ADAGIO ALBINONI QUARTET-Partitura - y - Partes

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Adagio in G minor

               
Remo Giazzotto arr. Matthew Fernandez

  
 = 60

   
   
Soprano Saxophone

Alto Saxophone  


Tenor Saxophone        

   
         
      
Baritone Saxophone

              
      
7

           
S. Sax.

  

3

A. Sax.

  
T. Sax.            
     
        
pizz.

 
Bar. Sax.

         
 
12

             
S. Sax.

  
A. Sax. 

         
         
3 3

   
T. Sax.

 
          
3 3

Bar. Sax.
           
    
17

          
S. Sax.

 

   
A. Sax.

            
3



T. Sax.

     
  
3

   
3

Bar. Sax.

                   


  
22

S. Sax.

      
   
 
A. Sax.

          
  
T. Sax.

 
          
   
Bar. Sax.


                      
28 3

S. Sax.

   
      

 
A. Sax.

       
T. Sax. 
       
        
        
Bar. Sax.

2
              
      
36

S. Sax.


                       
3
3

  
A. Sax.

              

  
T. Sax.

   
Bar. Sax.             

                 
 
42

S. Sax.

      
               
3


3
3
3

   
A. Sax.

         

3

 
T. Sax.

   
Bar. Sax.             

                 
  
48

S. Sax.

       
 

A. Sax.


       
 
  
T. Sax.

  
Bar. Sax.         

3

                             
53

S. Sax.

      
A. Sax.    

        
T. Sax.

   
     
   
Bar. Sax.

     
59

S. Sax.

                        
    
      
A. Sax.

 
T. Sax.       

Bar. Sax.      

  
            
 
64

                 
S. Sax.

   
A. Sax.   


      

T. Sax.

  
Bar. Sax.     

4
         
        
68

     
S. Sax.

                  
 

A. Sax.

      

T. Sax.

  
Bar. Sax.      

     
                         
  
72


S. Sax.

      
A. Sax. 
         
   
 
T. Sax.

  
        
 
Bar. Sax.

        


         

78

   
S. Sax.

      

3

A. Sax.

   
       

T. Sax.

    
           
 
Bar. Sax.

5
              
   
84

       
S. Sax.

        
   
3

A. Sax.

                             
3

 
3
T. Sax.

     
  
       
Bar. Sax.

            
          
89

               
S. Sax.



3

A. Sax. 

          
3


3
T. Sax.

  
    
           
Bar. Sax.

    
               
 

95

     
S. Sax.

      
 
3 3


A. Sax.

    
T. Sax.   
    

          
Bar. Sax.

6
           
   
    


102

  
S. Sax.


A. Sax.              
         

T. Sax.       

     
    
      
Bar. Sax.

                  
     
 
108

                    
S. Sax.

 
    


A. Sax.

         
T. Sax.    
      
    
Bar. Sax.         

               


 
113

    
S. Sax.

                
 
                
A. Sax.

 
T. Sax. 
      
        
   
Bar. Sax.

7
                    
          
119

                  
S. Sax.

 
A. Sax.             

    
          
   
   

T. Sax.

          
          
arco


Bar. Sax.

     
               

128

    
S. Sax.

           
A. Sax.    
  
  
      
          

T. Sax.


      
        
Bar. Sax.
       

               
136 3

 
S. Sax.

      
           



ad. libitum

A. Sax.

   
 


T. Sax.

 
   


 
Bar. Sax.



8
S. Saxophone Adagio in G minor

                                    
Remo Giazzotto arr. Matthew Fernandez

      
 = 60

                  

             
3

 
11

                      


              

23

                       
           
33 3

                                    
3

   
 
42

          
3

                   
3

     
52

  
        
           
 
60

          
                              
 
70

          
                         
 
77

                   
            
3

  
87

3 3
   
          
               
    
97

3 3

                     
  
        
         
107

                             
      
114

             
                  

124

             
136 3



2
A. Saxophone Adagio in G minor

                
   
Remo Giazzotto arr. Matthew Fernandez

  
 = 60

                
       
       
13

         
        
3 3 3

        
24

    
                               

 
39
3 3 3

                        
3

     
49

            
            
61

     
                            
    

67

                           
         
72

                                    
  
 
86

          
3 3

                          
 
97
                          
           
 
108

                   
               
115

                      
    
 
125

   
              
   
137 ad. libitum



2
T. Saxophone Adagio in G minor

  
Remo Giazzotto arr. Matthew Fernandez


          
                  
 = 60

                  
               

14

                                     
3 3
3 3

 
24

                             
     
40

       
                           
55

       
                                         

68

 
                 
                      
84
3 3

              
      
94

                             


  
110

                      
              
   
  
119
   
          
132



2
B. Saxophone Adagio in G minor

      
Remo Giazzotto arr. Matthew Fernandez

     
       
                 
 = 60 pizz.

      
     
                        
13

      
        
                     
26

           

                       
38

    
                             
   
51

     
         

              
66

  
            
           
         
80

          

                       
92

            
  
                   
105

    
              
            
arco


118
 
           
          
130



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