SWN Video Transcripts
SWN Video Transcripts
SWN Video Transcripts
NEIGHBORS
SS Einsatzgruppe execution, Liepaja, Latvia, a port city on the Baltic Sea, July–August 1941.
Latvian collaborators bring the Jewish men to the dug-out pit, and many German sailors and
other people witness the shooting.
SS Officer shooting
PRUDNIKOVA: Many Lithuanians, who lived poorly—they did not have something to live
on—served at Jewish homes. They brought water for them because during the Sabbath, they
could not bring water themselves, you know, they didn’t work at all then, so Lithuanians had to
do the work. People would go, you know, women mostly. Men worked at Jewish bakeries. Well,
Jews were compassionate people.
INTERVIEWER: Have you ever worked for the Jews?
PRUDNIKOVA: I did serve for a short time. I went to take care of a small child, but then I was
told—I was very young, and had a very red and full face and everything, you know. I was told
that Jews cut you and take your blood, put you in a basement, in a vat with nails that stab
you—so I left everything, because I was afraid that I would be stabbed. [Laughs]
INTERVIEWER: You believed that?
This film shows the ritualistic shaming of Bronia, 16, a Polish forced laborer, and Gerhard, 19, a
German farmhand.
The couple violated a German police decree prohibiting sexual relations between Germans and
Poles brought to Germany as forced laborers after the German conquest of Poland in 1939. How
do the townspeople who become participants in the event react to the plight of the young couple
who lived in their midst?
Bronia was sent to a concentration camp. Her family never saw her again. Gerhard was sent to
fight on the eastern front. He returned wounded and died in 1945. The identities of the man
cutting the hair and of the and of the person who shot the film remain unknown. The were
probably members of the Gestapo or local Nazi leaders.
ALEKSYNAS: They go and they go, as I said, like lambs. They didn’t have any resistance.
INTERVIEWER: And the children?
ALEKSYNAS: They carried the children. Little ones. The others by the hand. And all were
destroyed.
INTERVIEWER: So how was it, if a mother or father holds a child in their arms, so they lie
down together with the child in the pit? Is that it?
ALEKSYNAS: They lie down, and the child is next to them, their arm over, their arm on the
child.
INTERVIEWER: So you had to choose, to shoot the father or shoot the child?
ALEKSYNAS: Well, first you shoot the father. That’s how it was. To shoot a child…the father.
The child, he doesn’t feel anything. You think about it for yourself. How should the father feel,
when next to him, his child is shot. So that is how matters were.
INTERVIEWER: So how did you have to shoot the child? Afterwards?
ALEKSYNAS: So one shot him. One didn’t shoot from a machine gun. You are given one shot,
then another. Then you shoot the child.
INTERVIEWER: So, when you were sent to a shooting, what kind of feeling did you have?
ALEKSYNAS: Oh, don’t ask. I can’t imagine such a feeling today. But then, a person became
almost like a robot. You yourself don’t know what. It’s horrible. When a person does something
(for) himself, some kind of work, with a desire, then you think about it, everything. But when
you are forced…and such despicable work. Then, you know, it is horrible.
INTERVIEWER: Please tell, when all these wars and troubles ended, and you returned from
prison and the camp (gulag), did you tell people or your children about these shootings?
JAKUBAUSKAS: It was autumn. That was a huge killing, it was. Our soldiers were there as
guards. They had to accompany them. So, they herd them over. All of them (are told) to undress.
Now, the clothing, the soldiers… clothing can be stolen, right? So I was told to stand (in a certain
spot): “You be here. Don’t let them steal.” I stand. It is horrible. The Germans, those Gestapos. I
stand, smoking. I don’t interfere. Good God! A young Jewish girl falls on me and wraps her arms
around my neck. When I was in Palanga, as I said before, she was a student. Her father had a bus
that went to Kretinga. Then there, “Save me, Sir Lieutenant!” In the middle of the day!
Everything is blocked. “Save me!” How will you save her? Good God! Well, I, I danced with her
when I was still in high school in Palanga. It was terrible. There was nothing (you) could do.
Everything is blocked. The Germans are walking around, those black ones, the Gestapo. She
lunged at me. “Get undressed!” Good God! How horrible! I danced with her at Palanga high
school.
INTERVIEWER: Maybe you remember her name?
JAKUBAUSKAS: What?
INTERVIEWER: Do you remember her name?
JAKUBAUSKAS: No, I don’t remember. Her father had a bus in Palanga, this is all I know.
Now, there are all kinds of perverts in the world. An old person, an old Jewish woman, over 70
years old — Good God of mine! A German comes up to her with a whip: “Ausziehen!”
“Undress!” And hits that poor soul across the back! Now what will you see there?! You can see
prettier girls! He keeps whipping her there. You might be thinking that I am proud of myself?
She came up to me and says, “You are a good person.” And what does she give me? Earrings and
rings! “You are a good person.” You think I want to praise myself? No! I took them. Later I got
drunk. I lived on Utena Street. I was telling (others) about it. I didn’t quite understand… you
know, they were these gray pearls. That Jewish woman must have been wealthy.