Dissertation Report
Dissertation Report
Dissertation Report
A DISSERTATION REPORT
Submitted by
J.INAYATH ALI
AR. CHRISTONE
B.ARCH
CHENNAI- 600048
BONAFIDE CERTIFICATE
bonafide work of J.INAYATH ALI (RRN: 150101601049) who carried out the
my knowledge the work reported herein does not form part of any other
SIGNATURE SIGNATURE
STAGE ONE
Definitions
Embedded Computation
Adaptable Architecture
GuchklHupf
Dynamic Tower
A. BACKGROUND
Since early ages, architecture has been static. A building is as good as its
structure could last. Although the first former definition for the term Kinetic
Architecture was in 1970, there are many evidence that kinetics has also been
historically used in building components; such as opening shutters and movable
bridges since long time ago. However, it had to wait for further advanced
technology before evolving into a higher state. By the beginning of the twentieth
century many kinetic attempts in buildings began to appear. Kinetic designs were
not only used as means to regulate sunlight, maximize space or vary the view, but
also they were developed to articulate new artistic, political and philosophical
ideas. Many theorists such as expressionist and constructivist designed many
untraditional forms emphasizing experience and motion while articulating symbolic
meanings.
The built environments in India are usually not adaptable to their users changing
needs. In addition, they are not creating environmental solutions that benefit from
the natural resources that the Indian environment is blessed with, such as solar
energy, natural ventilation and land availability. This research attempts to
understand how kinetic systems can be applied to architectural environments in order
to provide solutions to the pressing needs for sustainability, energy saving and the
rising fuel prices.
Kinetic Architecture could provide a creative and effective solution to environmental problems
in both developed and developing countries.
In order to achieve the above mentioned aim, the objectives of this research are to:
New technologies will have a role in developing kinetic architecture, such as new
materials (nano materials and those being used in maritime, aviation and space sciences).
Computation and sensor technologies will help determining and locating changes that happen
within buildings' environment then responding to that change.
D. RESEARCH METHODOLOGY
The research is primarily about introducing an architectural theory, its definitions,
ways, means and design elements. The adopted methods to achieve this purpose
include a literature review as well as analysis of several buildings prototypes. In addition,
this research adopts a framework for qualitative analysis based on different factors
that includes theoretical design elements along with other elements. It was taken
into consideration when selecting architectural projects for the analytical study that they
present uses as well as kineticism.
Kinetics is divided into two categories: pragmatic and humanistic. On one hand,
pragmatic applications concerned with solving problems, optimizing solutions, and
implying space efficiency, shelter, security, transportation, safety, and economics. On
the other hand, humanistic are concerned with the physical and psychological
effect of the architectural environments' changes upon their users . Kinetic trends
in architectural environments are dissected into four categories addressing the
pragmatic or humanistic considerations, or both.
Kinetic trends in architectural environments currently address pragmatic or
humanistic conditions or even both, and are divided into four categories:
Kinetic structures are classified into three main categories, which are
embedded, deployable, and dynamic kinetic structures .
curve making it appear to bow. In a full-scale tower, such systems could help
stabilize the structure against changing forces such as wind and earthquakes .
b. Dynamic Kinetic Structures
"Dynamic kinetic structures exist within a larger architectural whole but act independently
with respect to control of the larger context" . Dynamic systems are the most commonly used of
the three listed categories. They include small architectural elements as well as large ones,
such as doors, windows, movable partitions, furniture, and ceilings. As they act
independently, it is quite common to have dynamic kinetic systems within a building that has
an embedded kinetic system as well. They are becoming increasingly automated and intelligent
as a result of the technological innovation nowadays.
metal flake bodies. These units are controlled by computer to form any kind
surface animation. Sensor systems inside and outside the building communicate
the buildings activity directly to the Flare-system which acts as the building
lateral line. Each of the units reflects the bright sky or sunlight when in vertical
standby position. On the other hand, when it is tilted downwards, its face is
shaded from the sky light and appears darker .
The Kuwait Pavilion for the Expo 92 in Seville, Spain, by Santiago Calatrava is an
example of dynamic kinetic structures (Figure 27). The structure's roof reflects the organic
shapes of palm fronds that can be moved to reflect the weather or time of a day. Sketches
drawn by Calatrava showed two hands coming closer to each other then folding together as
The importance of embedded computation is not only for the ability to sense change
in the environment but also for its ability to control the response to this change.
Embedded computation is the combination of computational processors and information
gatherers such as sensors, cameras, and microphones.
Past kinetic projects were adaptable although they relied on their user to
manually change the size, color, shape, or location of an object that made up the
space in respect to the new demands. The difference between those past kinetic
projects and new ones is that in new projects spaces are being interactive with
their ability to sense information from the users or the environment and then
adapt themselves. Adaptable architecture may range from interior organizational
disposition to external environmental mediation to complete structure
transformability/transformation. Adaptable architecture is divided into four
categories which are living, working, entertainment, and public environments.
Kinetic Design Key
Elements
Structural Innovation
Embedded Adaptable Architecture
& Materials
Computation
Advancement
Ways: Active Living
folding, Control Environment
sliding, Research s
Ways & expanding,
Means or
of transforming
Trends in
Structura Means: Adaptiv
Embedded
pneumati e
l Computatio
c, Control
Solution chemical, n
s magnetic,
natural or
mechanical
Home
Embedded
Automation
External
Deployable
Communicatio Adaptive
n
Architecture
Single Working
Environmen
Variable- Environment
man Control ts s
Multivariable
Levels of - man
Control Control
Multivariabl
Kinetic Mechanis
e Automatic
structures ms
Control
Typologie Multivariable
s Heuristi
Dynamic
c
Control
Direct Control Entertainment
In-Direct Environments
Control
Typologies Responsive In-
of Direct Control
Ubiquitous Public
Controlling
responsive In- Environments
Change
Direct Control
Heuristic
Responsive In-
Direct Control
3. KINETIC BUILDINGS' ANALYSIS
In kinetic design key elements are presented from structural innovation and
materials advancement to embedded computation as well as adaptive
architecture. In order to understand the different aspects of kinetic buildings, this
is to analyze and evaluate different kinetic buildings. This evaluation will end up
with a comparative analysis aiming at providing explanations on the different factors
affecting the use of kineticism in buildings in their specific environments.
3.1.1. Institut du Monde Arabe:
approximately.
d. Introduction:
In 1981 a site was selected for Institut du Monde Arabe. The site was
allocated at the 15th arondissement, on rue de la Federation near the Boulevard
Grenelle, located in a residential district not far from the Eiffel Tower. The
residents of that
Later a new site was selected at the 5th arondissement. Culturally and
historically the new site had a higher value located on the oldest part of Paris and
facing Notre-Dame. To encourage new architects a competition was held for a
new project cancelling the old one and seven architects were invited. A pre-
selection was made by an Evaluation Committee and the final selection was by
the President Mitterand. The winning project was designed by Jean Nouvel
(Yucel, 1989).
e. Location:
The Institut du Monde Arabe is situated at the historical heart of Paris, France. The
building site is surrounded by the Seine and St. Bernard quay on the north while facing l'Ile St.
Louis and la Cite the old settlement of Lutece.
a. Concept:
In the Institut du Monde Arabe, Jean Nouvel used Mashrabiya units to represent the Arabic culture. Mashrabiya
is a type of a window cover that consists of combinations of backdrop of cut wood and latticework
patterns . Mashrabiya characterized the Islamic architecture of the Middle Ages and was popular in many
Islamic countries such as Egypt and Iraq. The architect combined the need for sun shading with a
"Mashrabiya" pattern and the idea of a light controlling diaphragm in a camera lens . This resulted in a
gigantic Islamic pierced screen, which makes this modern high- tech building a permanent reference to
traditional Islamic architecture .
b. Building Components:
The usable floor area was estimated to cover 13000 m2 and the whole built-
up area 20000 m2, to be consisted of:
a. Kinetic Elements:
. (b) A detail of the medium sized diaphragm . (c) A detail of small diaphragms .
An external view for the flat southern façade of Institut du Monde Arabe shows the
"Mashrabiya Diaphragms" that were used .
b. Reason for Motion:
Daylight
10%-30% of Daylight
A diagram showing reason for installing mashrabiya diaphragms on the southern façade .
The kinetic southern façade of the institute is considered as a computer output device.
All of the mashrabiya diaphragms are linked together and controlled by photo-voltaic cells
that close or open them depending on the intensity of sunlight on that part of the façade. Users
of the building can't interfere and/or control the diaphragms to change settings in their environment.
c. Adaptive Architecture:
The stuff works in the building feels that transparent walls make privacy impossible.
They feel enclosed in a small space with very low ceiling. All of them, librarians,
museum keepers, and staff officers alike, feel they need more room for their
projects. Although it appears large in photography, in fact, the building is small n
size. Visitors and architects alike expect it to be larger than it actually is.
High technology is what holds the IMA together. The volumns are simple, giving
forth a message of restraint, a restraint based on understated wealth. It is in the rich
quality of its materials and its finish that the building shines. Glass shines, and the
surfaces of aluminium shine. These shiny new qualities pervade the entire building,
projecting a cool and perfect exterior façade.
3.1.2. GucklHupf
d. Introduction:
The GucklHupf was built on 1500 m2 of private grounds. The structure is surrounded by
nature, at the Mondsee in Innerschwand / Upper Austria. Under public pressure the building
is now removed from the site.
f. Concept:
As the theme of "The Festival of the Regions" was "The Stranger", the architect tried
to create a relation between strangers and intimacy, relaxation and exercise as well as living
and traveling. As a result, the out coming building was a structure that does not tend toward
an absolutely final state but allows a progressive deviation from its initial state of
stereometric object. The building is used by its owners during the six week long summer
opening as a contemplative space, stage for small performances, music pieces and poetry
readings with clear reference to the Arcadian myth. It is also being used as a house on the lake
or as a temporary shelter during the rest of the year, while in winter it is transformed into a
storage place for boats "boat-house".
Building Components:
The building consists of 2 floors. By moving the individual cube by half the
storey height results in the interior of 4 different levels and a terrace on the roof .
For the development of the upper floors a ladder was installed. The building is 7m
height and the enclosed space is of 4m x 6m x 7m.
The GucklHupf plans where the red colored rectangular is the main area while the other
parts are those being opened, slided or folded .
The GucklHupf section where the red color indicates the accurate area when the structure is
closed. Also this section shows the four different levels inside the structure .
3.2.2.1. Kineticism in the Building:
a. Kinetic Elements:
The movable wood panels creating the GucklHupf can be rotated, pulled,
tilted and folded. These wooden panels act as a wrapping that can be peeled away
or pulled up to open and close the space according to its users desires.
storage in winter days when closed . Also, the movable panels helped the users to
control views and the amount of light according to their needs and desires. This
transformation creates a communicative interior-exterior space object that
provides a shaded, ventilated, temporary location in the landscape while
controlling the level of connectivity with the nature and landscape around.
All moving parts of the GucklHupf are being controlled through an automated
system that is comprised of automatic devices and retracing panels. This system
is connected to the structure through dowels, flaps and stainless steel cables.
c. Adaptive Architecture:
When inside the structure, the user has the ability to edit and frame views of
the surrounding landscape. The user has a control over their relationship with the
surrounding landscape, while hiding within the protection of the small, contorting structure.
3.2.2.4. Building Visual Quality:
The Guklhupf guides the eyes and the movements of its inhabitants as
everyone is free to choose a visual sequence and the number of openings,
generating an intimate or visually permeable space. Externally, the facade re-
creates the interior losing its role of wrapping skin. The structure creates a
continuous relationship with its surrounding landscape as well as its users. The
GucklHupf is in harmony with its surrounding even when not in use and close.
The structure when closed looks like a large wooden box that was erected in the
landscape. But once one begins to open the many wooden panels that can rotate in
different directions, pull, tilt and fold: There are ramps, doors, windows, terraces
and hatches.
3.1.3. The Naked House
d. Introduction:
The client didn't want the family to live separated each in his/her own room,
so Shigeru Ban was asked to create a communal space with the ability to find
privacy when needed.
e. Location:
The house is located in rural Kawagoe, Saitama, Japan. The house site is
surrounded by rice fields with greenhouses by the river Shingashi.
f. Concept:
Working within the concept of different generations of one family are integrating
their lives, Shigeru Ban came up with a translucent shed-like structure containing a single
common space in which private areas were reduced to a minimum and the house
was naked of partitions. The open-plan and neutral space of the shed can be
organized and transformed as needed.
g. Building Components:
(a) (b)
(a) A 3D modeling for the Naked House showing the rectangular open space, the permanent
installations as well as the movable rooms (boxes) .
(b) An interior view for the half-height wall separating the wardrobes as well as the
bathroom from the rest of the open space .
a. Kinetic Elements:
In the Naked House, the cubical room units can be moved about on wheels
to any location. The rooms can be moved around in different configurations. The
character of the home's space can be dramatically reconfigured in a moment by
moving the rooms around to create barriers or openings .
(a) (b)
Interior views of the Naked House.
(a) A view for mobile units when attached to each other. (b) A view for mobile units arranged
separately.
Kineticism was involved in the design in order to provide flexibility. Using movable rooms
allowed residents to control privacy level as well as activities taking place within these
rooms. These rooms can be grouped together or stay separated and the family can choose
whether to sit inside or on the top, outside these rooms or in the main space. Also, they
can be moved around the open spaced or moved to the outside .
3.2.4.3. Kinetic Design Key Elements:
(a) A section through the main double height open space . (b) An isometric for the Naked
House showing different layer of the building's skin as well as different components.
b. Embedded Computation / Control Mechanism:
The mobile room unites were manually moved around the house or pushed
to the garden. No embedded computation systems were installed.
c. Adaptive Architecture:
Although the house itself is a living environment, the four mobile units create
portable living environments within the main space. Those mobile living environments
does not only may have different uses such as being a gathering place, sleeping
place, playing place or even a garden shed, but also they may differ in size
according to whether they are separately used or some/all of them gathered together .
(a) (b)
(a) Different arrangements for the mobile room units (b) A close view for the moveable units .
The interior is lit by a soft, diffuse light filtering throw the translucent walls adding
a sense of spaciousness. Sliding doors provided on two sides of each unit can be
closed, left open or even totally removed depending on the level of privacy
needed and level of visual connection with the surroundings desired .
3.2.4.5. Building Visual Quality:
The translucent walls for the naked house merge the indoor with the
greenery of the surroundings. Also, the lack of an opaque wall exposes occupants
throughout the house. As a result, any kind of movement inside is visible from the
exterior of the building providing limited privacy on the inside and from without .
3.1.4. The Leaf Chapel:
d. Introduction:
Soaring naves, mysterious lighting, and bold murals have always played a
great role in church architecture. Klien-Dytham Architecture has taken this
strategy into the 21st century, using its own form of stagecraft to add drama to a
small wedding chapel in the Japanese Alps. The chapel needed to have its own
identity and at least the semblance of spirituality. But because people of many
different faiths would get married there, it needed an ecumenical design with no
iconography associated with any particular religion or sect.
e. Location:
The Leaf chapel sits within the grounds of the Risonare hotel resort in
Kobuchizawa, a refreshingly green setting with beautiful views to the southern
Japanese Alps in Kobuchizawa, Japan.
f. Concept:
This notion was translated into built form that climactic moment of every
wedding. When the ceremony reaches its end and the groom lifts the bride's veil,
a curving wall slides up and out of the way. Arranged in a looping ivy pattern set
into the 11 ton moving wall, 4700 polycarbonate lenses project light into a nylon
scrim stretched 10 inches from the wall's inside surface.
g. Building Components:
This building consists of the chapel main space, a storage room and an entrance corridor
Bride’s entrance.
A plan drawing for the Leaf Chapel showing the components creating the chapel
which are the chapel great hall, corridor and storage .
3.2.8.2. Kineticism in the Building:
a. Kinetic Elements:
Kineticism was installed in the chapel to turn one of its walls into a moving
element. As the wedding reaches its end, the glass leaf is being lifted.
(a) (b)
(a) The Leaf Chapel when in the closed state. (b) The Leaf Chapel when in the
opened state by the end of the wedding ceremony,
Exterior: One leaf made of glass with delicate lace pattern . The
other one is made of steel – quarter inch thick steel panels welded
(a) (b)
(a) An interior view showing the black granite used for flooring as well as the black wooden
pews with clear acrylic backrest . (b) A detail for the lace patterns on the movable leaf .
Two hydraulic rams (one at each end) lift the steel veil as if it is a roll up
garage door.
b. Adaptive Architecture:
This chapel creates public environment. Kineticism was installed on its wall
to take place within the ceremony and declares the end of the event by
announcing the couple as married.
3.2.8.2. Indoor Environment Quality:
Although the design of the chapel isolates it from the surrounding, it opens
up to the landscape when the event reaches its end. Also, the patterns on the
movable wall help filtering light adding move spiritual effect to the hall.
The chapel was pushed 12 feet into the ground and was tucked into a
sloping site in order to minimize its visual impact on the garden when viewed
(a) (b)
a) A section drawing through the Leaf Chapel showing how the chapel was tucked
into the ground . (b) An exterior view for the Leaf Chapel featuring the sloping site where the
chapel was located .
3.1.5. QiZhong Forest Sports City Tennis Centre "Magnolia Stadium"
d. Introduction:
f. Concept:
The architect was inspired by the national flower of Shanghai, the magnolia.
As magnolia blossoms are known with their ability to open and close their petals
in response to weather condition as well as season, the stadium was designed to
respond to weather conditions by acting like a flower allowing it to open and
close its roof . The roof enables the stadium to host both indoor and outdoor tennis
events.
A view for the stadium while its roof petals are open presenting a flower
Building Components
The tennis centre covers a total area of 338,836 square meters, of which 85,000 square
meters are made up of structures. The Center has a parking with capacity of 993 parking
spaces. It has four floors, for a total height of 40 m above ground level.
The center has a 15,000-seat center court, a 6,000-seat court, and 20 indoor courts
and 22 outdoor courts. There is also a tennis activity center, tennis club, and a players’
lounge . The stadium includes journalist working area, organizer working area, foreign
a. Kinetic Elements:
The Shanghai QiZhong Forest Sports City Tennis Centre has a dynamic
roof. The roof of the main stadium consists of eight moveable petals that can be
opened and closed .
(a) (b)
a) A drawing for the stadium roof while in a close state. (b) A drawing for the stadium roof
while in an open state.
As the weather in Shanghai varies between much rains and strong sun, a
roof system for the stadium was necessary. The dynamic roof system is installed
in order to respond to changing weather conditions. When the weather is sunny,
the roof petals are opened providing sunshades all around the stadium. On the
other hand, when the weather is rainy, roof petals are set to close. Also, this
dynamic roof system is used to control the internal temperature of the stadium.
When the roof petals are opened, they help drawing cool air from the outside
down to the seating area. On the other hand, when the petals are closed, the
stadium is kept warm by re-circulating the warm air the rises and ducting it back
to under the seats .
3.2.9.2. Kinetic Design Key Element:
Structural System:
The tension ring structure was used for the stadium that
creates strong and reliable Colosseum-
shape . Each of the moveable petals is a steel cantilever
structure system. Each petal was constructed on the ground before
hand and tested, then raised to the roof. This system allows the
structure of the stadium as well as the dynamic roof to resist bad
weather conditions, strong wind and typhoons.
Used Materials:
(a) (b)
(a) A close view for the roof petals while they are closed. (b) A close view for the roof petals
while they are being opened.
c. Adaptive Architecture:
The design of the stadium added a sense of unity between players and
spectators. Also, the dynamic roof created a comfortable environment for both
players and spectators. Moreover, this dynamic roof makes it possible to host
different events and activities.
The kinetic roof petals of the QiZhong Forest Sports City Tennis Centre
don't only create a landmark for Shanghai, but they also create an efficient
building altogether. At night, when the tennis center is lighted up, it glows and
radiates light in all directions.
3.1.6. Cherokee Studios Lofts
d. Introduction:
f. Concept:
The British artist Patrick Hughes painting series "Prospectivity" was the inspiration for
the Cherokee Lofts building as these painting appear to be ever changing and physically
moving while being viewed. The project is located in a tight site that allows no space for
storm-water infiltration and requires open space. The storm water infiltrated under the
public sidewalk on the right of the way resulting in a design that captures rain-water from
the city street creating an opportunity to landscape the front of the building rather than
having a barren concrete sidewalk with a couple of street trees. The building's top designed
to be a green roof deck not only to meet the open space requirements, but also to
reduce the heating and cooling loads of the building, reduce the heat-island effect as
well as capturing and filtering storm-water. The Cherokee Lofts building has an
operable screen that makes it look as if living.
Building Components:
a. Kinetic Elements:
The kinetic screen for the building aims to provide shade to cool the
building, reduce noise, enhance privacy and yet allows for marvelous views.
Also, the perforated screen helps controlling indoor daylight and maximizing the
natural ventilation efficiency even when closed .
and natural solid woods were used. Green Materials and Products are used
Perforated anodized aluminum panels are used for the operable skin.
.
The building's screen is operated manually; a hand push will turn the
operable panels from completely closed to fully opened .
b. Adaptive Architecture:
The location of the two-storey town home living space helped maximizing city
sky-line views and both daylight and energy efficiency. All interiors designed to be
eco-luxury with simple and modern lines while maintaining sustainability. The green
roof for the Cherokee Lofts was designed as a garden with two terraces providing a
pleasant place for its residents with breathtaking views. The perforated aluminum
panels used on the south facing wall adds an unexpected depth while creating a
sense of security for the residents by filtering the coming direct sunlight.
3.2.13.3. Building Visual Quality:
Dividing the façade into small moving panels added motion to the building
by making it appear as if moving with pedestrians and cars .
A study showing the relation between solid and void through different stages starting from all
panels are close till reaching the stage when all panels are opened.
3.1.7. The World Trade Center Transportation Hub
A perspective for the exterior of The World Trade Center Transportation Hub .
d. Introduction:
The World Trade Center Transportation (WTC) Hub will not only add an architectural
beauty to downtown Manhattan, but it will also enhance the level of services . The
transportation hub is designed to accommodate 250000 pedestrians per day along
with tourists and visitors of the World Trade Center and Memorial. Through the hub
pedestrians will be able to access different directions as the hub is connected to
13 subway lines, Port Authority Trans-Hudson (PATH) trains, Hudson River ferry
terminals as well as a possible direct rail link to John F. Kennedy (JFK) International
Airport. The design of the hub was first revealed to the public in 2004. Later in 2005
and 2008, the design was revised to meet security, engineering and feasibility
requirements.
e. Location:
The hub is located close to the northeast corner of the WTC site at Church
and Fulton Streets (between Towers 2 and 3).
f. Concept:
(a) (b)
(a) A sketch for a child releasing a dove into the sky which is the inspiration of
the designed building . (b) An exterior perspective for the WTC Transportation
Hub appears as a flying bird .
g. Building Components:
a. Kinetic Elements:
In the original design, the steel ribs with glass panels between them creating
the ceiling of the hub were meant to open to 45 ft wide before being reduced to 30 ft
wide and changing the ceiling design into fixed later in 2008.
(a) (b)
Section drawing showing the steel ribs that were supposed to move as well as the
lightening system. (b) Interior prespective views for the main hall while the top is closed and
opened .
The retractable glass and steel roof was planned to cover the freestanding
grand pavilion which was going to open each year on the anniversary of the
September 11th attacks in which a hanging American flag recovered from the
ruins of the Twin Towers was going to be featured. Also, it was planned to be
used to maximize natural light inside the hub.
3.2.14.3. Kinetic Design Key Elements:
c. Adaptive Architecture:
The design of the World Trade Center Transportation Hub calls for a
soaring and a skeletal structure that is punctuated by white spires meant to
represent a bird in flight. Although the station appears transparent, it seems to be
protecting its users with the huge wings. The unusual style for the World Trade
Center Transportation Hub is not only enjoyable by its users or the moving by
pedestrians but also by the users of the towers above by looking down upon the
hub.
3.1.8. Dynamic Tower
d. Introduction:
e. Location:
f. Concept:
The architect aims to create a safer building that can last and resist for a
longer time by building the Dynamic Tower. The tower will be 420 m (1380 ft) tall.
It is designed to be self powered by sun and wind as well as being industrialized
making it sustainable and smart. There will be 79 wind turbine systems installed
horizontally in the gaps between each of the rotating floors . Also, photovoltaic
solar cells will be installed on the roof of each floor to produce solar energy . With
energy produced from 20% of each of the 80 roofs exposed to sun and light next to the
energy produced by wind turbines, the tower will be able not only to fulfill its needs of
energy but also to
supply 10 similar sized buildings with energy. As almost 90% of the tower will be
constructed in factory, the number of on-site workers will be reduces from almost
2000 to 90 .
a. Building Components:
m2 (12900 ft2) for villas and all are with a parking space inside.
a. Kinetic Elements:
The Dynamic Tower consists of 80 floors that rotate creating the first
kinetic element in the tower, while the second element is the 79 wind turbines
located between each of those floors.
Drawing presenting the technical system will be used to construct the tower .
b. Embedded Computation / Control Mechanism:
c. Adaptive Architecture:
Although the tower hosts retail spaces, the Dynamic Tower is considered to
create living environment as the residential part (hotel, apartments and villas)
create 75% of the tower uses. Kineticism creates the tower itself because each of
its 80 floors separately revolves around the central core.
The tower residents will be able to rotate the floors according to their
desire whether to choose their favorite view, follow the sun or even set it to
slowly rotate to enjoy all possible views. Using smart, recyclable and natural
materials as well as advanced technologies offers all tower users sustainable,
clean and safe environments to live and/or work within . With such
technologies it is possible to control all systems installed just by voice .
The tower will have a futuristic look. As the floor plans are triangular and they
separately move according to desire, the tower will continuously change its form
and shape in varies variety of configurations. According to the architect, the Dynamic
Tower will never look the same twice in its lifetime .
Completion
Constructio To be
Year
Santiago
Architect
Dynamic Calatrava
Hans Brooks Klein
Shigeru Architectur Jean Mitsuru
Peter + Dytham
Ban e Group Nouvel Senda
Wörndl Scarpa Architectu
re
225,000 700 million 47,500,000 200 million 3.8 billion
Cost
Reinforced
System
Wood, Glazed
paper aluminum Steel and aluminum, Steel and
glass and Aluminum aluminum
honeycom and glass steel, glass
aluminum
panels carbon glass
fiber
Automatic
Automatic Remote Computer Automatic device –
Manual control deivce Autom output device – Automated
device – Manual
Mechanism
Control
b
a
r
e
t
l
3.2 Analysis:
The world map where the studied projects are located in Europe, North-America and Asia.
Different structural systems are used for kinetic buildings varying from frame
to concrete structures as well as tension ring and prefabricated structures. The
most common type used in the buildings analyzed is the frame structure with 46%
represented in 5 projects followed by concrete structure with 40% represented in
3 projects .
50
40
30
20
10
Frame Structure 46% Concrete Structure 40% Tension Ring Structure7% Prefabricated Structure7%
100
80
60
40
20
Steel 60% Aluminium Glass 86% Wood 46% Paper 13% Smart Stainless Carbon
Steel 13% Fiber 7%
60% Materials
33%
Kinetics are being used in buildings by different ways. In buildings under study
kineticism is used in six different ways; as kinetic elevation elements, interior
elements, roof elements, kinetic walls, kinetic part of the structure itself or as the
building as a whole . Sometimes a building can adopt different types of kineticism.
The most common kineticism used in the buildings under study are kinetic elevation
and roof elements .
Institut du Monde Arabe The Naked House The Olympic Tennis Center
Kinetic Elevation Element Kinetic Interior Elements Kinetic Roof Elements
30
25
20
15
10
0
Interior
Whole
Magnolia Stadium The Leaf Chapel Cherokee Studios The Dynamic Tower
Respond to Design Concept Lofts Luxury
Weather Changes
Natural Ventilation
Natural Ventilation
3.2.4. Relation between Structural System and Used Materials:
There is a relationship between the structure system and the materials used
across the buildings. When frame structures are used, materials such as steel,
wood and paper along with other smart materials were easily applied as the
structure itself is light weighted. When much heavier structures are used like
reinforced concrete structures and tension ring structure, aluminum is the most
used to add flexibility and smoothness to the system .
14.00%
Steel
12.00% Aluminum
10.00% Glass
Wood
8.00%
Paper
6.00%
4.00% Smart
Materials
2.00%
Stainless
0.00%
Steel
Frame Structure Concrete Structure Tension ring Prefabricated
When kinetics were applied to living environments, they varied from kinetic elevation
elements, interior elements, kinetic walls to kinetic structure part as well as kinetic whole
buildings. Using kinetic roofs were most common with entertainment environments as well
as public environments .
………………………………………………… 25%
20%
Elevation Elements
15%
Interior Elements Roof
Elements Walls
10%
Structure Part Whole
5% Structure
Living Environment
Work EnvironmentEntertainment Public Environment
0%
Environment
Relation between the different architectural environments and ways kinetics are installed.
3.2.7. Kinetic Systems Effect on Buildings' Visual Quality:
Environment
(a) (b) (c) (d)
Effect of using kinetic systems on buildings' visual quality. (a) Dragspelhuset – 2004 . (b)
The Dynamic Tower . (c) QiZhong Forest Sports City Tennis Center – 2005 . (d) The World
Trade Center Transportation Hub – 2014 .
CONCLUSIONS AND RECOMMENDATIONS
Conclusions
According to different definitions for the term "Kinetic
Architecture" it can be described as a building or building parts
that act in response to surrounding changes that occur indoor
and/or outdoor whether they are caused by natural and/or
human factors. Based on the definition, kinetic design is based
on three main key elements:
3) adaptable architecture.
Recommendations:
Although architecture has an influence on the environment it
creates, it is affected by different factors that include
technology, users and environment whether natural or built. In
order to improve the quality of the architectural environment,
kinetic architecture can be the solution to create environmental-
friendly, safe, organized, enjoyable and adaptable environments.
To achieve extremely useful results, architects should work in teams
to improve research with collaboration with specialists from different
fields. These fields may range from engineering such as information
technology, communications, mechanical and structural
engineering to social as well as environmental science.