True parrots

Yoshto Tsuda
r-¡;..;83B!:;I¿ 15 September 201 O
20 1 o~ 91=3 1 5 s Recon1mended paper
35 '35cmJ~J:O) ·~ .,.. s1ze: 35x35cm or bigger
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,___ Head (step 144 -166)

Eye (step 167-172)
Wing & Tail
(step 130-143) Thorax (step 180-183)

Leg (step 88-123)

Foot (step 53-87)
Finger (step 124-129)
Finger (advanced)
Tail
(step 1-52) (step 173-179)

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 arthog
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Quentin Trollip(Canada)
Created. 20 1 1.O 1
Paoer size· 45cm In
Length: 1 6cm to
it
This des1gn was based on achieving
; ha
a mane on a closed-back model. The ex~

mane was obtamed by The raw comers Unf

the facial details, use a thin and strong edges on the surface of the body. The .
show a complex way of forming the m1s
paper. F011 paper w1ll al so work well Be front and hind legs are of equal length. turn
front legs around the layer of the chest-
careful not to np the paper, espec1ally pomt-splltting the cerner of the "ongmal"
the The detall of the tace and head is Be
at the seam when foldmg the model 1n square. Two edge grafts adde d the
obtamed by arranging the pomts and pe
half you feel to mclude them y1eld the paper for the rest of the head details in
layers m such a way to Freemg the 1 fe
individual pomts for the warts , eyes, th e form of one-and-a-half preliminary
layers of the ears from the layers of to lt
ears and color-changed tusks and facial bases.
the fac1al harr 1s qu1te d1fficult, as can con
ha1r reason 1s to prevent any folded
be seen on All the creases are based 1
on 22 5 degrees and the reference des
pomts are easy.the CP. There are extra the
You can pos1tion the folded warthog Ho
m d1fferent postures like runnmg or WO
stand1ng as well, use photos of the real with
ammal to gUJde you w1th th1s.pornts for me
a second pa1r of color-changed tusks 1f
But
As there are many layers allocated to
or 1
eo
wo
Mo
corr.l
but
be
the

een
d._ILII
the
Hind leg o
Front
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7

Shipo Mabona(Swiss)

~ a 2 ~ o 1 go ..,ommiSSioned
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0
ol an or ga 1 crab 1thought
0 lo be a easy tas oecause
ad already gamed quite a bit of
e e e ce des1g ing arthropod s .
... 0 ately 1 1as corr p1etely
e s a e ano t' is des gn shoul d
9 t o t to be q 1le a c ~a ll e n ge .
Beca se nere have been so rr.any
peop e o des1gn a c,.ao before me a squash-fold on one part of the paper box-pleating to simpl1fy the foldmg
1 fef y desrgn ould at least ha ve that was left to form the shell and on seq uence and 9've the appendages
lo 1ve up lo the qual1ty of 1he other the other part 1 d1d a point spllt to form a n1cer shape What 1 partJcularfy like
contemporary ongami crabs. At first the eyes. All that was left to do was to about th1s model is that there 1s no
l t ed io come up with a box-pleated use 22.5 degree geometry rather than repeated s1nkmg needed.
desJgn because 1 figured 1t would be
t e eas1est 1ay to f1nd a solution .
o 1 ever 1soon real1zed that that
ould not be the case . 1carne up
/
flth severa! patterns that would give
me all the appendages needed
But 1dld not like the folded shapes ---1- /
1
or regarded their h1gh degree of
complexlty as melegant. 1 frgured 1
would have to rearrange the flaps
Most other crab designs 1 know use
cob rner of edge flaps to form the claws

ut 1f1gured
be usmg center flaps would
th useful because lltked the 1dea that
e large am t
th oun of paper gomg into /
/

c1 em would result in th1ck massive

'aws Afte f1t /
e r tmg the claws m the
enter of th
d1stnbut e paper 1 cou ld n1cely ... ..
the P e the flaps by s1mply dividmg
Wout:~r mto flfth's so that all legs
ha~e th e edge flaps and therefore
e same thlckness. 1performed
 ,¿ •

cara
Robert J. Lang(US )
eateo· e: . 2
1e a·e 2 2
ooel s zs. 7 c ....... lo
e
aper s ze· .:::5 e
L
aper a nga p
-ece 1 e.. a or - o a ... eco d
ga es gn Seore s e
-2 1) In aa t o o
fro t e axJs a tstance called t e e ase e a er a o d s e e Ovest
ele at1on en carrymg out a polygon- tt 1s to e ax s m er er ele ction or ng e
corree ng aro s pograp ca errors
pac ea aes; • 1 use dtfferent colors
a s e o . . ea' g he rs t1 e
for eac ot tnese fam11les of creases he late Ene Jo se l a d m Bet ee
a o na ano paat g e color se eme
rrrespective of etr fo d angle (mountam t e Fo ~s r at a er t e base e real
o ro e lea- l 1 also
e a er po go ac g eh 1s a afley or ol eol e color prov1aes an folomg begms ha ts so et g at
ore-... e nc ar ato of e cie-n er nd ca on of e creases posrtJOn m the e should all ee 1 na. e ase at
pac g Po ~o pac ng s a general fin s ea base ano t erefore provtdes a th s CP fo es to doesn loo uc e
co cep ate co asses a res ncted set of t"~:s for the collapse. In rs CP 1 e fin s ed model ere 1s con tderab e
o of e oecaGes-o a techn q e of box ave usea shaaes of gray rch are less shap ng e Ulred B t t at 1s mdeed
p ea g b e no o s ore general otst nct1ve than colors but you can st11l where the fun and the real foldm
se thts nformauon to elp you assemble an
a bo p ea ng n pa e lar one can begrns.
of
crea e symmetnc aXIal bases t:ased
Th
o 30 sy etnes rat er than tne 45°
s e e... of box pie a g 1ca 1 s new
aes g system e p eati g
1 recent ears 1 e des gned a small
n m er of ex-pteated or s ex
p ea ng s a b more m e t an box
pleab g a a s arder o precrease e
crease patte s y a d so 1 on t o
ery o e . B t llo e e sy e e
s al pattems one can ob•a n For
e new e apter of ODS 1needed a mee
pedagog cal example a 1 stra+ed the
concepts b t wasn t oo awf fly d cult
and d d t c~ntain too many excep anal
structures For at purpose 1des gned a
new scarab Ch yo see ere
n po ygon pac ed n ax al bases t e
o ds fal nto several classes sorne of
tch are famiar to afiCionados of etrcle
r er pac ng t ere a e ax at crea es
noge creases and creases h
also eXJSt mc:trele packing ere are also
vano s fanúltes of ax.s-parafteJ creases
similar to aa aeases but lateraly offset
2
 Manuel Sirgo(Spain)

created: 20 1o. 1O Fig e

Length 7 cm
paper size: 25x25 cm

1created th1s model when 1 wachted it

~a in my garden 1n spnng.
the closest
or angle The Melolontha belongs the fam11iy
~ it is phitophage. Fig G
tn Between You <3' see the mam geometry m the fig.
se. the real A. B.
metheng that The lg e as the result of collapsed B. You
~ at the job from th1s step for maktng
base that
much like -.mes otfig o.
The fig E as for helptng to make the
mnsiderable
: ofF, the final CP.
•s tndeed,
al foldang ,
The f1g G shows how to go up the Flg D
nmae head betwen the layers
~ JIWS and eyes. Fig H
... ... The lg H IS a vtew under the model. Fig E
....

Pata Pata
Htncllg
r----
Fig F
., ,.
, 1

1
1
1

•
1

,.
,"

1
•1
1
•• •
1
 ••

Pe e e G ass opper
De ·g ed 8-20 6

A -
a

leg 3 nd tt 1 1 1 t
knee unn
htnd rs t
of the ub¡ l m "
As ch1ld 1 ould r n
catch gr s hopp r nd 1
would rem mb r dr tm ti
the way th fokf th 1r h d
legs when th y bollt t
Leg 3 Jump. Th hind l1c:u
foot shaped lh t th low r 1
tucks n tly mto lh IIHgh
and becom on ti P 1
reatrzed , trom n ong mr
de rgn standpolnt lh r lh
long leg could eh b
1
represent d by two h
 o er typ e of grass opper vtth
tend d legs a d one vtth fulf open lhe origmal crease pattern for the ne
.,,...n s Art stically 1 lhought rt vould be models, ¡ust by grafting mo e paper lo on
1

n ce lo create a sequence of a valkrng, !he bottom two edges of the paper, Thrs
JUmprng and flymg grasshoppers (ft rs ensured th at lne invarrant parts (head,
aJso a good exerc-tse to des1gn the more thorax, front two legs) of !he grasshopper
compfex versrons so th at no one can model were rdenticaJ for each vers,on and
say that 1 folded th e stmplest versron shows one advantage to using a dragona!
because Jt was the easrest) At this pomt layout for a crease pattem.
r found that 1 could reuse much of Reference pornts:
Perched grasshopper; SQrti2J + 4
Wafkíng grasshopper: sqrtf2J 1- 5
Flying grasshopper. sqrtt2) + 7

Head Antenna
Leg 1

rte d

en
of
tra
ed
ey
ty,
Leg 3
't

en
di
Uy
d
to
so

e
e
r1
35
 Flying Grasshopper
Designed 10·2009

·f51JtF$
·~ffl
39.3
-~15!-tt
Head Antenna Leg 1 Leg 2 Leg 3 ~IJfi
«r ¿:O)~
-r 13!?:>-f,
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ftttt~

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Kashiwa mura Takuro

t ->'C".to 1J, aiiJ r.t L , O)

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t

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9 te té L .. lE OJ ~ ~ t b P L 1E ~ fJ:
t 'te 61) (: 3 ~ 9 .Q b t L t1 a: it lv
fltJí't=H~ t: J: * .Q-rc 1Jfi: J ~1 '9 t=.
n-c-"t~

1t JO S •
 Katsuta Kyohei

i 8:2010.05
"!74':X·s4 64 cm t.:oct;.,,B$J1i-.'J'ctJ 1J l~l::LT tJJf] Lt-n 'L.~1~ JIJf'l (}) -~0) n;Lc:~
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t~ ; L l' 11, ~ 1;o c. t-e: 11 1 ~ K:1Ht~-J tct ' ' ít ~~~~<:-~ttJ A.mJ~II,'flili 1OOkrn <
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Lti.. *Jg~ J ""V(t?t.:: 1:-r:, UJi
· , ttlllqJrn O) t::. al), __ ttJAL1t f± l6
tJ ~l.\? J.:<~'!> /o 1:! A~ ir 1,. '~ L
t.: i) f;t ~ , __ it ~ (t lb tr ftíJ 0) *
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(/) fJU~tl:fJ'~~ At, ~O)'""~ t)
fJ .. Rflc1)1 - /t~':t'cil;J.tliJfJ'"?Jf~
't'~t t~ ~O)~"Jffl L 't"\. "t
'~b~)TQ 1.'~1;¡'-''fJ'~.lt,
.., '"' c1)l: ~ 1.: eL -e~., tt ~ f~B'J
1.'&!tfl O)jit tfUtt :tti lit ~'.a
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Jtlq)fi¡O) u q:}ffiO) ..

{t it~tt~'"'""ab''-~"">~ O)
 J-i':I•T:t:l•t:::t:l
tran Trung Hieu
(Vietnam)
ted ·me 20 . 6
- erea frne: 20 1 1.02.22
-- .,.., 70 54 54 cm.
PaP8" ~"-'·
-- ~--- 51ze: length:2 1cm
o ocm
1 e es gn a dmosaur usmg bo
but 1ttun about ho hard
00 a velociraptor 1ha e to
l rnodell folded to upgrade
last which was a present from
rJ.., - The fisrt vers10n
had sorne átsadvantages so 1 wanted to
1 u:ñ ~ a short tail no feathers on
lhe head asmallayer to fold the feathers
on The firsl 1 thought 20 grids
was h best to fold but it wasn~ enough
layers k> lold more feathers. lt falled. then
1tned 24 grids. Fortunately, 1 succeeded
fold ng Wlth feathers on the head. 9
PQIIts 10 fold the feathers on the forelegs
ald h long tal.

To fokt this rnodel, you need to choose

e rtght paper because 1t has so me
Parts Wrth thtek layers and others with
llun layers. 1don't have any big t1ssue
\:Ji Plpers so 1try a !hin wrapped paper
WhiCh •s porpular 1n Vietnam. But this
Piper has some colors and don't have
~ allor lhat looks like skin of dinosaurs.
~nd a Paper wluch was made from
llin .-. illld short fiber pulp. h's very
.....fiWJ ~ IS 90Qd. 1wonder IS the
Pllper lOad. too?

::- dlrs. 1th•nk about fold1ng aga10

an "- tal on the head. the fellhers
'* ,._ ••ortton
. . anct rny 1I\Mn1 tñed ao
n... ,._ '-lolclng "'Y IIIOdet
 · ~

•
Geosternber 1a
.IJ I.:l•?:l·~;t';l
guyen Hung Cuong
(Vietnam)
rea-eo oa:e· 20 1.0 1.06
ooel stze: 33 e··~ fti!Ji'F E3 :2
aoer srze· 40Xé0 cm equaJor shorter than the edge. But J thmk stde of the CP 1s the same). 1think 1t won't *ft"!t,-{:A
1t vouldn t matter mueh if 1 had a beautiful be too dtfficult be cause it 1s combination :tGP1tt-1'
resull. of s1mple boxpleating and 22.5 degree
' weO oreat res a a S mSOif€ me 1 method. The ratios are mdicated in the
1 ore • ~o half CPs not because there
e ~a-ea o o os
- ano so e o s
- small square.
are 2 vers1on of this model. They are 2 MIJ{''F-?:
- s t e 1 a t o ere ate so etnmo .. mam steps for collapsing the base. First, After that, you have to bring the point A
ore a as and ne er bee oone -ffl:t~, ~
you ha e to follow the Ieft CP {the other (tail) down and open ·squash the point B 1J ~.QO)
e ~ e - er: 1 o o t of a Ptera odon
.........,,_.be
~

to have the result tllustrated in the right

s spe es t-:7 ::J /
CP. Yo u can use the mtersections of
as a ea o ar po nted crest L, t:.. o f.b. tl·
diagonal lines come from point A and C
s ar as 1 o e e a e an o oa
..., i ~/-T~
eranooo s e a a e a o g crest (beak) with the gnd lines as reference
pomts for this part. The area that you JUSt 9tJ '-ttl
ao ar· pro ect o :o JS IS my
spread will be the belly of the model. <~?tfi'J
a ce to ao sn -· o e
- So you had the base of my Pteranodon v'~9o M
1 ~e des g be a Pleíanodon
stembergi. To contmue, you have to fold t:.. <t';. ~
erg t a larce
... color e anoed
...
..es 1 anl O 3DUS e e S a € tio the wings to oppos1te sides, swivel the ~ Jt.- ~ íll: 1.t
ad be~Jse 1 s e ost legs to the right pos1t10n and do sorne 0)-c~, <
bea pan o' s an at o more shaping Good luck! p~¿: L Tti
Cnoos g e a s or e CP s e fi st ~7i.cJ'~
g .... e d ago al ax s see s o be / .Z.7~~9
e e ·ec e fo s odel But t e / ~=-:::> l.t <:
B e;s e
s e oolor fv o 7' •:;?
ae~ ost my des gns uft+.h
/
tJ !>J:"?~
15 a s ave e gs oo or a ged
~ 1'xtt0)
1 s o a ad ng 1 also ad a mee / / 2004 ·~
s 1 caBed -vou g Pteranodon"
srrta ax 8 e 1satd 1 ant the r1t!: O) Ji~ .qlo.-

s eatl so 1 th ng e !itQ <1'f.~

ngs o e oo or be b€ er 1 ay t;:. L1J'L
be same ay 1 des1.9 e next ersron a"~~
ae_ aJ d ngs color cha ged IJ-:> T t.
oreo er 1 st a t 0 e penment
ilítt'
o et g e So 1 sed boo a.xas f:!ñ t; ..... .2

e gs erefore don ave color

~t:
e a deti T e pay-off s e des gn 11
t.: tt t;:. f)
be less e ea: ve d ag onal am tne
le of e ndel can be onger tha o 'Jt"
~
lhe squ~e s edge On the other and the
sae o1 a modeJ book ax1s 00 y be /
/ lii:J t.- <1:. ~
e

o J.: '5 ::f./

 Miyamoto Chuya

8 2010.1 1
if-{A79 79cm
;ifl1J~A:Iic!26cm

J: -:>Ci ~O) N ijt(l;r Lt.J t- 't, uf€tttl:

(4-,
? t::. t oJ-c-t il~t Q~ ~ :t- Jvf;( 7
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nt 8 ~ - :t¡ 'fJ'}::_ e '~9 g{h ~ ~9 ?±§ L t~S?t;:.&6,:(i u' m, 0)1;;./vtf:. cÍj t. l \-) .\!.:~~~tt tJ~i_; l:
g t
s of
?:L/ ti '("'?tfr-:>--- ~ *
.:;¿- ~11;.1. J: O):. t: ~ l t:r. (t 11 (~ t;;. 'J tt ~? Ttd: t. 'h' t t~.? O)--r9 .:t"O)J:?
~~ ~IJ ~ t: 7 :J / ""f jj "':7 JvtJ , ~§Jl~ z..t1~t!{ L:rt, '~"t id: t ~'e 11ftttr:: tfi IJ t.: "J:? t.:~ tJ , t-:
dC
:~fe'~-Lt.:OJ:i 2 O O íF- t.. ~ t ' 6 ?5 ;t !;( tJ. ~ fitjf'f- ~ L -e L ' 7 :j / 1:' L. t.: O) § 't l: L ~ l '""f
rence
u ~n¡- :t 1 o <t;t i ~ *
~t:. t: r:, {OJ t ~~~t. 'cfi1Jft=~ L !if ~ l: tfr ..) T L 'te..~ O) J: ? l <:: , ~9T Él
.:; 'J O) t ~ {'f? T 't;:. t ~~ n:<~~t~n'~~~9 fiH'F~LArá~ l- '~ ft fi J1J t:. v' t "' -j ~ ~ ~ , rlC t.: ~
odon ~ -t ifn lJT , t 'O) t: tJ' ~trr 'J tt
t~ t.ñ !j:, t::. ff3 tl' -e~~ t::. l :te: . Lh' g=,:: tit.'Gtlflt ' O)c"t
o fold .;..:c~Q ';tm c:r-'h~ f'FO)' -
el the ~ t,t l O)"ft G:L~t '~f.l.i~
sorne - <;-rtrltJ -tt ~, ( H'FO);
... ...,t,i ~ ttt~~Jllt ~9
.; 1 ~.t'J r: t.; M e í'F~
o

~ lit Q:.:~ ': ~ 'J ~ Lt;:. fJ , fj; r' l1

... "J -r t: QJ:?~s 'ia;•;~-tt
1 7
"- tJ '=>f'F-::>-rt. Qtt. ?a
. s -,
l:: Lt.: m
1: tt ~ 'J ~ 9 il
*
~~ tO)-r (;1 a; fJ -l! lv
2 OO ~~Jtf<Lt.:f!?:i:.rt=<!~,
~ ft1J,;~ .://Jtd: fl'-:J*8
t: L~ 1,.-..t~ ? ~tJ S'éi~~'J:fL
~ L ' '! t.: t:. t:tlvt t:r. <rátJr
l-"J( f'Jt.:L t l '? ~~Rt:· tt-c.=
Tl '!1" \,.
ir r, u Jt T~t'!on: t~~A
~ _ LT"- lT if=t:-;1' Ati
'ttl:·t:J~. Jf~&:i$< ~ T-';" ~~
~ .., t.· 1;[ ~·eh> .,. -t:- m:> t~
~ t1?"t ~ 'h'i:!: t..·
~t:. t.~~C7)~'t
~'tt~.t?t.ttllifl~tf~M-'- ~
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• 41
 are

Morisue Keí

,
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L -r-
...
T l., L f ~ :-¿~O) ~
n:L : :Zt' -r~9 m- 7t.:~?
L -r .... ~ 1J fJ ""-~ "t - ~ ?t
? ~~ Tn~ :~ ~~<~
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tt (1) ' t iJ ~ 1::
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42 -
 D
Robe

.. r Ur
1re
e l t
a

e e

ar One e n an
~~"~ a P tt m of u nd
-..-::~ · 1e l)

o
o e term n t d
P e P ttern run o f
er o th t om lile r cut
or
trim the p lo t
 S

az
... --~ ..., r:: - ----
'""'1 ::l 1.(:::. - - t:'

-e_ - E --..::: e e
e:...
es r. ... ese ases :re ~se
: e
--
e er::
......
~ e... -

---:----;;--!€) Q 1
'"ease ~e cr

e
e - lEC€
E mees .J es cr.

E e.. e s- e sse ,a
-
~e~s ~~~e
"-O .,. ;
e
;
.. 2

S e .. 22 5c a"; e S a es
s case e a e a s - ~ e re
tesselaó~
~ e 2 3 o 1: ses e's o ts . . e
a are IS o a g s ows
e re a e s p e ..-ee, e crease
pfl'le and e d b~ easy
mct e references
Bw s s o e bas e re~e e
o e de so f e try o d g
arger e s s o s esse a O"
becomes ore comp cated to e
-
..._

and e precreas~ng becomes

suggest you use a .sqr2 paper as

,a. 11a11ng shape to máe your fddl1g
noe *a9Jt forwad
S art by d v d ng t e s des of th e ..,...
riCtMgle no parts exarnp~e ¡;
•• 3x3 ~ you ca • t11Pf nunta You t t.:.
n let a : 1 sc,2 gnd
"'(' ~"(' ..
2. Now crease h 1nes lhow1 at 45• "
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