A Beginners Guide To Constructing The Universe Studyguide
A Beginners Guide To Constructing The Universe Studyguide
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Plot Summary
A Beginner's Guide to Constructing the Universe - The Mathematical Archetypes of Nature, Art
and Science by Michael S. Schneider describes in great detail the importance, usage, meaning
and myths that relate to the numbers one through nine and the decad which is created by
leaving the realm of the single digits and moving on to the number ten. Each chapter is devoted
to the mathematics and geometric shapes that are based on each of the numbers.
The story of numbers begins appropriately with the number one. The number is referred to as
the monad. The first principle of the monad is the beginning of light, space, time and power and
in all directions, and is symbolic of the entire universe. The monad is the backdrop for the
creation of all the succeeding numbers.
The number two, or the dyad, follows. It is through the interplay of the monad and the dyad
that the birth of the rest of the single digits is made possible. The monad and the dyad are, at
times, referred to as the mother and father and the remaining single digits numbers are their
children. The dyad is associated with polarity. Although it strays from home, the dyad still has
ties to home and maintains a need to stay connected to the monad.
Together the monad and the dyad create the next seven single-digit numbers. The triad is the
breakthrough number that gets us past the polarization of the monad and the dyad. Three
symbolizes our connection to the universe although we recognize that we are separate entities.
The tetrad represents volume and dimension. The pentad represents life itself.
The hexad brings structure, function and order to the mix. The heptad is the "enchanting
virgin." It is "untouched" because none of the other single digit numbers can divide it. The
octad provides the means for self-renewal and infinite growth. The ennead is the penultimate
number and represents the greatest achievement possible for man. It is also considered the
horizon number because when going beyond the number nine, man enters into two digit
numbers and a new reality. Ten is also known as the decad. The decad encompasses all the
single digits within its realm.
The book provides the strengths, uses and myths connected with each of the numbers as well
as the geometric polygons that are based on them. The reader learns the ties that man has to
the cosmos and to the numbers that are the underlying connective tissue of the universe and
everything in it. The book teaches the reader to look for the numbers and geometry in
everything. The polygons that are based on the numbers can be seen in every entity from the
galaxies and man to the animals and plants, providing evidence that we were all connected by
design.
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Chapter 1: Monad - Wholly One
Chapter 1: Monad - Wholly One Summary and Analysis
The Circle Draws Us
The appeal of the circle is tied to our desire for oneness with the universe and represents
infinity. Man recognizes himself in circles and spheres. A young child relishes drawing circles
once he realizes that he can draw a line that connects to itself. To ancient mathematicians and
philosophers, the circle symbolized the number "one." The Greek term for the elements of the
circle was "Monad." The ancient scholars referred to the Monad as The First, The Foundation
and the Immutable Truth and Destiny. The circle represents heaven and enlightenment in
religious art.
The three ancient tools of geometry were the compass, straightedge and pencil. The center of
the compass represented the eye of God. The legs of the compass represented God's grace
shining down on earth. The straightedge was used to create points where circles intersect. The
pencil was the tool that brought divine and eternal ideas onto paper. In ancient times, the
center of a circle symbolized God. Geometric construction can be soothing and used in
meditation. The circle is like a body of water, peaceful and still without a ripple. The circle is
considered as a whole, as the universe. Focus can also be placed inside the circle by viewing the
center as one's own gravitational center. The center symbolizes inner awareness and peace.
After the center point of a circle is established, the compass is held straight up and it legs
adjusted outwardly. Making the circle signifies equal expansion in all directions. In ancient
times, drawing the circle or expanding from the center represented God's creation of the
universe. The first Biblical command is, "Let there be light." In Hindu mythology, the Brahma
said the word, "aham" or "I am" which symbolized the three parts of a circle: the center, the
radius and the circumference. The circle is the first evidence of God's light and existence of the
universe. As a compass is opened, it represents the first principle of the Monad - the beginning
of light, space, time and power and in all directions, i.e., the universe.
The second principle of the Monad is the rotary motion of the circle. While the center remains
strong and stationary the circumference represents the cycles of life and the orbits of the
planets - the rhythm of life. All cycles rise and decline. Every process known to man is
fundamentally a cycle.
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Chapter 2: Dyad - It Takes Two to Tango
Chapter 2: Dyad - It Takes Two to Tango Summary and
Analysis
The Birth of the Other
"The circle is the womb and cradle of our symbolic universe" (p. 22). A pebble tossed into a lake
produces more images of itself. The process of replication is accomplished in geometry by the
line. A true line is one-dimensional. It only has width but no thickness. The point/circle and the
line are the parents of succeeding geometric designs.
The ancient Greeks referred to a form other than a circle as the Dyad. They were not as
comfortable with a shape that did not have the a divine center as that of the circle. They
thought of the Dyad as audacious and bold for separating from the whole. The Greeks had a
real problem with a departure from the Monad. They referred to any such deviation as "falling
short" or "the lie" or "the illusion." Phrases like "two-faced" and "speaking with a forked
tongue" originated from the Greek's view of the Dyad.
The fundamental element of the Dyad is polarity. It is the basis for the manner in which man
lives - separate and independent. However, like man who has a connection to home and family,
there is still a strong desire to return to the whole, to the Monad. Thus, it represents both
separateness and unity. The influence of the Dyad is felt when one is both repulsed by and
attracted to something. It represents man's dual nature: light and dark, ego and shadow. The
Dyad has a strong element of unity in that it represents the joining of two entities.
In order to create new life, it takes two - a man and a woman who form a union to create new
life. The Dyad is fundamental to every creative process. And it is a reality that every entity has
an opposite - but that opposite makes it complete which supports the notion of the Dyad's
strength in unification. The Dyad has two poles and both poles are lured by the Monad. The
Dyad's basic characteristic is the existence of a pair of equal opposites.
Hydrogen is like the Monad in that it is the first element on the periodic chart. It mirrors the
Dyad in that it is the only element that is comprised of just two elements. Like the Monad,
Hydrogen has a middle comprised of a stationary object - a proton - and a charged electron that
orbits it, like the circle with its center point and circumference. Its Dyad nature is evidenced by
its urgency to unite with an element with a polar opposite.
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In ancient times, the number words for one and two were the same for man and woman. In
modern times, we look at numbers as just numbers with no other underlying meaning. In
Ancient Sumeria numbers were symbolic facts of existence. Early mathematicians considered
the Monad and the Dyad, not as numbers; rather, they were considered the parents of
numbers. There was a religious aspect to the Dyad. The almond shape that is formed by the
intersection of two circles is called the Mandorla which symbolizes unity and rebirth. The Vescia
Piscis is a yoni (Sanskrit for female reproductive organs) and was believed to be the entity
through which all shapes in the universe are created.
When a stone is thrown into a pond, a series of rings will expand out from the center. The
geometric relationships among these circles remains the same no matter what the size or
distance between them. The Pythagoreans believed that the first ten numbers were seed
patterns for the entire cosmos. By duplicating the basic shapes of the cosmos, a geometer could
symbolically recreate the universe. The first three forms created through the Vescia Picis were
the triangle, square and pentagon. All other forms can be created from these basic forms.
The dual nature of the Dyad is evidenced by the fact that the it both unites and separates. In
terms of the mathematical metaphor, the Dyad is the door that leads from the one (Monad) to
the many.
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Chapter Three: Triad - Three-Part Harmony
Chapter Three: Triad - Three-Part Harmony Summary and
Analysis
One, Two, Through
Sir Percival of King Arthur's Round Table found the Holy Grail. He was able to break through the
mountains and find the treasure when no one else could. The name Percival, means "pierce the
valley." He also pierced polarity which is something we do whenever we count past one and
two. By attaining "three" we pass the polarized threshold of two.
Triads, or series of threes, appear everywhere in our lives: beginning, middle and end; birth, life
and death; length, width and height. We have three daily meals. A traffic light has red, green
and yellow lights. "Ready, get set, go!" "Three strikes and you're out!" The Olympics awards
Gold, Silver and Bronze medals. In religious terms, Christianity is based on the Father, Son and
Holy Spirit. There is a positivity about the number three: "Third time's a charm." And the genie
grants three wishes when someone releases him from his bottle. Society has learned to react to
these cultural triads and, on some level, is sensitive to the deeper and buried meanings they
represent.
The calling card of the triad is the triangle. The first triangles were created by the intersection of
two circles. Beginning at one of the points where they cross, the triangle is formed by
continuing that line on to each point of intersection. The Greeks created the first triangle called
a trigon. In contrast with the circle, the triangle encloses the smallest area for the greatest
perimeter. There are only three types of triangles: the equilateral, all three sides are equal; the
isosceles, two sides are equal and the third side is different; and, the scalene which has no
equal sides. Since the triangle exuded a sense of balance, the ancients referred to the triad as
prudent and wise. It was a symbol of piety, friendship and harmony.
The triangle is important in creating self-supporting structures because it is the polygon that is
structurally sound by virtue of its geometry alone. Many modern structures are supported by a
triangular design which resolves opposite tensions into one solid body.
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The triad is a natural design that is seen in nature and science. Insects are divided into three
body sections. Fruits begin as three-petaled flowers. The heart muscle has three layers. Cracks
created in everything from eggs to concrete splinter into triangles.
A knot can have no fewer crossings than three. The word "trinity" means unity or three as one.
The three becomes one concept can be studied through the sign known as the Borromean
Rings. It was based on the family crest of the Borromeo family of Italy. Upon close inspection,
one can detect that although the rings in the crest intersect, they are all separate. The triad is
based on a structure that uses one element to unify the others. The Dyad is made whole by the
third line or ring which then makes it whole and reunited with its original source, the Monad.
In modern times, we are constantly reminded of the triad, a form that takes two opposites and
unites them. Physicists refer to action, reaction and resultant, philosophers to thesis, antithesis
and synthesis. The triad presents three sides but yearns to return to the Monad. Color is based
on three primary colors: red, blue and yellow. The human body seems way more complex than
a triad but its overarching lifespan consists of emergence, development and dissolution, i.e.
birth, growth and decay. Our government is comprised of three branches: executive, judicial
and legislative.
Einstein's theory of relativity is based on light, mass and velocity. A triad design was often used
in ancient Egyptian jewelry. The most famous symbol of the ancient advanced culture of Egypt,
of course, is the pyramids which are in the shape of triangles and, with some restorations from
time to time, have survived the ages - a testament to the strength of the triad design.
Threeness demonstrates that we are tied to the universe although we are each a separate
entity.
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Chapter 4: Tetrad - Mother Substance
Chapter 4: Tetrad - Mother Substance Summary and Analysis
In Search of the Depth
Three points define a flat form. To define depth, there must be another point. The archetype of
fourness is called the tetrad which is an expression of volume. The tetrad can have a varying
number of sides. The tetrahedron is a volume of four identical triangular sides. The hexahedron
is the most common structure of volume and has six sides. Like the other forms, variations of
the tetrad occur naturally as well as by human design. The tetrahedral is seen in the six-legged
insect. The lotus position in yoga is another example. There are four ways to view a three-
dimensional object: as points, lines, areas and volume. Their basic structure can also be
described as corners, edges, faces and center.
Physicist Joseph Antoine Plateau dipped a wire-framed tetrahedral into a soapy solution and
was surprised to see that the filmy substance created an internal structure in addition to the
external one. The tetrahedron occurs naturally in chemistry. Some elements, including
methane, ethane and ammonium have its structure. Diamonds, the world's hardest natural
substance, are structured as a tetrahedral network of carbon atoms. We travel by the compass
that has four sides.
The square conjures up many images and concepts of a positive nature: square deal, square
meal, and fair and square to name a few. Being square with someone is being honest and open.
In fact, to the Pythagoreans, a square represented justice. Fourness represents association with
the stable, solid earth. In nature, there are four states of matter: ice, water, steam and fire
although there are hundreds of elements. Our sidewalks are a series of squares. New housing
developments are plotted on square grids. The square can be observed in sporting and
recreational events. A baseball diamond is actually a square. The boxing ring is a square. Games
like Monopoly are played on square boards. Origami art works always begin with squares.
The ability to construct a square brings the Tetrad to our world. Volume can be created and
donned with the four states of matter. The ancients represented this process through weaving.
In ancient Egypt the goddess of weaving, war and wisdom was Neith who wore a headdress
that symbolized progeny or the multiplication of man. The headdress consisted of a large "X"
over a square. The symbol "X" used to signify multiplication originated from her headdress. For
over fifty centuries, craftspeople and architects have used geometry as the foundation for their
work.
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Mater Makes Matter
All things that were created have an urge to create and all creation is based in polarity. A
woman needs a man to have a baby. While modern science understands the universe as the
synchronizing of electronic power and magnetic fields, the ancient bards sang of the Great
Mother and the Great Father. They believed that the universe was created in three stages: a
field of light arose, it became energized and life began to develop. The universe could not be
constructed without volumization. The field where the patterns first appeared was a Monad.
Nature's patterns are based on three-dimensional math. Its process of creation is the
development of volume. The universe or cosmos was represented by a pentagon with the
volume of a dodecahedron; fire by a triangle with the volume of a tetrahedron; air by a triangle
with the volume of an octahedron; water by a triangle with the volume of an icosahedron; and,
earth by a square with the volume of a hexahedron (cube). Math has proven that there can only
be five possible equal divisions of three-dimensional space. In ancient times, the study of these
five volumes was considered the ultimate in geometric knowledge. These forms are either
triangles, square or pentagons. They are the basis for all crystals, the orderly arrangement of
atoms.
The first creations of the universe are geometric. At the borderline between nonliving and living
forms are viruses, AIDS, and other diseases that are not alive but behave as though they are.
They take on a Platonic volume. The cube or the hexahedron is the most common Platonic
volume. We see the shape in six-sided dice and in salt crystals. The simple beauty of the crystal
is its stringent mathematical structure. Deltahedra represents the three Platonic volumes with
triangular faces.
A common notion in worldwide mythology is that the human is a miniature replication of the
universe. The ancient philosophers saw themselves as having the same principles in their
spiritual lives as was found in geometry and nature. Early philosophers placed themselves on
the spot where four and five intermingled, somewhere between the Triad and Tetrad. Three
Borromean Rings intersect at four places. The triangle denoted the divine trinity above a square
that contained elements of familiar human nature. This image is mimicked on US currency by
the symbol of the pyramid on the Great Seal of the United States; an eye representing God is
positioned high above its square foundation which represents earth.
The ancient philosophers saw earth, water, air and fire as part of man's soul. The earthen
nature within represented man's reluctance to change. Water stood for man's emotions. Air
was man's hopes and dreams and flight of fantasy. Fire was wisdom and intuition. There are
four castes of Hindu Vedic society - priest, warrior, merchant and servant. In medieval
European society men were categorized as monk, knight, burgher and peasant. Like the temple
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and cathedral, ancient society was designed like the man and the cosmos. Carl Jung identified
the four orienting functions as sense, emotion, thought and intuition.
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Chapter 5: Pentad - Regeneration
Chapter 5: Pentad - Regeneration Summary and Analysis
Coming to Life
The pentad represents life itself. Five is a common number in man's life. He has five fingers on
each hand. Stars, like those on a flag, have five points. Its basic form is the pentagon or the
pentagram. Philosophers have viewed the pentagon as the fifth element of nature
encompassing the four elements, solids, liquids, gases and fire and bringing them to life.
Seeing Stars
We see stars everywhere. Stars are used on national flags and evoke emotions and patriotism.
Stars are also used in company logos which signifies that marketing companies understand the
appeal of the form. In ancient times, the star was thought to have the power to ward off evil.
The star appears in literature: Goethe's Faust used a pentagram to protect him from evil. An
inverted star, called a witch's foot, was associated with devils and demons. The Egyptian
underworld known as the duat is symbolized by a circle within a five-pointed star. The duat
represents our subconscious. In ancient Greece, the star was associated with Pan, a sprite that
evoked panic and pandemonium.
The pentagram was a symbol of humanity and health to the Pythagoreans who wrote the name
of the goddess Hygeia around its shape. The pentagon shape is seen throughout nature. Most
leaves are in the shape of a pentagon. The bottom of many pieces of fruit have the remnants of
the five petals of the flower that preceded it.
The creation of the pentagon has, at times, been so revered it was kept secret by some
societies who believed it to be potent and powerful. It wasn't until 1509 when the monk Fra
Luca Pacioli published the steps to take in creating a pentagon that the secret was revealed.
Cosmic philosophy is expressed in nature through geometry. The power of the pentad is found
in certain creatures in nature that regenerate themselves. Some insects can regenerate new life
from body parts. Some plants send out roots to create new plants. The starfish can grow a new
"leg." Looking closely at a bunch of broccoli, a series of pentagons within pentagons can be
detected. The whole-in-part principle is the foundation of bonsai, the Japanese art form that
creates miniature trees from the branches of normal-sized trees. One characteristic of a living
form that aligns with the geometric properties of the pentagram is the creation of an infinite
number of smaller and larger versions of itself.
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The key to the regeneration of the pentagon is tied to a particular self-generating number
series known as the Fibonacci sequence. Until the twelfth century, European commerce used
Roman numerals to track their finances—a rather clumsy process. Leonardo of Pisa, a
mathematician, published a book in 1202 that convinced the businessmen to convert their
financial accounting over to the number system we still use today. Leonardo's father was
nicknamed Bonaccio which meant "man of good cheer." Leonardo was known as the son of
Bonaccio or filius Bonaccio which then morphed into Fibonacci. The Rabbit Riddle was a word
game that asked how many rabbits could be produced in a year starting with just one male and
one female rabbit. Bonaccio reinvented the puzzle by assigning number values to each pair. The
Fibonacci sequence begins with the sum of zero plus one entity. That sum is added to another
entity and the sequence goes on.
This principle of growth from within is the foundation of the pentad's principle of regeneration.
It appears everywhere in nature - plants, music, galaxies, the human body and everything
associated with the fiveness in nature.
When the Fibonacci sequence is converted into decimals, the end result is the ideal 1.62,
known as the golden mean, or the perfect balance. It is also symbolized by the Greek letter Phi.
Approaching Phi, we are led to its source in the infinite. The golden mean maintains a single
relationship with all the parts and to the whole. It is mathematical harmony and balance. It is
the core basis of nature's self-replication and is the heart of the archetype of the Pentad. In
olden times a device known as calipers was used by artists for laying out their compositions.
They can be used to explore Phi relationships in geometry, nature and art eliminating the
necessity of having to make any mathematical calculations.
Ancient Greeks learned from the Egyptians that the structure of the body is based on the
golden mean. Taking the average measurements of many people, we find that the body is
divided in half at the navel . This average number is equal to the golden mean. Phi is a
proportion found in growth. Golden mean measurements are found in other parts of the body
including the hands. Bodies that are well-developed like dancers and athletes demonstrate the
results of self-growing symmetry.
The Phi ratio is seen in space. It is most clearly demonstrated in the planets nearest to the sun
but the ideal, or golden mean, breaks down when applied toward the outer planets. The
recognition of our Phi relationship with the nature and the planets gives insight into ourselves.
But how exactly does a mathematical ratio really impact us? The answer is through beauty. Art,
nature and science evoke a deep sense and understanding of the beauty of the golden mean. It
is evidence that there is an aesthetic, subliminal appeal for the golden mean. When asked to
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select a rectangle from a series of different sized rectangles, the majority picked the rectangle
whose ratio was closest to Phi.
Ancient philosophers influenced art, crafts and architecture with their extensive studies of
geometry and nature. The designs are comprehensive and appealing to the eye because of the
harmony created by the geometry of self-replication.
Of all the ancient people, the Egyptians were most skilled at integrating geometry, symbolism
and art in their works. Pentagonal symmetry allows each small part of the whole to be an entity
of its own. After Pacioli's published account of pentagon creation, artists gained knowledge of
the star's construction and in arranging space in beauty and harmony. Raphael used the
pentagon's harmony in many of his works. In his "Dispute over the Holy Sacrament" he used the
regenerating pentagram structured within a circle.
Unraveling Spirals
Spirals are the purest expression of moving energy. Unbridled energy will eventually form into a
spiral. Like the pentagram star, the spiral expresses the geometry of self-similarity. There are
three facts about all spirals: "Spirals grow by self-accumulation; every spiral has a calm eye;
and, clashing opposites resolve into spiral balance." (139)
Spirals wrap around a fixed point at a changing distance. The rate of this wrapping varies in
each spiral. There are two main types of spirals: the Archimedian spiral and the golden spiral.
The Archimedian spiral was named after Greek mathematician Archimedes. The distance
between each wrap of this spiral is always the same as in the coil of a rope, record grooves, or a
roll of paper towels. The golden spiral is the most common spiral found in nature. The spirals of
the golden spiral grow wider apart as the spiral increases in length. This spiral can be seen in
nature in sea shells, ram's horns, spiral galaxies and whirlpools.
Spirals have a calm eye - like the eye of a storm. Its core is of a different composition than that
swirling around it. The calm eye corresponds with the zero in the Fibonacci sequence. The
Hindu religion refers to the unmanifest and the manifest in nature. The unmanifest is called
Nirguna Brahma or Brahma without qualities, the unknown. Saguna Brahma is Brahma with
qualities, all that is knowable. These beliefs can be compared to the spiral (unknown) and its
eye (known). Scientists call the golden spiral's eye an asymptote, or a place that is approached
but never attained. Leonardo da Vinci wrote, "A vortex, unlike a wheel moves faster toward its
center" (p. 147). This can be witnessed by watching water rush down a drain. The narrower the
center or eye is the faster the water flows. The spiral is "balance in motion" (p. 147): the speed
of a spiral may change but its orientation does not. The spiral also can represent self-replicating
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balance: if a spiral is disturbed and split apart, it can recover and a second spiral is created with
the same properties as the original.
This balance can be observed in nature - in animal horns, sea shells and galaxies. Divers often
observe schools of fish form into a spiral. Marine biologists theorize that the fish may be
mimicking an unseen energy field (water or air) in the seawater. The human ear is an example
of a spiral as are curls and cowlicks. The nostrils are vortexes. Chinese acupuncturists map a
spiral of the body onto the ear and treat illness on the corresponding section of the ear. The
Pythagoras claimed that musical notes could be expressed in mathematical ratios. When the
notes are graphed by vibration frequency, the resulting graph is a golden spiral. The human
heart is a spiral vortex. All the matter of the universe which is represented in the Periodic Table
is comprised of small spirals whirlpools that together create a larger whirlpool.
Spirals are created from the intersection of opposites. There are four types of spirals that
appear in nature: the whirlpool eddy, the wave, the mushroom vortex and the vortex street. A
mushroom vortex forms when cold cream is poured into a hot cup of motionless coffee. The
cream forms a vortex that resembles a mushroom. The mushroom vortex symbolizes a set of
twins in the womb.
The vortex street can be witnessed when observing a rowboat oar cutting through the water
and leaving behind a daisy-chain of eddies. A series of sand dunes in the desert is a vortex
street and is formed by the wind. Another example of a vortex street is the shape of geese
flying in a V-formation.
The veins in many leaves resemble the vortex street, as does the branch that the leaves grow
on. The suckers on an octopus' tentacle and the tread on a radial tire also resemble the vortex
street.
Rhythms of Manifestation
Challenges at the end of the twentieth century present environmental problems to humanity -
global warming, pollution, ozone depletion. Instead of creating ways to fix problems, we should
work with nature on an on-going basis so that the problems do not occur in the first place.
Being in touch with nature and observing its energy and rhythms will help man to better
understand nature and its needs. For example, the pinecone, when observed closely, each bract
(seed cover) lies on a spiral of bracts winding from the top to the bottom of the pinecone.
Counting the number of parallel spirals in opposite directions yields a sequence of numbers
with an average that is close to the golden mean. The rhythm of nature is much like our own.
By getting close to nature and making a connection with it, we can understand its needs and
take preemptive steps that will avoid calamity.
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The more important lesson of the spiral is that everything is a process and not just an object.
And though seemingly inert, each object has a dynamism. By being in touch with the real world
as it exists as both a microcosm and macrocosm, we will learn more about ourselves. At our
center, we are like the eye of the whirlpool, calm and wise. We learn that the further we roam
from that inner tranquility the more psychological turmoil we will face. It is natural to leave our
center and venture out from time to time but we, like the Dyad, must listen to our inner self
and return to the one, our peaceful center, and not ignore its call.
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Chapter Six: Hexad - Structure-Function-Order
Chapter Six: Hexad - Structure-Function-Order Summary and
Analysis
Six Appeal
Hexagonal or six-sided forms are found in nature and in human design. The beehive is an
example of nature's utilization of the form. Designer six-sided faucets are man-made hexagons.
The Hexad has an intimate relationship with the Monad and the Triad, the circle and triangle as
well as other characteristics like balanced structure and unity. The message that the hexad
sends is one of structure, function and order.
Multiples of six - twelve, twenty-four, thirty-six - have the same properties as the hexad. The
hexagon is a natural foundation for math and art. The Zodiac has twelve signs and it takes travel
through all of them for the earth to orbit the sun. There were the Twelve Tribes of Israel. There
are many epic tales with twelve parts. The ancient Greeks devised a twelve-step process to
create the perfect man. In the modern world, it is a twelve-step program that saves man from
addiction.
Six possesses unique number qualities. Six is a doubling of three and therefore inherits the
Triad's balanced structure. Six is both the sum and product of its divisors. "The Hexad expresses
its self-similarity in self-reinforcing structure-function-order" (p. 182). The Hexad rests on a
solid foundation.
Human Hexagons
The hexagon contains three distances: the length of its side which is equal to its own radius, its
diagonal which is twice the length of its radius and the distance between the alternate corners
of the form. Hexagons are a favorite of human invention because using them in design provides
the maximum and most efficient use of space. The single hexagon is used in designs that
require strength and stability. Multiple hexagons are used in the design of bicycle wheels and
cameras.
When hexagons are designed in a repeating pattern they tessellate meaning they arrange in a
honeycomb-like pattern which allows more hexagons to be included in the pattern than an
arrangement where the forms are aligned in straight rows. It is the most efficient use of space
and limits wasted space in the pattern.
Hexagons Naturally
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The hexad appears naturally in both living and non-living forms. Molecules and crystals
commonly contain the tessellating hexagonal pattern. It occurs in wood cellulose, coral
configurations, fish and snake scales and tortoise shells. The striped muscle that occurs
throughout the body is in an hexagonal pattern and allows for maximum voluntary movement.
Single hexagons are seen in fruit and insects and sponges. One of the most dramatic examples
of hexagonal patterns in nature is the snowflake.
Honey Space
The most famous and recognizable hexagonal pattern is that of the nests and hives built by
bees, hornets and wasps. The bee's structure is commonly known as the honeycomb. The
honeycomb is one of nature's best use of space which is made possible by the hexagonal
pattern.
The Greek word for Twelve is Dodekad. As a double-six, the Dodekad refines the hexad's
structure-function-order efficiency. Since twelve can be divided by so many numbers, it is the
supreme number framework of math and geometry. It has been the number of symbolic
measurement and has been considered sacred since prehistory.
There is a natural relationship between the mighty twelve and the notorious thirteen. Twelve is
the solar number while thirteen is the lunar number because there are thirteen lunations
during a twelve month cycle.
Zodiacal Societies
Ancient societies relied on the constellations in organizing their lives. They often modeled their
communities after the twelve constellations of the zodiac. Communities were often divided into
twelve provinces each corresponding to a zodiacal month. These provinces were divided into
thirty clans which matched the days in the month. These divisions were beneficial to the
community as a whole since different functions could be assigned to each province or clan.
Multiple civilizations have organized their cultures around the twelve-fold pattern. The
Olympian pantheon housed twelve gods and goddesses who were ruled by Zeus. Roman legend
held that twelve vultures appeared to lead Romulus to the seven hills on which Rome was to be
built. The legend of King Arthur is a twelve-part epic and twelve knights sat at the King's round
table. The important symbols and art of societies that worshiped a sun king were often
designed in the hexagonal pattern.
The ancients applied the twelve-fold cosmic laws to every aspect of their lives. They used them
in weights and measures and even in language by using letters as numbers. Over time,
measurements have changed but the original pound was twelve ounces. In England, there were
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twelve pence to the shilling and twelve shillings to the pound sterling. In the days before long-
distance communication was possible, it is fascinating to realize that civilizations vast distances
apart had the same appreciation of twelve. China, Babylon, Egypt, Greece and India all divided
the day and night cycles into twelve hours each.
People of ancient cultures saw themselves in sync with the earth and stars. There are endless
examples of the multiples of six and twelve throughout the lives of these early people. Temples
and society were both in harmony with the heavens. There is vast evidence in the Gothic
cathedrals and temples of yore that the architects and builders had a sophisticated knowledge
of the cosmos. The "squared circle" was a symbol of reconciliation with the heavens. Therefore,
it is not surprising that many churches displayed this symbol. The geometry of this form
represented the harmony of the earth-moon relationship.
The ancients were not aware of the twelve chemical steps in every turn of the DNA spiral. But
they sensed that twelve was an important number and one that all numbers were grouped
around. Twelve reflected the cosmos as well as human self-knowledge. Twelve appeared in
most legends: twelve signs of the Zodiac, twelve disciples of Jesus, twelve tribes, twelve gods
and goddesses of the pantheon to name a few. Ancient Chinese acupuncture recognized twelve
meridians of the body.
Remnants of these ancient cultures and their obsession for the number twelve have survived
through the years and exist in legend and myth today. Instead of categorizing these tales as
merely entertaining and fundamentally meaningless, modern man should consider exploring
the number twelve and discover it anew.
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Chapter Seven: Heptad - Enchanting Virgin
Chapter Seven: Heptad - Enchanting Virgin Summary and
Analysis
Seven is the most revered number of ancient times. Its appeal is seen in modern times as well:
Lucky number seven, seven-year itch and the seven angels before the throne. The Bible
contains literally thousands of references to the number seven. Joshua's seven trumpeters
circled Jericho. There were seven voyages of Sinbad. Clean animals were admitted onto Noah's
ark by sevens if they were healthy; by twos if they were unhealthy. Today, many people believe
that a dog's life equals seven years of that of a human. Seven created a comfortable rhythm.
There are seven days in a week, the seventh of which is the Sabbath. Modern justice systems
often have laws that reach their statue of limitations at the seven year mark.
In the Dekad, the seven occupies a position that is both a link and a chasm. The ancients
referred to seven as the virgin because it is untouched by other numbers because no number
less than seven divides it or enters it. The heptagon is the only polygon that cannot be
constructed using the normal tools of design. The ancients looked to the gods and goddesses
for guidance and principles. The relationship with the gods and goddesses mimicked the
relationships between numbers and shape and math and geometry. Athena was the goddess of
war and she taught the science of numbers.
Enchanting Lyre
Both the math and the myth of seven and twelve are associated, having the interplay of the
triad and the tetrad and triangle and square. The twelve vultures guided Romulus to the seven
hills on which Rome was to be built. The Greek pantheon of twelve deities was translated on
earth to the seven wise men. The Greek took note of seven wandering (nomadic) planets
among the twelve constellations of the Zodiac. The modern seven-note diatonic musical scale
has a connection to the twelve-note chromatic scale.
Music was important to the ancients as it was pleasing to both humans and gods. Music of the
lyre accompanied the voice. Apollo was the god of harmony and was given the lyre by Hermes.
Apollo used the lyre to teach harmony on earth. The lyre had seven strings, each one was given
a vowel to identify it. The Three Fates invented five vowels and Apollo the other two, which
totaled the seven.
The ancient Greeks identified seven modes of the musical scale, each with twelve notes. The
notes were believed to represent the seven human moods. When a note was struck, it was
intended to heal the particular mood it stood for.
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Seven Crystal Systems
Light Fantastic
The most dramatic expression of a heptad is the rainbow. The Greeks thought rainbows were
messengers from Iris to Zeus. Unlike other light that thickens into energy, the rainbow never
materializes and remains only a sevenfold pattern of energy. Sunlight is whole light and is
representative of the Monad. The seven colors of the rainbow are red, orange, yellow, green,
blue, indigo and violet. The red arc is the longest and the violet the shortest. We see only seven
colors because that is the maximum number of colors that our retinas can perceive. The planets
beyond earth have the same color sequence as a section of the rainbow: Mars - red, Jupiter -
orange; Saturn - yellow; Uranus - green, and Neptune - blue.
Only in recent modern times has it become acceptable and even encouraged to explore one's
inner self. In olden times, the deeper meaning of self was kept behind temple walls and church
facades. The significance of the number seven to our self-knowledge was hidden as well. The
seven centers of gravity are often associated with the human body: the spine, genitals, solar
plexus, chest, throat, brow and crown of the head. Self-transformation was at the heart of the
mythical "rainbow bridge" of the Greek Isis, the Norse god Odin and Native Americans who
linked heaven and earth.
Understanding of our sevenfold nature can be found in the astrological symbolism of seven
planets, the seven Greek vowels from Alpha to Omega. The seven liberal arts of Medieval
education - grammar, rhetoric, logic, arithmetic, geometry, music and astronomy - were meant
to liberate man from his mundane existence. Man is inspired by the Seven Wonders of the
World. While modern man looks for the roots of science and math in Ancient Greece, terms for
our inner self originate from Vedic priests. The Sanskrit term chakra (wheel) is used to describe
man's seven centers because seers saw them as spinning wheels and fireworks.
The most recognizable symbol to survive from olden times is the caduceus, the universal icon of
medicine and healing. It was the staff of authority carried by the messenger gods Hermes and
Iris. It was adapted by Hippocrates as a symbol of health.
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The notion that we have seven centers of our inner selves is not myth or magic. These centers
represent the psychological motivations in the form of emotions, desires, thoughts and
intuitions. The Pythagoreans referred to the number seven as the vehicle of life which was a
direct reference to the seven levels of motivation within us. In addition to the psychological
aspect of this subliminal source of energy, there is a physiological element as well. Phrases like
"thinking with his groin," "gut feeling," "have a heart" all illustrate this connection.
There is a misunderstanding in the final chapter of the New Testament when John describes a
book sealed with seven seals. John was proclaiming that man was the book. As John goes on to
describe the opening of the seven seals, each is a metaphor about transformation that in reality
refers to the seven meridians of the human body.
The ancients were concerned with the soul's development and purification. The task of
symbolically constructing the universe for them was to reconstruct themselves. By looking
inward, man could see himself directly rather than through the filter of society.
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Chapter Eight: Octad - Periodic Renewal
Chapter Eight: Octad - Periodic Renewal Summary and
Analysis
The promiscuous eight is the opposite of the virginal seven. It has more divisors than any
number of the decad. Eight was thought to represent justice in ancient times. Common sayings
with eight are rarer than the other numbers. A figure eight is a skating feat and being behind
the eight ball means you're in trouble. Turning the figure eight on its side, the symbol for
infinity is displayed. In the days when pirates were on the high seas, they pursued gold also
referred to as pieces of eight. References to the number eight are more common in the East.
The Chinese honor the Eight Immortal saints, eight symbols of a scholar and eight directions of
wind. Buddhism speaks of the Eightfold Path that leads to enlightenment.
The Islam religion teaches that there are 100 names for god but only 99 can be known or
spoken. One of these is "The Compassionate." The pattern known as the "Breath of the
Compassionate" is often seen in Islamic art and architecture. To construct this pattern, three
factors of eight are used. More than just decorative, this pattern symbolizes the "interplay of
polarities that manifest form" (p. 276). The eightfold pattern is a direct replica of Aristotle's
diagram of the four elements: earth, water, air and fire intersecting the four qualities: cold, hot,
wet and dry. Aristotle learned this symbolism from Plato who had studied the Pythagorean
culture on borrowed knowledge from the Egyptians. Eightfold geometry symbolized the great
Mother Goddess as nourisher in ancient times.
The spider is an arachnid and has two body sections and eight legs. The spider is often a symbol
of mystery and evil. The spider goddess was believed to hang from the heavens and lure the
unsuspecting man into her web transforming him there. The octopus with its eight arms is also
seen as a symbol of transformation.
Scientists group elements with similar physical properties together on the periodic chart. They
noted that grouped elements repeated similar periodic cycles. They also observed that the
properties of the atoms recurred in cycles of eight and that elements in the same rows have the
same number of atoms - between one and eight.
The number eight itself has a relationship with the Monad. Eight results from a triple-doubling
of the one: 1 - 2 - 4 - 8. Life mimics this process when the sperm fertilizes the egg to form a cell.
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This cell doubles to become two cells, then four, then eight and so on. Any such cyclic process
involving polarity such as this follows the principles of the octad.
The numbers seven and eight have a mathematical relationship. Dividing 1 by 49 (which is 7 x 7)
results in an infinite decimal based on the process of doubling and starts with 2, then 4, then 8,
etc. We see evidence of this doubling in nature. A wave breaks when the distance to the
bottom equals half the surface distance.
Humans experience resonance on very personal levels. Our inner world is a dynamic system
and without words our feelings and emotions are telegraphed to others. Taking the eighth step
in myths and religious ceremonies alike is associated with the elevation of the human spirit. In
architecture, we often see a solid square supporting an octagon that supports a sphere, a
structure that represents earth and heaven.
The Chinese book I Ching or Book of Changes, is regarded by many as superstition. The book
contains many expressions of the octad. However, upon closer inspection, the work is actually a
cosmological model and in many ways resembles the Periodic Table of Elements. Both works
are based on various combinations of polarity and periodic renewal. The I Ching focuses on
stages of transformation which is the process that links separate entities. The book is based on
polarity - dark and light; man and woman; motion and tranquility - the yin and the yang. The I
Ching contains a rudimentary binary system that modern mathematicians will recognize. In
today's world, a computer byte is eight bits.
The first ruler of China, Fu Hsi, arrived in a tortoise shell. He was also the author of the I Ching.
The tortoise shell is comprised of tessellating hexagons. Fu Hsi looked deeper into the
hexagonal shell and saw two opposing hexagon shapes that were the inspiration of the yin and
yang. He developed the yin and yang as a cycle of the stages of any process. This process was
comprised of eight stages which were believed to hold the essential structure of every cycle
found in nature.
All cultures have come to recognize that the involvement of polarities is a basic requirement in
creating a viable process. It is true in nature as well as in math and science. Modern science has
learned that DNA is composed of sixty-four six-part codons or genetic words. The six-part codon
is a direct reference to the hexagon while the number sixty-four is arrived at by multiplying
eight by itself.
Arranging squares in the 8 x 8 configuration results in a form that resembles a chessboard. The
chessboard is a symbol of polarity in that one side is opposed against the another. The game of
chess was invented in the sixth century in either India or Persia. The board represents the
universe and the chess pieces represent lives in transformation. The King represents the sun
and our higher self. The Queen is the most powerful piece and is the mother goddess.
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Lunar Geometry in Art
More universal than seeing a man in the moon is seeing the image of a hare in the moon. The
eight-sided mirror from the Tung dynasty depicts the hare in the moon with a mortar and
pestle depicting man and woman, or polarity.
The Octad's role in the universe is to provide the means for self-renewal and infinite growth.
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Chapter Nine: Ennead - The Horizon
Chapter Nine: Ennead - The Horizon Summary and Analysis
Nine is the largest and penultimate single digit in the Decad. Ancients referred to nine as the
end or the "finishing post." The nine is composed of three trinities. Nine was considered by
some early religions as thrice blessed. Since nine is the last single digit it is symbolic of the
highest achievement attainable by man. Nine is a number seen in folklore and expressions
throughout the centuries. It has a mystical aura - a cat has nine lives. The cat runs out of lives
and luck when he loses his ninth life. The ultimate punishment in some cultures was the cat-o'-
nine-tails. Going the whole nine yards translates to going as far as possible. When we are on
cloud nine, we have reached the zenith of happiness. Dressed to the nines is the ultimate in
stylishness. The ultimate in any subject is often referred to as the "nth degree."
Nine and ninety-nine are both considered horizon numbers in that departing them leads to a
new place. Once nine has led to ten, a Decad has been produced. Once 99 turns into 100, a new
level of numbers - three digits - has been attained. In each case nine sits before a horizon and
has achieved the ultimate in its own classification. Nine is the horizon to infinity.
The Scandinavian god Odin hung nine days on the world axis so he could gain the wisdom of
mankind. According to Homer, the city of Troy was under attack for nine days. Odysseus
wandered for nine more years after the battle ended. The Greeks depicted the earth as so deep
that it would take nine days for an anvil to fall to the bottom. The Greeks also honored the nine
muses who represented the arts and sciences.
The Native American, Aztec and Mayan cultures all believed in nine cosmic levels - four above
earth, earth, and four below earth. Christian symbolism seemingly covers all angles of the
number nine. There are "nine orders of angelic choirs in nine circles of heaven and nine order of
devils within nine rings of hell" (p. 305). In the Catholic religion, believers sometimes say a
novena which is a special prayer that last nine days.
There is a mysticism about the number nine. A superstition among composers warns against
numbering a symphony past the number eight. American baseball lasts nine innings with nine
players on the field playing defense. Three strikes makes the batter out on the baseball
diamond which is really square-shaped. There are very few occurrences of nine in nature.
Using nine expresses the most or the best, a belief that stems from long-held values that many
cultures held for the number.
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The ancients revered the nine because it was a sign of success, completion and new beginnings.
The Hindus were so enamored with the nine that they used it to set standards for the rhythm of
their poetry, design of their temples and their measurements.
The ancient mathematicians were drawn to the geometric shapes that corresponded to
numbers. The square and the cube, indicates nine's link to the earth, materialization, matter
and form.
Nine is used to create the labyrinth, based on the St. Andrew's cross which is in the shape of an
"X." The design was an important foundation for the architecture found in ancient Egypt,
Sumeria, Greece, Rome and other early cultures. The labyrinth is different than a maze in that it
has a single route that spirals to the center of the form. The labyrinth represents man's passage
through the world to god.
The nonagon is another configuration created with the use of nine. There is a star version of the
nonagon that can be constructed from the basic design.
The principles of the ennead can be examined through the arrangement of points around a
circle. The form was introduced to the West by Georges I. Gurdjieff who learned of it in Central
Asia in an ancient monastery. The enneagram permits the observer to see the organization of
any whole event in terms of its most important characteristics. Many religious holidays of
ancient cultures were held over forty-five days grouped around each of the nine points of the
enneagram.
Nine represents the zenith of possibilities and achievements and completes the numbers that
are associated with nature. Just like developing for nine months in the womb, once nine is
arranged man is ready to go beyond the Decad and on to the horizon.
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Chapter 10: Decad - Beyond Number
Chapter 10: Decad - Beyond Number Summary and Analysis
New Beginnings
Ten takes us to a new place beyond the basic numbers. It represents a recap of the whole.
Symbolically, it encapsulates two parents and their seven children. Ten makes a portrait of the
whole family. To the ancients, it wasn't a number but the epitome of numbers. It was known
since the Golden Age of Greece as the Decad. It was often referred to as the world or as heaven
- indicating its power and position. Much of its strength is its connection with the Monad
because it is comprised of a 1 and a zero. It creates a natural flow and a unity with the original
beginning.
The English word, ten, has a root in the Indo-European word "dekm" which means two hands.
Our two hands have ten fingers and are the only part of our body that can reach other parts.
Multiplying by ten does not change ten's basic structure, only strengthens it. To the
Pythagorean culture, ten was the perfect number. The phrase "perfect ten" is familiar in
modern times. When something is good, we may say that it's ten times better than another
choice. When something is decimated, it is relegated to a lower place, or symbolically reduced
to one-tenth its original value. Ancient cultures often maintained large multiples of ten and
ways to express them as astronomical cycles.
Number symbolism was used in ancient cultures to express alignment with the cosmos. The
Babylonians celebrated the gods with ten day festivals. There are many references to ten in the
Bible in terms of fulfillment and perfection. Abraham's faith was tested ten times. When he was
one hundred (10 x 10) he accepted God's covenant, fathered Isaac and began the Jewish
religion whose laws are contained in the Ten Commandments. Egypt was assailed by ten
plagues before the Exodus. Jews must have a group of ten men in order to hold a unified
service. There are ten Christian graces. Ten veils keep the Sufis from seeing the world and god.
It is common for religions to suggest that members tithe ten percent of their earnings.
A well-known cosmological model based on the Decad is the Kabalah, the ancient system of
mystical Judaism. Students of the Kabalah must be at least forty (4 x 10) years old to begin this
journey of learning. The Kabalah teaches that the Unknowable God can only be known by his
ten lights in the world. The Kabalah is closely associated with the Decad, the Monad and the
Dyad. There are thirty-two paths to the divinity and sixty-four stages of transformation, similar
to the I Ching and the checkerboard. The Tree of Life, with focal points on ten body parts, is
29
reminiscent of the caduceus, the modern medical symbol. The Kabalah is a complicated religion
and requires much study and a lifetime of devotion.
The Tetraktys
The tetraktys is a universal creating process based on the completeness of ten points unfolding
on four levels. It served as the foundation of the Pythagorean schools of science, mathematics
and philosophy. The process is symbolic of unity.
The Big TOE has been sweeping the world of theoretical physicists. The acronym stands for Big
Theory of Everything. It is based on the concept that the fundamental building blocks of the
universe and everything in it are small loops of mathematical strings that twist themselves and
eventually transform into familiar configurations of matter. This theory is also known as the
String Theory. At this point in time, there is not enough evidence to confirm the veracity of the
theory.
The decagon is found in the painting of paradise entitled, "Tres Riches Heures du Duc de Berry"
which was created in the fifteenth century. The work depicts different stages of Adam and Eve
in the Garden of Eden. The decagon is a symbol of transcendence and fulfillment. At the last
stage, Adam and Eve wind up at a new beginning beyond the gate of a ten-pointed circle
representing paradise.
One of the most famous cathedrals in America is the Cathedral of St. John the Divine in New
York. It is a replica of European cathedrals. The cathedral incorporates the twelve types of
stone referred to in the Revelations of St. John in the last chapter of the Bible. Like most
cathedrals, St. John's is built to signify man's reaching toward heaven. It is 601 feet in length
which corresponds with the Greek word kosmos or cosmos. Designing such a massive cathedral
is based on the long tradition of temple building and geometric design.
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Characters
The Pythagoreans
The Pythagoreans were followers of Greek philosopher Pythagoras whose theories were heavily
influenced by math. Their influence on math, philosophy and science is without question. The
Pythagoreans were the the first sect to recognize that the structure of the universe had its
foundation in the numbers one through ten. The Pythagoreans attached human life to to
polygons structured on the basis of numbers. They believed the square to be a symbol of justice
because of its strength and solidity. They adorned the pentagram with the name of the
Goddess Hygeia who ruled over humanity and health. The word "hygiene" has its root in the
Goddess Hygeia.
Pythagoras' interest was not limited to math and science. He was the first to discover that
musical notes could be expressed in mathematical ratios. The Pythagoreans delved into the
psyche and found symbiosis with the number seven which they referred to as the vehicle of life
based on their theory that there were seven levels of motivation within man.
Pythagorean culture based some of their theories based on borrowed knowledge from the
Egyptians. They Pythagoreans developed the concept of eightfold geometry symbolized by the
great Mother Goddess as nourisher in ancient times. Perhaps the man's fascination with the
decad was due in part of the Pythagorean culture which considered ten to be the perfect
number. The phrase, "perfect ten," carries that sentiment to modern day.
The tetraktys served as the foundation of the Pythagorean schools of science, mathematics and
philosophy. The universal creating process is based on ten points unfolding on four levels which
relates to the Pythagorean attraction to the number ten as a symbol of unity.
The Egyptians
The Ancient Egyptians were looked to as an advanced society by early cultures. Premier among
some of their amazing accomplishments were the Great Pyramids, vast structures that were
built as tombs to honor their dead leaders. The pyramid, to this day, remains one of the most
renowned, intriguing and successful architectural triumphs of all time. In fact, the pyramids
which are in the shape of triangles and thereby connected to the triad or number three, have
withstood the challenge of time and the decline of Egypt. The Egyptian pyramids are a
testament to the strength of the triad design and the innovation of the Egyptians.
The Egyptians had a strong connection to the number five, the pentad which stood for
regeneration. The Egyptian underworld, known as the duat, was symbolized by a circle within a
five-point star. For the Egyptians, the duat represented man's subconscious and his connection
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with the departed. The Egyptians were advanced in math and developed the theory of the
Golden Mean, a process to calculate the averages of measurements and numbers.
But the Egyptians were never confined to just one discipline. Their innovation and interests
reached into a myriad of pursuits. The Egyptians discovered the advantage of applying
knowledge learned in one area to another even though their connection was not initially
apparent. In fact, of all the ancient people, the Egyptians were most skilled at integrating
geometry, symbolism and art in their works.
Giotto
Italian painter Giotto submitted a simple circle to Pope Benedictus XII who called for samples of
work from artists who wanted to work for the Vatican. Despite the simplistic design, Giotto, a
master of design and composition, won the position.
Leonardo of Pisa
Leonardo of Pisa convinced European commerce to convert their number system to the one we
use today. He also developed an integer sequencing system known as the Fibonacci Sequence.
Sir Percival
According to legend, Sir Percival was one of the only three knights of King Arthur's Round Table
to find the Holy Grail. His name stands for ending conflict.
Plato
In his Timaeus, Plato describes a scientific experiment that proves that there are four phases of
matter: solids, liquid, gas and fire.
Carl Jung
Renowned Swiss psychiatrist Carl Jung saw the fourfold nature of Hindu and Buddhist mandalas
as symbolic of the self. He connected them to the psyche and re-labled them as sense, emotion
thought and intuition.
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Albert Einstein
Albert Einstein developed the theory of relativity which is E=MC2 but ancient geometers had
already explored these elements as a triad using their tools: the compass, the straightedge and
the pencil.
Odin
According to myth, the Norse God Odin, ruler of nine Scandinavian worlds, hung nine days on
the world axis to win the secrets of wisdom for mankind.
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Objects/Places
Monad
The ancient mathematicians referred to the Monad as "The First, "The Seed" and "The
Immutable Truth and Destiny - the number one."
Dyad
The Ancient Greeks referred to the number two as the Dyad. It was the number that brought
polarity to the Monad.
Mandorla
The Mandorla was a religious symbol that unified God with man. The almond shape that is
formed by the intersection of two circles is called the Mandorla which symbolizes unity and
rebirth.
Vescia Piscis
The Vescia Piscis is a yoni (Sanskrit for female reproductive organs) and was believed to be the
entity through which all shapes in the universe are created.
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The Fibonacci Sequence
Leonardo of Pisa convinced European commerce that used clumsy Roman numerals for their
calculations to convert to the number system we use today. He also developed an integer
sequencing system known as the Fibonacci Sequence.
The Tetraktys
The tetraktys served as the foundation of the Pythagorean schools of science, mathematics and
philosophy. The universal creating process is based on ten points unfolding on four levels which
relates to the Pythagorean attraction to the number ten as a symbol of unity.
Decad
The number ten was known as the decad by the Ancient Greeks. It represented the world and
heaven. Its strength was attributed to its connection back to the Monad. It is the first two-digit
number and is a departure from the realm of the single digits.
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Themes
God in the Numbers
One of the main focuses of A Beginner's Guide to Constructing the Universe - The Mathematical
Archetypes of Nature, Art and Science by Michael S. Schneider, is the strength of Monad also
known as the number one. The work describes man's attachment to the decad, the numbers
one through ten, over the eons from prehistory onward, and his return to the Monad for the
unity and comfort that the original number, their creator, provides. Although Schneider did not
intentionally weave a theme of divinity within his work, the material presented does that for
him.
The first number, called the Monad by the Greeks, is the creator of the succeeding numbers.
Monad is a metaphor for God, the creator. The number one exists within every number that
follows. Without "one" none of the other numbers could exist. As other numbers are created,
they become independent entities and have their own strengths and purposes. However,
throughout the work there are constant references to the lure that the Monad has for them,
compelling them to return and reunite. The Dyad, the Greek term for two, was a departure
from the "one" and presented a polarity that was impossible for the one to evoke without it.
The Dyad is treated metaphorically like man who has strayed from his creator but maintains
within him the urge to return to the origin.
Although the work was written as a scholarly and historic work - with possible conclusions and
theories suggested - the parallel between the creation of the number one with God the creator
is undeniable. With the second number, God creates the possibility for more numbers to follow.
Dyad is like the errant many who stray from the creator and, at times, reject him. However, the
powerful force of "the one" always brings Dyad back to the fold. The triad breaks the polarity of
the Dyad and returns it to the comfort of the creator.
Ten was known in ancient Greece as the Decad and was referred to as the world or as heaven -
indicating its impact on man. When we learn that ten, the ultimate number that departs from
the realm of the single digit, owes its strength to the Monad because it creates a natural flow
and a unity with the original beginning, the reference to the creator once again parallels God
and man's origin.
Personification of Numbers
By the end of the last chapter of A Beginner's Guide to Constructing the Universe by Michael S.
Schneider, the reader has to be reminded that the focus of the book was numbers not people.
Throughout the book, the numbers are personified and given human strengths and
motivations. The numbers are so often compared to man and his characteristics that this
intermingling at times confuses the two and begins to blur the definitive line between them.
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The number one is portrayed as the creator or God. That the rest of the numbers are given
characteristics of humans is undeniable. The Dyad, the number two, is referred to as the means
by which the other numbers are created. It is often repeated in the work that the Dyad gives
birth to the other numbers through the Vescia Piscis (Sanskrit for female reproductive organs).
The Dyad is portrayed as independent and even caprice in its off and on relationship and loyalty
to the Monad. The triad, or the number three, is described as evoking unity and harmony and
loyal to its creator.
The number four, which is required to form a square, brings strength and solidity to the
numbers. The pentad is authoritative and evokes loyalty and patriotism. The six is the
disciplinarian of the single digits and brings order, structure and function to the group. Seven is
the revered virgin. It is innocent and untouched because no other number can be divided into
it. The opposite of seven, the eight is referred to as promiscuous because so many numbers can
be divided into it. The nine is the penultimate number in the group but is the ultimate in man's
achievement. It is accomplished and strong and brave and is prepared to travel beyond the
boundaries of safety and become a two-digit number.
Human characteristics were not assigned to the numbers by author. He draws on myths,
legends and the history of the ages for the descriptions that humanize numbers. Why did man
in so many different times and places have a similar tendency to humanize numbers? Perhaps
there exists an internal affinity within man for numbers. To many scientists, the cosmos is a
creation of math and science and man is part of the cosmos. We are numbers and numbers are
us!
Most appropriately, the number one is referred to as "the one." In modern society, "the one" is
important as it often refers to the love of one's life. When a person is deemed to be "number
one" it is a sign of success and admiration. The number two, which is also referred to as the
dyad, has a dual nature which indicates that evoking it could hold good or bad meaning. The
sayings associated with it certainly confirm that contention. "Two is better than one" and "two
for the money" are upbeat and positive while "speaking with a forked tongue" and "two-faced,"
sayings which were inspired by the number two, are decidedly negative in nature.
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The three evokes harmony and breaks the polarity of one and two. There are many three-word
phrases that were inspired by the number three: "ready, set, go," and "hip, hip, hooray." Three
is also used in metaphors like "three strikes and you're out," "as easy as one, two, three." In
literature children read about the three bears, the three blind mice, three little kittens and
three little pigs.
The polygon that is based on four, the strongest foundation, provides some common sayings:
"Square meal," "fair and square" and "being square" with one another. The pentad represents
strength. The star is used to described the famous and admired. Five-star generals represent
authority. Six represents structure and order. Multiples of six are everywhere: twelve signs of
the Zodiac and the Twelve Tribes of Israel. Most epics were written in twelve episodes. The
Greeks developed a twelve-step program to create a perfect man. In today's world there are
twelve-step programs that save man from addiction.
Seven has long been considered the favorite number. It is innocent and untouched. It is often
referred to as "lucky number seven." Laws reach the statute of limitation in seven years. There
were seven voyages of Sinbad. Today, many people believe that a dog's life equals seven years
of human life. Seven creates a comfortable rhythm. There are seven days in a week, the
seventh of which is the Sabbath. Eight represents our connection with the universe: the figure
eight represents infinity when turned on its side.
The nine is the ultimate number: Dress to the nines, to the nth degree, the nine lives of a cat all
refer to the most or the best. Ten is the decad which encompasses and oversees all the single
digit numbers. "Top ten" and "perfect ten" are phrases that allude to the number ten's
importance.
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Style
Perspective
A Beginner's Guide to Constructing the Universe - The Mathematical Archetypes of Nature, Art
and Science by Michael S. Schneider is written in the first person narrative. The non-fiction book
is an accumulation of the legends, myths and history of numbers as they are linked to mankind.
The author describes the benefit of numbers and how man has related to and relied upon them
since prehistoric times.
Schneider is well-credentialed to tell this story of the single-digit realm. He is an educator and is
on the cutting edge of new and innovative perceptions of nature, science, art, mathematics and
how their interplay relates to man and how important they have been to the world.
Schneider presents the information without basis and strikes a tone and style that is
professorial and instructive. He has a Bachelor of Science degree in Mathematics form the
Polytechnic Institute of Brooklyn and a Master's Degree in Math Education from the University
of Florida. His international background, having been a Fullbright Scholar in India where he
taught school, brings depth and range to the work. Much of the book focuses on the forms that
are created with the numbers. His background in geometry led to his being called upon to
design the statues at the entrance of St. John the Divine Cathedral in New York City.
Tone
A Beginner's Guide to Constructing the Universe - The Mathematical Archetypes of Nature, Art
and Science is written in a professorial, scholarly style and tone without any apparent bias or
slant. Mathematics, art and science are serious subjects and the author, Michael S. Schneider,
gives them their due respect. Schneider brings his skills as an educator to a lofty subject that is
complex, provocative and thought-provoking.
The author does not offer his own theories or conclusions about the numbers one through ten
and their meaning and importance; he only suggests possible scenarios and presents evidence
and the centuries and centuries of history in which man has been greatly impacted by numbers.
As Schneider delves into the past and evokes the beliefs, symbolism and emotions that were
attached to numbers and geometry, there is no sense of condescension. Instead, he presents
the legends and myths about the numbers that have existed for eons and the thinking behind
them and raises the possibility that the ancients weren't necessarily wrong. He presents these
cases in a even manner and suggests that modern man should not summarily reject the notions
that early man had about numbers but explore the theories with an open mind and embrace
the portions of them that may be found to have validity.
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Structure
A Beginner's Guide to Constructing the Universe - The Mathematical Archetypes of Nature, Art
and Science by Michael S. Schneider is, as its subtitle suggests, a voyage from 1 to 10. The
structure of the book is very organized. The book covers the numbers one through ten and is
accomplished in ten chapters, each chapter covering a number. As the story of one chapter
ends, the author provides a brief statement about the succeeding number and chapter.
Before the beginning of the actual book is an Acknowledgments section in which the author
expresses his gratitude for the team that helped him amass the resources and materials for the
book and for those who helped him throughout his life. There is an essay entitled "Geometry
and the Quest for Reality" by John Michell which follows next. In the Introduction, the author
writes a preface to the main book. The main book is followed by a brief epilogue which
discusses the science geometry referred to in the work. A section entitled "Credits" that lists
references and resources is the last of the book.
There are hundreds of illustrations and graphics used throughout the book. They range from
comic strips of Calvin and Hobbs to depictions of ancient artwork and images of the geometric
polygons which are one of the main focuses of the book.
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Quotes
"'You cannot conceive the many without the one. . . The study of the unit is among those that
lead the mind on and turn it to the vision of reality.'"
~ Plato (Chapter 1, page 1)
"'God makes himself known to the world; He fills up the whole circle of the universe, but makes
his particular abode in the center, which is the soul of the just.'"
~ Lucian, Christian theologian (Chapter 1, page 8)
"'The One engenders the Two, the Two engenders the Three and the Three engenders all
things.'"
~ Tao Te Ch'ing (Chapter 3, page 38)
"'One cannot help but be in awe when one contemplates the mysteries of eternity, of life, of
the marvelous structure of reality.'"
~ Albert Einstein (Chapter 4, page 60)
"The ancient philosophers saw their inner lives arranged according to nature's own harmonies,
for in nature, geometry, and their spiritual lives they discovered the same principles."
(Chapter 4, page 89)
"Rising higher on the spiral of experience, a new world requires a transformed vision based on
cooperation or partnership with nature, not exploitation."
(Chapter 5, page 164)
"A father has twelve children. Each has thirty daughters, one side white, the other side black,
and though immortal, they all die. Who is the father? Answer: The Year."
(Chapter 6, page 200)
"The rainbow provides a transitory glimpse into eternal principles. Light touches everything.
Anything can stop it, yet nothing can pollute it."
(Chapter 7, page 252)
"Islamic tradition holds that there are one hundred names of God but only ninety-nine are
knowable and speakable, and they are called the 99 Beautiful Names of Allah."
(Chapter 8, page 274)
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"In their cosmological models all cultures recognize the interplay of polarities as the most
fundamental aspect of creating process."
(Chapter 8, page 291)
"Ten takes us beyond the realm of number itself, above the fray of ordinary numerical
interactions and geometric relationships. It is a new beginning, a journey into limitlessness."
(Chapter 10, page 324)
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Topics for Discussion
What is the monad? What is the dyad? Explain the significance of both and how they interplay
with one another.
What is the horizon number? Why is this number referred to as the horizon number? What
does the position of this number signify?
What does the phrase "tessellating hexagon" mean? What are examples of this design in
nature? Why is this design strong and the best use of space?
Describe the Chinese book The I Ching. Why is it also called the book of changes? Who created
it and why could it have significance in modern times?
What does the pentad represent? What is the rabbit riddle? What are the Fibonacci sequences?
Why is the seven referred to as a virgin? Why is the eight called promiscuous? What legends
are attached to each?
What is the decad? Symbolically the decad is said to contain a family. What is that family and
why is it referred to in that sense? What is the strength and meaning of the decad?
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