AS-AL SOW 9093 v2 1 PDF

Scheme of Work
Cambridge International AS & A Level

English Language
9093
For examination from 2014
Contents
Introduction ................................................................................................................................................................................................................................................ 3
Unit 1: Introduction to AS and A Level course .......................................................................................................................................................................................... 5
Unit 2: Commentary ................................................................................................................................................................................................................................ 13
Unit 3: Directed writing ............................................................................................................................................................................................................................ 22
Unit 4: Imaginative writing (narrative/descriptive) ................................................................................................................................................................................... 29
Unit 5: Writing for an audience (discursive/argumentative) .................................................................................................................................................................... 40
Unit 6: Text analysis ................................................................................................................................................................................................................................ 47
Unit 7: Language topics ........................................................................................................................................................................................................................... 52
Appendix 1: Passage 1 for Paper 3 ........................................................................................................................................................................................................ 59
Appendix 4: Passage for comment 2a .................................................................................................................................................................................................... 63
Cambridge International AS & A Level English Language 9093 – from 2014 Scheme of Work
Introduction
This scheme of work provides ideas about how to construct and deliver a course. The syllabus has been broken down into teaching units with suggested teaching
activities and learning resources to use in the classroom.
Recommended prior knowledge

Learners will need a competence of written English, demonstrated through success at O Level/IGCSE, as well as a basic appreciation of the linguistic components
which construct meaning in a range of texts.
Outline
The units within this scheme of work are:
Unit 1: Introduction to AS and A Level course

Unit 2: Commentary
Unit 3: Directed writing
Unit 4: Imaginative writing (narrative/descriptive)
Unit 5: Writing for an audience (discursive/argumentative)
Unit 6: Text analysis
Unit 7: Language topics
Appendices 1–8
Opportunities for differentiation are indicated as basic and challenging; there is the potential for differentiation by resource, length, grouping, expected level of
outcome, and degree of support by teacher, throughout the scheme of work. Timings for activities and feedback are left to the judgment of the teacher, according to
the level of the learners and size of the class. Length of time allocated to a task is another possible area for differentiation
Teacher support
Teacher Support is a secure online resource bank and community forum for Cambridge teachers. Go to http://teachers.cie.org.uk for access to specimen and past
question papers, mark schemes and other resources. We also offer online and face-to-face training; details of forthcoming training opportunities are posted online.
An editable version of this scheme of work is available on Teacher Support. Go to http://teachers.cie.org.uk. The scheme of work is in Word doc format and will
open in most word processors in most operating systems. If your word processor or operating system cannot open it, you can download Open Office for free at
www.openoffice.org
Resources
The up-to-date resource list for this syllabus can be found at www.cie.org.uk
V2.1 3
Cambridge International AS & A Level English Language (9093) – from 2014 Scheme of Work
Textbooks:
Croft, S and Myers, R Exploring Language and Literature Oxford University Press, 2000 ISBN: 9780198314578
nd
Crystal, D The Cambridge Encyclopedia of the English Language Cambridge University Press, 2 edition 2003 ISBN: 9780521530330
Durran, J and Stewart, J Student Handbook for English Pearson, 2000 ISBN: 9781857495850
Field, M Improve Your Punctuation and Grammar: 3rd edition How To Books, 2009 ISBN: 9781845283292
Jackson, H and Stockwell, P An Introduction to the Nature and Functions of Language Nelson Thornes, 1996 ISBN: 9780748725809
nd
McArthur, B The Penguin Book of Twentieth Century Speeches Penguin 2 edition, 1999 ISBN: 9780140285000
Montgomery, M et al Ways of Reading Routledge, 1992 ISBN: 9780415053204
Toner, H and Whittome, E Language and Literature for AS Level (Toner and Whittome) Cambridge University Press, 2003 ISBN: 9780521533379
Websites
This scheme of work includes website links providing direct access to internet resources. Cambridge International Examinations is not responsible for the
accuracy or content of information contained in these sites. The inclusion of a link to an external website should not be understood to be an endorsement of that
website or the site's owners (or their products/services).
The particular website pages in the learning resource column were selected when the scheme of work was produced. Other aspects of the sites were not checked
and only the particular resources are recommended.
(a) General English language websites (b) Topic and unit specific websites
www.bbc.co.uk/radio4/routesofenglish/index.shtml www.worldwidewords.org/ (Global language)
http://david-crystal.blogspot.co.uk/
www.bl.uk/learning/langlit/sounds/index.html
www.ucl.ac.uk/internet-grammar/
www.literaryconnections.co.uk/resources/lang.html
V2.1 4
Unit 1: Introduction to AS and A Level course

A competence of written English, demonstrated through success at O Level/IGCSE and a basic understanding of the linguistic features of a range of texts.
Context
This unit is the introduction to the course and gives an overview of the skills needed to analyse texts, both written and spoken, and to write them. It should be the
first unit studied. The unit re-visits skills, concepts and interests developed at O Level/IGCSE, and introduces ideas of spoken language to add to the analysis of
texts in a variety of written forms. The repertoire of writing for different purposes/audiences, using different forms, is extended through the study of a range of
models and through structured practice.
Outline
Classroom activities are suggested, with a variety of individual/pair/group and whole-class tasks. Skills are taught and reinforced at a basic level; more challenging
activities are outlined; and a range of print, multi-modal and online resources is recommended, both for teacher-led class use and for further learner research.
Syllabus ref Learning objectives Suggested teaching activities Learning resources
Paper 1 1. Moving on from O Level/IGCSE An initial reminder that a text can be: Language and Literature for
Paper 3 • a few words or a whole novel AS Level (Toner and
The syllabus aims to develop: • in prose or verse Whittome) CUP ISBN:
• in dialogue, speech or writing. 9780521533379
• a critical and informed response to texts
in a range of forms, styles and contexts
What makes a Working with a partner or in a group, learners list as Other useful books include:
text? • the interdependent skills of reading, many as possible of the texts they have studied in the
analysis and research recent past. This should include texts from different Exploring Language and
subject areas – history, geography, science – as well as Literature (Croft and Myers)
• effective, creative, accurate and
English. OUP ISBN: 9780198314578
appropriate communication
How is textual
Class discussion could follow. A helpful focus would be
meaning • a firm foundation for further study of An Introduction to the
features of any/all of these texts which learners found
constructed? language and linguistics. Nature and Functions of
difficult. For example, technical vocabulary in a
Language (Jackson and
scientific text might have caused problems; or learners
Stockwell) Nelson Thornes
might have found it hard to detect tone in an article,
ISBN: 9780748725809
perhaps missing an author’s irony and taking the text at
face value.
Assessment
objectives Assessment objectives:
AO1: read with understanding and analyse
V2.1 5
texts in a variety of forms This could lead naturally to revision of some features of
language. Working individually at first, learners could be
AO2: demonstrate a knowledge and
encouraged to consider how far they have tried to
understanding of English language (including,
incorporate into their own writing aspects of style they
at A Level, spoken
have encountered in their reading.
language) and its use in a variety of contexts
AO3: write clearly, accurately, creatively and Examples might include aspects such as:
effectively for different purposes/audiences, • vocabulary
using different forms • figurative language (e.g. use of metaphor and
simile)
• word ordering and sentence structure
• formality/informality of tone.
AO1 2. Types of written text Brainstorm and list the different types of written text Encourage learners to bring in
experienced in an average week: timetable, text-book, examples of different kinds of
There are many types of written text, far
diary, advertisement (visual or print), shopping list, letter, written text and see how many
more than might at first be thought.
television listings, magazine, menu, instructions, can be accumulated. These
Although not all will feature in an exam newspaper article, novel and so on. might be displayed on a notice
paper, knowledge of the varieties will board, or stored/displayed on an
Review the kinds of written discourse that learners
underpin later work. And familiarity with as interactive whiteboard.
undertook for their previous courses and which they
wide as possible a variety of texts will mean
found easiest to write, or most enjoyable. All the work A helpful list of text types and
that no text met in an exam will come as an
they have done in the past is a firm foundation for the their ‘typical’ features can be
unpleasant surprise to the learner.
new course. found at:
www.det.nsw.edu.au/eppcontent
/glossary/app/resource/factsheet
/4108.pdf
AO1 3. Types of spoken text Brainstorm types of speech, starting with the obvious Exploring Language and
speech activities that make up our interactions with Literature (Croft and Myers)
There are similarly many kinds of spoken
AO2 each other. has a chapter devoted to
text. Natural and scripted speech both feature
differences between spoken
in exam papers for this syllabus, for analysis Other types might include radio interviews and news
AO3 and written language.
and as stimulus for personal writing. reports, telephone conversations (including voicemails
and answer phone messages), as well as more formal See also:
Planned speeches include rhetorical devices
speech acts such as formal presentations and public www.omniglot.com/writing/writi
V2.1 6
such as: emotive language, and patterning speeches. ngvspeech.htm

devices such as repetition, lists, questions,
Record some conversations – this can be done in class
antithesis (use of opposites) and figurative using a range of recording devices. Learners can then Resources for phonemic
language, such as metaphors. listen to their own speech patterns and sounds and transcription can be found at:
attempt to transcribe them as exactly as possible. www.tedpower.co.uk/phonetics
Learners may need to be discouraged from
.htm
thinking that natural/spontaneous speech is
Learners can go on to transcribe the dialogue from their Things to remember when
just an inferior form of written language, or
favourite soap opera. How similar is it to the real transcribing speech (David
that planned speech is somehow ‘better’
conversations they hear around them? They are likely to Crystal) (University of Reading)
because ‘mistakes’ are edited out.
realise that, in natural spontaneous speech, speakers provides a typically clear
This kind of ‘deficit-model’ approach to commonly repeat themselves, leave words out, interrupt account of the difficulties of
spoken language is nearly always unhelpful. and leave sentences unfinished. transcribing speech at:
http://www.davidcrystal.com/?file
Learners might also transcribe (or read the id=-3913
transcription of) a political speech as an example
of rhetoric. Other resources for spoken
language are shown in Units 2
and 3 of this scheme of work.
V2.1 7
Candidates 4. Purpose Basic level More challenging level

are required Go back to the different texts gathered previously, both PRAGMATICS by Dan Sperber
The purpose of a text – what it is trying to do
to: written and spoken, and discuss their purpose(s). Bear and Deirdre Wilson at:
– should now be considered in more detail.
in mind that a text may have an obvious/surface/explicit www.google.co.uk/url?....
The different texts gathered can be broadly purpose, but underlying purposes may emerge when
identify categorised in a very general way, bearing in the text is subjected to close linguistic analysis. Basic research
distinguishing mind that texts will often overlap different (Advertisements are useful here.) Learners should try to find
features of the categories, such as: examples of writers discussing
texts • formal/informal • What is each text trying to do? their work and saying what
• information-based or argument based • How successful is each text? they were trying to do.
• written to persuade or to entertain. Look also at literary texts: consider the purpose of Are there other effects that the
All of the different possible purposes should particular poems or stories. writers were not consciously
relate them to be explored. More challenging level aware of?
the function Being aware of a writer’s purpose (why Consider the following point:
and context of apparently s/he wrote what s/he did) will help An evaluation of the writer’s purpose may not be the
the writing learners to analyse and evaluate both what only outcome of analysis of a piece of writing. A reader
was written (the content) and how it was may be conscious of an author’s original and explicit
written (the style). purpose, but there may also be unconscious impulses
that the discerning reader can identify in a piece of
It will also help to focus on the individual writing or in the tone of a speech.
learner’s writing skills and his/her own
purposes in writing.
Paper 1 5. Audience Learners should each bring in five distinctly different More challenging level
All questions, texts, including one advertisement. More able learners interested
Any communication is a two-way process,
part (b): in theories of text reception –
from writer or speaker to audience or reader. Working individually at first, then comparing findings
especially media texts – would
It is crucial to consider who is being in pairs, they should explore what can be deduced
writing for a find the following light-hearted
communicated to by any given text. about the audience that is being appealed to in each
specific account of ‘audience
one.
purpose In some situations there will be both a positioning’ both informative
and/or primary and a secondary audience. For and entertaining:
Follow-up work:
audience example, a report on a learner’s progress in a www.litnotes.co.uk/audtheory.h
Presentation in speech and writing of the same piece
V2.1 8
particular subject at school may be of information tailored for three different audiences. tm
Paper 2 addressed primarily to the learner or to the For example:
Section B: learner’s parents; but the secondary audience The learner has had an accident in her/his mother’s A more straightforward though
writing for an might include teachers of other subjects for car. equally challenging account is
audience whom this learners progress might be How would this be communicated to available at:
significantly better (or significantly worse). a) her/his mother http://brianair.wordpress.com/fil
b) her/his friends m-theory/audience-responses/
c) the insurance company?
How do these communications differ?
Paper 1 6. Context Readers make assumptions all the time when they are
The Open University offers a
Candidates reading an extract, picking up cues from the text about
In what context, or surroundings, does the wide range of online material,
are required the wider whole.
piece of text appear? some of it interactive. For
to:
example, there’s an activity on
Some aspects of context are verbal – they Using the collections of texts assembled in the previous
“your language in context” in a
identify are to do with the other words and texts (5. Audience) activity, learners should explore textual
sequence at:
distinguishing surrounding the text we are studying. evidence to see what can be deduced about their
http://openlearn.open.ac.uk/m
features of the contexts.
Other aspects of context are more social – od/oucontent/view.php?id=39
texts
they are to do with the social relationships What features of topic, language, tone and form have 7753&section=2.6
surrounding the situation in which the text has led to these conclusions? Discussion arising from such
relate them to
been produced and in which it is being exercises can prove very helpful as a focus for
the function
understood. development of close critical reading.
and context of
the writing
Paper 1 7. Form Once again, learners will need to do some basic A visually simple (but
Candidates research which will involve locating a range of texts linguistically complex) example
The ways in which a text is presented - its
are required whose form is in some way interesting. of ‘concrete’ form can be found
layout on the printed page, the ways in which
to: in many of the poems of
it is heard or displayed, its aural or visual They could be directed to some of the following:
George Herbert – see:
format - give immediate clues to the kind of
identify
text it is, even before we come to ‘read’ it in • newspaper and magazine articles and www.google.co.uk/search?...
distinguishing advertisements
detail.
features of the
An interesting example of a
V2.1 9
texts Some texts have features of shape and • online texts such as film reviews and blogs spoken and visual text which
layout which are very obvious and easily- ‘pretends’ to be one thing and
identified – for example, a list, a script, a • pamphlets/leaflets/direct (‘junk’) mail then reveals itself to be another
poem. • ‘official’ notices is the film version of A Series of
Unfortunate Events (2004). It
At other times, an author might deliberately • posters and advertising hoardings opens with (fake) credits which
set out a text of one type as if it were
• radio and television news and current affairs suggest the film is a cheerful
another type. For example, the creators of
broadcasting tale called The Littlest Elf; then
one particular series of magazine and
there is a sudden pause in the
newspaper advertisements for a financial
• radio phone-in shows soundtrack, everything goes
investment fund use the kind of cartoon-
dark and the narrator explains
style pictures that might be found in an • ‘concrete’ poems.
that this is not the film we are
adventure comic strip. See
about to watch, mockingly
www.haystackonline.com/page/26973/agenci
A highly challenging activity might refer to the work suggesting, “If you wish to see
es/libertine/the-profit-hunter
of the Centre for Material Texts at the University of a movie about a happy little elf,
Cambridge, which ‘fosters research into the physical I am sure there is still plenty of
Learners will need to practise the basic skill
forms in which texts are embodied and circulated, seating available in theater
of identifying significant features of form, then
and … fosters the study of a wide variety of media – two.”
moving on to the more challenging task of
from spoken words to celluloid, from manuscript to www.youtube.com/watch?v=et
evaluating the effects of these features,
XML’. SHvl63LMs&NR=1&feature=en
relating them to context, audience and
dscreen
purpose. See: www.english.cam.ac.uk/cmt/?page_id=2676
Paper 1 8. Style Learners need to practise the analysis of as wide a range Ways of Reading
Paper 3 of different types of text as possible. This means exposing (Montgomery, Durant, Fabb,
Analysis of style is a daunting task to some
them to a wide variety of texts right from the start, so that Furniss and Mills) Routledge
learners. The risk is that less confident
Candidates less ‘obvious’ texts – e.g. those employing irony as their ISBN: 9780415053204
learners will take refuge in simply identifying principal mode – do not surprise and confuse them.
are required An excellent teacher’s
and listing features of language.
to comment resource, full of inspiring and
on aspects useful exercises.
Begin with very simple texts, but make sure that the
of: Regular practice, both written and oral, is analysis genuinely is analysis – not merely identification of
crucial. Student Handbook for English
features or description/summary/paraphrase of content.
texts such as (Durran and Stewart) Pearson
vocabulary, At first, learners are likely to feel more Working in pairs, learners study the advertisement for a ISBN: 9781857495850 This is
figurative secure if they have a systematic checklist in cruise. highly accessible tor learners,
mind which they can refer to. They may even
V2.1 10
language, want to write down a series of aspects to look e.g. www.sixstarcruises.co.uk/luxury-cruise/seven-seas- and useful.
word for. voyager/
ordering and There are many internet sources
However, such an approach can be limiting if
sentence They should consider: of advice and/or information on
it is applied in the same way to every text.
structure, • form textual analysis. Some are
Learners can easily get into the habit of
formality • audience helpful and dependable; others
assuming that a text of a certain type ‘should’
and/or • purpose can be positively harmful in
contain particular features, and spend their
informality of encouraging learners to apply an
time simply locating (or failing to locate) these and annotate the text accordingly.
tone, structure, excessively formulaic method to
features without analysing their effect.
and attitudes reading and writing.
Features of textual construction to consider include:
(bias
or prejudice) • diction – choices of vocabulary/lexis
Learners need to feel comfortable • figures of speech, such as metaphor, simile,
Paper 3 considering how a text is constructed: the personification, climax, antithesis or contrast
Question 1(b) habit of ‘deconstruction’ needs to become a • structure or cohesion - how the text fits
natural part of classroom activity and private together
comparison of reading. • syntax - types of phrase and sentence
the style and Similarly, it is helpful to encourage learners to construction
language of write in conscious imitation of styles they • sound effects, such as alliteration and
the have studied, making deliberate choices of other rhetorical devices
candidate’s form, structure and language. They should be • tone – persuasive? angry? playful? sad?
writing in (a) encouraged to read and comment reflective?
with that of the constructively on each other’s work.
original text Features of presentation – pictures, font, layout – should
be noticed, but the focus should be on the language and
how linguistic choices ‘position’ the reader/audience as a
consumer.
In pairs, learners could then move on to a related activity.
Using the information in the advertisement text, they
should write a short script for a two-voice radio
advertisement for the same cruise.
Finally, in pairs, they should make notes on the differences
between the original text and their script, bearing in mind
the change of mode and format.
V2.1 11
Then, working individually, each learner writes a

comparison based on the notes.
V2.1 12
Unit 2: Commentary
Understanding of how language works in a range of contexts with some ability to organise ideas and communicate textual analysis in written English.
Context
This unit has as its subject matter the acquisition of skills for writing commentaries for set passages for Paper 1. It could be undertaken at any time during the AS
Level course, but its focus on fundamental skills makes it well-suited to be one of the earlier, introductory units.
Outline
This unit tackles the identification, understanding and appreciation of specific features of language, form and style, and of how these features relate to purpose,
audience and context in a range of text types.
Paper 1: texts Media texts: advertisements, brochures, Many of the following activities refer specifically to Magazines and newspapers,
from a range leaflets, editorials, news stories, articles, textual material taken from advertisements. However, leaflets, public awareness
of English reviews, blogs, investigative journalism, they can easily be adapted to material from other types campaigns and electioneering
Language letters, podcasts of media texts. material are all valid sources.
sources
Candidates 1. Approaching the text Learners gather and bring in to class a number of types As well as collating material linked
are required of printed advertisements from a range of sources and to similar products, learners could
to: Learners should first be encouraged to focus publications. build up case studies where
on the issues of audience and purpose. different types of products and the
The fact that different learners will have different
identify types of text associated with them
interests should ensure a wide range of sources and
distinguishing are compared.
advertisement types.
features of the
Many university courses have
texts • Look at the types of publications these sections online on advertising –
advertisements come from. e.g.
relate them to Learners should be encouraged to research
the function and find their own examples of interesting • Try to build up a picture of who might read www.stanford.edu/class/linguist34/
them. Unit_07/is_it_normal.htm
and context of language.
the writing • Consider how advertisers might shape the text
of their advertisements, bearing in mind they
will have a clear profile of different
publications' readers.
V2.1 13
• Discuss how this might lead to variation in the

approach and style of the language.
Candidates 2. Take it in sections Learners work in pairs or small groups: Basic, leading to challenging
are required • take a section or paragraph of the same
Learners should be advised, especially There are many simple online
to: advertisement and work on it individually
where they are less experienced in introductory exercises which
commenting on features of language, to • compare findings with their partners or other learners can use independently to
identify members of the group
break the text into shorter sections. This extend their knowledge and test
distinguishing
will encourage them to look for similarities • consider what would happen if the order of themselves.
features of the sections was altered.
and differences between the sections and
texts For example:
allow them to appreciate the progression of
It may also be possible to give out sections of an www.linguarama.com/ps/marketin
the material in closer detail.
organise advertisement without learners having seen it g-themed-english/the-language-of-
information in beforehand. Ask them to consider the order in which the advertising.htm
answers sections might go, why and with what effects.
3. Mode of address This could involve some small role plays of situations Basic activity
relevant to them - informal, social meetings with peers Learners could use the
Learners should be encouraged to examine
compared to more formal situations such as interviews. advertising passage to consider
the different ways in which they talk to
the mode of address the
other people, and how differences depend Consider how emails and text-messaging use different
advertiser uses, and the tone that
on context, purpose and audience. styles of address.
this gives to the text.
This should lead on to a consideration of Brainstorm the conventions that have grown up www.sixstarcruises.co.uk/luxury-
how different written texts may address the around these forms of communication. cruise/seven-seas-voyager/
reader for different reasons and purposes.
Explore how some fictional texts address the reader –
Learners should also consider how there looking particularly at the authorial voice - in
may be different types of address in the comparison with some non-fiction texts.
same text itself. There may be an informal
and/or inclusive style, a personal or more
impersonal style. This will depend on the
techniques the writers are using, particularly
in advertisements which may flatter the
reader one minute until the 'hard-sell'
arrives.
V2.1 14
4. Techniques of advertising Learners work in pairs on an advertising passage e.g. A useful overview of some
www.sixstarcruises.co.uk/luxury-cruise/seven-seas- advertising techniques can be
Learners should be introduced to some of
voyager/ found at:
the techniques that advertisers may use.
www.putlearningfirst.com/languag
They should be aware of: Locate and highlight/colour-code: e/19advert/advert2.html
• the 'hard sell' approach where • words and phrases which seem to offer
issues like value for money and lifestyle or promise
practicality are emphasised • specific French terms that highlight a particular
• the ‘lifestyle’ or ‘aspirational’ culture and way of life
approach that can be used, • descriptive language which gives a particular
offering promises and possibilities feeling of specific places in France
• how there may be a particular • more factual or informative data.
image of the job, company or
More challenging activity
product conveyed.
Confident learners could go on to consider the ‘hard-
sell’ and ‘company-image’ points from the previous
column.
Candidates 5. The language of advertising Learners could use their preparatory work on the Website concerned with the
are required advertising passage (above) to look at the use of: grammar of advertising:
Learners should be encouraged to
to comment • adjectives and abstract nouns www.eslpartyland.com/quiz-
consider the use of different language
on aspects
techniques in advertising. • any words/phrases which seem to offer a center/quiz.htm#grammar
of: particular nuance or promise
They need be able to identify and begin to • 'buzz' or jargon words More challenging
vocabulary analyse the use and effect of some specific • syntactic or lexical patterns, e.g. repetition of www.stanford.edu/class/linguist34/
aspects of language: sentence construction or emergence of lexical Unit_03/anchor-relay.htm
figurative • lexis (i.e. diction/vocabulary) sets/fields
language • simile, symbol and metaphor • deliberate breaking of grammatical ‘rules’ for
• grammar and syntax effect: minor/verb-less ‘sentences’; co-
word • register. ordinating conjunctions used to begin a
ordering and sentence
sentence • direct or rhetorical questions
structure • reassurance and guarantees
• humour, e.g. puns and other word-play.
formality
/informality of
V2.1 15
tone
Spoken texts: podcasts, voice-overs,

scripted speech, natural speech
1. Speech: spontaneous versus scripted Learners could be asked to produce brief transcripts of Websites with access to useful
spontaneous speech drawn from different types of speech sources include:
Learners should consider the differences
Paper 1 speakers and situations.
between natural unscripted speech and www.cnn.com/TRANSCRIPTS/ind
prepared, written speech. A comparison of They could: ex.html
Paper 2
the two should help clarify the different • record themselves talking to their friends
strategies and techniques involved in using • conduct interviews with relatives www.historyplace.com/speeches
prepared speech for particular purposes. • record radio or television programmes.
The Gifts of Speech website at:
As their understanding of spoken language They should consider the use in natural spontaneous http://gos.sbc.edu/a.html
develops, they may need to be guided speech of phatic communication, and of non-fluency
Paper 3 away from easy/over-simplified features such as pauses, fillers, repairs and back-
assumptions about natural (spontaneous channel behaviour, regional variations and particular Various transcripts at:
and semi-spontaneous) speech. For kinds of vocabulary. www.putlearningfirst.com/languag
example, it won’t always be the case that
Paper 4 They could follow this up by recording or studying e/09trans/09trans.html
spontaneous speech is informal or dys-
fluent: they will need to examine carefully prepared and scripted speeches from particular times
the transcript or audio evidence they are and events. Attention to specific details of ways in
dealing with. which these speeches differ from spontaneous speech
will give learners a sense of how carefully-crafted some
prepared speech is – for example, Passages for
comment 2a and 5a (Appendix 4 and 7).
Candidates 2. Audience and purpose Learners could be asked to use Passage for The Penguin Book of Twentieth
are required comment 2a (Appendix 4) to explore the speaker's Century Speeches (McArthur)
Learners should be encouraged to consider
to: purpose and approach. ISBN: 9780140285000 is an
the context and purpose of the spoken
• Highlight key words and phrases. invaluable source of a range of
language.
identify • Trace the speaker’s argument by annotating speeches for consideration.
distinguishing In the case of prepared speech, they will the passage to show how each sentence and Particularly apposite speeches
features of need to consider the possible persuasive paragraph develops from what has gone include those by Nehru on the
texts and strategies it is trying to adopt. The speech before. death of Ghandi and Martin
relate them to could be a eulogy, an apology or defence; it Luther King's 'I Have A Dream'
V2.1 16
the function might be what in American English is • Pick out obvious features of rhetoric (see speech.
and context sometimes called a ‘rebuttal’; it may be an website in learning resource column).
Learners can easily find simplified
attack on a person or a position; it may • Note how the speaker’s beliefs and attitudes lists of features of rhetoric, for
stem from a desire to make people accept are conveyed. example, at:
a particular viewpoint or idea.
A selection of other speeches could be used to practise www.allinfo.org.uk/levelup/enb1.
In the case of spontaneous speech, they the same approach; similarities and differences could be htm
will need to consider the relationship identified and compared.
between the participants and the needs of More challenging activity
any secondary audience. For example, a Learners will need to bear in mind that many modern An interesting summary of
radio or television ‘chat’ show has an written texts have features (for example, contractions forensic linguistics – a very
immediate audience in the studio, but a and colloquial vocabulary) which at one time would be particular instance of how context
secondary (absent) audience of found almost exclusively in spoken texts. They also can affect linguistic style – can
listeners/viewers. need to avoid assuming that all written texts are formal be found at:
and all spoken texts informal. www.qed.info/principles.html
More challenging activity
Learners could work independently to research the
published proceedings of their local parliament. For
example, uncorrected transcripts of debates in the
lower house of the Parliament of India can be accessed
at:
http://164.100.47.132/LssNew/Debates/uncorrecteddeb
ate.aspx
3. Mode of address Learners could draw on work from other texts - such More challenging activity
as advertisements - to see how the mode of address Nehru's speech on Ghandi's
As they do when studying advertisements,
may differ depending on context and purpose. death (noted above) is a useful
learners should be encouraged to consider
source for considering mode of
the mode of address used by a speaker, Passage for comment 2a (Appendix 4) could be
address - the way he address
and to explore whether this changes as a considered in terms of how the speaker describes his
the nation as
prepared speech unfolds. own nation in comparison to the terms he uses to
'children' compared to the way he
describe the President and those in power.
As with any linguistic feature selected for describes the assassins.
particular study, the crucial thing is to
explore the effect of the mode of address.
V2.1 17
Candidates 4. Techniques in scripted speech Learners could explore Passage for comment 2a Passage for comment 2a (Appendix
are required (Appendix 4) and the ways in which the speaker uses 4)
Learners should be introduced to a range
to comment contrast to reinforce his points.
of techniques used in scripted speeches. Learners could also use the speech
on:
• how public mission/ vision may Contrasts between past and present and the different
given by Richard Nixon at the
combined with the personal height of the Watergate scandal in
vocabulary ways of life his nation follows can be compared to those
figurative • how the speaker may adopt a of the 'white man' and his generation.
1973 – to be found in The Penguin
more humble or ordinary way of Book of TwentiethCentury
language
speaking, drawing on personal Speeches, or Passage for
The speaker has a vision of the way things were and
memories and anecdotes comment 5a (Appendix 7) which
word-order should be, and adopts a personal, elegiac tone to
and sentence • use of religion and/or patriotism lament the passing of things and the present situation.
covers Directed Writing – to explore
• use of contrast some of these techniques.
structure, tone,
bias Learners could again draw on material from other
5. Language in scripted speech The Martin Luther King and
or prejudice relevant analyses – such as advertising - and
Nehru speeches mentioned
Learners should explore some of the compare how abstract nouns, patterns of words and
above are useful sources for
rhetorical devices found in scripted imagery are used in those contexts.
exploring the use of patterns of
speech. Highlighting and colour-coding will also draw attention words (light/dark, hills/valleys)
These techniques may include: to the rhetorical/persuasive and linguistic techniques and the use of religious
• repetition being applied. inferences.
• lists of three
• use of abstract nouns to offer a Passage for comment 2a (Appendix 4) is a useful
vision starting-point for exploring the use of descriptive Confident learners who can be
• adjectives language, especially adjectives and imagery. trusted to read selectively might
• imagery (which may draw on derive benefit and entertainment
religious themes/ symbols) Ask learners to locate other speeches where a range from a website such as:
• patterns of words/contrasting of techniques have been used. These may be well- http://web.cn.edu/kwheeler/sche
patterns of words known and/or historic speeches; equally they may be mes.html which contains a
• the use of cumulative phrase more local and/or contemporary examples. wealth of rhetorical figures.
• the use of syntax for effect The Forest of Rhetoric at:
• irony, humour. http://humanities.byu.edu/rhetori
c/silva.htm has even more.
Literary material: letters, diaries, essays,

(auto) biographies, and narrative/descriptive
V2.1 18
writing
1. Approaching the text Learners could integrate work on fiction texts with work Websites offering eBooks:
on Narrative, Imaginative and Descriptive Writing from www.eserver.org/fiction/short.htm
Learners should be encouraged to think
Paper 2 and with Unit 4 linked to those activities. l
about the contextual information provided
for any passage, and to consider what they A light-hearted introductory activity could be to give www.americanliterature.com/SS/
know (or can deduce) about the passage’s learners (working in pairs) the opening lines of a series SSINDX.HTML
purpose. of novels, and invite them to deduce what they can
The University of Adelaide
about the novel from the information provided and from
In the case of a narrative or other eBooks:
the style.
sequential text, the point from which the
http://ebooks.adelaide.edu.au/l/lit
extract is taken will be significant – e.g. the For example, there are ready-made lists at:
erature/
opening of Italo Calvino's novel If on a http://novelopenings.blogspot.co.uk/
winter's night a traveler – example quoted or Project Gutenberg:
on the second page of this unit. www.writingfix.com/PDFs/Writing_Tools/Novel_Openin www.gutenberg.org/
gs.pdf
2. Mood and setting
Basic research
Learners should be made aware of how Learners should highlight or colour-code those parts of
Other useful texts include
these contribute to our understanding and the extract which they think convey the mood and
descriptive passages from Hardy
appreciation of an extract. They can provide setting.
(e.g. the opening chapter of The
clues and insights for the other sections
They can then go on to consider what can be inferred Return of the Native) or Dickens
below, and are a good starting point for any
from these textual details: (the opening of Bleak House).
critical analysis.
• Do they tell us something about the More challenging research
characters or themes?
Able learners might try the
• Do they tell us something about the narrator? opening of Forster’s A Passage
to India or Chandler’s The Big
Passage for comment 3a (Appendix 5) from The Sleep.
Great Gatsby is a starting-point for an exploration of
setting and atmosphere.
Does the ‘cool’ mood reflect the characters? Or does
it suggest something more artificial?
3. Physical description Learners should be encouraged to highlight or colour-

The opening of Ethan Frome, for
V2.1 19
Learners should also examine any code any sections which offer insights into any of the example, has striking examples
references to physical description and their characters in the passage, and to consider the ways in of mood/setting and physical
relation to aspects of setting. which they contribute to our understanding of their description – available as an
natures. eText at: www.online-
• Do the physical descriptions literature.com/wharton/ethan_fro
Learners have the resources of all their prior reading,
reflect those of the setting? me/2/
including literary texts they may have studied for
• Do they contrast with it? examination at O Level/IGCSE. They might re-visit short
• Do different characters contrast? sections of any/all of these with a view to practising their
and, if so, with what effect? skills of close reading and inference.
4. Characterisation and dialogue The way characters speak to each other can ‘sign- http://quantumtheatre.co.uk/teach
post’ the nature of the extract. This works not only in ersnotes.html offers an
These fundamental aspects of narrative
terms of content (what they say) but also in terms of opportunity to apply techniques of
writing can provide a way into a passage.
tone (how they say it). linguistic analysis to some very
Reading the passage aloud in different
familiar children’s literature.
‘voices’ can also help. Learners may also consider the question of whether
one speaker/character is more dominant than
More challenging level
another.
Irony in the (narrative) voice can
‘Reporting’ verbs (he exclaimed … she suggested prove difficult for learners to
… I murmured) and adverbs (tenderly … identify with any confidence, so it
suspiciously … coolly) may give learners clues. can be helpful to practise with a
5. Voice wider range of texts and tones.
Basic level
Learners should assess the tone of the Learners need to establish a basic understanding of: The opening of Pride and
passage carefully. Is it an ‘intrusive’ • narrative voice Prejudice is a very well-known but
authorial voice? Is it an ironic or satirical • point of view – first-person or third-person? difficult example of authorial irony;
tone? Is it a lyrical or descriptive tone? • how choices of vocabulary in the narrative voice similarly the novels of E M Forster
create the tone and Evelyn Waugh.
Tone is crucial in shaping the reader’s
response to the situation and the • how choices of vocabulary and the use of Very able learners might find The
characters. particular expressions in the dialogue shapes Third Policeman by Flann O’Brien
our understanding of characters. amusing and certainly challenging.
There is further work on this in Unit 4:
Narrative. The opening of The Curious Incident of the Dog in the
Night-Time could be used to illustrate the effect of a
limited first-person narrator:
V2.1 20
www.nytimes.com/2003/06/15/books/chapters/0615-1st-
haddon.html
V2.1 21
Unit 3: Directed writing

A competence of written English at O Level/IGCSE with some appreciation of how different forms of written English are required in different contexts.
Context
This unit has as its subject matter the acquisition of skills for directed writing in response to the set passages for Paper 1. It could be undertaken at any time during
the AS Level course, most helpfully in combination with Unit 2.
Outline
This unit deals with how to write for a specific purpose and/or audience, using appropriate vocabulary, tone, and style.
Paper 1 Writing for a specific purpose and/or Although the accompanying materials are mostly drawn As with Unit 2, advertisements are
audience from advertisements, most of the activities in sections 1, 3 easily accessible sources of
and 4 below can be adapted for other kinds of texts and teaching and learning activities
related directed writing tasks. when dealing with media texts.
Directed 1. Approaching the task

A useful overview of some
writing task
Learners should first be encouraged to Learners could link this process with work (Unit 2) on advertising techniques can be
focus on the issues of audience and writing commentaries. found at:
Candidates
purpose.
are required Passage for comment 4a (Appendix 6) might be used as a www.englishalanglit-
to: For each question in the examination, starting-point for discussion of purpose and audience, and inthinking.co.uk/key-
they will be given a directed writing task examination of how a writer uses language. concepts/advertising-
write for a based on the passage which they have techniques.htm
Learners working at a basic level could be given the
specific already written a commentary upon.
purpose prompts which accompany the passage. More confident Unit 2 contains many other
Typically, the writing task will involve a learners working at a more challenging level could be suggestions as to online sources
and/or
slight shift in audience and/or format left to study the passage in pairs or groups and to generate of information about linguistic
audience
using and/or purpose. their own ‘check-list’ of features to look for, based on the features of advertising texts.
appropriate work in Unit 2 and the website resources in the learning
Candidates will be instructed:
vocabulary, resources column.
Base your answer closely on the style
tone and style. and features of the original extract. NOTE: The ’check-list’ approach may be useful at this stage;
but learners soon need to become independent of a
Or
formulaic approach, which can limit response to fresh
V2.1 22
Base your answers on the material of the (unseen) texts.

original extract.
Candidates 2. Mode of address Basic, leading to challenging

are required activity
Learners should be encouraged to Learners could compare different styles and approaches
to:
examine the different ways in which they from the material they have researched and collated for Unit There are many simple online
themselves talk to other people, and 2. introductory exercises which
identify how differences in mode of address learners can use independently to
The techniques which establish the mode of address should
distinguishing depend on context, purpose and extend their knowledge and test
be noted and discussed. In the case of a ‘media’ text.
features of audience. themselves.
texts
This could lead on to a consideration of • Does it seek to flatter the reader? For example:
write for a how different written texts may address • Does it try to ask informal questions? www.linguarama.com/ps/marketin
specific the reader for different reasons and • Does it try to adopt humour or an unusual g-themed-english/the-language-of-
purpose/audie purposes. approach? advertising.htm
nce
organise
information in
answers
Candidates 3. Language and style: tone and mood Learners – working in pairs at first – could be presented More challenging level
are required with a wide range of very short texts/extracts, and asked to A lengthy (and indeed exhaustive)
Learners need to learn strategies which
to: comment briefly on tone and/or mood, backing up their account of stylistic analysis can be
will help them quickly (and accurately)
comments with a limited number (three or four) of specific found at:
‘tune in’ to the tone/mood of the original
identify textual features.
passage. www.englishbiz.co.uk/downloads/
distinguishing
Each pair of learners could then discuss their findings with stylistic_analysis_2.pdf
features of If these aspects are not immediately
another pair, and the annotated extracts could eventually
texts obvious, they should try to find details of NOTE: Learners will need to use
be collated and displayed for permanent classroom
language which seem to characterise such guidance carefully, and to
reference. (The quicker-working learners might do this.)
comment on the passage: avoid an approach which leaves
how writers • formality/informality A helpful selection of extracts might include obviously them thinking that every passage
communicate • descriptive versus informative contrasting texts, e.g. texts which invoke nostalgia as will contain the same features.
attitudes language opposed to texts which adopt a modern ‘high-tech’ tone.
• patterns of key words.
V2.1 23
Candidates 4. Getting started on writing (1) Using Passage for comment 4a (Appendix 6), try the task More challenging activity
are required below. At a basic level, it might be helpful to do (1) as a Look at a particular instance of
Learners should be encouraged to keep
to comment class activity, (2) as an individual writing task. purpose: how advertisers use
closely to the kind of content and ideas
on: emotional pressure to influence
of the original extract. (a) Comment on the ways in which language and style are
consumers in advertisements for
used to sell the car. [15 marks]
In their initial attempts at directed-writing cars which emphasise safety.
vocabulary
tasks, it might be found most helpful to (b) The same car company also makes a small car
figurative guide learners towards a focus on only suitable for use in crowded city traffic. Write the opening
language one or two aspects. Purpose and (between 120–150 words) for an advertisement for this
audience will always be crucial; mode of car. Base your answer closely on the style and features of
word order
address has been considered above in the original extract. [10
and sentence
section 2. marks]
structure
formality/
informality of
tone
Candidates 5. Dealing with speech Learners could draw on work carried out in conjunction For example, learners could study
are required with the section of speeches in Unit 2 on commentaries. Major’s speech in Animal Farm or
Spontaneous versus Scripted Speech
to: Mark Antony’s valedictory speech
Learners could begin by comparing transcripts of natural
Learners should consider the differences to Caesar in Julius Caesar,
spontaneous speech with scripted ones. Then, through the
identify between natural unscripted speech and comparing techniques and
study of other fictional and non-fictional speeches, they
distinguishing prepared, written speech. A comparison approaches.
could eventually devise their own speeches and
features of of the two should help clarify the different
commentaries. eBooks at: www.george-
texts strategies and techniques involved in
orwell.org/Animal_Farm/0.html
using prepared speech for particular For example, through the study of Major’s speech in
relate them to
purposes. Animal Farm, they could give a talk on their vision of an
function and and
ideal world and write a commentary comparing their
context See also Unit 2. http://shakespeare.mit.edu/julius_
language and techniques with those of the original extract.
caesar/julius_caesar.3.2.html
Candidates 6. Audience and purpose in spoken texts Passage for comment 5a (Appendix 7) could be used as a The Penguin Book of Twentieth
are required starting point for this work: Who is President Nixon trying Century Speeches (Brian
Learners should be encouraged to
to comment to address here, and to what effect? McArthur) is an very useful
consider the context and purpose of the
on: source of a range of speeches for
speech and the possible persuasive The use of evasion or self-blame might provide some
V2.1 24
strategies it is trying to adopt. interesting comment. consideration.

how speakers For example, a speech could be:
A comparative approach may work best here, seeing how More challenging activity
communicate • a eulogy
different speakers vary the mode of address depending on Nehru's speech on Ghandi's
attitudes, bias • an apology or defence purpose and audience. Learners could be directed death (source as above) is useful
or prejudice • an attack towards Major’s reliance on the idea of Comrades for considering mode of address
• a desire to make people accept compared to Mark Antony’s mocking and ironic tone and to audience - the way he
a particular viewpoint or idea.. Nixon’s more earnest and ‘sales-pitch’ approach. addresses the nation as 'children'
compared to the way he describes
the assassins.
Candidates 7. Techniques in scripted speech Learners could explore Passage for comment 2a (Appendix Learners might study Martin
are required 4) and the ways in which the speaker uses contrast to Luther King’s I have a dream
Learners should be introduced to a
to comment reinforce his points. speech and the Nehru speech for
range of techniques used in scripted
on: patterns of words (light/dark,
speeches: Contrasts between past and present and the different ways
hills/valleys) and the use of
vocabulary • how public mission/vision may of life his nation follows can be compared to those of the
religious inferences.
combined with the personal 'white man' and his generation.
figurative • how the speaker may adopt a The speaker has a vision of the way things were and
Confident learners might derive
more humble or ordinary way of benefit and entertainment from a
language should be, and adopts a personal, elegiac tone to lament
speaking, drawing on personal site which contains a wealth of
the passing of things and the present situation.
memories and anecdotes rhetorical figures, such as:
word order
and sentence • use of religion and/or patriotism http://web.cn.edu/kwheeler/schem
structure, tone, • use of contrast. es.html
bias
or prejudice
V2.1 25
Candidates 8. Getting started on writing (2) Learners could experiment with each of these techniques. The Speaker – a BBC television
are required Working in pairs at first, they could set each other programme from 2009 – has
Learners should explore the language –
to: miniature challenges. interesting material at:
especially some of the rhetorical
For example, they could: www.bbc.co.uk/speaker/improve/ex
devices – found in scripted speech,
write for a • use repetition to persuade someone to lend them perts/speechwriter.shtml
including:
specific a prized possession
• repetition
purpose • employ abstract nouns to make a party sound
and/or • lists of three More challenging material
inviting
• use of abstract nouns to offer a The Forest of Rhetoric at:
audience • try to use humour to encourage a teacher to http://humanities.byu.edu/rhetori
using vision
extend a homework deadline.
appropriate • adjectives c/silva.htm has possibly the
• imagery (which may draw on They could also research other speeches where a range most exhaustive list of rhetorical
vocabulary,
religious themes/symbols) of techniques have been used. These may be well-known figures.
tone and style
• patterns of words/contrasting and/or historic speeches; equally they may be more local
patterns of words and/or contemporary examples.
• the use of cumulative phrase
• the use of syntax for effect
• irony
• humour.
Literary material:letters,diaries,essays,
(auto) biographies, narrative/descriptive
writing.
V2.1 26
9. Approaching literary material Learners could integrate work on fiction texts with work on Websites offering eTexts:
Narrative, Imaginative and Descriptive Writing from Paper
Learners should be encouraged to think www.eserver.org/fiction/short.htm
2 and with Unit 4 linked to those activities.
about the contextual information l
provided for any passage, and to A light-hearted introductory activity could be to give
www.americanliterature.com/SS/
consider what they know (or can learners (working in pairs) the opening lines of a series of
SSINDX.HTML
deduce) about the passage’s purpose. novels, and invite them to deduce what they can about the
novel from the information provided and from the style. The University of Adelaide
In the case of a narrative or other
eBooks:
sequential text, the point from which the For example, there are ready-made lists at:
http://ebooks.adelaide.edu.au/l/lit
extract is taken will be significant – e.g. http://novelopenings.blogspot.co.uk/
erature/
the opening of Italo Calvino's novel If on or
a winter's night a traveler – example www.writingfix.com/PDFs/Writing_Tools/Novel_Openings. Project Gutenberg:
quoted in Unit 2. pdf www.gutenberg.org/
10. Mood and setting Basic research

Passage for comment 3a (Appendix 5) from The Great Descriptive passages from Hardy
Learners should be made aware of how
Gatsby is a starting-point for an exploration of setting (e.g. the opening chapter of The
these contribute to our understanding
and atmosphere. Return of the Native) or Dickens
and appreciation of an extract. They
Does the ‘cool’ mood reflect the characters? or does it (e.g.the opening of Bleak
provide a good starting point for any
suggest something more artificial? House).
critical analysis.
Passage for comment 6a (Appendix 8) allows the reader The opening of Ethan Frome, for
11. Physical description
to see how the physical description of Aunt Daisy example, has striking examples
Learners should also examine any establishes a sense of her character. of mood/setting and physical
references to physical description and description – available as an
After annotation and highlighting relevant sections,
their relation to aspects of setting: ebook at:
learners should try to write short pieces where they try to
• do the physical descriptions www.online-
employ the style of the original to describe setting and
reflect those of the setting? literature.com/wharton/ethan_fro
character. Reading aloud and discussion of these
• do they contrast with it? shorter pieces may help to redraft and refine the writing. me/2/
• do different characters Further work on description in Unit 5 will be helpful.
contrast? and, if so, with what
effect?
12. Characterisation and dialogue ‘Reporting’ verbs (he exclaimed … she suggested … I www.quantumtheatre.co.uk/storyt
murmured) and adverbs (tenderly … suspiciously … eachersnotesKS2.pdf offers an
These fundamental aspects of narrative
coolly) may be an author’s way of signalling opportunity to apply techniques of
V2.1 27
writing can provide a way into a characterisation. linguistic analysis to some very
passage. Reading the passage aloud in familiar children’s literature. It
Learners should be encouraged to practise a range of
different ‘voices’ can also help. includes an exercise in identifying
reporting verbs and adverbs.
the adjectives, adverbs and
The way characters speak to each other
Again, this is an activity which could be done in pairs at similes in a small section of
can ‘sign-post’ the nature of the extract.
single-sentence level: narrative and dialogue taken from
This works not only in terms of content
(what they say) but also in terms of tone • Try writing a line of dialogue where the reporting The Lion, the
verbs and adverbs create the characterisation. Witch and the Wardrobe.
(how they say it).
• Then try to write the same line again without
Learners may also consider the question any reporting verbs or adverbs. More challenging research
of whether one speaker/character is • How would you have to change the line of More able learners might try the
more dominant than another. dialogue in order to convey the same sense? opening of Forster’s A Passage
to India or Chandler’s The Big
This activity would work well with turning a scene from a Sleep.
novel into play-script form. Learners have the resources
of all their prior reading, including literary texts they may
have studied for examination at O Level/IGCSE. They
might revisit short sections of any/all of these with a view to
practising their skills of close reading and inference.
13. Other aspects Learners need to establish a basic understanding of: More challenging level
• narrative voice Irony in the (narrative) voice can
See the work at the end of Unit 2 on
‘Voice’. (There is also further work on • point of view – first-person or third-person? prove difficult for learners to
this in Unit 4: Narrative.) • how choices of vocabulary in the narrative voice identify with any confidence, so it
create the tone. can be helpful to practise with a
wider range of texts and tones.
V2.1 28
Unit 4: Imaginative writing (narrative/descriptive)

A competence of written English at O Level/IGCSE. Some appreciation of how different forms of written English are required in different contexts.
Context
This unit has as its subject matter the acquisition of skills for Paper 2 Section A. It could be undertaken at any time during the AS Level course, most helpfully in
combination with Unit 5.
Outline
This unit deals with narrative or descriptive writing, and concentrates on developing the ability of learners to write imaginatively, using language to create deliberate
effects, e.g. in conveying a mood or describing a character.
Paper 2 Imaginative Writing Learners could link aspects of this work with activities on
Section A (narrative/descriptive) Unit 3 covering directed writing.
Candidates 1. Getting started on writing: w orking with Learners could work in pairs to research the day’s news, Basic level
are required narrative/plot in print or online form, looking at news stories that have Websites with complete short
to: a clear narrative. stories that include many
A narrative is of course a series of
events, but too many unlikely or dramatic • choose four current news stories, preferably useful for teaching:
ones which appear in a number of different www.bibliomania.com/ShortSto
write ones will not help in developing a
sources ries/
imaginatively convincing account. A story can revolve
around the consciousness of a character • for each one, make notes on the factual basis – www.short-stories.co.uk
use language in a daily routine and still be very in other words, pick out the basic elements of Legends, myths and fairy tales
to create effective. plot/narrative make wonderful resource
deliberate • each pair of learners then divides the stories material for work on narrative.
Every day our own lives contain many between them, choosing two each
effects Many novels also contain
narratives and parts of narratives. • working from the shared notes produced in their interesting techniques and are
Learners can be encouraged to have paired work, each learner then individually writes
convey mood listed below where appropriate.
confidence that they have within their a single paragraph for each story, concentrating
grasp all the material they will need for only on bare narrative
describe a More challenging level
successful stories. • these pared-down narratives can then be
character Learners interested in the
displayed on poster-size charts or interactive theory of narrative might be
screen for the whole class to see. directed to
V2.1 29
www.englishbiz.co.uk/semiotic
s/basicsemiotics/syntagms.htm
l
Candidates 2. Getting started on writing: introducing Using the work from the section above, get learners to work out Take brief items from the
are required characters and point of view the ‘formula’ for a newspaper story – i.e. that it is always in the newspaper and discuss how
to: third person, with some occasional sentences of direct the stories might have begun,
Although every story depends on
speech (quotations) in the first person. or how they might eventually
write characters, there should not be too
end.
imaginatively many. One or two well-developed Choose one suitable example from the displayed mini-
characters will be more effective in 600– narratives from above, and work as a class to shift the point Working in small groups,
900 words than a cast of thousands. of view form third- to first-person – in other words, to make it learners write outlines of
use language
a personal eye-witness account. events that happened to each
to create The point of view of the story needs to
member of the group at the
deliberate be decided. Events could be recounted Practise identifying and then changing the point of view in a
weekend, and discuss their
effects by an omniscient narrator* in the third range of texts.
potential for making a story.
person (he/she/they) or focused on one • Learners could be encouraged to bring their own
convey mood individual's actions and feelings in the examples. Use individual class
first person. • Teachers could provide examples, including some presentations to tell stories
describe a taken from texts learners have encountered at O from the lives of older family
The main character could be an
character Level/IGCSE. members.
observer or by-stander, or one of the
• Ready-made examples are widely available on the
main initiators of the action. Give the beginning of a story
internet, for example at:
and each member of the class
*An omniscient narrator is one who knows www.ereadingworksheets.com/point-of-view-
suggests an outline plot and a
everything that is happening, and has a worksheets/point-of-view-practice-activity.htm
possible ending.
kind of god-like knowledge and overview.
Other activities could include: Everyone brings in a
• rewriting a third person story in the first person photograph as the basis for
from the points of view of two of the people in the making a narrative.
story
• learners working in pairs or small groups to NOTE: All of the above
develop the characters through role-play and be resources depend on what
questioned by other members of the class about candidates already know, and
V2.1 30
the characters' appearance, personality and state should build confidence in a

of mind belief that learners carry with
• writing brief conversations between characters, them enough material for any
trying to show what is happening in their words task the examination may offer.
without telling it directly to the reader – this could
However, they may be ready
be in play-script form
for further external stimulus in
• planning and writing a story in the form of the form of ‘models’ of writing.
several diary entries, or letters between friends. For example, novels told from
two or more points of view
As a whole class, compare the different effects gained. include some of Paul Zindel's
‘teenage’ books (e.g. The
Undertaker's Gone Bananas)
and novels by Jodi Picoult
such as Nineteen Minutes, The
Pact and The Tenth Circle.
Candidates 3. Effective openings Going back to the displayed material from Section 1 take a Basic level
are required suitable example of a simple narrative as a collaborative The openings of short stories
An effective opening to a story should class activity, or in pairs, try writing two different openings:
to: by Thomas Hardy and Charles
hold the reader's interest straight away.
Dickens could be compared
write clearly, A nineteenth-century story would often (a) The exposition of a character and the events with the openings of stories by
accurately, begin with an introduction or exposition. leading up to the action of the story. Raymond Carver, Anita Desai
creatively and and Ernest Hemingway.
effectively for A more modern approach might be to (b) Going straight into the middle of a dialogue
plunge into the middle of the action – in between the same character and another one – More challenging level
different
medias res – and to leave the readers to a method which suggests events more For confident learners
purposes and
work out gradually who the characters are indirectly than (a). interested in the history of
audiences,
and what their situation is. literary techniques, the internet
using different
As a class or in pairs, learners can then discuss the offers many accounts of in
forms NOTE: Examination questions sometimes
effectiveness of each method. medias res. A brief explanation
ask for just the opening of a story, so
can also be found at:
practice is important. Small groups could consider whether there are other ways www.whitcraftlearningsolutions
of opening a story, researching the openings of stories by .com/Resources/In_Media_res.
published writers and presenting their findings to the pdf
class.
V2.1 31
Candidates 4. Using timescale and flashback Learners can find playing with time fascinating. Basic, leading to challenging
are required
Events takes place in 'real time' in Use a numbered chronological series of events as a basis Emily Bronte's novel
to:
chronological order (A–Z or 1–10). A (say 1–6) Working in small groups, find ways to tell the Wuthering Heights is one of
storyteller can choose to start in the story in any way other than 1,2,3,4,5,6 and share findings. the best examples of
write
middle or near the end and then ‘flash’; complex narrative
imaginatively
backwards or forwards, to gain particular Discuss the effectiveness of each method. methodology, and could be
effects. used selectively for
use language
Write a framework story. illustration.
to create Some nineteenth-century short stories
Write a paragraph in the present tense, then rewrite the
deliberate used a framework – perhaps a group of Guy de Maupassant's short
same paragraph in the past tense. Consider the difference
effects characters talking together, with one stories often use
in effect, and how it could be used in a story.
telling a story which becomes the main frameworks.
theme of the narrative – for example,
Discuss the kinds of events where time seems to move The work of Margaret
Henry James’s The Turn of the Screw.
slowly and others where time rushes by, and how these Atwood is usually in the
In 600–900 words the timescale will not could be expressed in a story for a particular effect. present tense.
usually be very broad. Even within this
Maya Angelou's
limitation, certain events can be told more
autobiography Know Why
briefly and others suggested in more
the Caged Bird Sings covers
detail, compared with their real-time
seven years in one sentence
equivalents.
and a few minutes in two
chapters. In Joseph Conrad's
The Secret Agent, time
almost stands still for the
description of a murder.
Candidates 5. Appropriate endings This could usefully match up the work on openings: small Basic activity
are required groups could look at the endings of published stories, The BBC ‘Newsround’
An appropriate ending for a story is
to: analysing their methods and effects. website has a useful page
best planned from the outset. It is not
reporting on a survey which
advisable to start and then just write in Learners could take an instance of a story which has not
demonstrate a invited teenagers to comment
a rambling fashion until there is no time yet reached its ending from the displayed narratives from
knowledge of on the value of a ‘happy
left. Section 1. In small groups, they could ‘brainstorm’ two or
English ending’:
three different possible endings, then discuss which is
language Another common misjudgement is to http://news.bbc.co.uk/cbbcne
most effective, and in what ways.
and its use in end the story with a murder, an ws/hi/newsid_4760000/newsi
V2.1 32
a variety of earthquake or similar highly dramatic Some possibilities for endings include: d_4767200/4767216.stm
contexts climax which is unlikely and • a change in the point of view
unconvincing in the context of the story • a return to the frame in a framework story
as a whole. • a summary of events
Learners need to be realistic about • a 'twist in the tail' – an unexpected or ironic ending
what can be achieved in 600–900 can be effective
words and one hour of examination • a symbol which represents an important aspect of
time The word/concept 'closure' the story and has perhaps been used earlier
implies a completion or rounding-off, • an open-ended or even inconclusive ending
and may not always be achieved. revolving around a character's consciousness.
Candidates 6. Evoking settings Written exercises here can be limited to a paragraph More challenging level
are required setting a scene to create an atmosphere: e.g. a busy Various blogs contain advice,
In a short story of 600–900 words, too
to: market, a and activities which more able
many different settings are not advisable.
moon-lit scene, school break-time, by the sea ... learners might enjoy doing, for
A few touches of apt description should
write example
be sufficient to create the atmosphere of a Learners may need to be guided away from the tendency to
imaginatively http://rutterenglishvoicelessons
particular place. ‘over-write’: ‘flowery’ adjectives and verb-less sentences, for
.blogspot.co.uk/2009/03/voice-
use language example, can easily be over-done.
If working in a particular genre, then the lesson-3-imagery.html
to create
setting should be suitable for that genre.
deliberate
effects
Candidates 7. W orking with genre This is a suitable area for pairs/small group work at first. Detective stories: Agatha
are required Learners should be encouraged to think of other genres, Christie, Arthur Conan Doyle,
The genre of a story is its type or kind.
to: and research some writers who work successfully in them. Raymond Chandler
Some common short story genres are
mystery, detective, science fiction, war, Many stories could best be categorised as the human Horror stories: Roald Dahl,
demonstrate a Edgar Allen Poe
romance and the supernatural. It is not interest genre: relationships, feelings, memories, all
knowledge of
necessary to write in a particular genre explored within daily routines. (DH Lawrence, Thomas Science fiction: Arthur C
English
unless the exam question specifies it. Hardy, Katherine Mansfield, Raymond Carver) Clarke, Ray Bradbury, Isaac
language and
its use in a Asimov
variety of
V2.1 33
contexts
8. Useful strategies for bringing Some strategies to work on include: Look back at the work in Unit 2
the story together • showing, not telling – learners need to learn how to see how writers use language
to avoid always wanting to tell the reader and structure to create effects –
Only practice in writing will develop skills
everything – character can be shown through and, in particular, look for
to a high level.
action and words, not just authorial statement examples of the strategies listed
Learners should be encouraged to plan • repetition of key words for structural coherence in the previous column.
and redraft their stories at first, aiming • ellipsis – being concise and making choices – Raymond Carver and Ernest
for coherence of effect. accepting that you don't have to cover everything, Hemingway, for example, in
For each of the suggestions made in the and that suggestion can be very powerful their different ways, illustrate the
next column – except the last one – • description, imagery and symbolism (see below power of elliptical writing.
learners could write a paragraph using for more detail on description)
the strategy to show how it can work • balance of the different elements of the story –
effectively. too much description may hinder the progress of
the narrative – as may too much dialogue.
Candidates 9. W orking with description (1): the Start with individual senses and build up to a full sensory Guided practice activities are
are required senses description, leaving the most obvious (sight) until last. readily available on the
to write: internet. One which can be
To describe is to use words to express the
• With eyes closed, the sounds of the environment used by learners unaided is:
qualities of something, and is one of the
can be concentrated upon, or music or a specific www.elc.byu.edu/classes/buck/
most basic human language activities.
a descriptive tape played. w_garden/guide/academic/des
piece of A good place to start is to use the five • Food can be brought and its taste, smell and criptive/TE1.html
continuous senses to help in describing. The senses texture discussed.
writing of 600– of sight, hearing, touch, taste and smell • Fabric, leaves and other small interestingly- A good stimulus would be
900 words convey the experiences of living to our textured items can form the basis for exploration. description-rich writing, such
consciousness and are essential if • A sentence can be written for each sensory as the prose of Dylan Thomas,
experience is to be put into words experience. for example, the opening of
expressively to communicate to someone Under Milk Wood at:
else. Possible tasks – in pairs, with one learner responsible for http://gutenberg.net.au/ebooks
ideas on half of the senses, and the other for the remainder: 06/0608221h.html
These senses are sometimes called
visual, auditory, tactile, gustatory and Write a description of a walk recounting the sights
olfactory. It is common to describe what seen, sounds heard, feel of the pavement, smells See also:
something looks like (sight) but not so
V2.1 34
common to evoke the sounds and smells of the environment and sense of movement Ray Bradbury's short stories
of the place, for example. striding along. If eating at the same time, or tasting
T S Eliot’s poem Preludes at:
the pollution in the air, or the salt near the sea,
Another sense important to description is www.readbookonline.net/read
then all senses can be evoked.
the sense of movement or energy OnLine/3163/
(kinaesthetic).
Poems by particularly
descriptive poets are most
suitable here:
- Tennyson: The Lotus
Eaters
- Coleridge: Kubla Khan;
The Rime of the Ancient
Mariner
NOTE: This is not a ‘guessing
game’, but a useful framework
for imaginative and descriptive
activity, to help to develop
these faculties.
It is also a very useful exercise

for encouraging focus on the
details of an author’s
vocabulary. F Scott Fitzgerald
and Dylan Thomas, for
example, can usually be relied
on to have chosen surprising
and/or unusual adjectives and
adverbs.
Candidates 10. W orking with description (2): Learners need to appreciate the difference between
are required comparison and figurative language straightforward description – using precise but literal
to use: choices of vocabulary – and language used figuratively.
The most effective writing often employs
comparative figures of speech, such as (a) Working in pairs on The Rime of the Ancient Mariner,
V2.1 35
vocabulary simile, metaphor and personification, they could list different linguistic features of description:
which are all a form of metaphor. • unusual adjectives
figurative
This is sometimes known as imagery, and • expressive verbs
language (e.g.
will be useful in Paper 1 too. Using it will • similes
use of • metaphors/symbols
help learners to identify it in others' work.
metaphor and • any other linguistic features they find.
simile) Descriptive work is rarely literal in its
methods and effects. Symbolism - the (b) The cloze exercise – a procedure in which individual
use of physical objects or situations to words and phrases are removed from texts and the
represent feelings - is an effective learner must find an alternative – is encouraging to the
method in descriptive writing, as well as descriptive faculties, as well as stimulating discussion.
useful for drawing together the threads of Teachers might photocopy poems and blank out
a story. (See 8. above). descriptive words and phrases – or learners might do
this for themselves, working in groups or pairs.
Candidates 11. Using sound effects such as On this subject, as on many

Descriptive sentences can be enhanced with the judicious
are required alliteration and onomatopoeia others of linguistic interest, the
use of repeated sounds, or by the use of words whose
to: web pages of the University of
Sound repetitions are a distinctive feature sounds echo meaning.
Lancaster are excellent. They
of poetry, but they are also effective in
use language Learners can remember alliteration and its effects by writing are accurate, and they contain
prose.
to create a sentence about themselves: beginning with their first many activities which can be
deliberate NOTE: Although understanding of the name, all the following words with lexical content must used inter-actively:
effects concept is always more important than alliterate with it (e.g. Louisa loves lounging on a lilo in the www.lancs.ac.uk/fass/projects/
simple use of the terminology, it is as easy lake, licking a lemon lolly). stylistics/topic5a/7allit&rhyme.
to get these things right from the start as it htm
This exercise could also be used to reinforce understanding
is to get them wrong! So, learners need to
of word-classes, and to underline the difference between
be able to distinguish alliteration
lexical and grammatical items. The opening of Great
(consonants) from assonance (vowels)
Expectations by Charles
and to spell correctly onomatopoeia.
Dickens has some notable
‘sound effects’.
Comic verse frequently uses
alliteration.
V2.1 36
12. Creating an atmosphere Practise writing for atmosphere by altering all the BBC Learning Zone has
descriptive elements in a written exercise to change the various resources which
Descriptions of places can be framed in
prevailing mood. This can be an effective pairs or group learners can access
such a way that individual sense images,
exercise, and is helpful for vocabulary building. independently. For example,
descriptive words and metaphors or
e.g. ‘It was a dark and stormy night …’ becomes ‘It was a there is a series of clips which
similes all work together to create a
bright and peaceful evening …’. include the author Michael
distinctive atmosphere.
Morpurgo reading the opening
Again, an exercise that can be used to practise identification
of his book The Ghost of
of word-classes, and to explore aspects of vocabulary and
Grania O'Malley at:
semantics such as antonyms and synonyms.
www.bbc.co.uk/learningzone/cl
ips/atmospheric-writing-pt-1-
6/4468.html
Candidates 13. W orking with the imagination Free Writing – five or ten minutes of writing without Try the free writing exercise at:
are required structure or punctuation anything and everything that http://writesite.cuny.edu/project
Not all learners find it easy to use their s/stages/start/freewrite/index.ht
to: comes into the head – is an effective warm-up exercise:
imaginations, and different exercises ml
• it is entirely private and can be discarded
should be used to stimulate imagination.
write • then a more structured task can be tackled
imaginatively A helpful starting point can be a described • it clears the mind and helps anxious writers to Virginia Woolf’s novel To the
place or situation that seems ordinary, into free their blockages.
use language Lighthouse is often seen as a
which something surprising or strange
to create Stream of consciousness writing can reflect the complex prime example of the stream
intrudes or erupts.
deliberate activities of the brain, but is generally a carefully-chosen of consciousness style. Ebook
effects The surreal atmosphere of our dreams strategy, and not the same as free writing. at:
can be used effectively here. Even the http://ebooks.adelaide.edu.au/
most prosaic learner has dreams that are Some learners may wish to discuss the psycho-sexual w/woolf/virginia/w91t/part1.html
surreal or fantastic, and this is a good content of their dreams, and may need to be channelled #part1 '
starting point. away from such discussions.
Imagining that you are another kind of Imaginative responses can take the form of :
being, such as an animal or object telling • poems (or part-poems) written in the style of Many literary works are
the original suitable for such extension
its story, is also a stimulus to the
imagination. • a continuation of dialogue or scene that isn't in work and learners find it very
the original play enjoyable.
Imaginative response to another writer's • another paragraph or two from a novel.
work is an effective stimulus to the
affective rather than the cognitive brain. It The learner can imagine s/he is an object or an animal,
V2.1 37
also provides excellent practice for Paper and tell their story. ‘Empathy’ work - in which a story or
1 Question 2. play is told from the point of view of a character different
from the original focus – can be very stimulating.
14. Good practice Analyse the pieces of imaginative and descriptive writing Teacher Support is a secure
suggested in the resources, and discuss their effectiveness. online resource bank and
Analysing
community forum for
Read as many good descriptions as possible.
Reading Cambridge teachers. Go to:
Read imaginative stories out loud and discuss their http://teachers.cie.org.uk/:
Writing
effectiveness.
Sharing
Do as much timed practice as possible before the
examination, especially plans and opening paragraphs.
Read and comment on each other’s work.
Display good examples on the walls of the classroom.
Make a booklet of the best imaginative writing.
15. The examination tasks Exam practice 9093 Specimen papers

The specimen paper offers the following narrative task and available at:
In the examination, candidates will have to
prompt: http://teachers.cie.org.uk/:
choose one out of three questions.
• Write the opening to a novel called Escape from
Each question will require a narrative or
the City, in which a narrator describes her or his
descriptive piece of continuous writing of
experiences of moving to a rural area. In your
600–900 words (or two shorter linked
writing create a sense of the narrator’s outlook and
pieces of 300–450 words).
mood.
A short story of 600–900 words cannot
The specimen paper offers the following descriptive tasks
have a plot that is too complicated.
and prompts:
Learners therefore need to develop
strategies – as outlined in Sections 1 to 8 • Write two contrasting pieces (between 300–450
above – to make the task manageable words each), the first about a place before a flood
and to allow them to perform to the best of and the second about the same place after a flood.
their ability. In your writing create a mood and a sense of place.
V2.1 38
NOTE: Exam candidates should not retell • Write a descriptive piece called The Workplace. In
the stories of films they have seen – your writing focus on colours, sounds and textures
however tempting this may be – as this to help your reader imagine the scene.
will inevitably be far too ambitious for the
time allowed, and will seem secondhand to
the examiner.
V2.1 39
Unit 5: Writing for an audience (discursive/argumentative)

A competence of written English, demonstrated through success at O Level/IGCSE. Some appreciation of how different forms of written English are required in
different contexts.
Context
This unit has as its subject the acquisition of skills for Paper 2 Section B, and might be best studied towards the end of the AS Level course, as learners often find it
the most challenging aspect.
Outline
This unit addresses writing for an audience, with the outcome being a discursive or argumentative essay of 600–900 words, written in one hour under examination
conditions. This may sometimes be in letter form.
Paper 2 1. Discursive/argumentative This unit is often seen as very demanding, but it offers
As usual, there is a wealth of
Section B much scope for class discussion and debate, including
Although dictionary definitions of these potentially useful resources on
formal debates with proposers and seconders to a motion.
terms make them seem very similar, a the internet, some good and
Candidates Individual speeches can also be given to the class group.
discussion of a topic takes a broad and some inappropriate.
are required
thoughtful view which considers both or all Consider some issues which inspire strong feelings, and
to: Basic level
sides of the topic; an argument usually debate to what extent they can be discussed in a balanced
Some basic, simple guidance
presents a forceful set of reasons for way, and how far they are felt to demand an argumentative
write for a is available at:
adopting one point of view. approach.
specific www.bbc.co.uk/schools/gcsebit
audience Both forms demand a high level of logic in Introduce the idea of 'playing devil's advocate' and try to esize/english/writing/genreaudi
the structure if they are to be successful. encourage learners to adopt and develop arguments that encerev1.shtml
Practice is essential for successful they do not personally subscribe to. This helps to develop
present a view achievement in this unit. objectivity and a logical approach to controversy.
clearly,
A two-column ‘binary opposites’ approach to planning can
construct an
be helpful. Learners should be encouraged to imagine and
argument
anticipate the opposite point of view.
carefully, and
write
coherently and
persuasively
V2.1 40
Candidates 2. Successful pre-planning Past examination essay titles

Work through lists of discursive essays, highlighting the key
are required from all levels can be used, but
a) Generating relevant ideas words in the title. See if any patterns of essay type emerge.
to: the 8693 series has a
In the examination situation, learners will
Mind maps/spider diagrams can be drawn on the board, particularly extensive range. Go
have to generate ideas quickly, under
present a view with the whole group contributing ideas, and learning to let to Teacher Support at:
pressure. Before attempting even to plan,
clearly them flow and develop into new areas. This is a very useful http://teachers.cie.org.uk/
the key words of the essay title should be
group activity and encourages more diffident learners who
highlighted so that relevance is ensured. The BBC BrainSmart website
construct an lack confidence in their own ideas, when they see their
argument b) Brainstorming or mind mapping. incipient thoughts grasped and furthered by others. has a range of ‘self help’
carefully This is the activity in which all of a activities, including revision as
Lists can be created under headings from the spider plan, well as ‘mind mapping’, at:
writer's ideas on a topic are allowed to
write for those who work better in a more linear fashion. It must www.bbc.co.uk/scotland/brains
flow onto the page and be recorded.
coherently and be remembered that a written essay is a linear form, so the mart/memory/how_to_learn.sht
These may take the form of a patterned
persuasively ideas will eventually have to be processed in a linear way. ml
plan – a spider diagram or brain pattern.
One idea leads to another and all the Exercises in summary – in which key points are identified – James Cook University has
interconnections are shown, sometimes are helpful for learning how to achieve clear focus in an more extensive mind mapping
covering the page in a network of ideas. argument. support at:
It should feel like a creative activity. www.jcu.edu.au/tldinfo/learnings
Learners could ‘warm up’ for the exam practice task (see
Not all learners find this form of the section below) by first summarising the material at: kills/mindmap/howto.html
brainstorming helpful – some feel more www.bbc.co.uk/schools/gcsebitesize/audio/geography/pdf/fo
comfortable making a list. reign_aid.pdf
and then using it (as much or as little as needed) in the
writing.
Candidates 3. Essential planning Exam practice: Specimen paper task number 5: Many reputable university
are required Two politicians have been invited to contribute to a debate websites have ‘study skills’
From all the ideas generated by their pre-
to: on the theme “Giving Aid to the Poor Does More Harm Than sections, including advice and
planning, learners must select the material
Good”. exercises on essay planning.
most relevant to the essay title, guided by
For example:
the key words which they have
write in a Write the text of their speeches (between 300–450 words http://studentzone.roehampton.
highlighted.
a specified each). In your writing create a sense of opposing attitudes ac.uk/howtostudy/academicwrit
form for a Inevitably some material will have to be and viewpoints. The politicians may be real or invented. ing/unit5/index.html
specified abandoned. Learners find this a difficult
Learners make a two-column list of matching/opposing
audience discipline, as they do in other subjects Planning and writing exercises
points, put points in logical order – number them, write each
where they are trying to cram as much in in which only five main points
V2.1 41
as possible. It will be interesting – for speech, thinking about how choices of language will create (with supporting examples) are
learners and teachers – to compare the ‘voice’ and attitude. allowed will also help in
plan with the final essay, noting points not prioritising material. Such
used. points form an essay plan.
Candidates 4. Essential paragraphing Basic level More challenging level

are required Practice in organisation can begin with examples of Learners who can be relied on
At this stage, it is better not to focus on
to: successful essays being physically cut into paragraphs. to work independently will find
the introductory and concluding
Learners then reassemble them in the correct order and plenty of support in university
paragraphs of the essay.
construct an give reasons for their decisions. webpages dedicated to
argument The material must be selected and then teaching learners how to write
Writing paragraphs on single topics can be practised. There
carefully developed into paragraphs – groups of a formal academic essay.
should be one topic sentence and the rest should be in
sentences which contain one controlling
support of it. This work is an essential groundwork for
write idea and sentences which support that
writing a logically structured, well-planned essay. It is
coherently and idea.
suitable for group work, where the group can monitor each
persuasively
The sentence which contains the main other's contributions.
idea of the paragraph is sometimes known
write in a
as the topic sentence. There may be four More challenging level
specified form
or five sentences in a paragraph, though it Bearing in mind the requirement to write in a specified form
for a specified
will depend on the subject matter. (e.g. a magazine feature, article, review, letter to a
audience
newspaper, scripted speech, voice over) for a specified
In summary: audience, more able learners might practise the paragraph-
• one main idea on-single-topic exercise with a clearly defined audience in
• clearly stated mind. Audience will always determine choices of language:
• supported with examples it’s important for learners to be able to adopt a suitable
• linking with the previous paragraph tone/voice right from the start.
and the one that follows
(see next section for signposting) These activities lead naturally on to 5. Essential signposting.
V2.1 42
Candidates 5. Essential signposting Individually or in pairs, learners could research and www.school-
are required analyse (good) letters to the editor of a newspaper and portal.co.uk/GroupDownloadFil
Paragraphs need to be arranged in a form
to: examples of (good) leader or article writers, to see e.asp?GroupID=1059703&Res
for maximum effectiveness. The direction of
(good) signposting at work. ourceId=3459104
the argument must be signposted so that
construct an
the reader can follow the structure of the More able learners could evaluate what is successful
argument The simple formula in the
argument, seeing its logic – where it is and what is not; less confident learners might need to be
carefully middle column can be
going. directed to examples of successful structuring.
write extended to serve the more
coherently and Signposts – sometimes called discourse Learners must try these signposting devices themselves, complex set of arguments that
persuasively markers – are usually to be found at the starting with simple accumulating arguments. e.g. 'Give would be needed for a title
beginning of the paragraph. They may be reasons why you enjoy a particular sport' could begin 'The such as ‘Discuss the idea that
single words (but/however/similarly) or main reason', followed by 'another reason', followed by 'I television does more harm
phrases (on the other hand/another way in also like' followed by 'But my main reason is …’. than good.’ Such an essay will
which … ) almost certainly demand '0n
the other hand …’.
Candidates 6. Writing Start by offering learners a paragraph plan that will work. This More useful academic
are required may be: guidance can be found at:
Check that ideas are in the right order, then
to: • a plan produced by the teacher
try writing them in paragraphs following the
guidelines given above, omitting the • a plan produced by an individual learner or www.ncl.ac.uk/students/wdc/le
present a view pair/group. arning/academic/analytic.htm
introduction and conclusion.
clearly
The four or five paragraphs that result are As much practice as possible will make essay writing more
construct an often known as the main body of the essay. enjoyable. Plans and openings need to be practised most of all.
argument The ideas should follow a logical sequence
carefully and the structure of the essay should be Learners need to feel comfortable enough NOT to panic
clear. and write unplanned essays when they get into the
examination.
7. Introductions and conclusions Student Handbook for English

Give a range of essay topics, audiences and formats.
(Durran and Stewart) ISBN:
An introduction should show the reader
Learners practise writing introductions: they can be taken in 9781857495850
that the question is going to be addressed
and read out loud, with the merits of each one discussed,
and how the writer is going to discuss the
V2.1 43
topic. It should make the reader want to anonymously if required.

read on. It does not have to be very long,
This exercise cannot be exactly duplicated with conclusions,
provided that it is clear.
since they depend on the thrust and direction of the
A good conclusion should be strong, preceding essay. However, learners can still comment helpfully
pulling the essay together. It is a pity if all it on each other’s work.
does is to repeat the earlier arguments; a
Plans can be created with the introduction and conclusion
good conclusion can add something else to
written in full, and the main body in point form.
the argument, saving a good point to the
end.
8. Editing: an important final check Every piece of work should be checked as a matter of Improve Your Punctuation and
course. Grammar: (Marion Field) How
Especially under exam conditions – but as To Books, 2009 ISBN:
a matter of course, every day, with class Checking needs to become second nature – if indeed it isn’t
9781845283292
work or home work – learners must check already – for learners, a necessary habit of personal hygiene
that meaning is clear. like cleaning your teeth.
A piece of work isn’t ‘finished’ if it hasn’t been actively
• Are grammar and spelling checked. Learners should know their own frailties – for
accurate? example, are they inconsistent with sentence boundaries? –
• Have any words – or word endings and look actively to locate and correct their mistakes.
– been missed out?
Candidates 9. The letter form More challenging level

Reading and writing letters of argument and complaint
are required Able learners may be interested
Every day, in quality newspapers all over must be practised.
to: in research on how electronic
the world, letters are printed expressing a Suitable advice on layout (address, introduction and closure) communication is changing
understand point of view or argument. Letters of should be given, including email format. manners and practice in formal
and analyse complaint are written to all manner of and less formal letters, and their
texts in a agencies and public departments, setting Various local, national and international newspapers and
e-equivalents.
variety of out logical arguments in order to persuade magazines accept letters from members of the public in See, for example:
forms the reader of the validity of a point of view. their print and online editions. www.llas.ac.uk/resourcedownloa
These are argumentative essays, and For an example of a structured letter on a controversial ds/3088/mackevic1.pdf
write clearly, require introductions, main bodies and subject (women being allowed in the armed forces) see:
V2.1 44
accurately, conclusions as suggested above. www.telegraph.co.uk/comment/letters/4258993/A-tank-is-

creatively and no-place-for-women-during-battle.html See also style guides such as:
However, the recipient of the letter must
effectively for www.e-
always be kept in mind, even when (s)he is Learners could be given this letter (or any similar letter) as:
different education.psu.edu/styleforstude
purposes and
not in effect the audience. For example, the • a Paper 1-style exercise in commentary and directed nts/c7_p2.html
editor of the newspaper is not the audience writing
audiences,
using different
for a letter about world poverty – the • a Paper 2 exercise in summary followed by writing for
readers of the letter column/page are – an audience – a response to the letter in similar
forms
whereas the complaints department of an format, taking the arguments offered by the writer
airline is the audience for an email and making the opposite case.
criticizing the company for its lack of
environmental concern.
Candidates 10. Material for practice A regular class time ‘slot’ in which learners take it in turns http://englishlangsfx.blogspot.co.
are required – perhaps in pairs/small groups – to present a linguistic uk/
Learners are (of course) to be
to develop: slant on items of world news could be built into the
encouraged in anything which helps
timetable. These presentations could feed into work from www.ling.lancs.ac.uk/alevel/
them become more responsive to the
critical and the other units.
world and its issues. The ability to
informed http://languagelegend.blogspot.c
read critically and thoughtfully is
response English language blogs naturally feature items which are o.uk/
crucial to their development:
to texts in a current in world news. Recent items could be displayed on
responsiveness to language is a
range of interactive whiteboards, and learners made responsible for www.waywordradio.org/
measure of intellectual and personal
forms, styles researching and updating their content.
development.
and contexts
The Global Language Monitor
Reading widely will extend the potential
firm foundation website at:
scope of their arguments, and sharpen
for further www.languagemonitor.com/
their analytical ability.
study of
language and
linguistics
Candidates 11. Reading Do as much timed practice as possible before the exam, Cambridge International
are required including essay plans. Examinations AS Level English
to: Writing Language and Literature (Toner
Read and comment on each other's work.
and Whittome) – sample at:
develop inter- Sharing Display good examples on the walls of the classroom or on http://education.cambridge.org/
V2.1 45
dependent interactive displays. media/

skills of
Conduct formal debates as well as general discussions.
reading,
analysis and Listen to each other's points of view.
research
Try to argue with logic as well as passion.
12. 9093 Specimen papers Remember that the overarching requirement of Section B is Cambridge International
Writing for an audience. Examinations AS Level English
Q4: A technology journalist writes an Language and Literature (Toner
article called The Future is Being The activities above may be applied to the 9093 specimen and Whittome) – sample at:
Revolutionised. The article describes how papers which can be found on Teacher Support at http://education.cambridge.org/u
new inventions are going to shape the next http://teachers.cie.org.uk/ k/subject/english/english-
twenty years and the benefits they will language-and-
bring. literature/cambridge-
Write the text for the article. In your writing international-as-level-english-
create a sense of enthusiasm and language-and-literature
excitement.
Q5: Two politicians have been invited to

contribute to a debate on the theme Giving
Aid to the Poor Does More Harm Than
Good. Write the text of their speeches
(between 300–450 words each).
In your writing create a sense of opposing
attitudes and viewpoints.The politicians
may be real or invented.
Q6: Write the script for a voiceover of a TV

documentary called You’re Only Young
Once. The script is aimed at a youth
market.
In your writing create a sense of the joys
and troubles that life at this age can bring.
V2.1 46
Unit 6: Text analysis

Experience of a wide range of text types at AS Level and proficient command of written English.
Context
This unit builds on the reading and writing skills developed at AS Level. The potential range of material for reading and analysis is wider, and includes transcriptions
of natural (spontaneous and semi-spontaneous) speech as well as prepared/scripted speech. In the directed writing task, skills of commentary are extended to
cover comparison of the candidate’s own style and language with the style and language of original texts.
Outline
An element of comparison is required in Paper 3 in the analysis of specific features of form and style, and of how these features relate to purpose, audience and
context in a range of text types.
Paper 3 1. Directed writing task (1) All of the work and activities suggested in Unit 3 for Learners should research sources of
Question 1(a) directed writing tasks set for Paper 1 may be re-visited or texts covering the full range in the
In Question 1(a) of Paper 3, candidates
adapted. syllabus: transcriptions of
are required to undertake a directed
write for a speech/spoken material/scripted
writing task: NOTE: The exam task is a short (120–150 words) piece of
specific speech (e.g. a campaigning
purpose • of 120–150 words writing, and may be only one part – e.g. an introduction or
broadcast or political speech),
and/or • based on an original text printed an opening or a conclusion – of a potentially longer piece.
advertisements, brochures, leaflets,
audience on the paper Learners therefore need to practise the skills of: editorials, news stories, articles,
using • for a specific purpose/audience • ‘tuning in’ quickly to a style/format reviews, blogs, investigative
appropriate • using appropriate vocabulary, • showing an implicit appreciation of the style and journalism, letters, podcasts, (auto)
vocabulary, tone, and style. language of the original text. biographies, diaries, essays, and
tone, and style narrative/descriptive writing.
NOTE: In contrast to the format of Paper As a regular ‘starter’ activity, learners need to be made
1, where the directed writing task comes accustomed to responding to particular text types by doing Some of these may emerge from the
understand
after the commentary task, in Paper 3 a short directed writing task. individual hobbies and interests of
spoken and/or
candidates are required to do the writing particular learners – e.g. music and
written
task first. NOTE: These should include spoken texts, both prepared film reviews, fashion journalism,
language
and spontaneous. interviews with sports stars – while
Rationale: A piece of writing which others may be found by thoughtful
distinguishing responds to an original text has for some Individual learners could take it in turns to find and bring a searching of the internet. Possible
features of time been seen in assessment terms as text to class in preparation for the next lesson, together sources listed below.
V2.1 47
written and an acceptable form of textual analysis. with a directed writing task based on that text. This will
spoken The analytical element is implicit in the need to be done at least a lesson in advance so that the TV and film script websites:
language choices of language made in the teacher can be sure that text and task match the syllabus
www.dailyscript.com/movie.html
candidate’s own writing. requirements.
linguistic www.imsdb.com/
concepts
2. Directed writing task (2) Written text: Use Passage 1 for Paper 3 (Appendix 1). www.mymoviescripts.com/
understood
and applied in The specimen mark scheme for the Before giving learners the passage and task, brainstorm
helpful ways directed writing task indicates that and list features which would be expected of a
Scripted speeches:
knowledge and understanding of newspaper story about a current natural disaster.
linguistic spoken/written language should be http://www.independent.co.uk/news/u
Learners working at a basic level could be provided with
concepts implicit in candidates’ writing. k/politics/gordon-brown-i-joined-this-
relevant to a series of prompts based on the distinguishing features
party-as-a-teenager-its-values-are-
spoken texts Careful attention to the requirements of bullet-point list in the Learning Objectives column, and
my-moral-compass-5545030.html
the task should cover understanding of then given 10 minutes to read and annotate the
the original textual material, and an passage.
appreciation of how it needs to be re- Differences between scripted and
More confident learners working at a more challenging
worked in terms of spontaneous/semi-spontaneous
level could be left to study the passage in pairs or
• audience and purpose speech:
groups, to locate significant linguistic features and to
• form, including conventions annotate these. They could then write just the opening 25– www.englishandmedia.co.uk/publicati
• style and effects. 35 words for their own directed writing task. ons/downloads/pdfs/Inv%20Lang%2
0SL_SAMPLE.pdf
The syllabus requires learners to identify Whole class work:
and analyse distinguishing features of Display all the opening sentences, then display the
written and spoken language in the directed writing task instruction again: ‘… produce a brief
text(s), such as information sheet, advising people what to do …’ Ask
• vocabulary learners to consider how well these opening 25–35 words
• word order and the structure of relate to the function and context of the directed writing
sentences/utterances task.
• figurative language (e.g. use of Learners can have several attempts at writing the opening,
metaphor and simile) if necessary. When they are ready, they can complete
• formality/informality of tone the task, keeping strictly to the word limit.
• communication of attitudes, bias
or prejudice. Spoken text: Use Passage 2 for Paper 3 (Appendix 3).
Before giving learners the passage, tell them the task,
V2.1 48
Basic linguistic concepts relevant to and brainstorm a list of features of style/format which
directed writing based on spoken text: you would expect to find in a television news report.
• verb-tense, e.g. shift from present
Confident learners working at a more challenging level
into past
could be left to do this in pairs or groups.
• proper nouns > common nouns >
pronouns, e.g. When Eddie Izzard Learners working at a basic level could be provided with
met Prime Minister earlier today, a series of prompts based on the basic linguistic Analysing language and style
the comedian asked the politician concepts bullet-point list in the Learning Objectives The University of Lancaster hosts a
to explain to him … column. very supportive course on language
• vague language and precise and style at:
language, e.g. huge amount of www.lancs.ac.uk/fass/projects/stylisti
Finally, learners write their response – the text for the
stuff contrasted with crestfallen cs/index.htm
news report – in 120–150 words.
• signs of shared knowledge in
face-to-face conversation, e.g.
every so often (.) you know (.) for Further practice
some reason though it went on for Encourage learners to make their own transcriptions of
two or three days (.) which is discussion/conversation,
longer than normal (.) and the
leaders would go out of the room Revisit resources and ideas on speeches from Unit 3.
(.) you know (.) go and watch the
latest game (.) and then they
would come back disappointed (.)
you know (.).
Paper 3 Compare the style and language of Learners need to develop the ability to apply informed The shifts which need to occur from
Question 1(b) learner’s response with the style and critical response to their own writing. This is a progression the original text in Question 1 to the
language of the original text: from AS Level, where the analysis is applied to the directed writing are movements in:
relate features writings of others. • audience
• awareness of
to the function
Learners working at a basic level should complete and • format
audience/conventions
and context of • purpose.
the texts • awareness of form and style hand in part 1(a) of the directed writing task before the
• awareness of purpose end of a lesson.
Learners will be familiar with directed
identify and • selective and relevant quotation At the start of the next lesson, they should be given back writing tasks from O Level/IGCSE as
analyse • use of and reference to texts. their work and told to annotate it in pencil as if it were a well as from AS Level.
distinguishing text for analysis written by a third party. They should then
V2.1 49
features of The skills and approaches required to do complete part 1(b) of the task, as worded in the Learning
written and/or Question 1(b) are clearly very similar to Objectives column.
spoken those required for Question 2 – so please
More confident learners working at a more challenging
language see the section below.
level might work in pairs to read and ‘critique’ (and
annotate) each other’s work.
organise NOTE: The ‘prompt’ or ‘command’ word in
information both of these questions is Compare … The intention should be to move learners to a position
coherently in However, it must be remembered that the where they can look at their own writing objectively and
their answers topic of Paper 3 is Textual Analysis, so see it in comparison with the original text in terms of style
the method must be analytical. It is up to and language. Learners who are thought capable of
candidates to organise their answers in a working independently at a more
way that allows them to analyse style and The skills and approaches required to do Question 1(b) challenging level might be
are clearly very similar to those required for Question 2 –
language. The comparison may be made encouraged to investigate website
so please see the section below.
in any way that helps the analysis – so resources for themselves.
there is no advantage in starting with one
text rather than the other, or in sticking to
a particular order, such as always dealing
with a spoken text first.
Paper 3 Question 2 is based on two longer texts More challenging level

Outline the structure of Paper 3 at the very start of the A
Question 2 (300–400 words each). If the school has a Virtual Learning
Level year. Make sure learners understand the
Environment (VLE), more
The texts will have some thematic requirements: see the syllabus.
identify and independent and capable learners
connection, but will be from different types
analyse Over a planned length of time – e.g. the first half-term – can be encouraged to set up a
of source/form.
distinguishing learners take it in turns to find and bring in three texts of blogspot to which they contribute
features of Candidates are required to compare style 300–500 words, linked by a common theme, one of which topical items. (Enterprising learners
written and/or and language of the texts. must be a spoken text. This needs to be done a week in might set up their own blog without a
spoken advance of the planned lesson in each case, so that the VLE – or a teacher might create one
language in The point of the thematic connection is
teacher has time to establish that the texts are of suitable for the learners.) The items
the text(s) that candidates need not spend (=waste!) appearing might be as simple as a
length, demand and content. If not, individual learners
time exploring similarities or differences of sign learners have seen with an
may need further guidance.
vocabulary, content. The focus of their answers must
interesting use of language, or a
be analysis of how choices of language This should ensure a steady stream of material on which
word order news item with a linguistic slant.
and the combine to construct meaning. learners can practise. Otherwise the strain on teachers of
(This will be even more useful for
structure of finding endless textual material is considerable.
The column on the left refers to aspects of Paper 4.)
V2.1 50
sentences/ language which candidates need to be All of the material and activities in the Media Texts and For inspiration, and an idea of what
utterances thinking about. What the syllabus aims Spoken Texts sections of the Unit 2 scheme of work can can be done, they could look at:
call a critical and informed response be adapted and used for Paper 3. Material which was http://englishlangsfx.blogspot.co.uk/
figurative means a habit of reading where the earlier found to be too difficult for learners working at a or
language (e.g. learner automatically looks for basic level might be used at this stage. www.worldwidewords.org/
use of distinguishing features of language.
metaphor and
simile) Syllabus coverage Satire
Syllabus coverage
The syllabus states that for Paper 3 one Craig Brown often targets celebrity
formality/ of the texts (either for Question 1 or The list of text-types which may figure in Paper 3 is open- culture in the UK and USA – e.g. at:
informality of Question 2) will be a transcription of ended: ‘texts will be drawn from forms such as …’ www.vanityfair.com/culture/features/2
tone speech/spoken material/scripted speech 009/09/vanities-paltrow200909
This needs to be treated as an opportunity, not a problem:
(e.g. a campaigning broadcast or political the examination will test learners’ analytical skills rather
how attitudes, speech). So candidates need to be More confident learners might enjoy
bias or than their knowledge of a particular text-type.
familiar with both spontaneous and satirical fiction which blends genres,
prejudice are planned speech – though they cannot be The only element in the left-hand column which is ‘new’ at such as How to get Filthy Rich in
communicated sure in which question they will encounter this level is the analysis of spontaneous speech – and this Rising Asia (Mohsin Hamid) – see:
the spoken text. will have been touched on in Unit 2. www.penguin.com.au/products/9780
241145906/how-get-filthy-rich-rising-
The mode which learners regularly find hardest is ironic or asia/342924/extract
The other texts will be drawn from forms satirical writing – and this is often how attitudes, bias or
such as advertisements, brochures, prejudice are communicated. It’s therefore essential to
leaflets, editorials, news stories, articles, expose learners to texts which adopt a lighthearted tone.
reviews, blogs, investigative journalism,
letters, podcasts, (auto) biographies,
diaries, essays, and narrative/descriptive
writing.
V2.1 51
Unit 7: Language topics

Learners should have an understanding of how language works in a range of contexts; proficient command of written English and an interest in linguistic issues.
Context
This unit develops interdependent skills of reading, analysis and research, with an increased emphasis on spoken language.
Outline
Learners require a firm foundation for further study of language and linguistics. Learners are required to focus on two out of three Language Topics A, B and C:
Spoken language and social groups; English as a global language; Language acquisition by children and teenagers.
topic areas of Broad understanding of the significance In Paper 4, learners will have to answer two questions out Generally, learners can access good
linguistic of (two of) the three topic areas. of three. One question, with no choice, is provided for each material and stimulus for their own
interest topic area. research from websites belonging to
Topic A: Spoken language and social
universities worldwide.
groups Teachers may choose to prepare their learners for all three
topics, allowing them choice in the exam, or they may Some of these will require a measure
Topic B: English as a global language
decide to concentrate on two. Each of the topics is of of independence; others will offer a
Topic C: Language acquisition by equivalent difficulty. Centres choosing both of the spoken level of support, for example through
children and teenagers language Topics (A and C) might begin with Topic C. interactive ‘tutorials’ or Test Yourself
progress tests.
wider reading NOTE: The three topics covered here are set for
and See syllabus examination in 2014 and 2015. Schools must consult For example, the Centre for
research NOTE: Relevant areas for study include syllabus updates for future years. Languages, Linguistics and Area
those listed – but these are not Studies at the University of
It may be thought wise to stick to just two topics for learners
exhaustive lists. Southampton offers a series of
working at a basic level. An alternative/optional approach
resources and activities at:
for more confident learners working at a more challenging
The sections below will make additional www.llas.ac.uk/resources/bankconte
level could be to allow them to study the third topic
suggestions for study and research; nts.html
independently. They may be able to carry out research and
learners at this level should also be
wider reading in pairs or groups, preparing themselves for
showing some ability to pursue their own
study patterns in higher education. Suggestions will be
interests.
made in the Learning Resources column for each topic.
V2.1 52
Examination preparation The specimen paper is available at:

http://teachers.cie.org.uk/
inter- In Paper 4, each question will Clearly, Topics A and C share a more analytical focus on the
dependent incorporate a short stimulus (such as a mechanics of spoken language, and the questions will reflect
skills of: relevant text extract or speech that emphasis by offering material (for example speech Learners working at a basic level
transcription) relating to the topic area. transcription) for close analysis. need to develop simple research
Candidates will be expected to refer to skills, and to feel confident enough to
Topic B’s focus is an issue – English as a Global Language –
this and to their own wider reading and refer to linguistic concepts and
and the question will reflect the range of debate which exists
research in answering. studies, e.g. as in David Crystal’s
reading around this topic.
Introduction to Language at:
In short, the stimulus material in the
For Topics A and C, teachers will need sources of spoken http://cw.routledge.com/textbooks/97
exam questions will offer
language, transcribed or suitable for transcription. Such 80415602679/dc-glossary.asp
analysis
• prompts in terms of relevant material is likely to be used up very quickly, so learners need
issues for discussion to be ‘trained’ in the research habit of finding suitable
Learners working at a more
sources.
research • material for close analysis challenging level could follow the
For Topic B, learners require similar ‘training’ in the habit of links from this Introduction to the
• opportunities to explore links research and critical inquiry. Issues to do with English as a more detailed and scholarly content:
between the material in the global language are never out of the news where English is http://cw.routledge.com/textbooks/97
question and learners’ own the main or second language. 80415602679/dc-intro.asp#lecturers
wider reading and research.
Topic A: Relevant areas for study include: NOTE: There will be overlap in basic knowledge of spoken Learners working at a more
Spoken • specific features of spoken language between Topics A and C. challenging level could benefit from
language language which are influenced more developed and detailed
Teachers could usefully start by re-visiting the Spoken texts
and social by context glossaries of Spoken Language
section of Unit 2. Suggestions are made there as to how
groups features, such as the one at:
• the use of language to include learners could begin to make transcriptions of spoken
http://linguistics.sllf.qmul.ac.uk/sites/d
and exclude language from their own environment. Such an independent
efault/files/spoken_english_general_
approach applies more urgently now.
• group identity, power and status points.pdf
• slang, jargon and other non- Consolidating existing knowledge
standard features Remind learners of transcript conventions. A good place to
• idiolect/sociolect/dialect start is the Transcription Key in the specimen paper.
• speech sounds and accents Provide learners with Passage 1 for Paper 4 (Appendix 2).
They should work in pairs to identify and annotate any
• theories and studies of social features which are typical of spoken language.
V2.1 53
variation in language, for (See Spoken Language Features list.)

example, variations according to
Spoken language and social groups
gender, age, occupation, social Is there a special grammar of
specific class. For the purposes of the syllabus, an interaction between two spoken English?
features of Learners need to be familiar with people can illustrate ‘group’ language. In Passage 1 for
Learners working at a more
spoken specific features of spoken language, Paper 4 (Appendix 2), Rod and Shiv share a task and also
challenging level could study the
language appreciating that speech has different share the knowledge and language needed to perform that
whole article by Geoffrey Leech at:
‘rules’ from written language. task successfully. In annotating the passage, learners should
www.tu-
It may help to consider some of these in be able to find examples of spoken language features which
chemnitz.de/phil/english/chairs/lingui
categories: correspond to all of the bullet-points from the syllabus:
st/real/independent/llc/Conference19
non-fluency features: fillers, • Simple declaratives and imperatives as the two 98/Papers/Leech/Leech.htm
pauses, repetition, false starts speakers give each other information and Learners working at a basic level
lexis: formal/informal lexical choices; instructions. might focus simply on Leech’s main
slang/colloquialisms; field-specific • References which depend on the immediate point – that Spoken English … has its
lexis context/environment: the one next to … the second own principles, rules and categories,
grammar: interrupted/ incomplete/ one along on the … . which are different from those of the
disjointed/non-standard constructions • Jargon and field-specific lexis: the anti-roll bar … the written language.
context-dependent language: steering rack … .
firm
phatic expressions, deictic Transcripts
foundation • Non-standard syntax: don’t let there be (.) nothing
for further expressions Past papers and practice materials
still attached.
study of from other English Language (or
• Signs of speech sounds and accents: dropping the combined Language and Literature)
language NOTE: It is important to discourage final -g from stickin, comin, nothing.
and syllabuses may be useful.
learners from thinking that spoken • Overlapping speech as a result of the shared activity
linguistics language is just an inferior form of Links to past OCR papers are at:
and understanding: Shiv interrupts Rod twice to tell www.ocr.org.uk/qualifications/as-a-
written language, or that it is full of him my end’s clear … that’s clear on my side …
‘mistakes’ which need to be ‘corrected’. level-gce-english-language-h069-
because he knows this is important information. h469/
Such a ‘deficit’ approach is wrong and
unhelpful. Working with transcriptions: Creating your own Papers to look for with transcribed
Much more helpful would be a broad Learners can generate their own material for this topic; passages are 2701 and 2706 (legacy
appreciation of the main functions of indeed, they can exploit their interests and their membership specification) and F651 (current).
spoken language: of different groups to produce transcripts of spoken language
• Referential: utterances that in a range of contexts and social groups. Look also for resources generated by
teachers and shared on ‘community’
provide information
areas of Cambridge Assessment
V2.1 54
• Expressive: utterances that NOTE: Mobile communication devices make recording of websites, e.g.
express the speaker’s feelings speech very easy, but it is polite and sensible to ensure that http://social.ocr.org.uk/groups/english
• Transactional: utterances speakers are aware they are being recorded and that they /resources/asa2-english-language-
where the main purpose is to give their permission. Such recording can take place during and-literature-english-language-
get something done or to any group or pair work that involves speaking, and the transcripts
acquire something recordings can be transcribed later.
• Interactional: utterances where
the main emphasis is on the
social relationship between the
participants
• Phatic: utterances without any
‘real’ serious content; ‘small
talk’.
Topic B: Relevant areas for study include: Learners need to develop very quickly an interest in how the There is no shortage of material on
English as a • Issues arising from differing English language is presented and perceived in local and the internet, but audience is crucial:
global ideas of international media as well as in more academic discourse. learners may find some items are
language ‘world’/’global’/‘international’ aimed at a highly academic and
An internet search on any date will produce a number of ‘hits’
English. specialised readership. This may
showing news or discussion items relevant to English as a
have the benefit of extending the
inter- • Kachru’s Three Circles: inner Global Language.
range of learners’ reading for Paper
dependent circle, outer circle, expanding
As a starter activity, get learners to work in pairs and perform 3.
skills of: circle.
such an internet search, then to group their results according
reading • The local status of English – as to whether the items are David Crystal is reader-friendly and
an ‘official’ (second) language. clear, for example at:
analysis • broadly positive or negative about English as a global
• ‘Englishes’ – standard and non- language http://www.davidcrystal.com/?fileid=-
research standard varieties. 4032
• general interest or academic
• Cultural effects – especially from
e.g. British v. American English. • local or international. Learners may need guidance in order
These are not mutually-exclusive categories, and they over- to appreciate the commercial agenda
• National government attitudes:
simplify the situation, but they will help learners develop an of some writers on the subject, for
language planning policies.
comment on initial perspective. example:
• Language death. www.tesol.org/docs/pdf/10884.pdf
how writers Pairs of learners should now choose the six most interesting
communicate of their results and collaborate in writing half a page about
attitudes, Learners will need to be comfortable The British Council has good
discussing any of the issues above, and each one. This writing should include:
bias material, such as a document on Key
V2.1 55
or prejudice adept at exploring how they are • the source, and a brief comment on this in terms of Issues in English as a global
presented in a variety of short text text-type/likely audience language at:
extracts. • the headline http://ihe.britishcouncil.org/
They should have a working knowledge • a brief summary of the substance of the item.
of their local context in terms of these
There’s an account of Kachru’s
issues, for example:
For an example of such an item, see the article Polyglots Three Circles – and links to many
• The relative status of Standard other interesting discussions – at:
English and any local non- required if we want a place in the global academy which
appeared in a weekly publication on higher education: http://englishlangsfx.blogspot.co.uk/2
standard variety. 011/11/english-for-english-englishes-
• Specific linguistic features of www.timeshighereducation.co.uk/comment/opinion/polyglots-
required-if-we-want-a-place-in-the-global- for-rest.html
local varieties – grammar, lexis,
syntax. academy/2002326.article
• The attitude of their own
country’s government to Teachers may want to use this passage as an initial stimulus,
English. though it is quite academically complex and would be more
• The risk to indigenous suitable for learners working at a more challenging level.
languages from the global
Learners working at a basic level might begin with a simple
spread of English.
comprehension activity on relevant material, such as the one
• The effects on the local culture.
at
• The educational and economic www.learnenglish.org.uk/prof_mp3/English_The_Global_Lan
aspects. guage.pdf
• Language contact.
Topic C: Relevant areas for study include: Introduction Learners working at a basic level
Language • The main stages of early Divide class into groups, each of which will research a should find the web-site below an
acquisition development, for example the different aspect of Child Language Acquisition: excellent and comprehensive
by children holophrastic, telegraphic and • stages of development overview, which they can refer to at
and post-telegraphic stages. • functions of child language all points during the work on this
teenagers • development of speech sounds topic:
• The different functions of young
people’s language, for example: • main theorists. www.allinfo.org.uk/levelup/enb6aq.ht
Each group can present its findings to the whole class. m
– instrumental function: language used Learners should then be re-arranged in groups of four such
to fulfil a need – obtaining food, drink that each of the aspects above is represented. These groups Teachers may choose to steer
and comfort. should then research examples of young children talking, learners away from some aspects
– regulatory function: asking, with or without adults, and be given time to transcribe some which the syllabus does not
V2.1 56
commanding, requesting examples. absolutely require – for example, the

– interactional function: language that Copies of these transcriptions should be made available to use of phonemic symbols from the
develops social relationships the whole class. Learners can then work individually or in International Phonetic Alphabet – but
pairs to study and annotate the transcriptions, leading to all of the material on spoken
– personal function: language that
whole-class discussion. language should be of interest.
expresses personal opinions
Teachers will need to monitor the coverage of relevant
– representational function: relaying or aspects of child language, and provide supplementary Learners working at a more
requesting information material if they notice any aspect(s) not receiving attention. challenging level could cope with a
– heuristic function: language that is For example, it is often tempting (and sometimes easier) for more theoretical overview, such as:
used to explore the world and to learners to focus on aspects of vocabulary/lexis and to ignore http://pandora.cii.wwu.edu/vajda/ling
learn and discover aspects of grammar/syntax. 201/test4materials/ChildLangAcquisit
– imaginative function: using language ion.htm
to tell stories and create imaginary Older children
worlds A Language Development Chart showing likely features from They would also benefit from
6 months to 8 years can be found at: following English Language blogs
– knowledge of some of the theories of
http://childdevelopmentinfo.com/child- like:
how children acquire language, such
development/language_development.shtml http://nfgsa2englishlanguage.blogspo
as imitation and reinforcement
Interest in the development (or otherwise) of language in t.co.uk/2009_09_01_archive.html
(Skinner), the language acquisition older children and teenagers tends to focus in areas of
device (Chomsky), cognitive Learners might be inspired to start
concern to do with social behaviour.
development (Piaget), child-directed their own, perhaps using a
Language acquisition by teenagers
(or ‘caretaker’) speech. school/college VLE, as suggested in
The language development of older children is complicated
Unit 6.
by other factors, such as:
• socialisation, and the need to be accepted as
members of groups
• parallel development of written as well as spoken
language
• the development of mobile communication
technology. There is plenty of serious research
inter- Teachers will need to provide learners with opportunities to on how ‘instant’ communication might
dependent reflect on their own language development and practices.
In establishing a firm foundation for have affected language, e.g. at:
skills of: Useful data might include learners’ own exercise books from
further study of language and linguistics, www.psych.ualberta.ca/~varn/Docum
reading earlier in their school careers, examples of the speaking and ents/VarnhagenMcFall2010.pdf
teachers will need to encourage learners
writing of younger siblings and recordings/transcriptions of
analysis to explore the differences between
their own language with their peers in different social groups.
popular notions of language use and
There is clearly an overlap here with Topic 1
V2.1 57
research development and more academically Again, as with language acquisition in younger children, the Revision
secure conceptions. main data will be transcriptions of interactions.
Many universities have chatty
For example, the mass media often Television programmes which feature older children and
learner-friendly areas of their
feature stories about the supposed young teenagers in group activities and social situations can
websites where concepts central to
negative impact of ‘instant’ be useful, for example series like World's Strictest Parents,
this Topic are outlined. These can be
communication on the language of which has a related blog at:
useful for revision.
teenagers – see, for example, the article www.bbc.co.uk/blogs/tv/2010/10/worlds-strictest-
by BBC presenter John Humphrys on I parents.shtml
For learners who have been working
h8 txt msgs: How texting is wrecking our Learners often enjoy exploring the development of figurative
at a more challenging level, try:
language and nuanced language in older children.
http://users.ecs.soton.ac.uk/harnad/P
At: Working in pairs, learners could list idioms and proverbs,
apers/Py104/pinker.langacq.html
www.dailymail.co.uk/news/article- and any other examples of non-literal language. For each
483511/I-h8-txt-msgs-How-texting- example, they should explore the linguistic mechanisms at
Finally, learners who are considering
wrecking-language.html. work, such as in metaphors. They are likely to enjoy
studying English language at
exploring their own uses of sarcasm and ‘in-group’ language,
university level might explore some
A brief internet search would generate and thinking back to the stages at which such uses
of the resources provided for
many more such items. But the research developed.
undergraduates at:
suggests that the ‘popular’ view is www.ling.upenn.edu/courses/ling001/
wrong, and the linguist David Crystal schedule.html
provided a robust reply to Humphrys’s and
view. www.ling.upenn.edu/courses/Fall_20
03/ling001/homework.html
V2.1 58
Appendix 1: Passage 1 for Paper 3
The text consists of a story from the online edition of the New York Times newspaper, published when Hurricane Sandy was about to hit the East Coast of the United
States. www.nytimes.com/2012/10/29/us/east-coast-braces-for-severe-storm-surge.html?_r=0
(a) Imagine you are employed by the Emergency Management Agency. You have been asked to produce a brief information sheet, advising people what to do
when the hurricane arrives.
Write the text for this information sheet in 120–150 words. [10 marks]
(b) Compare the style and language of your response with the style and language of the original article.
[15 marks]
V2.1 59
This is a transcription of an interaction between two men as they try to remove the engine of an old car. They are using an engine hoist to support the weight.
Rod: WOAH (1) she’s out

Shiv: right out (.) take it all out (.) right out (1) or whatever
Rod: i got it
Shiv: or whatever you want to do with it
Rod: WOAH (1) okay (1) now just (.) you (.) if you just support it
Shiv: i’ve got my end
Rod: i got it here [breathing heavily]
Shiv: mine (1) my end (.) is (.) OUT
Rod: AAHH [breathing heavily]
Shiv: now (.) can you
Rod: can you reach (.) on the (.) that black knob (.) on the end of
Shiv: on the hoist (.) the one next to
Rod: the second one along on the
Shiv: OKAY (1) got it (.) it’s starting to come loose my end [begins to lower his side of engine block]
Rod: WHOA (1) she’s comin
Shiv: [breathing heavily] she’s stickin on the (.) on the
Rod: what’s she still tight on (1) is she still comin [puts hand up behind wheel] OH NO (1) please dont be (.) don’t let there be (.) nothing still attached
Shiv: no i can’t see nothin (.) i think that’s just (.) wait till (.) wait till i (.) till i get clear of the back stud
Rod: yeah [breathing heavily]
Shiv: you all right?
Rod: yeah (.) go on (.) pull her free from the (.) OH NO (1) all the washers have fallen off (.) they’re everywhere [rocks his side of the engine] i can’t tell whether it’s (.)
you know (.) if it’s released all right
Shiv: i think we’re clear
Rod: it might be just a bit (.) you know (.) tight round this rack [puts hand underneath]
Shiv: yeah
Rod: but if you start lettin it down (.) that end should just creep past you
Shiv: all right mate (.) i’ll take the (.) it might roll to the front slightly (.) cos thats
Rod: like that you mean?
Shiv: yeah (.) it’s just goin
Rod: that anti-roll bar (.) it’s gonna (.) it’s gonna get a bit in the way but
Shiv: my end’s clear
Rod: i’ve got a sort of
Shiv: that’s clear on my side
V2.1 60
Rod: i gotta guide it past both (.) i’ve gotta do the anti-roll bar and the thing (.) GO ON [guides subframe by moving the wheel against the pivot on the cradle] YEAH (.)
keep it goin Shiv (1) i’m clear of the steering rack
Shiv: i’m clear of the anti-roll bar my side
Rod: keep goin (.) keep goin (.) nearly clear (.) RIGHT (.) she’s clear (.) that’s it innit?
Shiv: yeah it’s (.) it’s clear
Rod: WELL DONE MATE
TRANSCRIPTION KEY
(1) = pause in seconds (.) = micro-pause
[italics] = paralinguistic features [UPPER CASE] = increased volume
V2.1 61
Eddie Izzard and Prime Minister (June 2006) Podcast
This is a podcast (2006) by the comedian and broadcaster Eddie Izzard. Here he is talking to the British Prime Minister at the time. They are discussing the meeting
of the European Council in Brussels, which was taking place at the same time as the 2006 football World Cup.
http://webarchive.nationalarchives.gov.uk/20060410180538/http://number10.gov.uk/page9747
(a) Imagine you are part of the editorial team for BBC television news. You have been asked to write the text for a brief news report about this meeting between
Eddie Izzard and Prime Minister.
Write the text for this news report in 120–150 words. [10 marks]
(b) Compare the style and language of your response with the style and language of the original podcast.
[15 marks]
V2.1 62
Appendix 4: Passage for comment 2a
Speech material exemplar – Indian Speech
A passage from a speech given by the Native American Chief Seattle to the American President in 1854. In it he describes the attitudes of his people towards nature
and the environment compared to those of other Americans.
www.halcyon.com/arborhts/chiefsea.html
V2.1 63
Literary material exemplar – The Great Gatsby
The following passage is taken from the novel The Great Gatsby by F Scott Fitzgerald. In it, the narrator, Nick Carraway, describes his first meeting with
his cousin Daisy and her friend Jordan Baker.
The Great Gatsby (Wordsworth Classics) F.Scott Fitzgerald Wordsworth Editions Ltd, 1992 ISBN: 9781853260414
We walked through a high hallway into a bright rosy-coloured space, fragilely bound into the house by french windows at either end. The windows were ajar and
gleaming white against the fresh grass outside that seemed to grow a little way into the house. A breeze blew through the room, blew curtains in at one end and out
the other like pale flags, twisting them up toward the frosted wedding-cake of the ceiling, and then rippled over the wine-coloured rug, making a shadow on it as wind
does on the sea.
The only completely stationary object in the room was an enormous couch on which two young women were buoyed up as though upon an anchored balloon. They
were both in white, and their dresses were rippling and fluttering as if they had just been blown back in after a short flight around the house. I must have stood for a
few moments listening to the whip and snap of the curtains and the groan of a picture on the wall. Then there was a boom as Tom Buchanan shut the rear windows
and the caught wind died out about the room, and the curtains and the rugs and the two young women ballooned slowly to the floor.
The younger of the two was a stranger to me. She was extended full length at her end of the divan, completely motionless, and with her chin raised a little, as if she
were balancing something on it which was quite likely to fall. If she saw me out of the corner of her eyes she gave no hint of it – indeed, I was almost surprised into
murmuring an apology for having disturbed her by coming in.
The other girl, Daisy, made an attempt to rise – she leaned slightly forward with a conscientious expression – then she laughed, an absurd, charming little laugh, and
I laughed too and came forward into the room.
'I'm p-paralysed with happiness.'
She laughed again, as if she said something very witty, and held my hand for a moment, looking up into my face, promising that there was no one in the world she so
much wanted to see. That was a way she had. She hinted in a murmur that the surname of the balancing girl was Baker. (I've heard it said that Daisy's murmur was
only to make people lean toward her; an irrelevant criticism that made it no less charming.)
At any rate, Miss Baker's lips fluttered, she nodded at me almost imperceptibly, and then quickly tipped her head back again -the object she was balancing had
obviously tottered a little and given her something of a fright. Again a sort of apology arose to my lips. Almost any exhibition of complete self-sufficiency draws a
stunned tribute from me.
V2.1 64
I looked back at my cousin, who began to ask me questions in her low, thrilling voice. It was the kind of voice that the ear follows up and down, as if each speech is
an arrangement of notes that will never be played again. Her face was sad and lovely with bright things in it, bright eyes and a bright passionate mouth, but there
was an excitement in her voice that men who had cared for her found difficult to forget: a singing compulsion, a whispered 'Listen', a promise that she had done gay,
exciting things.
V2.1 65
Advertising material exemplar – Suzuki
Have you?
the value of experience
Well have you? You know, been there, done that?
Anyone who tells you the world's getting smaller hasn't driven a Suzuki lately. For over 30 years, Suzuki 4 x 4s have been expanding drivers' horizons, taking them
as far as their imagination leads them. And sometimes beyond. For real adventures, you need a real 4 x 4. Like the new Suzuki Grand Vitara.
Underneath that smoothly-contoured bodyshell, the Grand Vitara is pure, uncompromising off-road engineering with a ladder-frame chassis that's strong enough and
durable enough to take on the toughest of terrains. Long~travel suspension and high ground clearance let you ride easily over rocks, ruts and river-beds. The Drive
Select 4 x 4 system, giving you all the traction and control you need – with an effortless switch to 2WD when you get back on the tarmac. You can choose from 2.0
litre petrol and Turbo Diesel engines or a gutsy 2.5 V6.
Whatever Mother Nature's throwing at you outside, inside it's all comfort, space and relaxation. And wherever life takes you, the Grand Vitara offers unparalleled
safety, comfort and driver satisfaction, all at a price that's a world away from other 4 x 4s. If you expect a lot from your car, we expect your call on 01892 707007.
V2.1 66
Speech material exemplar – Richard Nixon
The passage below is taken from a televised speech given by the American President Richard Nixon in April 1973. www.youtube.com/watch?v=765wvJWdaHw
Nixon is responding to an investigation into Watergate. Watergate was the term used by the media to describe a sequence of events in which employees
from Nixon's own political party had burgled the headquarters of his main political opponents. Nixon had authorised the burglary himself (a serious
offence for a President) but he skirts carefully around this issue in his speech
“Whatever may have appeared to have been the case before - whatever improper activities may yet be discovered in connexion with this whole sordid affair – I want
the American people, I want you, to know beyond the shadow of a doubt that during my term as President, justice will be pursued fairly, fully, and impartially, no
matter who is involved. This office is a sacred trust and I am determined to be worthy of that trust.
Who, then, is to blame for what happened in this case?
For specific criminal actions by specific individuals, those who committed those actions must, of course, bear the liability and pay the penalty. For the fact that
alleged improper actions took place within the White House or within my campaign organization, the easiest course would be for me to blame those to whom I
delegated the responsibility to run the campaign. But that would be a cowardly thing to do. I will not place the blame on subordinates, on people whose zeal
exceeded their judgement, and who may have done wrong in a cause they deeply believed to be right. In any organization, the man at the top must bear the
responsibility. That responsibility, therefore, belongs here, in this office. I accept it. And I pledge to you tonight, from this office, that I will do everything in my power to
ensure that the guilty are brought to justice, and that such abuses are purged from our political processes in the years to come, long after I have left this office.
When I think of this office – of what it means – I think of all the things that I want to accomplish for this nation – of all the things I want to accomplish for you.
On Christmas Eve, during my terrible personal ordeal of the renewed bombing of North Vietnam, which after twelve years of war, finally helped to bring America
peace with honor, I wrote out some of the goals for my second term as President. Let me read them to you.
'To make it possible for our children, and for our children's children, to live in a world of peace.
'To make this country be more than ever a land of Opportunity, of equal Opportunity, full opportunity for every American.
'To provide jobs for all who can work, and generous help for all who cannot.
'To establish a climate of decency, and civility, in which each person respects the feelings and dignity and the God-given rights of his neighbor.
V2.1 67
'To make this a land in which each person can dare to dream, can live his dreams – not in fear, but in hope proud of his community, proud of his country, proud of
what America has meant to himself and the world.'
These are great goals. I believe we can, we must work for them. We can achieve them. But we cannot achieve these goals unless we dedicate ourselves to another
goal.
We must maintain the integrity of the White House, and that integrity must be real, not transparent. There can be no white-wash in the White House.
We must reform our political process ridding it not only of violations of the law, but also of the ugly mob violence, and other inexcusable campaign tactics that have
been too often practised and too readily accepted by one side to the excesses or expected excesses of the other side. Two wrongs do not make a right.
I looked at my own calendar this morning up at Camp David as I was working on this speech. It showed exactly 1,361 days remaining in my term. I want these to be
the best days in America's history, because I love America. I deeply believe that America is the hope of the world, and I know that in the quality and wisdom of the
leadership America gives lies the only hope for millions of people all over the world, that they can live their lives in peace and freedom. We must be worthy of that
hope, in every sense of the word.
Tonight, I ask for your prayers to help me in everything that I do throughout the days of my Presidency to be worthy of their hopes and of yours. God bless America
and God bless each and every one of you.”
V2.1 68
Literary material exemplar – Aunt Daisy
The passage is taken from In God We Trust All Others Pay Cash by Jean Shepherd www.scribd.com/doc/75617298/In-God-We-Trust-All-Others-Pay-
Cash#.UfYd9tKThhM and describes the visit of Aunt Daisy to her sister's family in Chicago.
Sometimes, late at night, from the dark of their bedroom, I could hear my mother and father talking in low tones.
'But we haven't got room for her,' my father would argue. 'And besides, it costs something to board her.'
But my mother, who had not seen her youngest sister for many years, kept at it. The letters piled up.
Toward the end of June my father, worn away, gave in. My mother wrote to Boston telling her sister to come, and when the train arrived my oldest brother met Aunt
Daisy at the station. He brought her home. My oldest brother, about twenty at the time, was somewhat of a dandy, wore a wide straw sailor with a colored ribbon,
and was thus delegated to be the family's reception committee. I remember we watched him going up the street toward the trolley on his way to the station, and
when he reached the corner he waved back at us because he knew that we were looking, though he really could not see us.
He brought Aunt Daisy home. It was late dusk when they came. The street lamps had not yet lit up, and from the windows we could see Milt struggling with two
heavy bags while a little woman walked jauntily at his side. In the fading light we couldn't see her face, and when they got closer to the flat we went away from the
front windows because she might look up and see us, so when at last the bell rang we were all excited and her entrance was something of a dramatic event. I could
hear the bags bumping as my brother struggled with them up the stairs
Then we opened the door, Milt set the bags down in the hall, and Aunt Daisy, with a little cry, rushed forward into my mother's arms. My mother couldn't talk for a
while; she hadn't seen her sister for over fifteen years.
Milt came inside, shut the door, and dumped the bags in the parlor. 'It's dark here!' he shouted. 'What's the matter?' and he struck matches and lit the gas-lamps in
all the rooms of the flat.
In the sudden light we looked at our mother's sister – we stood there gaping, the whole crew of us, six kids. We saw a small, dark, vivacious woman, who looked to
be about twenty, flashing us a smile. There was something vibrant about her, about her nostrils, her eyes and hair, and we fell in love with her at once. On her head
she wore a small hat with gray and brown feathers, and she had a way of tilting her chin, of flashing her smile, of looking pertly alert that made me think of a bird.
Yes, she was a warm little bird.
She took her hat off right away and stared brightly at us in friendship. My mother's eyes were misty as she saw her sister counting us briskly by placing her
V2.1 69
forefinger saucily against our foreheads, one by one, and trilling 'Tra-la-la-la!'
'I'm your aunt Daisy,' she said, then bent down and kissed every one of us while our mother stood by, choking and happy. When she came to my oldest brother, she
stopped, flashing us all another smile. 'I kissed Milt at the train, but I guess I can kiss him again,' and she gave him a real loud smack on the lips. My kid brother,
who was about six at the time, jumped up in the air and clapped his hands, so my aunt had to kiss him again also.
Then she breezed through the flat, through the six large gloomy rooms, her heels rapping against the floor, while my mother, middle-aged, gray, tired out by
childbearing and household drudgery, walked behind her.
When we reached the front room, we all stood at the windows looking down the darkening street, and at that moment the arc lamps lit up with a sudden burst of
light. 'See!' she cried as glare and shadow cut the pavement below, and she raised my kid brother in her arms and kissed his cheek again. She was in love with him
right away.
On the outskirts my sister, thirteen and lonely in a house of many brothers, edged silently away, and with a sad, lost look stared down at the shining asphalt. She
had been dreaming and thinking of our aunt for weeks and wanted so much to have someone to talk to. She stood there with her soft yellow hair in two long plaits
hanging down her back, and by the set of her small jaw I knew she was hating her little brother. But Aunt Daisy suddenly turned to her, cuddled her hand, and
brought her over. My sister was awkward at first, but it was evident that she liked Aunt Daisy.
Then we heard that well-known heavy tread on the bottom stairs. All of us stood crowded in Aunt Daisy's bedroom, waiting. The door slammed.
'Is there a show going on?' shouted our father when he saw all the lights in the flat burning. 'What's the meaning of this?' and he strode through the house, turning
off all the gas except the parlor jet. He was grumbling to himself, a short, stocky, testy man.
At the threshold of the bedroom he stopped. 'Oh,' he said, taken slightly aback, and stood looking at my mother's sister, at the trembling smile she flashed at him.
What fine teeth she had! They greeted each other quietly, and he asked if the train ride had been hot and dusty. Then he went into his bedroom.
V2.1 70
© Cambridge International Examinations 2013
Version 2.1
Updated: 16.02.16
Cambridge International Examinations

1 Hills Road, Cambridge, CB1 2EU, United Kingdom
tel: +44 1223 553554 fax: +44 1223 553558
email: info@cie.org.uk www.cie.org.uk

AS-AL SOW 9093 v2 1 PDF

Uploaded by

Copyright:

Available Formats

AS-AL SOW 9093 v2 1 PDF

Uploaded by

Document Information

Original Title

Copyright

Available Formats

Share this document

Share or Embed Document

Sharing Options

Did you find this document useful?

Is this content inappropriate?

Copyright:

Available Formats

AS-AL SOW 9093 v2 1 PDF

Uploaded by

Copyright:

Available Formats

Scheme of Work

Cambridge International AS & A Level

Recommended prior knowledge

Unit 1: Introduction to AS and A Level course

Unit 1: Introduction to AS and A Level course

Syllabus ref Learning objectives Suggested teaching activities Learning resources

Syllabus ref Learning objectives Suggested teaching activities Learning resources

Syllabus ref Learning objectives Suggested teaching activities Learning resources

such as: emotive language, and patterning speeches. ngvspeech.htm

Syllabus ref Learning objectives Suggested teaching activities Learning resources

Candidates 4. Purpose Basic level More challenging level

Syllabus ref Learning objectives Suggested teaching activities Learning resources

Syllabus ref Learning objectives Suggested teaching activities Learning resources

Syllabus ref Learning objectives Suggested teaching activities Learning resources

Syllabus ref Learning objectives Suggested teaching activities Learning resources

Then, working individually, each learner writes a

Syllabus ref Learning objectives Suggested teaching activities Learning resources

Syllabus ref Learning objectives Suggested teaching activities Learning resources

• Discuss how this might lead to variation in the

Syllabus ref Learning objectives Suggested teaching activities Learning resources

Syllabus ref Learning objectives Suggested teaching activities Learning resources

Spoken texts: podcasts, voice-overs,

Syllabus ref Learning objectives Suggested teaching activities Learning resources

Syllabus ref Learning objectives Suggested teaching activities Learning resources

Literary material: letters, diaries, essays,

Syllabus ref Learning objectives Suggested teaching activities Learning resources

3. Physical description Learners should be encouraged to highlight or colour-

Syllabus ref Learning objectives Suggested teaching activities Learning resources

Syllabus ref Learning objectives Suggested teaching activities Learning resources

Unit 3: Directed writing

Syllabus ref Learning objectives Suggested teaching activities Learning resources

Directed 1. Approaching the task

Syllabus ref Learning objectives Suggested teaching activities Learning resources

Base your answers on the material of the (unseen) texts.

Candidates 2. Mode of address Basic, leading to challenging

Syllabus ref Learning objectives Suggested teaching activities Learning resources

Syllabus ref Learning objectives Suggested teaching activities Learning resources

strategies it is trying to adopt. interesting comment. consideration.

Syllabus ref Learning objectives Suggested teaching activities Learning resources

Syllabus ref Learning objectives Suggested teaching activities Learning resources

10. Mood and setting Basic research

Syllabus ref Learning objectives Suggested teaching activities Learning resources

Unit 4: Imaginative writing (narrative/descriptive)

Syllabus ref Learning objectives Suggested teaching activities Learning resources

Syllabus ref Learning objectives Suggested teaching activities Learning resources

Syllabus ref Learning objectives Suggested teaching activities Learning resources

the characters' appearance, personality and state should build confidence in a

Syllabus ref Learning objectives Suggested teaching activities Learning resources

Syllabus ref Learning objectives Suggested teaching activities Learning resources

Syllabus ref Learning objectives Suggested teaching activities Learning resources

Syllabus ref Learning objectives Suggested teaching activities Learning resources

It is also a very useful exercise

Syllabus ref Learning objectives Suggested teaching activities Learning resources

Candidates 11. Using sound effects such as On this subject, as on many

Syllabus ref Learning objectives Suggested teaching activities Learning resources

Syllabus ref Learning objectives Suggested teaching activities Learning resources

15. The examination tasks Exam practice 9093 Specimen papers

Syllabus ref Learning objectives Suggested teaching activities Learning resources

Unit 5: Writing for an audience (discursive/argumentative)