Reviving Historic Theaters: The Shows Go On
Reviving Historic Theaters: The Shows Go On
Reviving Historic Theaters: The Shows Go On
According to traditional building magazine (2020), Historic theaters encapsulate a specific period in the
history of entertainment. They were many in their prime, with traditional and graceful designs, and they
were a vital part of their communities. Some were huge and spectacular, while others were more
modest, but they were all important aspects of the communities. Many were abandoned and fell into
ruin as times and tastes in entertainment changed. Thanks to experienced architects and craftspeople,
developers, historic tax credits, and eager communities, several of these theaters are making a
resurgence and being adapted to today's technological and entertainment interests. As theaters reopen,
the communities they serve frequently do as well. Martinez+Johnson of Washington, DC, and New York,
and Mills + Schnoering of Princeton, NJ, will be included in this article, as well as photographs and
information about additional theaters across the country. Five enormous, beautiful theaters erected by
Loew's in the late 1920s were known as "Wonder Theaters" in the New York/New Jersey area. The Kings
Theatre in Brooklyn and the Loew's in Jersey City, both designed by Rapp & Rapp in the French
Renaissance style; the Valencia in Jamaica, Queens, NY, designed by John Eberson in the style of a
Spanish villa; the Paradise Theater in the Bronx, NY, designed by Eberson in the style of the Venetian
doge's palace, now run by the World Changers Church; and the United Palace Theater in New York City,
The Kings Theatre on Flatbush Ave. in Brooklyn, NY, is one of them, and it was recently repaired and
refurbished. Martinez+Johnson Architecture of Washington, DC, and New York led the project. The
multi-year, $95 million project included extensive structural work as well as the restoration of the
magnificent historic interior. In the late 1980s, Martinez+Johnson began working with historic theaters.
“We worked on the Warner Theater in Washington, DC, but the Boston Opera House, a Thomas Lamb
theater, was our first job as M+J,” recalls partner Gary Martinez, FAIA. He notes that while working on
the Warner, he met folks from ACE Theatrical Group, which has led to many additional joint ventures.
According to Martinez, the Boston Opera House was built as a stage replacement project with little
under 2,800 seats. “It is intended for multi-use activities, as are many of the venues on which we
operate. It was built for touring theatre productions and also houses the Boston Ballet.” Another early
project was in El Paso, TX, where the company restored an outdated cinema theater to accommodate
both the symphony and traveling shows. “It was a cramped stage. It required a large amount of
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