Hansen 28
Hansen 28
Hansen 28
This is further evidence for the proposition that when you have found a good move,
start looking for an even better one.
The Slav by Graham Burgess, 2001 Gambit Publications Ltd, Figurine Algebraic
Notation, Paperback, 256 pp., $22.95
Graham Burgess is a man I have dealt a lot with over the years.
Several years back he moved to Funen Island in Denmark, the
very place where I grew up. We played three or four times, mostly
complicated games in the King's Indian with him as Black. Then
he moved back to the UK where he took a position as
commissioning editor at Batsford. In that position he signed Peter
Heine Nielsen and me to do a book on the Sicilian Accelerated
Dragon. That was in 1995. Some time went by, and he along with
Murray Chandler and John Nunn went on to start Gambit
Publications. This chess publishing house has probably released
the most amount of books that may eventually become classics. A
few examples are Watson's Secret of Modern Chess Strategy, Yermolinsky's The Road
to Chess Improvement and Nunn's Understanding Chess Move by Move. Burgess
edited all of them, something he also did on my two books on the English Opening.
Now in return I now get to review his books. Previously I have reviewed his book on
the Taimanov Sicilian, which is a must for anybody playing that particular system as
Black or allowing it as White. His latest book is The Slav.
Having worked with and for him, and knowing him quite well, you may well question
my ability to be objective with his books. You might well be right if he wrote awful
books and I praised them nonetheless, but that is fortunately not the case. Burgess has
over the years proven himself as an excellent author of chess books, with many
quality books to his name. In particular his opening manuals are must-buys. To start
of this review, I will quote at length from the introduction of the present book:
"The Slav seems to me to be an opening of contradictions. While its most obvious
hallmark is solidity, it frequently leads to wild and completely unbalanced positions.
In several major lines of the Slav, White is able to steer the game into sterile positions
or even a forced draw. However, this does not really make the Slav a drawish opening.
Primarily, White's drawish options are completely unambitious: it is difficult for
White to play for a win while keeping the draw in hand. Even boring players don't
generally like the idea of 'squandering a White'. In the Exchange Variation, generally
portrayed as a drawish line, there often comes a point where White faces a 'man or
mouse' decision: whether to play for a win at the cost of giving Black counterchances,
or to simplify to equality. Secondly, there are ways for Black to avoid drawish
simplifications (even in the Exchange Variation) which may not necessarily be the
most strongly approved options by theory, but are nevertheless playable and give
Black ample opportunity to outplay a weaker opponent.
“However, I do wish to give the impression that the Slav is an opening where Black
should expect to seize the initiative from an early stage or where there are ready made
attacking plans for Black. To play the Slav successfully as Black demands
considerable tenacity, robust defensive abilities and a healthy confidence in one's
all-round skills. A well-played Slav should give Black a playable middlegame or
endgame. Black's approach at this point ought to be ‘OK, I've Survived; now I can try
to outplay my opponent.’ This is different from openings such as the King's Indian or
Benoni, or indeed the Semi-Slav, where the opening dictates to significant degree the
plans for both sides, and the game hinges upon who is more accurate and consistent in
pursuing those plans."
I don't know about you, but when I read this in my first read-through of the book, I
felt inspired to take up the opening on the spot.
The remainder of the introduction gives a walk-through of the first moves, explaining
the moves of what currently may be considered the main line: 1 d4 d5 2 c4 c6 3 Nf3
Nf6 4 Nc3 dxc4 5 a4 Bf5 6 Ne5 e6 7 f3 Bb4 8 e4. Each move is explained with
typical ideas and themes mentioned, and the multitude of options to drag the opening
into other systems are indicated.
All in all, I think the introduction gives us a good look into the basics of this opening.
The remainder of the book is divided as follows:
● 1 3 Nc3 and the Exchange Variation without Nf3 (39 pages)
● 2 3 Nf3: Deviations from the Main Lines (31 pages)
● 3 The Exchange Variation with Nf3 (28 pages)
● 4 The Main Line ...a6 Slav (24 pages)
● 5 4 Nc3 dxc4 without 5 a4 (23 pages)
● 6 5 a4 without 5...Bf5 (22 pages)
● 7 6 Nh4 and the Dutch Variation (42 pages)
● 8 6 Ne5: Deviation from the Main Line (20 pages)
● 9 The Bishop Sacrifice (21 pages)
Looking at the number of pages assigned to each chapter, I have no problem
admitting, that I find it admirable that Burgess manages to keep himself within 256
pages for this book, when the material in my mind demands at least a couple of
hundred more pages to cover. However, the limitation on the number of pages of
course means that you as the author have to cut corners from time to time. Unless you
are very organized and structured, you will have to do that in the end, which is just
about the worst time to do it, because that's when it hurts the most, cutting perfectly
good, publishable material.
Burgess makes these observations, e.g., on the line 1 d4 d5 2 c4 c6 3 Nf3 Nf6 4 Nc3
Bf5?!.
He writes: "4...Bf5?! was played in some high-level games in the early part of the 20th
century, but has for a long time been considered very dubious, and is no longer played
at master level. However, it is surprisingly popular at club level (do some Slav players
really start making it up as they go along as early as move 4 in the main line?), so it is
worth investigating it some detail. The main problem is that Black leaves b7 too
exposed and in some lines there are problems on the a4-e8 diagonal." Then he follows
up with almost a page of analysis of this, for Black, quite a poor line. Definitely not
much for the professional to make use of, but for the club player who occasionally
runs into this line, this is of course just what the doctor ordered, particularly since
standard works like the ECO and NCO don't invest a lot of space in lines such as the
above.
Usually in Burgess' books there are plenty of suggestions and analysis of his own; this
book is no exception. Let's have a look.
The first example is from one of the more interesting lines in the Exchange Variation:
1 d4 d5 2 c4 c6 3 Nf3 Nf6 4 cxd5 cxd5 5 Nc3 Nc6 6 Bf4 a6 7 e3 Bg4 8 h3. The
normal move is now 8...Bxf3, but Burgess also analyses 8...Bh5, which he calls
"risky, but possibly not bad". The analysis continues 9 g4 Bg6 10 Ne5 e6 11 h4 Qb6
12 a3
Burgess tells us at this point that this was analysed
by Ståhlberg via a different move order, but he
doesn't let us know which move order. The
different move order is the following: 6...Bf5 7 e3
a6 8 Ne5 e6 9 g4 Bg6 10 h4 Qb6 11 a3. With the
other move order, Burgess does direct us to our
main line, but interestingly enough
Silman/Donaldson in their standard work on the
Exchange Variation, The Exchange Variation of
the Slav, do not manage to link the two lines
together. They only give the latter move order,
while they in our main line stop at 10 Ne5 (after
having given 8...Bh5 a '?' and 9 g4 a '!') with the
comment "leaves White with the threats of 11 Nxc6 (giving Black a backward
c-pawn) and 11 h4 (hunting down the Bishop)." In the diagrammed position, Black
has three options: (a) 12...Qxb2; (b) 12...Nxe5 and (c) 12...Rc8. Let's have a look at
the analysis given.
(a) 12...Qxb2 (this was Ståhlberg's main line) 13 Na4 Qc2 14 Qxc2 Bxc2 15 Nb6 Ra7
(Silman/Donaldson mention that 15...Rd8 is met with 16 Nxc6 bxc6 17 Bc7, winning
the exchange) 16 Kd2 Be4 (16...Bb3 is according to Burgess best met with 17 Kc3,
which should give White a comfortable edge in the endgame. However,
Silman/Donaldson write that 17 Nxc6 bxc6 18 Rb1 wins for White, overlooking that
17...Ne4+ leaves Black okay, e.g. 18 Ke1 bxc6 19 Rb1?! Ba2, and now 20 Rb2 is met
with 20...Bxa3! 21 Rxa2 Bb4+ with a nasty check on c3 to follow) 17 f3 Nxe5 18
dxe5 Nd7 (Burgess makes no mention of Ståhlberg's 18...Bxf3 19 exf6 Bxh1 20 Bb8
gxf6 21 Bxa7, and White has a very big plus) 19 Nxd7 Bxf3 20 Rh3 Bxg4 21 Rg3
Kxd7 22 Rxg4 with a small edge for White according to Burgess.
(b) 12...Nxe5 (this was given as 'insufficient' by Silman/Donaldson, quoting
Ståhlberg) 13 dxe5 Nxg4 (or 13...Ne4 14 Nxe4 Bxe4 15 f3 Bxf3 16 Qxf3 Qxb2 17
Qd1 += Burgess) 14 Be2 (Burgess also gives 14 Qa4+ Kd8 15 Bg5+ 'might be better,
but is still nothing clear for White'; he sure is right, e.g. 15...f6 16 exf6 Nxf6 17 0-0-0
Rc8, and White has very little to show for his pawn) 14...h5 (14...f5 is also an
alternative according to Burgess) 15 Qa4+ Kd8 16 Bxg4 hxg4 (16...Qxb2 'isn't
obviously bad either' - Burgess, in fact as far as I can see Black must be better, e.g. 17
Bg5+ Be7 18 Qa5 b6, and Black will end up ahead) 17 Rd1 'gives White a dangerous
attack according to Ståhlberg'. Burgess analyzes a bit further:
(b1) 17...Qxb2? 18 Nxd5 exd5 19 Rxd5+ Kc7 20 Qc4+ Kb8 (20...Kb6 is worse and
also analyzed Burgess) 21 e6+ Ka7 22 Be5 Qb1+ 23 Ke2 with a clear edge.
(b2) 17...Qc6! 'simply looks like a good move, I then see nothing at all convincing for
White'. Absolutely right White has not adequate compensation for the pawn.
(c) However, it surprises me a lot that Burgess has completely ignored 12...Rc8!?
which is covered by Silman/Donaldson:
(c1) 13 h5 Nxe5 [CH: 13...Be4!?] 14 dxe5 Be4 15 f3 [CH: '?' 15 Nxe4 Nxe4 16 Qa4+
Rc6 17 b4 isn't necessarily worse for White] 15...Bxf3 16 Qxf3 [CH: 16 Bb5+!? is
better] 16...Qxb2 17 exd6 Qxa1+ with a clear edge for Black according to Kevitz.
(c2) 13 Na4 Qa5+ 14 b4 Nxb4 15 axb4 Bxb4+ 16 Ke2 Rc2+ 17 Kf3 Be4+ 18 Kg3
Rd2, and Black is better according to Fine, but is this correct? For example 19 Kc1
Rc2 20 Qb1 threatening Bd3 with a slight edge for White. However, an interesting
option for Black is 16....Bc2 17 Qc1 Qb5+ 18 Kf3 Qxa4 19 Rxa4 Be4+ 20 Ke2 Rxc1
21 f3 Be7 22 fxe4 Nxe4, and Black has pretty good chances.
(c3) 13 Nxg6 hxg6 14 Rb1 Na5 [CH: 14...Qa5!? followed ...b5 looks plainly better for
Black] 15 Be2 Bd6 - analysis by Fine [CH: Black doesn't have any problems here, and
the position is about equal].
As we can see from the above, Burgess has done his homework, refined and added to
the previous theoretical status of a line and as much old and not thoroughly worked
through material, there is plenty of possibilities to explore. I'm surprised that he made
no mention of 12...Rc8!?, since it is mentioned in the Silman/Donaldson book on the
particular line, a book which furthermore is mentioned in the bibliography.
A particular highlight in the book, at least in my opinion, is the coverage of the Geller
Gambit: 1 d4 d5 2 c4 c6 3 Nf3 Nf6 4 Nc3 dxc4 5 e4, a line which Burgess himself has
played as White. Burgess writes: "The teenage Kasparov also used it a few times and
in 1985 the famous and respected theoretician John Watson cautiously advocated its
use in a small book on the Two Knights QGA [CH: Queen's Gambit Accepted].
However, his work, if anything, just prompted Slav players to take this gambit more
seriously, and refine their defences. Certainly by the late 1980s, the best defences
were largely worked out, and White was scraping around for new ideas. Nevertheless,
I am sure this gambit will appeal to a lot of players. The play is sharpened
considerably, and any errors by Black will be drastically punished. Having played this
gambit myself quite a lot over the years, I can confirm it can be extremely effective in
practice. Still, my advice to anyone thinking of taking it up is simple: 'Don't!' If Black
knows what he doing, then you will be banging your head against a brick wall, a wall
that will often fall on top of you."
Honesty right from the beginning, I like that. Once again there is plenty of original
analysis, improvements and other suggestions. While I'm quite clueless in regards to
the efforts for either side to keep this line alive, I'm able to recognize the effort that
has been put into this chapter, and Burgess quite clearly knows what he talking about.
The present book is clearly a testament to what kind quality material that can be
produced by a topnotch theoretician: All lines are covered in detail, plenty of original
analysis, improvements and suggestions can be found throughout the book. Nothing is
kept for own use at a later stage. This is what you should be able to expect from all
opening books, but only precious few books are written as well as this one. This is the
kind of book I would buy on the spot if I didn't have it already. Anybody employing
the Slav or allowing it as White must own a copy of this book.
There is of course the problem that this book is not for everybody. Despite the author
stopping once in a while to explain typical ideas and set-ups, there is nowhere near
enough for those not-so-strong players that are thinking about taking this opening up.
Opening for Black according to Karpov by Alexander Khalifman, 2001 Chess Stars,
Figurine Algebraic Notation, Paperback, 191 pp., $29.95
New In Chess Yearbook 59 by Genna Sosonko and Paul van der Sterren (Eds), 2001
In the Forum section, there is a total of 9 letters. The first five of these are fairly
lightly examined, although some of the ideas are quite interesting. However, the last
four letters are more beefy. One letter is by GM Igor Stohl on a line in the Grünfeld
Indian (1 d4 Nf6 2 c4 g6 3 Nc3 d5 4 Nf3 Bg7 5 Bf4 0-0 6 Rc1 dxc4 7 e3), followed
by a letter by IM Tibor Fogarasi on the Benko Gambit (1 d4 Nf6 2 c4 c5 3 d5 b5 4
Nd2 bxc4), then one by IM Jeroen Bosch on the Sicilian Najdorf (1 e4 c5 2 Nf3 d6 3
d4 cd4 4 Nxd4 Nf6 5 Nc3 a6 6 Bc4 e6 7 Bb3 b5 8 f4), and finally a rather interesting
entry by the theoretician and correspondence player A.C. van der Tak on another line
in the Grünfeld, the line that Hans Berliner argued so strongly for in his controversial,
but nonetheless quite interesting book The System (1 d4 Nf6 2 c4 g6 3 Nc3 d5 4 cxd5
Nxd5 5 e4 Nxc3 6 bxc3 Bg7 7 Bc4 c5 8 Ne2 0-0 9 Be3 Nc6 10 Rc1 cxd4 11 cxd4 Qa5
12 Kf1). The line analyzed in this last entry is very fascinating, and although popular
theory claims that Black is doing fine, Berliner insist on White being better if not
winning. A rather bold statement, I'd say, but despite having made several attempts to
refute the analysis shown in this Yearbook, White still seems to be better as a
minimum and in many lines even winning. Definitely food for thought, but I will not
show the analysis here, so should you be interested in this line, check out this book, it
may save you for some embarrassment or gain you some extra points, given which
side you look at it from.
Next follows Sosonko's Corner, which this time tells a little story about Iosif
Dorfman, who used to give lessons to a group of talented juniors, amongst whom you
found Mikhail Gurevich and Alexander Chernin. He then follows it with a game from
the German Bundesliga 2000/01 between Gurevich and Dorfman.
The cornerstone in the NIC Yearbooks is the opening surveys. Some of the surveys
cover topical or critical lines in contemporary opening theory, others topics seem
more randomly picked. There are 38 total surveys.
These surveys are conducted by a number of people. Many of the surveys are good or
very good. The way I determine this is if the introduction discusses the various aspects
of the line, which moves and games are critical, new ideas that worthy of attention,
independent analysis and finally sticking to the point. A point I pay particular
attention to is the 'Study Material' that accompanies every survey. In some surveys
many of the games go virtually unannotated, something which in my opinion really is
of only little or no help at all. In the best surveys, every single game has some sort of
annotation and analysis. In the present volume the best surveys are conducted by
Tibor Karolyi, Sergei Tiviakov, A.C. van der Tak, Jeroen Bosch, Martin Appleberry
& Vladimir Okhotnik; those by René Olthof (Supervisor of the editorial staff), John
van der Wiel and Jan van de Mortel are also on a high level. At the other end of the
list I have to mention the surveys by Rini Kuijf, who seems to have been doing
something else while putting the surveys together. They are short and hardly worth
going through if you were to judge them on the surveyor's effort.
However, having said something negative, I must highlight Tibor Karolyi who must
have invested dozens of hours on the surveys he has conducted. They are very
insightful, interesting and packed with independent analysis, a true feast for the
serious chess student.
I would like to show a game, which can be found in a survey conducted by Jan van de
Mortel, who is also a member of the editorial staff. The game of main interest in this
particular survey is Goldin-Chuchelov, from the Open in Capelle la Grande this year.
The game in the Yearbook is annotated by the Norwegian GM Simen Agdestein:
Goldin-Chuchelov, Cappelle la Grande 2001
1.d4 Nf6 2.c4 e6 3.Nf3 b6 4.a3 Ba6 5.Qc2 Bb7 6.Nc3 c5 7.e4 cxd4 8.Nxd4 Nc6
9.Nxc6 Bxc6 10.Be2 Qc7 11.f4 Bc5 12.b4 Bd4 13.e5 Nd5!!
The Computer Analyzes the Fried Liver and Lolli by Dan Heisman, 2001 Pickard &
Sons, Figurine Algebraic Notation, E-book, $14.95
One of the more recent additions to the ChessCafe.com columnist line-up is Dan
Heisman, whose articles are a pure gold mine for any improving chess player, young
or old, or for coaches and parents to players in this group. His ideas are well-explained
and well-illustrated, and if you can't pick up a hint or two on how to improve yourself
as a chess player, you must be a very strong (stronger than I) and very organized in
your way of studying. Something similar can be said about his Everyone's 2nd
Chessbook (2000 Thinkers Press).
Last year Dan Heisman had another ebook, The Traxler Counterattack, that was
masterpiece when it came to man and computer(s) teaming up to take an opening to
the next level analytically. This time around, he has thrown himself and his silicone
friend into another project, the Fried Liver and Lolli Variations. For those not familiar
with these two opening lines, they start as follows: 1e4 e5 2 Nf3 Nc6 3 Bc4 Nf6 4
Ng5 d5 5 exd5 Nxd5, and here 6 Nxf7 is the Fried Liver Variation, while 6 d4 is the
The Ratings
— Not a particularly good book, but perhaps useful for some readers.
— A useful book.
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