Montemayor - Biographical Sketch
Montemayor - Biographical Sketch
Montemayor - Biographical Sketch
Teofilo H. Montemayor
José Rizal, the national hero of the Philippines and pride of the Malayan race, was born on June
19, 1861, in the town of Calamba, Laguna. He was the seventh child in a family of 11 children (2
boys and 9 girls). Both his parents were educated and belonged to distinguished families.
His father, Francisco Mercado Rizal, an industrious farmer whom Rizal called “a model of
fathers,” came from Biñan, Laguna; while his mother, Teodora Alonzo y Quintos, a highly
cultured and accomplished woman whom Rizal called “loving and prudent mother,” was born in
Meisic, Sta. Cruz, Manila. At the age of 3, he learned the alphabet from his mother; at 5, while
learning to read and write, he already showed inclinations to be an artist. He astounded his
family and relatives by his pencil drawings and sketches and by his moldings of clay. At the age
8, he wrote a Tagalog poem, “Sa Aking Mga Kabata,” the theme of which revolves on the love
of one’s anguage. In 1877, at the age of 16, he obtained his Bachelor of Arts degree with an
average of “excellent” from the Ateneo Municipal de Manila. In the same year, he enrolled in
Philosophy and Letters at the University of Santo Tomas, while at the same time took courses
leading to the degree of surveyor and expert assessor at the Ateneo. He finished the latter course
on March 21, 1877 and passed the Surveyor’s examination on May 21, 1878; but because of his
age, 17, he was not granted license to practice the profession until December 30, 1881. In 1878,
he enrolled in medicine at the University of Santo Tomas but had to stop in his studies when he
felt that the Filipino students were being discriminated upon by their Dominican tutors. On May
3, 1882, he sailed for Spain where he continued his studies at the Universidad Central de Madrid.
On June 21, 1884, at the age of 23, he was conferred the degree of Licentiate in Medicine and on
June 19,1885 , at the age of 24, he finished his course in Philosophy and Letters with a grade of
“excellent.”
Having traveled extensively in Europe, America and Asia, he mastered 22 languages. These
include Arabic, Catalan, Chinese, English, French, German, Greek, Hebrew, Italian, Japanese,
Latin, Malayan, Portuguese, Russian, Sanskrit, Spanish, Tagalog, and other native dialects. A
versatile genius, he was an architect, artists, businessman, cartoonist, educator, economist,
ethnologist, scientific farmer, historian, inventor, journalist, linguist, musician, mythologist,
nationalist, naturalist, novelist, opthalmic surgeon, poet, propagandist, psychologist, scientist,
sculptor, sociologist, and theologian.
He was an expert swordsman and a good shot. In the hope of securing political and social
reforms for his country and at the same time educate his countrymen, Rizal, the greatest apostle
of Filipino nationalism, published, while in Europe, several works with highly nationalistic and
revolutionary tendencies. In March 1887, his daring book, NOLI ME TANGERE, a satirical
novel exposing the arrogance and despotism of the Spanish clergy, was published in Berlin; in
1890 he reprinted in Paris, Morga’s SUCCESSOS DE LAS ISLAS FILIPINAS with his
annotations to prove that the Filipinos had a civilization worthy to be proud of even long before
the Spaniards set foot on Philippine soil; on September 18, 1891, EL FILIBUSTERISMO, his
second novel and a sequel to the NOLI and more revolutionary and tragic than the latter, was
1
Teofilo H. Montemayor, Rizal Pictorial Calendar (Manila: National Historical Institute, 1996), 1.
Michael Charleston B. Chua, KasPil1 readings, DLSU-Manila 2
printed in Ghent. Because of his fearless exposures of the injustices committed by the civil and
clerical officials, Rizal provoked the animosity of those in power. This led himself, his relatives
and countrymen into trouble with the Spanish officials of the country. As a consequence, he and
those who had contacts with him, were shadowed; the authorities were not only finding faults but
even fabricating charges to pin him down. Thus, he was imprisoned in Fort Santiago from July 6,
1892 to July 15, 1892 on a charge that anti-friar pamphlets were found in the luggage of his
sister Lucia who arrive with him from Hong Kong. While a political exile in Dapitan, he engaged
in agriculture, fishing and business; he maintained and operated a hospital; he conducted classes-
taught his pupils the English and Spanish languages, the arts.
The sciences, vocational courses including agriculture, surveying, sculpturing, and painting, as
well as the art of self defense; he did some researches and collected specimens; he entered into
correspondence with renowned men of letters and sciences abroad; and with the help of his
pupils, he constructed water dam and a relief map of Mindanao - both considered remarkable
engineering feats. His sincerity and friendliness won for him the trust and confidence of even
those assigned to guard him; his good manners and warm personality were found irresistible by
women of all races with whom he had personal contacts; his intelligence and humility gained for
him the respect and admiration of prominent men of other nations; while his undaunted courage
and determination to uplift the welfare of his people were feared by his enemies.
When the Philippine Revolution started on August 26, 1896, his enemies lost no time in pressing
him down. They were able to enlist witnesses that linked him with the revolt and these were
never allowed to be confronted by him. Thus, from November 3, 1986, to the date of his
execution, he was again committed to Fort Santiago. In his prison cell, he wrote an untitled
poem, now known as “Ultimo Adios” which is considered a masterpiece and a living document
expressing not only the hero’s great love of country but also that of all Filipinos. After a mock
trial, he was convicted of rebellion, sedition and of forming illegal association. In the cold
morning of December 30, 1896, Rizal, a man whose 35 years of life had been packed with varied
activities which proved that the Filipino has capacity to equal if not excel even those who treat
him as a slave, was shot at Bagumbayan Field.