Foot-binding was a cultural practice in China from the 10th century to 1949 where girls' feet were tightly bound to alter their shape for aesthetic purposes. The binding would begin between ages 4 to 12 and force the feet into 3-inch lengths considered ideal. It originated with a dancer but became popular among elites and eventually spread through social classes. Having a daughter with bound feet showed the family's wealth and status. The practice caused lifelong pain, health issues, and prevented women from working. Ultimately, bound feet were seen as symbols of beauty and femininity enforced by China's patriarchal society at the time.
Foot-binding was a cultural practice in China from the 10th century to 1949 where girls' feet were tightly bound to alter their shape for aesthetic purposes. The binding would begin between ages 4 to 12 and force the feet into 3-inch lengths considered ideal. It originated with a dancer but became popular among elites and eventually spread through social classes. Having a daughter with bound feet showed the family's wealth and status. The practice caused lifelong pain, health issues, and prevented women from working. Ultimately, bound feet were seen as symbols of beauty and femininity enforced by China's patriarchal society at the time.
Foot-binding was a cultural practice in China from the 10th century to 1949 where girls' feet were tightly bound to alter their shape for aesthetic purposes. The binding would begin between ages 4 to 12 and force the feet into 3-inch lengths considered ideal. It originated with a dancer but became popular among elites and eventually spread through social classes. Having a daughter with bound feet showed the family's wealth and status. The practice caused lifelong pain, health issues, and prevented women from working. Ultimately, bound feet were seen as symbols of beauty and femininity enforced by China's patriarchal society at the time.
Foot-binding was a cultural practice in China from the 10th century to 1949 where girls' feet were tightly bound to alter their shape for aesthetic purposes. The binding would begin between ages 4 to 12 and force the feet into 3-inch lengths considered ideal. It originated with a dancer but became popular among elites and eventually spread through social classes. Having a daughter with bound feet showed the family's wealth and status. The practice caused lifelong pain, health issues, and prevented women from working. Ultimately, bound feet were seen as symbols of beauty and femininity enforced by China's patriarchal society at the time.
Foot-binding, a cultural practice, existing in China from the 10th century
until the establishment of the People Republic of China in 1949, that involved tightly bandaging the feet of women to alter their shape for aesthetic purposes. Typically began when girls were between 4 and 6 years old; some were as young as 3, few as old as 12. Grandmothers, mothers, or older female relatives first bound the girl’s feet. The ultimate goal was to make them 3 inches long, the ideal “golden lotus” foot. It started with a dancer named Yao Niang who bound her feet into the shape of a new moon. She entranced Emperor Li Yu by dancing on her toes inside a six-foot golden lotus festooned with precious stones and ribbons. And gradually the fashion became popular among the elite during the Song dynasty. Foot-binding eventually spread to lower social class by the Qing dynasty.
It became a symbol of the subordinate role of women in China, and at the
same time a mark of femininity and beauty, gentility and distinction. Having a daughter that time with bound feet signified that the family was wealthy enough to forgo having her work in the fields. Although foot binding started in the upper classes, it spread rapidly. In poorer families who could not afford the bandages or lack of labor associated with a hobbled woman. Women with their feet bound could not walk well enough to do any sort of labor that involved standing for any length of time. The four smaller toes were tucked underneath, pulled toward the heel, and wrapped with bandages. Each time the feet were unbound, the bandages and feet were cleaned. Any dead skin, blisters, dried blood, and pus were removed. The process could cause paralysis, gangrene, ulceration, or death, though death was rare. Once a foot had been crushed and bound, the shape could not be reversed without a woman undergoing the same pain all over again. Binding the feet continued for the rest of the girl’s life. Decorative shoes and leggings were worn over the bandages and could differ with the time of day and occasion. Furthermore, the bound foot became widely accepted as a source of erotic pleasure to the male. Foot-Binding was not done until the girls were older. Once a girl married, the bandages were taken off, and she reentered the workforce.
In conclusion, bound feet in China were considered to associate strongly
with beauty, social status, and duty. If women want to be beautiful and to have higher status in society it is crucial to her to undergo foot-binding. I firmly believe that Chinese society was male-dominated at this time and thus the practice of foot-binding was legitimized as expressional means of elegance. It would seem that pain has been suffered for centuries by women to achieve perceived beauty.