Art Appreciation - Lesson 5.0

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LESSON 5 LEARNING ACTIVITIES

Activity 1: Provide What is Asked


NATIONAL COMMISSSION FOR CULTURE IN THE ARTS 1. The meaning of NCCA

GAWAD SA MANLILIKHA NG BAYAN 2. The meaning of GAMABA

REPUBLIC ACT NO. 7355 3. The law that institutionalized GAMABA or the National Living
Treasures Award

4. HE/SHE IS AN INHABITANT OF AN INDIGENOUS/TRADITIONAL CULTURAL COMMUNITY


ANYWHERE IN THE PHILIPPINES THAT HAS PRESERVED INDIGENOUS CUSTOMS,
BELIEFS, RITUALS AND TRADITIONS AND/OR HAS SYNCRETIZED WHATEVER EXTERNAL
ELEMENTS THAT HAVE INFLUENCED IT.
5. HE/SHE MUST HAVE ENGAGED IN A FOLK ART TRADITION THAT HAS BEEN IN
EXISTENCE AND DOCUMENTED FOR AT LEAST FIFTY (50) YEARS
6. HE/SHE MUST HAVE CONSISTENTLY PERFORMED OR PRODUCED OVER A
SIGNIFICANT PERIOD, WORKS OF SUPERIOR AND DISTINCTIVE QUALITY.

NCCA 7. The person who has the authority to confer the National Artist Award
FERNANDO AMORSOLO 8. The first National Artist awardee
GAWAD SA MANLILIKHA NG BAYAN HAS ITS ROOTS IN THE 1988 NATIONAL FOLK
ARTISTS AWARD ORGANIZED BY THE ROTARY CLUB OF MAKATI-AYALA 9. The origin of
GAMABA

NICK LIZASO 10. The current Chairperson of NCCA

Activity 2: Filipino Artists and Artisans


Direction/s: Cite a 21st century Filipino artist who practices one or a combination of the
major forms of art and a 21st century Filipino artisan who creates a certain type of craft. Both
can either be nationally acclaimed or locally acclaimed. Cite their most notable works too.
Provide a short background of the artist under the column. What makes him/her an artist or
artisan? By specifically citing his contributions to the world of arts and crafts. State your
answer in phrases and use bullets for an organized presentation. One bullet is equivalent to
one phrase or train of thought.
Filipino Artisan Notable works What makes him/her an
artist?

Name: Mark Aldane "Mak" Sinag Gown A proponent of modern


Velasco Tumang techniques, haute couture
Mayon/Lava Gown and his continuous pursuit
Age: 34 of luxurious elegance, he
Ibong Adarna Gown has become a well
Date of Birth: November 10, distinguished name and
1986 all worn by Catriona
esteemed personality in
Gray in both
both national and
Binibining Pilipinas
Place of international fashion scene.
and Miss Universe
Birth: Pampanga, Philippines Known for his intricate
Pageant
embroidery, detailed
Current Address: Mexico, lacework and elaborate
Pampanga designs, he has taken the
industry by storm. He has
Ethnic Group (If dressed famous celebrities
applicable): and beauty queens.

Filipino Artist Notable works What makes him/her an


artisan?

Name: Benedicto Reyes A sketch of a A painter and printmaker,


Cabrera Japanese Woman, he has exhibited widely in
1987 the Philippines and in Asia,
Age: 78 Europe, and the United
The letter, 1984 States. He has won several
Date of Birth: April 10, 1942 major art awards in a career
Servant with spanning four decades.
Chopsticks, 2010
Place of Birth: Malabon,
Philippines
Sabel, 2014
Current Address: Baguio City Ifugao Man, 2013

Ethnic Group (If Water Carrier, 2010


applicable):
and many more
I. OVERVIEW OF PATIS TESORO’S LIFE
A. Beatriz ‘Patis’ Tesoro is an artist and fashion
designer, social activist, serial entrepreneur and lifestyle
icon. She was born on December 29, 1950 in Iloilo City.
Even at 70, she is still bursting with creative energy in
using her artistry to protect and assert what it means to
be Filipino. That’s why she’s known as the Grand Dame
of Philippine Fashion.
B. The twin drive to preserve what we had and re-cast it
for the next generation has deep roots. In the 1950s, she
learned from her mother Nena Fabella Pamintuan, a
stylish woman of means, who was a kustorera (or a
dressmaker) during post-war in Iloilo. From high school
classes at the convent school Assumption in Iloilo, Patis
learned to embroider, thus opening her eyes to the
intricacies of the craft and the art of embellishment.

C. Her transformation as a heritage fashion designer began in the 1980s when she joined the Patrones de Casa
Manila. At museum events, the patrones had to wear the traditional Filipino dress to depict the lifestyle and
home of Filipino ilustrados living in Intramuros in the 17th and 18th century. Donning the baro’t saya, she was
struck by the artistry that went into the layering of fabric upon fabric (panuelo over baro over camisa; and tapis
over saya over anagua) and the contrasts of textures, patterns, and embellishments that came with each layer.
She recognized that while the layered ensemble was a testament to our ancestor’s sense of style and ingenuity,
very few still knew how to put the ensemble together. For the tradition to stay alive, she believed the baro’t
saya had to become part of modern day life.
D. The revival of the Filipino national dress in its different forms was not just a fashion designer’s challenge;
Patis took on a social activist role when she discovered that many of the traditional fabrics used by our ancestors
were disappearing. In particular, the decline in the production of piña fabric, which is used for the baro and
barong, alarmed her.
In the 1990s, Patis collaborated with First Lady Amelita Ramos through the Katutubong Filipino Foundation,
a non-profit organization, which aimed to revive indigenous Filipino arts and crafts. She travelled all over the
country to research on handicraft production techniques from various ethnic tribes and communities.
E. The act of donning the traditional baro’t saya when she joined the Patrones de Casa Manila in the ’80s led
to a personal epiphany for the woman who has become one of the strongest advocates for heritage conservation
in the country. Since then, she has championed the revival of the country’s national attire by raising awareness
on traditional fabrics such as piña and local cotton.
F. Tesoro once stated, “If we lose what is integral to being Filipino—our dress, our food, our homes—then we
lose who we are.” These simple words perfectly encapsulate the need to uphold our culture, heritage, and pride
in our national identity.

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