings
7 Sports
7.1 The blues of antiquity
7.2 Association football
7.3 North American sporting leagues
8 Other
9 See also
10 References
10.1 Notes and citations
10.2 Bibliography
11 External links

Shades and variations

Main article: Shades of blue

Blue is the colour of light between violet and green on the visible spectrum. Hues of blue include indigo and ultramarine, closer to violet; pure blue, without any mixture of other
colours; Cyan, which is midway in the spectrum between blue and green, and the other blue-greens turquoise, teal, and aquamarine.

Blue also varies in shade or tint; darker shades of blue contain black or grey, while lighter tints contain white. Darker shades of blue include ultramarine, cobalt blue, navy blue,
and Prussian blue; while lighter tints include sky blue, azure, and Egyptian blue. (For a more complete list see the List of colours).

Types
Blue pigments were originally made from minerals such as lapis lazuli, cobalt and azurite, and blue dyes were made from plants; usually woad in Europe, and Indigofera
tinctoria, or true indigo, in Asia and Africa. Today most blue pigments and dyes are made by a chemical process.

Pure blue, also known as Navy blue, here worn Sky blue or pale azure, mid-way on Egyptian blue Extract of natural indigo, A block of Ultramarine, slightly
high blue, is not mixed by Admiral Horatio the RBG colour wheel between blue goblet from the most popular blue dye lapis lazuli, violet-blue, in a
with any other colours Nelson, is the darkest and cyan Mesopotamia, before the invention of originally used painting by Giovanni
shade of pure blue 1500–1300 BC. synthetic indigo to make Bellini. It was the
This was the first ultramarine most expensive
synthetic blue, first pigment of
made in about Renaissance.
2500 BC.

Cobalt coloured the Prussian blue,

stained glass windows of the colour of the
Sainte-Chapelle in Paris uniforms of the
(1250) army of
Prussia, was
invented in
about 1706

Etymology and linguistic differences

The modern English word blue comes from Middle English bleu or blewe, from the Old French bleu, a word of Germanic origin, related to the Old High German word blao
(meaning shimmering, lustrous).[5] In heraldry, the word azure is used for blue.[6]

In Russian and some other languages, there is no single word for blue, but rather different words for light blue (голубой, goluboy) and dark blue (синий, siniy). See Colour
term.

Several languages, including Japanese, Thai, Korean, and Lakota Sioux, use the same word to describe blue and green. For example, in Vietnamese the colour of both tree
leaves and the sky is xanh. In Japanese, the word for blue ( ⻘ ao) is often used for colours that English speakers would refer to as green, such as the colour of a traffic signal
meaning "go". (For more on this subject, see Distinguishing blue from green in language)

Linguistic research indicates that languages do not begin by having a word for the colour blue.[7] Colour names often developed individually in natural languages, typically
beginning with black and white (or dark and light), and then adding red, and only much later – usually as the last main category of colour accepted in a language – adding the
colour blue, probably when blue pigments could be manufactured reliably in the culture using that language.[7]

Science and nature

Optics
Human eyes perceive blue when observing light which has a dominant wavelength of roughly 450–495 nanometres. Blues with a
higher frequency and thus a shorter wavelength gradually look more violet, while those with a lower frequency and a longer
wavelength gradually appear more green. Pure blue, in the middle, has a wavelength of 470 nanometres. Colour Frequency Wavelength
Isaac Newton included blue as one of the seven colours in his first description the visible spectrum. He chose seven colours because violet 668–789 THz 380–450 nm
that was the number of notes in the musical scale, which he believed was related to the optical spectrum. He included indigo, the hue blue 606–668 THz 450–495 nm
[8]
between blue and violet, as one of the separate colours, though today it is usually considered a hue of blue.
green 526–606 THz 495–570 nm
In painting and traditional colour theory, blue is one of the three primary colours of pigments (red, yellow, blue), which can be mixed
yellow 508–526 THz 570–590 nm
to form a wide gamut of colours. Red and blue mixed together form violet, blue and yellow together form green. Mixing all three
orange 484–508 THz 590–620 nm
primary colours together produces a dark grey. From the Renaissance onwards, painters used this system to create their colours.
(See RYB colour system.) red 400–484 THz 620–750 nm

The RYB model was used for colour printing by Jacob Christoph Le Blon as early as 1725. Later, printers discovered that more accurate colours could be created by using
combinations of magenta, cyan, yellow and black ink, put onto separate inked plates and then overlaid one at a time onto paper. This method could produce almost all the
colours in the spectrum with reasonable accuracy.

In the 19th century the Scottish physicist James Clerk Maxwell found a new way of explaining colours, by the wavelength of their light. He showed that white light could be
created by combining red, blue and green light, and that virtually all colours could be made by different combinations of these three colours. His idea, called additive colour or
the RGB colour model, is used today to create colours on televisions and computer screens. The screen is covered by tiny pixels, each with three fluorescent elements for
creating red, green and blue light. If the red, blue and green elements all glow at once, the pixel looks white. As the screen is scanned from behind with electrons, each pixel
creates its own designated colour, composing a complete picture on the screen.

Additive colour mixing. The projection of Blue and orange pixels on an LCD
primary colour lights on a screen shows television screen. Closeup of the red,
secondary colours where two overlap; the green and blue sub-pixels on left.
combination red, green, and blue each in full
intensity makes white.

On the HSV colour wheel, the complement of blue is yellow; that is, a colour corresponding to an equal mixture of red and green light. On a colour wheel based on traditional
colour theory (RYB) where blue was considered a primary colour, its complementary colour is considered to be orange (based on the Munsell colour wheel).[9]

Pigments and dyes

Blue pigments were made from minerals, especially lapis lazuli and azurite (Cu3(CO3)2(OH)2). These minerals were crushed, ground into powder, and then mixed with a quick-
drying binding agent, such as egg yolk (tempera painting); or with a slow-drying oil, such as linseed oil, for oil painting. To make blue stained glass, cobalt blue (cobalt(II)
aluminate: CoAl2O4)pigment was mixed with the glass. Other common blue pigments made from minerals are ultramarine (Na8–10Al6Si6O24S2–4), cerulean blue (primarily
cobalt (II) stanate: Co2SnO4), and Prussian blue (milori blue: primarily Fe7(CN)18).

Natural dyes to colour cloth and tapestries were made from plants. Woad and true indigo were used to produce indigo dye used to colour fabrics blue or indigo. Since the 18th
century, natural blue dyes have largely been replaced by synthetic dyes.

"Reflex blue" used to be the name of a common blue pigment in ink manufacturing. In the 1960s, the name was adopted into the proprietary Pantone Matching System (PMS)
to refer to this specific pigment. Pantone "Reflex Blue" has the particularity of being identified only by this name, and not by a number code.[10]

Lapis lazuli, mined in Azurite, a common mineral, was Natural ultramarine, made by Egyptian blue, the first artificial Ground azurite was often in
Afghanistan for more than three used as a pigment from ancient grinding and purifying lapis pigment, produced in the third Renaissance used as a substitute
thousand years, was used for times, although it degrades readily lazuli, was the finest available millennium BC in Ancient Egypt for the much more expensive lapis
jewellery and ornaments, and and thus inferior. blue pigment in the Middle Ages by grinding sand, copper and lazuli. It made a rich blue, but was
later was crushed and powdered and the Renaissance. It was natron, and then heating them. It unstable and could turn dark green
and used as a pigment. The extremely expensive, and in was often used in tomb paintings over time.
more it was ground, the lighter Italian Renaissance art, it was and funereal objects to protect
the blue colour became. often reserved for the robes of the dead in their afterlife.
the Virgin Mary.

Cerulean, produced by Cobalt blue. Cobalt is used to Indigo dye originally Chemical structure of indigo dye, a widely Synthetic ultramarine pigment,
combining copper and make the deep blue stained isolated from the woad, produced blue dye. Blue jeans consist of 1–3% invented in 1826, has the same
cobalt oxide, is used to glass windows, such as those Indigofera tinctoria, a plant by weight of this organic compound. chemical composition as natural
make a sky blue colour. in Gothic cathedrals. It is used common in Asia and Africa ultramarine but is more vivid.
Like azurite, it is not a in Chinese porcelain beginning but little known in Europe
long-lived pigment. in the T'ang Dynasty. In 1799 a until the 15th century. Its
French chemist, Louis Jacques importation into Europe
Thénard, made a synthetic revolutionised the colour of
cobalt blue pigment which clothing. It also became
became immensely popular the colour used in blue
with painters. denim and jeans. Nearly all
indigo dye produced today
is synthetic.

First produced in the 1930s, III II

Prussian blue, Fe4 [Fe (CN)6]3, is the blue of blueprints.
the intensely blue copper
phthalocyanine is widely used
for making blue ink, dye, and
pigment.

Scientific natural standards

2+
Emission spectrum of Cu
Electronic spectrum of aqua-ions Cu(H2O)2+
6

Why the sky and sea appear blue

Of the colours in the visible spectrum of light, blue has a very short wavelength, while red has the longest wavelength. When sunlight passes through the atmosphere, the blue
wavelengths are scattered more widely by the oxygen and nitrogen molecules, and more blue comes to our eyes. This effect is called Rayleigh scattering, after Lord Rayleigh,
the British physicist who discovered it. It was confirmed by Albert Einstein in 1911.[11]

Near sunrise and sunset, most of the light we see comes in nearly tangent to the Earth's surface, so that the light's path through the atmosphere is so long that much of the
blue and even green light is scattered out, leaving the sun rays and the clouds it illuminates red. Therefore, when looking at the sunset and sunrise, the colour red is more
perceptible than any of the other colours.[12]

The sea is seen as blue for largely the same reason: the water absorbs the longer wavelengths of red and reflects and scatters the blue, which comes to the eye of the viewer.
The colour of the sea is also affected by the colour of the sky, reflected by particles in the water; and by algae and plant life in the water, which can make it look green; or by
sediment, which can make it look brown.[13]

Atmospheric perspective
The farther away an object is, the more blue it often appears to the eye. For example, mountains in the distance often appear blue. This is the effect of atmospheric
perspective; the farther an object is away from the viewer, the less contrast there is between the object and its background colour, which is usually blue. In a painting where
different parts of the composition are blue, green and red, the blue will appear to be more distant, and the red closer to the viewer. The cooler a colour is, the more distant it
seems.[14]

Blue light is scattered more than other wavelengths by the gases in the An example of aerial, or atmospheric perspective. Objects Under the sea, red and other light
atmosphere, giving the Earth a blue halo when seen from space. become more blue and lighter in colour the farther they are from with longer wavelengths is absorbed,
the viewer, because of Rayleigh scattering. so white objects appear blue. The
deeper the observer goes, the darker
the blue becomes. In the open sea,
only about one per cent of light
penetrates to a depth of 200 metres.
(See underwater and euphotic depth)

Astronomy
Blue giants are hot and luminous stars with surface temperatures exceeding 10,000 K. The largest blue supergiant stars are extremely massive and energetic, and are usually
unstable. They are generally short-lived, either exploding in a supernova or periodically shedding their outer layers to become red giants.

Blue eyes
Main article: Eye color § Blue

Blue eyes do not actually contain any blue pigment. Eye colour is determined by two factors: the pigmentation of the eye's iris[15][16]
and the scattering of light by the turbid medium in the stroma of the iris.[17] In humans, the pigmentation of the iris varies from light
brown to black. The appearance of blue, green, and hazel eyes results from the Tyndall scattering of light in the stroma, an optical
effect similar to what accounts for the blueness of the sky.[17][18] The irises of the eyes of people with blue eyes contain less dark
melanin than those of people with brown eyes, which means that they absorb less short-wavelength blue light, which is instead
reflected out to the viewer. Eye colour also varies depending on the lighting conditions, especially for lighter-coloured eyes.
Blue eyes actually contain no blue
Blue eyes are most common in Ireland, the Baltic Sea area and Northern Europe,[19] and are also found in Eastern, Central, and pigment. The colour is caused by an
effect called Tyndall scattering.
Southern Europe. Blue eyes are also found in parts of Western Asia, most notably in Afghanistan, Syria, Iraq, and Iran.[20] In Estonia,
99% of people have blue eyes.[21][22] In Denmark 30 years ago, only 8% of the population had brown eyes, though through
immigration, today that number is about 11%. In Germany, about 75% have blue eyes.[22]

In the United States, as of 2006, one out of every six people, or 16.6% of the total population, and 22.3% of the white population, have blue eyes, compared with about half of
Americans born in 1900, and a third of Americans born in 1950. Blue eyes are becoming less common among American children. In the US, boys are 3–5 per cent more likely
to have blue eyes than girls.[19]

Lasers
Lasers emitting in the blue region of the spectrum became widely available to the public in 2010 with the release of inexpensive high-powered 445–447 nm laser diode
technology.[23] Previously the blue wavelengths were accessible only through DPSS which are comparatively expensive and inefficient, however these technologies are still
widely used by the scientific community for applications including optogenetics, Raman spectroscopy, and particle image velocimetry, due to their superior beam quality.[24]
Blue gas lasers are also still commonly used for holography, DNA sequencing, optical pumping, and other scientific and medical applications.

History
In the ancient world
Blue was a latecomer among colours used in art and decoration, as well as language and literature.[25] Reds, blacks, browns, and
ochres are found in cave paintings from the Upper Paleolithic period, but not blue. Blue was also not used for dyeing fabric until long
after red, ochre, pink and purple. This is probably due to the perennial difficulty of making good blue dyes and pigments.[26] The
earliest known blue dyes were made from plants – woad in Europe, indigo in Asia and Africa, while blue pigments were made from
minerals, usually either lapis lazuli or azurite.

Lapis lazuli, a semi-precious stone, has been mined in Afghanistan for more than three thousand years, and was exported to all parts
Close-up of the blue, lapis lazuli
of the ancient world.[27] In Iran and Mesopotamia, it was used to make jewellery and vessels. In Egypt, it was used for the eyebrows on
inlays used for the irises in the Statue
the funeral mask of King Tutankhamun (1341–1323 BC).[28] Importing lapis lazuli by caravan across the desert from Afghanistan to of Ebih-Il, dating to the twenty-fifth
Egypt was very expensive. Beginning in about 2500 BC, the ancient Egyptians began to produce their own blue pigment known as century BC, discovered in the temple of
Egyptian blue by grinding silica, lime, copper, and alkalai, and heating it to 800 or 900 °C (1,470 or 1,650 °F). This is considered the Ishtar at Mari

first synthetic pigment.[29] Egyptian blue was used to paint wood, papyrus and canvas, and was used to colour a glaze to make faience
beads, inlays, and pots. It was particularly used in funeral statuary and figurines and in tomb paintings. Blue was considered a beneficial colour which would protect the dead
against evil in the afterlife. Blue dye was also used to colour the cloth in which mummies were wrapped.[30]

In Egypt blue was associated with the sky and with divinity. The Egyptian god Amun could make his skin blue so that he could fly, invisible, across the sky. Blue could also
protect against evil; many people around the Mediterranean still wear a blue amulet, representing the eye of God, to protect them from misfortune.[31] Blue glass was
manufactured in Mesopotamia and Egypt as early as 2500 BC, using the same copper ingredients as Egyptian blue pigment. They also added cobalt, which produced a deeper
blue, the same blue produced in the Middle Ages in the stained glass windows of the cathedrals of Saint-Denis and Chartres.[32] The Ishtar Gate of ancient Babylon (604–562
BC) was decorated with deep blue glazed bricks used as a background for pictures of lions, dragons and aurochs.[33]

The ancient Greeks classified colours by whether they were light or dark, rather than by their hue. The Greek word for dark blue, kyaneos, could also mean dark green, violet,
black or brown. The ancient Greek word for a light blue, glaukos, also could mean light green, grey, or yellow.[34] The Greeks imported indigo dye from India, calling it indikon.
They used Egyptian blue in the wall paintings of Knossos, in Crete, (2100 BC). It was not one of the four primary colours for Greek painting described by Pliny the Elder (red,
yellow, black, and white), but nonetheless it was used as a background colour behind the friezes on Greek temples and to colour the beards of Greek statues.[35]

The Romans also imported indigo dye, but blue was the colour of working class clothing; the nobles and rich wore white, black, red or violet. Blue was considered the colour of
mourning, and the colour of barbarians. Julius Caesar reported that the Celts and Germans dyed their faces blue to frighten their enemies, and tinted their hair blue when they
grew old.[36] Nonetheless, the Romans made extensive use of blue for decoration. According to Vitruvius, they made dark blue pigment from indigo, and imported Egyptian
blue pigment. The walls of Roman villas in Pompeii had frescoes of brilliant blue skies, and blue pigments were found in the shops of colour merchants.[35] The Romans had
many different words for varieties of blue, including caeruleus, caesius, glaucus, cyaneus, lividus, venetus, aerius, and ferreus, but two words, both of foreign origin, became
the most enduring; blavus, from the Germanic word blau, which eventually became bleu or blue; and azureus, from the Arabic word lazaward, which became azure.[37]

Lapis lazuli A lapis lazuli bowl from A hippopotamus Egyptian blue colour in a Egyptian faience bowl (c. a decorated Figure of a servant from
pendant from Iran (End of 3rd, decorated with aquatic tomb painting (c. 1500 BC) 1550 and 1450 BC) cobalt glass the tomb of King Seth I
Mesopotamia beginning 2nd plants, made of faience vessel from (1244–1279 BC). The
(c. 2900 BC). millennium BC) with a blue glaze, made Ancient Egypt figure is made of faience
to resemble lapis lazuli. (1450–1350 BC) with a blue glaze,
(2033–1710 BC) designed to resemble
turquoise.

A lion against a A Roman wall Mural in the A painted A tomb painting from
blue background painting of bedroom of the pottery pot the eastern Han
from the Ishtar Venus and her villa of Fannius coloured with Dynasty (25–220 AD)
Gate of ancient son Eros, from Synestor in Han blue from in Henan Province,
Babylon. (575 Pompeii (about Boscoreale, (50– the Han Dynasty China.
BC) 30 BC) 40 BC) in the in China (206
Metropolitan BC to 220 AD).
Museum.

In the Byzantine Empire and the Islamic World

Dark blue was widely used in the decoration of churches in the Byzantine Empire. In Byzantine art Christ and the Virgin Mary usually wore dark blue or purple. Blue was used
as a background colour representing the sky in the magnificent mosaics which decorated Byzantine churches.[38]

In the Islamic world, blue was of secondary importance to green, believed to be the favourite colour of the Prophet Mohammed. At certain times in Moorish Spain and other
parts of the Islamic world, blue was the colour worn by Christians and Jews, because only Muslims were allowed to wear white and green.[39] Dark blue and turquoise
decorative tiles were widely used to decorate the facades and interiors of mosques and palaces from Spain to Central Asia. Lapis lazuli pigment was also used to create the
rich blues in Persian miniatures.

Blue Byzantine Blue mosaic in Glazed stone-paste bowl from Blue tile on the facade of the Friday Persian Decoration in the Murat III hall of the
mosaic ceiling the cloak of Christ Persia (12th century). Mosque in Herat, Afghanistan (15th miniature from Topkapi Palace in Istanbul (16th
representing the in the Hagia century). the 16th century. century).
night sky in the Sophia church in
Mausoleum of Galla Istanbul (13th
Placidia in Ravenna, century).
Italy (5th century).

Flower-pattern tile from

Iznik, Turkey, from the
second half of the 16th
century.

During the Middle Ages

In the art and life of Europe during the early Middle Ages, blue played a minor role. The nobility wore red or purple, while only the poor wore blue clothing, coloured with poor-
quality dyes made from the woad plant. Blue played no part in the rich costumes of the clergy or the architecture or decoration of churches. This changed dramatically between
1130 and 1140 in Paris, when the Abbe Suger rebuilt the Saint Denis Basilica. He installed stained glass windows coloured with cobalt, which, combined with the light from the
red glass, filled the church with a bluish violet light. The church became the marvel of the Christian world, and the colour became known as the "bleu de Saint-Denis". In the
years that followed even more elegant blue stained glass windows were installed in other churches, including at Chartres Cathedral and Sainte-Chapelle in Paris.[40]

Another important factor in the increased prestige of the colour blue in the 12th century was the veneration of the Virgin Mary, and a change in the colours used to depict her
clothing. In earlier centuries her robes had usually been painted in sombre black, grey, violet, dark green or dark blue. In the 12th century the Roman Catholic Church dictated
that painters in Italy (and the rest of Europe consequently) to paint the Virgin Mary with the new most expensive pigment imported from Asia; ultramarine.[citation needed] Blue
became associated with holiness, humility and virtue.

Ultramarine was made from lapis lazuli, from the mines of Badakshan, in the mountains of Afghanistan, near the source of the Oxus River. The mines were visited by Marco
Polo in about 1271; he reported, "here is found a high mountain from which they extract the finest and most beautiful of blues." Ground lapis was used in Byzantine
manuscripts as early as the 6th century, but it was impure and varied greatly in colour. Ultramarine refined out the impurities through a long and difficult process, creating a rich
and deep blue. It was called bleu outremer in French and blu oltremare in Italian, since it came from the other side of the sea. It cost far more than any other colour, and it
became the luxury colour for the Kings and Princes of Europe.[41]

King Louis IX of France, better known as Saint Louis (1214–1270), became the first king of France to regularly dress in blue. This was copied by other nobles. Paintings of the
mythical King Arthur began to show him dressed in blue. The coat of arms of the kings of France became an azure or light blue shield, sprinkled with golden fleur-de-lis or lilies.
Blue had come from obscurity to become the royal colour.[42]

Once blue became the colour of the king, it also became the colour of the wealthy and powerful in Europe. In the Middle Ages in France and to some extent in Italy, the dyeing
of blue cloth was subject to license from the crown or state. In Italy, the dyeing of blue was assigned to a specific guild, the tintori di guado, and could not be done by anyone
else without severe penalty. The wearing of blue implied some dignity and some wealth.[43]

Besides ultramarine, several other blues were widely used in the Middle Ages and later in the Renaissance. Azurite, a form of copper carbonate, was often used as a substitute
for ultramarine. The Romans used it under the name lapis armenius, or Armenian stone. The British called it azure of Amayne, or German azure. The Germans themselves
called it bergblau, or mountain stone. It was mined in France, Hungary, Spain and Germany, and it made a pale blue with a hint of green, which was ideal for painting skies. It
was a favourite background colour of the German painter Albrecht Dürer.[44]

Another blue often used in the Middle Ages was called tournesol or folium. It was made from the plant Crozophora tinctoria, which grew in the south of France. It made a fine
transparent blue valued in medieval manuscripts.[45]

Another common blue pigment was smalt, which was made by grinding blue cobalt glass into a fine powder. It made a deep violet blue similar to ultramarine, and was vivid in
frescoes, but it lost some of its brilliance in oil paintings. It became especially popular in the 17th century, when ultramarine was difficult to obtain. It was employed at times by
Titian, Tintoretto, Veronese, El Greco, Van Dyck, Rubens and Rembrandt.[46]

Stained glass Notre Detail of the windows at The Maesta by Duccio (1308) showed the Virgin Mary in In the 12th The Wilton Diptych, made for King
windows of the Dame de Sainte-Chapelle (1250). a robe painted with ultramarine. Blue became the colour century blue Richard II of England, made lavish
Basilica of Saint la Belle of holiness, virtue and humility. became part of use of ultramarine. (About 1400)
Denis (1141–1144). Verrière the royal coat of
window, arms of France.
Chartres
Cathedral
. (1180–
1225).

The Coronation of
King Louis VIII of
France in 1223
showed that blue had
become the royal
colour. (painted in
1450).

In the European Renaissance

In the Renaissance, a revolution occurred in painting; artists began to paint the world as it was actually seen, with perspective, depth, shadows, and light from a single source.
Artists had to adapt their use of blue to the new rules. In medieval paintings, blue was used to attract the attention of the viewer to the Virgin Mary, and identify her. In
Renaissance paintings, artists tried to create harmonies between blue and red, lightening the blue with lead white paint and adding shadows and highlights. Raphael was a
master of this technique, carefully balancing the reds and the blues so no one colour dominated the picture.[47]

Ultramarine was the most prestigious blue of the Renaissance, and patrons sometimes specified that it be used in paintings they commissioned. The contract for the Madone
des Harpies by Andrea del Sarto (1514) required that the robe of the Virgin Mary be coloured with ultramarine costing "at least five good florins an ounce."[48] Good ultramarine
was more expensive than gold; in 1508 the German painter Albrecht Dürer reported in a letter that he had paid twelve ducats – the equivalent of forty-one grams of gold – for
just thirty grams of ultramarine.[49]

Often painters or clients saved money by using less expensive blues, such as azurite smalt, or pigments made with indigo, but this sometimes caused problems. Pigments
made from azurite were less expensive, but tended to turn dark and green with time. An example is the robe of the Virgin Mary in The Madonna and Child Enthroned with
Saints by Raphael in the Metropolitan Museum in New York. The Virgin Mary's azurite blue robe has degraded into a greenish-black.[50]

The introduction of oil painting changed the way colours looked and how they were used. Ultramarine pigment, for instance, was much darker when used in oil painting than
when used in tempera painting, in frescoes. To balance their colours, Renaissance artists like Raphael added white to lighten the ultramarine. The sombre dark blue robe of the
Virgin Mary became a brilliant sky blue.[51] Titian created his rich blues by using many thin glazes of paint of different blues and violets which allowed the light to pass through,
which made a complex and luminous colour, like stained glass. He also used layers of finely ground or coarsely ground ultramarine, which gave subtle variations to the blue.[52]

Giotto was one of the first Throughout the In the Madonna of the Titian used an ultramarine sky In this painting of The Glazed Terracotta of The The Très Riches
Italian Renaissance 14th and 15th Meadow (1506), and robes to give depth and Madonna and Child Virgin Adoring the Christ Heures du Duc
painters to use ultramarine, centuries, the Raphael used white brilliance to his Bacchus and Enthroned with Child, from the workshop de Berry was the
here in the murals of the robes of the Virgin to soften the Ariadne (1520–1523) Saints an early work of Andrea della Robbia most important
Arena Chapel in Padua Mary were painted ultramarine blue of by Raphael in the (1483) illuminated
(circa 1305). with ultramarine. Virgin Mary's robes to Metropolitan Museum manuscript of the
This is The Virgin balance the red and of Art, the blue cloak 15th century. The
of Humility by Fra blue, and to of the Virgin Mary blue was the
Angelico (about harmonise with the has turned a green- extravagantly
1430). Blue fills the rest of the picture. black. It was painted expensive
picture. with less-expensive ultramarine.
azurite.

Blue and white porcelain

In about the 9th century, Chinese artisans abandoned the Han blue colour they had used for centuries, and began to use cobalt blue, made with cobalt salts of alumina, to
manufacture fine blue and white porcelain, The plates and vases were shaped, dried, the paint applied with a brush, covered with a clear glaze, then fired at a high
temperature. Beginning in the 14th century, this type of porcelain was exported in large quantity to Europe where it inspired a whole style of art, called Chinoiserie. European
courts tried for many years to imitate Chinese blue and white porcelain, but only succeeded in the 18th century after a missionary brought the secret back from China.

Other famous white and blue patterns appeared in Delft, Meissen, Staffordshire, and Saint Petersburg, Russia.

Chinese blue and white porcelain from A soft-paste porcelain vase Eighteenth century blue and white Russian porcelain of the cobalt net pattern, made with cobalt
about 1335, made in Jingdezhen, the made in Rouen, France, at pottery from Delft, in the Netherlands. blue pigment. The Imperial Porcelain Factory in Saint Petersburg
porcelain centre of China. Exported to the end of the 17th century, was founded in 1744. This pattern, first produced in 1949, was
Europe, this porcelain launched the imitating Chinese blue and copied after a design made for Catherine the Great.
style of Chinoiserie. white.

War of the blues – indigo versus woad

While blue was an expensive and prestigious colour in European painting, it became a common colour for clothing during the
Renaissance. The rise of the colour blue in fashion in the 12th and 13th centuries led to a blue dye industry in several cities, notably
Amiens, Toulouse, and Erfurt. They made a dye called pastel from woad, a plant common in Europe, which had been used to make
blue dye by the Celts and German tribes. Blue became a colour worn by domestics and artisans, not just nobles. In 1570, when Pope
Pius V listed the colours that could be used for ecclesiastical dress and for altar decoration, he excluded blue, because he considered
it too common.[54]

The process of making blue with woad was long and noxious – it involved soaking the leaves of the plant for from three days to a week
in human urine, ideally urine from men who had been drinking a great deal of alcohol, which was said to improve the colour. The fabric
was then soaked for a day in the resulting mixture, then put out in the sun, where as it dried it turned blue.[54]

The pastel industry was threatened in the 15th century by the arrival from India of the same dye (indigo), obtained from a shrub widely
grown in Asia. The Asian indigo dye precursors is more readily obtained. In 1498, Vasco da Gama opened a trade route to import
indigo from India to Europe. In India, the indigo leaves were soaked in water, fermented, pressed into cakes, dried into bricks, then
Johannes Vermeer used natural
carried to the ports London, Marseille, Genoa, and Bruges. Later, in the 17th century, the British, Spanish, and Dutch established ultramarine in his paintings, as in his
indigo plantations in Jamaica, South Carolina, the Virgin Islands and South America, and began to import American indigo to Europe. Girl with a Pearl Earring. The expense
was probably borne by his wealthy
The countries with large and prosperous pastel industries tried to block the use of indigo. One government in Germany outlawed the patron Pieter van Ruijven.[53]
use of indigo in 1577, describing it as a "pernicious, deceitful and corrosive substance, the Devil's dye."[55][56] In France, Henry IV, in
an edict of 1609, forbade under pain of death the use of "the false and pernicious Indian drug".[57] It was forbidden in England until
1611, when British traders established their own indigo industry in India and began to import it into Europe.[58]

The efforts to block indigo were in vain; the quality of indigo blue was too high and the price too low for pastel made from woad to compete. In 1737 both the French and
German governments finally allowed the use of indigo. This ruined the dye industries in Toulouse and the other cities that produced pastel, but created a thriving new indigo
commerce to seaports such as Bordeaux, Nantes and Marseille.[59]

Another war of the blues took place at the end of the 19th century, between indigo and synthetic indigo, discovered in 1868 by the German chemist Johann Friedrich Wilhelm
Adolf von Baeyer. The German chemical firm BASF put the new dye on the market in 1897, in direct competition with the British-run indigo industry in India, which produced
most of the world's indigo. In 1897 Britain sold ten thousand tons of natural indigo on the world market, while BASF sold six hundred tons of synthetic indigo. The British
industry cut prices and reduced the salaries of its workers, but it was unable to compete; the synthetic indigo was more pure, made a more lasting blue, and was not dependent
upon good or bad harvests. In 1911, India sold only 660 tons of natural indigo, while BASF sold 22,000 tons of synthetic indigo. In 2002, more than 38,000 tons of synthetic
indigo was produced, often for the production of blue jeans.[60]

Isatis tinctoria, or woad, was the A woad mill in A Dutch tapestry from Indigofera tinctoria, a tropical Cakes of indigo. The leaf has been soaked in water,
main source of blue dye in Thuringia, in 1495 to 1505. The blue shrub, is the main source of fermented, mixed with lye or another base, then pressed
Europe from ancient times until Germany, in 1752. colour comes from woad. indigo dye. The chemical into cakes and dried, ready for export.
the arrival of indigo from Asia and The woad industry composition of indigo dye is the
America. It was processed into a was already on its same as that of woad, but the
paste called pastel. way to extinction, colour is more intense.
unable to compete
with indigo blue.

Blue uniform
In the 17th century, Frederick William, Elector of Brandenburg, was one of the first rulers to give his army blue uniforms. The reasons were economic; the German states were
trying to protect their pastel dye industry against competition from imported indigo dye. When Brandenburg became the Kingdom of Prussia in 1701, the uniform colour was
adopted by the Prussian army. Most German soldiers wore dark blue uniforms until the First World War, with the exception of the Bavarians, who wore light blue.[61]

Thanks in part to the availability of indigo dye, the 18th century saw the widespread use of blue military uniforms. Prior to 1748, British naval officers simply wore upper-class
civilian clothing and wigs. In 1748, the British uniform for naval officers was officially established as an embroidered coat of the colour then called marine blue, now known as
navy blue.[62] When the Continental Navy of the United States was created in 1775, it largely copied the British uniform and colour.

In the late 18th century, the blue uniform became a symbol of liberty and revolution. In October 1774, even before the United States declared its independence, George Mason
and one hundred Virginia neighbours of George Washington organised a voluntary militia unit (the Fairfax County Independent Company of Volunteers) and elected
Washington the honorary commander. For their uniforms they chose blue and buff, the colours of the Whig Party, the opposition party in England, whose policies were
supported by George Washington and many other patriots in the American colonies.[63][64]

When the Continental Army was established in 1775 at the outbreak of the American Revolution, the first Continental Congress declared that the official uniform colour would
be brown, but this was not popular with many militias, whose officers were already wearing blue. In 1778 the Congress asked George Washington to design a new uniform, and
in 1779 Washington made the official colour of all uniforms blue and buff. Blue continued to be the colour of the field uniform of the US Army until 1902, and is still the colour of
the dress uniform.[65]

In France the Gardes Françaises, the elite regiment which protected Louis XVI, wore dark blue uniforms with red trim. In 1789, the soldiers gradually changed their allegiance
from the king to the people, and they played a leading role in the storming of the Bastille. After the fall of Bastille, a new armed force, the Garde Nationale, was formed under
the command of the Marquis de Lafayette, who had served with George Washington in America. Lafayette gave the Garde Nationale dark blue uniforms similar to those of the
Continental Army. Blue became the colour of the revolutionary armies, opposed to the white uniforms of the Royalists and the Austrians.[66]

Napoleon Bonaparte abandoned many of the doctrines of the French Revolution but he kept blue as the uniform colour for his army, although he had great difficulty obtaining
the blue dye, since the British controlled the seas and blocked the importation of indigo to France. Napoleon was forced to dye uniforms with woad, which had an inferior blue
colour.[67] The French army wore a dark blue uniform coat with red trousers until 1915, when it was found to be a too visible target on the battlefields of World War I. It was
replaced with uniforms of a light blue-grey colour called horizon blue.

Blue was the colour of liberty and revolution in the 18th century, but in the 19th it increasingly became the colour of government authority, the uniform colour of policemen and
other public servants. It was considered serious and authoritative, without being menacing. In 1829, when Robert Peel created the first London Metropolitan Police, he made
the colour of the uniform jacket a dark, almost black blue, to make the policemen look different from the red coated soldiers, who had on occasion been used to enforce order.
The traditional blue jacket with silver buttons of the London "bobbie" was not abandoned until the mid-1990s, when it was replaced for all but formal occasions by a jumper or
sweater of the colour officially known as NATO blue.[68]

The New York City Police Department, modelled after the London Metropolitan Police, was created in 1844, and in 1853, they were officially given a navy blue uniform, the
colour they wear today.[69]

Navy blue is one of the most popular school uniform colours, with the Toronto Catholic District School Board adopting a dress code policy which requires students system-wide
to wear white tops and navy blue bottoms.

Elector Frederic Uniform of a lieutenant in George Washington The Marquis de Lafayette The cadets of the Ecole Spéciale Militaire de Metropolitan Police
William of the Royal Navy (1777). chose blue and buff in the uniform of the Garde Saint-Cyr, the French military academy, still officers in Soho,
Brandenburg gave his Marine blue became the as the colours of the Nationale during the wear the blue and red uniform of the French London (2007).
soldiers blue uniforms official colour of the Royal Continental Army French Revolution (1790). army before 1915.
(engraving from Navy uniform coat in 1748. uniform. They were
1698). When the colours of the
Brandenburg became English Whig Party,
the Kingdom of which Washington
Prussia in 1701, blue admired.
became the uniform
colour of the Prussian
Army.

New York City police officers on Times

Square (2010)

Search for the perfect blue

During the 17th and 18th centuries, chemists in Europe tried to discover a way to create synthetic blue pigments, avoiding the expense of importing and grinding lapis lazuli,
azurite and other minerals. The Egyptians had created a synthetic colour, Egyptian blue, three thousand years BC, but the formula had been lost. The Chinese had also
created synthetic pigments, but the formula was not known in the west.

In 1709 a German druggist and pigment maker named Johann Jacob Diesbach accidentally discovered a new blue while experimenting with potassium and iron sulphides. The
new colour was first called Berlin blue, but later became known as Prussian blue. By 1710 it was being used by the French painter Antoine Watteau, and later his successor
Nicolas Lancret. It became immensely popular for the manufacture of wallpaper, and in the 19th century was widely used by French impressionist painters.[70]

Beginning in the 1820s, Prussian blue was imported into Japan through the port of Nagasaki. It was called bero-ai, or Berlin blue, and it became popular because it did not fade
like traditional Japanese blue pigment, ai-gami, made from the dayflower. Prussian blue was used by both Hokusai, in his famous wave paintings, and Hiroshige.[71]

In 1824 the Societé pour l'Encouragement d'Industrie in France offered a prize for the invention of an artificial ultramarine which could rival the natural colour made from lapis
lazuli. The prize was won in 1826 by a chemist named Jean Baptiste Guimet, but he refused to reveal the formula of his colour. In 1828, another scientist, Christian Gmelin
then a professor of chemistry in Tübingen, found the process and published his formula. This was the beginning of new industry to manufacture artificial ultramarine, which
eventually almost completely replaced the natural product.[72]

In 1878 a German chemist named a. Von Baeyer discovered a synthetic substitute for indigotine, the active ingredient of indigo. This product gradually replaced natural indigo,
and after the end of the First World War, it brought an end to the trade of indigo from the East and West Indies.

In 1901 a new synthetic blue dye, called Indanthrone blue, was invented, which had even greater resistance to fading during washing or in the sun. This dye gradually replaced
artificial indigo, whose production ceased in about 1970. Today almost all blue clothing is dyed with an indanthrone blue.[73]

Thomas Gainsborough's The The 19th-century Japanese woodblock artist Hokusai used Prussian A synthetic indigo dye factory in Germany in 1890. The manufacture of
Blue Boy includes "the lavish blue, a synthetic colour imported from Europe, in his wave paintings, this dye ended the trade in indigo from America and India that had
lapis lazuli, the darker indigo such as in The Great Wave off Kanagawa. begun in the 15th century.
pigment and the paler cobalt."[74]

Impressionist painters
The invention of new synthetic pigments in the 18th and 19th centuries considerably brightened and expanded the palette of painters. J. M. W. Turner experimented with the
new cobalt blue, and of the twenty colours most used by the Impressionists, twelve were new and synthetic colours, including cobalt blue, ultramarine and cerulean blue.[75]

Another important influence on painting in the 19th century was the theory of complementary colours, developed by the French chemist Michel Eugene Chevreul in 1828 and
published in 1839. He demonstrated that placing complementary colours, such as blue and yellow-orange or ultramarine and yellow, next to each other heightened the intensity
of each colour "to the apogee of their tonality."[76] In 1879 an American physicist, Ogden Rood, published a book charting the complementary colours of each colour in the
spectrum.[77] This principle of painting was used by Claude Monet in his Impression – Sunrise – Fog (1872), where he put a vivid blue next to a bright orange sun, (1872) and
in Régate à Argenteuil (1872), where he painted an orange sun against blue water. The colours brighten each other. Renoir used the same contrast of cobalt blue water and an
orange sun in Canotage sur la Seine (1879–1880). Both Monet and Renoir liked to use pure colours, without any blending.[75]

Monet and the impressionists were among the first to observe that shadows were full of colour. In his La Gare Saint-Lazare, the grey smoke, vapour and dark shadows are
actually composed of mixtures of bright pigment, including cobalt blue, cerulean blue, synthetic ultramarine, emerald green, Guillet green, chrome yellow, vermilion and
ecarlate red.[78] Blue was a favourite colour of the impressionist painters, who used it not just to depict nature but to create moods, feelings and atmospheres. Cobalt blue, a
pigment of cobalt oxide-aluminium oxide, was a favourite of Auguste Renoir and Vincent van Gogh. It was similar to smalt, a pigment used for centuries to make blue glass, but
it was much improved by the French chemist Louis Jacques Thénard, who introduced it in 1802. It was very stable but extremely expensive. Van Gogh wrote to his brother
Theo, "'Cobalt [blue] is a divine colour and there is nothing so beautiful for putting atmosphere around things ..."[79]

Van Gogh described to his brother Theo how he composed a sky: "The dark blue sky is spotted with clouds of an even darker blue than the fundamental blue of intense cobalt,
and others of a lighter blue, like the bluish white of the Milky Way ... the sea was very dark ultramarine, the shore a sort of violet and of light red as I see it, and on the dunes, a
few bushes of prussian blue."[80]

Claude Monet used several recently invented The Umbrellas, by In Vincent van Gogh's Irises, the blue irises are Van Gogh's Starry Night Over the Rhône (1888).
colours in his Gare Saint-Lazare (1877). He used Pierre Auguste-Renoir. placed against their complementary colour, Blue used to create a mood or atmosphere. A
cobalt blue, invented in 1807, cerulean blue (1881 and 1885). yellow-orange. cobalt blue sky, and cobalt or ultramarine water.
invented in 1860, and French ultramarine, first made Renoir used cobalt blue
in 1828. for right side of the
picture, but used the
new synthetic
ultramarine introduced
in the 1870s, when he
added two figures to
left of the picture a few
years later.

Wheatfield Under Thunderclouds (July 1890), one of the last

paintings by Vincent van Gogh. He wrote of cobalt blue,
"there is nothing so beautiful for putting atmosphere around
things."

Blue suit
Blue had first become the high fashion colour of the wealthy and powerful in Europe in the 13th century, when it was worn by Louis IX of France, better known as Saint Louis
(1214–1270). Wearing blue implied dignity and wealth, and blue clothing was restricted to the nobility.[81] However, blue was replaced by black as the power colour in the 14th
century, when European princes, and then merchants and bankers, wanted to show their seriousness, dignity and devoutness (see Black).

Blue gradually returned to court fashion in the 17th century, as part of a palette of peacock-bright colours shown off in extremely elaborate costumes. The modern blue
business suit has its roots in England in the middle of the 17th century. Following the London plague of 1665 and the London fire of 1666, King Charles II of England ordered
that his courtiers wear simple coats, waistcoats and breeches, and the palette of colours became blue, grey, white and buff. Widely imitated, this style of men's fashion became
almost a uniform of the London merchant class and the English country gentleman.[82]

During the American Revolution, the leader of the Whig Party in England, Charles James Fox, wore a blue coat and buff waistcoat and breeches, the colours of the Whig Party
and of the uniform of George Washington, whose principles he supported. The men's suit followed the basic form of the military uniforms of the time, particularly the uniforms of
the cavalry.[82]

In the early 19th century, during the Regency of the future King George IV, the blue suit was revolutionised by a courtier named George Beau Brummel. Brummel created a suit
that closely fitted the human form. The new style had a long tail coat cut to fit the body and long tight trousers to replace the knee-length breeches and stockings of the
previous century. He used plain colours, such as blue and grey, to concentrate attention on the form of the body, not the clothes. Brummel observed, "If people turn to look at
you in the street, you are not well dressed."[83] This fashion was adopted by the Prince Regent, then by London society and the upper classes. Originally the coat and trousers
were different colours, but in the 19th century the suit of a single colour became fashionable. By the late 19th century the black suit had become the uniform of businessmen in
England and America. In the 20th century, the black suit was largely replaced by the dark blue or grey suit.[82]

King Louis IX of France Joseph Leeson, later Charles James Fox, a Beau Brummel Man's suit, 1826. Man's blue President John F. Kennedy
(on the right, with Pope 1st Earl of Milltown, leader of the Whig Party in introduced the Dark blue suits suit in the popularised the blue two-button
Innocent) was the first in the typical dress of England, wore a blue suit in ancestor of the modern were still rare; this 1870s, Paris. business suit, less formal than
European king to wear the English country Parliament in support of blue suit, shaped to the one is blue-green or Painting by the suits of his predecessors.
blue. It quickly became gentleman in the George Washington and the body. (1805). teal. Caillebotte. (1961)
the colour of the nobles 1730s. American Revolution.
and wealthy. Portrait by Joshua Reynolds
(1782).

In the 21st century, the dark blue business suit is

the most common style worn by world leaders,
seen here at the 2011 G-20 Summit in Cannes,
France.

In the 20th and 21st century

At the beginning of the 20th century, many artists recognised the emotional power of blue, and made it the central element of paintings. During his Blue Period (1901–1904)
Pablo Picasso used blue and green, with hardly any warm colours, to create a melancholy mood. In Russia, the symbolist painter Pavel Kuznetsov and the Blue Rose art group
(1906–1908) used blue to create a fantastic and exotic atmosphere. In Germany, Wassily Kandinsky and other Russian émigrés formed the art group called Der Blaue Reiter
(The Blue Rider), and used blue to symbolise spirituality and eternity.[84] Henri Matisse used intense blues to express the emotions he wanted viewers to feel. Matisse wrote, "A
certain blue penetrates your soul."[85]

In the art of the second half of the 20th century, painters of the abstract expressionist movement began to use blue and other colours in pure form, without any attempt to
represent anything, to inspire ideas and emotions. Painter Mark Rothko observed that colour was "only an instrument;" his interest was "in expressing human emotions tragedy,
ecstasy, doom, and so on."[86]

In fashion blue, particularly dark blue, was seen as a colour which was serious but not grim. In the mid-20th century, blue passed black as the most common colour of men's
business suits, the costume usually worn by political and business leaders. Public opinion polls in the United States and Europe showed that blue was the favourite colour of
over fifty per cent of respondents. Green was far behind with twenty per cent, while white and red received about eight per cent each.[87]

In 1873, a German immigrant in San Francisco, Levi Strauss, invented a sturdy kind of work trousers, made of denim fabric and coloured with indigo dye, called blue jeans. In
1935, they were raised to the level of high fashion by Vogue magazine. Beginning in the 1950s, they became an essential part of uniform of young people in the United States,
Europe, and around the world.

Blue was also seen as a colour which was authoritative without being threatening. Following the Second World War, blue was adopted as the colour of important international
organisations, including the United Nations, the Council of Europe, UNESCO, the European Union, and NATO. United Nations peacekeepers wear blue helmets to stress their
peacekeeping role. Blue is used by the NATO Military Symbols for Land Based Systems to denote friendly forces, hence the term "blue on blue" for friendly fire, and Blue Force
Tracking for location of friendly units. The People's Liberation Army of China (formerly known as the "Red Army") uses the term "Blue Army" to refer to hostile forces during
exercises.[88]

The 20th century saw the invention of new ways of creating blue, such as chemiluminescence, making blue light through a chemical reaction.

In the 20th century, it also became possible for one to own a shade of blue. The French artist Yves Klein, with the help of a French paint dealer, created a specific blue called
International Klein blue, which he patented. It was made of ultramarine combined with a resin called Rhodopa, which gave it a particularly brilliant colour. The baseball team the
Los Angeles Dodgers developed its own blue, called Dodger blue, and several American universities invented new blues for their colours.

With the dawn of the World Wide Web, blue has become the standard colour for hyperlinks in graphic browsers (in most browsers, links turn purple after visiting their target), to
make their presence within text obvious to readers.

During his Blue Period, The Blue Rider (1903), by Wassily The Russian avant-garde painter Pavel Blue jeans, made of denim Vivid blues can be created
Pablo Picasso used blue Kandinsky, For Kandinsky, blue was the Kuznetsov and his group, the Blue Rose, coloured with indigo dye, patented by chemical reactions, called
as the colour of colour of spirituality: the darker the blue, used blue to symbolise fantasy and by Levi Strauss in 1873, became chemiluminescence. This is
melancholy, as in The the more it awakened human desire for exoticism. This is In the Steppe – Mirage an essential part of the wardrobe luminol, a chemical used in
Old Guitarist. the eternal.[84] (1911). of young people beginning in the crime scene investigations.
1950s. Luminol glows blue when it
contacts even a tiny trace of
blood.

Blue neon lighting, first used in commercial The Story Bridge in Brisbane, Australia
advertising, is now used in works of art. This illuminated in blue light for ovarian cancer
is Zwei Pferde für Münster (Two horses for awareness.
Münster), a neon sculpture by Stephan
Huber (2002), in Munster, Germany.

In world culture
In the English language, blue often represents the human emotion of sadness, for example, "He was feeling blue".
In German, to be "blue" (blau sein) is to be drunk. This derives from the ancient use of urine, particularly the urine of men who had been drinking alcohol in dyeing cloth
blue with woad or indigo.[89] It may also be in relation to rain, which is usually regarded as a trigger of depressive emotions.[90]
Blue can sometimes represent happiness and optimism in popular songs,[91] usually referring to blue skies.[92]
In the German, Swedish and Norwegian languages, a naive person is said to look upon the world with a blue eye.[93][94]
Blue is commonly used in the Western Hemisphere to symbolise boys, in contrast to pink used for girls. In the early 1900s, blue was the colour for girls, since it had
traditionally been the colour of the Virgin Mary in Western Art, while pink was for boys (as it was akin to the colour red, considered a masculine colour).[95]
In China, the colour blue is commonly associated with torment, ghosts, and death.[96] In a traditional Chinese opera, a character with a face powdered blue is a villain.[97]
In Turkey and Central Asia, blue is the colour of mourning.[96]
The men of the Tuareg people in North Africa wear a blue turban called a tagelmust, which protects them from the sun and wind-blown sand of the Sahara desert. It is
coloured with indigo. Instead of using dye, which uses precious water, the tagelmust is coloured by pounding it with powdered indigo. The blue colour transfers to the skin,
where it is seen as a sign of nobility and affluence.[98] Early visitors called them the "Blue Men" of the Sahara.[99]
In the culture of the Hopi people of the American southwest, blue symbolised the west, which was seen as the house of death. A dream about a person carrying a blue
feather was considered a very bad omen.[96]
In Thailand, blue is associated with Friday on the Thai solar calendar. Anyone may wear blue on Fridays and anyone born on a Friday may adopt blue as their colour.

A man of the Tuareg

people of North Africa
wears a tagelmust or
turban dyed with indigo.
The indigo stains their
skin blue; they were
known by early visitors
as "the blue men" of the
desert.

As a national and international colour

Various shades of blue are used as the national colours for many nations.

Azure, a light blue, is the national colour of Italy (from the livery colour of the former reigning family, the House of Savoy). National sport clubs are known as the Azzurri.
Blue and white are the national colours of Scotland, Argentina, El Salvador, Finland, Greece, Guatemala, Honduras, Israel, Micronesia, Nicaragua and Somalia, are the
ancient national colours of Portugal and are the colours of the United Nations.
Blue, white and yellow are the national colours of Bosnia and Herzegovina, Kosovo and Uruguay.
Blue, white and green are the national colours of Sierra Leone.
Blue, white and black are the national colours of Estonia.[100]
Blue and yellow are the national colours of Barbados, Kazakhstan, Palau, Sweden, and Ukraine.
Blue, yellow and green are the national colours of Brazil, Gabon, and Rwanda.
Blue, yellow and red are the national colours of Chad, Colombia, Ecuador, Moldova, Mongolia, Romania, and Venezuela.
Blue and red are the national colours of Haiti and Liechtenstein.
Blue, red and white are the national colours of Australia, Cambodia, Costa Rica, Chile, Croatia, Cuba, the Czech Republic, the Dominican Republic, France, Iceland, North
Korea,[101] Laos, Liberia, Luxembourg, Nepal, the Netherlands, New Zealand, Iceland, Norway, Panama, Paraguay, Puerto Rico, Russia, Samoa, Serbia, Slovakia,
Slovenia, Thailand, the United Kingdom, and the United States.
Blue, called St. Patrick's blue, is a traditional colour of Ireland, and appears on the Arms of Ireland.

Politics
Main article: Political colour

In the Byzantine Empire, the Blues and the Greens were the most prominent political factions in the capital. They took their names from the colours of the two most popular
chariot racing teams at the Hippodrome of Constantinople.[102]
The word blue was used in England the 17th century as a disparaging reference to rigid moral codes and those who observed them, particularly in blue-stocking, a
reference to Oliver Cromwell's supporters in the parliament of 1653.
In the middle of the 18th century, blue was the colour of Tory party, then the opposition party in England, Scotland and Ireland, which supported the British monarch and
power of the landed aristocracy, while the ruling Whigs had orange as their colour. Flags of the two colours are seen over a polling station in the series of prints by William
Hogarth called Humours of an election, made in 1754–55. Blue remains the colour of the Conservative Party of the UK today.
By the time of the American Revolution, The Tories were in power and blue and buff had become the colours of the opposition Whigs. They were the subject of a famous
toast to Whig politicians by Mrs. Crewe in 1784; "Buff and blue and all of you." They also became the colours of the American patriots in the American Revolution, who had
strong Whig sympathies, and of the uniforms of Continental Army led by George Washington.[103]
During the French Revolution and the revolt in the Vendée that followed, blue was the colour worn by the soldiers of the Revolutionary government, while the royalists wore
white.
The Breton blues were members of a liberal, anti-clerical political movement in Brittany in the late 19th century.
The blueshirts were members of an extreme right paramilitary organisation active in Ireland during the 1930s.
Blue is associated with numerous centre-right liberal political parties in Europe, including the People's Party for Freedom and Democracy (Netherlands), the Reformist
Movement and Open VLD (Belgium), the Democratic Party (Luxembourg), Liberal Party (Denmark) and Liberal People's Party (Sweden).
Blue is the colour of the Conservative Party in Britain and Conservative Party of Canada.
In the United States, television commentators use the term "blue states" for those states which traditionally vote for the Democratic Party in presidential elections, and "red
states" for those which vote for the Republican Party.[104]
In Québec Province of Canada, the Blues are those who support sovereignty for Quebec, as opposed to the Federalists. It is the colour of the Parti québécois and the Parti
libéral du Québec.
Blue is the colour of the New Progressive Party of Puerto Rico.
In Brazil, blue states are the ones in which the Social Democratic Party has the majority, in opposition to the Workers' Party, usually represented by red.
A blue law is a type of law, typically found in the United States and Canada, designed to enforce religious standards, particularly the observance of Sunday as a day of
worship or rest, and a restriction on Sunday shopping.
The Blue House is the residence of the President of South Korea.[105]

A painting by William The blue necktie of A map of the US

Hogarth from 1854 former British Prime showing the blue states,
shows a polling station Minister David Cameron which voted for the
with the blue flag of the represented his Democratic candidate in
Tory party and the Conservative Party. all the last four
orange flag of the Whigs. Presidential elections,
and the red states, which
voted for the Republican.

Religion
Blue in Judaism: In the Torah,[106] the Israelites were commanded to put fringes, tzitzit, on the corners of their garments, and to weave within these fringes a "twisted thread
of blue (tekhelet)".[107] In ancient days, this blue thread was made from a dye extracted from a Mediterranean snail called the hilazon. Maimonides claimed that this blue
was the colour of "the clear noonday sky"; Rashi, the colour of the evening sky.[108] According to several rabbinic sages, blue is the colour of God's Glory.[109] Staring at this
colour aids in mediation, bringing us a glimpse of the "pavement of sapphire, like the very sky for purity", which is a likeness of the Throne of God.[110] (The Hebrew word
for glory.) Many items in the Mishkan, the portable sanctuary in the wilderness, such as the menorah, many of the vessels, and the Ark of the Covenant, were covered with
blue cloth when transported from place to place.[111]
Blue in Christianity: Blue is associated with Christianity in general and Catholicism in particular, especially with the figure of the Virgin Mary.[112][113][114]
Blue in Hinduism: Many of the gods are depicted as having blue-coloured skin, particularly those associated with Vishnu, who is said to be the preserver of the world and
thus intimately connected to water. Krishna and Ram, Vishnu's avatars, are usually blue. Shiva, the destroyer, is also depicted in light blue tones and is called neela kantha,
or blue-throated, for having swallowed poison in an attempt to turn the tide of a battle between the gods and demons in the gods' favour. Blue is used to symbolically
represent the fifth, throat, chakra (Vishuddha).[115]
Blue in Buddhism: In South Asian tradition, several Buddhist figures may be depicted with blue skin, in reference to their dark complexion. In Sri Lanka, the Buddha's
disciple Maudgalyāyana is depicted in this way. The nun Utpalavarṇā is similarly implied to have been of a comparatively dark complexion as her name means "colour of a
blue water lily." The god Śakra is also sometimes depicted as blue, green, or black. In Tibetan Buddhism, the Buddha Bhaiṣajyaguru is usually painted blue in reference to
his relationship to lapis lazuli. Another name for the goddess Ekajaṭī is "Blue Tara." Among the colours of the Buddhist flag, blue represents "the spirit of Universal
Compassion." It is listed among the kasiṇa.[citation needed]

Blue stripes on a traditional Jewish tallit. The blue Vishnu, the supreme god of Hinduism, is often In Catholicism, blue The Bhaisajyaguru, or In the Islamic World,
stripes are also featured in the flag of Israel. portrayed as being blue, or more precisely having became the traditional "Medicine Master of blue and turquoise tile
skin the colour of rain-filled clouds. colour of the robes of Lapis Lazuli Light", is the traditionally decorates
the Virgin Mary in the Buddha of healing and the facades and
13th century. medicine in Mahayana exteriors of mosques
Buddhism. He and other religious
traditionally holds a lapis buildings. This mosque
lazuli jar of medicine. is in Isfahan, Iran.

Gender
See also: List of historical sources for pink and blue as gender signifiers

Blue was first used as a gender signifier just prior to World War I (for either girls or boys), and first established as a male gender
signifier in the 1940s.[116]

Music
The blues is a popular musical form created in the United States in the 19th century by African-American musicians, based on
African musical roots.[117] It usually expresses sadness and melancholy.
A blue note is a musical note sung or played at a slightly lower pitch than the major scale for expressive purposes, giving it a
slightly melancholy sound. It is frequently used in jazz and the blues.[118]
Bluegrass is a subgenre of American country music, born in Kentucky and the mountains of Appalachia. It has its roots in the
traditional folk music of the Scottish, and Irish.[119]

Transportation
This section does not cite any sources. Please help improve this section by adding citations to
reliable sources. Unsourced material may be challenged and removed. (March 2016) (Learn how and when
This restroom sign on an All Nippon
to remove this template message)
Airways Boeing 767-300 uses blue for
In many countries, blue is often used as a colour for guide signs on highways. In the Manual on Uniform Traffic Control Devices the male gender

used in the United States, as well as in other countries with MUTCD-inspired signage, blue is often used to indicate motorist
services.
Many bus and rail systems around the world that colour code rail lines typically include a Blue Line.
The colour blue has also been used extensively by several airlines.

Associations and sayings

True blue is an expression in the United States which means faithful and loyal.[120]
In Britain, a bride in a wedding is encouraged to wear "Something old, something new, something borrowed, something blue," as a sign of loyalty and faithfulness. A blue
sapphire engagement ring is also considered a symbol of fidelity.[121]
Blue is often associated with excellence, distinction and high performance. The Queen of the United Kingdom and the Chancellor of Germany often wear a blue sash at
formal occasions. In the United States, the blue ribbon is usually the highest award in expositions and county fairs. The Blue Riband was a trophy and flag given to the
fastest transatlantic steamships in the 19th and 20th century. A blue-ribbon panel is a group of top-level experts selected to examine a subject.
A blue chip stock is a stock in a company with a reputation for quality and reliability in good times and bad. The term was invented in the New York Stock Exchange in 1923
or 1924, and comes from poker, where the highest value chips are blue.[122]
Someone with blue blood is a member of the nobility. The term comes from the Spanish sangre azul, and is said to refer to the pale skin and prominent blue veins of
Spanish nobles.[123]
Blue is also associated with labour and the working class. It is the common colour of overalls blue jeans and other working costumes. In the United States "blue collar"
workers refers to those who, in either skilled or unskilled jobs, work with their hands and do not wear business suits ("white collar" workers).
Blue is traditionally associated with the sea and the sky, with infinity and distance. The uniforms of sailors are usually dark blue, those of air forces lighter blue. The
expression "The wild blue yonder" in the official song of the U.S. Air Force refers to the sky.[124]
Blue is associated with cold water taps which are traditionally marked with blue.
Bluestocking was an unflattering expression in the 18th century for upper-class women who cared about culture and intellectual life and disregarded fashion. It originally
referred to men and women who wore plain blue wool stockings instead of the black silk stockings worn in society.[123]
Blue is often associated with melancholy – having the "blues".
In English-speaking countries, the colour blue is sometimes associated with the risqué, for example "blue comedy", "blue movie" (a euphemism for a pornographic film) or
"turning the air blue" (an idiom referring to profuse swearing).
The colour blue is typically associated with autism and the charity Autism Speaks.[125]
The Free area of the Republic of China is often called "the Blue China"

Madame Pompadour,
the mistress of King
Louis XV of France,
wore blue myosotis, or
forget-me-not flowers in
her hair and on her
gowns as a symbol of
faithfulness to the king.

Sports
Many sporting teams make blue their official colour, or use it as detail on kit of a different colour. In addition, the colour is present on the logos of many sports associations.
Along with red, blue is the most commonly used non-white colours for teams.

The blues of antiquity

In the late Roman Empire, during the time of Caligula, Nero and the emperors who followed, the Blues were a popular chariot racing team which competed in the Circus
Maximus in Rome against the Greens, the Reds and Whites.[102]
In the Byzantine Empire, The Blues and Greens were the two most popular chariot racing teams which competed in the Hippodrome of Constantinople. Each was
connected with a powerful political faction, and disputes between the Green and Blue supporters often became violent. During the reign of the emperor Justinian I, after one
competition in 532 AD, riots between the two factions broke out, during which the cathedral and much of the centre of Constantinople were burned, and more than thirty
thousand people were killed.[126]

Association football
In international association football, blue is a common colour on kits, as a majority of nations wear the colours of their national flag. A notable exception to this link is four-time
FIFA World Cup winners Italy, who wear a blue kit based on the Azzuro Savoia (Savoy blue) of the royal House of Savoy which unified the Italian states, despite the italian
national flag being green, white and red.[127] The team themselves are known as Gli Azzurri (the Azures). Another World Cup winning nation with a blue shirt is France, who are
known as Les Bleus (the Blues). Two neighbouring countries with two World Cup victories each, Argentina and Uruguay wear a light blue shirt, the former with white stripes.
Uruguay are known as the La Celeste, Spanish for 'the sky blue one', while Argentina are known as Los Albicelestes, Spanish for 'the sky blue and whites'.[128]

Blue features on the logo of football's governing body FIFA, as well as featuring highly in the design of their website.[129] The European governing body of football, UEFA, uses
two tones of blue to create a map of Europe in the centre of their logo. The Asian Football Confederation, Oceania Football Confederation and CONCACAF (the governing
body of football in North and Central America and the Caribbean) use blue text on their logos.

North American sporting leagues

In Major League Baseball, the premier baseball league in the United States and Canada, blue is one of the three colours, along with white and red, on the league's official logo.
A team from Toronto, Ontario are nicknamed the Blue Jays. Sixteen other teams either regularly feature blue hats or utilise the colour in their uniforms.

The National Basketball Association, the premier basketball league in the United States and Canada, also has blue as one of the colours on their logo, along with red and white
also, as did its female equivalent, the WNBA, until March 28, 2011, when the latter adopted an orange and white logo. Former NBA player Theodore Edwards was nicknamed
"Blue". Fifteen NBA teams feature the colour in their uniforms.

The National Football League, the premier American football league in the United States, also uses blue as one of three colours, along with white and red, on their official logo.
Thirteen NFL teams prominently feature the colour.

The National Hockey League, the premier Ice hockey league in Canada and the United States, uses blue on its official logo. Ten teams prominently feature the colour, with two
teams (Columbus Blue Jackets and St. Louis Blues) featuring the colour in their nicknames. The team in St. Louis is primarily nicknamed after the eponymous music genre.

The Italian national

football team wear blue
in honour of the royal
House of Savoy which
unified the country.

Other

See also
Blue Flag (disambiguation)
Blue movie (disambiguation)
Blue Screen of Death
Blue (university sport)
Blue–green distinction in language
Engineer's blue
Lists of colors
Non-photo blue

References
Notes and citations
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Ball, Philip (2001). Bright Earth, Art, and the Invention of Colour. London: Penguin Group. p. 507. ISBN 978-2-7541-0503-3. (page numbers refer to the French translation).
Gage, John (1993). Colour and Culture: Practice and Meaning from Antiquity to Abstraction . London and Paris: Thames and Hudson. ISBN 978-2-87811-295-5.
Pastoureau, Michel (2000). Bleu: Histoire d'une couleur (in French). Paris: Editions du Seuil. ISBN 978-2-02-086991-1.
Pastoureau, Michel (2010). Les couleurs de nos souvenirs (in French). Paris: Editions du Seuil. ISBN 978-2-02-096687-0.
Balfour-Paul, Jenny (1998). Indigo. London: British Museum Press. ISBN 978-0-7141-1776-8.
Varichon, Anne (2005). Couleurs: pigments et teintures dans les mains des peuples (in French). Paris: Editions du Seuil. ISBN 978-2-02-084697-4.
Heller, Eva (2009). Psychologie de la couleur: effets et symboliques (in French). Munich: Pyramyd. ISBN 978-2-35017-156-2.
Mollo, John (1991). Uniforms of The American Revolution in Color. Illustrated by Malcolm McGregor. New York: Stirling Publications. ISBN 978-0-8069-8240-3.
Broecke, Lara (2015). Cennino Cennini's Il Libro dell'Arte: a New English Translation and Commentary with Italian Transcription. Archetype. ISBN 978-1-909492-28-8.

External links
The dictionary definition of blue at Wiktionary
Media related to blue at Wikimedia Commons
"Friday essay: from the Great Wave to Starry Night, how a blue pigment changed the world", By Dr Hugh Davies, theconversation.com

V·T·E Shades of blue [show]

Articles related to Blue [show]

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Categories: Shades of blue Primary colors Secondary colors Optical spectrum Rainbow colors Web colors

This page was last edited on 24 August 2020, at 12:44 (UTC).

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