Sony DVCAM Family 2005/2006

DVCAM Family 2005/2006
www.sonybiz.net/dvcam
Introduction . . . . . . . . . . . . . . . . . . . . . . 3
The DVCAM Format . . . . . . . . . . . . . . . . 4

index Unique Technology and Advantages 4 - 5
Digital Camcorders
DSR-450WSP, DSR-400P. . . . . . . . . . 6
DSR-250P . . . . . . . . . . . . . . . . . . . . . . 7
DSR-PD170P . . . . . . . . . . . . . . . . . . . 7
Digital VTRs . . . . . . . . . . . . . . . . . . . . . . 8
DSR-2000AP, DSR-1800AP . . . . . . . . 9
DSR-1600AP, DSR-1500AP . . . . . . . . 9
DSR-45P, DSR-25 . . . . . . . . . . . . . . 10
DSR-11, DSR-50P . . . . . . . . . . . . . . 11
Hard Disk Product

DSR-DR1000AP . . . . . . . . . . . . . . . . 12
Anycast Station . . . . . . . . . . . . . . . . . . 12
Sony Media Software

Vegas® 6 . . . . . . . . . . . . . . . . . . . . . . . 13
Vegas® + DVD Production Suite . . . . 13
Sound Forge 8 . . . . . . . . . . . . . . . . . . 13
Acid® Pro 5 . . . . . . . . . . . . . . . . . . . . . 14
DVStation . . . . . . . . . . . . . . . . . . . . . . 14
Wireless Microphone Systems . . . . . . 15

UWP-C1, UWP-C2 . . . . . . . . . . . . . . 16
Professional Disc Camcorders & Decks

PDW-530P/510P, PDW-1500 . . . . . . 17
PDW-V1, PDW-D1 . . . . . . . . . . . . . . . 17
HDV Camcorders & VTRs

HVR-Z1E, HVR-M10E, HVR-A1E . . . 18
Feature Comparisons . . . . . . . . . 19 – 20
Optional Accessories &

Peripheral Equipment . . . . . . . . . . 21 – 24
Services from Sony. . . . . . . . . . . . . . . . 25
Silver Support for DVCAM and HDV . . 25
XDCAM warranty . . . . . . . . . . . . . . . . . 25
Specifications . . . . . . . . . . . . . . . . 26 – 31
Video production styles continue
to diversify in response to the rapid
and tremendous growth in visual
Introduction
communication. In this fast-changing

environment, the need is for equipment
that meets the crucial demands for
both higher productivity and greater
creativity in professional video
production.
Since its launch in 1996, Sony DVCAM™
has satisfied these demands and
brought many notable benefits.
Excellent picture and sound quality
that only a digital format can provide,
high-performance editing capabilities,
and system versatility that makes it
possible to migrate smoothly from
analogue to digital – these are just
some of the factors behind the success
of DVCAM.
A full model line-up for digital acqui-
sition, editing and programme playout
has led to the rapid acceptance of
DVCAM by business users, production
acilities and broadcasters around the
world.
The DVCAM product family is
expanding with many new models
added, broadening the range of
applications in ENG, field
acquisition/editing and simple editing.
With HDV and XDCAM also supporting
the DVCAM format, you will be
choosing innovative, equipment to
bring both new solutions to your
production demands and added
performance benefits to your system.
3
MAIN FEATURES
The DVCAM Format Unique Technology and

Superior performance and cost effectiveness Advantages
distinguish Sony DVCAM media. Designed for
Playback Capability of DV (25 Mb/s) Format
professional video production, DVCAM is a durable
Recorded Tapes
and reliable tape format offering excellent archival DSR-2000AP DSR-1800AP DSR-1600AP DSR-1500AP
stability. As well as providing enhanced picture
quality with a radically lower dropout rate, DVCAM is For maximum versatility in playback, the DVCAM VTRs are
less abrasive than DV media and reduces VTR head designed to playback DVCAM and DV (SP mode) tapes
wear. This makes it an ideal solution for today’s cost without a mechanical adaptor or menu adjustment.
conscious professionals who want outstanding The DVCAM Master Series VTRs (DSR 2000AP/1800AP/
recording performance with reduced running costs. 1600AP/1500AP) support DVCPRO tape playback*, and
the DSR-2000AP even supports DV (LP mode) playback.
Unrivalled Performance Furthermore, it is possible to use these tapes directly as
editing source material, improving productivity.
DVCAM features advanced metal evaporated tape
* Not compatible with SDTI (QSDI) and i.LINK (DV) interfaces.
technology and a super thick DLC (Diamond Like Carbon)
protective layer to give superior quality and exceptionally
low error rates. With half the tape shrinkage and dropouts
Recording Capability of the Consumer DV (25 Mb/s)
of DV media plus reduced head wear, DVCAM is setting
Format
new standards for professional video production. DSR-450WSP* DSR-400P* DSR-250P* DSR-PD170P* DSR-1500AP DSR-50P* DSR-45P*
DSR-25* DSR-11*
Items DV DVCAM
In the event a longer recording time is required, the above
DLC Standard 1.3 times thicker
DLC than
DVCAM camcorder and VTRs are also designed to record
DV Consumer in the DV Format. Thanks to this feature, recording of up
Edit Simulation [pass] >50 >150 to 276 minutes is possible with a standard-size cassette
Tape shrinkage [%] <0.10 <0.05 and 60 minutes with a mini-size cassette.
Friction (5000 passes) 0.45 0.3 * The transition from cut to cut may not be smooth when recorded in DV
coefficient (SP) format. In between scenes where the recording format is changed
Still (+5°C) [min] >60 >120 from DV to DVCAM, or vice versa, transition may not be smooth.
Dropouts Not available for editing.
[counts/min] 100 50
(Average)
Head Wear [µm/100h] 0.65 0.19
(Average)
• Audio Cross-fade Capability
DSR-2000AP DSR-1800AP
Less Head Wear means Lower Running Costs Pre-read heads also provide an audio cross-fade capa-
In today’s cost-conscious world, operating efficiency is bility with clean audio transitions at editing points. During
crucial. DVCAM incorporates a much smoother tape audio insert editing, the previously recorded audio signal is
surface than DV media, dramatically reducing wear on the read out by pre-read heads, cross-faded with the VTR
VTR head drums. That means you won’t need to change audio input signal and recorded back onto the same track.
the heads so frequently, allowing you to save on running This provides excellent audio cross-fade editing perfor-
costs. mance without audio clicks at edit points and provides
high quality audio to complement the video performance.
Always Use DVCAM Media in DVCAM
By developing DVCAM hardware and media in partner-
ship, Sony has increased the guaranteed operational life of
the VTR head drum to an exceptional level. Using DV
media in professional DVCAM equipment is possible but
not recommended as head wear is almost three times
higher, shortening its life by almost one third.
With high head drum costs and ever-tightening

budgets, it makes sound business sense to invest in
media that delivers superior performance while
protecting the life of your equipment. DVCAM is a
stable, durable and reliable format for digital video
production that offers superb cost effectiveness. Use
DVCAM, the media designed for professionals!
Excellent Editing Performance

DVCAM
4 cassettes
• Pre-read Editing Capability* • i.LINK™ (DV)*
DSR-2000AP DSR-450WSP** DSR-400P** DSR-250P DSR-PD170P DSR-2000AP** DSR-1800AP**
The DSR-2000AP VTR offers pre-read editing, a function DSR-1600AP** DSR-1500AP DSR-45P DSR-25
DSR-11 DSR-50P DSR-DR1000AP

Over-dubbing of audio with pre-read editing capability
i.LINK enables a single cable to simultaneously carry
PB Process digital video and audio signals, as well as data and control
Tape direction signals, with virtually no quality deterioration. This simple
Pre-read head
TV VIEWER reads before connection offers an ideal solution for connecting DVCAM
recording
equipment with consumer AV equipment and computer-
ANNOUNCER related products.
* i.LINK stands for IEEE1394-1995 standards and their revisions.
REC Process is the logo for products that implement i.LINK.
Drum ** Output only from the DSR-450WSP/400P.
No delay between video and audio Note: Sony VAIO computers are checked with Sony DV products, but not
with DVCAM, concerning the i.LINK interconnection. Some VAIO
application software may not work with DVCAM.
never before available on a 1/4-inch (6.35 mm) VTR.
Pre-read heads are positioned ahead of the recording
• AES/EBU
heads on the drum to scan previously recorded video and DSR-2000AP DSR-1800AP* DSR-1600AP* DSR-1500AP* DSR-DR1000AP
audio signals. These signals can then be sent to a character
The DSR-2000AP/1800AP/1600AP/1500AP VTRs and
generator, a video switcher and/or an audio mixer, com-
DSR-DR1000AP are fitted with digital audio interfaces
bined with signals from another source, and then recorded
conforming to the AES/EBU standard. With a sampling
back onto the same tracks. Pre-read editing provides
frequency of 48 kHz and 20-bit quantisation, these inter-
many advantages since it enables single-VTR titling, audio
faces ensure high-quality audio.
mix/swap and voice over with no delay between video
* The DSR-1800AP/1600AP/1500AP require an optional board for AES/EBU.
and audio. In addition, A/B roll editing with two VTRs is
available (MIX and WIPE only).
Sophisticated Mechanisms
* Not available for SDTI (QSDI) and i.LINK (DV) interfaces as these handle
compressed signals.
• Quick, Responsive Mechanism
DSR-2000AP DSR-1800AP DSR-1600AP DSR-1500AP
• Enhanced Digital Jog Audio Quick mechanical response is an essential requirement for
DSR-2000AP DSR-1800AP DSR-1600AP DSR-1500AP DSR-DR1000AP professional video production. The Master Series VTRs
A digital jog audio function is included in the Master Series provide this rapid response with a combination of highly
VTRs with a range of –1 to +1 (DSR-2000AP) or -0.5 to +0.5 reliable direct reel drive and drum motor mechanisms. The
(DSR-1800AP/1600AP/1500AP) times normal speed. With result is a tape drive with rapid response to Jog and Shuttle
its quick and smooth response, locating editing points is commands when searching for edit points, and a rapid
very easy. This is a particularly important feature for ENG start in Play mode.
applications that usually require audio-based editing.
Moreover, this function is even available on the Master • Three-size Cassette Compartment
Series VTRs when using DV and DVCPRO tapes.
The Master Series VTRs incorporate a newly designed
three-size cassette compartment to ensure compatibility
Versatile Digital Interfaces with DV (25 Mb/s) format recorded tapes of all sizes and
• SDI (Serial Digital Interface)* types. Thanks to this feature, it is possible to use standard
DSR-450WSP** DSR-2000AP DSR-1800AP** DSR-1600AP** DSR-1500AP** DSR-DR1000AP
and mini DV and DVCAM cassettes, as well as medium
With SDI, high-quality picture and sound can be trans- DVCPRO cassettes, without a mechanical adaptor.
ferred between DVCAM camcorders, DVCAM VTRs and
SDI-equipped devices. • Dual-size Cassette Compartment
* The SDI used in DVCAM camcorders and DVCAM VTRs supports digital DSR-450WSP DSR-400P DSR-250P DSR-45P DSR-25
component video signals. DSR-11 DSR-50P

** The DSR-450WSP/1800AP/1600AP/1500AP require an optional board
for SDI.
The above camcorders and VTRs have a dual-size
cassette compartment which accepts both standard and
• SDTI (QSDI™)* mini cassettes without a mechanical adaptor.
DSR-2000AP DSR-1500AP**
SDTI (QSDI) is a digital interface that handles compressed • Film-like Images with Progressive Mode
DSR-450WSP
video as well as the sub-code data and digital audio
signals of the DV/DVCAM formats. It allows virtually degra- The DSR-450WSP generates a native progressive image of
dation-free transfer of both video and audio signals 25P, delivering outstanding clarity as well as a cinematic
between SDTI (QSDI) equipped VTRs. look.
* SDTI (Serial Data Transport Interface) is defined as SMPTE 305M.
SDTI (QSDI) is the DV compressed signal interface defined as • Selectable Gamma Table Including Film-like Gamma
SMPTE 322M. DSR-450WSP
** The DSR-1500AP requires an optional board for SDTI (QSDI).
The DSR-450WSP provides a selectable gamma table to
easily give a specific look to a picture by selecting from
multiple fixed gamma patterns including so-called film-like
gamma.
5
DIGITAL CAMCORDERS
DSR-450WSP/400P Series Camcorder Common Features

• Rugged and ergonomic design • Four assignable buttons to enable operators to assign
• Compact and lightweight: approx. 6.5 kg (14 lb 5 oz) with frequently used functions
the DXF-801 viewfinder, microphone, BP-GL65 battery • Turbo gain to boost up the gain level up to +36 dB
pack and mini-size DVCAM cassette and VCL-917BY • Intelligent light system to synchronise an optional
lens (supplied with the DSR-400PK package) portable light (max. 50 W) on/off to the REC button
• Low power consumption: approx. 17 W (with DC 12 V power • CA-WR855 Camera Adaptor for the WRR-855B Wireless
supply, REC mode, viewfinder off and LCD monitor off) Microphone Receiver
• 12-bit A/D conversion for faithful contrast reproduction • Optical ND (Neutral Density) filter and electric CC
• Advanced digital signal processing (ADSP) (Colour Correction) filter
• DVCAM/DV (SP) selectable recording • TruEye™ process for faithful colour reproduction
• Long recording time in DV (SP) mode: up to 276 minutes • Triple Skin Tone Detail control
with a standard-size cassette • Auto-Tracing White Balance (ATW) function
• Digital output to external devices via an i.LINK interface • Multi-matrix function
• Quick FF/REW capabilities: approx. 40 seconds for • Colour temperature control
a mini-size cassette and approx. 2 minutes and • Interval recording to intermittently record signals at
30 seconds for a standard-size cassette pre-determined intervals
• 2.5-inch type*1 colour LCD monitor • Programmable gain (-3/0/3/6/9/12/18/24/30/36 dB)
• Supplied DXF-801, 1.5-inch type*1 black and white • Dual zebra (70 IRE to 90 IRE or more than 100 IRE)
viewfinder • Marker (centre, safety zone, 4:3/13:9/14:9 aspect
• Battery remaining display in the camcorder viewfinder (DSR-450WSP only))
and LCD monitor • Edit search for easy access to edit points
• Shoulder pad to be adjusted either forwards or • Stereo audio output (pin jacks)
backwards *1
Viewable area measured diagonally
• User-friendly menu controls
• Memory Stick™ system for storage of camera setup
parameters
Camcorder Camcorder
DSR-450WSP DSR-400P
• Three
• Three 2/3-inch
wide-aspect
type Power
2/3-inch type
HAD EX CCDs
Power HAD™
providing high
EX CCDs
quality images
providing high
• Slow shutter with low smear
quality images with
(1 to 8 and 16 frames level (-140 dB),
low smear level
accumulation) high sensitivity,
(-140 dB), high
• Versatile interfaces high S/N ratio (63 dB)
sensitivity, high S/N
such as analogue and high horizontal
ratio (63 dB) and high
composite output, resolution (920 TV lines)
horizontal resolution
SDI output (with the • Supplied VCL-917BY,
(800/850 TV lines in
CBK-SD01 board), 17x zoom lens for the
16:9/4:3 mode)
and analogue com- DSR-400PK package
• Aspect ratio
switchable between posite input (with the
16:9 and 4:3 CBK-SC01 board)
• Film-like shooting • Camera remote
with progressive scan control via the
mode 25P RM-B150/B750
• Selectable gamma Remote Control Unit
table including
film-like gamma
6
DIGITAL CAMCORDERS
Camcorder
DSR-250P
• Compact and lightweight: 4.4 kg (9 lb 11 oz)
• Newly developed 1/3-inch type three CCDs for
accurate colour reproduction
• Capable of both interlace scan, for moving images,
and progressive scan, for still images or shooting a
moving subject*1 and exporting a frame of the image
as a still picture
• DSP (Digital Signal Processing)
• 2.5-inch type (200,000 dot) colour LCD monitor
• 12x lens*2 with Super SteadyShot™ system • Light output (DC 12 V, max. 30 W) and additional
• New, high-resolution 1.5-inch black & white DC 12 V out for optional accessories
viewfinder • Time code pre-set capability
• 16:9 recording mode available (electronically • i.LINK (DV) interface providing a single cable
processed) connection to simultaneously transfer audio,
• Superb picture quality of the DVCAM format video and command signals
• Recording and playback capability with standard • LANC interface for simple editing with a
and mini-size DVCAM and DV tapes (SP mode only)*3 LANC-equipped recorder or editing system
• Three XLR audio input connectors for professional • Supplied RMT-811 Remote Commander
microphones (one at front, two at rear) *1 When recording moving images in progressive scan mode, the
• Audio dubbing capability (48 kHz/16-bit or 32 kHz/ motion will display some jitter since the picture is read/output every
12-bit selectable) 1/12.5 second.
*2 Digital zoom of 24x or 48x available via menu selection.
• Long recording time: 184 minutes with a standard- *3 when recording in DV (SP) format, transitions between cut to cut
size cassette in DVCAM mode, or 270 minutes in may not be smooth. In addition, when the recording format is
DV SP mode switched between DVCAM and DV, the transition may not be
• Time/date data superimposition on output pictures recorded smoothly.
• Digital still camera functions with Memory Stick
Compact Camcorder
DSR-PD170P
• Compact and lightweight: Approx 1.6 kg
(3 lb 6 oz) (camcorder only)
• Newly developed 1/3-inch type three CCDs for
accurate colour reproduction
• Capable of both interlace scan to acquire moving
images and progressive scan to capture still images
• Advanced HAD™ technology for high sensitivity and
excellent signal to noise ratio
• Low light shooting of 1 lx with F1.6 at 18 dB gain
• Large 180,000-dot LCD precision black and white
viewfinder • Long operating time of up to ten hours with the
• Optical 12x zoom lens*1 with Super SteadyShot™ optional NP-F970 InfoLITHIUM™ battery pack
system • Digital still camera functions with Memory Stick
• 16:9 widescreen acquisition mode media
• DVCAM/DV selectable recording • Supplied lens hood with built-in lens cap
• 2 ch. XLR audio input and supplied directional • Supplied wide conversion lens and additional lens
microphone hood
• 16-bit/12-bit PCM digital sound and audio dub • i.LINK (DV) interface providing a single cable
capabilities connection to simultaneously transfer audio,
• Newly developed hybrid LCD monitor with a high video and command signals
resolution of more than 210,000 pixels *1
Digital zoom of 24x or 48x available via menu selection
• Simultaneous operation of LCD monitor and
viewfinder
• Large-sized handle to allow for a better and
easier grip
• On-handle zoom lever and rec. start/stop button
7
DIGITAL VTRs
Master Series VTR Common Features

Since its introduction, the DVCAM format has become widely accepted in the world of video
production – from industrial to broadcast markets. Recognising the increasing demands for
DV-based production in broadcast applications, Sony introduced the DSR-2000P in 1999
complete with compatibility with all DV family formats and professional features, such as
excellent editing performance and high-quality jog audio, inherited from analogue formats.
Building on the advanced technologies of the DVCAM format and professional features of the
flagship DSR-2000AP, Sony now presents the entire line-up of Master Series VTRs, our
top-of-the-range DVCAM videocassette recorders and players. The Master Series VTRs
(DSR-2000AP, DSR-1800AP, DSR-1600AP and DSR-1500AP) now bring the features and
benefits introduced with the DSR-2000AP to a wider market, from industrial to broadcast for a
wider range of applications and requirements.
• Superb picture quality of the DVCAM format • Video process control for greater control of both
• Playback capability of DV (25 Mb/s) recorded analogue and digital outputs
tapes including DV tapes recorded in SP mode • Built-in SMPTE/EBU time code and VITC
and DVCPRO tapes*1 without an adaptor or generator/reader
menu setting changes • Built-in signal generator (colour bars, black burst,
• Long recording time: up to 184 minutes with a 1 kHz tone, silent signal)*6
standard-size cassette and 40 minutes with a • Flexible input selection between video and audio*7
mini-size cassette • Universal powering system (AC 100 V to 240 V)
• Four-channel audio editing capability*2 • Three-size cassette compartment to ensure
• Audio cross-fade function for clean audio transi- compatibility with DV(25Mb/s) recorded tapes
tions at editing points*3 *1
SDTI (QSDI) and i.LINK (DV) interfaces do not support
DVCPRO playback.
• Excellent jog audio capability *2
DSR-2000AP/DSR-1800AP/DSR-1600AP only.
• DMC (Dynamic Motion Control) provides *3
DSR-2000AP/DSR1800AP only.
noiseless slow-motion playback*4 *4
*5
DSR-2000AP/DSR1800AP/DSR-1600AP only.
Optional Input/Output Boards required. Please check Feature
• High-speed picture search over a range of Comparison of Digital VTRs (p.20) for details.
60 times*2 normal speed, in both forward and *6
DSR-2000AP/DSR1800AP/DSR-1500AP only
*7
reverse i.LINK cannot be combined with other signal interfaces.
When SDTI (QSDI) is selected as the audio input, the video signal
• Versatile digital interfaces*5: SDI, SDTI (QSDI), is assumed to be SDTI (QSDI). However, when it is selected as the
i.LINK (DV) and AES/EBU digital audio video input, other signal interfaces can be selected for the audio.
• Extensive analogue interfaces: composite,
component, S-Video and XLR audio
• HD-SDI up-conversion capability*5
• RS-422A remote control interface
• Frame accurate editing capability
• ClipLink operation
• Full tape dubbing with RS-422A interfaces
• 16:9 aspect ID signal recording
8
DIGITAL VTRs
Editing recorder Editing recorder

• Playback capa- • Pre-read playback

bility of DV tapes capability to
recorded in LP perform audio
mode mix/swap and
• Pre-read editing over dubbing
capability*1 to • Audio level control in without any delay
perform sound-on- both recording and between video
sound capability, playback modes and audio signals
audio mix/swap and • Dial menu operation • Wide range of digital
over-dubbing of • Key Inhibit and Rec slow speed from
audio with no delay Inhibit functions to -0.5 to +0.5 times
between video and prevent accidental normal speed
audio as well as A/B operation • Channel condition
roll editing*2 with two *1
monitoring function
Not available through SDTI
VTRs (QSDI) and i.LINK interfaces. • Jog dial on front
• VTR-to-VTR editing *2
MIX and WIPE only. panel
without external
controllers
• Wide range of digital
slow speed from
-1 to +1 times normal
speed
• Channel condition
monitoring function
Editing player Editing recorder

• Recording
capability
with standard
and mini-size
DV tapes.
(SP mode only)*
• Wide range of digital * Assemble or insert editing
slow speed from is not possible in the
-0.5 to +0.5 times consumer DV format mode.
normal speed However, back space
editing is possible using the
• Wide range of digital • Compact, half-rack
optional DSRM-10 Remote
slow speed from size Control Unit. The transition
-0.5 to +0.5 times • Menu keys on front from cut to cut may not be
normal speed panel for picture smooth when performed
search over a DV recording made
• Channel condition on a different DV or DVCAM
monitoring function • i.LINK interface as a deck. In between scenes
• Jog dial on front standard where the recording format
panel is changed from DVCAM
to consumer DV format,
the transition may not be
smooth either. This is a
normal and expected
phenomenon. The audio
reference level is fixed to
-12 dB at DV(SP) recording.
9
DIGITAL VTRs
Recorder
DSR-45P
• Superb picture quality of the DVCAM format
• Recording and playback capability of the DV format
(SP mode only)*1
• Long recording time: up to 184 minutes with a
standard-size cassette, 40 minutes with a mini-size
cassette in DVCAM mode
• Full range of analogue Video IN/OUT: Component,
Composite, S-Video
• Four channel independent Audio IN/OUT with XLR
connectors for Audio OUT
• i.LINK(DV) interface for simultaneous transfer of
*1
audio, video, and command signals When recording in DV (SP) format, the transition between cut to
• RS-422A remote control interface*2 cut may not be smooth. In addition, when the recording format is
switched between DVCAM and DV, the transition may not be
• RS-232C interface for basic control from a PC recorded smoothly.
• LANC and Control S interface *2
The DSR-45P is not equipped with the synchronisation capability,
• Time code IN/OUT therefore is recommended to be used only as a source feeder in
• Time code/ User bit pre-set A/B roll editing.
• Time code IN through DV IN
• Duplication function (Including the duplication of
Cassette Memory data)
• Compact size (half-rack size width, 2U height)
• Low power consumption (22W during playback)
• Built-in 2-inch type (123,200 dot) colour LCD monitor
• Tape counter
• Wireless remote controller RMT-DS5 supplied
Recorder
DSR-25
(SP mode only)*1
cassette in DVCAM mode
• Recording and playback capability of both
NTSC/PAL signals*2
• i.LINK(DV) interface for simultaneous transfer
of audio, video, and command signals
• LANC and Control S interface
*1
• Time code/ User bit pre-set When recording in DV (SP) format, the transition between cut to cut
may not be smooth. In addition, when the recording format is
• Time code IN through DV IN switched between DVCAM and DV, the transition may not be
• Duplication function (Including the duplication recorded smoothly.
of Cassette Memory data) *2
The DSR-25 is not equipped to convert signals from NTSC to PAL,
• Power-on recording and playback capabilities or vice versa.
• Compact size (half-rack size width, 2U height)
• Low power consumption (16W during playback)
• Built-in 2-inch type (123,200 dot) colour LCD monitor
• Tape counter
10
DIGITAL VTRs
Recorder
DSR-11
(SP mode only)*1
• Long recording time: up to 184 minutes with
a standard-size cassette, 40 minutes with a
mini-size cassette in DVCAM mode
• Recording and playback capability of both
NTSC/PAL signals*2
• i.LINK(DV) interface for simultaneous transfer
of audio, video, and command signals
• LANC and Control S interface *1 When recording in DV (SP) format, the transition between cut to
• Time code IN through DV IN cut may not be smooth. In addition, when the recording format is
• Auto-repeat function switched between DVCAM and DV, the transition may not be
recorded smoothly.
• Compact/lightweight design for both horizontal
*2 The DSR-11 is not equipped to convert signals from NTSC to PAL,
and vertical layout or vice versa.
Recorder
DSR-50P
(SP mode only)*
cassette in DVCAM mode.
• Analogue component video OUT
• Four channel independent Audio IN/OUT with XLR
* When recording in DV (SP) format, the transition between cut to cut
connectors for Audio OUT
may not be smooth. In addition, when the recording format is
• i.LINK(DV) interface for simultaneous transfer of switched between DVCAM and DV, the transition may not be
audio, video, and command signals recorded smoothly.
• Control S and Remote control (Foot Switch)
interface.
• 26-pin camera connector
• Time code IN/OUT
• Time code IN through DV IN
• Duplication function (Including the duplication
of Cassette Memory data)
• Compact/lightweight design and compatibility
with BP-L series batteries for portable use
• Built-in 2.5-inch type (200,000 dot) colour
LCD monitor
11
HARD DISK PRODUCT
Hard disk recorder

DSR-DR1000AP
• Hard disk recorder (160 GB) with 3.5-inch
large-capacity hard drive
• Up to twelve hours of 25 Mb/s DVCAM/DV video
and audio recording
• Compact and lightweight (210 x 130 x 422 mm/
8 3⁄8 x 5 1⁄8 x 16 5⁄8 inches, 7.5 kg/ 16 lb 10 oz)
• Simultaneous recording and playback capability
• Variable speed playback within a wide range of
-2 to +2 times normal speed • Control by external devices supporting Sony
• Smooth jog sound capability for easy designation Virtual File List (VFL) disk protocol via an
of editing points RS-422A interface
• Clip segment playback for continuous playback • Synchronous playback via an RS-422A interface
of designated video segments • Versatile interfaces
• Repeat function* to allow loop playback of a • i.LINK interface (6-pin) with AV/C and SBP2
selected clip or clip segment protocols
• Continuous loop recording allows recording to • High-speed file transfer via an i.LINK interface
continue until stopped by operator using SBP2 protocol
• Interval recording to produce recordings over • File transfer of DV video and audio using FTP
extended periods via Ethernet connection
• Pre-alarm recording automatically triggers cache * The repeat function cannot be used for loop play back of multiple
recording to start when an external alarm signal is clips or multiple clip segments.
detected
• VTR-like control panel with Jog/Shuttle dial
• Random access to files
Anycast Station – an integrated, portable and easy The Anycast Station is adaptable to your needs –
to use solution to help you deliver your live event. giving you a choice of inputs for up to six sources,
and the ability to deliver content to your audience –
Designed as a highly portable and easy to use both at the venue and to remote audiences via a
content management and delivery tool for live web stream. In addition live source material can be
production, the Anycast Station combines an audio recorded on external hard disk drives for archive or
mixer, video switcher, streamer encoder, and LCD later editing on a PC.
monitor in one briefcase sized unit weighing only
around 17 lbs 10 oz (8kg). With all of these features, the Anycast Station is an
ideal tool to help you deliver a wide range of events
The Anycast Station (AWS-G500) provides a range such as business conferences, seminars, press
of inputs including DV, S-Video, Composite and conferences, product promotions, live staging and
RGB to allow the user to bring together both Video distance learning.
and PC content in an event without the need for
external line converters.
12
SONY MEDIA SOFTWARE
Vegas® 6
Only Vegas® 6 software combines real-time SD, DV,

and HDV video editing with unrivaled audio tools
to provide the ultimate all-in-one environment
for creative professionals — high-definition and
high-fidelity.
With its unique, visual approach to digital video and
audio production, Vegas delivers tremendous power,
incredible speed, and maximum productivity in an
uncomplicated, efficient platform.
Key features include: HDV support, unlimited tracks
for audio and video, real-time play back and editing,
and over 190 video effects and 175 2D and 3D
transitions.
Vegas also includes Boris® Graffiti LTD titling
software and a limited-edition Sony Pictures
Sound Effects™ Series sampler CD.
Vegas®+DVD Production Suite
The Vegas+DVD Production Suite combines Vegas 6,

DVD Architect™ 3, and Dolby Digital® AC-3 encoding
software to offer an integrated environment for
all phases of video, audio, DVD, and broadcast
production.
A must for the professional media producer, this
suite lets you edit and process DV, HDV, and
SD/HD-SDI in real-time, manipulate audio with
unparalleled precision, and efficiently author menu-
based and single-title DVDs. The Vegas+DVD Production Suite also includes a
Key features include: HDV support, unlimited tracks limited-edition Sony Pictures Sound Effects™ Series
for audio and video, customisable 2D and 3D sampler CD, and the Boris® Graffiti LTD, Boris FX
effects, project nesting, subtitles, multiple camera LTD for Vegas, and Magic Bullet Movie Looks™ HD
angle support, and advanced media management. 50 plug-ins.
Sound Forge 8
Sound Forge® software is the leading professional

digital audio-editing application for recording, editing,
effects processing, and streaming media creation.
Cut, paste, mix, crossfade, and delete audio with
speed and precision. Edit files non-destructively in
real-time at the sample level.
Synchronise audio and video frame-by-frame to
create professional multimedia productions.
More than 40 built-in professional audio effects and
processes with over 200 pre-sets for comprehensive Version 8 new features include application scripting,
audio manipulation. batch conversion, and VST effects support. Includes
Supports multiple file formats and full resolution CD Architect software for Red Book CD burning.
24-bit/32-bit, 192 kHz files for the ultimate in audio
fidelity.
13
Acid® Pro 5
ACID® Pro software is the ideal loop-based music

creation application. This award-winning program
lets you create original songs, remix tracks, produce
5.1 surround mixes, develop music beds, score
videos, and create music for Web sites and Flash™
animations. Record MIDI, music, or vocals into your
project, or extract audio from CDs. Edit audio and
apply effects in real time.
Advanced professional features include Groove
Mapping™ quantisation tools, Media Manager™
technology, native VST effects support, event
reverse, and nestable folder tracks. Intuitive “pick,
paint, and play” interface. Includes over 1,000
royalty-free loops and Native Instruments™ Xpress
Keyboards VSTi soft synth bundle.
DVStation
High quality, flexible, networked production for

workgroups
Sony DVStation is the ideal shared storage solution

for those who acquire or produce media in DV,
DVCAM and now, HDV-based formats.
With DVStation, material is always held centrally and
streamed on demand to users. This means multiple
users can concurrently access and utilise library
clips.
DVStation is more than a content store - it has a full
and comprehensive asset management system.
This provides the tools to ingest and index material,
search and browse clips - and perform simple
editing.
Full programme finishing can then be completed in
any of the supported non-linear editing packages,
which includes both Sony Vegas and Sound Forge.
Completed projects can be distributed via a choice
of delivery options - from broadcast playout, DVD or
tape to streaming via the web or handheld devices.
14
WIRELESS MICROPHONE SYSTEMS
Recommended Wireless Microphone Systems

for DVCAM
The UWP Series of wireless microphones have two

specific packages designed for portable/camera use.
Each package has been carefully compiled to meet
with a range of operational requirements that are able
to adapt to all your operational needs. The UWP
Series excels in transmission stability. Sophisticated
wireless technologies, developed for top-of-the-line
Sony wireless microphone systems, have been
incorporated, including the UHF PLL-synthesised
system, space-diversity reception and a tone squelch
function. These capabilities are typically found only on
Photo shows wireless microphone UWP-C1 mounted
high-end wireless systems. on a DSR-PD170P camcorder.
Features
Stable Transmission and Reception Tone Squelch Circuitry
The UWP Series Wireless Microphone System uses three core When operating a wireless microphone system, it is essential
technologies to provide stable transmission and reception: that the tuner does not pick up carrier signals transmitted
from other systems. In order to avoid this, the UWP Series
PLL Synthesised System handheld microphone and portable transmitter transmit a
Key to achieving stable transmission and reception is the 32-kHz pilot-tone signal along with the audio signal. The
use of a stable carrier signal to avoid interference with other squelch circuit of the UWP Series tuners recognises this tone
frequency channels and to allow the selection of a preferred signal, and will output the audio signal only when this tone
channel from multiple frequencies. The UWP Series signal is received. This function virtually prevents the output
achieves this by using a UHF PLL (Phase Locked Loop) of unwanted signals or noise from other signal transmissions
frequency synthesised system, which provides the use of in the air, as well as the RF noise and popping noise that
accurate carrier signal frequencies. This system is used in occur when the transmitter is powered on or off.
both the transmitters and tuners, so that a stable carrier is
generated at the transmitter and accurately tuned in at the Pre-Programmed Operating Frequencies
tuner. This PLL-controlled system provides highly stable, The transmitters and tuners included in the UWP Series
user-selectable frequencies. incorporate pre-programmed frequencies that meet the
wireless-communication regulations of each country. The
Space Diversity Reception System UWP Series operates within the following frequency ranges:
In general, wireless microphone transmission systems can 798 MHz to 822 MHz or 838 MHz to 862 MHz (189 selectable
be subject to reception interruptions (signal dropout), but frequencies).
the UWP Series reduces this to a minimum. By utilising a
space diversity reception system, it achieves stable recep- Simultaneous Multi-Channel Operation
tion by using dual-antenna inputs/reception circuits that The UWP Series allows simultaneous operation of up to 16
receive signals over two different paths and automatically wireless microphones. Optimum combinations of practically
selecting the stronger RF signal for output. tested, interference-free frequencies are stored in the UWP
tuners. By using the pre-programmed frequency groups,
users can easily choose interference-free frequencies for the
transmitters and tuners, simplifying the task of system
setup.
15
WIRELESS MICROPHONE SYSTEMS
UWP-C1
Turnkey Package
• Consists of an omni-directional lavalier microphone,
bodypack transmitter and portable diversity receiver
• Suitable for a wide range of applications, from news
gathering and interviews to talk shows and confer-
ences
• The lavalier microphone is supplied with a
microphone windscreen and microphone-holder clip
• The bodypack transmitter is supplied with a belt clip
• The portable diversity receiver is supplied with a
microphone stand adaptor, screw adaptor, shoe-
mount adaptor for mounting on a camcorder and
microphone cable (3-pole mini-plug/XLR-type)
• Space diversity reception system for stable RF
reception
• RF squelch function virtually eliminates ambient
noise and unwanted signals from other wireless
microphone systems
• Compact and lightweight design
• LCD screens provide extensive information, includ-
ing the operating channel number and its frequency
in MHz, audio status, RF level, battery status and
accumulated operating time
UWP-C2
Turnkey Package
• Consists of a handheld microphone and portable
diversity receiver
• Ideal for a variety of situations, from news gathering
to interview scenarios
• The handheld microphone is supplied with a
microphone holder and screw adaptor
• The portable diversity receiver is supplied with a
microphone stand adaptor, screw adaptor, shoe-
mount adaptor for mounting on a camcorder, belt
clip and microphone cable (3-pole mini-plug/XLR
type)
• Space diversity reception system for stable RF
reception
• RF squelch function virtually eliminates ambient
noise and unwanted signals from other wireless
microphone systems
• Compact and lightweight design
• Uni-directional, dynamic microphone capsule
• LCD screens provide extensive information, including
the operating channel number and its frequency in
MHz, audio status, RF level, battery status and
accumulated operating time
16
PROFESSIONAL DISC CAMCORDERS & DECKS
Developed by Sony to meet the real needs of camera Whether you need the outstanding picture quality of
operators, editors, producers, facilities houses and rental MPEG IMX or the economy and convenience of working
houses, Professional Disc offers all the qualities you'd in DVCAM, Sony XDCAM products offer the ability to
expect from a rugged, reliable platform for acquisition, record* and play back both HD, MPEG IMX** and DVCAM
production and distribution. 8-bit digital component recording with a 5:1 compression
ratio and a sampling rate of 4:2:0 streams.
* The PDW-V1 Mobile Deck only allows recording using network and i.LINK File
Access Mode.
** The PDW-510P Camcorder is capable of DVCAM recording only.
PDW-530P/510P PDW-1500
MPEG IMX / DVCAM* Compact Deck
Switchable Camcorder
• MPEG IMX 50, 40 • MPEG IMX & DVCAM

& 30 Mb/s & recording
DVCAM recording • Proxy & Metadata
(*PDW-510P: recording
DVCAM recording • Slow Motion -2/+2
only) • High-speed transfer
• Three 2⁄3-inch • Versatile interface
Power HAD EX • Gigabit Ethernet
CCDs • i.LINK AV/C and
• Progressive mode FAM* In and Out
(25P) • Thumbnail and EDL
• 16:9/4:3 switchable operations
• Thumbnail operation • 7-year warranty sup-
on LCD display plied as standard
• i.LINK In and Out & * FAM: File Access Mode
Ethernet Option
(100Base-T)
• 7-year warranty
supplied as standard
PDW-V1 PDW-D1
Mobile Deck Mobile NLE Deck
• MPEG IMX & DVCAM • MPEG IMX & DVCAM

playback recording
• Slow Motion -1/+2 • Proxy & Metadata
• Thumbnail and EDL recording
operations • i.LINK In and Out (DV
• 3.5-inch LCD display Stream)
• Ethernet (100Base-T), • Realtime MPEG IMX
VGA out to DV conversion
• i.LINK FAM* In and through i.Link
Out (Files) • i.LINK FAM* In and
• Battery & AC Out (Files)
operation • 12V DC & AC
• 7-year warranty operation
supplied as standard • 7-year warranty
* FAM: File Access Mode supplied as standard
* FAM: File Access Mode
17
HDV CAMCORDERS & VTR
The rapid transition to HD programming in broadcasting They adopt the all-new, 1/4-inch HD format - the
and post production has created tremendous demand for HDV 1080i specification of the HDV format - while
an entry-level path into the HD world. Sony have maintaining the DVCAM/DV recording and playback
responded to this demand with the introduction of a capabilities provided on current Sony DVCAM models.
range exciting new Digital HD products.
HVR-Z1E
HDV Handheld Camcorder
• HDV, DVCAM & DV (SP)*1 formats recording

& playback
• Three 1⁄3-inch type HD CCDs (16:9)
• 14-bit HD DXP (Digital Extended Processor) Model shown features ECM-678
• Wide-angle Carl Zeiss™ lens Microphone which is not included
as standard.
• 3.5-inch LCD panel (16:9) • i.LINK (HDV/DV) interface
• Large B/W & Colour switchable Viewfinder (16:9) • Analogue Component Output
• On-board down conversion to DV • Silver Support supplied as standard
• 50Hz/60Hz (PAL/NTSC) switchable*2
• Cineframe mode (24/25/30 frames) *1 When recording in DV (SP) format, the transition between cut to
• 2-mode Cinematone Gamma cut may not be smooth. In addition, when the recording format is
• 2ch XLR Audio Inputs switched between HDV, DVCAM and DV, the transition may not be
recorded smoothly.
• Independent 2ch Audio Rec Level Control
*2 The HVR-Z1E is not equipped to convert signals from NTSC to
• Time code preset PAL, or vice versa.
• 6 assignable buttons
HVR-A1E
HDV Palm Camcorder

& playback
• Bigger single chip 1⁄3-inch 3-mega pixel CMOS
sensor
• Enhanced Imaging Processor (EIP)
• Carl Zeiss™ lens
• 2.7-inch Hybrid LCD Panel (16:9) with touch panel • Assignable button
function • i.LINK (HDV/DV) interface
• B&W / Colour switchable viewfinder (16:9) • Analogue Component Output
• On-board down conversion to DV • Silver Support supplied as standard
• Still image recording onto Memory Stick
• Cineframe mode (25 frames) *1 When recording in DV (SP) format, the transition between cut to
cut may not be smooth. In addition, when the recording format is
• 2-mode Cinematone Gamma
switched between HDV, DVCAM and DV, the transition may not
• 2ch XLR Audio Inputs be recorded smoothly.
• Microphone included as standard
• Time code preset
HVR-M10E
HDV Recorder

& playback
• On-board down conversion to DV
• 50Hz/60Hz (PAL/NTSC) switchable*2 • Battery & DC power operation
• 3.5-inch LCD panel (16:9) • Silver Support supplied as standard
• Independent 2ch Audio Rec Level Control *1 When recording in DV (SP) format, the transition between cut to
• Time code preset cut may not be smooth. In addition, when the recording format is
• i.LINK (HDV/DV) interface switched between HDV, DVCAM and DV, the transition may not be
recorded smoothly.
• Analogue Component Output
*2 The HVR-M10E is not equipped to convert signals from NTSC to
• LANC control
PAL, or vice versa.
• Compact & layout free design
18
DIGITAL CAMCORDER FEATURES COMPARISON
DSR-450WSP DSR-400P DSR-250P DSR-PD170P

General
CCD size 3CCD 2/3-inch 3CCD 2/3-inch 3CCD 1/3-inch 3CCD 1/3-inch
CCD type 16:9, Power HAD EX 4:3, Power HAD EX 4:3 4:3
16:9 or 4:3 commutation 4:3 Commutation 16:9 Commutation 16:9 Commutation
Standard lens Recommended Canon: VCL-917BY 12x (6.0 to 72 mm) 12x (6.0 to 72 mm)
Canon : YJ19x9BKRS (supplied in K package)
Fujinon : A20x8.6BRM-SD
Interchangeable lens • •
Viewfinder type BW CRT BW CRT BW CRT High resolution BW LCD
Colour LCD screen 2.5-inch 2.5-inch 2.5-inch 2.5-inch, Hybrid
Tape size Standard & Mini Standard & Mini Standard & Mini Mini only
Recording & playback format DVCAM / DV DVCAM / DV DVCAM / DV DVCAM / DV
Manual iris Yes (Ring) Yes (Ring) Yes (Ring) Yes (Dial)
Manual zoom Electric or Manual Electric or Manual Electric or Manual Electric or Manual
Focus ring • • • •
Assignable buttons • •
Adjustable shoulder pad • •
On-handle zool lever & Rec button •
Time code preset • • • •
Memory Stick For scene file store For scene file store For still image capture For still image capture
Mass 6.5 kg 6.5 kg 4.4 kg 1.5 kg
Camera Specification
Sensitivity F11 at 2000 lx (Typical) F11 at 2000 lx (Typical)
S/N Ratio 63 dB Typical 63 dB Typical
Smear Level -140 dB -140 dB
Minimum illumination 0.5 lux 0.5 lux 2 lux 1 lux
Resolution 800 lines (in 16:9 mode) 920 lines 530 lines 530 lines
850 lines (in 4:3 mode)
Advanced Camera Features
25P (progressive) •
Slow Shutter •
Selectable Gamma •
TruEye Processor • •
Adaptive Highlight Control • •
Skin Tone Detail • •
Variable Black Gamma Range • •
ATW (Auto Tracing White Balance) • •
Electronic Soft Focus • •
Multi-matrix Function • •
Colour Temperature Control • •
Camera Setup File • •
Interval Recording • • • •
Super SteadyShot • •
Still image recording • •
Output connectors
Composite Video Yes (BNC) Yes (RCA+BNC) Yes (Jack)
Monitor Yes (BNC) Yes (BNC)
S-Video • •
i.LINK (IEEE1394) Yes (6-pin) Yes (6-pin) Yes (6-pin) Yes (4-pin)
SDI Yes (option CBK-SD01)
Audio (2x RCA) • • • •
DC (4-pin) • • •
Time Code • •
Input connectors
Composite Yes (option CBK-SC01) Yes (RCA) Yes (RCA)
S-Video • •
Gen Lock • •
LANC • •
Lens connector • •
Audio XLR Yes (1x front + 2x rear) Yes (1x front + 2x rear) Yes (1x front + 2x rear) Yes (2x)
Time Code • •
DC 12V (XLR 4-pin) • • •
i.LINK (IEEE1394) Yes (6-pin) Yes (4-pin)
Accessories
AC adaptor AC-DN10 / DN2B AC-DN10 / DN2B AC-DN10 / DN2B AC-L15 (supplied)
Battery BP-GL95/GL65/L60S BP-GL95/GL65/L60S BP-L60S NP-F970/770/570
i-LINK cable CCF-3L (6P-6P) CCF-3L (6P-6P) CCF-3L (6P-6P) VMC-IL4415/4435 (4P-4P)
CCFD-3L (4P-6P) CCFD-3L (4P-6P) CCFD-3L (4P-6P) VMC-IL4615/4635 (4P-6P)
Battery charger BC-M150/L70 BC-M150/L70 BC-M150/L70 AC-V700A/VQ1050B
UHF Receiver & Beltpack Transmitter UWP-C1 UWP-C1
UHF Reciever & Handheld Transmitter UWP-C2 UWP-C2
UHF Wireless Receiver WRR-855B (+CA-WR855) WRR-855B (+CA-WR855)
UHF Wireless BeltpackTransmitter WRT-822B WRT-822B
UHF Wireless Handheld Transmitter WRT-807B WRT-807B
High Quality Shotgun Microphone ECM-678 ECM-678 ECM-670 ECM-670
Wide angle Canon YJ12x6.5 KRS Canon YJ12x6.5 KRS option: Sony VCL-HG0758 Sony VCL-HG0758
Fujinon A12x6.8 Fujinon A12x6.8 (without lens hood) (supplied)
Canon WR-58 Canon WR-58
Century Optics Century Optics
Rain cover LCR-1 LCR-1 LCR-1 LCR-VX2000A
Camcorder light Anton Bauer Ultra Anton Bauer Ultra Anton Bauer Ultra HVL-20DW2
Light2 20W (UL2-6)+ Light2 20W (UL2-6)+ Light2 20W(UL2-6)+
(DIFFUSION FILTER uld-f) (DIFFUSION FILTER uld-f) (DIFFUSION FILTER uld-f)
Tripod adaptor VCT-U14 (supplied) VCT-U14 (supplied) VCT-U14 (option) (photo type)
Hard carrying case LC-H300 LC-H300 LCH-VX2000A
Soft carrying case LC-DS300SFT LC-DS300SFT LC-DS300SFT LCS-VCB
Large viewfinder DXF-51 + accessories* DXF-51 + accessories* DXF-51 + accessories*
Silver Support • • • •
* Spare part ref. for assembling kit = A-8278-177-A. • : Available
19
DIGITAL VTR FEATURES COMPARISON
DSR-2000AP DSR-1800AP DSR-1600AP DSR-1500AP DSR-50P DSR-45P DSR-25 DSR-11
Cassette
Standard-size Cassette • • • • • • • •
Mini-size Cassette • • • • • • • •
DVCPRO Medium-size Cassette • • • • – • – –
Digital Interface
*1
SDI • • • • – – – –
(Option) (Option) (Option)
SDTI (QSDI) • – – – – – – –
i.LINK (DV) • • • *1 • • • • •
• • • *1 •
AES/EBU – – – –
*1 *1 *1
HD-SDI • • • – – – – –
Analogue Interface
• • • *1 • *2 • • • •
Composite
(Option)
• • • *1 • *2 • *1 • – •
Component
(Option)
• • • *1 • *2 • • • •
S-Video
(Option)
Remote Control Interface
RS-422A • • • • – • *3 – –
RS-232C – – – – – • – –
LANC – – – – • *4 • • •
Control S – • • • • *5 • *5 • • *5
Foot Switch – – – – • – – –
Wireless Remote Control – – – – – • • •
Editing Capability
Pre-read Editing/Playback • • *6 – – – – – –
Assemble Editing • • • – – – – –
• • – • – – – –
Insert Editing
(Video/Audio/TC) (Video/Audio/TC) (Video/Audio/TC)
VITC • • • • – – – –
Time Code Input/Output • • • • – • – –
ClipLink • • • • – – – –
High-speed Data Transfer – – – – – – – –
Search Speed x ±60 x ±60 x ±60 x ±60 x ±17.48 x ±17.48 x ±14.48 (NTSC) x ±14.48 (NTSC)
x ±17.48 (PAL) x ±17.48 (PAL)
Digital Slow x ±1 x ±0.5 x ±0.5 x ±1/10, 1/3 x ±1/10, 1/3 x ±1/10, 1/5 x ±1/10, 1/3 x ±1/10, 1/3
Others
• • • • • • • •
DV Playback Capability
(SP/LP) (SP only) (SP only) (SP only) (SP only) (SP only) (SP only) (SP only)
DVCPRO Playback Capability • • • • – – – –
DV (SP mode) Recording Capability – – – • *7 • *8 • *8 • *8 • *8
Auto Repeat/ – • *9 • *9 • *9 – • • • *10
Power-on Playback/Recording
Index Points Search – – – – • • • •
Closed Caption – – – – – – – –
*1 Output only. * 8 When recording in DV (SP) format, transitions between cut to cut may
*2 These signals share the same BNC connectors. not be smooth. In addition, when the recording format is switched
• : Available
*3 As a player only. between DVCAM and DV, the transition may not be recorded smoothly. – : Not available
*4 Control Jack (accepts LANC command as player) *9 Auto repeat/Power-on playback only.
*5 Input only. *10 Auto repeat only.
*6 Playback only.
*7 Assemble or insert editing is not possible in the consumer DV format
mode. However, back space editing is possible using the optional
DSRM-10 Remote Control Unit. The transition from cut to cut may not
be smooth when performed over a DV recording made on a different
DV or DVCAM deck. In between scenes where the recording format is
changed from DVCAM to consumer DV format, the transition may not
be smooth either. This is a normal and expected phenomenon. The
audio reference level is fixed to -12 dB at DV(SP) recording.
20
DVCAM OPTIONAL ACCESSORIES & PERIPHERAL EQUIPMENT
BP-GL65/GL95 BP-L60S NP-F770

Lithium Ion Battery Pack Lithium Ion Rechargeable InfoLITHIUM Rechargeable
Battery Pack Battery Pack
DSR-450WSP DSR-400P DSR-250P DSR-50P DSR-450WSP DSR-400P DSR-250P DSR-50P DSR-PD170P
2NP-F970/B HVL-20DW2
InfoLITHIUM Rechargeable Battery-Operated Light AC-DN10
Battery Pack AC Adaptor
DSR-PD170P DSR-PD170P DSR-450WSP DSR-400P DSR-250P
AC-VQ1050B
AC-DN2B AC-V700A AC Adaptor/Charger
AC Adaptor AC Adaptor/Charger
DSR-450WSP DSR-400P DSR-250P DSR-PD170P DSR-PD170P
BC-M150 BC-L70 DXF-51

Battery Charger for Battery Charger for 5-inch Monochrome
BP-GL65/GL95 BP-GL65/GL95 Viewfinder
* When it is attached to the
DSR-450WS/400, a mount
DSR-450WSP DSR-400P DSR-250P DSR-50P DSR-450WSP DSR-400P DSR-250P DSR-50P DSR-450WSP DSR-400P bracket (A-8274-968-B) is
required.
RM-B750 RM-280
Remote Control Unit RM-B150 Editing Controller
Remote Control Unit
DSR-DR1000AP DSR-1500AP DSR-1600AP DSR-1800AP
DSR-450WSP DSR-450WSP DSR-2000AP DSR-45P
YJ19x9BKRS A20x8.6BRM-SD
2/3-inch type Format 2/3-inch type Format
19x Lens 20x Lens
DSR-450WSP DSR-400P DSR-450WSP DSR-400P
21
VF-58PK VCL-HG0758 VCL-HG1758

Filter Kit Wide Conversion Lens 0.7x Tele Conversion Lens 1.7x
PL Filter and Multi-coat Filter
DSR-250P DSR-PD170P DSR-250P DSR-PD170P DSR-250P DSR-PD170P
LSF-S58 VCT-PG11RMB RM-1BP

Lens Hood Video Tripod Remote Control for VCT-PG11RMB Video Tripod
DSR-PD170P DSR-PD170P DSR-PD170P

Available Dec. 2005 Available Dec. 2005
UWP-C1 UWP-C2
Wireless Wireless
VCT-U14 Microphone Package Microphone Package
Tripod Adaptor
DSR-450WSP DSR-400P DSR-250
DSR-450WSP DSR-400P DSR-250P
DSR-PD170P
DSR-450WSP DSR-400P DSR-250P DSR-PD170P
WRR-862B WRR-855B WRT-822B

Dual UHF Synthesized Tuner A-8278-057-A UHF Synthesized Tuner UHF Synthesized
Wireless Transmitter
* When using the WRR-862B, a
mount bracket (A-8278-057-A) is
DSR-450WSP DSR-400P required. DSR-450WSP DSR-400P DSR-450WSP DSR-400P
ECM-672/670
CA-WR855 CAC-12 Elecret Condenser
Camera Adaptor for Microphone Holder Microphone
WRR-855B
DSR-450WSP DSR-400P DSR-250P
DSR-450WSP DSR-400P DSR-450WSP DSR-400P DSR-250P DSR-PD170P
ECM-678 LC-DS300SFT
Elecret Condenser Carrying Case
Microphone (Soft type) LCS-VCB
Camcorder Carrying Case
(Soft type)
DSR-250P DSR-PD170P DSR-450WSP DSR-400P DSR-PD170P
22
LC-H300 LCH-VX2000A LCR-VX2000A

Hard Carrying Case Hard Carrying Case Rain Jacket
DSR-450WSP DSR-400P DSR-PD170P DSR-PD170P
DSRM-10
LCR-1 FS-20 Remote Control Unit
Rain Cover Foot Switch
DSR-1800AP DSR-1600AP DSR-1500AP DSR-45P
DSR-450WSP DSR-400P DSR-50P DSR-25 DSR-11 DSR-50P
RMM-131 DSBK-1501 DSBK-1505

Digital Input/Output Board Analogue Input Board
Rack Mount Kit
DSR-2000AP DSR-1800AP DSR-1600AP DSR-1500AP DSR-1500AP
DSBK-1601 DSBK-1801
SDI/AES/EBU Output Board SDI/AES/EBU Input/Output Board DSBK-2020, DSBK-1820*
HD Up-conversion Boards
*Not pictured here
DSR-1600AP DSR-1800AP DSR-2000AP DSR-1800AP DSR-1600AP
CBK-SD01 RCC-5G
CBK-SC01 SDI Output Board Remote Control Cable
Analogue Composite Input Board (5 m)

DSR-450WSP DSR-450WSP DSR-45P DSR-DR1000AP
23
VMC-IL4615/IL4635
VMC-IL4408A/IL4415/IL4435 i.LINK Cable
VMC-IL6615/IL6635
i.LINK Cable (4-pin to 6-pin,1.5 m/3.5 m)
i.LINK Cable
(4-pin to 4-pin, 0.8 m/1.5 m/3.5 m)
(6-pin to 6-pin, 1.5 m/3.5 m)
DSR-250P DSR-PD170P DSR-2000AP DSR-1800AP

DSR-1600AP DSR-1500AP DSR-45P DSR-25 DSR-250P DSR-2000AP DSR-1800AP DSR-1600AP
DSR-PD170P DSR-45P DSR-25 DSR-11 DSR-11 DSR-50P DSR-DR1000AP DSR-1500AP DSR-50P DSR-DR1000AP
CCFD-3L PDV-64MEM/124MEM/184MEM
CCF-3L DV Cable Digital Video Cassette
DV Cable (6-pin with lock to 4-pin) (Master tape/Standard size)
(6-pin with lock to 6-pin)
DSR-450WSP DSR-400P DSR-250P DSR-2000AP DSR-450WSP DSR-400P DSR-250P DSR-2000AP

DSR-1600AP DSR-1500AP DSR-50P DSR-DR1000AP DSR-450WSP DSR-400P DSR-250P DSR-PD170P DSR-1800AP DSR-1600AP DSR-1500AP DSR-45P
DSR-1800AP DSR-45P DSR-25 DSR-11 DSR-50P DSR-25 DSR-11 DSR-50P
PDVM-32MEM/40MEM
Digital Video Cassette PDV-34ME/64ME/94ME/124ME/184ME PDVM-12ME/22ME/32ME/40ME
(Master tape/Mini size) Digital Video Cassette Digital Video Cassette
(Standard size) (Mini size)
DSR-450WSP DSR-400P DSR-250P DSR-PD170P DSR-450WSP DSR-400P DSR-250P DSR-2000AP DSR-450WSP DSR-400P DSR-250P DSR-PD170P
DSR-2000AP DSR-1800AP DSR-1600AP DSR-1500AP DSR-1800AP DSR-1600AP DSR-1500AP DSR-45P DSR-2000AP DSR-1800AP DSR-1600AP DSR-1500AP
DSR-45P DSR-25 DSR-11 DSR-50P DSR-25 DSR-11 DSR-50P DSR-45P DSR-25 DSR-11 DSR-50P
PDV-34N/64N/94N/124N/184N PDVM-12N/22N/32N/40N PDV-12CL

Digital Video Cassette Digital Video Cassette Cleaning Cassette Tape
(Non IC type/Standard size) (Non IC type/Mini size) (Standard size)
DSR-450WSP DSR-400P DSR-250P DSR-2000AP DSR-450WSP DSR-400P DSR-250P DSR-PD170P DSR-450WSP DSR-400P DSR-250P DSR-2000AP
DSR-1800AP DSR-1600AP DSR-1500AP DSR-45P DSR-2000AP DSR-1800AP DSR-1600AP DSR-1500AP DSR-1800AP DSR-1600AP DSR-1500AP DSR-45P
DSR-25 DSR-11 DSR-50P DSR-45P DSR-25 DSR-11 DSR-50P DSR-25 DSR-11 DSR-50P
PDVM-12CL
Cleaning Cassette Tape
(Mini size) MSH-32/64/128/128S2 PHDVM-63DM
IC Recording Media Memory Stick HDV Video Cassettes
(32 MB/64 MB/128 MB/256 MB)
DSR-450WSP DSR-400P DSR-250P DSR-PD170P DSR-450WSP DSR-400P DSR-250P DSR-PD170P
DSR-2000AP DSR-1800AP DSR-1600AP DSR-1500AP DSR-2000AP DSR-1800AP DSR-1600AP DSR-1500AP
DSR-45P DSR-25 DSR-11 DSR-50P DSR-450WSP DSR-400P DSR-250P DSR-PD170P DSR-45P DSR-25 DSR-11 DSR-50P
24
Sony Professional Services
Services from Sony: working with you, working for you.

Recognising that every company and every challenge is unique, we offer a complete and comprehensive
range of services all the way through consulting, planning, financing, implementation, training, servicing,
maintenance and support. Choose exactly what’s right for you, when and where you need it.
Sony Professional Services: Tailor-made design, installation and project management of audio-visual
and IT (AV/IT) systems using skills developed over 25 years of systems integration.
Sony Financial Services: Innovative and flexible finance solutions designed to meet budgetary and financial requirements
and constraints, enabling businesses to always have the most current technology.
Sony Training Services: A range of off-the-shelf or customised training services from basic operation through to high-
level technical maintenance.
Sony Support Services: Fully integrated and customised support for products and systems throughout their operational
life, combining proactive and reactive technical services
Not all services are available in all countries. If you’d like to find out more about what we do, who we do
it for and how we do it, visit www.sonybiz.net or contact your local Sony office.
Silver Support for DVCAM and HDV
2-year Support
The Silver Support Pack extends the support period from the standard 1-year warranty to 2 years with the
option to extend to a 3-year period. Not only that, extra features and services are also included.
Operational Helpdesk
Operational phone support is provided to give advice and help so that you can get the most out of your
HDV and DVCAM equipment and maximise its performance. The multi-lingual helpdesk is available from
Monday to Friday.
Collection Anywhere
In the event of equipment failure, Sony will arrange for the collection, repair and return of the unit
directly to your location, anywhere in mainland EU, Norway or Switzerland. That makes it simpler,
quicker and even more convenient for you.
Repair within 7 days

Sony will collect, repair and return the unit to your preferred location within 7 working days. So, minimum
downtime, increased confidence and the ability to plan your business are guaranteed.
Loan
If the repair is likely to exceed 7 working days, Sony will contact you and offer to send a loan unit for the
remainder of the repair.
-YEAR LASER WARRANTY Professional Disc System

™
7-year warranty for XDCAM optical drive.
How do you make a great product even greater? Easy.

Give it the best warranty available for even more peace of mind.
To further emphasise the robustness and long life-span of the optical drive components used in XDCAM hardware, Sony is
offering a unique 7-year warranty on XDCAM optical drive components, parts and labour for 7 years from the date of pur-
chase. The warranty applies to the optical drive in both Camcorder and Deck XDCAM products, while for other component
parts of XDCAM products, the standard Sony warranty of 1 year parts and labour from the date of purchase applies.
Intensive worldwide testing has proven the robustness of XDCAM hardware to be at the very least equivalent to the tough-
est tape-based products.
There is no charge for the 7-year optical drive warranty and a registration form is included with every XDCAM product.
XDCAM provides you with an unprecedented level of reliability from your equipment.
25
SPECIFICATIONS
DSR-450WSP/DSR-400P Camcorders
DSR-450WSP DSR-400P
General
Power requirements DC 12 V (11 to 17V)
Power consumption Approx. 17 W (with DC 12 V power supply, REC mode, viewfinder off, LCD monitor off)
Operating temperature 0 to +40 °C (+32 to +104 °F)
Storage temperature -20 to +60 °C (-4 to +140 °F)
Operating humidity 25 to 85%
Mass Approx. 6.5 kg (14 lb 5 oz) (with viewfinder, microphone, BP-GL65 battery,
mini-size DVCAM cassette, VCL-917BY lens)
Continuous operating time Approx. 300 min. with BP-GL95 battery, REC mode
Signal inputs/outputs
Video inputs Analogue composite BNC, 1.0 Vp-p, 75 Ω (with the CBK-SC01) -
Genlock video BNC, 1.0 Vp-p, 75 Ω
Audio input (CH-1/2) XLR-3 (2), female, -60 dBu/+4 dBu, 10 kΩ , balanced
Microphone input XLR-3, female, -60 dBu
Time code input BNC, 0.5 to 18 Vp-p, 10 kΩ
Video outputs SDI BNC, 0.8 Vp-p, 75 Ω (with the CBK-SD01) -
i.LINK i.LINK, 6-pin IEEE 1394-based
Analogue composite BNC, 1.0 Vp-p, 75 Ω -
Audio output (CH-1/2) Pin-jacks (2), -10dBu, 47kΩ
Time code output BNC, 1.0 Vp-p, 75 Ω
Monitor output BNC, 1.0 Vp-p, 75 Ω
Earphone output Mini-jack
Other inputs/outputs
Lens 12-pin
VF 20-pin
Remote 8-pin -
Wireless microphone 7-pin
Light 2-pin, DC 12 V, max. 50 W
DC input XLR-4-pin, male, DC 11 to 17 V
DC output 4-pin (for wireless microphone receiver), DC 12 V (max. 0.2 A)
Battery terminal 5-pin
Camera performance
Pickup device Pickup device 3-chip 2/3-inch type Power HAD EX CCD
Aspect ratio 16:9/4:3 switchable 4:3
Total picture elements (H x V) 1038 x 1188
Effective picture elements (H x V) 980 x 1064
Optical system Spectral system F1.4 prism (with quarts filter)
Built-in filters 1: Clear, 2: 1/4ND, 3: 1/16ND, 4: 1/64ND
Lens mount 2/3-inch type Sony bayonet mount
Electrical characteristics Signal system PAL colour system
Scan format 625/50i, 625/25P 625/50i
Sync system Internal and External with the VBS or BS signal
A/D conversion 12 bits
Sensitivity F11 (typical) (2000 lx, 89.9% reflectance)
Minimum illumination 0.5 lx (F1.4 lens, +36 dB gain, shutter off) 0.5 lx (F1.4 lens, +36 dB gain, shutter off)
0.03 lx (with slow shutter, 16 frames accumulation)
Smear level -140 dB (typical)
Video S/N ratio 63 dB (typical)
Horizontal resolution 850 TV lines (4:3 mode), 800 TV lines (16:9 mode) 920 TV lines
Vertical resolution 480 TV lines (with EVS) and 530 TV lines (without EVS) at 625/50i mode 480 TV lines (with EVS), 530 TV lines (without EVS)
575 TV lines at 625/25P mode
Shutter speed 1/60, 1/125, 1/250, 1/500, 1/1000, 1/2000 s at 625/50i mode 1/60, 1/125, 1/250, 1/500, 1/1000, 1/2000 s
1/33, 1/50, 1/100, 1/125, 1/250, 1/500, 1/1000, 1/2000 s at 625/25P mode
ECS 50 to 6000 Hz at 625/50i mode 50 to 6000 Hz
25 to 6000 Hz at 625/25P mode
Slow shutter 1/25, 1/12.5, 1/8.3, 1/6.3, 1/5, 1/4.2, 1/3.6, 1/3., 1/1.6 s (1 to 8, 16 frames) -
Gain selection -3, 0, 3, 6, 9, 12, 18, 24, 30, 36 dB (for GAIN LOW, GAIN MID, GAIN HIGH and GAIN TURBO positions)
Video performance
Recording format Video DVCAM/DV (SP) (25 Mb/s)
Audio 2 ch/16-bit/48 kHz, 2 ch/12-bit/32 kHz, 4 ch/12-bit/32 kHz (for use with a studio VTR)
Record/playback time DVCAM: 184 min (with the PDV-184ME), DV SP: 276 min (with the PDV-184ME)
Fast forward time Approx. 45 s (with the PDVM-40ME), approx. 2 min 30 s (with the PDV-184ME)
Rewind time Approx. 45 s (with the PDVM-40ME), approx. 2 min 30 s (with the PDV-184ME)
Recommended recording media PDV-184ME/124ME/94ME/64ME/34ME/184N/124N/94N/64N/34N,
PDVM-184ME/124ME/94ME/64ME/34ME/184N/124N/94N/64N/34N
Sampling frequency Y: 13.5 MHz, R-Y/B-Y: 6.75 MHz
Quantization 8 bits
Audio performance
Frequency response 48 kHz: 20 Hz to 20 kHz +0.5/-1.0 dB, 32 kHz: 20 Hz to 14.5 kHz +0.5/-1.0 dB
Dynamic range More than 80 dB
Distortion (at 1 kHz, emphasis ON, reference level) Less than 0.12% (at 1 kHz, reference level, 48 kHz)
Built-in LCD monitor
2.5-inch type colour LCD monitor, resolution: 214,000 (964 x 222) pixels
Viewfinder
CRT 1.5-inch type monochrome
Indicators REC TALLY (2), TAKE TALLY, BATT, SHUTTER, GAIN UP
Horizontal resolution 600 TV lines
Microphone
Electret condenser microphone (detachable)
Eco-info
Lead-free solder is used for soldering all the parts including circuit component electrodes.
Halogenated flame retardants are not used in the printed wiring boards.(100%)
Supplied Accessories
DXF-801 Viewfinder, Microphone, VCT-U14 Tripod Adaptor, Shoulder Strap, Lens Mount Cap,
Test Chart for Flange Focal Length Adjustment, VCL-917BY Zoom Lens (DSR-400PK Package)
26
SPECIFICATIONS
DSR-250P/DSR-PD170P Camcorders
DSR-250P DSR-PD170P
General
Power requirements DC 12 V(11 V to 17 V) DC 7.2 V (Battery), DC 8.4 V (AC adaptor)
Power consumption 10.5 W ( with VF), 12.1 W ( with VF and LCD) 4.7 W (with VF), 5.7 W (with VF and LCD)
Operating temperature 0 °C to 40 °C (32 °F to 104 °F)
Storage temperature -20 °C to 60 °C (-4 °F to 140 °F)
Tape speed Approx. 28.2 mm/s (DVCAM mode)
Approx. 18.8 mm/s (DV SP mode)
Recording/Playback time 184 minutes (DVCAM mode), 270 minutes (DV SP mode 40 minutes (DVCAM mode)
with PDV-184ME) cassette, 40 minutes (DVCAM mode) 60 minutes (DV SP mode, with PDVM-40ME)
60 minutes (DV SP mode with PDVM-40ME)
Mass Approx. 4.4 kg (9 lb 11 oz) (camcorder only) Approx. 1.6 kg (3 lb 8 oz)
Dimensions (W x H x D) 214.7 x 251.25 x 508.8 mm 133 x 180 x 456 mm
(9 5/8 x 10 x 20 1/8 inches) (5 1/4 x 7 1/8 x 18 inches) including microphone
Lens
Zoom 12:1 Variable Speed zoom lens
F =6.0 to 72.0 mm; F1.6 to 2.4
Filter diameter 58 mm (2 3/8 inches)
Focus Auto/Manual (ring)/Infinity/One push auto
Camera
Image device Three 1/3-inch type CCDs, 450,000 pixels
Signal system CCIR Standard, PAL colour system
Scanning system Progressive/Interlace Scan
Horizontal resolution 530 TV lines
Minimum illumination 2 lx 1 lx
Gain selection +0, +3, +6, +9, +12, +15, +18 dB
Shutter speed selection 1/3, 1/6, 1/12, 1/25, 1/50, 1/60, 1/100, 1/120, 1/150, 1/215, 1/300, 1/425,
1/600, 1/1000, 1/1250, 1/1750, 1/2500, 1/3500, 1/6000, 1/10000 s
Exposure Auto/Manual (Iris ring) Auto/Manual (Iris dial)
White balance Auto/One-push(Memory A, B)/Out door(5800 K)/Indoor(3200 K) Auto/One-push/Outdoor(5800K)/Indoor(3200K)
Viewfinder 1.5-inch black and white CRT, Zebra Pattern 180,000 dot Black & White LCD, Zebra Pattern
Built-in microphone —
Built-in speaker Dynamic speaker
LCD TFT Active Matrix 2.5-inch type, 200,640 dots (880 x 228) Hybrid, 2.5-inch type, 211,200 dots (960 x 220)
Memory card slot Memory Stick
Recording signals: Camera signals, VTR signals
Image compression: JPEG
Image size: VGA (640 x 480)
Input/Output Connectors
Signal inputs/outputs Video IN/OUT: RCA pin x 1, Video IN/OUT: RCA pin x 1
Y:1 Vp-p, 75 Ω , unbalanced, sync negative Y: 1 Vp-p, 75 Ω , unbalanced, sync negative
Video OUT: BNC pin x 1, Audio IN/OUT: RCA pin x 2, 327 mV
Y:1 Vp-p, 75Ω , unbalanced, sync negative Output impedance with less than 2.2 k
Audio IN/OUT: RCA pin x 2,245 m Input impedance with more than 47 k
Output impedance with less than 2.2 kΩ S-Video IN/OUT: Mini-DIN 4 pin x 1
Input impedance with more than 47 kΩ Y: 1 Vp-p, 75 Ω , unbalanced
S-Video IN/OUT: Mini-DIN 4 pin x 1 C: 0.3 Vp-p
Y:1 Vp-p, 75 Ω , unbalanced, Audio IN: XLR 3-pin female x 2,
C: 0.3 Vp-p -60 dBu, 3 kΩ , +4 dBu, 10 kΩ (0 dBu = 0.775 V rms)
Audio IN: XLR 3-pin (female) x 3, i.LINK (DV): 4-pin x 1
-60 dBu, 6.8 kΩ , +4 dBu, 6.8 kΩ (0 dBu = 0.775 V rms)
i.LINK (DV): 6 pin (with lock) x 1
Others LANC: Stereo mini-mini jack (0.25 mm) x 1 LANC: Stereo mini-mini jack (0.25 mm) x 1
Headphone: Stereo mini jack (0.35 mm) x 1 Headphone: Stereo mini jack (0.35 mm) x 1
External DC IN: 12 V, XLR 4-pin (male) External DC IN: 8.4 V for AC-L10 AC adaptor
DC OUT for Light: 12 V, max. 30 W
DC OUT: 12 V, 4 pin
ECM-NV1 Monaural Microphone ECM-NV1 Monaural Microphone
RMT-811 Remote Commander and R6 Batteries (2) AC-L15 AC Adaptor
Hood Cap NP-F570 InfoLITHIUM Rechargeable Battery Pack
RMT-811 Remote Commander and B6 Batteries (2)
VCL-HG0758 Wide Conversion Lens
LSF-S58 Lens Hood for Wide Conversion Lens and Hood Cap
Lens Hood with Built-in Lens Cap
Carrying Belt
i.LINK Cable Strap
Stereo AV Cable
27
SPECIFICATIONS
DSR-2000AP/DSR-1800AP/DSR-1600AP/DSR-1500AP Studio VTRs

General
Power requirements AC 100 V to 240 V, 50/60 Hz
Power consumption (Max. ) 120 W 100 W 70 W 55 W
Operating humidity Less than 80%
Storage humidity Less than 90%
Tape speed 28.221 mm/s
Recording/Playback time Standard size: 184 min.(DVCAM mode), 276 min.(DV SP mode)* with PDV-184ME/184N/184MEM,
Mini size: 40 min.(DVCAM mode), 60 min.(DV SP mode)* with PDVM-40ME/40N/40MEM
Fast forward/Rewind time Standard size: Less than 3 min. with PDV-184ME/184N/184MEM, Mini size: Less than 1 min. with PDVM-40ME/40N/40MEM
Search speed Shuttle mode:
still to ±60 times normal speed Shuttle mode: still to ±60 times normal speed
Digital slow mode: Digital slow mode: ±0.5 times normal speed
±1 times normal speed
Mass 18 kg (39 lb 10 oz) 13 kg (28 lb 10 oz) 6 kg (13 lb 3 oz)
Dimensions 427 x 175 x 495.5 mm 427 x 174 x 400 mm 210 x 130 x 420 mm
(W x H x D, excluding projections) (16 7/8 x 7 x 19 5/8 inches) (16 7/8 x 6 7/8 x 15 3/4 inches) (8 3/8 x 5 1/8 x 16 5/8 inches)
Video Performance
Bandwidth Luminance 25 Hz to 5.0 MHz ±1.0dB 25 Hz to 5.0 MHz ±1.0 dB 25 Hz to 5.0 MHz +1.0/-1.5 dB
(via analogue 5.75 MHz +0/-3.0 dB
component I/O) (Typical measurement)
Chrominance 25 Hz to 2.0 MHz + 1.0/-2.0 dB
S/N ratio (via analogue component I/O) More than 55 dB
K-factor (K2T, KPB) Less than 2.0%
Y/C delay Less than 30 ns
Audio Performance
Frequency response
2 CH mode (48 kHz/16-bit) 20 Hz to 20 kHz +0.5/-1.0 dB 20 Hz to 20 kHz ±1.0 dB
4 CH mode (32 kHz/12-bit) 20 Hz to 14.5 kHz +0.5/-1.0 dB 20 Hz to 14.5 kHz ±1.0 dB
Dynamic range More than 90 dB More than 87 dB
Distortion (THD+N) Less than 0.05% Less than 0.07%
Video Signal Inputs
Analogue
Ref. Video 0.3 Vp-p, 75 Ω , sync negative — 0.3Vp-p, 75Ω , sync negative
(BNC x2, loop-through connection)
Video (BNC x2, loop-through connection)*1 Composite, 1.0 Vp-p, 75 Ω , sync negative — Composite, 1.0 Vp-p, 75 Ω ,
sync negative
Component Y 1.0 Vp-p, 75 Ω , sync negative — 1.0 Vp-p, 75 Ω , sync negative
(BNC x3) *1 R-Y 0.7 Vp-p, 75 Ω (100 %) — 0.7 Vp-p, 75 Ω (100 %)
B-Y 0.7 Vp-p, 75 Ω (100 %) — 0.7 Vp-p, 75 Ω (100 %)
S-Video *1 DIN 4-pin x 1 — BNC x 2
Y: 1.0 Vp-p, 75 Ω , sync negative Y: 1.0 Vp-p, 75 Ω , sync negative
C: 0.3 Vp-p, 75 Ω (at burst level) C: 0.3 Vp-p, 75 Ω (at burst level)
Digital
SDI *2,*3 BNC x 2, active-through connection — BNC x 1
Conforms to Serial Digital Interface (270 Mb/s), ITU-R BT.656 Conforms to Serial Digital Interface
(270 Mb/s), ITU-RBT.656
SDTI (QSDI) (BNC x1) *3 Conforms to SDTI (270 Mb/s), — — Conforms to SDTI (270 Mb/s),
SMPTE 305M/322M SMPTE 305M/322M
i.LINK (DV) (6-pin x1) IEEE1394 — IEEE1394
HD-SDI *5 BNC x 2, SMPTE-292M —
Audio Signal Inputs
Analogue
Audio *1 XLR 3-pin female x4 XLR 3-pin female x2
-6/0/+4 dBu, 600 Ω on/off/ -6/-3/0/+4 dBu, 600 Ω on/off/ — -6/-3/0/+4 dBu,
-60 dBu, high impedance -60 dBu, high impedance high impedance
Digital
AES/EBU *2,*3 BNC x 2 — BNC x 2
75 Ω , unbalanced — 75 Ω , unbalanced
Video Signal Outputs
Analogue
Ref. Video (BNC x1) 0.3 Vp-p, 75 Ω , sync negative —
Video Video 1/2/3 (super) BNC x 3 Video 1/2(super) BNC x 2 Video 1/2/3 (super) BNC x 3
Composite, 1.0 Vp-p, 75 Ω , sync negative
Component (BNC x3) Y: 1.0 Vp-p, 75 Ω , sync negative R-Y: 0.7 Vp-p, 75 Ω (100%) B-Y: 0.7 Vp-p, 75 Ω (100%)
S-Video DIN 4-pin x 1 BNC x 2
Y: 1.0 Vp-p, 75 Ω , sync negative C: 0.3 Vp-p, 75 Ω (at burst level)
Digital
SDI *2,*3 BNC x 3 BNC x 2
Conforms to Serial Digital Interface (270 Mb/s), ITU-R BT.656
*3
SDTI (QSDI) BNC x 1 — BNC x 2
Conforms to SDTI (270 Mb/s), SMPTE 305M/322M
i.LINK (DV) (6-pin x1) IEEE1394
Audio Signal Outputs
Analogue
Audio XLR 3-pin male x4 XLR 3-pin male x2
-6/0/+4 dBu (selectable by menu) -6/-3/0/+4 dBu (selectable by menu)
600Ω loading, low impedance, balanced
Monitor Phono x 1 RCA x1
-9 dBu, 47 kΩ , unbalanced -9 dBu, 47 kΩ , -∞to -9 dBu, 47 kΩ ,
(-18 dBFS) unbalanced (-18 dBFS) unbalanced (-18 dBFS)
Headphone -∞to -11 dBu, 8 Ω , -∞to -11 dBu, 8 Ω , -∞to -11 dBu, 8 Ω ,
(JM-60 headphone jack x1) unbalanced (-18 dBFS) unbalanced (-18 dBFS) unbalanced (-18 dBFS)
Digital
AES/EBU *2,*3 BNC x 2 75 Ω , unbalanced
Time Code Input/Output
In (BNC x1) 0.5 Vp-p to 18 Vp-p, 3.3 kΩ , unbalanced
Out (BNC x1) 2.2 Vp-p, 75 Ω , unbalanced
Remote
RS-422A: D-sub 9-pin female x2 RS-422A: D-sub 9-pin female x1 RS-422A: D-sub 9-pin female x1
Video Control: D-sub 15-pin male x1 Video Control: D-sub 15-pin male x1 Control S (SIRCS): Stereo mini jack x1
Control Panel: D-sub 15-pin female x1 Control S (SIRCS): Stereo mini jack x1
AC Power Cord AC Power Cord
RCC-5G 9-pin Remote Control Cable Operating Instructions (CD-R)
Operating Instructions (CD-R)
*1: The DSR-1500AP only for recording and playback.

The optional DSBK-1504 is required for the DSR-1500AP.
*2: The optional DSBK1801 is required for the DSR-1800AP.
*3: The optional DSBK1501 is required for the DSR-1500AP.
*4: The optional DSBK-1601 is required for the DSR-1600AP.
*5: The optional DSBK-2020 is required for the DSR-2000AP
and DSBK-1820 for the DSR-1800AP/DSR-1600AP.
28
SPECIFICATIONS
DSR-45P/DSR-25/DSR-11 Studio VTRs

DSR-45P DSR-25 DSR-11
General
System PAL NTSC/PAL Switchable
Power requirements AC100 to 240V, 50 to 60Hz AC100 to 240V, 50 to 60Hz AC100 to 240V, 50 to 60Hz
Power consumption 22 W 16 W 15 W
Tape speed DVCAM mode 28.2 mm/s
DV SP mode 18.8 mm/s
Recording/Playback time Standard size 184 min. with PDV-184ME/184N/184MEM
in DVCAM mode
Mini size 40 min. with PDVM-40ME/40N/40MEM
Tape rewind time Less than 2 min. with PDV-184ME/184N/184MEM —
Search speed When controlling via optional DSRM-20: When controlling via optional When controlling via optional
or supplied RMT-DS5 DSRM-20 or supplied RMT-DS5: DSRM-20 or supplied RMT-DS11:
± x1/10, x1/3, x1,x2,x11, x17 (DVCAM) ± x1/10, x1/3, x1,x2,x9, x14 (DVCAM NTSC) ± x1/10, x1/3, x1,x2,x9, x14 (DVCAM NTSC)
± x1/10, x1/3, x1,x2,x11, x24 (DV SP) ± x1/10, x1/3, x1,x2,x9, x24 (DV SP NTSC) ± x1/10, x1/3, x1,x2,x9, x24 (DV SP NTSC)
± x1/10, x1/3, x1,x2,x11, x17 (DVCAM PAL) ± x1/10, x1/3, x1,x2,x11, x17 (DVCAM PAL)
± x1/10, x1/3, x1,x2,x11, x24 (DV SP PAL) ± x1/10, x1/3, x1,x2,x11, x24 (DV SP PAL)
Mass Approx. 4.6 kg (10 lb 2 oz) Approx. 4.3 kg (9 lb 8 oz) Approx. 2.8 kg (6 lb 2 oz)
Dimensions 212 x 98 x 392.8 mm 212 x 98 x 392.8 mm 180 x 73 x 265 mm
(W x H x D, including projections) (8 3/8 x 3 7/8 x 15 1/2 inches) (8 3/8 x 3 7/8 x 15 1/2 inches) (7 1/8 x 2 7/8 x 10 1/2 inches)
Video Signal Inputs
Rec mode DVCAM/DV (SP mode only) DVCAM/DV (SP mode only)
PB mode DVCAM/DV (SP mode only)
Ref. Video BNC x1*1 Black burst: 75 Ω , sync negative —
Composite BNCx1(Shared with REF IN) BNCx1 PIN Jack x1
1.0Vp-p, 75 Ω , Sync Negative 1.0Vp-p, 75 Ω , Sync Negative 1.0Vp-p, 75 Ω , Sync Negative
S-Video 4-pin mini DIN (x1) 4-pin mini DIN (x1) 4-pin mini DIN (x1)
Y: 1.0Vp-p, 75 Ω, Sync Negative Y: 1.0Vp-p, 75 Ω, Sync Negative Y: 1.0Vp-p, 75 Ω, Sync Negative
C: 0.3Vp-p (subcarrier burst) 75 Ω C: 0.286Vp-p (NTSC Mode)(subcarrier burst) 75 Ω C: 0.286Vp-p (NTSC Mode)(subcarrier burst) 75 Ω
C: 0.3Vp-p (PAL Mode)(subcarrier burst) 75 Ω C: 0.3Vp-p (PAL Mode)(subcarrier burst) 75 Ω
Component BNC x3 Y: 1.0 Vp-p, 75 Ω , sync negative
R-Y/B-Y: 0.7 Vp-p, 75 Ω , (with 100 % colour bar) —
Audio Signal Inputs

Audio PIN Jack x4 PIN Jack (L/R x1) PIN Jack (L/R x1)
-10/-2/+4 dBu -10/-2/+4 dBu 2 Vrms (full bits)
(full bits -18dB) (full bits -20dB)
Video Signal Outputs
Composite BNCx1 BNCx1 PIN Jack x1
1.0Vp-p, 75 Ω , Sync Negative 1.0Vp-p, 75 Ω , Sync Negative 1.0Vp-p, 75 Ω , Sync Negative
S-Video 4-pin mini DIN (x1) 4-pin mini DIN (x1) 4-pin mini DIN (x1)
Y: 1.0Vp-p, 75 Ω, Sync Negative Y: 1.0Vp-p, 75 Ω, Sync Negative Y: 1.0Vp-p, 75 Ω, Sync Negative
C: 0.3Vp-p (subcarrier burst) 75 Ω C: 0.286Vp-p (NTSC Mode)(subcarrier burst) 75 Ω C: 0.286Vp-p (NTSC Mode)(subcarrier burst) 75 Ω
C: 0.3Vp-p (PAL Mode)(subcarrier burst) 75 Ω C: 0.3Vp-p (PAL Mode)(subcarrier burst) 75 Ω
Component BNC x3, Y: 1.0 Vp-p, 75 Ω , sync negative
R-Y/B-Y: 0.7 Vp-p, 75 Ω , (with 100 % colour bar) —
Monitor PIN Jack x1, 1.0Vp-p, 75 Ω , Sync Negative —

Audio Signal Outputs
Audio XLR 3pin x4 (Male) PIN Jack (L/R x1) PIN Jack (L/R x1)
+4dBu(full bits -18dB)(*2) 2 Vrms (full bits) 2 Vrms (full bits)
Monitor PIN Jack x1, 2 Vrms (maximum) —
Digital Input/Output
i.LINK (DV) 4-pin x1, IEEE1394
Time Code Input/Output
In BNC x1, 0.5 to 18 Vp-p (time code input),
0.5 to 4 Vp-p (through output) —
Out BNC x1, 2.2 Vp-p, 600 Ω /1.2 Vp-p, 75 Ω ,

0.5 to 4 Vp-p (through output) —
Others
LCD Monitor LANC: Stereo mini-mini jack x1 LANC: Stereo mini-mini jack x1 LANC: Stereo mini-mini jack x1
Control S*3 (SIRCS) In: Stereo mini jack x1 Control S*3 (SIRCS) In: Stereo mini jack x1 Control S*3 (SIRCS): Stereo mini jack x1
Headphone: Stereo mini jack x1 Headphone: Stereo mini jack x1
RS-422A: D-sub 9-pin female x1
RS-232C: D-sub 9-pin male x1
2-inch type, 123,200 dots 2-inch type, 123,200 dots —
RMT-DS5 wireless Remote Controller RMT-DS5 Wireless Remote Controller AC Adaptor, Power Controller
Size AA (R6) Battery for Remote (2) Size AA (R6) Batteries for Remote (2) RMT-DS11 Wireless Remote Commander
AC Power Cord AC Power Cord Size AA (R6) Batteries for Remote (2)
Cleaning Cassette Cleaning Cassette Cleaning Cassette
Operating Manual Operating Manual Operating Manual
Interface Manual for Programmers (RS-232C) Rack
*1 Shared between composite IN and REF-IN.

*2 The audio output level of the DSR-45P will be reduced
by half when connected to an Unbalanced XLR input device.
*3 Recommended remote control unit: DSRM-20
*4 Priority on front LANC.
29
SPECIFICATIONS
DSR-50P Portable Recorder

General Audio IN XLR 3-pin (female)
DC input XLR 4-pin (male), +12 V (+4 dBu/-20 dBu/-60 dBu) x 4, impedance more
than 3 kΩ with +48 V power supply
Power consumption 15 W (independently switched for each channel)
Operating temperature 5 °C to 40 °C (41 °F to 104 °F) Camera IN 26-pin camera connector
Storage temperature -20 °C to 60 °C (-4 °F to 140 °F) Composite 1.0 Vp-p, 75 Ω , Sync negative
Tape speed Approx. 28.2 mm/s (DVCAM mode), Component Y: 1.0 Vp-p, 75 Ω , Sync negative
Approx. 18.8 mm/s (DV SP mode) B-Y: 0.7 Vp-p, 75 Ω , R-Y: 0.7 Vp-p, 75 Ω
Recording/Playback time 184 minutes (DVCAM mode), Reference IN BNC, Black Burst 75 Ω ,
270 minutes (DV SP mode), Sync negative (use Video IN)
with PDV-184ME cassette
Video OUT 1 (Monitor) BNC, 1.0 Vp-p, 75 Ω , Sync negative Composite
40 minutes (DVCAM mode), Superimpose On/Off
60 minutes (DV SP mode),
with PDVM-40ME cassette Video OUT 2 Composite BNC, 1.0 Vp-p, 75 Ω , Sync negative
Mass 3.9 kg (8 lb 9 oz), excluding battery and tape S (4-pin mini DIN) Y: 1.0 Vp-p, 75 Ω , Sync negative
C: 0.3 Vp-p (subcarrier burst) 75 Ω
Dimensions (W x H x D) 247 x 92.5 x 311 mm
(9 3/4 x 3 3/4 x 12 1/4 inches), Component OUT BNC x 3
excluding projections Y: 1.0 Vp-p, 75 Ω , Sync negative
279 x 99 x 315 mm (11 x 4 x 12 1/2 inches), B-Y/R-Y: 0.7 Vp-p, 75 Ω
including projections Audio OUT PIN Jack x 4, -10 dBu
Video Standard output level -18 dB from full bit
Recording mode DVCAM/DV (SP mode only) Audio OUT (Monitor) PIN Jack
Playback mode DVCAM/DV (SP mode only) DV IN/OUT 6-pin (with lock)
Audio Timecode IN BNC, 0.5 to 18 Vp-p, 10 kΩ
Recording mode 48.0 kHz/16-bit (2CH)/ Timecode OUT BNC, 2.2 Vp-p, 600 Ω /1.2 Vp-p, 75 Ω
32.0 kHz/12-bit (4CH)/automatic (DV IN) Control S Stereo mini jack
Playback mode 48.0 kHz/16-bit (2CH)/32.0 kHz/12-bit (4CH)/ Remote Stereo mini jack (Edge High/Edge Low/
32.0 kHz/16-bit (2CH)/44.1 kHz/16-bit (2CH) Level High/Level Low) (Tally)
(automatically selected) Control Stereo mini-mini jack
Input/Output Terminals (compatible with LANC as a player)
Video IN Composite 1.0 Vp-p, 75 Ω , Sync negative Headphone jack Stereo standard jack, -19 dBu,
(left side) Control with Level
S (4-pin mini DIN) Y: 1.0 Vp-p, 75 Ω , Sync negative
C: 0.3 Vp-p (subcarrier burst) 75 Ω Other
Colour LCD monitor 2.5-inch type, 200,000 dots
Supplied accessories LCD Protection Cover, Cleaning Cassette
DSR-DR1000AP Hard Disk Recorder

General Audio Signal Inputs
Power requirements AC 100 V to 240 V, 50/60 Hz Analogue
Power consumption 75 W Audio (XLR 3-pin female x 2) -6/-3/+4 dBu (selectable by menu), high impedance
Recording Time Up to 12 hours Digital
Hard Drive 160GB AES/EBU (BNC x 2) 75 Ω , unbalanced
Operating temperature 5 °C to 40 °C (41 °F to 104 °F) Video Signal Outputs
Storage temperature -20 °C to 60 °C (-4 °F to 140 °F) Analogue
Operating humidity Less than 80% Composite 1/2(SUPER) 1.0 Vp-p, 75 Ω , sync negative
Storage humidity Less than 90% (BNC x2)*2
Mass 7.5 kg (16 lb 10 oz) Component (BNC x 3)*2 Y: 1.0 Vp-p, 75 Ω , sync negative
Dimensions (W x H x D) 210 x 130 x 422 mm R-Y: 0.7 Vp-p, 75 Ω (100% colour bar)
(8 3/8 x 5 1/8 x 16 5/8 inches, without projection) B-Y: 0.7 Vp-p, 75 Ω (100% colour bar)
Video Performance S-Video (BNC x 2)*2 Y: 1.0 Vp-p, 75 Ω , sync negative
Bandwidth Luminance 25 Hz to 5.0 MHz ±1.0 C: 0.3 Vp-p, 75 Ω (at burst level)
(via analogue component I/O) Chrominance 25 Hz to 2.0 MHz +1.0/-2.0 dB Digital
S/N ratio More than 54 dB SDI (BNC x 2) Conforms to Serial Digital Interface (270 Mb/s),
(via analogue component I/O) ITU-R BT.656
K-factor (K2T, KPB) Less than 2.0% i.LINK (DV) (6-pin x 1) IEEE 1394-based
Y/C delay Less than 30 ns Audio Signal Outputs
Audio Performance Analogue
Frequency response 2CH mode (48 kHz/16-bit) 20 Hz to 20 kHz ±1.0 dB Audio (XLR 3-pin male x 2) -6/0/+4 dBu (selectable by menu)
4CH mode (32 kHz/12-bit) 20 Hz to 14.5 kHz ±1.0 dB
Monitor (RCA x 1)*3 - ∞to -9 dBu, 47 kΩ , unbalanced (-18 dBFS)
Dynamic range More than 87 dB
Distortion (THD + N) Less than 0.07% (48 kHz) Headphone
Video Signal Inputs - ∞to -11 dBu, 8 Ω , unbalanced (-18 dBFS)
(JM-60 headphone jack x 1)
Analogue Digital
REF. Video (BNC x 2) 0.3 Vp-p, 75 Ω sync negative AES/EBU (BNC x 2) 75 Ω , unbalanced
Composite Video (BNC x 2), Time Code
loop-through connection*1 1.0 Vp-p, 75 Ω , sync negative
Time Code In (BNC x 1) 0.5 Vp-p to 18.0 Vp-p, 3 kΩ , unbalanced
Component (BNC x 3)*1 Y: 1.0 Vp-p, 75 Ω , sync negative Time Code Out (BNC x 1) 2.2 Vp-p, 600 Ω , unbalanced
R-Y: 0.7 Vp-p, 75 Ω (100% colour bar)
Remote
B-Y: 0.7 Vp-p, 75 Ω (100% colour bar)
RS-422A D-sub 9-pin, female x 2
S-Video (BNC x 2)*1 Y: 1.0 Vp-p, 75 Ω , sync negative
C: 0.3 Vp-p, 75 Ω (at burst level) Control Mini jack x 1
Digital Network
SDI (BNC x 1) Conforms to Serial Digital Interface (270 Mb/s), Ethernet (x 1) 10/100 Base-T Ethernet, RJ-45 modular jack
ITU-R BT.656 Supplied Accessories
i.LINK(DV) (6-pin x 1) IEEE 1394-based AC power cord x 1, RM-LG2 (Remote Control Unit) x 1,
Operation manual (CD-ROM) x 1, Warranty card x 1
*1: Composite, Component and S-video inputs share the same BNC connectors.
*2: Composite, Component and S-video outputs share the same BNC connectors.
*3: The volume of monitor can be controlled by the PHONE LEVEL control knob.
30
SPECIFICATIONS
VTR Rear connector panels

DSR-DR1000AP
DSR-1800AP
DSR-45P
DSR-1600AP
DSR-25
DSR-50P DSR-11
HVR-M10E
31
© 2005 Sony Corporation. All rights reserved.
Reproduction in whole or in part without written
permission is prohibited. Features and specifications
are subject without notice. Some images are simulated.
Sony, DVCAM, XDCAM, QSDI, i.LINK, Advanced HAD, Super SteadyShot,
InfoLITHIUM, Power HAD, Memory Stick, TruEye and Handycam
are trademarks of Sony Corporation. HDV and the HDV logo are trademarks
of Sony Corporation and Victor Company of Japan, Limited.
DVCPRO is a trademark of Matsushita Electric Industrial Co., Ltd.
CA DVCAM Family catalogue/GB- / /2005

Sony DVCAM Family 2005/2006

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The DVCAM Format . . . . . . . . . . . . . . . . 4

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Silver Support for DVCAM and HDV . . 25

communication. In this fast-changing

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Excellent Editing Performance

DSR-11 DSR-50P DSR-DR1000AP

component video signals. DSR-11 DSR-50P

DSR-450WSP/400P Series Camcorder Common Features

Master Series VTR Common Features

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• Playback capa- • Pre-read playback

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Hard disk recorder

Only Vegas® 6 software combines real-time SD, DV,

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* Spare part ref. for assembling kit = A-8278-177-A. • : Available

DSR-2000AP DSR-1800AP DSR-1600AP DSR-1500AP DSR-50P DSR-45P DSR-25 DSR-11

BP-GL65/GL95 BP-L60S NP-F770

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BC-M150 BC-L70 DXF-51

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VF-58PK VCL-HG0758 VCL-HG1758

LSF-S58 VCT-PG11RMB RM-1BP

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WRR-862B WRR-855B WRT-822B

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LC-H300 LCH-VX2000A LCR-VX2000A

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RMM-131 DSBK-1501 DSBK-1505

DSR-2000AP DSR-1800AP DSR-1600AP DSR-1500AP DSR-1500AP

DSR-1600AP DSR-1800AP DSR-2000AP DSR-1800AP DSR-1600AP

DSR-2000AP DSR-1800AP DSR-1600AP DSR-1500AP

DSR-250P DSR-PD170P DSR-2000AP DSR-1800AP

DSR-450WSP DSR-400P DSR-250P DSR-2000AP DSR-450WSP DSR-400P DSR-250P DSR-2000AP

PDV-34N/64N/94N/124N/184N PDVM-12N/22N/32N/40N PDV-12CL

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