The document discusses similarities between scenes in Girish Karnad's play "Tughlaq" and William Shakespeare's plays "Julius Caesar" and "Henry V". Specifically, it notes that Scene V of "Tughlaq" resembles the conspiracy scene in "Julius Caesar", as both involve groups plotting to assassinate their leader. Similarly, the exposure of the conspiracy in Scene VI of "Tughlaq" parallels a scene in "Henry V" where treasonous plots are revealed. Both plays involve the leaders outwitting the conspirators and executing them to set an example. The document analyzes how Karnad drew from Shakespeare in crafting the political intrigues within "Tugh
The document discusses similarities between scenes in Girish Karnad's play "Tughlaq" and William Shakespeare's plays "Julius Caesar" and "Henry V". Specifically, it notes that Scene V of "Tughlaq" resembles the conspiracy scene in "Julius Caesar", as both involve groups plotting to assassinate their leader. Similarly, the exposure of the conspiracy in Scene VI of "Tughlaq" parallels a scene in "Henry V" where treasonous plots are revealed. Both plays involve the leaders outwitting the conspirators and executing them to set an example. The document analyzes how Karnad drew from Shakespeare in crafting the political intrigues within "Tugh
The document discusses similarities between scenes in Girish Karnad's play "Tughlaq" and William Shakespeare's plays "Julius Caesar" and "Henry V". Specifically, it notes that Scene V of "Tughlaq" resembles the conspiracy scene in "Julius Caesar", as both involve groups plotting to assassinate their leader. Similarly, the exposure of the conspiracy in Scene VI of "Tughlaq" parallels a scene in "Henry V" where treasonous plots are revealed. Both plays involve the leaders outwitting the conspirators and executing them to set an example. The document analyzes how Karnad drew from Shakespeare in crafting the political intrigues within "Tugh
The document discusses similarities between scenes in Girish Karnad's play "Tughlaq" and William Shakespeare's plays "Julius Caesar" and "Henry V". Specifically, it notes that Scene V of "Tughlaq" resembles the conspiracy scene in "Julius Caesar", as both involve groups plotting to assassinate their leader. Similarly, the exposure of the conspiracy in Scene VI of "Tughlaq" parallels a scene in "Henry V" where treasonous plots are revealed. Both plays involve the leaders outwitting the conspirators and executing them to set an example. The document analyzes how Karnad drew from Shakespeare in crafting the political intrigues within "Tugh
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TUGHLAQ
Assignment-3 1. Does Scene V ring a bell in your mind? Does it remind you of a similar scene in ‘Julius Caesar’? Conspirators everywhere, it seems, have to look for a leader who has no personal axe to grind.
Girish Karnad’s stories and characters had great influence of
Shakespearean plays in it. The particular play ‘Tughlaq’ is no exception. Many critics, readers and the writer himself had commented on how Scene V of ‘Tughlaq’ resembles acts in Shakespeare’s play ‘Julius Caesar’. Analyzing Scene V of ‘Tughlaq’ it is quite evident that there is a conspiracy being planned to assassinate Mohammed-bin-Tughlaq. Act II Scene I of ‘Julius Caesar’ is also characterised by a similar conspiracy where eight members actively participated to discuss ways to finish off the Roman general. Both these characters were highly respected by the public. Tughlaq was a king who believed in the doctrine of equality, a scholar, visionary and idealist but deep inside was a political manipulator especially with his enemies. Ratansingh calls him “an honest scoundrel” who can go to any lengths to achieve his ends. The Amirs and Sayyids grouses about the king’s despotic rule as well as his plan to move the capital from Delhi, a Muslim dominated area to Daulatabad, a Hindu reigned city. The senators in Rome also had a nerve-racking situation because of the ongoing conflicts between Caesar and the Senate. They were anxious whether the Roman general and statesman would overthrow the Senate once he acquires the position of a king. They also had personal rivalries with Caesar. Thus, the consternation of a tyrannical rule was what gave way to both these conspiracies. The assassination of Caesar was carried out by Cassius, Brutus, Casca, Decius, Cinna, Cimber, Legarius and Trebonius. But, only Brutus was Caesar’s confidant. Hence, he was appointed as the leader. Similarly, in the play ‘Tughlaq’, Shihab-ud-din, Prince of Sampanshahr who is quite close to Muhammad-bin-Tughlaq and does not have any personal grudge against him is chosen to be the head. Credulous Brutus is made to believe that the people of Rome condemns Caesar’s rule by “tactful”, “scheming and unscrupulous”, “practical and shrewd” Cassius. Even though not cunning like Cassius, Sheikh Shams-ud-din assures that murdering Tughlaq is crucial to save Islam.
2. The exposure of conspiracy in Scene VI was deftly handled. There is a
similar scene in ‘Henry V.’ An important item in this respect is the sense of timing. Do you agree?
The plan to assassinate Muhammad-bin-Tughlaq, conspired by the
Amirs, Sayyids, Shihab-ud-din and Ratansingh was caught in flagrante by the king himself. The conspirators least expected betrayal from Ratan Singh who later flees Delhi. This well planned conspiracy and failure to execute it reminds readers of Act II Scene II in Henry V where Earl Richard of Cambridge, Sir Thomas Grey of Northumberland and Henry Lord Scrope of Masham are caught rapid by Henry V exposing their scheme of eliminating him. The three traitors were financed by French government. This plan is often referred to in history as the Southampton Plot of 1415. Both Tughlaq and Henry V believed that these traitors should be executed. Mohammed- bin-Tughlaq stabbed Prince Shihab-ud-din to death and all the other conspirators were beheaded. Henry V imprisoned the conspirators for treason and later executed them. They believed that killing the traitors would cause fear in anyone who thinks of hatching a plot against the monarchs. Tughlaq and Henry V were clever enough to wait for the right moment to punish their men who double crossed them. Tughlaq does not even create the slightest doubt during Durbar-i-Khas. When Tughlaq asks everyone to take an oath on Koran Shihab-ud-din enquires about the distrust Mohammed has towards him which enrages the king but he quickly controls it. This provides a clear idea that Tughlaq had plans in his mind and he held a hoodwink trap to confine the ones who connived against him. When they try to attack Tughlaq during his prayer, they are surrounded by the king’s soldiers who apprehended and later beheaded them. Henry V was also patient and asked advice to the traitors regarding a drunken man arrested the previous day for speaking against the king. Henry had plans to let the man go free but the conspirators recommended him to punish the rebel. Henry frees him and punishes the three colluders. Both Tughlaq and King Henry V made the traitors realise their foolishness before executing them.