Author and Romanticism
Author and Romanticism
Author and Romanticism
Lord females. In 1803, Byron fell deeply in love with his distant
cousin, Mary Chaworth, and this unrequited passion found
Origins Libertarianism
Romanticism was a literary movement that swept Many of the libertarian and abolitionist movements of
through virtually every country of Europe, the United the late 18th and early 19th centuries were
States, and Latin America that lasted from about 1750 engendered by the romantic philosophy-the desire to
to 1870. However, the Romantic Movement did not be free of convention and tyranny, and the new
reach France until the1820's. Romanticism's essential emphasis on the rights and dignity of the individual.
spirit was one of revolt against an established order of Just as the insistence on rational, formal, and
things-against precise rules, laws, dogmas, and conventional subject matter that had typified
formulas that characterized Classicism in general and neoclassicism was reversed, the authoritarian regimes
late18th-century Neoclassicism in particular. It praised that had encouraged and sustained neoclassicism in
imagination over reason, emotions over logic, and the arts were inevitably subjected to popular
intuition over science-making way for a vast body of revolutions. The general romantic's dissatisfaction with
literature of great sensibility and passion. In their the organization of society was often channeled into
choice of heroes, also, the romantic writers replaced specific criticism of the Bougeois society and the
the static universal types of classical 18th-century feeling of oppression was frequently expressed in
literature with more complex, idiosyncratic characters. poetry. Political and social causes became dominant
They became preoccupied with the genius, the hero, themes in romantic poetry and prose throughout
and the exceptional figure in general, and a focus on France and other parts of Europe, producing many vital
his passions and inner struggles and there was an human documents that are still pertinent.
Romanticism stresses on self-expression and of rural dwellers was a popular literary theme. Often
individual uniqueness that does not lend itself to combined with this feeling for rural life is a generalized
precise definition. Romantics believed that men and romantic melancholy, a sense that change is imminent
women ought to be guided by warm emotions rather and that a way of life is being threatened.
than the cold abstract rules and rituals established by
Bourgeois society. The bourgeois, who promoted, The Lure of the Exotic
defended, and openly profited by the Revolution of In the spirit of their new freedom, romantic writers in all
1830, brought with them, when they rose to power, cultures expanded their imaginary horizons spatially
certain social customs. No doubt all the Romantics and chronologically. They turned back to the Middle
would have furiously denied that they were bourgeois, Ages (12th century to 15th century) for themes and
and many of them would indignantly have repudiated settings and had an obsessive interest in folk culture,
Napoleon III, rather than declare allegience to whom national and ethnic cultural origins. They found
Victor Hugo went into exile for 18 years. In the period delight notions of romantic love, mystery and
of its most active fermentation, the Romantic superstition, and placed an emphasis upon imagination
Movement was nothing more than a protest against as a gateway to transcendent experience and spiritual
bourgeois conventions, bourgeois society and morality. truth.
To be extreme and flamboyant and unusual and violent
even at the risk of becoming grotesque was the desire The Decline of Romanticism
of every young Romantic. The Romantics were, in fact, By about the middle of the 19th century, romanticism
bourgeois origins, who were trying hard to escape from began to give way to new literary movements: the
their own shadows. Parnassians and the symbolist movement in poetry,
and realism and naturalism.
Nature
The Romantic association of nature and spirit
expressed itself in one of two ways. The landscape
was, on one hand regarded as an extension of the
human personality, capable of sympathy with man's
emotional state. On other hand, nature was regarded
as a vehicle for spirit just as man; the breath of God
fills both man and the earth. (Shroder, 80). Delight in
unspoiled scenery and in the (presumably) innocent life