No. 67 (Vol.

V)

April 1982

"EG" ESSAY COMPETITION SOUNDNESS: THE STUDY COMPO-

SER'S RESPONSIBILITY
Report (part 1 of 3) by John Roycroft.
Each is responsible for what he pro-
In response to the invitation to all duces: the composer for his study,
and sundry to put fingers to typewriter the judge for his award, and the editor
on the subject "Soundness - the Study for his magazine.
Composer's Responsibility" six essays
were received, written in English (3), When a composer offers for publica-
Russian (2) and German (1). Two failed tion one of his own studies, it should
to address the specific topic, but are go without saying that he is taking
so interesting in their own right that full responsibility for its soundness.
we can actually welcome the misunder- Strictly speaking there is no such thing
standing over the meaning of "sound- as an unsound study: if it is not sound,
ness". We intend to publish them both, it is not a study. So the very fact
in future issues of EG. that the composer is offering the piece
for publication as a study amounts
The remaining four had both common to a warranty that it is sound.
viewpoints and their own distinctive
contributions. To do justice to all, I But how much is that warranty worth?
have decided to divide my report into The editor who publishes a study which
three parts. Part 1 is the winning entry; turns out to be unsound has uninten-
Part 2, in the next issue, brings together tionally spoiled his magazine and misled
extracts and ideas from the other three his readers; and the damage is not
entries; Part 3 will be an article of my repaired by assigning the responsibility
own, which will owe much to all the for the unsoundness to the composer.
entries to this competition. It is true that the publication of an
unsound study may have interesting
Timothy Whitworth's winning entry fol- consequences. For example, the publi-
lows. Timothy is a schoolmaster atTaun- cation of a study which would have
ton in Somerset, but otherwise lives in been regarded as sound, but for the
Cambridge. He is well known as a latest advances in theory may serve
study composer and to Chess Endgame to publicise those advances. Or it may
Study Circle members who attend itself lead to an advance in theory
our quarterly meetings in London (see by provoking a sceptical cook hunter
the foot of the back page of any EG). to re-examine the established analysis
His essay is to the point and practi- of a certain position and to correct
cal in content, perspicacious in obser- it. In such cases as these the publi-
vation, and plain as a pikestaff in style. cation of an unsound study may turn

1
out to be worthwhile. And there are only of interesting and plausible alter-
other circumstances in which an editor native moves, but also of every try
need offer no apology for publishing and variation which could possibly lead
an unsound study: he may deliberately to a cook or a bust. The paradoxes
use his columns as a testing ground of the chess board are so numerous
for new compositions; if a number that even weak moves must be investi-
of those published are unsound, that gated if we are to be sure that they
is only what his readers will have been are not strong ones in disguise. Not
led to expect and no harm is done - all of this analysis need necessarily
at least to the editor and his readers, be published. Judges and editors may
though some composers may be shown well require fuller analyses of new studies
up. In general, however, a studies editor than their readers will want to be con-
will wish to present to his readers only fronted with. The reader may not wish
sound studies. The same can be said to be burdened with detailed analysis
about the tourney judge: his award of weak moves, analysis which merely
is spoilt if it includes studies that are shows that the expected consequences
later found to be unsound, and it is do indeed follow. He may prefer to
no consolation for the judge to reflect have his attention focussed on the main
that he did not compose the unsound ideas of the study and to take its
studies; he did, unfortunately, honour soundness on trust. But the judge and
them. So the judge faces the same the editor can hardly take this line.
problem as the editor. Both have to They carry the responsibility for publis-
decide how much weight should be hing a new study and, therefore, they
given to the guarantee of soundness should be satisfied with nothing less
that the composer implies when he sub- than a complete demonstration by the
mits a study for publication. How much composer of the soundness of the piece.
is the composer's warranty worth? In the absence of this, a judge may
be prepared to put in the necessary
The answer to that depends upon work himself to prove the soundness
the quality of the supporting analysis of a study; or, if he knows the iden-
provided by the composer. In an infor- tity of the author, he may be prepared
mal tourney a judge may expect un- to gamble that this composer's reputa-
sound studies to be spotted before they tion for producing sound work will
reach him. But he cannot absolutely not be undermined by his latest
rely on that, and should any unsound composition. But no composer should
study appear in his award the respon- expect a judge to do these things; and
sibility will be his. To guard against a judge will seldom feel inclined, and
such an accident, the judge of an infor- never obliged, to attempt them.
mal, as of a formal, tourney needs For the judge and the editor receiving
to see the supporting analysis of the a new study and requiring a warranty
studies under consideration. If the com- of soundness for it, there is no sub-
poser does not provide completely con- stitute for systematic and exhaustive
vincing analysis, or if the tourney direc- analysis. It is for them to demand it,
tor does not pass it on to the judge, if it is not supplied; it is for the com-
then the latter need offer no apologies poser to offer it, even if it is not de-
for excluding from his award a compo- manded. To each his own responsibi-
sition, however fine, for which he has lity.
no proof of soundness.
To be completely convincing, analysis T.G. WHITWORTH
needs to show the consequences, not 1 November 1980 CAMBRIDGE
 THE THEME OF DOMINATION
OF THE ROOK'S CROSS
BY THE BISHOP
I: Andre Cheron

(This is the first of two articles which ci Henri Rinck

Deutsche Schachzeitung, v.07
appeared in I'Echiquier, Brussels, in
1929. The editor was E d m o n d Lan-
cel. The research is by Daniel de M o l ,
Wetteren (Belgium), who has iden-
tified sources and incorporated later
corrections not to be found in the
original articles. L'Echiquier and
L'Echiquier Beige are distinct maga-
zines, the latter being post-World
War II.)
If there is any thema that provokes
surprise and wonder it has to be the
domination of the R ' s cross by the B. C2 Henri Rinck
First of all let us explain this theme. Deutsche Schachzeitung, ix.12
To win, W has to shepherd a P to the
queening square, but bR threatens to
attack and capture the P , drawing.
It is wB that has to get the better of bR
and ensure w P ' s promotion. It is the
triumph of skill over brute force, the
victory of David over Goliath.
It may be said of this theme what the
poet Alfred de Musset said of the
character D o n J u a n :
... II n'est pas de poete Win 4+5
Qui ne l'ait une fois souleve dans sa C2: 1. c7 Rhl + 2. Bh4 Rcl 3. Bel +
tete Kb5 4. Bc3 Rhl + 5. Kg6 Rgl + 6.
Et pour l'avoir tente n ' e n soit reste Kf7 Rfl + 7. Kxe7.
plus grand. Let us leave Henri Rinck and pass on
to Kubbel.
All the great artists of the chessboard
have turned their minds to the above
K.A.L. Kubbel
theme, and the aim of this article is Rigaer Tageblatt, 12.vii.09
to take the reader on a tour of the
magic realm of their imagination.
The prettiest study on this theme is,
in my opinion, C l . The simplicity of
means, the freedom of b R , and above
all the stalemate point held in reserve
by the defence, make of this study a
pure jewel.
C l : 1. b6 Rxe5 2. Bd3 Rh5 3. Bc4 +
Kal 4. b7 Rh7 5. Bf7 (b8Q? Rf7 + )
5. ..., R h 8 + 6. Bg6. win
C3: 1. a7 Rf5 + (Rh8; Bf6 + ) 2. Ke2 C6 A.A. Troitzky
Trudovaya Pravda, 1923
Re5 + (Rf8; Bf6 + , Kc5; Be7 + ) 3. No. 256 in '500' (Correction)
Kd2 Re8 4. Bf2 + Ke5 5. Bg3+ and
6. ...,Bb8.
C4 L.I. Kubbel
Shakhmaty, xi-xii.23

C4: 1. a7 Rd3 (Ral; Bd4 + ) 2. Kh5

Rd5 + /i 3. Kh4 Ra5 4. d7 Ke7 5.
Bb6.
i)2. ...,Ra3 3.d7Ke7 4. Bc5 + .
Now let Troitzky take up the tale
from Kubbel.

C5 A.A. Troitzky
No. 255 in '500' (Correction)

C5: 1. Bc7 Rh5 + /i 2. Kg7 Rg5 + 3.

Kf7 Rh5 (Rf5 + ; Kg6) 4. a7 Rh8 5.
Bd6 + K- 6. Bf8 Rh7 + ). Bg7.
i) 1. ..., Rbl 2. a7 Rhl + 3. Kg7, wK
going to d7, to reply to Rdl +; with The Russian composer genius gives
Bd6+. yet another study on this theme (in
C6: 1. Bf6 Rdl (Rf5;e7) 2. Be5 + '500'), but it has been demolished in
Kxf3 3.e7Rbl + 4. Ka3. such a beautiful manner that the
C7: 1. Bd5 Ra3 + 2. Kbl Re3 3. b7 composer will surely pardon my
Re8 4. Be6+ Kf3 5. Bc8 Re3 6. Be6 recalling it. In C8, Troitzky makes W
Re5 7. Bd7 Re3 8. Bxa4 Rel + 9. Kb2 play and win as follows: 1. Bg6 Rh3
Re2+ 10. Kc3 Re3+ 11. Kd4 Re4 + 2. d7 Rh8 3. Be8 Rhl + 4. Ke2,
12. Kc5Re5+ 13. Kd6. running up to the e5 square.
The study is pretty. But the demoli- Rd4 + 15. Kb3Rd3 + 16. Kc2.
tion is prettier still. It is due to Orrin i) 6. Kcl? Re5 7. c8Q Rc5 + draw.
Frink (U.S.A.), who pointed it out in Cll V. and M. Platov
the pages of The Chess Amateur Deutsche Schachzeitung, 1907

(T.R. Dawson's column). 1. Bg6 Re5

2. Bf7 + Ka3 3. d7 Re4 4. d8Q Rd4 +
5. Qxd4 stalemate. (The correction is
to add wPa2.)
There are those who compose not,
but who err not.
C9 V. and M. Platov
Deutsche Schachzeitung, 1908

Win 4+3
C l l : 1. hg 2. Rxd4 + 2. Bc4 Rd8 3.
Bd6+ Kc3/i 4. Bf8 Rdl/ii 5. Bd6
Rd4 + 6. Kg3 Rd3 + 7. Kf2 Rd2 + 8.
Kf3 Rd3 + 9. Kf4 Rd4+ 10. Kf5
Rd5 + 11. Be5 + .
i) 3. ..., Kb5 4. Bf8 Rdl 5. Bd6
Rd4 + 6. Kg3 Rd3 + (dl) 7. Kf2
Win 4+2 Rd2 + 8. Kf3Rd3 + 9. Ke4.
And now on to the Platov brothers. ii) 4. ..., Rd4 + 5. Kh3 and if bR
C9: 1. Kb4 Rf5 2. c6 Rxh5 3. c7 continues checking, wK reaches the
Rh4+ 4. Kb5 Rh5+ 5. Kb6 Rh6 + 6. f6 square via g2, f3, f4 and f5.
C12 J. de VUleneuve Esclapon
Bd6 Rxd6+. We now enter the L'Echiquier Francais, 1909
famous Saavedra. 7. Kb5 (Kc5?
Rdl;) 7. ..., Rd5+ 8. Kb4 Rd4 + 9.
Kb3 Rd3 + 10. Kc2 Rd4 11. c8R
(c8Q? R c 4 + . wRc8 threatens Ra8
mate) 11. ..., Ka4 12. Kb3 wins.
CIO V. and M. Platov
Deutsche Schachzeitung, 1908 (mirro-
red!)

Win 4+3
Finally, let us draw the curtain with
the following study.
C12: 1. Bc3 Rxh5 2. Bb4 wins.
In quoting C12, Berger (p. 330 of his
Theorie und Praxis der Endspiele)
adds that wPh5 is, for sure, super-
fluous.
Win 4+ 3
This is not the case, and the French
CIO: 1. e6 Rel + 2. Kb2 Re2 + 3. composer was perfectly correct in
Ka3 Rxe6 4. c7 Re3 + 5. Kb2 Re2 + placing it there. In fact, suppress
6. Kbl/i Rel + 7. Bdl + Rxdl + 8. wPh5, according to Berger's wish,
Kb2 (Kc2? Rd5;) 8. ..., Rd2 + 9. Kb3 and Bl draws as follows: 1. Bc3 Rcl
10. Kb4 Rd4 + 11. Kb5 Rd5 + 12. 2. Bd2+ Ke5 3. Bxcl Kd6 followed
Kxb6 Rd6+ 13. Kb5 Rd5 + 14. Kb4 by 4. ..., KxP, drawn.
 II: by Count Jean de Villeneuve-
Esclapon L'Echiquier, Brussels, 1929
VEl J. de Villeneuve-Esclapon VE3 J. de VUleneuve-Esclapon
L'Echiquier (Brussels), iv.29 L'Echiquier (Brussels), iv. 29

Win 4+5

VEl: 1. Be3 Rxa5 (Rb5; Kxa6) 2. d6 Bxe3 Rxe3 6. Kxd2.

Kf7/i 3. d7 Ke7 4. d8Q+ Kxd8 5. i) 1. ..., Kg8 2. b6 Rg3 3. Bxe3 Rxe3
Bb6 + . 4. Kxd2.
i) 2. ..., Ra3 3. Bd4 + Kf7 4. d7 Ke7 ii) 3. Bxe3? Rxe3 4. Bd5 Kg7 5. b7
5.Bc5 + . 2 . . . . , e l s e 3 . Bd4(d7). Re5 6. Bc4 Re4 7. b8Q Rxc4 8.
Qg3 4- Kf8 draw.
VE2 J. de VUleneuve-Esclapon
L'Echiquier (Brussels), iv. 29 iii) 3. ..., KM 4. Kc2 Rgl 5. Rxe3 +
wins, or if 4. ..., Kh5 5. b7 Rgl 6.
Bf3 + and 7. b8Q.
iv) 4. ..., e6 5. Bxe3 Rxe3 6. Kxd2
Re5 7. Bc4 Rf5 8. Bxe6 + . 4. ..., Kf8
5. Bxe3.

VE4 J. de VUleneuve-Esclapon
L'Echiquier (Brussels), iv. 29

VE2: 1. Be4+ Kh5/i 2. Bxb7 Kxe3 3.

Bd5 Re8 + /ii 4. Kf7 Rh7 (Rb8; Bf3
mate) 5. Bf3+ Kg6 6. Be4 + .
i) 1. ..., Kf6 2. Bd4 + Ke6 3. Bxb7
Kf5/iii 4. Bc6 Rbl/iv 5. b7 Kxf4 6.
Ba7 h3 7. b8Q.
ii) 3. ..., Re7 4. Kf8 Rd7/v 5. Bf7 +
Kg4 6. B e 6 + . 3 . ..., Rel 4. b7 Rbl 5.
Bf3+ Kg6 6. Be4. 3. ..., Rg3 + 4.
Kh7 Rg6 5. Bf7.
iii) 3. ..., Kd7 4. Bf3 Rbl 5. b7 h3 6. VE4: 1. Bf5 Rxf5 2. Be7 Rh5 + 3.
Be5 h2 7. b8Q. Kg8 wins.
iv)4. ..., Re8 + 5. Kg7 Rb8 6. b7. VE5: 1. Bd3+ Kh5 (best) 2. a6 Rxd4
v)4. ..., Rh7 5. Bf3+ Kg6 6. Be4+. 3. Bb5 Rb2 4. Bc4 Rf2 5. Kg7 Rg2
(b2) (Rf5; g4 + ) 6. Bf7+ K- 7. a7
wins.
VE3: 1. Bd4 + Kh7/i 2. b6 Rg3 3. VE6: 1. Bg5 Rd5 2. b6 Rxg5 3. Be8
Be4 + /ii Kg8/iii 4. Bd5 + Kh7/iv 5. Rg3 4. Ba4 wins.
 VE5 J. de Villeneuve-Ksclapon 11. Bxd2 Kxd2 12. Kd4 Kc2 draw.
L'Echiquier (Brussels), iv. 29
iii) 3. ..., Rh8 4. Bc3 Rd8 5. Bf6
wins.
iv) 8. ..., h3? 9. b8Q Rxb8 10. Bxb8
Kf3 H.Kc6Ke4 12. Kc5 Kd3 13. Kb4
Kc2 14. Ka3 wins.
v) 9. b8Q Rxb8 10. Kxb8 Ke4 11. Ke6
Kd3 12. Kf5 Kc2 13. Be5 h3 14. Kg4
h2.
VE8 J. de Villeneuve-Esclapon
L'Echiquier Franccais,, ix.09

V E6 J. de V illeneuve-Esclapon
L'Echiquier (Brussels), iv. 29

VE8: 1. Be2Rxg3+ 2. Kf2 wins.

V K9 J. de Villeneuve-Ksdapon
VK7 .1. de Villeneuve-Esclapon 3rd Prize Set, Eco Degli
L'Echiquier (Brussels), iv. 19 Scacchi, 1917-18

Win 5 +6

VE7: 1. Bd2/i Rgl + 2. Kf6/ii Rxg8

3. Kf7 Rd8/iii 4. Bg5 Rh8 5. Bf6 Ra8 VE9: 1. R h l + Kg3 2. Rxh3 + Kxh3
(c8)6. b7Rb8 7. Be5 + . 3. Bc6 Rg3 4. Bd5 Rgl 5. Be4 Rg3 6.
i) 1. b7? Rgl + 2. Kf6 Rxg8 3. Bxa5 Bc2Rg5 7. Rd3.
Kg2 4. Bc7 h4 5. Kf7 Rh8 6. Be5 Rd8
7. Ke7 Rg8 8. Kxd7 Kf3/iv 9. Kc6/v VE10: 1. Se3 Rd4/i 2. Be7 Rd7/ii 3.
Ke4 10. b8Q Rxb8 11. Bxb8 Kd3 12. Sf5 h5 4. Bd6 Rb7/iii 5. Bc7 Kf3 6.
Kc5 Kc2 13. Be5 h3 14. Kb4 h2, Sd6 Rxb6 7. Bxb6 h4 8. Bc7 h3 9. Sf5
draw. Kg2 10. Sh4+ Kgl 11. Sf3 + K- 12.
ii) 2. Kh5? Rxg8 3. Bf4 + Kg2 4. b7 Sh2 wins, or if 10. ..., Kf2 11. Bh2.
d5 5. b8Q Rxb8 6. Bxb8 Kf3 7. Kg5 i) 1. ..., Kxe3 2. Be7 Rg2 3. Ba3, a
d4 8. Kf5 d3 9. Bf4 Ke2 10. Ke4 d2 thematic line from the viewpoint of
 VE10 J. de Villeneuve-Esclapon Rxb8 18. abQ + Kxb8 19. Kd6 Kc8
La Strategic 1922 20. Ke5 Kd7 21. Kf4 Ke6 22. Kxg3
Kf5 23. Kh4Kf4 drawn.
VE12 J. de Villeneuve-Esclapon
L'Echiquier (Brussels), iv.29

Win 4+3
this article. 1. ..., Rxh4 2. Sd5.
3.
ii) 2. ..., Rd3 3. Sf5. 2. ..., Rd2
Sc4.
iii) 4. ..., h4 5. Bc7 h3 6. b7 h2 7.VE12: 1. Bg7 Kg6 2. Bh8/i Kh7/ii 3.
b8Q wins. Be5 Rc2+ 4. Bg2 Rc5 5. Be4 + Kg8
VEl 1 J. de Villeneuve-Esclapon
4th Mention, Revue Suisse 6. b6 Rxe5 7. Bd3 Ra5/iii 8. Bc4 +
Echecs, 1923^ Kg7 9. b7 Rc5 10. b8Q Rxc4 11.
Qe5 + Kf8 12. Qf5+ Kg7 13. Qe6.
i) 2. Bf8? Rc2 + 3. Kgl/iv Rcl + 4.
Kg2 Rc2 + 5. Kf3 Rc5 6. Be4 + /v
Kf7 7. Bxh6 Rxb5 8. Bd2 Kf6 9.
Bel/vi Rb3+ 10. Kg4/vii Rg3 + 11.
Kxh4 Re3 draw.
ii) 2. ..., e5 3. b6 Rb4 4. b7 Kf5 5.
Bg7 Ke6 6. Bf8 Rb2 + 7. Kgl Kd7 8.
Bc5 Kc7 9. Ba7 e4 10. Bd4 Rbl + 11.
Kf2 Kb8 12. Be5 + Ka7 13. Ke3 Rb4
Win 5+5 14. Kf4h5 15. Ke3.
iii) 7. ..., Re3 8. Bc4+ Kg7 9. b7 Rc3
VE11: 1. Bb4 Rf5+ 2. Kgl d6 3. a7 10. b8Q or 10. Bb5.
Rf8 4. Bxd6 Rc8 5. Kh2 hg + 6. Kh3 iv) 3. Bg2 Rb2 4. Bxe7 Rxb5 5. Bxh4
Ra8/i 7. Bb8 Kg7 8. Kg4 Kg6 9. Kf3 Ra5 6. Bf3 Rb5 7. Kg3 Ra5 8. Bd8
Kf5 10. Ke3 Kf6 11. Ke4 Ke6 12. Kd4 Rb5 9. h4 Rc5 10. Bb6 Rb5 11. Bd4
Kf5 13. Kd5 g4 14. Kd4 Kf6/ii 15. Ra5 12. Bc6 Ra3 + 13. Kf4 Ra5 14.
Kc5/iii Kf5 16. Kd5 Kf6 17. Kc6 Kf5 Be8 + Kh7 15. h5 Rg5.
18. Kb7 Rxa7 + 19. Kxa7 Ke4 20. v) 6. Bxe7 Rxb5 7. Bxh4 Rh5 and 8.
Bxg3 Ke3 21. Bd6 g3 22. Bxg3 Ke2 ..., Rxh4 or h3, draw, while if here 7.
23. Bf4wins. Be4+ Kf7 8. Bd3 Rg5 draw.
i) 6. ..., g4 + 7. Kh4 Ra8 8. Bb8 Kg7 vi) 9. Kg4 Rc5 10. Kxh4 Rc4 11.
9. Kxg4, see (ii). Bg5 + Ke5. Or 9. Bc3 + e5 10. Kg4
ii) 14. ..., Ke6 15. Ke4/iv Kf6 16. Kf4 Rc5 11. Bel Rc4 12. Bxh4 + Ke6 13.
Kg6 17. Kxg4 Kf6 18. Kf4 Ke6 19. Kf3 Rc3 + 14. Kg2 Rc4.
Ke4 Kf6 20. Kd5 Kf5 21. Kc6 Ke4 22. vii) 10. Kg2 Rg3 + 11. Kh2 Ke5, or
Kb7 Rxa7 23. Kxa7 Ke3 24. Bxg3 Ke2 10. KelseRxh3.
25. Bf4. The above study had been entered by
iii) 15. Ke4? Kg5 16. Ke5 Kg6 17. Kf4 the composer for the 1925 tourney of
Kh5 18. Kf5 Kh4 and bPg4 is L'ltalia Scacchistica, but the judges
defended. had rejected it. The analysis here
iv) 15. Kc5? Kd7 16. Kb6 Kc8 17. Kc6 demonstrates the study's soundness.
 VE13 J. de Villeneuve-Esdapon Obituaries
La Strategic ix.19
Irving Chernev (1900-29.ix.81). A
successful populariser of all aspects of
chess, he was especially fond of
studies. Titles like Chessboard Magic,
Practical Endgames, flowed from his
pen. With his wife Selma he often
came to Europe. On one occasion he
tut-tutted over my bad choice (from
the selling viewpoint) of title for TTC
-- his light-hearted alternative sugges-
4+3
tion was "It Gets You in the End!"
He lived in Californian but will be
VE13: 1. Bd6/i Rg2/ii 2. Bb4 Rh2 3.
missed by many, world-wide.
Bc3 + Kxf5 4. b7 Rh3 5. b8Q Rxc3 6.
Qbl + .
Milu Milescu (ll.xi.ll-6.xi.81). Hillel
i) 1. Bel? Sf3 2. b7 Se5 3. Bc3 Kxf5.
Aloni writes from Israel: Milu Miles-
ii) 1. ..., Rg7 2. Be5 + Kxe5 3. Kxg7
cu studied pharmacy at the University
Kd6 4. f6. 1. ..., Sf3 2. b7 Se5 3.
of Bucurest, but 6 years before
Bxe5.
VE14 J. de Villeneuve-Esdapon
graduating he was already in 1930
La Strategic, ix.19 editor of "Revista Romana de Sah",
a post he retained until vii.49. In
1948 he published a collection of
compositions (studies included) by
the Romanian Sigmund Herland
(1865-1954), and "Selected Pro-
blems" in the same year. Co-
authored with the late Dr. H.
Staudte, "Das 1 x 1 des Endspiels"
appeared in 1964 (revised, 1981).
In 1961 he emigrated to Israel and
Win 4+3 worked as a pharmacist. He was one
VE13 and VE14 are clearly twins. of the earliest contributors to the
VE14: 1. Bel/i Rxg2 (Rd4; Bc3 + ) 2. Israeli monthly SHAHMAT with his
b7Rb2 3. Bc3 + . very popular columns "The Game
i) 1. Bd6? Rg7 2. Be5 + Kxe5 3. Kxg7 and Composition" and "Combina-
Kd6. tion". He was also on the editorial
VE15 J. de Vilkneuve-Esclapon board of the West German DEUT-
La Strategic ix.19
SCHE SCHACHZEITUNG, and
since his youth assisted with the
French monthly BULLETIN
OUVRIER DES ECHECS, which
later became EUROPE-ECHECS.
His compositions appeared in "RR
de S", DIE SCHWALBE, ECHI-
QUIER and Romanian columns. He
held the FIDE Judge's title for
studies and judged as well as Israeli
events such tourneys as the Olympic
VE15: 1. Bf3 Rgl + 2. Kh8 Rg3 3. 1964 and SCHACH-ECHO 1977-8
Bd5 Rh3 + 4. Kg7 Rg3 + 5. Kf8 Rh3 (with Hillel Aloni in both these
6. d7. cases).
M.Euwe(20.v.01-l.xii.81). The Dutch 1 DIAGRAMS AND
World Champion (1935-7) took a
kindly interest in studies, as he did in
all aspects of chess, and was an
enthusiastic proponent of the GBR
notation, publicising it in his Presi- No. 4468 V. Kondratyev
dent of FIDE capacity via his Hon. Men., XIX Chervony Girnik
communications to member coun- Tourney, 1979
tries.

Tourney Announcements
The U.S. monthly CHESS LIFE will
run an informal tourney, sponsored
by "Heraldica Imports", for which
the closing date is 1.x.82. Entries on
diagrams to the judge: Pal Benko,
P.O. Box 313, Gracie Station, %New
York, NY 10028. U.S.A. Win

Grzeban Jubilee, organised by the No. 4468: V. Kondratyev. 1. Ka3

Composition Committee of the Polish blS+ 2. Kb3 Sd2 + 3. Kc2 Sf3 4.
Chess Federation and the monthly Bf6+ Ka2 5. Sb4 + Ka3 6. Sd3 Sh2
magazine SZACHY, in celebration of 7. Se5 Sfl 8. Kd3 Sg3 9. Sc4+ Kb4
the 80th birthday of prof. Grzegorz 10. Se3 Kc5 11. Be5 Sh5 12. Ke4.
Grzeban. Closing date: l.ix.82. Jud- JRH: After the obvious S-promotion
ges: G. Grzeban and J. Rusinek. this is "book", see Horwitz (1852),
Entries to: Piotr Ruszczynski, Ul. asinEG20p. 114.
Stepinska 6/8 m. 48, 00-739 Warsaw,
Poland.
The centenary of the birth of GM No. 4469 A. Kotov
and L. Mitrofanov
Oldrich Duras (b. 1882) is being Hon. Men., XIX Chervony Girnik
celebrated by the Sporting Club Tourney, 1979
Slovan SBCS in Prague with a formal
tourney. Judge: Dr. J. Pospisil.
Closing date: 31.xii.82. Send to: Ing.
Vladimir Kos, Merhautova 66, Brno
61300, Czechoslovakia.
Nadareishvili Jubilee, celebrating the
Georgian composer's 60th birthday.
Address: Sports Committee of Geor-
gian SSR, Leselidze St. 36, 380055
Tbilisi, USSR. Closing date: l.v.82. Win 4+5

Cheron Memorial (see EG66, p. 490). No. 4469: A. Kotov and L. Mitrofa-
Due to the death of Edmond Bernard, nov. 1. Kc8/i elQ/ii 2. Sc6 Ral 3. b6
entries should now be sent (closing Qbl 4. Rhl e3 5. Rfl e2 6. Sb4 efQ
date 31.xii.82) to: Jaques Cramatte, 7. b7+ Ka7 8. b8Q mate,
Bois-de-la-Chappelle 85, 1213 Onex, i) 1. Rxe2? Kb7 2. Sc6 Kb6 3. Rb2 e3
Geneva, Switzerland. drawn.

10
ii) 1. ..., Kxa7 2. Rh6 Ral 3. b6 + Bh7 5. Rh4 Ka4 6. Rxc4 + Kb5 7.
Ka6 4. b7 + Ka5 5. b8Q wins. Rh4 Kc6 8. Rh6 + Kd7 9. Rh5 c4 10.
Hugh Blandford: "This strikes an Rh4K-ll.Rxc4.
original note, with pin of bQ (4. Rhl) i) 1. Kb3? Rh3 + 2. Ka4 c4 3. Bb7 c3.
followed by the line interference (6.
Sb4)."
No. 4472 G. Amiryan
Commended, XIX Chervony Girnik
Tourney, 1979

No. 4470 N. Kralin

Hon. Men., XIX Chervony Girnik
Tourney, 1979

Draw 5 +6

No. 4472: G. Amiryan. 1. b7 glQ 2.

Win baQ Qg2+ 3. Ke6 Qxa8 4. Rd5 +
Kc7 5. Rc5 + Kb6 6. Rb5 + Kc7 7.
Rc5+ Kd8 8. Rd5 + Ke8 9. Rd8 +
Kxd8 10. Bf3 Qxf3 stalemate.
JRH: Cf. Sehwers (1900), No. 1916
in '2500'.
No. 4470: N. Kralin. 1. Rhl Rxhl 2.
a7 Rgl + 3. Kh8 Sf6 4. a8Q h5 5. a5
h4 6. a6 h3 7. a7 h2 8. Qhl Rxhl 9. No. 4473 A. Belyavsky
Commended, XIX Chervony Girnik
a8Q + . Tourney, 1979

No. 4471 V. Yakhontov

Hon. Men., XIX Chervony Girnik
Tourney, 1979

No. 4473: A. Belyavsky. 1. Sg3 Rf3

3+5 2. Sf5 Rxh3 (Rxf5 + ; Ke6) 3. Ke6 Kd8
4. Kd6 Ke8/i 5. Sg7+ Kf8 6. Se6 +
Kg8 7. Ra8 + Kf7(h7) 8. Sg5 + .
No. 4471: V. Yakhontov. 1. R d l + / i i) 4. ..., Rc3 5. Rh7 Kc8 6. Se7+ Kb7
Ka2 2. Bc4+ dc 3. Rd2 + Ka3 4. Rh2 7. Sd5 + .

11
 No. 4476 N. Pandzhakidze
No. 4474 M. Grushko and A. Svitilsky
Commended, XIX Chervony Girnik Commended, XIX Chervony Girnik
Tourney, 1979 Tourney, 1979

Draw 2+3

No. 4474: M. Grushko. 1. Bg7+ Kb3

2. Bal Sd3 + 3. Kd4 Sb2 4. Kc5 a2 5. No. 4477 H.G.A. Mesman
Kd4 Kc2 6. Ke3 Kbl 7. Kd2 Kxal 8. Original
Kcl.
JRH: I have 12 studies based on this
idea, dating back to Horwitz and
Kling (1851). See Rueb (B) III p.17,
note. Nearest is S. Loyd (1856), No.
240 in T1000.

No. 4475 G.N. Zakhodyakin

Commended, XIX Chervony Girnik
Tourney, 1979

No. 4477: H.G.A. Mesman. 1. Ka2/i

d4/ii 2. Rgl +/iii Bdl/iv 3. Sf3/v d3
4. Rhl/vi d2 5. Sgl B- 6. Se2 mate,
i) Otherwise bK plays to bl, and
draws. 1. Kb3? Kbl 2. Rxc2 Bdl. 1.
Sfl? Kbl 2. Sd2 + Kal with a draw
after either 3. Rgl + Bdl 4. Sb3 +
Kbl, or 3. Sb3+ Kbl 4. Rgl + Bdl.
1. Rgl+? Bdl 2. Sf3(fl) Kbl, or,
here, 2. Ka2 Kd2 3. Rg2 + /vii Kc3 4.
No. 4475: G. Zakhodyakin. 1. Bf3 Rg3+ Kd2 5. Sfl + Ke2.
Bh2 + 2. Ke3 glQ 3. Ke2 Qal 4. ii) 1. ..., Kdl 2. Rgl + Kd2 (e2; Kb3)
Rbl+ wins. 3. Kb2 Bdl/viii 4. Rg2 + Be2 5.
Sf3 + Ke3 6. Sd4. 1. ..., Bf7 2. Sf3,
with either 2. ..., d4+ 3. Kal Kdl 4.
No. 4476: N. Pandzhakidze and A. Rd2 + , o r 2 . ..., Kdl 3. Rd2 + Kcl 4.
Svitilsky. 1. Sb5 + Kc2 2. Sd4 + Kc3 Rd4 B- 5. Sd2. 1. ..., Bdl 2. Sfl
3. Sb5-f Kc4 4. Sa3 + Kd5 5. Bxe4 + Be2/ix 3. Rxe2 Kdl 4. Rd2 + Kcl 5.
Kxe4 6. Sbl and either 6. ..., dlQ 7. Rd3 d4 5. Sd2 Kdl 7. Sb3 +. 1. ...,
Sc3+ or 6. ..., dcQ stalemate, or Be2 2. Rgl + Bdl/x 3. Sf3 d4 4. Sxd4
(AJR) 6. ..., dcR 7. Kb2 Rel 8. Sa3 Kd2 5. Sb3 + Kc3 6. Rg3 +.
Re3 9. Sc4 Rd3 10. Sa5 (10. Ka3 iii) 2. Sfl? Kdl. 2. Kal? d3.
probably also). iv) 2. ..., Kd2 3. Kb2 and 3. ..., Bdl

12
4. Rg2+ Be2 5. Sf3 + or 3. ..., d3 4. 3. Kh7 Rh5 + 4. Kg6 Rg5 + 5. Kh7
Sfl + Kel 5. Kcl Kf2 6. Rg5, or 3. Rh5 + .
..., Be2 4. Sfl + . ii) 3. Qg7 + ? Kd6. 3. Qf6 + ? Kd7 4.
v) 3. Rhl(fl, el)? Kd2 draws. 3. Qd4 + Kc6, or 4. Qc3 Rd5.
Sfl? d3 and 4. ..., d2. The composer writes that he got this
vi) The try 4. Sd4? fails: 4. ..., Kd2 idea from demolishing a "Kuznet-
and now either 5. Sb3+ Kc3 6. Rg3 sov" study: wKa6, wPb6, c7; bKd7,
Bh5 7. Scl Bf7 + 8. Ka3 Bc4, or bRf5, bSa3, bPa7 + . The author's
5. Rg2+ Kc3 6. Sb3 d2 7. Rg3 + Kb4. solution: 1. c8Q+ Kxc8 2. ba
vii) 3. Sfl + Ke2 and 4. Sg3 + Kf2, Ra5 + /i 3. Kxa5 Kb7 4. a8Q+ Kxa8
or 4. Kb2Kf2 5.Rhl Kg2. 5.g6Sc4 + 6. Ka6
viii) 3. ..., Be2 4. Sfl + Kel 5. Sg3 + i) Bl draws (the refutation) by 2. ...,
Kf2 6. Sxe2. 3. ..., d4 4. Sf 1 + and Sb5 3. a8Q+ Kd7 and if W stops the
either 4. ..., Kdl 5. Sg3 + , or 4. ..., threat of 4. ..., Sc7 + by playing 4.
Kd3 5. Kcl. Kb6, then simply 4. ..., Rxg5 draws.
ix) 2. ..., Bf3 3. Rf2 Bh5 4. Se3 B- 5. No. 4479 V. Aberman
Sxd5. 2. ..., d4 3. Sd2 and either 3. 1st Prize, Ukrainian Republic Tourney,
..., Be2 4. Sb3 + Kdl 5. Rgl + , or 3. 1980
Award: Sportivnaya Gazeta (Kiev),
..., Bh5 4. Sb3 + Kdl 5. Rd2+ Kel 18.xii.80
6. Rxc2.

x) 2. ..., Kd2 3. Kb2 and either 3. ...,

Bdl 4. Rg2+ Be2 5. Sf3 + Ke3 6.
Sd4, or 3. ..., d4 4. Sf 1 + Kel 5.
Sg3 + K- 6. Sxe2.
JRH: Cf. Troitzky (1926), No. 839 in
'1234'.
No. 4478 R. Missiaen
Original

No. 4479: V. Aberman (Kiev). This

tourney was organised exclusively for
study composers in the Ukraine.
Judge: E. Asaba (Moscow). 1. Bg6
Rd8 2. Be8 + Rxe8 3. gSe7 + bRxe7 4.
b7 Rc7 5. b8S + Kb5 6. Sd6+ Kb6 7.
Sc8 + Kc5 8. Sa6 + Kc6 9. Sb8 + .
No. 4480 A. Zinchuk
No. 4478: R. Missiaen (Belgium).-1. 2nd Prize, Ukrainian Tourney, 1980
h8Q+ Ke7 2. Kg6/i Rxa5 3. Qc3/ii
and now either: 3. ..., Rb5 4. Qc7 +
Kf8/iii 5. Qd6+ Ke8 (Kg8; Qd8
mate) 6. Qc6 + , or 3. ..., Rd5 4.
Qc7 + and now 4. ..., Ke8 5. Qc6 + ,
or 4. ..., Ke6 5. Qc6+ Ke5 6. Kxg5,
or 4. ..., Rd7 5. Qc5 + or 4. ..., Kf8
5. Qg7 + Ke8 6. Qg8+ wins,
i) 2. Qg7 + ? Sf7 + 3. Kh7 Rh5-f 4.
Kg8 Rg5 (Rh8 + ? Qxh8) 5. Qxg5 +
Sxg5 6. a6 Se6 7. Sc7. 2. Qc3? Sf7 +

13
 No. 4480: A. Zinchuk (Kiev). 1. b7 No. 4483 N. Rezvov
2 H. M., Ukrainian Tourney, 1980
a2 2. b8Q alQ+ 3. Kf2/i Qd4 + 4.
Kf3 Qe4+ 5. Kf2 Qe2+ 6. Kgl
Qel + 7. Kh2 Qh4+ 8. Kgl Qel + 9.
Kh2Qf2+ 10. Khl Sg3+ 11. Qxg3 +
Qxg3 stalemate.
i) 3. Kg2? Se3+ 4. Kh3 Qhl + 5.
Qh2 Qf3 + 6. Qg3 Qh5 + 7. Qh4
Qf5+ 8. Kh2 Qf3 9. Qh7+ Kd2 10.
Qd7 + Kel 11. Qh3 Sf 1 + 12. Kgl
Sg3 13. Qg2 Se2 + 14. Kh2 Qf4 + 15.
Khl Qf5 16. Kh2 Qe5 + 17. Khl
Qh8+ 18. Qh2 Qg7 19. Qh4+ Kfl No. 4483: N. Rezvov. (Odessa). 1.
20. Kh2 Qe5 + 21. Kh3 Qe3 + 22. Rc8 Qal+ 2. Kf7 Qg7+ 3. Ke6
Kg4 Qf4+ 23. Kh3 Sgl mate. Qg8 + 4. Ke5 Qe8 + 5. Bxe8 glQ 6.
JRH: Cf. Mitrofanov (1970), EG25 Bf6+ Kh7 7. Bg6 + Qxg6 8. Rh8
1341. mate, or if 7. ..., Kh6 8. Rh8 + Kxg6
No. 4481 F.S. Bondarenko
and A. Kakovin 9. Rg8 +.
3rd Prize, Ukrainian Tourney, 1980 No. 4484 F.S. Bondarenko
and A.S. Kakovin
3 H. M., Ukrainian Tourney, 1980

Win 6+4
No. 4481: F.S. Bondarenko and A.S. Win
Kakovin. 1. Sc6+ Kb7 2. Re7 Ka8 3.
Kh2 Qc7 4. Re8 + Kb7 5. Sd8+ Ka7 No. 4484: F.S. Bondarenko and A.S.
6. Re7 Qxe7 7. Sc6+ wins. Kakovin. 1. Qel Sd3+ 2. Kfl Sxcl 3.
No. 4482 A. Zinchuk Bb7 Rh7 4. Bc6 Rh6 5. Bd5 Rh5 6.
1. H. M., Ukrainian Tourney, 1980
Be4Rh4 7. f4+ wins.
The next study in the award (Kf2/h8,
by Rezvov) is omitted here because
we cannot make sense of it.
Nr. 4485 Y. Petrenko
Comm., Ukrainian Tourney, 1980

Draw 6+5
No. 4482: A. Zinchuk. 1. Bd7+ Kb8
2. Sc6+ Kc7 3. Bf5 + Kb6 4. Rxa7
Sf6 + 5. Kh4 Qxc6 6. Ra6 + Kxa6 7.
b5+ Qxb5 8. Bd3 Qxd3 9. Sb4 +
Kb5 10. Sxd3.

14
No. 4485: N. Petrenko (Kharkov). 1. Sf4+ Kc3 3. Sd5 + Kd3 4. Sb4 +
R(c)c8 R h l + 2. Kg5 Rgl + 3. Kf6 Kb2 5. Qxc2 b l Q 6. Qxbl dlQ 7.
Rxg8 4. Rc7+ Kh6 5. Sf7 + Kh7 6. Qe4 + Kdl 8. Qd3 + and 9. S + wins.
Sg5 + Kh6 7. Rh7 + Bxh7 8. Sf7
No. 4488 I. and 1. Mdnichenko
mate. Comm., Ukrainian Tourney, 1980
No. 4486 S. Belokon
Comm., Ukrainian Tourney, 1980

No. 4489 V. Sizonenko

Comm., Ukrainian Tourney, 1980
No. 4486: S. Belokon (Kharkov). 1.
Re8 hlQ 2. Rd6+ Kc3 3. Rc8+ Kb4
4. Rb6 + Ka5 5. Rbl (Rb2? Sf4;) 5.
..., Qxbl 6. Ra8 + and 7. Rb8 + .
JRH: Cf. Babich, No. 1781 in
Cheron III.
No. 4487 M. Grushko
Comm., Ukrainian Tourney, 1980

No. 4489: N. Sizonenko (Krivoi

Rog). 1. Ke4 Kf7 2. Rxh5 Ke7 3. Ke5
Sb4 4. Rh7 + Kd8 5. Kd6 Kc8 6. Ra7.

No. 4490 V. Sanulo

Comm., Ukrainian Tourney, 1980

No. 4487: M. Grushko (Zhitomir). 1.

Rc2+ Kd3 2. Rxc7 f2 3. Rcl Rf8 +
4. Kg5 Rf3 5. Bxf2 Rxf2 6. Kxh5 g3
7. Kh4g2 8. RglKe2 9. Kg3.

No. 4488: I. and L. Melnichenko

(Chernigov Region). 1. Qe7+ Kdl 2.
Sfl clQ 3. Qe4 Qal 4. Se3+ Ke2 5.
Sc2+ Kf2 6. Qe3 + Kfl 7. Qd3 +
Kf2 8. Sxal b4 9. Kc6 Kel 10. Kc5 No. 4490: V. Samilo (Kharkov). 1. h6
dlQ l l . S c 2 + . Bf5/i 2. a5 Kf8 3. a6 Be4 4. h7 Bxh7
JRH: Nearest is R.K. Guy (1939, 5. Ke5 wins.
BCM): wKg3, wQa4, wSgl; bKc3, i) 1. ..., Bg8 2. a5 Sb3 3. a6 Sc5 4. a7
bQc2, bPb2, d2 1. Se2 + Kd3 2. Sd7+ 5.Kg7.

15
 No. 4491 A.G. Kopnin No. 4493 Y. Belyakin
1st Place, Chervony Girnik, 3rd Place, Chervony Girnik,
Theme Tourney, 1980 Theme Tourney, 1980

Draw 3-4-3

JRH: Cf. Lamoss (1977): wKel,

No. 4491: A. Kopnin (Chelyabinsk). wRbl, wSb8, wPd6, e7; bKf7, bRb4,
This was a small tourney for drawing h4, bSa3. 1. e8Q+ Kxe8 2. d7+ Kd8
pawnless, or "aristocratic", studies. 3. Sc6 + Kxd7 4. Rxb4 Sc2 + 5. Kf2
Judge: V. Neidze. 1. Rc8+ Kh7 2. Sxb4 6. Kg3 Re4 7. Kf3 Rh4 8. Kg3.
Rc7+ KM 3. Bel Sd3+ 4. Ka4 Sxcl
5. Rc6+ Kh7 6. Rc7 + Kh8 7. Rc8 +
Kh7 8. Rc7 + Kh6 9. Rc6+ Kxh5 10. No. 4494 L. Topko
4th Place, Chervony Girnik,
Rc5 Qxc5 stalemate. Theme Tourney, 1980

No. 4492 V.Sizonenko

2nd Place, Chervony Girnik,
Theme Tourney, 1980

No. 4494: L. Topko (Krivoi Rog). 1.

Bc3 + Rg7 2. Rxg7 Se4+ 3. Kxel
Sxc3 4. Rg6 Be3 5. Rg2 (Rg3? Bd2;) 5.
No. 4492: V. Sizonenko (Krivoi ..., Bf4 6. Rg4 drawn, or 5. ..., Bxg2
Rog). 1. Rdl Be2 2. Rd5 Sc7 3. stalemate.
Re5+ Kf7 4. Kc3 Sb5+ 5. Kc2 JRH: The stalemate is known from
Sd4+ 6. Kc3 Sb5 + 7. Kc2 Sd4 + 8. Belenky (1948), FIDE No. 1708.
Kc3 Bgl 9. Re4 Sb5 + 10. Kd2 Bh5 Rinck (1926), No. 991 in '2500'.
11. Re5 drawn.
No. 4495: L. Tamkov (Gomel, Byelo-
russia). 1. Sc2 Rcl 2. Rc6+ Kb3/i 3.
No. 4493: Y Balyakin (Sverdlovsk). Sd4+ Kb2 4. Rxcl Kxcl 5. Se2 +
1. Sg5 Sd5 2. Se6 Rcl 3. Kd3 Kf7 4. drawn.
aSc7 Sxc7 5. Kd2 Rc4 6. Kd3 Rcl 7. i) 2. ..., Kd3 3. Sb4+ Kd2 4. Rxcl
Kd2. Kxcl 5.Sd3 + .

16
 No. 4495 L. Tamkov No. 4498 A. /inchuk
5th Place, Chervony Girnik, I-2nd Prize, Trud, 1977
Theme Tourney, 1980 Award: 64 Sh.Ob. xi.8()

Draw 3+4 Draw 6+ 4

No. 4498: A. Zinchuk. This tourney
No. 44% V. Kondratyev
6th Place, Chervony Girnik, was for the "open championship" of
Theme Tourney, 1980 the organisation "Trud" (not the
newspaper of the same name).
131 studies by 50 composers were
judged by E. Pogosyants. The
"championship" was won by Bron,
followed by Kralin; Zinchuk and G.
Umnov; and Zakhodyakin.
1. Sf7+ Ke8 2. Se5 Rf6 3. Kxfl Bxc3
4. Bg7 Rxf4 + 5. Kg2 Rf5 6. Sf7 Bb4
7. Bc3 Bf8 8. Se5 Bg7 9. Sc4 Rg5 +
10. Khl Bxc3 11. Sd6+ Kd7 12. Se4
Re5 13. Sxc3 Kc6 14. Kg2.
"I think it ought to be possible to
No. 4496: V. Kondratyev (Chelya- improve the setting." Watch the B's
binsk). 1. Sf5 Qf8/i 2. Rd8 Se8 3. Se6 change places!
Qxf5 4. Rxe8 + Kf7 5. Rf8 + . No. 4499 G. Umnof
i) 1. ..., Qxg5 2. Rg3 Sg4 3. Rxg4 l-2nd Prize, Trud, 1977
Qxg4 4. Sh6+.
No. 4497 Y. Kuruoglu
7th Place, Chervony Girnik,
111 l iav.V, v in.i v\jiiy VJII mi

Theme Tourney, 1980

No. 4499: G.A. Umnov. 1. Re5 +

Kd7 2. Sgl Sc3 3. Sxe2 Kd6 4. Re8
Kd7 5. Rf8 Sxe2 6. Rf3 Kc8 7. Kc5
Kd7 8. Kc4 Kc6 9. Kd3 Scl + 10. Kc3
No. 4497: Y. Kuruogly (Makiivka). Se2 + 11. Kc4Kd6 12. Kd3 Scl + 13.
1. Rg5 Qxfl 2. Rh5+ Kg4 3. Rg5 + Kd4 Se2 + 14. Ke4 Scl 15. Rc3 Se2
Kf4 4. Rf5 + Kxf5 5. Sg3 + Bxg3 16. Rd3+ Ke6 17. Re3 Scl 18. Kd4 +
stalemate. and 19. Kc4.

17
"A beautiful elaboration of Reti's motion to wB to avoid stalemate is
study. Here the form is unexceptio- Jespersen (1936, British Chess Maga-
nable, but the idea is not entirely ori- zine): wKe3, wBa8, wPa5, b2, h3;
ginal." bKhl, bPg2, h2, h4. 1. a6 Kgl 2.
The next study in the award, by V. Bxg2 Kxg2 3. a7 h l Q 4. a8B + wins,
Kichigin, is No. 4216 in EG63, from but not 4. a8Q + ? Kg3.
Magyar Sakkelet, as pointed out by
JRH. No. 4502 G. Zakhodyakin
Special Prize for 5-man studies
No. 4500 N. Kralin Trud, 1977
3-4th Prize, Trud, 1977

No. 4502: G. Zakhodyakin. 1. Qc3

No. 4500: N. Kralin. 1. Bg3 g4+ 2. Rg8/i 2. Kf7+ Kh7 3. Qd3 + Kh8 4.
Bxg4/i glQ 3. Bf3 d6 4. Kh4 d5 5. Qd4 -f- Kh7 5. Qe4 + Kh8 6. Qe5 + .
Kg4 d4 6. Kf4 de 7. de. Reciprocal i) 1. ..., Rh7 2. Kg6+ with a symme-
zugzwang. trical continuation (i.e. main line
i) 2. Kxg4? glQ 3. Bd3 + Kg2 4. mirrored).
Be4 + Kfl 5. Bf3 d5 6. Kf4 d4 and W
is in zugzwang. No. 4503 V.A. Bron
Hon. Mention, Trud, 1977
No. 4501 A. Chernenko
5th Prize, Trud, 1977

No. 4503: V.A. Bron. 1. Sd5 Sf7 2.

b6 Sd6 3. Sxf6 + Kg5 4. Se4+ Sxe4
No. 4501: A. Chernenko. 1. a7 Bg6 + 5. b7, or 2. ..., Sd8 3. Sf4 + Kg5 4.
2. Kxd4 Be4 3. Kxe4 h2 4. Bg2 Kxg2 Se6+ Sxe6 5. b7, or 2. ..., Se5 3. b7
5. Kxe3/i hlQ 6. a8B+ Kh2(gl) 7. Sc6 4. Sf4 + Kg5 5. Se6+ Kf5 6.
Bxhl Kxhl 8. Kf4 Kg2 9. Kxg4. Sd4+.
i) 5. a8Q? hlQ 6. Kxe3 + Kg3 7. JRH: Combining the commonplace
Qxhl stalemate. 5. a8B? Kf2 6. Kd3 S-check (to bS and bK) to ensure
g3. promotion, with the threat of mate
JRH: Perhaps the nearest underpro- by wP and wS and wK is novel.

18
 No. 4504 V.A. Bron No. 4506: N. Kralin. 1. e7 Rg2 + 2.
Hon. Mention, Trud, 1977
Kh5 Rh4+ 3. Kxh4 Bf6 + 4. Rg5 +
Rxg5 5. e8S Bd8 6. Se7+ Bxe7 7.
Sf6 + Bxf6 stalemate.
No. 4507 D. Gurgenidze
1-4 Comm., Trud, 1977

Win 5+5

No. 4504: V.A. Bron. 1. Bg7+ Ke4

2. Sc3+ Kf3 3. Se5 + Kf4 4. Bxh5
Sf5 5. Bh8 Sg3+ 6. Kg2 Sxh5 7. Sb5
e2 8. Sxa3elS+ 9. Kf2wins. Win 3+3

No. 4505 V.A. Bron No. 4507: D. Gurgenidze. 1. h8Q

Hon. Mention, Trud, 1977
Rcl + 2. Kd8 Rdl + 3. Ke8 Rel + 4.
Kf8 Rfl + 5. Kg8 Rbl 6. Rf2 Rgl +
7. Kf8 Rbl 8. Re2 Rfl + 9. Ke8 Rbl
10. Rd2 Rel + 11. Kd8 Rbl 12. Rc2
Rdl + 13.Kc8Rbl 14. Qe5.
No. 4508 D. Gurgenidze
1-4 Comm., Trud, 1977

No. 4505: V.A. Bron. 1. e7 Sxe7 2.

de Rc8 3. b3 Bxb3 4. Rxb5 + Kf4/i 5.
Rb4 + Kf5 6. Rxb3 Rxc7 7. Rf3 +
Kg4 8. Rg3 + Kh4 and 9. e8R wins,
but not 9. e8Q? Rcl + 10. Kf2 Rfl +
11. Ke2 Rel + 12. Kxel glQ + 13.
Rxgl stalemate.
i)4. ..., Kf6 5. Rb8Rxc7 6. e8S + .
No. 4508: D. Gurgenidze. 1. a7 Kb7
No. 4506 N. Kralin
Hon. Mention, Trud, 1977 2. Kh6+ Ka8 3. b5 hlQ 4. b6 Qal 5.
Rg7 Qa2 6. Rf7 Qa3 7. Re7 Qa4 8.
Rd7 Qxd7 9. b7 + Kxa7 10. b8Q +
Kxb8 stalemate.

No. 4509: D. Kaseko. 1. Kd5 + Kg8

2. Rg7 + Kf8 3. Rh7 g2 4. Rh8+ Kf7
5. Rh7 + Ke8 6. Rh8 + Kd7 7. Rh7 +
Kc8 8. Rh8+ Kb7 9. Rh7+ Ka6 10.
Bd4 hlQ 11. Ra7+ Kb5 12. Rb7 +
Ka4 13. Ra7+ Kb4 14. Rb7+ Ka3
15. Ra7 + .

19
 No. 4509 D. Kaseko ii) 1. ..., Kg4 2. Ke2. 1. ..., Kf5 2.
1-4 Comm., Trud, 1977
Sxf2.
iii) 2. Ke2? Sd4 + and 3. ..., Kxe4 2.
Sxf2? Kg3.
iv) 3. ..., Kxf2 4. Rxb4 Sc3 + 5. Kd2
Sd5 6. Rd4. 3. ..., Be7 4. Sg4+ Kf4
5.Sf6 + Kg5 6. Rh5 + .
v)4. Kc2?Kxf2 5. Rxb4 Sd5.
vi) 6. ..., Bel 7. Sg4 + Kf4 8. Sh6 +
Kg5 9. Rh3 Kf4 10. Sf7 and if, in
this, 7. ..., Ke2 8. Rh8. 6. ..., Be7 7.
Rh3Bd6 8. Shi.
vii) 8. Sg4 + ?Kf4 8. Sdl + ?Kd2.
No. 4510 V. Pachman (iv.79) Hugh Blandford: "After the dog-
1st Prize, Sachove Umeni, 1979 fighting for material the sacrifice of
Award: ii.81
wS on f2 leading to wR model mate
aided by the 2 self-blocks by bS and
bB comes as a neat surprise."

O.4511 D.Gurgenidze
and E. Pogosyants (vii.79)
2nd Prize, Sachove Umeni, 1979

Win

Studies by Asaba, Vinokur and

Zakhodyakin took 5th to 7th Com-
mend places, according to the issue
Draw 3 +5
of '64' from which this award is
taken, but the positions are not gi- No. 4511: D. Gurgenidze and E.L.
ven, and neither are the solutions. It Pogosyants. 1. Ra4 + Kb3 2. Rxa5
is illogical, one may be excused for Rh7+ 3. Ka6 Sd5 4. Rxd5 Rc7 5.
thinking, that an award should omit Rb8 + and now:
some of the compositions it is 5. ..., Kc4 6. bRd8 clQ 7. Kb6 Kb4
honouring — yet this seems to happen 8. Rb5 + Kc4 9. bRd5. Or 5. ..., Kc3
quite frequently in the USSR. Would 6. Kb6 Rc4 7. Rh8 clQ 8. Rh3 + Kb2
a Soviet reader care to comment on 9. Rh2+ Ka3 10. Rh3 + Rc3 11.
this, or even to justify it? (AJR). Ra5 + .
No. 4510: V. Pachman. Judge: Jan
Sevcik. 1. Se4 + /i Kf4/ii 2. Rh4 + /iii No. 4512: L. Kopac. 1. Sxf7 + /i Kf4
Ke3 3. Sxf2 (Sg3? Kd3;) 3. ..., Sc3 + / 2. Rd8 Qa7 3. Ba5/ii e5 4. Rf8 e4 5.
iv 4. Kel/v Se4 + 5. Kfl Sg3 + 6.
Kgl Se2 + /vi 7. Khl (Kh2? Bd6 + ) 7. Sd8 + Ke5 6. Sc6 + , or, here, 5. ...,
..., Bel (Sg3 + ; Kh2) 8. Rh3 Kg5 6. Se6+ Kh4(h6) 7. Rh8 mate.
Kxf2 9. Rf3 mate, i) 1. Rd8? Qa7 2. Sxf7+ Kf6 3. Rf8
i) l.Se6 + ?Kf5 2. Sg7+ Kg6. e6.
ii) 3. Bc3?Qa2+ 4. Kh3 Kxf3.

20
 No. 4512 L. Kopac (xii J9) JRH: The stalemate is known, eg
3rd Prize, Sachove Umeni, 1979
Troitzky (1899), No. 1015 in '2500'.
No. 4515 V.S. Kovalenko (vu.79)
2 Hon. Men., Sachove Umeni, 1979

Win 6+9
No. 4513: Em. Dobrescu. 1. Bf6 +
Kg8 2. Bh7+ Kf8 3. Bg7+ Ke8 4.
Bg6+ Kd8 5. Bf6 + Kc8 6. Bf5 +
Kb8 7. Kxa6 Ral 4- 8. Kb6 Rbl + 9. No. 4515: V.S. Kovalenko. 1. Be4 + /
Bxbl glQ 10. Be5+ Kc8 11. Bf5 + i Kb8 2. a6 Rg7 + 3. Kf8/ii Rd7 4.
Kd8 12. Bf6+ Ke8 13. Bg6 + Kf8 14. Ke8 Rd8 + 5. Ke7 Rd7 + 6. Kf6 wins,
Bg7 + Kg8 15. Bh7+ Kxh7 16. i) a6? Rg4 2. Bb5 Rg7 + 3. Kf8 Rb7
Bxd4+ Kg6 17. Bxgl wins. 4. Bc6 Kb8 5. Be4 Rd7 6. Ke8 Rg7 7.
Kf8 Rd7.
No. 4513 Em. Dobrescu (ix.79)
Special Prize, Sachove Umeni, 1979
ii) 3. Ke8? Rg7 3. Kf6? Rd7 4. Kxe6
Rg7. 3. Kd8? Rd7 + 4. Ke8 Rg7.
No. 4516 D. Gurgenidze
and V. Kalandadze (ii.79)
3 Hon. Men., Sachove Umeni, 1979

No. 4514 V. Kos (i.79)

1 Hon. Men., Sachove Umeni, 1979

No. 4516: D. Gurgenidze and V. Ka-

landadze. 1. Rg7+ Kh8 2. Rg8 +
Kh7 3. R5g7 + Kh6 4. Rg6+ Kh7 5.
g5 Rxc3 + 6. Kxc3 Rxe3 + 7. Kd4
Re4 + 8. Kc5/i Re7 9. Kxd5 c5 10.
Kd6 Ra7 11. Ke6 c4 12. Kf6 Ra6 +
13. Kf5 Ra7 14. Kg4 c3 15. Kh5 Rc7
16. Ra8(b8) c2 17. R6g8 Rc5 18.
Draw 5+6 gRc8.
No. 4514: V. Kos. i) 8. Kxd5? Re7 9. Kc6 Rf7 10. Kc5
1. Se7 Rg3+ 2. Kxg3 Sh5 + 3. Kh4 Rd7.
Sxg7 4. Bxg7+ Kd2 5. Sf3 + Ke3 6.
Sd4 Bxe7 + 7. Kh5 Rb6 8. Sf5 + ef 9. No. 4517: C M . Bent. 1. Sc4 + /i
Bd4 + Kxd4 stalemate. Qxc4 2. Qxc4 Se5 + 3. Kh5 Sxc4 4.

21
b4+ Ka4 5. Be8 + b5 6. Bg6 f5 7. No. 4519: Y. Makletsov.
Bxf5 ef stalemate. 1. Bc5 + Ka6 2. Rxa4+ Kb5 3. Bd6
i) 1. b4 + ? Ka4 2. Qxe6 Sxe5 + 3. Qxd6 4. Sc3 + Kb6 5. Rb4 + Qxb4 6.
Kg3 Qc6. b8Q+ and mate by Qa7 (if ...Ka5) or
JRH: Same stalemate as in No. 4514. byQc7(if ... Kc5).
No. 4517 CM. Bent (ix.79)
1 Comm., Sachove Umeni, 1979 No. 4520 G.M. Kasparyan (vii.79)
1st Prize, Szachy, 1979
Award: iii.81

Draw

No. 4518 V. Novikov (v.79)

2 Comm., Sachove Umeni, 1979

No. 4520: G.M. Kasparyan. Judge:

A. Lewandowski of Torun. 1. Qhl +
A Kb8 2. Ke7 Rg6 3. Rf8+ Sc8+ 4.
Rxc8 + Kxc8 5. b7 + /ii Kb8 6.
Qh2 + /iii Kxb7 7. Qxh7 Qc6 8.
Se6/iv, with echoed stalemating lines:
8. ..., Qxe6+ 9. Kf8 + Ka6 10.
Qa7 + , and 8. ..., Rxe6 + 9. Kd8 +
Ka6 10. Qa7 + . (8. ..., Qc2 9. Qh5
seems clearest. AJR).
i) 1. Qxf6? Qe8 + 2. Kc7 Sb5 mate,
No. 4518: V. Novikov. 1. Rg4 ba 2. ii) 5. Qh3 + ? Kb7 6. Qxh7 Qc6, or, in
Rxh4 + Kg2 3. Rg4+ Kfl 4. Rh4 this, 6. Sxh7 Qe4+ 7. Kf7 Rg4.
Kg2 5. Rg4 + Kxf2 6. Rf4+ Ke2 7. iii) 6. Sxh7? Qf4. 6. Se6? Qb4 + 7.
Re4 + Kd2 8. Rd4 + Kc2 9. Rc4 + Kf7 Qd6.
Kb2 10. Rb4 + Kc3 11. Rc4 + Kb2 iv) 8. Kd8 + ? KM. 8. Sf7? Qc5 -f .
12. Rb4+ Kc3 13. Rc4+ Kxc4 14. be
Bxc7 stalemate.
No. 4521 Em. Dobrescu (x.79)
No. 4519 Y. Makletsov (U.79) 2nd Prize, Szachy, 1979
3 Comm., Sachove Umeni, 1979 Correction

Win

22
No. 4521: E. Dobrescu. 1. Qb7 No. 4524 J. Rusinek (x.79)
3-5 Prizes, Szachy, 1979
Qc5 + /i 2. Ke8 Qc3 3. Bd2 Qd4/ii 4.
Be3/iii Qe5 5. Bf4 Qf6 6. Bg5 Qe5 7.
Kf7 Qxg5 8. Qa8+ Kh7 9. Qg8 +
Kxh6 10. Qh8 mate,
i) 1. ...,Qf5+ 2. Ke8Qe5 3.Bf4.
ii) 3. ..., Qb2 4. Qc7 h l Q 5. Bc3 + .
iii) 4. Qc7? hlQ 5. Bc3 Qa8 + .
No. 4522 M. Matous (xi.79)
3-5 Prizes, Szachy, 1979

Draw

No. 4524: J. Rusinek. 1. c7 Sd3 + 2.

Kdl Sb2+ 3. Kcl Bxc5 4. Sg4/i Rxg4
5. c8Q Rc4 + 6. Bc3 Bxe3 + 7. Kc2
Rxc8 stalemate.
i) 4. c8Q? Bxe3+ 5. Bd2 Bxd2 + 6.
Kc2Ba5+ mates.
Draw 4+5
No. 4525 V.N. Dolgov (v.79)
No. 4522: M. Matous. 1. Qxb5 Rc2 + 1 Hon. Men., Szachy, 1979
2. Kxb7/i Rb2 3. Sb3/ii Rxb3 4. Ka8
Kd4 5. Qd5 + Kxd5 6. a7, stalemate
follows.
i) 2. Sxc2? Qxb5 3. a7 Qa5 + 4. Kxb7
Qb5+ 5.Kc7Qa6. "
ii) 3. a7? Kxd4 4. Qxb2 + Qxb2 + 5.
Ka8 Qa3 6. Kb7 Qb4+ 7. Ka8 Qa5 8.
Kb7 Qd5 + 9. Kb8 Qd8 + 10. Kb7
Qd7 + 11. Kb8 Kc5 12. a8Q Kb6.
No. 4523 E.L. Pogosyants (ii.79)
3-5 Prizes, Szachy, 1979

No. 4525: V.N. Dolgov. 1. dRf2 Kg4

2. Rgl + Kh5 3. fRfl Kh6 4. Rf3 Kh5
5. Rf2. Zugzwang. 5. ..., c5 6. fRfl
Kh6 7. Rf3 Kh5 8. Rf2 c4 9. fRfl
Kh6 10. Rf3 Kh5 11. Rf2 c3 12. fRfl
Kh6 13. Rf3 Kh5 14. Rf2 c2 15. fRfl
Kh6 16. Rf3 Kh5 17. Rf2 and wins,
for 17. ..., Rf7 18. Rg8 Sh6 19. Rh2
mate.
Draw 2+4
No. 4523: E.L. Pogosyants. 1. Rd6
Sf7 2. Ra6 + /i Kb7 3. Re6 Bg7 4.
Kb4 Bf8+ 5. Ka5 Sd6 6. Rxd6 Bxd6
stalemate, or 5. ..., Bd7 6. Re7 Bxe7
stalemeite.
i) 2. Re6? Bd7 3. Re7 Bg7 (Bf6? Rxd7)
4. Kd5 Ba4 5. Kc4 Sd6 + 6. Kb4 (else
Se8;) Bf8 7. Rh7 Be8 8. Rh8 Be7.

23
 UK ISSN 0012-7671

Addresses of magazines and bulletins that run annual (or biennial) international informal tourneys for original
endgame studies. The studies editor's name, if any, is in brackets. (In an address, a comma generally indicates the end
of a line.)
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SUOMEN SHAKKI (K. Virtanen) Kivilevontie 14E, 33420 Tampere 42, Finland
SZACHY (Jan Rusinek) Ul. Wspolna 61, 00-687 Warsaw, Poland
THEMES-64 (J. Roche), 7 Square H. Delormel, 75014 Paris, France
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